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Pygmalion en
00:02:57	So long, ducks.
00:03:00	So long, 'Liza.
00:04:19	Why?
00:04:21	- They found a tarantula in
00:04:24	A tarantula.
00:04:27	It's got six legs,
00:04:30	What does it do
00:04:32	Eats the bananas, man.
00:04:37	- Looks like rain.
00:04:52	What can Freddy be doing
00:04:54	He really ought to have
00:04:57	Taxi!
00:04:59	Taxi!
00:05:02	You won't get a taxi now, what with
00:05:05	Oh. Oh, here he is.
00:05:08	There's not a taxi to be had
00:05:11	- You haven't tried at all.
00:05:14	Go again, and don't come back
00:05:16	I shall simply get
00:05:18	What about us,
00:05:21	Oh, very well.
00:05:24	Sorry.
00:05:26	Now then, Freddy,
00:05:29	Oh, all my violets
00:05:33	What did you
00:05:35	As if I haven't got
00:05:42	How do you know that
00:05:45	Oh, he's your son,
00:05:48	Well, if you'd done your duty
00:05:50	he'd knoWbetter than to spoil a poor
00:05:55	- Well, uh, there's a shill-
00:05:58	Thank ya kindly, lady.
00:06:01	- NoW Will you tell me hoW you knoW the young man's name?
00:06:05	But I heard you call him Freddy.
00:06:08	Who's tryin'
00:06:10	I calls him Freddy or Charlie,
00:06:13	if you Was talkin' to a stranger
00:06:16	Come along, Mother.
00:06:23	Oh, cheer up, Captain.
00:06:26	If it's raining worse,
00:06:29	Come on, buy a flower
00:06:31	- Sorry, I haven't any change.
00:06:35	Now don't be troublesome.
00:06:37	Here's a tuppence,
00:06:40	- Taxi!
00:06:44	Be careful.
00:06:46	There's a bloke over there takin' down
00:06:50	But I ain't done nothin' wrong
00:06:54	- I'm a good girl, I am, so help me.
00:06:57	But I never spoke to him except
00:07:00	- What's the good of fussin'?
00:07:03	What'd she do?
00:07:04	There's a "tec" takin' her down.
00:07:11	What you wanna take down
00:07:14	You ust show me
00:07:17	How do I know if you
00:07:20	Why, what's that?
00:07:23	That ain't
00:07:25	I can't read that.
00:07:29	"Cheer up, Captain,
00:07:34	It's because
00:07:36	Oh, but I meant
00:07:38	Oh, sir,
00:07:41	You don't know
00:07:43	They'll take away my character and drive me
00:07:48	Charge?
00:07:50	Really, sir, you needn't start
00:07:53	Anyone can see
00:07:56	- Just mind your own business!
00:07:59	What harm
00:08:01	Who's hurting you, you silly girl?
00:08:04	It's all right.
00:08:07	He's a gentleman.
00:08:10	Gentleman? Ha!
00:08:15	- How are all your people down in Selsey?
00:08:17	And how do you come to be so far east?
00:08:21	Oh. And what harm is in
00:08:24	It wasn't fit for
00:08:26	and I had to pay
00:08:29	Live where you like, but for
00:08:32	No one's going to harm you. You have a
00:08:35	Park Lane, for instance.
00:08:38	I'm a good girl, I am.
00:08:41	Here. Do you know
00:08:43	Hoxton.
00:08:45	Well, who said I didn't?
00:08:47	Blimey, you know everything,
00:08:50	Where's your Warrant?
00:08:53	Catch her tryin' to take
00:08:56	Yes. Tell him where he comes from
00:08:59	Go on.
00:09:01	- Yes, go on, tell him.
00:09:04	Cheltenham, Harrow,
00:09:07	India.
00:09:09	- Quite right.
00:09:14	He's no gentleman, he ain't,
00:09:17	What can Freddy be doing? I should get
00:09:21	- Earls Court.
00:09:24	Did I say that out loud?
00:09:27	- Your mother's Epsom, unmistakably.
00:09:30	I was brought up
00:09:34	That's a devil
00:09:36	Oh, excuse me.
00:09:39	- Don't you dare speak to me.
00:09:41	Yes, we should be so grateful to you
00:09:44	I don't know whether you've noticed it,
00:09:47	So it has.
00:09:50	The cab-
00:09:56	- I can tell where you come from.
00:09:59	Hanwell Insane Asylum.
00:10:04	Hanwell Insane.
00:10:07	Oh, thank you, teacher.
00:10:11	May I ask, sir, do you do this
00:10:14	I have thought of doing so.
00:10:17	Then how on Earth
00:10:19	Simply phonetics, the science of speech.
00:10:21	- Is it?
00:10:23	You can spot a Yorkshireman
00:10:26	But I can place any man
00:10:29	- I can place him within
00:10:31	Sometimes, as in the case of this girl,
00:10:38	Let him mind
00:10:41	and leave a poor girl
00:10:43	Woman, cease this detestable
00:10:46	I've a right to be here
00:10:49	A woman who utters such depressing and
00:10:53	- Oh- - Remember that you're
00:10:56	and the divine gift
00:10:58	and that your language is the language
00:11:02	Don't sit there crooning
00:11:05	- Oh!
00:11:07	Heavens,
00:11:09	You see this creature
00:11:11	The English that Will keep her
00:11:14	In three months I could
00:11:16	- at an ambassador's reception.
00:11:18	I could even get her a job as a lady's maid or
00:11:23	You mean,
00:11:25	Yes, you squashed
00:11:27	You disgrace to the noble
00:11:29	You incarnate insult
00:11:34	I could pass you off
00:11:41	Garn! You don't believe that,
00:11:44	Well, everything
00:11:46	- I myself am a student of Indian dialects.
00:11:49	Have you ever heard of Colonel
00:11:52	- I am Colonel Pickering.
00:11:54	- Yes. Who are you?
00:11:56	- No.
00:11:58	- I came to India to meet you.
00:12:01	- Where are you staying?
00:12:03	No, you're not.
00:12:06	Oh, buy a floWer,
00:12:09	I'm short
00:12:11	Oh, you liar. You ust said
00:12:15	You oughta be stuffed
00:12:18	Here, take the whole
00:12:27	A reminder.
00:12:40	Oh!
00:12:42	Come on, Pickering.
00:12:46	Oh! Oh!
00:12:49	Oh!
00:12:55	Oh, excuse me. Have you seen those
00:12:58	Oh, they went to the bus
00:13:01	And left me with a cab
00:13:03	Never mind, young man.
00:13:07	Here, here.
00:13:09	Eighteen pence ain't
00:13:14	Buckingham Palace,
00:13:18	Bye, Freddy!
00:13:20	Well, I'll be dashed!
00:13:24	Here you are,
00:13:26	- How much, dearie?
00:13:28	You're a robber,
00:13:30	It's disgraceful.
00:13:33	Ever been in
00:13:35	Hundreds and thousands
00:13:41	Impudence!
00:13:55	Hello?
00:13:57	Hello?
00:14:00	Hello, dearie.
00:15:04	As you see,
00:15:06	the human ear is a perfect
00:15:12	Well, tired of
00:15:16	Amazing.
00:15:20	I rather fancy myself because I can
00:15:24	Your 130 beat me. I can't hear
00:15:28	Oh, it, uh,
00:15:32	I rather fancy myself because I can
00:15:35	Good heavens.
00:15:38	I can't hear any difference
00:15:40	Concealed
00:15:43	For unsuspecting
00:15:45	- What is it, Mrs. Pearce?
00:15:48	- What's she want?
00:15:52	She's a very
00:15:54	I'd have got rid of her, only
00:15:57	- Has she an interesting accent?
00:16:00	Good.
00:16:06	This is really
00:16:08	We'll set her talking, and I'll
00:16:11	Then we'll
00:16:13	- You can turn it on as often as you like.
00:16:16	Here's the young
00:16:21	Oh, it's you!
00:16:24	I've got all the records I want
00:16:27	Be off with you.
00:16:30	Don't you be so saucy.
00:16:33	Did you tell him
00:16:35	Do you think a gentleman like
00:16:38	Oh, we are proud,
00:16:40	He ain't above givin' lessons.
00:16:42	And if my money's not good enough,
00:16:45	- Good enough for what?
00:16:48	So now you know,
00:16:51	I'm come to have
00:16:53	And to pay for 'em too,
00:16:55	Well.
00:16:59	Shall we ask this obect to sit down, or
00:17:02	I won't be called an obect
00:17:05	What is it you want,
00:17:07	I wanna be a lady
00:17:10	instead of selling
00:17:12	But they won't take me
00:17:15	Well, he said
00:17:18	Here I am. I'm ready to pay.
00:17:21	And he treats me
00:17:24	I know what lessons cost,
00:17:27	- How much?
00:17:31	I thought you'd come off it
00:17:33	a bit of the money
00:17:36	- You'd had a drop, hadn't ya?
00:17:38	Oh, if you're goin' to
00:17:41	- Sit down!
00:17:44	Eliza Doolittle.
00:17:46	Won't you sit down,
00:17:49	Oh. I don't mind
00:17:55	How much do you propose
00:17:58	Oh, I know
00:18:00	A lady friend of mine,
00:18:03	at 18 pence an hour
00:18:05	But you wouldn't have the nerve to ask
00:18:09	as what you would for French, so
00:18:12	- Take it or leave it.
00:18:16	I'll take it.
00:18:18	You know, Pickering,
00:18:20	a shilling to this girl is worth
00:18:24	It's handsome, enormous.
00:18:26	- Sixty pounds? What are you talkin' about?
00:18:29	- But I ain't got 60 pounds.
00:18:33	Someone's going to touch you with a
00:18:36	Anyone would think
00:18:38	Higgins,
00:18:40	- What about that boast that you could pass her off as a duchess?
00:18:45	I'd say you're the greatest
00:18:48	I'd bet you all the expenses
00:18:51	- And I'll pay for the lessons.
00:18:54	- Come here. Sit down.
00:18:59	This is almost
00:19:04	She's so
00:19:07	so horribly dirty.
00:19:09	Oh! I ain't dirty.
00:19:11	I washed my face and hands
00:19:14	I shall make a duchess of this
00:19:17	Oh!
00:19:19	In six months- in three, if she
00:19:22	I'll take her anywhere
00:19:24	We start today, this minute.
00:19:27	Take off all her clothes
00:19:29	Order some new ones. Wrap her up
00:19:32	You're no gentleman, you ain't,
00:19:35	I'm a good girl, and I know
00:19:37	We want none of your
00:19:40	You've got to learn to behave like
00:19:44	- If she gives you trouble, wallop her.
00:19:46	- I've no place to put her.
00:19:48	- You can't pick a girl up as if picking a pebble off the beach.
00:19:51	- She may be married.
00:19:53	As the girl very
00:19:55	- Who would marry me?
00:19:57	Before I'm done with you, the streets
00:20:00	shooting themselves
00:20:02	He's off his chump, he is.
00:20:05	Oh, I'm mad, am I?
00:20:09	- Stop. I won't allow it. Go home to your mother.
00:20:13	She ain't got no mother.
00:20:16	- She's no use to anybody but me.
00:20:19	Is she to be paid anything?
00:20:21	What on Earth would she do with money?
00:20:25	It's a lie! Nobody ever saw
00:20:28	Doesn't it occur to you that
00:20:31	Oh, I don't think so.
00:20:34	I got my feelin's
00:20:36	- See the difficulty?
00:20:38	- To get her to talk grammar.
00:20:42	Will you please keep
00:20:44	What's to become of her when
00:20:47	- What's to become of her if we leave her in the gutter?
00:20:50	When we're finished,
00:20:52	You've no feelin' heart in you.
00:20:56	You oughta be
00:20:59	Here, here, here,
00:21:01	Eliza.!
00:21:04	Here, here, here,
00:21:10	Have a chocolate,
00:21:12	How do I know what
00:21:14	There's girls been drugged
00:21:17	Pledge of
00:21:19	I wouldn't have ate it, only I'm
00:21:23	You shall have boxes
00:21:25	You shall
00:21:29	Now listen to me, Eliza.
00:21:32	You're going to live here
00:21:34	and learn to speak beautifully
00:21:37	If you're good
00:21:40	you shall sleep in a proper bedroom,
00:21:44	and money to buy chocolates
00:21:47	If you're naughty
00:21:50	you shall sleep in the back
00:21:52	and be Walloped by Mrs. Pearce
00:21:56	At the end of six months,
00:22:00	in a carriage,
00:22:04	If the King finds out
00:22:06	you'll be taken by the guards
00:22:09	Where your head
00:22:11	as a Warning to other
00:22:14	But if you
00:22:16	you will receive a present
00:22:19	to start life with
00:22:21	If you refuse
00:22:23	you will be a most ungrateful
00:22:26	and the angels
00:22:31	Now are you satisfied,
00:22:33	Can I put it more fairly,
00:22:35	Bundle her off
00:22:38	You're a great bully, you are. And
00:22:41	I never asked to go
00:22:43	If I'd known what I was lettin'
00:22:46	Let's get clean.
00:22:48	Dirty? I Washed my face
00:22:52	I shall make a duchess of this
00:22:55	It ain't natural!
00:22:59	Nonsense, Eliza. Don't you want to be
00:23:03	You can't be a good girl inside
00:23:06	- Now, away to your room and take off
00:23:10	Nonsense, girl. Don't you take off all your
00:23:13	No. Why should I?
00:23:17	I'll take off
00:23:19	- Eliza, now be a good child-
00:23:22	Get these off at once
00:23:24	If I'd known what a dreadful thing it is
00:23:28	I didn't know when I
00:23:30	It ain't decent!
00:24:02	- Come here.
00:24:04	- Come on.
00:24:06	I've never done such a thing before,
00:24:09	Oh!
00:24:11	Oh.
00:24:18	NoWcome on in
00:24:21	No, Mrs. Pearce, don't!
00:24:24	No, Mrs. Pearce! Stop it!
00:24:33	Oh, help.!
00:24:36	I've never been
00:24:39	Stop it!
00:24:54	Higgins, excuse
00:24:56	but are you a man of good character
00:25:01	Have you ever known a man of good
00:25:04	- Yes, very frequently.
00:25:07	- I find-
00:25:10	I find that the moment I let
00:25:12	she becomes ealous, exacting,
00:25:15	So I'm a confirmed old bachelor,
00:25:19	- Coffee?
00:25:22	I hope it's understood that no advantage
00:25:26	What? That thing?
00:25:30	I've taught scores of American
00:25:34	The best looking women in the world.
00:25:37	They might ust as well
00:25:41	Excuse me,
00:25:45	- I'd like to trouble you if I may.
00:25:48	Will you be very particular
00:25:51	- I'm always particular about what I say.
00:25:54	It doesn't matter before me.
00:25:56	But you really must not
00:25:59	- I never swear! What the devil do you mean?
00:26:03	- I don't mind your damning and your blasting,
00:26:05	but there's a certain word
00:26:08	The girl used it in the bath
00:26:12	It begins with the
00:26:14	I cannot charge myself
00:26:17	except perhaps in moments of
00:26:20	Only this morning, sir,
00:26:23	the butter,
00:26:25	Oh, that. A mere alliteration.
00:26:28	- Is that all?
00:26:30	You'll have to be very particular with
00:26:34	Yes, certainly, certainly.
00:26:36	And might I ask you not to come
00:26:40	or not to use it
00:26:43	And will you please remember
00:26:46	onto the clean
00:26:48	I hope you're not
00:26:50	No, not at all.
00:26:53	- Is that all?
00:26:55	I really don't think I can
00:26:59	Might she wear one of those Chinese
00:27:03	Certainly, certainly.
00:27:07	Oh, don't burn that.
00:27:14	You know, that- that woman has
00:27:18	Here am I- a shy,
00:27:21	Yet she's firmly persuaded that I'm a
00:27:25	How do you
00:27:27	- I can't imagine.
00:27:30	I'm afraid I've got to tell you, sir,
00:27:33	There's a dustman outside,
00:27:36	He says you've got his daughter here.
00:27:40	- Show the blackguard in!
00:27:42	Of course
00:27:44	- We may get something interesting out of him.
00:27:47	- No. I mean his dialect.
00:28:00	- Professor Higgins?
00:28:03	Sit doWn.
00:28:07	Morning, guvnor.
00:28:09	- I come about a very serious matter, guvnor.
00:28:13	Mother Welsh,
00:28:16	What do you want,
00:28:19	I want my daughter.
00:28:21	Well, of course you do.
00:28:24	I'm glad to see you have
00:28:27	Your daughter's
00:28:29	- Take her away at once.
00:28:33	Now look here, guvnor.
00:28:37	The girl belongs to me.
00:28:42	How dare you come here
00:28:45	- You sent her here on purpose.
00:28:47	This is a plot, a plant,
00:28:51	- I shall telephone the police.
00:28:54	I leave it to
00:28:57	- Have I said a word about money?
00:28:59	I'll tell you,
00:29:02	I'm willing to tell ya.
00:29:07	I'm waiting to tell ya.
00:29:09	This fellow has a certain
00:29:12	Observe the rhythm of
00:29:15	"I'm willing to tell you. I'm wanting
00:29:19	The Welsh strain
00:29:21	How do you know the girl's here
00:29:23	She sent back for
00:29:25	Luggage?
00:29:28	There was a musical instrument,
00:29:31	a trifle of ewelry
00:29:37	She said as how she didn't
00:29:41	What was I to think
00:29:43	I ask you as a parient,
00:29:46	So you came to rescue her
00:29:49	Yes, that's right.
00:29:51	Mrs. Pearce,
00:29:53	He's come to rescue her
00:29:57	- Give her to him.
00:29:59	He can't take her away.
00:30:02	- You told me to burn all her clothes.
00:30:05	I can't carry the girl through the streets
00:30:09	Where's the clothes
00:30:11	Did I burn 'em,
00:30:15	Listen, guvnor.
00:30:17	You and me, we're men
00:30:20	We're men of
00:30:22	- You'd better go, Mrs. Pearce.
00:30:26	The floor is yours,
00:30:28	I thank you kindly,
00:30:30	To tell you the truth,
00:30:34	Well, that's-
00:30:37	And if you Want the girl,
00:30:40	But what I might be open to
00:30:44	Regarding the light of a young woman,
00:30:48	As a daughter, she ain't worth a keeper,
00:30:52	All I ask from you
00:30:55	You're the last man in the world who'd
00:30:58	You're one of the straight sort,
00:31:02	Well, what's
00:31:07	And what's Eliza to me?
00:31:12	I think you ought to know that Mr.
00:31:16	Of course they are, guvnor.
00:31:19	If I thought they wasn't,
00:31:21	Why, you callous rascal.
00:31:23	Do you mean to say you'd sell
00:31:26	No, no, not in a general
00:31:29	But to oblige a gentleman like you,
00:31:33	Have you
00:31:35	I can't afford 'em, guvnor.
00:31:38	Well, neither could you
00:31:42	I don't mean no harm,
00:31:44	but if Eliza's gonna have a bit
00:31:48	As a matter of morals, it's a positive
00:31:51	but I do feel a sort of
00:31:54	That's right, guvnor.
00:31:57	I know the feeling,
00:32:00	No, no, don't look at it
00:32:03	What am I, guvnors both?
00:32:05	Well, what are you?
00:32:07	I'm one of the undeservin' poor,
00:32:12	Well, think what
00:32:14	It means he's up against
00:32:19	If there's anything
00:32:23	It's always
00:32:25	You're undeservin',
00:32:28	And yet my needs is as great
00:32:32	that ever got money out of
00:32:34	for the death
00:32:36	I don't need less than
00:32:40	I don't eat less hearty
00:32:42	And I drink
00:32:44	So I puts it to you tWo gentlemen,
00:32:48	I'm playin' straight
00:32:50	I ain't pretendin' to be deservin'.
00:32:52	And I mean to go on bein'
00:32:55	Sit down,
00:33:01	Would you deny to a man
00:33:05	what he's brought up,
00:33:08	he's clothed
00:33:11	until she growed
00:33:13	to be interesting
00:33:19	Well, is five pounds
00:33:22	I puts it to ya
00:33:26	Pickering, here.
00:33:29	- He'll make bad use of it.
00:33:32	I shan't save it, spare it
00:33:35	There won't be a penny
00:33:39	Just one good spree
00:33:42	This is irresistible.
00:33:45	No, no, no.
00:33:48	Ten pounds is a lot of money.
00:33:52	And then good-bye
00:33:54	Just give me what I ask, guvnor.
00:33:58	You're sure
00:34:02	- No, not now, guvnor.
00:34:04	Another time perhaps.
00:34:08	See?
00:34:10	Thank you,
00:34:12	Pardon, Miss.
00:34:14	Garn. Don't you know
00:34:18	Blimey, it's Eliza!
00:34:23	I never thought
00:34:25	She's a credit to me,
00:34:28	She'll soon pick up
00:34:30	I'm a good girl, I am, and I won't
00:34:34	If you say again you're a good girl,
00:34:37	You don't know my father.
00:34:39	All he come here for was to touch you
00:34:42	What else would
00:34:44	- Put in the plate in church?
00:34:46	Don't you give me
00:34:48	Don't let me hear you giving
00:34:51	You'll hear from me
00:34:53	Have you any further advice to give her,
00:34:57	No, guvnor, not me.
00:35:00	I'm not such a mug as to put up
00:35:03	If you want Eliza's mind improved,
00:35:06	With a strap.
00:35:08	Well, so long,
00:35:29	Ew!
00:35:30	"Ah. Ah. "
00:35:37	"E. E."
00:35:39	As in "machine. "
00:35:45	Repeat after me.
00:35:47	- A. A.
00:35:51	The rain in Spain...
00:35:55	...stays mainly
00:35:59	The rain in Spain
00:36:11	Now, Eliza, you see
00:36:14	- Yes.
00:36:16	One, tWo, three.
00:36:19	Now, don't be alarmed.
00:36:22	Now then,
00:36:24	The shallow depression
00:36:26	is likely to move slowly
00:36:31	The shallow depression
00:36:34	is likely to move in-
00:36:38	- I swallowed one!
00:36:41	The shallow depression
00:36:44	is likely to move slowly
00:36:47	Hampshire, Hereford,
00:36:50	Hampshire, Hereford-
00:36:52	- Lumme, it umps.
00:36:54	Every time you say
00:36:57	Now then,
00:36:59	In Hampshire, Hereford and Hartford,
00:37:03	In Hampshire,
00:37:06	hurricanes
00:37:09	Hardly ever
00:37:11	Hardly ever happen.
00:37:14	Oh.
00:37:46	How do you do?
00:37:48	Bad, bad, bad!
00:37:50	You aren't trying. Do it again.
00:37:53	That's not good,
00:37:56	It's not bad.
00:37:58	- Now's the time to try
00:38:01	I know.
00:38:04	- Henry.
00:38:06	What are you doing here today?
00:38:09	- You promised not to come.
00:38:12	- Go home at once.
00:38:14	- I picked up a girl.
00:38:17	- No, no, this isn't a love affair.
00:38:20	- Why?
00:38:23	I can't waste my time with young women.
00:38:27	You knoW What you'd do
00:38:29	- Get married, I suppose.
00:38:32	Stop fidgeting. And take
00:38:35	- Ah.
00:38:39	Come and tell me
00:38:41	Look here. She's coming
00:38:45	I don't remember
00:38:47	- You didn't, and you wouldn't have if you'd known her.
00:38:50	She's a common flower girl.
00:38:53	You've asked her here?
00:38:55	Don't worry.
00:38:57	She'll stick to two subects:
00:39:00	- "Fine day," "How do you do?" and all that.
00:39:03	Well, um, it is...
00:39:07	What do you mean
00:39:09	You see, dear, I've got
00:39:12	but you've got to consider not only how the
00:39:17	- Mrs. and Miss Eynsford Hill, Mr. Eynsford Hill.
00:39:20	- So good of you to come.
00:39:22	- Freddy.
00:39:24	You know my son.
00:39:27	My son Henry.
00:39:30	- Miss Hill. Mrs. Hill.
00:39:33	- Mr. Hill.
00:39:35	Your celebrated son? I've always so
00:39:39	I've seen your face somewhere.
00:39:42	It doesn't really matter.
00:39:45	I'm sorry to say
00:39:47	- You mustn't mind him.
00:39:49	- Colonel Pickering.
00:39:52	- The Reverend and Mrs. BirchWood.
00:39:57	- How do you do? Vicar.
00:39:59	- Have you told your mother what we've come for?
00:40:02	- Are we in the way?
00:40:05	No, by George!
00:40:08	You'll do as well
00:40:10	Will you excuse me?
00:40:16	What are you doing
00:40:18	Colonel Pickering, I must know. What is
00:40:22	- Is this girl a servant? If not, what is she?
00:40:25	My dear Mrs. Higgins,
00:40:27	The whole thing is
00:40:29	This is the most absorbing
00:40:32	- This girl regularly fills our lives.
00:40:35	- Teaching Eliza. -
00:40:37	She has the most amazingly quick ear
00:40:40	- The girl is a genius.
00:40:52	You see?
00:40:54	Oh, yes.
00:40:57	Miss Doolittle.
00:41:21	How do you do,
00:41:24	Professor Higgins
00:41:28	Quite right, my dear.
00:41:35	Colonel Pickering,
00:41:38	How do you do,
00:41:43	Professor...
00:41:47	Stick to the weather
00:41:56	Mrs. Hill,
00:41:59	I feel as though we've met before.
00:42:03	- HoWdo you do?
00:42:05	Covent Garden.
00:42:08	My son, Freddy.
00:42:10	- How do you do?
00:42:13	I'm sure I've had
00:42:35	Uh, will it rain,
00:42:37	The rain in Spain, they say,
00:42:45	They say.
00:42:47	How too true,
00:42:50	Hampshire, Hereford
00:42:53	hurricanes
00:42:59	- Do they?
00:43:02	How awfully funny!
00:43:05	What is wrong with that, young man?
00:43:08	Killing.
00:43:14	Oh, excuse me.
00:43:41	I hope it Won't turn cold.
00:43:44	It runs right through
00:43:47	My aunt died
00:43:51	So they say.
00:43:53	But it is my belief as how
00:44:03	Done her in?
00:44:05	Yes, Lord love you.
00:44:07	Why should she die of influenza when she come
00:44:12	Perhaps it wasn't diphtheria.
00:44:16	Oh, but I saw her
00:44:19	Fairly blue with it
00:44:23	They all thought
00:44:25	but my father, he kept
00:44:29	till she come through so sudden,
00:44:32	Dear me!
00:44:34	Now, what call would a woman
00:44:39	have to die
00:44:42	Ah.
00:44:43	And what become
00:44:46	that should have
00:44:48	Well, what?
00:44:50	Somebody pinched it.
00:44:53	And What I says is,
00:44:56	them What pinched it
00:44:59	Done her in?
00:45:01	- Could you tell me-
00:45:05	But, uh, you surely don't believe
00:45:10	Do I not?
00:45:13	Them she lived with would have killed
00:45:18	But it couldn't have been right
00:45:20	to have poured spirits
00:45:22	- Now, that might have killed her.
00:45:25	Gin was mother's milk to her.
00:45:28	Besides, he'd poured so much down his
00:45:34	- How terrible for you.
00:45:38	He was always more agreeable
00:45:41	When he Was
00:45:44	my mother used to
00:45:46	and tell him to go out
00:45:49	until he'd drunk himself
00:45:52	Charming.
00:45:54	There's lots of women has to make their
00:46:03	Here. What are you
00:46:06	The new slang,
00:46:09	If I was doing it proper,
00:46:16	Have I said anything
00:46:18	No, not a thing,
00:46:20	Well, that's
00:46:24	What I always says is-
00:46:32	Well,
00:46:35	I must go now.
00:46:39	Good-bye,
00:46:42	- So glad to have met you.
00:46:46	Good-bye,
00:46:49	- Good-bye, Colonel Pickering.
00:46:52	Good-
00:46:57	Good-bye, all.
00:46:59	E- Excuse me, Miss Doolittle, but
00:47:03	- 'Cause if so-
00:47:06	I'm going in a taxi.
00:47:19	Oh, it's no use.
00:47:22	I shall never be able to
00:47:26	Oh, don't.
00:47:28	It isn't compulsory,
00:47:35	Say What you like,
00:47:38	You ought never
00:47:40	Perhaps We Were a bit hasty,
00:47:43	It's no use, Higgins. You'll have to
00:47:46	- You'd better call the whole thing off.
00:47:49	I said I'd pass the guttersnipe
00:47:51	and pass her off
00:47:53	Here. You see that?
00:47:55	It's an invitation from the Transylvanian
00:47:59	- You're mad.
00:48:02	Eliza. Eliza!
00:48:08	Stop sniveling, girl!
00:48:11	Eliza, shall I give you
00:48:16	Will you work?
00:48:19	Good!
00:48:21	No, no, no!
00:48:23	- I'll try.
00:48:25	I've told you 500 times!
00:48:30	- Come, Higgins, be reasonable.
00:48:33	No.
00:48:35	- I'm Mr. Freddy Hill to see Miss Doolittle.
00:48:40	- Thanks.
00:48:43	NoWlisten, Eliza.
00:48:46	She's engaged.
00:48:50	Miss Doolittle.
00:48:57	Oh! Why can't you
00:49:00	- He's here again.
00:49:03	Come on, now. Both together.
00:49:09	That's better.
00:49:11	Listen carefully, Eliza.
00:49:15	- Now listen.
00:49:19	- Say it.
00:49:21	No, no.
00:49:26	How kind of you
00:49:30	- Oh, it's Mr. -
00:49:34	- He's here again.
00:49:39	No good, sir.
00:49:41	May I have the pleasure,
00:49:43	Get up, girl.
00:49:46	- I'd be delighted.
00:49:48	One, two, three. One, two, three.
00:49:55	She has no sense of timing.
00:49:59	One, two, three. One, two, three.
00:50:04	Do you see what I mean?
00:50:10	"Silent soup drinking is one
00:50:16	Wake up, Eliza.
00:50:20	- Your Excellency.
00:50:22	NoWimagine yourself standing before an
00:50:26	- Your Honor.
00:50:28	An archbishop,
00:50:31	- Your Worship.
00:50:33	- Your Maesty.
00:50:35	- Now then, an ambassador.
00:50:38	- An archbishop.
00:50:40	- The Queen. An archduke.
00:50:42	Oh, help.
00:50:47	- It's 3:00, Mr. Higgins.
00:50:50	Now then, we start all over
00:50:53	- An ambassador.
00:50:55	- An archbishop. The Queen.
00:50:58	- An archduke. A cardinal.
00:51:01	- Come on, Eliza!
00:51:08	It's half past four,
00:51:12	We will now start the whole thing
00:51:14	Oh, I can't.
00:51:16	If I can do it with a splitting
00:51:19	But I've got a headache.
00:51:21	Here, take this!
00:51:25	Now then,
00:51:27	Oh, His Excellency!
00:51:29	Come, Higgins.
00:51:33	I'm always
00:51:37	Now then,
00:51:39	Send for dressmakers,
00:51:41	manicurists, and all
00:51:43	Did you ever
00:51:46	Ah, I have it.
00:51:49	- There. You see?
00:51:52	- Le Fleur?
00:52:08	More mud there.
00:52:12	- Aren't you ready yet?
00:52:15	- Nervous?
00:52:18	No, not a bit of it.
00:52:24	Not a bit of it.
00:52:40	dd
00:53:04	Maestro!
00:53:08	- You remember me.
00:53:12	But I'm your pupil,
00:53:15	I've made your name famous
00:53:17	You teach me phonetics. You cannot
00:53:21	Are you Aristid?
00:53:23	If I cut my hair
00:53:26	I have not your imposing appearance,
00:53:30	What are you doing here
00:53:32	I am indispensable
00:53:35	You can place a man anywhere in London
00:53:38	- I can place a man anywhere in Europe.
00:53:41	You're wanted upstairs. Her Excellency
00:53:45	Indeed.
00:53:47	This Greek diplomat who pretends
00:53:52	He cannot
00:53:54	A tout a I'heure,
00:53:58	- Is that Karpathy fellow really an expert?
00:54:02	But heaven help the master
00:54:04	If he meets Eliza, we're done.
00:54:07	Home? Rubbish!
00:54:25	Well, Eliza,
00:54:29	Are you ready?
00:54:46	If that fellow finds out
00:54:48	Let him try.
00:54:50	Her Grace, the Duchess of Kerr.
00:54:57	Admiral Sir Charles BroWn Phelby.
00:55:03	Miss Elizabeth Doolittle,
00:55:08	Professor Higgins.
00:55:18	- How do you do, Colonel Pickering?
00:55:20	- May I present Miss Elizabeth Doolittle.
00:55:24	How kind of you
00:55:27	Oh, not at all.
00:55:34	- Good evening.
00:55:36	Who is this charming girl
00:55:38	- Is she a relation?
00:55:41	She has such a faraway look,
00:55:45	So she has,
00:55:48	There is one thing I have observed
00:55:51	- And that is-
00:55:55	Let's go and observe them now.
00:55:59	Oh, dear.
00:56:01	And quite wrong,
00:56:05	Look, there's dear old
00:56:07	With the Whole of
00:56:09	You have a live one
00:56:11	He introduced himself as your pupil.
00:56:14	He can learn a language
00:56:16	Knows dozens of them-
00:56:18	Your Excellency's interested
00:56:22	Yes.
00:56:24	- Could you find out who she is?
00:56:27	Lord Wilshim and Lady Wilshim.
00:56:31	I feel like Noah standing on the bridge,
00:56:35	You know,
00:56:37	- Colonel Pickering- - Tell me more
00:56:41	Gentleman? He's the son
00:56:45	He speaks English
00:56:47	that he dare not utter a word of it
00:56:49	I help him to pretend,
00:56:51	but I make him pay
00:56:54	I make them all pay.
00:56:58	And now, Professor Higgins,
00:57:01	if you would present me
00:57:03	Oh, no, you don't. Can't you see
00:57:09	Professor
00:57:11	The very man I've been dying to meet.
00:57:14	Perfide of
00:57:15	What extraordinary people
00:57:19	Extraordinary.
00:57:20	Colonel Pickering,
00:57:23	- Would you be so kind as
00:57:26	You remember you were so kind as
00:57:29	- Excuse me, but I-
00:57:33	Enchanted.
00:57:41	- I don't believe it's true.
00:57:58	- One thing more-
00:58:00	I have found out
00:58:02	- Well?
00:58:10	Oh.
00:58:15	- I say, Pickering, do you
00:58:20	dd
00:58:33	dd
00:58:47	Charming.
00:58:51	Miss Doolittle, Madam.
00:59:16	My dear fellow, I hope you don't think
00:59:21	Nonsense, but the game's all up.
00:59:28	I say, Pick,
00:59:47	- Who is she?
00:59:50	My child, my son would
00:59:53	If I may be alloWed the honor.
00:59:56	dd
01:00:24	dd
01:00:37	When he gives the game away to the
01:00:41	I wouldn't miss it
01:00:54	- Come on, Aristid. You've got to tell us.
01:00:57	- Tell us all you knoW about this Miss Doolittle.
01:01:00	But I will tell
01:01:03	She has a right to know
01:01:06	- Film star.
01:01:09	- A fraud? - Oh,
01:01:11	- She cannot deceive me. Her name cannot be Doolittle.
01:01:15	Because Doolittle is an English name,
01:01:19	- But she speaks it perfectly.
01:01:21	Can you show me any Englishwoman who
01:01:25	There is no such thing. The English do
01:01:28	Only foreigners who have been
01:01:31	- Yes, there's something in that.
01:01:35	- Hungarian.
01:01:37	Yes, Hungarian,
01:01:39	I am Hungarian.
01:01:42	- Did you speak to her in Hungarian?
01:01:45	She said, "Please speak to me in
01:01:48	French! She pretended not to know the
01:01:52	- Nonsense. She knows both.
01:01:56	Instinct, maestro.
01:01:59	Only the Hungarian Magyar race can
01:02:03	those high cheekbones,
01:02:06	She is... a princess.
01:02:30	- Now I know who it is.
01:02:33	No!
01:02:35	Look at that profile.
01:02:53	- What do you say, Professor?
01:02:57	I say an ordinary Cockney girl
01:03:00	- I place her in Covent Garden.
01:03:05	You are mad on the subect
01:03:08	The London gutter
01:03:11	- This girl is undoubtedly a p-
01:03:15	Hmm. Have it
01:03:19	Have it your own way.
01:03:27	dd
01:03:33	dd
01:03:40	I say, Pick. Lock up, Will you?
01:03:43	Did Mrs. Pearce go to bed?
01:03:46	- No, no, no.
01:03:50	- She'll pick 'em up. She'll think we were drunk.
01:03:54	- Were there any letters?
01:03:59	Heavens, What an evening.
01:04:02	What silly tomfoolery.
01:04:04	- Where the devil are my slippers?
01:04:07	Eliza did the trick,
01:04:09	It was interesting at first,
01:04:12	The whole thing's been
01:04:14	- The reception was frightfully exciting.
01:04:17	But as soon as I saw we were going
01:04:20	No more artificial duchesses for me-
01:04:25	I must say,
01:04:28	Lots of real people
01:04:30	The silly fools don't even know
01:04:33	That's all over. Now I can go to bed
01:04:36	I shall turn in too. Still,
01:04:39	Yes, it has, noW.
01:04:41	- Good night. Good night, Eliza.
01:04:44	dd
01:04:47	dd
01:04:51	Put out the lights, Eliza. And tell Mrs.
01:04:55	I'll take tea.
01:05:44	Where on Earth
01:05:51	There are your slippers!
01:05:53	Take your slippers! And may you
01:05:56	What's the matter? Anything wrong?
01:06:01	No, nothing wrong with you.
01:06:03	I've won your bet for you, haven't I?
01:06:07	I don't matter,
01:06:09	You won my bet? You?
01:06:14	Why did you throw
01:06:17	Because I wanted
01:06:19	I'd like to kill you,
01:06:22	Why didn't you leave me
01:06:26	You thank God it's all over and
01:06:30	Well, well, well,
01:06:34	Would you? Don't you dare show your
01:06:37	What's to become of me?
01:06:40	How the devil do I know? What does
01:06:43	You don't care. I know you don't care.
01:06:47	- I'm nothing to you, not so much as them slippers.
01:06:50	Those... slippers.
01:06:54	Didn't think it made
01:06:58	- May I ask whether you complain of your treatment here?
01:07:02	Has anyone behaved
01:07:04	- Colonel Pickering, Mrs. Pearce, any of the servants?
01:07:09	I presume you don't pretend
01:07:14	- No.
01:07:18	Probably you're tired
01:07:23	- Here. Have a chocolate.
01:07:27	- No?
01:07:31	Well, it's all over now.
01:07:34	No.
01:07:37	Nothing more
01:07:46	Oh, God...
01:07:50	Why?
01:07:55	Now, listen to me, Eliza.
01:07:59	All this irritation
01:08:02	I don't understand.
01:08:05	It's only imagination,
01:08:08	Nobody's trying to hurt you.
01:08:11	Now, you go to bed like a good girl
01:08:15	Have a little cry and say your prayers
01:08:19	I heard your prayers-
01:08:22	"Thank God
01:08:24	Well, don't you thank God it's all over?
01:08:30	What am I fit for?
01:08:34	Where am I to go?
01:08:40	What's to become of me?
01:08:42	Oh, so that's what's
01:08:45	Oh, you'll settle down
01:08:50	But I hadn't
01:08:53	that you were going away.
01:09:03	You might marry, you know.
01:09:05	You're not bad-looking.
01:09:07	It's quite a pleasure
01:09:11	Of course, now you've been crying, you
01:09:15	when you're quite all right
01:09:17	you're what I
01:09:20	That is, to people in
01:09:23	Now, you go to bed
01:09:26	Get up in the morning and look at yourself
01:09:33	I daresay my mother could find
01:09:37	- We were above that in Covent Garden.
01:09:40	I sold flowers.
01:09:44	Now you've made a lady of me,
01:09:49	I wish you'd left me
01:09:51	But you don't have to marry the fellow
01:09:54	- What else am I to do?
01:09:56	How about your old idea of a florist
01:09:59	He's got lots of money.
01:10:01	Oh, you'll be all right.
01:10:10	I must clear off to bed.
01:10:16	By the way, I came here for something.
01:10:21	Your slippers.
01:10:23	Oh, yes, of course.
01:10:26	You shied them at me.
01:10:33	- Before you go, sir-
01:10:37	Do my clothes belong to me
01:10:40	What use should they be
01:10:43	You might want them for the next girl
01:10:47	Is that the way
01:10:49	I don't want to hear
01:10:51	All I want to know is what belongs to me
01:10:55	What's it matter? Why start bothering
01:10:59	I want to know what I
01:11:02	- I don't want to be accused of stealing.
01:11:06	Eliza, you shouldn't have said that.
01:11:10	I'm sorry. I'm only a common,
01:11:13	And in my station,
01:11:16	There can't be any feelings between
01:11:20	Will you please tell me
01:11:23	Oh, you can keep the whole
01:11:26	All except the ewels. They're hired.
01:11:29	Stop, please. Will you take these
01:11:34	- I don't want to run the risk
01:11:38	Hand 'em over.
01:11:41	If these belonged to me instead of the eweler,
01:11:45	This ring-
01:11:50	It isn't the eweler's.
01:11:53	It's the one you bought me
01:11:58	I don't want it now.
01:12:02	- Don't you hit me!
01:12:05	How dare you accuse me of such a thing.
01:12:08	- You have wounded me to the heart.
01:12:11	Glad! I've got a little
01:12:14	You've caused me to lose my temper, a thing
01:12:19	I prefer to say nothing more tonight.
01:12:27	You'd better leave a note
01:12:30	because she won't
01:12:32	Damn Mrs. Pearce, and damn the coffee,
01:12:36	in having lavished
01:12:38	and the treasure
01:12:41	on a heartless
01:14:02	Whatever are you
01:14:04	Uh, uh... nothing.
01:14:06	As a matter of fact,
01:14:09	It's the only place
01:14:12	- Don't laugh at me, Miss Doolittle.
01:14:15	Eliza's good enough
01:14:17	- Where are you going?
01:14:19	- What for?
01:14:21	- To make a... hole in it?
01:14:23	You don't think I'm
01:14:26	No, darling.
01:14:29	I think you're the most wonderful-
01:14:33	NoW then, noW then, noW then.
01:14:37	- This isn't Paris, you know.
01:14:43	Eliza. Eliza.
01:14:46	- You let me kiss you.
01:14:50	Why shouldn't someone
01:14:53	- Kiss me again!
01:14:57	Now then, you two,
01:15:00	- Were you annoying that young lady?
01:15:03	- Move along, then, double quick.
01:15:24	Well, if it ain't-
01:15:32	Beg your pardon, Miss.
01:15:36	Buy a flower
01:15:48	Thank you, Miss.
01:16:35	Sir.
01:16:37	Your coffee, sir.
01:16:42	Didn't Eliza tell you
01:16:44	She didn't wait to tell me.
01:16:48	- Gone?
01:16:55	Mrs. Pearce!
01:16:58	- I don't know any of my appointments!
01:17:01	- But she isn't here, damn it!
01:17:06	What's that ass
01:17:09	- Have you offered a reward?
01:17:12	- You can't help us find her?
01:17:16	I really think they
01:17:20	Of course, I don't care
01:17:23	Where the devil
01:17:38	- Have you seen Eliza Doolittle?
01:17:50	I say, Mother,
01:17:53	- Good morning, my dear. What is it?
01:17:56	- Good morning, Colonel Pickering.
01:17:59	Do without,
01:18:01	The girl has a perfect right
01:18:04	- Something may have happened to her.
01:18:06	You've no more sense,
01:18:09	You must have frightened
01:18:11	I hardly said a word to her.
01:18:14	Exactly the other way about.
01:18:17	The moment I entered the room, the slippers
01:18:22	- And she used the most perfectly awful language.
01:18:25	I can't say I'm surprised.
01:18:27	And you mean to tell me
01:18:29	and after doing this wonderful thing for
01:18:33	you two sat there
01:18:36	Well, we didn't make speeches
01:18:39	You didn't thank her,
01:18:43	And she only threw
01:18:45	I'd have thrown
01:18:50	Mr. Henry, a gentleman wants
01:18:53	- I can't see anybody now.
01:18:56	- Who is it?
01:18:59	- dd
01:19:02	Dustman? Oh, no, sir.
01:19:06	Show him in.
01:19:08	By George, Pick, this is some
01:19:10	someone we know nothing about,
01:19:14	Now we shall hear
01:19:18	Doolittle!
01:19:20	What the dickens
01:19:23	Henry Higgins, do you see this?
01:19:27	- Done what, man?
01:19:30	Good morning,
01:19:33	- Thank you, ma'am.
01:19:36	He's ruined me,
01:19:39	Tied me up and delivered me
01:19:43	You're raving, you're drunk, you're mad.
01:19:46	After that, I had two conversations
01:19:49	- I've never even seen you since.
01:19:52	Tell me this. Did you or did you not
01:19:56	to say the most original moralist
01:19:59	was Alfred Doolittle,
01:20:02	What, Ezra D. Wannafeller,Jr.?
01:20:04	Oh, I remember making
01:20:07	You might well call it
01:20:10	I- It's put the lid on me
01:20:12	Just give him the chance he was lookin'
01:20:16	that they recognize and respect
01:20:20	however humble.
01:20:22	Them words is in his bloomin' will in
01:20:27	on condition I lecture for
01:20:31	as often as they ask me,
01:20:33	This solves the problem
01:20:36	You can provide
01:20:38	Yes, I'm expected to provide
01:20:41	He shan't provide for her. She doesn't
01:20:45	- Doolittle, you're either an honest man or a rogue.
01:20:50	- Have you found Eliza?
01:20:53	- Yes!
01:20:56	I ain't found her, but she'd find me
01:20:59	- Now, you listen to me- - Would you
01:21:06	Henry, I have
01:21:09	- Do you really want to know where Eliza is?
01:21:12	She says she's willing
01:21:15	and let bygones
01:21:17	Is she, by God?
01:21:19	- Where is she?
01:21:27	Good morning, Colonel Pickering.
01:21:37	Oh, how do you do, Professor Higgins?
01:21:41	But of course you are.
01:21:45	Won't you sit down,
01:21:51	Don't you dare try
01:21:54	Get up and come home!
01:21:56	Very nicely put indeed, Henry. No Woman
01:22:01	Let her speak for herself.
01:22:03	There isn't an idea
01:22:06	I tell you, I've created this thing
01:22:10	in Covent Garden.
01:22:11	Now she pretends to play
01:22:14	Will you drop me altogether now the
01:22:18	You mustn't
01:22:21	Oh, I'm only
01:22:26	But I owe so much to you that I
01:22:30	It was from you
01:22:32	- And that's What makes one a lady, isn't it?
01:22:35	That's what makes
01:22:38	No doubt. Still, he taught you
01:22:42	Of course.
01:22:44	It Was just like... learning to dance
01:22:48	Nothing more
01:22:50	- Do you knoW What began my real education?
01:22:52	Your calling me
01:22:55	that day when I first came
01:22:57	That was the beginning
01:23:01	You see, the difference between a lady
01:23:05	It's how she's treated.
01:23:07	NoW, I knoW that I shall alWays be
01:23:12	because he always treats me
01:23:14	Don't grind your teeth, Henry.
01:23:17	But I know that I can be
01:23:20	because you always treat me
01:23:24	That's very nice of you
01:23:26	I should like you to call me
01:23:30	Thank you.
01:23:32	Eliza.
01:23:35	Of course.
01:23:38	And I should like Professor Higgins
01:23:43	- I'll see you damned first.
01:23:45	You're coming back,
01:23:48	Forgive? Will she, by George!
01:23:51	Let her find out
01:23:53	In three weeks, she'll relapse back
01:23:55	You won't relapse,
01:23:57	No, never again.
01:24:00	I don't believe I could utter
01:24:04	Owww!
01:24:07	Ha, ha.! What did I tell you?
01:24:10	Victory!
01:24:12	Ow. Ow.
01:24:15	Ow, ow, ow.
01:24:17	- Henry!
01:24:19	Eliza, it ain't my fault.
01:24:22	Your stepmother-
01:24:24	Henry-
01:24:28	- Colonel, I'm gettin' late for the weddin'.
01:24:31	- Mine.
01:24:33	Yes. In spite of all
01:24:36	she's going to marry me.
01:24:38	I'm feeling uncommon nervous
01:24:41	- Wish you'd come and put me through it.
01:24:43	- You were married to Eliza's mother.
01:24:47	- Nobody told me, but I concluded naturally.
01:24:50	That ain't
01:24:52	That's only
01:24:54	Don't tell Eliza.
01:24:57	- I always had a sort of delicacy about tellin' her.
01:25:00	Will you come to the church
01:25:03	With pleasure,
01:25:05	May I come too?
01:25:09	We should indeed be honored
01:25:11	My poor old woman, she'd look upon it
01:25:15	She's been
01:25:17	thinking of the happy days
01:25:24	Eliza? Your stepmum
01:25:27	Will you come to the church
01:25:31	I've ordered
01:25:33	Wait for me. Colonel Pickering
01:25:35	"Bridegroom. "
01:25:38	What a word.
01:25:41	Makes a man realize
01:25:47	So long.
01:25:51	Middle-class morality
01:26:02	Eliza.
01:26:08	Well, Eliza, you've had a bit of
01:26:11	You had enough? Are you going to be
01:26:14	You want me back
01:26:17	and pick up your slippers
01:26:19	- I haven't said I wanted you back at all.
01:26:23	About you, not about me.
01:26:25	If you come back to me, I shall treat you
01:26:27	I can't change my nature,
01:26:31	- My manners are exactly the same as Colonel Pickering's.
01:26:34	He treats a flower girl
01:26:37	I treat a duchess as if
01:26:39	I see.
01:26:44	I don't care
01:26:47	I don't mind
01:26:50	I don't mind a black eye.
01:26:55	I won't be passed over!
01:26:58	Then get out of my way,
01:27:00	- You talk to me as if I were a bus.
01:27:03	All bounce and go
01:27:05	Once and for all, understand
01:27:07	without caring a tuppence
01:27:10	So you can come back or go
01:27:14	- And what am I to come back for?
01:27:17	That's what
01:27:20	And you can throw me out tomorrow if
01:27:22	You can walk out tomorrow
01:27:25	- And live with my stepmother?
01:27:27	Or sell flowers.
01:27:30	I wouldn't marry you if you asked me,
01:27:34	Than he is.
01:27:37	I'll speak as I like.
01:27:39	You're not my teacher now.
01:27:47	I don't know that Pickering
01:27:50	He's as confirmed
01:27:53	That's not what I want,
01:27:55	I've always had chaps
01:27:58	Freddy Hill writes to me
01:28:01	- Sheets and sheets.
01:28:03	He has a right to if he likes, poor lad.
01:28:07	You have no right
01:28:09	- Every girl has a right to be loved.
01:28:11	Freddy's not a fool!
01:28:15	maybe he'd make me happier
01:28:18	Who bully me
01:28:22	I can do without you.
01:28:29	You've never asked,
01:28:31	whether I could do
01:28:38	You'll have to do
01:28:41	I can do without anybody!
01:28:43	I have my own soul,
01:28:49	But, uh,
01:28:53	I confess that humbly
01:28:57	I've become accustomed
01:29:02	I even like them, rather.
01:29:04	Well, you have them both on your
01:29:07	When you feel lonely, you can turn the
01:29:11	I can't turn
01:29:20	Oh, you're a devil.
01:29:22	You can twist the heart in a girl as easily
01:29:30	I want a little kindness.
01:29:32	Why, I know I'm only
01:29:35	but I'm not dirt
01:29:38	What I done, I-
01:29:40	What I did,
01:29:42	it wasn't for the dresses
01:29:45	It was because we were pleasant
01:29:49	Came to care for you.
01:29:51	Not forgetting
01:29:53	and not wanting you
01:29:58	Well, more-
01:30:01	Of course, Eliza.
01:30:07	And how Pickering feels.
01:30:11	- Eliza, you're a fool.
01:30:15	If you can't stand the coldness
01:30:18	and the strain of it,
01:30:20	It's a fine life,
01:30:23	It's real, it's warm,
01:30:26	Not like science, literature
01:30:29	and philosophy and art.
01:30:32	You find me cold, unfeeling,
01:30:34	Very well. Then marry some
01:30:37	with a thick pair of lips
01:30:39	and a thick pair of boots
01:30:42	If you can't appreciate what you've got,
01:30:44	- I won't care for anyone who doesn't care for me.
01:30:48	I waste the treasures of my Miltonic
01:30:52	Oh, I can't talk to you.
01:30:55	You know very well that I can't
01:30:58	and that I have no real friends
01:31:00	You think I must go back to Wimpole Street
01:31:03	But don't be too sure that you have me under
01:31:07	I'll marry Freddy, I will,
01:31:11	What, that young fool?
01:31:14	You shall marry
01:31:16	I won't have my masterpiece
01:31:18	You think I like you to say that, but I
01:31:22	If I can't have kindness,
01:31:25	Independence-
01:31:28	We're all of us dependent on
01:31:30	I'll let you see
01:31:33	If you can preach, I can teach.
01:31:36	Ha! What'll you teach,
01:31:38	What you taught me.
01:31:42	I'll offer myself as an assistant
01:31:45	What, that humbug? That impostor?
01:31:49	You take one step in his direction,
01:31:53	Wring away! What do I care?
01:31:56	- Oh!
01:32:01	Oh, what a fool I was
01:32:05	That's done you,
01:32:07	And I don't give that
01:32:12	When I think of myself...
01:32:15	crawling under your feet...
01:32:18	and being trampled on
01:32:20	when all the time I had only to
01:32:24	oh, I could ust
01:32:26	By George, Eliza, I said I'd make
01:32:30	I like you like this.
01:32:32	Yes, you make up to me now that I'm not
01:32:36	Of course I do,
01:32:40	Five minutes ago,
01:32:43	Now you're a tower of strength,
01:32:51	Good-bye,
01:34:21	OW, I ain't dirty.!
01:34:23	I Washed my face and hands
01:34:25	I shall make a duchess of
01:34:28	- Ohhh.!
01:34:39	I Washed my face and hands
01:34:45	I did.
01:35:02	Where the devil

Pygmalion