All About Steve
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#Hey, hey, hey, hey, hey, hey, hey # |
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# My face to the sky # |
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# Dreaming aboutjust how high |
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# And if I'll know when I finally get there # |
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# Taking off my glasses # |
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# Sun pokes through my lashes # |
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# Somehow I know # |
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# There's a time for every star to shine # |
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# Everybody got their something # |
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# Make you smile like an itty-bitty child # |
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# Everybody got their something # |
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# Everybody got their something # |
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# Hey, hey |
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# People keepin'score # |
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# Better hurry up and get yours # |
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- # Somebody else got your spot # |
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# Before you even dropped # |
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# Seek and you shall find # |
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# Everything in my own sweet time # |
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# I'll take my chances |
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# Busy |
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# Like a butterfly # |
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# Believe if you hand it over |
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# All right # |
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# Yeah # |
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# Everybody got their something # |
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# Make you smile like an itty-bitty child # |
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# Everybody got their something # |
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- # Everybody got their something # |
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# Yeah-ah-ah-ah # |
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# Hey, hey, hey, hey, hey, hey, hey ## |
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I'll be there in about 10 minutes. |
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Excuse me. |
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- Sorry. |
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Right? The party was amazing |
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Girl, everybody was there. |
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If you want to seal the deal with a guy, |
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- Oh. Hold on. |
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Oh, he's in the back, baby. |
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Anyway- Yeah, you wanna |
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Mexicans traditionally have |
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Horowitz! |
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- Eight down? |
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It's a tough one. Don't punish yourself. |
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Please say yes. Please say yes. |
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- Please say yes. |
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Hello, sir. |
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Um, I have an idea. |
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Do you have next week's crossword? |
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Indeed I do, but better yet... |
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I have many and a brilliant plan. |
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Instead of doing just one crossword per week, |
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- I could do five per week- |
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but we just don't |
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I know, but, sir, the crossword... |
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is everyone's favorite part of the newspaper. |
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And we could be just like the New York Times... |
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where the puzzle gets harder as the week goes. |
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So on Monday, |
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This isn't the New York Times. |
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- Our readers just wanna have fun. |
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Oh! Well, sir, if fun is what they want... |
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then Mary Horowitz has their fun. |
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Ta-da! For Saint Patty's Day. |
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Top o' the morning to ya. |
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Leprechaun. - Wonderful. |
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Congratulations, man. |
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I know. Who would have ever thought? |
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- Mary. |
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Do you ever stop working |
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- Mm-mmm. |
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- Nope. |
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Mm-mmm. Oh. Uh, well, |
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- Oh? |
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My parents set it up. |
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Go on out on your date. |
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You know, have some fun with him, and- |
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Have you moved back into your apartment? |
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Uh, no. Still fumigating. |
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But I'm just waiting for |
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so I don't get the- the old brain cancer. |
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Though if I don't move out of my parents' home |
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- So it's brain cancer, lobotomy, brain cancer- |
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Mary, less work, more of everything else. |
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Just enjoy being normal. |
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Martin, I need that feature |
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Is it ready? |
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Be normal. |
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Normal. |
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# Hey, hey, hey, hey, hey, hey, hey # |
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In life, as in crosswords... |
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some days are harder than others... |
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and that's what keeps your brain alive. |
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The key to surviving those tough days |
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and stay focused on your life's purpose. |
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For me, that's imparting thejoy |
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Ah, crosswording... |
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the most spectacular fun |
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I like your protective ensemble. |
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Bunker gear, if you will. |
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So, if these kids set you on fire, |
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If I survive this- Phew! |
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I'm supposed to go on a blind date tonight. |
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Yeah. Steve. |
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Steve. Yeah. |
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So, my parents are no doubt pimping me out |
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But I'm- I'm- I'm gonna cancel. |
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Yeah. I mean, wouldn't you? |
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Yeah? Though I-I could use a little- |
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if you know what I'm saying. |
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Yeah. Been a long time. |
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Mary Horowitz. |
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Yes. Yes. That is-That's me. |
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Here's a treat, students. |
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Miss Mary Horowitz is the crossword |
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You know the crossword puzzles that you see |
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Well, it's her job to create them. |
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Isn't that fun? |
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Ladies and gentlemen... |
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people do crossword puzzles all the time... |
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but they don't often think of the person |
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Crossword constructors have |
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and it helps if they can spell. |
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Okay. Um- |
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Okay. That's good. |
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Imagine, if you will, a world. |
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- A world- |
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You make a living doing that? |
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Well- |
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One puzzle a week |
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How do you pay your rent? |
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Oh, uh- |
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Well, my parents have graciously permitted me |
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- while my apartment is being fumigated. |
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Temporarily, yes, I live at home. |
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But, then again, so do all of you. |
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- You don't have a husband, do you? |
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Kids, come on. |
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No. Not-Not at- Not at this time. |
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Though I have had liaisons. |
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# Soon Yi was a pilot in the nationally known # |
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# Amazing ladies of the outer ozone # |
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# She didn't have no kids |
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# She was a woman ofher word |
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# She looked good in a hat |
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- # With tools and no car# |
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- # She went to UCLA# |
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Hi. I often suffer from |
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Do you mind not driving until I can get my- |
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Okay. Okay. All right. |
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Ow. |
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# And I don't know why life # |
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# It seems to be # |
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# So hard for dreamers # |
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# Like you and me ## |
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Mary? How'd it go? |
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Smashing success. |
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Or as they say in old Paris, |
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- Okay, I'm gonna go upstairs and, uh, |
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Oh. So you're going ahead with the date? |
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Yes. Of course. |
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Look how excited I am. Better get going... |
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if I'm gonna fall in love and get proposed to... |
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register at Barnes and "Normal"... |
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have a beautiful wedding |
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plastic bride and groom on top of a cake, |
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I'm gonna go. |
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I just want her to be happy. |
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Yeah. |
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Go out and have some fun. |
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Mm-hmm. |
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you're gonna have to burn those damn boots. |
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Carol, I have a date. |
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A blind one. |
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But... |
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if this Steven is anything better than |
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I think we really should try and make it work. |
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Because, if society wants me to be normal... |
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then normal we shall be, right? |
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Yes. |
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Oh, and, Carol, I really would appreciate |
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And by "support," I don't mean that. |
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Mary? |
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Knock, knock, knock. |
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Oh. Look at you. |
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Already have- repeatedly. |
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Mar. He's hot. |
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Please don't mean on the inside. |
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- I'm a cameraman for CCN- |
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- a news program. |
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- Work with a guy called Hartman Hughes. |
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Hey, Mary. I'm Steve. |
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Carol. Carol, I bring news. |
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There's been a- |
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My date is substantially |
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And you know what? Colin Powell once said, |
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Well... |
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clearly he doesn't understand the power |
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There she is! |
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Oh, wow. |
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Nice boots. |
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Thank you. |
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You ready? |
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Mmm. |
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- So nice to meet you. |
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- Oh, yeah. It's raining outside. |
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- Let me get that door for you. |
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Good luck. Shalom. |
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I have to admit, at first I wasn't so sure |
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but now I'm surprised |
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especially knowing my mother. |
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Must be some kind of conspiracy. |
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Oop. You good? |
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Oh, he's so not gay. |
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Oh, man, it's coming down. |
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It's really coming down, huh? |
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I thought maybe we could go to, uh, Ernesto's. |
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They've got great tamales. |
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And they have this drink |
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It means "the black rooster. " |
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You have, like, two of those drinks, |
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Oh. You okay? You okay? |
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Mmm. Mmm. Mmm. |
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Wait, wait. |
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- What about my parents? |
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Mmm. She's married, |
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No, I just mean- |
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Whoa. I just- |
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I just mean we're right in front of their house. |
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And I have no problem with that whatsoever. |
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Oh, Steven. Oh, Steven. |
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- Is that Steven with |
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- It's with a "V." |
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- Yeah. |
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a million Stevens with a- a "V" in the country. |
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It's much more popular than the "P-H" way. |
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I think it was the Brits who prefer their P-H's. |
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Yeah. Not as much |
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Steven, we really should |
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- for predicting our all-encompassing |
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I mean, we're-we're both |
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you in TV, |
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I'll help you. Also noticing we're both |
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I don't know if you noticed like I noticed, |
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- and what are the chances of that? |
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- Okay? |
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Of course, the chances are |
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given that blue is one of the most popular |
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Do you, uh- Do you like crosswords? |
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Sure I do. |
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- Really? |
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You know how when the perfect clue |
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and it just explodes |
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I'm - I'm aroused. |
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- I'm perplexed. I'm |
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- Yeah? - Yeah. Can- Let's go back to the, |
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- Okay. Okay. Wow. Steven. |
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- Oh. |
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just brought together by the Norns. |
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- It's just-That's Scandinavian for the Destinies. |
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And now I'm going to eat you like a |
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You know what? I'm sorry. |
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- It's my phone. |
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- I didn't hear it ring. That's odd. |
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- I didn't feel it. |
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- Yeah. |
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- I'll get over here. |
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What? Yeah. What's up? |
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- All right. I'm coming. |
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- Okay. Okay. I can hurry. I can hurry. |
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I- I gotta go to work. |
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- There's breaking news. |
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- Gosh, I'm so sorry. |
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I gotta go to, uh, Boston. |
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Wow. Boston, huh? |
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That's a spectacular city. |
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Known not only for its- its tea... |
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but, uh, for Sam Morse, |
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- Get out of here. |
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No. You know, it's so- it'd be so much more |
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Like, I really wish you could be there. |
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- Life on the road sure is tough. |
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But you have a job to do. |
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Oh. He likes Twinkies. |
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Okay. It's been fun. |
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- Okay. That's for you. |
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Yeah. |
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Thank God. |
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Okay. Big crazy person. |
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# You got me stuck to you |
00:16:57 |
# You got me stuck to you |
00:17:01 |
# You got me stuck to you |
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When I was a fledgling cruciverbalist- |
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that means crossword constructor- |
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I would find comfort in the words |
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My hero was Manny Nosowsky... |
00:17:14 |
frequent New York Times contributor |
00:17:18 |
Manny says that |
00:17:22 |
can be determined |
00:17:25 |
- Is it solvable? |
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# You got me stuck to you |
00:17:31 |
- Is it entertaining? |
00:17:35 |
# You got me stuck to you |
00:17:38 |
Does it sparkle? |
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# You got me stuck to you # |
00:17:43 |
# Clap hands |
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Yes. Okay. So, lunch meeting |
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And I need to- I-This crossword is bullshit. |
00:17:52 |
Anyway, he said he was gonna change, |
00:17:56 |
This doesn't make any sense. |
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- Well, to me, it does. |
00:18:01 |
- This is lame. |
00:18:04 |
These clues suck! |
00:18:10 |
I can't get any of these! |
00:18:13 |
Oh, thanks. |
00:18:15 |
Don't even bother. I don't know what the deal is, |
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"All About Steve"? |
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- Steve's eye color. |
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Steve's lips taste like- |
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Mint explosion. |
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Mary, who's Steve? |
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- Oh. An extraordinary- |
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What's important is what you've done |
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- It's inspired. |
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- Romantic. |
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Oh, you're a tough one today. Let's see. Um- |
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It's unprofessional. |
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Un- No. |
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Um, okay. Let me think. You are- |
00:19:02 |
Mmm. |
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You've tarnished the paper's reputation. |
00:19:06 |
I mean, I really thought that you would've known |
00:19:10 |
Do you have any idea |
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Uh, 7,402, but- |
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- Mary. |
00:19:24 |
Mary, we're gonna have to let you go. |
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Oh. |
00:19:32 |
I could make it up to you... |
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by doing a fishing themed crossword. |
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I know how you love the- the piscatology. |
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I'm sorry. |
00:19:51 |
We can, um- |
00:19:53 |
Yeah, we'll just, uh-We'll- |
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I'll call you, and we'll just- |
00:20:02 |
Police tell us that the chief suspect in the case |
00:20:07 |
Okay, guys. You're set. |
00:20:09 |
Tucson's affiliate's on site now. |
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- Okay. |
00:20:16 |
Dan, we talked about this. |
00:20:19 |
- Nick Vasquez has six Emmys. |
00:20:23 |
- He was robbed, Dan. All six times. |
00:20:27 |
I mean, he can't help it |
00:20:30 |
By "older" he means |
00:20:34 |
Um, I'm pretty sure I meant old. |
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Wh-Wh-Wh-Whatever. |
00:20:41 |
...little feller just needs to stiffen up. |
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With the two purple flowers- |
00:20:46 |
- I'd, uh, be happy to, Dan. |
00:20:49 |
Yeah. What I was going for here was- |
00:20:53 |
Western motif, sort of the iconic flower. |
00:20:55 |
Then I needed a backdrop, like a |
00:20:59 |
In Hollywood, they call that a Mae West, |
00:21:01 |
Keep talking, fellas. Keep talking your way |
00:21:05 |
Right back to 10 degrees in Buffalo... |
00:21:07 |
where you'll be spending most of your days |
00:21:12 |
Well, give us something good, Danny. |
00:21:15 |
- I mean- we're fighter pilots, man. |
00:21:18 |
It's like sending an F-16 |
00:21:21 |
It's a waste of our energy. |
00:21:23 |
And I need one big report, man, |
00:21:26 |
Get out of my office. |
00:21:28 |
This is a big report, so don't screw it up with |
00:21:32 |
And you, Angus, |
00:21:35 |
Make sure they don't embarrass me in Tucson. |
00:21:38 |
Yes, sir. - Remember the Escalade. |
00:21:42 |
- Starling, how you doing? |
00:21:44 |
- Jackie, looking sweet. Paula. |
00:21:46 |
I can feel your love darts coming over this way. |
00:21:50 |
- Mom. I'm working. What's up? |
00:21:52 |
No, I haven't read it. Why? |
00:21:54 |
Uh, okay. Hey. |
00:21:58 |
- Yeah. Right here. |
00:22:00 |
Yes, I ate lunch. What section? |
00:22:05 |
Oh, wow. This is all about me. |
00:22:10 |
Wait. This is all about me. |
00:22:42 |
Yes. |
00:22:45 |
Oh. Ow, ow, ow. |
00:22:48 |
Doesn't hurt, doesn't hurt, doesn't hurt. |
00:22:51 |
But obviously the gods have seen- |
00:22:54 |
Where are you? |
00:22:57 |
Ooh. Hi. There you are. |
00:23:00 |
Pistas. Indicios. Anhaltspunkte. |
00:23:03 |
Clues. They're just-They're-They're everywhere. |
00:23:05 |
One, I was thinking of not going on the date, |
00:23:08 |
of, uh, Youngstrum Academy kindly- |
00:23:12 |
Two, my date duly arrives. |
00:23:14 |
And lo, not only is he, uh, muy caliente, |
00:23:19 |
Three, Steve says it would be great... |
00:23:22 |
if I could be on the road with him. |
00:23:24 |
But, of course, I cannot because I have a job. |
00:23:27 |
Four, only days later, |
00:23:30 |
which is obviously just the final clue |
00:23:35 |
Onward, Mary Horowitz. |
00:23:38 |
What do you mean you don't have a job? |
00:23:41 |
Missing the point, Father. Uh, the clues |
00:23:45 |
Journey forth where? |
00:23:48 |
Father, you're making me crazy. |
00:23:53 |
Ah. Voilà, Papa. |
00:23:56 |
If it is news, Steven is there. |
00:23:59 |
This is Hartman Hughes reporting from the edge. |
00:24:03 |
Anybody seen Vasquez? Huh? |
00:24:05 |
- Anybody seen Vasquez? |
00:24:07 |
Too much of a pussy to come |
00:24:09 |
Thirty seconds. - |
00:24:12 |
Well, I wanna open up on the dust, |
00:24:15 |
All right. Steve, but I'm gonna indicate |
00:24:19 |
- And right here. |
00:24:21 |
She still mad at you |
00:24:25 |
- And five, four- - Fact I was looking at |
00:24:31 |
Paula, I've just arrived |
00:24:35 |
beloved tourist attraction in Tucson, Arizona. |
00:24:37 |
On a typical day, this street would be busy... |
00:24:42 |
with families eager to enjoy |
00:24:46 |
Tragically, today, |
00:24:50 |
has taken his role to heart... |
00:24:52 |
and captured eight of his coworkers, |
00:24:55 |
and holding them in the saloon... |
00:24:57 |
a mere 85 yards away from where I stand now. |
00:25:01 |
Shots have been fired, Paula! |
00:25:03 |
Let's go handheld, Steve! |
00:25:10 |
It's unclear at this moment |
00:25:13 |
or how many lives have perhaps been lost. |
00:25:17 |
Okay. Breaking news, Paula. |
00:25:19 |
We have our first confirmed kill: |
00:25:22 |
a horse. |
00:25:24 |
One of many that live here |
00:25:30 |
First victim of this senseless tragedy. |
00:25:35 |
It's at moments like this I'd like to believe |
00:25:41 |
rolling meadows, lush grasses... |
00:25:43 |
the spirits of deceased horses |
00:25:48 |
Long may you roam... |
00:25:52 |
in heaven, O noble horse. |
00:25:56 |
Not dead. |
00:26:03 |
And yet, the horse not quite dead, Paula. |
00:26:06 |
Not quite dead at all. |
00:26:11 |
He's apparently a trained horse, Paula. |
00:26:14 |
Trained to drop down- |
00:26:17 |
during Wild Willy's |
00:26:21 |
This particular horse... |
00:26:23 |
also sensitive to trucks backfiring on Route 20. |
00:26:27 |
Well- |
00:26:29 |
in the midst of tragedy, a blessed miracle. |
00:26:33 |
Cut. - Damn it, Steve! |
00:26:36 |
You guys could see the horse is alive, and |
00:26:41 |
No, no. This is the "bring the tears" signal. |
00:26:43 |
This is "Hey, the horse is up. It's galloping. " |
00:26:47 |
Yeah. |
00:26:49 |
You know my favorite answer? |
00:26:51 |
"Pneumonoultramicroscopicsilicovolcanoconiosis. " |
00:26:53 |
It's a lung disease. Ooh! Fontana, California. |
00:26:55 |
Y- You know what they make there? No? |
00:26:58 |
No? They make-They make steel. |
00:27:00 |
Yeah. Do you know how they make it? No? |
00:27:03 |
I won't bore you with the whole story, |
00:27:06 |
like- like how it's made from, uh, |
00:27:10 |
which does not, as everyone might think, |
00:27:14 |
It's -It's a raw iron made from iron and coke. |
00:27:18 |
And by coke, I mean the, uh, |
00:27:21 |
Or the booger sugar. |
00:27:23 |
It's-It's a method perfected |
00:27:26 |
Oh. And Bessemer is also a town in Alabama. |
00:27:31 |
Yep. And you know what they have there? |
00:27:33 |
Hitler's typewriter. |
00:27:37 |
That guy was such an asshole. |
00:27:40 |
Anyone up for a potty break? |
00:27:44 |
We're gonna take five minutes here. |
00:27:48 |
Establishments in desolate areas like this |
00:27:56 |
No! No! Stop! |
00:28:01 |
Whoo-hoo! |
00:28:05 |
Crap. Crap. |
00:28:21 |
# I want to hit the road # |
00:28:24 |
Yes. Hi. Uh, Do you know when |
00:28:27 |
'Cause I kind of just-just missed mine. |
00:28:34 |
I'm headed that way. |
00:28:37 |
Oh. That's nice. |
00:28:41 |
So, you ever kill any animals? |
00:28:43 |
Set a trash can full ofkittens on fire? |
00:28:47 |
No. |
00:28:49 |
No? Okay. |
00:28:51 |
What about humans? That had to- |
00:28:55 |
Would I tell you if I did? |
00:28:59 |
Touché, sir. Touché. |
00:29:02 |
# Hit the road and drive for miles # |
00:29:06 |
# I'm gonna hit the road |
00:29:10 |
You can wait for that next bus if you want. |
00:29:24 |
Uh- Uh- |
00:29:26 |
Roughly 9.85. |
00:29:33 |
Stop! Stop! |
00:29:50 |
May I see your license, please? |
00:30:00 |
Norman James Durwood? |
00:30:03 |
Mary Magdalene Horowitz. Nice to meet you. |
00:30:05 |
Good to meet you, I think. |
00:30:08 |
Norm, if you are going to rape and murder me... |
00:30:12 |
you are going to have to cut my body up |
00:30:15 |
and scatter me all over four states... |
00:30:17 |
because this appendage... |
00:30:19 |
will lead homicide detectives right to you. |
00:30:23 |
And that would be no bueno. I think we're good. |
00:30:29 |
no pencils. |
00:30:33 |
Doing a crossword with a pencil is like |
00:30:37 |
It is weak. |
00:30:39 |
you need to do it fearlessly |
00:30:43 |
I prefer medium felt-tip blue. |
00:30:45 |
It's about choosing your path, Norm, |
00:30:50 |
Well, I figure that when you miss a bus... |
00:30:53 |
maybe you weren't meant to take it. |
00:30:57 |
Hmm. |
00:31:00 |
Are you familiar with, uh- |
00:31:03 |
- It's like this awful eye pus that starts to ooze- |
00:31:06 |
quiet time might be real good right about now. |
00:31:09 |
Oh. Okay. |
00:31:14 |
Quiet. Silencio. |
00:31:16 |
Ruhe. |
00:31:20 |
Hey, Norm. |
00:31:22 |
Mary? |
00:31:24 |
Thanks for not raping me. |
00:31:28 |
My pleasure. |
00:31:33 |
Howdy, partners! |
00:31:38 |
Howdy, partners! Welcome to |
00:31:45 |
All righty. Give my love to the kids. |
00:31:48 |
Good luck. And if that Steve |
00:31:51 |
Disrespect. Well, if you mean unmannerly... |
00:31:53 |
tactless and vulgar, |
00:31:56 |
Some things can't be helped. |
00:31:58 |
See ya, Mary. |
00:32:01 |
See ya, Norm. |
00:32:16 |
# I want to be a cowboy's sweetheart # |
00:32:20 |
# I want to learn to rope and ride # |
00:32:23 |
# I want to ride o'er the plains and the desert # |
00:32:27 |
# Out west of the Great Divide # |
00:32:31 |
# I want to hear the coyotes howlin'# |
00:32:34 |
# While the sun sinks in the west # |
00:32:38 |
# I want to be a cowboy's sweetheart # |
00:32:43 |
# The life I love the best ## |
00:32:47 |
Hola. Señor. |
00:32:49 |
What happened? |
00:32:52 |
They're all safe. |
00:32:59 |
Crap. |
00:33:05 |
- Adiós. |
00:33:13 |
What did they say? |
00:33:14 |
- Baby Peggy... |
00:33:16 |
- in Oklahoma... |
00:33:17 |
Poor little thing. |
00:33:18 |
Oh. Oh. Gracias. Gracias, señor. |
00:33:22 |
- De nada. |
00:33:24 |
Vaya con Dios. |
00:33:25 |
...Guadalupe Aguero, or to us, Baby Peggy... |
00:33:28 |
a third leg. |
00:33:32 |
Shortly after the birth, |
00:33:35 |
Now with joint custody, one parent |
00:33:40 |
- The other wants it gone. |
00:33:42 |
the judge has ordered in favor of the mother. |
00:33:44 |
Amputation surgery is scheduled for tomorrow... |
00:33:46 |
but the father, Mr. Aguero, |
00:33:49 |
As his lawyers work to secure an injunction... |
00:33:53 |
the father continues to rally support |
00:33:57 |
I'm quoting. " If God didn't want my daughter |
00:34:01 |
he wouldn't have stuck one |
00:34:04 |
So, for now, the fate |
00:34:07 |
is in the hands of a judge. |
00:34:10 |
Hartman Hughes, |
00:34:14 |
near the leg, |
00:34:18 |
- Cut. |
00:34:21 |
In the next segment, |
00:34:23 |
"Baby Peggy is in |
00:34:27 |
- What do you think? |
00:34:30 |
- Wanna do some one-on-ones? |
00:34:32 |
Okay. |
00:34:36 |
Intelligent arguments, guys! |
00:34:38 |
I was born with a vestigial penis. |
00:34:43 |
You know, like yours. I'm talking about |
00:34:46 |
And it was pretty good size. I was kind of |
00:34:50 |
I used to work it, hang it on the side |
00:34:54 |
Now there's just a big old scar. |
00:34:59 |
Right? Okay. So, they cut it off, then- |
00:35:02 |
What? What happened? H- I wasn't finished. |
00:35:05 |
- That was unbelievable. - Yeah, that |
00:35:10 |
- Vasquez. |
00:35:12 |
Oh. That's a new Escalade. |
00:35:15 |
He's got three security guards. |
00:35:17 |
Look at that. He brought toys. |
00:35:22 |
Ooh, that's that guy from the news. |
00:35:26 |
Son of a bitch. |
00:36:22 |
What? |
00:36:24 |
Oh, no. |
00:36:27 |
#Love him, I love him, I love him # |
00:36:30 |
# And where he goes |
00:36:34 |
# I will follow him # |
00:36:37 |
# Follow him wherever he may go # |
00:36:41 |
- Hi! |
00:36:42 |
- Hey. |
00:36:46 |
Hey. Oh. |
00:36:47 |
- How are ya? Hey! |
00:36:50 |
Yeah, I didn't - I-Yeah. |
00:36:52 |
- Look at you, here. |
00:36:55 |
- It did. It did. |
00:36:58 |
- Oh, I brought your- |
00:37:00 |
- And I got a surprise- |
00:37:03 |
that I know you love. |
00:37:06 |
Oh. Wow. That's, uh- |
00:37:09 |
That's -Wow. That's scary thoughtful. |
00:37:12 |
- Thanks. Thank you. |
00:37:15 |
- So, you-you-you came here all |
00:37:19 |
"Ask and you shall receive. " |
00:37:21 |
- No. |
00:37:24 |
Did Jesus tell you to come here? |
00:37:27 |
Jesus ask me to come here. |
00:37:31 |
- No. You did. |
00:37:34 |
- Yes, you did. |
00:37:35 |
- Yes, you did. |
00:37:37 |
Yes. Right after you fondled my breasts. |
00:37:39 |
- Who? |
00:37:42 |
- Oh. |
00:37:44 |
Sure would be great if you could |
00:37:47 |
Oh, yeah. |
00:37:49 |
With your big old hands. |
00:37:51 |
- Yeah. |
00:37:54 |
- It felt good. |
00:37:56 |
- Yeah. |
00:37:58 |
Yeah. It will be great, |
00:38:02 |
- Oh. That's sweet of you to say. |
00:38:05 |
for- for support and encouragement... |
00:38:08 |
and whatever, like... |
00:38:10 |
- nurturing and-and coddling you |
00:38:13 |
I'm -I'm pretty much a one-man team. It's just- |
00:38:15 |
It's - It's just me and, uh, my camera. |
00:38:19 |
- You know what? And yes. |
00:38:21 |
You know, |
00:38:23 |
Because I-I bet my left ovary... |
00:38:25 |
that that- that's Baby Peggy's daddy |
00:38:29 |
- Right there. Look. |
00:38:32 |
- No. Right- - No, they're all dressed |
00:38:35 |
- 'Cause we're at a hospital. - But a- But a |
00:38:39 |
- What? |
00:38:43 |
Oh! Ho-Holy shit! You're right. |
00:38:45 |
- Yeah. I- I should, uh-Thank you. |
00:38:49 |
First priority, your-your occupation. |
00:38:51 |
Second priority, fornication! |
00:38:55 |
Fornication. |
00:38:58 |
- Excuse me, ma'am. |
00:39:00 |
- Only media are allowed up here. |
00:39:02 |
My credentials, kind sir. |
00:39:05 |
- "Cruciverbalist"? |
00:39:07 |
You gotta stay down there with your friends. |
00:39:11 |
My friends. |
00:39:13 |
Don't make us beg! Save the third leg! |
00:39:17 |
Don't make us beg! Save the third leg! |
00:39:20 |
Don't make us beg! Save the third leg! |
00:39:23 |
Don't make us beg! Save the third leg! |
00:39:26 |
- Don't make us beg! Save the third leg! |
00:39:30 |
Don't make us beg! Save the third leg! |
00:39:34 |
Okay, guys. That's 30. That was fantastic. |
00:39:38 |
Hi there. I like your boots. |
00:39:41 |
Oh. Thanks. |
00:39:44 |
Are you pro-leg or anti-leg? |
00:39:47 |
Neither really. |
00:39:49 |
Well, um, this is the pro-leg group over here. |
00:39:52 |
Oh, we are supporting Baby Peggy's dad |
00:39:57 |
- Oh, wow. - Um, over there-Well, |
00:40:00 |
Well, is the, uh- is the additional leg |
00:40:04 |
Because if it has full mobility, it's both |
00:40:09 |
Those are a lot of words. |
00:40:12 |
- And they're kind of big. I don't understand. |
00:40:14 |
In addition to promoting a righteous cause... |
00:40:18 |
the pro-leggers have better snacks. |
00:40:23 |
Okay. I'm, um... |
00:40:25 |
definitely pro-leg then. |
00:40:27 |
Yea! |
00:40:30 |
Come around. |
00:40:33 |
Okay. Okay. |
00:40:37 |
Love those boots. |
00:40:39 |
Angus. Footage of the dad leaving the scene. |
00:40:42 |
- Nice work. |
00:40:45 |
- How'd you get that? |
00:40:49 |
This is Hartman Hughes reporting from the edge. |
00:40:57 |
You remember the blind date I went on? |
00:40:59 |
- Yeah. The one who did the crossword. |
00:41:02 |
She followed me here. |
00:41:04 |
- Here? |
00:41:06 |
I mean, I saw her at the bridge, and I- I think |
00:41:10 |
- Is she attractive? |
00:41:12 |
I've been married to the same woman |
00:41:16 |
- I think she thinks that I invited her here. |
00:41:19 |
No. I mean, well- |
00:41:22 |
Kind of. I mean- |
00:41:24 |
But I was just trying to be nice, you know, |
00:41:27 |
You could have tried "Get out of my truck. " |
00:41:30 |
I can't be held responsible |
00:41:32 |
No. Of course not. |
00:41:36 |
and following you |
00:41:38 |
Stalker? |
00:41:41 |
- Who has a stalker? |
00:41:43 |
- No, no, no, no. What? |
00:41:46 |
Really? What's going on with that? |
00:41:49 |
No, I was telling him about Mary. Remember |
00:41:53 |
She was on me like a mountain lion in the truck. |
00:41:55 |
Great in theory, but... wouldn't stop talking. |
00:41:58 |
She was like a talking encyclopedia. |
00:42:02 |
So, uh, is she here, or- |
00:42:04 |
No. No, no, no. I think she went up- |
00:42:06 |
Red boots, with the protesters. Hot. |
00:42:08 |
Red boots? |
00:42:10 |
- You bang a fireman? |
00:42:12 |
No, I did not bang a fireman. |
00:42:15 |
Hmm. |
00:42:18 |
All right. |
00:42:21 |
and get some, uh, snacks. |
00:42:24 |
- You want anything? |
00:42:27 |
with shaved ice with a twist oflemon. |
00:42:35 |
- Awesome. He's getting me drinks. |
00:42:38 |
- Yeah! - That's not where he's going. |
00:42:40 |
He's always thinking about something. |
00:42:42 |
- # Save the leg, my friend # |
00:42:46 |
- # Save the leg # - It's the, |
00:42:49 |
- Give me that. |
00:42:51 |
Here. |
00:42:54 |
- Hey, guys. |
00:42:56 |
- Uh, can I help? |
00:42:58 |
Mary, have you met Howard? |
00:43:01 |
- How do you do? |
00:43:05 |
Uh- |
00:43:08 |
I'm just gonna sit down. |
00:43:11 |
- So, what can I do? |
00:43:13 |
- Yes. |
00:43:18 |
- Mary. |
00:43:21 |
Hartman Hughes. |
00:43:23 |
So, this is the pro-legger camp. |
00:43:26 |
- Yeah. |
00:43:28 |
That's right. |
00:43:30 |
You folks are all for |
00:43:32 |
- Abnormal? |
00:43:36 |
Yeah. |
00:43:38 |
- She'd just be like the tree frog. |
00:43:41 |
A trematode parasite causes polymely- |
00:43:43 |
that means "extra limbs" - in-in tree frogs. Yeah. |
00:43:46 |
Happens all the time. It's -It's totally normal. |
00:43:48 |
- In some ponds,there's a quarter |
00:43:51 |
with extra limbs, |
00:43:53 |
You know, over at the media tent... |
00:43:55 |
we're gonna take a break in a few minutes... |
00:43:57 |
and, uh, sure enough like you to join me. |
00:44:00 |
Oh. |
00:44:07 |
Will Steve be there? |
00:44:11 |
- Who do you think sent me? |
00:44:14 |
All right, girl. You go, girl. |
00:44:16 |
Go on to that media tent with your bad self. |
00:44:19 |
Go get your man, honey. |
00:44:21 |
- I'll be right back. |
00:44:23 |
- Did Steve tell you all about the |
00:44:27 |
There's no words to describe |
00:44:30 |
Oh, but there are. There are always words. |
00:44:32 |
- You know- |
00:44:34 |
It's easy to see |
00:44:37 |
Oh. |
00:44:40 |
So, he, uh- Oh, yeah. |
00:44:43 |
he told you all about |
00:44:46 |
- and je ne sais quoi? |
00:44:48 |
He told me about the quoi. |
00:44:50 |
He wouldn't shut his piehole about the quoi. |
00:44:52 |
But, you know, his bliss is tempered with fear. |
00:44:56 |
- Oh. |
00:44:57 |
did he seem like a man |
00:45:01 |
Um- |
00:45:03 |
I- I-I-I don't know. I don't know if- if- |
00:45:06 |
- Mmm, no. |
00:45:08 |
- It's because he's afraid, Mary. |
00:45:10 |
He's afraid you're gonna... break his heart. |
00:45:13 |
But I wouldn't do that. |
00:45:16 |
- I'm incapable- |
00:45:19 |
You rest those pretty little mouth pillows, huh? |
00:45:22 |
You're gonna need 'em later |
00:45:24 |
What I need to know from you right now... |
00:45:27 |
are you gonna stick around long enough |
00:45:32 |
- Oh. Of course. Of course. Yes. |
00:45:34 |
- If he tells you to go, you don't go. |
00:45:37 |
Mm-mmm. He starts throwing words around |
00:45:42 |
- that's his fear talking. |
00:45:44 |
- All right? |
00:45:46 |
If he tries to run away, I want you to grab him. |
00:45:50 |
- Okay. - And with the strength |
00:45:53 |
- Be calm and focused. |
00:45:55 |
- You wanna know why? |
00:45:57 |
You're the rock in this relationship. |
00:45:59 |
I'm the rock. |
00:46:01 |
- You're the glue that holds it together. |
00:46:05 |
Right here. Look at me. Focus. |
00:46:09 |
Are you gonna soldier on... |
00:46:12 |
no matter what happens? |
00:46:14 |
Of course. |
00:46:16 |
- Of course. |
00:46:18 |
- You know what I see in those big, |
00:46:23 |
Plica semilunaris secretions? |
00:46:25 |
Do I have something in my eye? |
00:46:29 |
Bravery. |
00:46:32 |
Hmm. Well, I'm a little nervous. |
00:46:35 |
- Now you go get your Steve on. |
00:46:40 |
- You said she was hyper? |
00:46:43 |
That's good. That's good. |
00:46:45 |
they keep all that bottled up inside, |
00:46:50 |
You know? But as long as she's hyper, |
00:46:53 |
One thing she isn't is calm. |
00:46:55 |
- Dude. |
00:46:58 |
- Dude. Is that her? |
00:47:00 |
Is that her? |
00:47:05 |
Oh. |
00:47:08 |
Want some? |
00:47:12 |
Okay. |
00:47:14 |
- How'd she get in here? |
00:47:19 |
Boy, did I miss you, Steven with a "V." |
00:47:23 |
- Let's go for a talk outside. |
00:47:26 |
- Right out here. |
00:47:28 |
All right. |
00:47:32 |
- Oops. Yes? |
00:47:34 |
- You can't stay here. |
00:47:37 |
- No. |
00:47:39 |
- crossword puzzles from anywhere in the world. |
00:47:42 |
- Listen to me. |
00:47:45 |
I don't want you here. Okay? |
00:47:47 |
But you said. |
00:47:49 |
I said- I know- I'm a guy. Okay? |
00:47:51 |
We say things we don't mean. |
00:47:53 |
Well, then, how do I know |
00:47:57 |
- when you said you didn't mean what you said? |
00:48:00 |
Well, see, that's your fear talking. |
00:48:03 |
Why are you so calm? |
00:48:06 |
How come you're not more hyper? |
00:48:09 |
- Steve, it's all gonna be okay. |
00:48:12 |
Maybe even wonderful. |
00:48:14 |
- Hartman Hughes told me everything. |
00:48:16 |
- I talked to Hartman Hughes. |
00:48:18 |
- It doesn't matter. |
00:48:20 |
- Steve. |
00:48:22 |
Steven, Steven, Steven, Steven. Come here. |
00:48:27 |
- Okay. |
00:48:29 |
"Intimate relationships |
00:48:32 |
"but to have any meaning or validity at all... |
00:48:35 |
a life plan must include intimate relationships. " |
00:48:39 |
Do you know who said that? |
00:48:41 |
- Jesus? |
00:48:42 |
- Oh. |
00:48:44 |
of the timeless classic |
00:48:48 |
- I was gonna run for governor, but- |
00:48:51 |
- Come here. |
00:48:53 |
- Come here. |
00:48:55 |
- Yes, sir. |
00:48:58 |
I don't know what you're into, lago, |
00:49:01 |
I'm a newsman. |
00:49:05 |
Okay. Well, then tell her you lied and- |
00:49:10 |
I don't want you here. I'm sorry. |
00:49:12 |
Okay. |
00:49:21 |
Sorry. Just... |
00:49:24 |
things didn't work out. |
00:49:26 |
You're gonna find a great guy. |
00:49:28 |
Baby. |
00:49:30 |
What is that? |
00:49:33 |
I want you guys to have a baby. |
00:49:35 |
Why? |
00:49:37 |
You guys belong together. |
00:49:40 |
- I'm gonna hit you, man. |
00:49:42 |
You're not gonna hit the face of CCN- |
00:49:44 |
Stop it! "Victory attained through violence |
00:49:49 |
- This is what I'm talking about. |
00:49:51 |
- What are you afraid of? |
00:49:53 |
You don't want her to know about |
00:49:56 |
Why are you putting stuff like that in her head? |
00:49:58 |
- You said that? |
00:50:00 |
Maybe you're afraid the great Hartman Hughes |
00:50:03 |
- You're crazy! |
00:50:06 |
Hey, guys! |
00:50:10 |
- Steve, your camera. |
00:50:13 |
- Sorry. Sorry. |
00:50:15 |
You mess with me, you mess with my boy. |
00:50:17 |
- Mary, stay! Mary, stay! |
00:50:19 |
- Mary! |
00:50:22 |
- Mary! |
00:50:24 |
Tissue. |
00:50:26 |
With mere hours to spare, |
00:50:30 |
agreeing to halt surgery until Baby Peggy |
00:50:34 |
It's time for the Agueros |
00:50:38 |
So today, like the noble tree frog... |
00:50:41 |
whose third leg is nothing if not natural... |
00:50:44 |
Baby Peggy marches on |
00:50:48 |
Steve! I'm coming. Excuse me. |
00:50:50 |
Medical emergency. |
00:50:52 |
Possible concussion, could faint at any time. |
00:50:54 |
- Steve, I'm coming. |
00:51:02 |
Are you all right? |
00:51:04 |
Could someone please help him? |
00:51:07 |
Maybe apply a vasoconstrictor |
00:51:10 |
She trying to kill me? She's trying to kill me. |
00:51:14 |
This is Hartman Hughes report- |
00:51:18 |
What the hell was that? |
00:51:20 |
It's this girl who Steve invited, sir. |
00:51:23 |
I didn't invite her. She's stalking me. |
00:51:26 |
Never mind. |
00:51:29 |
There's a hurricane off the coast ofTexas. |
00:51:31 |
I'm sorry. It'll never happen again. |
00:51:33 |
If you three weren't the closest crew to |
00:51:36 |
- Yes, sir. |
00:51:38 |
Did you hear that about the tree frog? |
00:51:41 |
Every time she speaks, I smell anchor desk. |
00:51:44 |
I get it, Hartman. You're trying |
00:51:47 |
She's insane. She tried to kill me. |
00:51:49 |
Hartman, something's wrong with her. |
00:51:50 |
- You didn't see that? |
00:51:53 |
I fell down? My legs were |
00:51:55 |
What are you talking about? She's stalking me. |
00:51:57 |
- Dude, she's not stalking you. |
00:51:59 |
Oh, shit! |
00:52:02 |
- Steve. Hi, guys. |
00:52:04 |
Hi. I'm so sorry I was detained. |
00:52:06 |
I was questioned by authorities about an |
00:52:09 |
But all's been resolved. Steve. |
00:52:11 |
Considering you almost cost us our job, |
00:52:13 |
I'm so sorry. |
00:52:17 |
I can actually apologize |
00:52:19 |
Huh. |
00:52:22 |
So, Mary, we're going to Galveston. |
00:52:25 |
- What do you know about Galveston? |
00:52:27 |
Great. Galveston. |
00:52:30 |
one of the country's |
00:52:33 |
- Huh. Gay friendly, Angus. |
00:52:35 |
Is she running alongside the van? |
00:52:36 |
- What else you got? |
00:52:38 |
- Biggest natural disaster in American history. |
00:52:41 |
Over 6,000 dead in Galveston alone. Yeah. |
00:52:44 |
- Ten nuns and 90 orphans. |
00:52:48 |
- Ask her why she's following me. Please. |
00:52:51 |
I'm not- |
00:52:55 |
Stalking's an obsessive pursuit of prey. |
00:52:57 |
But you're kind of |
00:53:00 |
Who wouldn't? |
00:53:01 |
Steven is a smart, decent, loving- |
00:53:06 |
Loving, talented human being |
00:53:09 |
- I'm not going anywhere, Steve. |
00:53:12 |
- Steve, hi. |
00:53:17 |
Oh. |
00:53:19 |
You should come! |
00:53:26 |
You know what |
00:53:29 |
"Go. " That or any other two-letter words. |
00:53:33 |
The word "go"- not fun. |
00:53:35 |
The word "vamoose"- now that's super fun. |
00:53:40 |
Yes. Crosswords are a lot like life in that way. |
00:53:43 |
They're only boring |
00:53:45 |
We didn't get to light all the candles, Howard. |
00:53:49 |
- That's okay. We can save them. |
00:53:51 |
Hi, Mary. Where you been? |
00:53:53 |
I'm -I'm going to- |
00:53:57 |
- Oh. |
00:53:58 |
Yes, it's a storm. |
00:54:00 |
Could you sign my autograph |
00:54:04 |
Yeah, if I, uh- If I had a- a car... |
00:54:07 |
on my way to Galveston, |
00:54:10 |
where they have the world's largest peanut. |
00:54:13 |
I love peanuts, especially the giant ones. |
00:54:16 |
- Yeah, well, who doesn't? |
00:54:19 |
Love them. |
00:54:21 |
- There you go. |
00:54:24 |
- Really? |
00:54:29 |
All right. Vamoose. |
00:54:35 |
Vamoose indeed. |
00:54:39 |
- So, uh, what kind of car do you have? |
00:54:42 |
- What year? |
00:54:44 |
- Did you replace the two-wire |
00:54:47 |
The reverse doesn't work, and sometimes |
00:54:50 |
This storm could be nasty. |
00:54:51 |
Are we sure that we wanna drive into it? |
00:54:53 |
Come on. How bad could it be, right? |
00:54:55 |
Storm Watch! |
00:54:58 |
Hurricane LaQuisha expected to make landfall |
00:55:02 |
And what makes this situation |
00:55:05 |
that area ofTexas currently in the midst... |
00:55:08 |
of the worst tornado season in history. |
00:55:11 |
And here's where things get interesting. |
00:55:14 |
Add a looming cicada migration... |
00:55:16 |
and no one knows just how devastating |
00:55:20 |
Did you know that back in the '80s when |
00:55:24 |
it was actually the cows and their gases... |
00:55:27 |
which were actually |
00:55:33 |
- # Turn off your radio # |
00:55:37 |
# You're gonna feel all right # |
00:55:40 |
# Let's do the panic tonight ## |
00:55:47 |
A little wrinkled old lady. |
00:55:50 |
Yeah, that's Mother Teresa. |
00:55:54 |
- I'm an apple sculptor. |
00:55:56 |
I love apples. |
00:55:58 |
- Yeah? |
00:56:00 |
Well, I went to school for physics, |
00:56:03 |
So I, uh- So now I just make these and |
00:56:08 |
Here, let me show you another one. |
00:56:10 |
- Oh! Clay Aiken! |
00:56:12 |
I love him! |
00:56:15 |
You know, I was sitting at home... |
00:56:17 |
just thinking that I had |
00:56:21 |
And then I just thought, |
00:56:26 |
Maybe this is the road I'm supposed to be on. |
00:56:33 |
Maybe it is. |
00:56:36 |
And now we go out to Hartman Hughes, |
00:56:40 |
Hartman, not getting too wet, are you? |
00:56:42 |
Paula, the only thing keeping me |
00:56:47 |
of these shark-infested waters... |
00:56:50 |
is this flimsy two-by-four railing. |
00:56:52 |
And the Galvestonians here |
00:56:56 |
will not surpass the storm of 1900... |
00:57:00 |
when 6,000 people lost their lives- |
00:57:03 |
nuns, orphans washed out to sea. |
00:57:08 |
This is Hartman Hughes in Galveston... |
00:57:12 |
in the middle of a mild storm... |
00:57:16 |
reporting from the edge. |
00:57:19 |
All right. Good work. |
00:57:23 |
- Good job. |
00:57:26 |
- Holy shit! There's Mary! |
00:57:31 |
- You know, you're an asshole! |
00:57:36 |
You know what? I love dressing up. I do. |
00:57:38 |
But, guys, those panties are short on sparkle. |
00:57:41 |
Thank the good Lord for the BeDazzler. |
00:57:46 |
Guys? Hold on! |
00:57:50 |
- Oh, crap! |
00:57:55 |
Okay, reverse! Reverse! |
00:57:57 |
The car won't start! Reverse doesn't work! |
00:57:59 |
- Oh, my God! |
00:58:01 |
- I can't! It's stalled! |
00:58:04 |
It will not start. What are we gonna do? |
00:58:08 |
Okay, okay. Uh- Uh- |
00:58:09 |
- Crap! |
00:58:11 |
- Okay. Okay. |
00:58:14 |
Guys, come on! |
00:58:15 |
- My shoe! |
00:58:17 |
Ow, ow, ow! |
00:58:25 |
Come on! Keep running! |
00:58:28 |
- Come on! |
00:58:31 |
Everybody get in! |
00:58:35 |
It's blocked! |
00:58:37 |
We're gonna be okay though. |
00:58:39 |
Yea! Ponchos! |
00:58:41 |
Yes. No such thing as too prepared |
00:58:45 |
Oh! |
00:58:47 |
Oh. Oh. Oh. Oh. |
00:58:49 |
Oh. |
00:58:51 |
Oh. Oh! Oh! |
00:58:54 |
Insecta Hemiptera |
00:58:56 |
Cicada. |
00:58:58 |
This species only comes around every 17 years! |
00:59:00 |
Add these very, very smart |
00:59:04 |
it's like a once-in-a-lifetime natural miracle! |
00:59:07 |
- Do you know how lucky we are? |
00:59:18 |
Shit! |
00:59:22 |
Curse words. |
00:59:24 |
Swearing, profanity, expletives-a good old cuss. |
00:59:27 |
Maybe these words aren't |
00:59:30 |
such as crosswords or kindergarten... |
00:59:32 |
but when amongst friends and in a sewer... |
00:59:36 |
it's perfectly acceptable |
00:59:47 |
My car. |
01:00:03 |
- Storm's over. What else is happening? |
01:00:04 |
Hey, Chris, any celebrities |
01:00:07 |
Give me the phone. |
01:00:09 |
Angus, how in the hell |
01:00:12 |
- Please, give us another chance. - If you |
01:00:16 |
- Please, sir, I- - Get me downed street signs, |
01:00:19 |
whatever. |
01:00:20 |
And then I want you all in my office |
01:00:23 |
Sir, I'm sorry, sir, I- |
01:00:25 |
They're through, all of them. Finished. |
01:00:28 |
Find out if Vasquez is happy at NNC. |
01:00:32 |
We need to go shoot some B-roll |
01:00:35 |
I'm not scared of love. |
01:00:37 |
I went on one date with her, Mom. |
01:00:39 |
B- roll? |
01:00:42 |
A complete waste of my handsome gifts. |
01:00:45 |
Where's a decent tragedy |
01:01:01 |
Who wants to go forward? |
01:01:05 |
Hey, kids. Who's ready for some fun? |
01:01:25 |
No! |
01:01:27 |
You can knit this handy purse. |
01:01:29 |
- But my favorite project- |
01:01:31 |
Breaking news from Silver Plume, Colorado. |
01:01:34 |
A group of hearing-impaired children |
01:01:39 |
- Yeah, I just heard. |
01:01:41 |
What? |
01:01:44 |
- ... blissfully unaware of what lay ahead. |
01:01:47 |
There's no word yet on injuries, John... |
01:01:49 |
but we are getting reports |
01:01:52 |
to try and rescue those poor deaf children... |
01:01:55 |
before the ground collapses on top of them. |
01:01:57 |
- Judy, John, back to you. |
01:02:00 |
Angus, where'd you get those? |
01:02:02 |
- Hmm? |
01:02:06 |
- Think she poisoned our chips? |
01:02:09 |
Huh? Did you buy them? I didn't buy them. |
01:02:12 |
Did you buy- |
01:02:15 |
You know, poisoning is the number |
01:02:18 |
Are you kidding me? |
01:02:20 |
- Nope. |
01:02:22 |
Everything's gotta go out. |
01:02:25 |
Give a hoot. Don't pollute. |
01:02:34 |
- I'm sorry. |
01:02:37 |
You know, my old man was |
01:02:41 |
Hard to fill those boots, huh? |
01:02:43 |
Got killed before I ever had a chance |
01:02:48 |
Yeah, if I ever get that anchor desk... |
01:02:50 |
he's gonna be really proud of me in heaven. |
01:02:53 |
Well, looks like we found |
01:02:56 |
Holy shit. There's Mary. |
01:02:59 |
Oh, my God! Oh, come on! |
01:03:01 |
Oh, my God. It's Steve. Steve. |
01:03:03 |
Steve. |
01:03:06 |
- What are you doing? What? |
01:03:09 |
What are you writing? |
01:03:11 |
I'm making some notes! Leave me alone! |
01:03:13 |
- Stop it! - No way! |
01:03:15 |
Steve! Steve! Steve! Steve! |
01:03:18 |
Oh, Jesus! She's got a machete! |
01:03:21 |
Oh, man! She's gonna pluck my eyes out, man! |
01:03:23 |
She is gonna carve my eyes out |
01:03:26 |
I swear to God. |
01:03:29 |
Oh, my God! She's gonna cut my feet off! |
01:03:31 |
I'm not gonna be able to walk! |
01:03:34 |
She's gonna make you eat your legs? |
01:03:36 |
- Yeah, I read about it! |
01:03:38 |
What, some sort of pimento leg loaf? |
01:03:40 |
Hey! You think this is funny? |
01:03:43 |
- I know it's not the same thing as- |
01:03:46 |
Just shut up! Just shut the heck up! |
01:03:48 |
- I swear to- |
01:03:53 |
Jesus! Where do I begin? |
01:03:55 |
Hartman, for the love of God, stop tanning. |
01:04:00 |
You look like a Cheese Nip! |
01:04:01 |
You look like an orange with lips! |
01:04:04 |
You look like a wrinkled peach! |
01:04:07 |
And you! Geraldo! Lose the wig! |
01:04:11 |
You look like a retired porn star. |
01:04:13 |
Who you fooling? |
01:04:17 |
The van's the same, dumb-ass! |
01:04:21 |
Mary is not a psycho. You're the psycho. |
01:04:25 |
She's just a smart girl with red boots. |
01:04:37 |
That's good work, Angus. |
01:04:40 |
I knew you had some balls in those Underoos. |
01:04:45 |
Okay. Ooh. Okay. |
01:04:47 |
"Deaf kids in a mine. Silver Plume. |
01:04:49 |
Please 'meat' me. " |
01:04:54 |
"Meat. " |
01:04:59 |
"Please meat" - M-E-A-T. |
01:05:03 |
"Please meat me there. XO, Steve. " |
01:05:09 |
See? He needs me, |
01:05:16 |
You know what one of my favorite ingredients |
01:05:21 |
If you quit a puzzle, you can't finish it. |
01:05:25 |
Sure, every once in a while, |
01:05:27 |
that you don't think you could ever solve |
01:05:29 |
but if you stick with it, you figure it out. |
01:05:36 |
Eventually. |
01:05:41 |
Worst thing you can do is leave it unfinished. |
01:05:46 |
It's never the solution, is it? |
01:05:49 |
- You know what my |
01:05:55 |
When you realize you know something |
01:05:59 |
Maybe. |
01:06:03 |
To Colorado then? |
01:06:05 |
- # You got all the sugar# |
01:06:10 |
# You'll ever need ## |
01:06:15 |
Hey, people, back it up! |
01:06:17 |
This ground can collapse at any time, |
01:06:20 |
Here we go, guys. Start lowering him down. |
01:06:27 |
Vasquez. |
01:06:29 |
Hey, what's he doing with his hands? |
01:06:36 |
Son of a bitch. |
01:06:38 |
I haven't had my big moment yet, |
01:06:41 |
They're all okay! |
01:06:46 |
All right, on three. |
01:06:49 |
Three, two, one. |
01:06:51 |
Elation here in Colorado... |
01:06:54 |
and yet danger lurking at every corner... |
01:06:57 |
as rescuers bring the "besmudged" |
01:07:04 |
Thank God they're all right. |
01:07:08 |
Thank you, God. |
01:07:23 |
That's the last of them! |
01:07:31 |
He's out. |
01:07:35 |
The last child is now rescued... |
01:07:37 |
with the parents rejoicing |
01:07:39 |
Wait. Wait a minute. |
01:07:42 |
- Oh! |
01:07:44 |
The heavy crane is actually shaking. |
01:07:59 |
Yes, it's dangerous there. |
01:08:02 |
What happened? |
01:08:04 |
I don't know... |
01:08:06 |
I don't know... |
01:08:08 |
A happy ending, and yet parents |
01:08:12 |
"Is my family in danger |
01:08:15 |
Is my backyard an abandoned mine?" |
01:08:18 |
Danger's passed! |
01:08:21 |
Thank God they're all safe. |
01:08:23 |
Is that him? |
01:08:25 |
Yeah. |
01:08:33 |
Well. "Truth is truth, to the end of reckoning. " |
01:08:37 |
Shakespeare. |
01:08:48 |
And I say to these complete strangers- |
01:08:55 |
- Bye. |
01:09:07 |
...one that has left parents |
01:09:10 |
"How do I keep my family safe |
01:09:13 |
"Is my bedroom-and more to the point- |
01:09:16 |
Holy shit. |
01:09:17 |
"my king-sized bed- on top |
01:09:20 |
"Is my child's school built |
01:09:24 |
- Are abandoned mines always unsafe?" |
01:09:27 |
- Mary's in the hole. |
01:09:30 |
Somebody else went in! |
01:09:33 |
Cut! Get over there! |
01:09:35 |
- Get back from the tape now! |
01:09:37 |
Come on, handheld. Come on, let's go! |
01:09:39 |
Did somebody fall in the mine? |
01:09:44 |
Tell her help is on the way. |
01:09:47 |
We just need her to confirm she's conscious. |
01:09:49 |
Here. Give me that. |
01:09:51 |
All rescue personnel on scene... |
01:09:53 |
apparently we have another victim |
01:10:13 |
Okay, I am not afraid. |
01:10:16 |
I'm not afraid, nor am I affrightened. |
01:10:20 |
Okay. |
01:10:28 |
Uh- |
01:10:30 |
Hello! |
01:10:32 |
It is me, Mary Horowitz. |
01:10:34 |
Yes, I seem to have fallen into the mine. |
01:10:38 |
Hello? Everyone? |
01:10:41 |
It's, uh, me, Mary Horowitz. Hello? |
01:10:44 |
People, please move back. |
01:10:47 |
- Back up! Back it up. |
01:10:50 |
So she just dove in that hole, like a gopher. |
01:10:54 |
No, dude, not like a gopher. |
01:10:57 |
She was running after me, |
01:11:00 |
That's the way to get |
01:11:02 |
That shot of Steve's girlfriend |
01:11:05 |
We've got the inside advantage here, |
01:11:08 |
Get Steve ready to go on |
01:11:10 |
as soon as we get the graphics together. |
01:11:13 |
Fifteen minutes. |
01:11:15 |
- Here he comes! |
01:11:18 |
Can you comment on the rumors that Mary's fall |
01:11:22 |
Well-That's ridiculous. Not our Mary. |
01:11:25 |
The word "depression" is not in her vocabulary. |
01:11:29 |
All right, obviously it is in her vocabulary. |
01:11:33 |
But no. No. |
01:11:35 |
She-She never lets anything get her down. |
01:11:37 |
Still living at home at her age- |
01:11:40 |
Not normal? |
01:11:42 |
We-We love having her here. |
01:11:43 |
Sir, I'd like to ask another question. |
01:11:45 |
- Yes. Yes, we love having her here. |
01:11:48 |
Fumigation can't be rushed. |
01:11:51 |
One more question! |
01:11:54 |
Now, I don't wanna speculate here... |
01:11:56 |
- but if the ground did collapse... |
01:11:58 |
could that not result in death... |
01:12:00 |
or, at the absolute least, |
01:12:04 |
I don't wanna speculate either, |
01:12:09 |
And as we await the tragic |
01:12:12 |
attention now on the boots she was wearing |
01:12:15 |
a story I couldn't tell |
01:12:19 |
Take a look. |
01:12:20 |
It's hour one, and it's as if |
01:12:27 |
We're at the two-hour mark, |
01:12:31 |
Oh! |
01:12:34 |
Light source. |
01:12:37 |
"A nd God said, 'L et there be... |
01:12:41 |
light. "' |
01:12:51 |
Oh. Voilà. Yes. |
01:12:54 |
Yes, it's perfect. Yes. This is per- |
01:12:58 |
Ah! Oh! |
01:13:00 |
Oh, my God. They forgot one. |
01:13:04 |
You scared the crap out of me. |
01:13:08 |
Hi. I'm -I'm sorry. |
01:13:11 |
Uh, can you, uh- |
01:13:14 |
Can you- Can you hear me? I mean, at all? |
01:13:19 |
Do you have sensory-neural hearing loss... |
01:13:21 |
or do you have conductive? |
01:13:23 |
Because if-if it- |
01:13:26 |
She doesn't hear me. Okay. |
01:13:28 |
You know, I understand |
01:13:30 |
so if you wanna-you know? No? Okay. |
01:13:33 |
Um, "Deaf people can do anything |
01:13:36 |
Do you know who said that? |
01:13:38 |
Dr. Jordan- |
01:13:42 |
Yeah. Maybe you'll go there one day. |
01:13:45 |
If we both don't perish in here. |
01:13:49 |
Hold on. I'll be right back. |
01:13:55 |
Well, Paula, apparently they're gonna |
01:13:58 |
a piece of paper, a number two pencil. |
01:14:01 |
This is Hartman Hughes reporting from the edge. |
01:14:03 |
Cut. Corbitt wants you on next. |
01:14:05 |
I told you I am not her boyfriend, Angus. |
01:14:08 |
Yeah, but you're the one that encouraged her |
01:14:10 |
- You're the one that asked her to come here, |
01:14:13 |
NNC has got their hands |
01:14:16 |
- What? |
01:14:18 |
- Yes. |
01:14:25 |
Behold, notice of our imminent rescue. |
01:14:28 |
Oh, okay. Okay. |
01:14:30 |
This is good news. This is good news, okay? |
01:14:33 |
They're going to tell us something wonderful. |
01:14:36 |
And it says, "Mary, are you" - |
01:14:40 |
Oh. |
01:14:48 |
That's a good sign right there. |
01:14:50 |
Oh, God! |
01:14:55 |
What's it say, son? |
01:14:58 |
Millions of people are watching. |
01:15:00 |
Um, okay. |
01:15:02 |
"I think you mean, am I conscious? |
01:15:07 |
"'Conscious'means alert and awake. |
01:15:10 |
"'Conscience' is your inner morality gauge... |
01:15:13 |
"you know, the thing |
01:15:16 |
e. g., killing, stealing, |
01:15:20 |
Can we leave her down there? |
01:15:22 |
"To answer your question, yes, I am conscious. |
01:15:25 |
"My leg is bleeding, though I'll probably live. |
01:15:28 |
- Yours truly, Mary Horowitz. " |
01:15:31 |
"P.S. Did anyone lose a little deaf girl? |
01:15:34 |
I found one. She's fine, |
01:15:40 |
They missed a child? Can't these people count? |
01:15:43 |
Thank God for this woman Mary Horowitz. |
01:15:45 |
Let's bring up that picture of her again. |
01:15:48 |
Yesterday, Mary Horowitz. |
01:15:50 |
Today, Mary Horowitz- hero. |
01:15:53 |
- This just in- |
01:15:55 |
speculation as to whether or not Mary |
01:15:59 |
to save the poor deaf child... |
01:16:01 |
after rescuers ignored her |
01:16:05 |
Paula, I'm here with Steve Muller. |
01:16:07 |
Steve's girlfriend, Mary Horowitz... |
01:16:09 |
struggling for her life |
01:16:13 |
She's not my girlfriend, and I'm not |
01:16:17 |
Yeah, and the truth is |
01:16:19 |
Mary Horowitz, |
01:16:22 |
These words also described |
01:16:26 |
However, you never know about these people. |
01:16:29 |
But people deserve to know the truth about her. |
01:16:35 |
I mean, she sees things that other people don't. |
01:16:38 |
And she's kind, and- |
01:16:42 |
even though, when she does things, |
01:16:48 |
And she's smart. She's supersmart. |
01:16:50 |
And not in a freakish way. In- |
01:16:53 |
Like, she has a gift. |
01:16:56 |
everything but whom not to trust |
01:17:03 |
and how to survive us. |
01:17:08 |
And she doesn't pretend to be |
01:17:13 |
And she certainly doesn't |
01:17:17 |
Maybe if I just do this, I can- |
01:17:19 |
Uh-oh. |
01:17:26 |
Yeah. The tracks down there just- |
01:17:29 |
just keep going and going down and- |
01:17:31 |
- If we just concentrate |
01:17:36 |
But not to- not to worry. |
01:17:38 |
I'll- I'll get us out of here. |
01:17:42 |
Hope that crane gets here soon. |
01:17:45 |
I hope so too. |
01:17:47 |
'Cause if there's carbon monoxide down there- |
01:17:49 |
But the air's coming through the top. |
01:17:51 |
Even at concentrations of five ppm, |
01:18:02 |
I am so sorry. |
01:18:09 |
She has stolen a little piece of my heart. |
01:18:14 |
- What'd the site engineer say? - The stress |
01:18:18 |
The longer they're down there, |
01:18:21 |
They thought the air quality was bad... |
01:18:23 |
try a 50-foot span of rock and earth |
01:18:25 |
Oh, Jesus. |
01:18:26 |
That's a bunch of horseshit. |
01:18:29 |
Odds are she won't. We gotta go on. |
01:18:32 |
What are we gonna say? |
01:18:34 |
Her whole family is watching, Angus. Christ. |
01:18:37 |
- I'll be back in a minute. |
01:18:39 |
All right, two minutes. That's it. |
01:18:41 |
Some blind date, huh? |
01:18:46 |
Here's a candle. |
01:18:50 |
Hi, Winston. |
01:18:54 |
I think I'll feel better |
01:19:03 |
I'm making an apple head for Mary |
01:19:07 |
- And she's gonna get out. |
01:19:11 |
# Why life, it seems to be # |
01:19:18 |
- This one's gonna work. |
01:19:24 |
# Like you and me # |
01:19:27 |
Rescuers are desperate |
01:19:31 |
Helicopters are out of the question |
01:19:35 |
Hope is fading fast. |
01:19:37 |
The earth tremors |
01:19:41 |
# Is everywhere ## |
01:19:47 |
The other side. Oh! |
01:19:49 |
Ouch too. |
01:19:59 |
I can't do this. I can't get us out of here. |
01:20:08 |
Guess what. |
01:20:10 |
Mary Horowitz doesn't have the answers. |
01:20:13 |
Or a job. |
01:20:19 |
And-And my job mattered! |
01:20:24 |
I was the Sacramento Herald's |
01:20:28 |
and I threw it all away- for what? |
01:20:36 |
"Mary, Steve wants you to come be with us. |
01:20:39 |
Really? Methinks the media lies. |
01:20:43 |
A little. |
01:20:46 |
Words, people. Words. |
01:20:50 |
There are meaningful words, |
01:20:53 |
and then there are words that hurt. |
01:21:00 |
"Mary, why can't you be like every other girl?" |
01:21:04 |
"Mary, where do you get |
01:21:08 |
"Mary, why do you talk like that?" |
01:21:10 |
"Mary, Mary!" You know, it's just-just- |
01:21:13 |
Oh, oh! Oh! Oh! |
01:21:15 |
And the pièce de résistance, yes. |
01:21:18 |
"Mary, why do you wear |
01:21:22 |
You wanna know why? Huh? |
01:21:24 |
Do you wanna know why? |
01:21:27 |
I wear them because they make my toes feel... |
01:21:30 |
like 10 friends on a camping trip. |
01:21:34 |
That's why I wear them. |
01:21:41 |
We're finished. |
01:21:43 |
The ground is gonna collapse. |
01:21:47 |
I just wanna go home. |
01:21:53 |
Sorry. |
01:22:00 |
"I don't know what you're saying, |
01:22:04 |
I know. |
01:22:11 |
I know. |
01:22:28 |
Ma'am, I'm sorry. |
01:22:31 |
- Hughes! |
01:22:34 |
You wrote the note telling Mary to come here. |
01:22:38 |
You brought her here. And if she dies- |
01:22:47 |
This is just a fence. |
01:22:50 |
Being on that side of it |
01:22:59 |
You did that. |
01:23:02 |
...cheated on her taxes- |
01:23:04 |
Does she think herself some kind of superhero? |
01:23:07 |
Mary- |
01:23:11 |
she did this. |
01:24:10 |
He was my ticket to normal. |
01:24:14 |
Yeah. |
01:24:15 |
"Why would you want to be normal?" |
01:24:21 |
I don't. I don't. |
01:24:27 |
These will keep you warm. |
01:24:30 |
Yeah. |
01:24:32 |
"Maybe someone will figure out how to save us. " |
01:24:42 |
Maybe. Maybe. |
01:24:50 |
Say that again. |
01:24:54 |
"Maybe someone" - |
01:25:00 |
"Maybe. " "Maybe. " |
01:25:08 |
Little deaf girl, |
01:25:14 |
Why aren't they doing anything? |
01:25:18 |
How much- How much do you weigh? |
01:25:24 |
Fifty pounds, give or take? Okay. |
01:25:28 |
See. |
01:25:32 |
Okay, just get it right down here. |
01:25:35 |
Just get all over the joints. |
01:25:37 |
When I got kicked out of Girl Scouts... |
01:25:39 |
and all the other girls were |
01:25:41 |
I was at home- ow- reading physics books. |
01:25:45 |
Voilà. |
01:25:48 |
Hartman. |
01:25:52 |
It's my fault Mary's in the hole. |
01:25:54 |
But like Patton said... |
01:25:56 |
"A bad plan violently executed today... |
01:25:59 |
is better than a great plan tomorrow. " |
01:26:07 |
So, I'm gonna pull the lever, |
01:26:09 |
and up we go, okay? |
01:26:14 |
I'm coming, Mary Horowitz! I'm coming! |
01:26:17 |
I'm coming to save you! |
01:26:20 |
What the- |
01:26:24 |
One, two- |
01:26:33 |
Oh! Okay! Pretty good drop. |
01:26:37 |
You guys doing all right? |
01:26:39 |
Mm-hmm. But we were just on-on, you know- |
01:26:43 |
Something just touched me! Something bit me! |
01:26:46 |
Something- Help! |
01:26:50 |
There's something in that water. |
01:26:52 |
Something ni-nibbled at my leg. |
01:26:55 |
Hartman Hughes just jumped- |
01:27:00 |
Grabbing on to a hose |
01:27:02 |
he literally dove right into the mine. |
01:27:05 |
All eyes now not only on Mary Horowitz... |
01:27:08 |
but also CCN reporter Hartman Hughes. |
01:27:13 |
Why the hell didn't I think of that? |
01:27:15 |
Did you check the perimeter for spiders? |
01:27:20 |
Uh, yes. Yes, I did. |
01:27:23 |
It's really... scary down here. |
01:27:30 |
You know, if my old man could see me now. |
01:27:37 |
I'm sorry. |
01:27:40 |
I mean, I got you into this. |
01:27:43 |
I'm sorry. |
01:27:45 |
Thanks. |
01:27:52 |
Um, how much do you weigh? |
01:27:57 |
And as this pulls back and pulls us upwards... |
01:28:01 |
I'll be cradling her here, |
01:28:05 |
Maybe you-you would like |
01:28:11 |
No, no. It's your plan, |
01:28:18 |
- I'd like to take the credit. |
01:28:21 |
- I don't know. |
01:28:25 |
Did you see the cable just move? |
01:28:27 |
Get the camera right now. |
01:28:29 |
We- Steve! |
01:28:31 |
You! Sir! |
01:28:33 |
That cable's moving. Looks like they're coming |
01:28:35 |
- We're doing everything we can. |
01:28:41 |
- Foot in the stirrup? |
01:28:42 |
- Okay. |
01:28:44 |
- All right. |
01:28:48 |
- You ready? |
01:28:50 |
- Yeah. I just hope this works. |
01:28:53 |
- Hold on. |
01:28:55 |
Oh. Thank you. Appreciate that. |
01:28:58 |
Thank you. I'm camera-ready. |
01:29:01 |
Okay. All right. |
01:29:02 |
Okay. |
01:29:04 |
Three, two, one. |
01:29:12 |
Iflife is like a crossword puzzle... |
01:29:14 |
then its worth, its greatness, |
01:29:20 |
Is it solvable? |
01:29:22 |
The crane is beginning to tilt over. |
01:29:24 |
I think they're coming up! |
01:29:26 |
Is it entertaining? |
01:29:35 |
Does it sparkle? |
01:29:37 |
There they are! |
01:29:39 |
They're safe! |
01:29:43 |
- Oh, my God! Mary! |
01:29:45 |
It's her! |
01:29:49 |
Whoo! |
01:29:56 |
- They're safe! |
01:30:01 |
# No love, pride, deep-fried chicken # |
01:30:05 |
# Your best friend always stickin'up for you # |
01:30:10 |
- # Even when I know you're wrong # |
01:30:14 |
Come on, pull! Let's go! |
01:30:24 |
Hartman Hughes! |
01:30:26 |
There's Hartman Hughes. |
01:30:28 |
Hartman, Mary Horowitz and the deaf child. |
01:30:32 |
Everything feels so wonderful. |
01:30:34 |
Looks like we're gonna have to |
01:30:36 |
Our own Hartman Hughes |
01:30:38 |
risking his own life |
01:30:41 |
and an unidentified little girl. |
01:30:43 |
Truly, folks, this is unbelievable. |
01:30:45 |
I'm gonna have to make that idiot anchor. |
01:30:47 |
There you go. You okay? |
01:30:50 |
Mary, what are you wearing? |
01:30:52 |
- Um, I'm-I'm gonna go. |
01:30:55 |
- Thanks, Mary. |
01:30:57 |
- Hey. |
01:31:00 |
- Have a nice life. |
01:31:02 |
How did you know |
01:31:04 |
Mary, what happened to your boots? |
01:31:06 |
Are you a true blonde? |
01:31:09 |
- Mary. Are you okay? |
01:31:11 |
Uh, a few lacerations... |
01:31:13 |
but I was able to tourniquet them off |
01:31:15 |
I never should've said anything to you |
01:31:21 |
Uh, I'm sorry. |
01:31:28 |
Um- |
01:31:31 |
- Oh. |
01:31:33 |
Thank you for the loan. |
01:31:35 |
You're welcome. |
01:31:38 |
I have to go. |
01:31:45 |
- Okay. |
01:31:48 |
Bye. |
01:31:52 |
Mary? |
01:31:56 |
Don't ever change- for anybody. |
01:32:01 |
I'm Jewish-Catholic. |
01:32:03 |
I'm pretty much set in stone. |
01:32:07 |
- We love you! |
01:32:10 |
Mary! Mary! Mary! |
01:32:29 |
Oh, my goodness! |
01:32:34 |
Mary, any statement at all? Anything? |
01:32:39 |
You're okay! |
01:32:43 |
I missed you guys so much! Oh, God! |
01:32:48 |
Mary Horowitz. |
01:32:54 |
Angus. Let's finish this. |
01:32:59 |
- Hughes. Hartman Hughes. |
01:33:01 |
Hey! Get in here! |
01:33:04 |
Ah. It's good to see you guys. |
01:33:06 |
- Come here, Steve. Come on, buddy. |
01:33:08 |
Good to see you. Okay, all right. |
01:33:10 |
- Come on. Confessional. |
01:33:13 |
Hartman Hughes, |
01:33:18 |
What does it feel like to be a hero? |
01:33:20 |
I'm not a hero. |
01:33:22 |
I'm a humble guy who's lucky to be alive. |
01:33:25 |
And, uh, I think any hardworking... |
01:33:29 |
patriotic American |
01:33:32 |
once he knew, uh, there was |
01:33:35 |
and a good-looking lady, single, huh? |
01:33:43 |
New York Times |
01:33:45 |
"We have a natural compulsion |
01:33:49 |
I like to think he means notjust crosswords... |
01:33:53 |
but the empty spaces inside of us... |
01:33:55 |
that come from making your way |
01:34:01 |
I tried to fill my empty spaces |
01:34:08 |
We love you! |
01:34:10 |
But that wasn't the answer. |
01:34:13 |
Now I know. |
01:34:15 |
On thejourney oflife... |
01:34:17 |
just find someone as normal as you- |
01:34:20 |
if not a whole bunch. |
01:34:25 |
Oh. And here's a little bit of fresh |
01:34:29 |
If you love someone, set him free. |
01:34:31 |
If you have to stalk him, |
01:34:36 |
#My face to the sky # |
01:34:38 |
# Dreaming aboutjust how high |
01:34:42 |
# And if I'll know when I finally get there # |
01:34:45 |
# Taking off my glasses # |
01:34:48 |
# Sun pokes through my lashes # |
01:34:51 |
# Somehow I know # |
01:34:52 |
# There's a time for every star to shine # |
01:34:57 |
# Everybody got their something # |
01:35:00 |
# Make you smile like an itty-bitty child # |
01:35:04 |
# Everybody got their something # |
01:35:06 |
# Everybody got their something # |
01:35:10 |
# Hey, hey |
01:35:13 |
# People keepin'score # |
01:35:15 |
# Better hurry up and get yours # |
01:35:18 |
# Somebody else got your spot # |
01:35:20 |
# Before you even dropped # |
01:35:22 |
# Seek and you shall find # |
01:35:25 |
# Everything in my own sweet time # |
01:35:28 |
# I'll take my chances |
01:35:31 |
# Busy holding on # |
01:35:33 |
# So the roof don't fly # |
01:35:36 |
# Keep you from moving on # |
01:35:38 |
# So get it right |
01:35:40 |
# Like a love song # |
01:35:42 |
# Like a butterfly # |
01:35:45 |
# Believe if you hand it over# |
01:35:47 |
# You'll come out all right # |
01:35:50 |
# Yeah, yeah # |
01:35:52 |
# Everybody got their something # |
01:35:56 |
# Make you smile like an itty-bitty child # |
01:35:59 |
# Everybody got their something # |
01:36:02 |
- # Everybody got their something # |
01:36:06 |
# Yeah-ah-ah-ah # |
01:36:11 |
# Hey, hey |
01:36:16 |
- # Uh-huh # |
01:36:18 |
# Illuminate the silly things # |
01:36:20 |
# Shed some light on all that's wrong # |
01:36:22 |
# Everybody need it sometime # |
01:36:25 |
# Sometimes the only thing you got # |
01:36:27 |
# Is what makes you feel like # |
01:36:29 |
# You're somethin'else altogether# |
01:36:32 |
# You have everything # |
01:36:34 |
# Don't need another reason to be something # |
01:36:36 |
# I've been on a ride # |
01:36:39 |
# And caught up in the landslide # |
01:36:43 |
# But I'm gonna spread my wings and fly # |
01:36:46 |
# Fly, fly, fly, fly, fly, fly, yeah # |
01:36:50 |
# Hey, hey, hey, hey, hey, hey, yeah # |
01:36:55 |
- # Ooh, ooh, ooh, ooh, ooh, ooh # |
01:36:59 |
- # Ooh, ooh, ooh, ooh, ooh, ooh, yeah # |
01:37:04 |
# Everybody got their something # |
01:37:06 |
# Everybody got their something # |
01:37:10 |
# Make you smile like an itty-bitty child # |
01:37:13 |
- # Everybody got their something # |
01:37:16 |
- # Everybody got their something, yeah # |
01:37:20 |
# Yeah-ah |
01:37:25 |
# Yeah-ah-ah-ah, hey # |
01:37:30 |
# Uh-huh # |
01:37:41 |
# There's a time for every star# |
01:37:46 |
# There's a time for every star# |
01:37:50 |
# There's a time for every star# |
01:37:55 |
# There's a time for every star# |
01:38:00 |
# There's a time for every star# |
01:38:04 |
# There's a time for every star# |
01:38:09 |
# There's a time for every star# |
01:38:13 |
# There's a time for every star# |
01:38:18 |
# There's a time for every star, yeah # |
01:38:44 |
I'm the news! |