I Heart Huckabees

en
00:00:28 [Man Thinking] Motherfucking cocksucker.
00:00:31 What am I doing?
00:00:34 I don't know what I'm doing.
00:00:37 I know that's all
00:00:39 But is that good enough?
00:00:42 Is anybody paying attention?
00:00:46 The African guy's a sign, right?
00:00:48 then nothing in this world
00:00:50 I'm fucked. Maybe I should quit.
00:00:53 Maybe I should just fucking quit.
00:00:55 I don't know what the fuck
00:00:58 Fucker. Fuck! Shit!
00:01:01 I'm glad we saved
00:01:03 I know it's small,
00:01:06 - [Camera Shutter Clicks]
00:01:08 We're going to save
00:01:11 To celebrate, I have
00:01:14 "Nobody sits
00:01:17 "You rock, rock.
00:01:21 You show us how to just sit here,
00:01:27 Yeah, we did it.
00:01:29 - Any press come?
00:01:33 Nothing. It's just I have an appointment
00:01:36 - What African guy?
00:02:13 Come on.
00:03:38 Hello. Albert Markovski.
00:03:40 Sorry, I'm late.
00:03:42 Have a seat.
00:04:10 Why don't you just tell me
00:04:14 Look, I'm not really sure I know exactly
00:04:18 Well, we, uh... We'll investigate
00:04:21 - How?
00:04:23 - You'll spy?
00:04:25 - On me?
00:04:26 - Will you be spying on me in the bathroom?
00:04:29 - In the bathroom?
00:04:31 - Why?
00:04:33 You know when police find the slightest
00:04:37 If we might see you...
00:04:39 that could be the key
00:04:42 - So I'm hiring you to spy on me.
00:04:44 So we can figure out your situation
00:04:47 In addition, my associate will approach
00:04:51 What do you mean a different angle?
00:04:53 Regarding your perception of reality.
00:04:57 - Who sent you here?
00:05:01 - Where?
00:05:05 I didn't have the proper attire.
00:05:10 I reached into my pocket,
00:05:13 The weird thing is
00:05:16 - [Woman] But not that day?
00:05:20 - Brad Stand.
00:05:22 - Kind of a coincidence.
00:05:25 - About the restaurant and thejacket?
00:05:28 I'm talking about a big coincidence.
00:05:32 It's a three-parter.
00:05:34 [Inhales, Exhales]
00:05:36 I went to a place
00:05:39 I was there getting stills
00:05:41 In comes this tall African guy.
00:05:44 You know, he's in there getting photos
00:05:47 Shaquille O'Neal,
00:05:49 He's an autograph hound.
00:05:52 glossies of famous people
00:05:54 Two weeks later, I see
00:05:56 He's working as a doorman
00:05:58 Oh, my God!
00:06:00 - Who's your friend?
00:06:03 - It's his girlfriend's.
00:06:05 Uh, Kelly. Kelly Coulter.
00:06:09 One time at Schottinger's
00:06:11 second time
00:06:13 Third, I see this man,
00:06:17 - What are you doing at the mall?
00:06:20 - I'm making a statement for the open spaces.
00:06:23 Yeah, he's back.
00:06:26 You don't plant no tree
00:06:28 I gotta come take that tree,
00:06:32 You'rejust creatin'
00:06:37 - They're not always meaningful.
00:06:40 - Meaningful how?
00:06:44 - About your life.
00:06:47 And about the whole thing.
00:06:50 I mean, should I keep doing
00:06:54 Mr. Markovski, we see
00:06:56 who claim they want to know
00:07:00 They want to peer under the surface
00:07:02 but this can be a very painful
00:07:05 It can dismantle the world
00:07:08 That's why most people prefer to remain
00:07:11 Maybe you should go home.
00:07:14 Take it easy.
00:07:16 I say don't give me
00:07:19 I want to know.
00:07:22 - Have you ever transcended space and time?
00:07:26 Uh, time not space. No, I don't know
00:07:29 I take it you don't
00:07:32 Is that gonna be a problem?
00:07:35 We have a sliding scale.
00:07:38 Some of our wealthy clients
00:07:41 I can't believe you guys actually exist.
00:07:44 - Seventeen years, 352 cases.
00:07:47 I'm gonna have to ask you
00:07:50 because my work situation
00:07:53 You want us to stay
00:07:55 Yeah. If you come snooping
00:07:57 it could make me look unstable
00:08:01 I want you
00:08:06 - Bernard?
00:08:07 - This is Mr. Markovski.
00:08:09 - He's going to have to be pro bono.
00:08:12 Thank you very much
00:08:15 - Oh, you're welcome. You're welcome.
00:08:17 - He hasn't signed a contract.
00:08:20 - It's too much too soon.
00:08:24 - Approach, patience, finesse.
00:08:26 - Come on.
00:08:29 We need to go past logic though.
00:08:31 - Give me a kiss. Come on.
00:08:37 Will you tell me where
00:08:40 - Korean barbecue.
00:08:45 Okay, let's get started.
00:08:48 Is this part
00:08:51 Yes. Say this blanket represents all the matter
00:08:55 You, me, everything.
00:08:57 Nothing has been left out, all right?
00:09:00 - What's outside this blanket?
00:09:03 - Blanket's everything.
00:09:05 Let's just say
00:09:09 And I'm, what, 60-odd years old
00:09:12 Blah, blah, blah.
00:09:15 And, you're... I don't know,
00:09:18 And over here, this is Vivian,
00:09:22 Then over here, this is
00:09:26 And this is a war.
00:09:29 And this is a disease.
00:09:32 And this is a hamburger.
00:09:34 - Everything is the same even if it's different.
00:09:37 But our everyday mind forgets this.
00:09:41 Limited. I'm over here.
00:09:44 But it's not the whole truth
00:09:47 Because we... are connected.
00:09:49 - Sure. Sure. Sure. Sure.
00:09:51 - Yeah.
00:09:54 how to see the blanket truth
00:09:58 Right in the everyday stuff.
00:10:01 - Why?
00:10:04 Why do I need to learn how to see the blanket
00:10:08 You wouldn't want to miss out
00:10:10 - Uh-uh.
00:10:12 And this is it. I'm talking
00:10:15 It will take a while
00:10:17 - But... it will help you.
00:10:20 - How?
00:10:24 because everything you could ever want
00:10:30 - That sound pretty good?
00:10:33 - All right, get in.
00:10:36 - So, get in here?
00:10:39 - What's going to happen to me in there?
00:10:43 You'll find out.
00:10:54 The purpose of this suit, Mr. Markovski,
00:10:58 your everyday perceptions
00:11:03 - that you think separates you from everything.
00:11:06 This room,
00:11:09 this town, this country,
00:11:13 this history,
00:11:16 Your body,
00:11:19 Everything that
00:11:24 Hey, man. How's it going?
00:11:27 We will fucking
00:11:29 - Got Shaquille O'Neal. I like Shaq.
00:11:33 Hey.
00:11:37 - Brad Stand.
00:11:40 So what's the Open Spaces
00:11:42 Well, I think you guys
00:11:45 that are already run-down
00:11:48 - [Albert's Voice] New land. New land.
00:11:50 That's who we are at Open Spaces.
00:11:52 We're not asking you to throw that away.
00:11:56 Part of this is we took a beating in the press
00:11:59 Opening so many stores
00:12:02 So if we work with you
00:12:05 is that gonna help
00:12:07 Yes. Does it
00:12:11 Do I benefit from getting some great P.R.
00:12:15 But do I care about
00:12:21 [Woman Moaning]
00:12:24 Don't look at me.
00:12:26 Beat it, you little pussy.
00:12:31 - What's wrong with you?
00:12:34 - [Gasping]
00:12:37 I thought you said that
00:12:40 Eventually, but you have to
00:12:42 You got a lot of layers
00:12:46 - Yeah.
00:12:48 How am I supposed to practice at home?
00:12:50 It doesn't matter.
00:12:52 Just use an eye mask
00:12:56 Oh.
00:12:57 Oh.
00:13:24 Um, hi. What should
00:13:26 Whatever you normally do.
00:14:02 [No Audible Dialogue
00:14:23 [Machine Beeps]
00:14:26 [Woman] I wanted to thank you
00:14:29 I played in that tree when I was little.
00:14:31 - but they chopped it to pieces.
00:14:33 [Woman's Voice]
00:14:36 about power lines over the playground
00:14:41 Please call me.
00:14:44 - Hey, we got to talk, man.
00:14:47 - Brad moved the meeting.
00:14:50 - To Huckabees corporate.
00:14:52 I want you to get me the national office
00:14:56 Call Orrin Spence and tell him
00:14:59 - This should've gone
00:15:02 - outta the parking lot.
00:15:05 - Oh, you are pissing people off.
00:15:07 - Yeah, you really are. You're pissing people...
00:15:09 If my poems had gone out with the
00:15:13 You know what? You're not leading
00:15:15 - I am the coalition. I wrote the charter.
00:15:18 - Tell him it's important.
00:15:21 - I can't get 'em.
00:15:24 Orrin Spence. Brad cannot
00:15:27 - How can she get you out of the charter, man?
00:15:29 This is my work situation, the one
00:15:33 I'll describe it later
00:15:36 - Don't worry, Albert. We're gonna
00:15:39 You're fighting suburban sprawl and this fellow,
00:15:43 Remember, I told you
00:15:46 Oh, yes, I remember. Now, tell me,
00:15:49 - Or did the poetry inspire the coalition?
00:15:52 - Can we schedule a time when you can come by?
00:15:55 This has nothing to do with my coincidence.
00:15:59 Viv.! Viv.! Mr. Corn is having a crisis.
00:16:03 - Tommy, what is it?
00:16:05 - Tell me what's happening.
00:16:08 - I want to know about my coincidences.
00:16:11 This is what's happening now.
00:16:14 - Talking about the blanket.
00:16:16 Like this.
00:16:31 Wait a minute. Whoa.
00:16:33 I need facts, Bernard,
00:16:35 No time for infinity?
00:16:38 - This isn't cool.
00:16:41 Listen, you go visit Mr. Corn.
00:16:44 I think I've got a really
00:16:46 Albert, the universe is an infinite sphere
00:16:50 and whose circumference
00:16:52 Well, how can the center
00:16:56 - She just dove into the back of Angela's car.
00:17:00 I gotta check on... on, uh,
00:17:04 That method works.
00:17:10 Mmm. Mmm! Mm.
00:17:22 [Chattering]
00:17:31 [Man]Jimbo, everything
00:17:34 The microwave,
00:17:37 Baby! Baby, come on.
00:17:40 Don't do this, please.
00:17:42 Hey, don't do this.
00:17:45 - You don't need anyone.
00:17:48 If nothing matters,
00:17:50 I don't know if nothingness matters
00:17:53 I'm trying to figure that out
00:17:55 Somethingness, nothingness.
00:17:57 l-l-l... You figure it out.
00:18:01 Okay, uh, hold on now.
00:18:03 She won't stay
00:18:05 - T-Tell me what that is.
00:18:08 - Yeah?
00:18:11 - Yes, yes, yes.
00:18:13 One... killin' the ozone
00:18:16 - Calm down.
00:18:19 where everybody is poor...
00:18:22 - You've talked to me about this.
00:18:25 - Yeah.
00:18:27 - Yeah.
00:18:29 - No. It...
00:18:31 No, it matters. It matters.
00:18:34 See, this is the universe.
00:18:36 - What universe?
00:18:40 Come on. There's dust
00:18:42 - Yeah?
00:18:44 and good and bad luck
00:18:46 - That's chaos. That's my "B."
00:18:48 - No, Vauban talks about space.
00:18:51 - You sent it to me.
00:18:54 - You didn't send this?
00:18:58 God, she never leaves Paris.
00:19:00 - This is a pretty good book. You should read this.
00:19:03 She says nothing's connected,
00:19:05 you can drive a car,
00:19:07 - Yeah?
00:19:10 where people do destructive things
00:19:12 Tommy, Tommy, everything is connected
00:19:15 There's not an atom
00:19:17 that has not been forged
00:19:20 - Now, isn't that cool? Huh?
00:19:22 - That's a cool thing, isn't it?
00:19:24 But what? You tell me where
00:19:26 - Oh, right here.
00:19:28 - There...
00:19:31 "Less than 5% of the cosmos is composed of
00:19:36 - You know...
00:19:38 and we're miserable
00:19:40 Molly, if you...
00:19:42 If you leave him before he gets
00:19:45 he will never make it
00:19:48 You know what? I'm done
00:19:50 - You don't want to ask these questions?
00:19:53 What is that life, baby?
00:19:56 Look at this. Do you know where
00:19:58 - Yeah, my closet.
00:20:01 - The store.
00:20:04 Little girls like you,
00:20:07 where they go blind for $1.60 a month
00:20:11 - Can you imagine that, Caitlin?
00:20:14 Don't listen, honey.
00:20:16 Daddy's not crazy, baby.
00:20:19 - It's important to ask questions.
00:20:22 Mommy doesn't ask
00:20:25 - Don't stop asking questions, baby.
00:20:27 - How dare you!
00:20:30 - "Less than 5% of the cosmos...
00:20:33 is composed of the same elements
00:20:36 - What does that matter?
00:20:39 Guys, give him a break.
00:20:42 Excuse me.
00:20:44 - You're his therapist?
00:20:47 We need to talk 'cause this book
00:20:51 And what is Caterine Vauban
00:20:53 What the hell
00:21:19 - [Laughter]
00:21:22 [Laughing, Chattering]
00:21:25 [Brad] You think that's funny?
00:21:28 - It's only four months old.
00:21:32 I'm with Shania. We're opening
00:21:36 Shania's there
00:21:38 It's 4:00 and she's starving. So I order
00:21:43 - [Woman] Stop it.!
00:21:45 Tick, tick,
00:21:47 Shania hates mayo, all right?
00:21:50 That's no joke, all right? We gave it to her once,
00:21:55 - She's vomiting all over the limo.
00:21:58 So I bring out a bunch of tuna fish sandwiches.
00:22:01 I say, "Shania,
00:22:04 - Which, by the way, is a lie.
00:22:09 Shania still doesn't believe me so I eat two
00:22:13 So she eats one and a half sandwiches.
00:22:16 before she realizes...
00:22:20 - And she actually likes it.
00:22:24 He made her change her mind. And that's
00:22:30 [Laughing Continues]
00:22:33 Excuse me? Can I help you?
00:22:36 - Shh. Shh. Shh.
00:22:39 Yes, I'm here for
00:22:42 Okay, well, then you are in the wrong
00:22:45 - I'll show you where to go.
00:22:48 There's no reason for you to be up here.
00:22:52 It's for... Come on.
00:22:55 Unless you're an executive or
00:22:58 or someone who is a...
00:23:00 No. No, ma'am. Shania has no song for you.
00:23:05 You're supposed to be on another floor.
00:23:09 Or at least I thought it was
00:23:11 Of course, every
00:23:14 who gets off
00:23:16 And then people
00:23:18 At Huckabees, the everything store.
00:23:23 [Sighs]
00:23:25 l... l... Okay.
00:23:28 Tops and mops.
00:23:34 This week only.
00:23:39 [Man]
00:23:41 I think we can do it better.
00:23:46 - I suck, Daryl. I really sucked.
00:23:49 - I can't do this. I can't do it.
00:23:52 I don't know
00:23:54 Your voice is the trademark voice
00:23:57 Oh, there she is.!
00:23:59 I was almost in the elevators.
00:24:02 Let's move it along. There we go.
00:24:10 [Thinking] Moved my meeting to
00:24:12 I saved this rock.
00:24:15 They're not gonna
00:24:19 Rat-fucking-bastard
00:24:21 Corporate prick bastard.
00:24:26 "Betrayed"
00:24:31 Is it possible for anybody in this world
00:24:35 I don't think so.
00:24:37 [Man's Voice] It was Albert's vision.
00:24:41 - [Vivian] Tell me about Brad.
00:24:44 - Fuck!
00:24:47 [Man] He dropped Albert's poems
00:24:51 [Vivian] Settle down. Someone tell me
00:24:53 [Angela] MaryJane, this is your story.
00:24:56 My great grandfather owned
00:25:01 We deeded them over
00:25:05 In perpetuity for the public.
00:25:09 - Tell me why.
00:25:12 And now the town
00:25:16 - [Murmuring]
00:25:20 and houses on
00:25:23 - So we're fighting it.
00:25:25 - We have to save the marsh.
00:25:28 I got the photo
00:25:31 It looks beautiful!
00:25:33 [Brad's Voice] Here's the marsh and woods
00:25:36 This photo says
00:25:39 Shania's right here.
00:25:41 Let the beauty speak
00:25:44 [MaryJane] This is where
00:25:47 An image is always better.
00:25:50 They don't understand poems. They don't want
00:25:54 They think too much.
00:25:58 - Extra small for your grandson, right?
00:26:01 Open Spaces T's
00:26:04 First up, cocktails.
00:26:06 you introduce the marsh video,
00:26:10 Angela, you speak. Marty speaks
00:26:15 [Screaming]
00:26:18 Shania Twain entertains us.
00:26:21 - Hi, have we met?
00:26:24 - Brad Stand.
00:26:26 - Albert Markovski.
00:26:28 - Sorry, that's not gonna work.
00:26:31 - How are you connected?
00:26:33 I worry about that guy. He alienates people.
00:26:37 Existential. I'd like to ask a few questions
00:26:40 Actually we do. We do because
00:26:44 Sounds kind of interesting though.
00:26:47 - Yes.
00:26:49 Existential? Is that
00:26:51 Okay, let's go, sneaky lady.
00:26:54 [Albert] I told you to stay away
00:26:57 To solve your coincidence, we have to put it
00:27:01 So you come by Huckabees corporate and
00:27:05 - I'm lucky if I last another day!
00:27:10 I'm being straight with you.
00:27:12 and took the coalition
00:27:14 - That's straight.
00:27:18 Who's Mr... Who's that?
00:27:20 - The African guy.
00:27:23 - This is what I wanna talk about.
00:27:27 - Did I say it was?
00:27:29 Sure. It wasn't my first time.
00:27:32 It was more like a regular thing with you.
00:27:36 You were planting photos
00:27:38 - What are you getting at?
00:27:43 To be noticed.
00:27:47 - Maybe, yeah.
00:27:50 How did that affect things
00:27:52 How did it affect things at
00:27:55 You know, it was a drag.
00:27:58 Because I wanted my poems to go out
00:28:01 He was all obsessed
00:28:04 Not what we were really
00:28:08 You planted photos of yourself and your poems
00:28:13 - No, he didn't.
00:28:16 - Why is that?
00:28:20 That's why.
00:28:22 - Like we said. To be noticed.
00:28:25 - No. That is not productive.
00:28:30 Iooking at old Jessica Lange
00:28:32 That's only because Lange
00:28:35 I was putting my head shots under Markovski,
00:28:38 I might've looked at a little bit of Lange
00:28:42 - Albert, baby, come on.
00:28:46 - [Vivian] Have you ever been in love?
00:28:49 - Do you even believe in love?
00:28:53 because anything else
00:28:57 Bernard, excuse me. But I'm
00:28:59 So am I, darling.
00:29:02 Oh, no, no. I'm not going in that thing.
00:29:06 it's all hating faces
00:29:09 And then they multiply.
00:29:14 - Okay?
00:29:16 Come on. You can't retreat.
00:29:21 I'm in your corner.
00:29:26 [Heart Beating]
00:29:28 Okay, Albert, I want you to melt
00:29:31 - [Woman Laughing]
00:29:35 I said stop looking at me.
00:29:37 - Dawn is gonna love doing
00:29:40 Miss Huckabees.
00:29:43 - She loves your poems. The one about the rock.
00:29:46 That's the one. She loves poems.
00:29:50 We'll just throw theJet Skis
00:29:53 Wait, you guys...
00:29:55 - She was doing some print work for us...
00:29:59 Forget Brad. Come back to me.
00:30:02 Albert.
00:30:07 Good. Now put someone
00:30:10 - Hey, dickweed.
00:30:13 - Add someone else.
00:30:15 You know, someone who can understand
00:30:18 - Who's your guide?
00:30:26 - I got someone.
00:30:29 Mrs. Schirmir. She was my high school
00:30:32 - All right, good.
00:30:35 Okay, Mrs. Schirmir has a vacuum cleaner,
00:30:42 Now she's going to send you
00:30:50 He chopped her head off!
00:30:54 [Yelling]
00:30:59 Hold on. Hold on. Hold on.
00:31:02 Now, don't give up now.
00:31:04 But then he vacuumed her.
00:31:07 Okay, Albert. I can let you
00:31:10 One, your mind is always
00:31:12 so it may as well be something helpful
00:31:17 Two, there is
00:31:21 So then there's
00:31:23 Three, there's
00:31:25 There is no remainder
00:31:28 There's only the blanket.
00:31:31 I thought I understood the blanket.
00:31:34 Flags and bags.! Huckabees says,
00:31:39 50% off all knapsacks
00:31:43 Oh, say, can you see
00:31:47 Let freedom ring.
00:31:50 the everything store.
00:31:53 "Huckabees cornucopia
00:31:56 "But what happened to the gazelles?
00:31:59 under the CD department?"
00:32:02 - Hey, Albert, how's it goin'?
00:32:04 I met Brad when
00:32:07 He called with his own existential
00:32:10 - I'm really glad I found out about these people.
00:32:13 He doesn't care about
00:32:15 Bring me the African guy.
00:32:17 - Dude, what're you talking about?
00:32:21 There's no gazelles in North America.
00:32:23 And that building squashing nature
00:32:26 [Bernard]
00:32:29 I asked Brad to write a poem.
00:32:31 And it wasn't enough that
00:32:34 now you have to
00:32:36 [Bernard]
00:32:40 We're the same, Brad.
00:32:45 There you go.
00:32:47 - That is wonderful, Albert.
00:32:50 How are things
00:32:52 Great. Much smoother.
00:32:55 Great, I look forward to coming back
00:32:58 I don't think that's going
00:33:01 I'm still in the charter.
00:33:05 Yeah. Yeah. Well, I don't want
00:33:08 That's what you mean to do.!
00:33:11 - What?
00:33:13 You see what he's doing?
00:33:16 - What?
00:33:20 And now he's here today to unnerve me so
00:33:24 - That's what you mean to do.
00:33:26 - Oh, my God, Brad. You're killing me.
00:33:29 What am I talking...
00:33:32 I'll get kicked out, and then he can do
00:33:36 - Who's Orrin?
00:33:39 He's coming to review
00:33:42 I hope this isn't about Dawn.
00:33:45 - That's crazy!
00:33:47 - She's a model.!
00:33:49 - I'm going home.
00:33:52 I'm gonna have a fucking ball
00:33:54 Maybe Albert
00:33:56 What? Tommy? No, that's
00:33:59 Yes, a dicey move. Maybe even dangerous,
00:34:03 Bernard, give them
00:34:05 Maybe, but Tommy's in a bad direction.
00:34:09 You said Tommy was gonna be fine.
00:34:12 Nothing. Give him his other.
00:34:16 The connection will
00:34:18 - It all comes around. Like
00:34:23 - What's the other?
00:34:27 ? [Woman Singing In Spanish]
00:34:30 - [Man] There was a drought.
00:34:35 - There was no crop.
00:34:39 No olives.
00:34:43 No soul of life.
00:34:48 No rabbit in the oven.
00:34:55 We mashed locusts
00:35:00 I have no idea what you guys
00:35:02 I thought we were going
00:35:04 Mrs. Echevarria visits us
00:35:08 She's sort of a little
00:35:10 A kind of
00:35:12 Something that would be useful for you
00:35:16 - Yeah, a real treat.
00:35:18 Senorita, the petroleum situation
00:35:23 like the drought or
00:35:26 It was created by people,
00:35:29 It was created by people who
00:35:32 - and that's causing all the problems.
00:35:35 - One question only. Uno.
00:35:37 - Here's the question...
00:35:39 You've had your question and the answer,
00:35:44 Senorita, why do people only ask
00:35:47 when something
00:35:49 Then they forget
00:35:51 How come people are
00:35:54 And third,
00:35:56 but there's no way I can stop its use
00:35:59 Jimmy Carter would have
00:36:02 I could have a Cadillac Escalade,
00:36:05 - I wouldn't have to ride on my bicycle.
00:36:07 I paid my money and I want a fucking answer.
00:36:10 I know, dear boy. We wanted
00:36:14 - I thought you said next week.
00:36:18 Tommy has been working
00:36:20 The big September thing.
00:36:23 - What is it exactly?
00:36:26 When we dismantle,
00:36:30 to have a friend
00:36:39 Do you drive a car?
00:36:41 A bike.
00:36:44 Good. That's good. I like that.
00:36:47 - Tommy Corn.
00:36:50 - I'll be your other.
00:36:53 - Come. Come. Gracias, senora.
00:36:57 [Chattering]
00:37:12 - What's happening with your case?
00:37:14 - What do you mean?
00:37:17 You want them to solve a coincidence?
00:37:21 - Yeah, that's why I came here.
00:37:24 The face of Huckabees.
00:37:28 - Tops and mops?
00:37:31 - I doubt your coincidence is meaningful.
00:37:34 I have a book by a French thinker
00:37:37 She says the same thing they say here about
00:37:42 - What's the difference?
00:37:45 Vauban says nothing's connected. It's all
00:37:49 That's nihilism, Tommy!
00:37:51 They find it threatening.
00:37:54 You know, my ex-girl
00:37:57 She's brainwashing her
00:37:59 - What kind of reality is that?
00:38:01 Exactly. I think you shouldjust look
00:38:05 - How am I gonna look at my file?
00:38:08 I'll distract them.
00:38:10 Act naturally.
00:38:14 Hey, you play mancala?
00:38:16 Didn't know you were interested in
00:38:19 Why? 'Cause I'm a dumb sales executive
00:38:24 No, I just never heard you
00:38:27 Why do you think
00:38:30 - I thought you cared about the issues.
00:38:32 Obviously you had
00:38:35 - What books do you read?
00:38:39 PhilJackson's
00:38:41 Really. I read the galleys when it arrived
00:38:45 Seriously, that book's
00:38:48 Isn't it sports questions
00:38:51 No, wise ass. PhilJackson's a smart guy.
00:38:56 It was
00:38:58 Felt a little hostile.
00:39:02 - Who the hell are you?
00:39:04 You wanna go?
00:39:09 Hey, don't be a jerk, buddy.
00:39:13 - That's funny! He pushed him!
00:39:18 - Hey, he assaulted me, man. He tried to attack me.
00:39:21 - I tried to... You're dancing with my girl.
00:39:23 - You wanna dance?
00:39:25 - [Bernard] Look at me. Come on.
00:39:27 - You want to go at him, right?
00:39:28 [Brad] No, I don't want to go.
00:39:32 [Bernard] All right, you guys wanna have
00:39:35 You wanna have a go at each other.
00:39:40 You want to go backwards?
00:39:42 The reptiles have been
00:39:44 You want to be back on all fours?
00:39:47 Come on.! That's spirit you wanna
00:39:54 - [Man] What are you doing?
00:39:56 Bernard... The dismantling thing with the
00:40:00 But I got it. It's no big deal.
00:40:04 [Bernard] Every relationship is possible,
00:40:08 Security breach.
00:40:10 - [All Gasp]
00:40:13 This is my investigation now.!
00:40:15 You think you know what you're doing?
00:40:18 to dismantle your identity
00:40:21 Albert's gotta do what he's gotta do.
00:40:24 - Want to take a shot?
00:40:27 [Tommy] Nobody?
00:40:29 Sorry I grabbed you.
00:40:31 - [Vivian] Reptilian.
00:40:35 ? [Vocalizing]
00:40:50 ? [Continues]
00:41:04 - Hey, is that him there?
00:41:12 - Hey.
00:41:14 Yeah, it's me Albert. How are you?
00:41:17 Hey. Tommy Corn.
00:41:19 - This is the fourth coincidence?
00:41:23 I was wondering about our coincidences
00:41:25 We were just wondering if we spent time,
00:41:28 - Perhaps you can be my guests for dinner.
00:41:31 - Yeah, that'd be great.
00:41:34 Guys, guys.!
00:41:39 [Girl's Voice] Thy will be done
00:41:42 Give us this day our daily bread
00:41:46 as we forgive those
00:41:49 And lead us not into temptation
00:41:53 For thine is the kingdom, the power
00:41:58 [All]
00:42:02 Steven, how'd you end up
00:42:04 It is our immigration agreement.
00:42:08 The building supervisor hired Steven
00:42:11 - He was so skinny.
00:42:15 - What did we say about that?
00:42:20 Didn't know what a can opener was.
00:42:24 There aren't lions roaming here but there were
00:42:28 - And one time, a big alligator
00:42:32 He wanted to know where all the meat
00:42:36 [Man]
00:42:38 Albert, what brought you
00:42:40 [Albert] You mean
00:42:43 - Sounds like a support group.
00:42:45 Sometimes people
00:42:48 - Like what?
00:42:50 If the forms of this world die,
00:42:53 the me that dies
00:42:55 Can I trust my habitual mind or do I need
00:42:59 Sounds like we got
00:43:02 We don't have to ask those kinds
00:43:05 - No, honey.
00:43:07 H-How'd you know
00:43:10 - The cat was killed by curiosity.
00:43:13 - What do you do?
00:43:16 - We fight suburban sprawl.
00:43:19 Ask Steven. He could have used a little
00:43:21 Excuse me, Dad?
00:43:24 Industry, houses, jobs,
00:43:26 You can preserve a lot of open spaces
00:43:29 - I beg your pardon, Albert. I wasn't finished.
00:43:32 Clothes, videos, toys, cheeseburgers, cars,
00:43:35 You can still have a functioning economy and
00:43:39 - Yeah.
00:43:42 - Theodore Roosevelt was a socialist? And Yeats?
00:43:45 Henry David Thoreau, Robinson Jeffers,
00:43:49 - You're talking about socialism.
00:43:52 not covering every square inch
00:43:55 until you can't remember what happens
00:43:58 - What happens in the meadow at dusk?
00:44:01 - Nothing!
00:44:03 - It's beautiful.
00:44:05 I work for an electrical
00:44:07 We do a lot of commercial
00:44:09 If development stops,
00:44:12 Then Steven couldn't be here as our guest,
00:44:15 I'm not hurting Steven.
00:44:17 - Don't use that tone of voice in my house.
00:44:21 And I think it's entirely possible for your
00:44:24 preserve open spaces,
00:44:29 [Boy Laughs]
00:44:30 [Boy Laughs]
00:44:32 - What's he doing?
00:44:35 [Whispering]
00:44:38 - Do you have a job, Tom?
00:44:41 Oh, God bless you. A hero.
00:44:43 I'm not a hero. We'd all be heroes if we
00:44:48 - Excuse me?
00:44:51 Jesus is never mad at us if we
00:44:54 I hate to break it to you, but he is.
00:44:57 All right. That's enough. Steven, I don't know
00:45:01 - Sorry, Mom. Sorry, Dad. I did not know.
00:45:07 It's all right.
00:45:09 I'm sorry, Stevo.
00:45:11 - You should be ashamed of yourself.
00:45:14 - You should be ashamed of yourself.
00:45:17 - You're a hypocrite.
00:45:19 You're misleading these children.
00:45:22 - How am I the destroyer?
00:45:25 My car's the destroyer? You wanna know
00:45:29 Steven, I need to ask a question.
00:45:31 Why are autographs
00:45:33 It is a pastime with this family
00:45:36 - Which I can now carry on.
00:45:39 - [Game Beeping]
00:45:42 Yes. 260. And I've reached
00:45:44 [Tommy]
00:45:46 God gave us oil.! He gave it to us.!
00:45:50 He gave you a brain too
00:45:53 I want you sons of bitches
00:45:56 If Hitler were alive, he'd tell you
00:45:59 You're the Hitler! We took a Sudanese
00:46:02 You did. But how did
00:46:04 Could it possibly be related
00:46:06 that we support
00:46:08 - You shut up! You get out.
00:46:13 - Later, Steve.
00:46:20 - Wow.
00:46:22 - Crazy.
00:46:25 - Hi, guys.
00:46:27 [Albert] You guys get anything good
00:46:31 You hesitated over the mention of a cat.
00:46:34 - It means nothing. Just like my coincidence.
00:46:38 Yeah, I had a cat once.
00:46:41 The method worked. I saw it.
00:46:44 What method?
00:46:46 That's a tranquilizer
00:46:48 about the painful,
00:46:51 No, Tommy. It penetrates a unified
00:46:54 We're not in infinity.
00:46:56 Infinity is everwyhere.
00:46:58 Okay, how does this connect?
00:47:01 who was chased by
00:47:03 - How does the love glow fit into that, man?
00:47:06 Albert and Mr. Nimieri
00:47:10 - Oh! Oh, my God.
00:47:13 [Tommy]
00:47:15 - This is worse than I thought.
00:47:18 The meeting's going down
00:47:23 - [Clamoring]
00:47:26 The national office
00:47:29 We're here today to give
00:47:32 - So just give him a break.
00:47:35 - Okay, first director now. Silence.
00:47:38 First, I would like to apologize
00:47:41 that I had with Brad Stand
00:47:44 that did not go out
00:47:47 - Where's Brad?
00:47:50 The big benefit's
00:47:52 and Brad's running it
00:47:55 So, look, we're overlooking
00:47:58 - [Woman] Brad is not here.
00:48:01 I have a new poem
00:48:04 [Angela] Point of order, please.
00:48:06 I want to discuss this strategy of poems,
00:48:10 Excuse me, ma'am. Ma'am.
00:48:14 They will help you
00:48:16 [Angela]
00:48:18 I'm with Albert.
00:48:21 to transform your mind
00:48:23 - You guys need this, okay? This is great.
00:48:27 This is called
00:48:30 "An open meadow,
00:48:32 - [Girl] Boring.
00:48:34 - Oh, Brad's here.!
00:48:38 - Oh, is that for my grandson?
00:48:40 I'm talking here.
00:48:42 You know what?
00:48:44 and then we'll review
00:48:46 - Good job, Albert.
00:48:49 Excuse me, Brad. I would like to finish
00:48:52 - Relax. Not doing your poem.
00:48:55 Let him read the poem, man.
00:48:58 That man is not in our coalition. He has
00:49:02 No, ma'am, I'm not a member,
00:49:05 He's a great firefighter
00:49:08 I don't know who these men are.
00:49:11 They're working on the benefit.
00:49:15 - Conflict is an illusion.
00:49:17 Hey, Albert, that's not
00:49:19 Why are you guys wasting all
00:49:24 I mean, come on. Serious.
00:49:28 Deal with this issues, okay. We have a deadly
00:49:32 - [Group Booing, Hissing]
00:49:35 - [Mouths Words]
00:49:39 Toxic fish. You have children
00:49:43 Father Flavin doesn't have
00:49:46 Ma'am, listen to me.
00:49:48 This is exactly the unfocused,
00:49:51 - by Mr. Markovski that's killing us dead.
00:49:55 Killing us dead.
00:49:58 with this nut's
00:50:00 - What did you just call me?
00:50:03 America wants to drive cars, right?
00:50:06 And I like driving it.
00:50:13 Excuse me. You got to give me
00:50:15 - This is my meeting. I'm the director.
00:50:18 - You're out of the charter.
00:50:21 - I wrote it.
00:50:25 - I move to vote.
00:50:28 All in favor of Brad becoming
00:50:31 - [Group] Aye.!
00:50:33 - That's bullshit.
00:50:38 Be strong. Be strong 'cause
00:50:41 Don't worry about those people.
00:50:44 Albert, what happened
00:50:48 It's cruelty and it's chaos. The detectives
00:50:52 You were trying to do a good thing, right?
00:50:56 I'm going to the other side, Albert.
00:50:59 you consider coming with me...
00:51:04 - Albert...
00:51:06 - You're full of shit. You guys
00:51:10 - This is the money right now. Yes?
00:51:12 You know how hurt you feel?
00:51:17 - Stay away from me!
00:51:21 your energy recycles
00:51:24 to everyone else's energy,
00:51:27 You've been predator
00:51:29 Friends, enemies, brother,
00:51:33 I give and I give
00:51:35 and he takes and he
00:51:39 - Mama.
00:51:43 - Yahhh!
00:51:45 And you left that
00:51:48 When you were taking
00:51:50 Yeah, and if I wasn't pro bono,
00:51:54 Send it to
00:51:57 - Hey, sign your bike out. Sign your bike out!
00:52:00 Go! I'll block for you.
00:52:06 [Clamoring]
00:52:26 Cocksucker! Motherfucking
00:52:30 You're all a bunch
00:52:34 Maybe I should just quit.
00:52:38 I can answer
00:52:41 You can? Because I don't think
00:52:46 Believe me, I can.
00:53:07 You're the writer
00:53:09 Are you unhappy
00:53:12 Yeah, I'm ready to
00:53:15 - Tell me about your case.
00:53:18 - Why don't you tell me about it?
00:53:21 Obsessed with
00:53:24 Yeah. Yeah, but they just want
00:53:28 They betrayed you,
00:53:31 - That's right.
00:53:34 What truth?
00:53:36 Cruelty, manipulation...
00:53:40 meaninglessness.
00:53:43 Yeah.
00:53:54 - Did they follow you?
00:53:57 - Thanks for helping me out back there.
00:53:59 Glad you're here, Albert.
00:54:04 Once you realize the universe sucks,
00:54:07 - That's what gives you la force.
00:54:11 - La force. It's French for strength.
00:54:16 You guys got
00:54:18 Yeah. Deconstruct your mind
00:54:21 Just accept it
00:54:24 There's no glowing guys, no infinite mothers.
00:54:28 My coincidence is
00:54:30 Think, Albert. Have
00:54:32 [Albert] Wait a second.
00:54:35 - I don't want to go to this building. Stop!
00:54:44 - This is for you.
00:54:50 - Hey, hey, hey. What did she give you?
00:54:53 - I don't want to talk to you.
00:55:02 - Well, this is a rare occasion.
00:55:04 - Who?
00:55:07 - Who's Caterine?
00:55:10 I don't think
00:55:12 Oh, God, here we go again.
00:55:14 He's just making
00:55:16 - Are you making fun of your mother?
00:55:18 Why can't you
00:55:21 - So, how's your poetry job?
00:55:23 Oh, couldn't even
00:55:25 - [Man] Brenda, what the hell did you do?
00:55:29 Bullshit! I have this programmed
00:55:33 Can I please have some time
00:55:35 I want to show him an article I have here
00:55:39 - That's great, Mom. It's right up my alley.
00:55:41 - I sent this to you. Why don't
00:55:44 State of the art.
00:55:47 - But listen to this.
00:55:56 - ?? [Ends]
00:55:58 - Where did she come from?
00:56:00 - See, I wasn't making a joke.
00:56:03 I would like to discuss
00:56:07 - Who is this lady?
00:56:11 a rather troubling
00:56:14 - [Brenda] What evidence?
00:56:17 - excuse me, Mr. Silver?
00:56:20 No.
00:56:23 - I wanna go.
00:56:26 "November 17, 1989."
00:56:30 Would you mind
00:56:32 - No.
00:56:34 This stuff doesn't matter.
00:56:37 Oh, my God.
00:56:43 "I came home from school.
00:56:47 "Mom told me to go back to my room.
00:56:51 "She closed my door and said,
00:56:55 "And then she took me back
00:56:57 "and told me to spell words
00:57:00 "I said I had to go
00:57:03 "I climbed out the window.
00:57:06 "I saw Barney playing punch ball.
00:57:09 "I told him what happened to my cat.
00:57:12 "Then I cried, but I tried not to show.
00:57:16 Barney said he cried when his dog died.
00:57:20 His cat died. He was sad.
00:57:23 - Nothing strikes you as odd?
00:57:26 [Chuckling]
00:57:29 Oui. C'est vrai.
00:57:31 But tell me this, Mrs. Silver, this lady
00:57:36 Was Helen's sister. I don't remember her name.
00:57:39 Was there some painful thing
00:57:41 that required
00:57:44 No. Helen wasn't home,
00:57:48 But you agree that Purree
00:57:51 [Chuckles]
00:57:54 Answer the question, please.
00:57:56 I don't know much about the cat.
00:57:59 We're not talking about this anymore.
00:58:02 - [Caterine] Precisely the point.
00:58:04 You were embarrassed for feeling sad
00:58:08 It's painful enough
00:58:11 to feel embarrassed for feeling,
00:58:13 How is that my fault?
00:58:16 But you did. It was more important
00:58:20 with a perfect stranger
00:58:23 - about what for a small boy is a large tragedy.
00:58:26 He climbed out his window,
00:58:30 - Why?
00:58:32 - I think you do.
00:58:33 - Yes, you do.
00:58:35 - I think you should go.
00:58:37 Albert has a place here,
00:58:40 This is my home.
00:58:43 - Yes, your home is a lie.
00:58:48 So he could be
00:58:50 - [Doorbell Rings]
00:58:52 You're a bitch.
00:58:54 Listen. Listen.
00:59:02 [Sighs]
00:59:05 [Sighs]
00:59:08 - You asked me to come up here?
00:59:15 He was orphaned by civil war.
00:59:19 This is but one part of your puzzle.
00:59:22 - [Machine Clicks]
00:59:26 Oh, now the timer's
00:59:30 Gee, is it that hard?
00:59:32 - All I'm gonna do is listen...
00:59:36 I wanna listen
00:59:37 I wanna listen
00:59:48 [Elevator Dings]
01:00:04 Thanks. We'll meet you later
01:00:12 I'm sorry, man. I need, like, a minute
01:00:16 - She had to get you to see.
01:00:19 You were trained
01:00:22 That's why you betrayed
01:00:26 Why didn't you figure this out?
01:00:29 Because you lied to us.
01:00:32 was the... the doorman at your friend's building,
01:00:35 You encrypted the truth.
01:00:38 - Right.
01:00:42 - Don't start with that
01:00:45 It's just the way things are. You and me
01:00:48 that are swirling
01:00:50 - Look right here. You see?
01:00:54 between these particles and the cracks
01:00:58 - Exactly. Because that's what
01:01:02 There are tiny particles
01:01:04 Yeah, and then tinier cracks
01:01:07 - And even tinier connections.
01:01:10 Yeah, but if you look close enough,
01:01:14 and space begins,
01:01:17 - See?
01:01:20 - Do you see anything?
01:01:22 But I want to debate
01:01:25 You live all the time with things you can't see.
01:01:29 - You can't see radio waves, but you accept them.
01:01:31 - Fuck trust!
01:01:34 'cause she's gonna lead you
01:01:36 She was our prize graduate
01:01:38 I think that I am gonna stay with her,
01:01:41 because that's more real to me,
01:01:43 - Word.
01:01:45 - No, we're gonna work with Brad.
01:01:48 - and interconnection.
01:01:51 I'm gonna work on that prick, and it's all gonna
01:01:54 - No.
01:01:57 - [Sighs]
01:01:59 We'll see.
01:02:07 Ooh, damn.
01:02:09 Come on.
01:02:18 Oh, shit. Fuck.
01:02:28 [Indistinct]
01:02:33 Oh, look at this. Kafka.
01:02:40 - He's planting garbage for us.
01:02:42 - Kafka.
01:02:45 - [Voices On Headphones]
01:02:48 Oh, this is good.
01:02:52 - [Brad] Don't go in my den.
01:02:54 - I'm not unhappy to be with you!
01:02:56 "Putting on a show.
01:02:58 Inside I'm drowning,
01:03:00 That doesn't sound very happy to me.
01:03:03 I only wrote "frowning"
01:03:06 - Then why did you need "drowning"?
01:03:08 - There... There's nothing in it.
01:03:10 And why do they have to go through our yard
01:03:16 - [Clicks]
01:03:19 Why is he sniffing my blouse?
01:03:22 Perspiration levels indicate stress,
01:03:25 - [Dawn Sighs]
01:03:27 allowing unfettered access
01:03:30 Well, it's my home too,
01:03:32 You're going to have to
01:03:35 The mortgage is in his name,
01:03:37 - [Gasps]
01:03:40 Last year.
01:03:42 - What about this year?
01:03:44 - How come?
01:03:46 - Too busy to go have fun?
01:03:50 - You don't believe in therapy.
01:03:53 I'm proactive.
01:03:55 It's like the company retreats
01:03:58 - No, hey. Get out of there. Hey! Hey!
01:04:01 - Remember last year, the trust
01:04:04 - It's just like that.
01:04:07 Actually it is. No, it is.
01:04:10 It seemed like they were helping Albert.
01:04:12 Help the Open Spaces.
01:04:14 - What are you talking about?
01:04:18 that he felt exhausted from having
01:04:21 but doesn't see
01:04:24 "You need to get people to like you to be
01:04:28 - End quote.
01:04:31 I only put those things
01:04:33 - Yeah, see? That's funny.
01:04:37 That's joking as
01:04:39 That's saying, "Joke,"
01:04:41 - Joke, love me.
01:04:44 - Oh, please. I don't think
01:04:48 Yes, that's changed
01:04:51 I was never the pretty girl.
01:04:53 - Really?
01:04:55 I just have to keep up
01:04:58 - How's the sex?
01:05:00 - The sex?
01:05:04 - That's gross.
01:05:07 indicates it's been infrequent and short...
01:05:10 - typically.
01:05:13 - No, just listened.
01:05:15 Yeah. It's quantity,
01:05:18 - What?
01:05:22 - I know. I was onlyjoking.
01:05:25 - when you said quantity and not quality?
01:05:28 - We're not gonna discuss this.
01:05:30 - our seven minutes of heaven.
01:05:32 Eight minutes of heaven!
01:05:35 [Laughing]
01:05:37 - You oughta see her after a couple margaritas.
01:05:42 - Honey...
01:05:44 Why did you have to write this poem? How
01:05:48 Where is
01:05:51 Why is marriage and kids so important?
01:05:54 - [Bernard] Whoa.
01:05:56 - That came out of left field.
01:05:58 Why is having children the ultimate
01:06:03 Well, it doesn't have
01:06:06 You know, we don't
01:06:08 We could just, you know,
01:06:11 Could just be ourselves,
01:06:14 This is not why
01:06:16 Then why did you
01:06:21 - Well, I have a meeting.
01:06:23 Oh. There it is.
01:06:30 [Door Opening, Closing]
01:06:34 - [Dawn] Would you like some tea?
01:06:42 So, I've never really done
01:06:46 Um, where...
01:07:02 Now. Now.
01:07:10 - Did you get it?
01:07:14 I did. I felt it.
01:07:17 It's hard to describe.
01:07:20 Very, very good.
01:07:24 [Sighs]
01:07:28 - Not so hard.
01:07:33 Now. Now. Now.
01:07:37 Now!
01:07:43 Did you get it?
01:07:46 Yeah, you stop thinking.
01:07:52 Yes.
01:07:55 It's like I'm here,
01:07:58 So, I'm not here.
01:08:01 l... l... I don't know.
01:08:08 It's like I'm a rock
01:08:12 I'm whatever else is around.
01:08:16 This is the answer.
01:08:19 - That's the answer.
01:08:21 - Do it again. Do it again.
01:08:29 Careful, my young students...
01:08:31 you cannot stay
01:08:34 - Why not?
01:08:36 It is inevitable that you are
01:08:39 Desire, suffering... everything that exists
01:08:41 - Shit.
01:08:45 and how important
01:08:47 Then we do crazy stuff.
01:08:50 so we can get the freedom
01:08:54 Yes. And then back
01:08:56 - It's kind of a crappy deal.
01:09:00 An absurd theatrical
01:09:03 from pure being
01:09:05 But isn't the drama and suffering less
01:09:08 Don't call it "the ball thing."
01:09:12 Doesn't the pure being, ball thing
01:09:15 - Yeah.
01:09:17 You're wrong. We're gonna
01:09:19 - We'll show you. It'll make it easier.
01:09:23 Human drama
01:09:25 Suffering cannot be diminished.
01:09:28 You'll see.
01:09:30 that entices in a form
01:09:32 - Absurd theater of desire.
01:09:38 - Wait here.
01:09:41 To meditate
01:09:44 - Can I come?
01:09:47 Okay.
01:09:49 I'll see you in a little bit.
01:09:52 I hope so.
01:09:58 Don't fucking leave me.
01:10:28 [Moaning]
01:10:39 [Gasps]
01:10:50 [Moaning]
01:11:18 [Brad]
01:11:26 - Hold up.
01:11:28 - No, go back inside.
01:11:31 You can't keep coming to work
01:11:34 Me and Daryl made some spots
01:11:36 These are the best tops around.
01:11:39 Last time, last year,
01:11:42 But now, this is the truth.
01:11:56 Marty's gonna hate them, Dawn.
01:11:59 - He's gonna hate them.
01:12:03 You can't deal with
01:12:06 That is so not true.
01:12:09 We've talked about your intimacy problem.
01:12:12 Intimacy is combo
01:12:15 I'm definitely gonna have an intimacy problem
01:12:19 - Well, it's only been a week.
01:12:22 The people at the office
01:12:24 You could get free, Brad, but you think
01:12:27 And that means you are the source
01:12:31 - And that makes it too hard for us, baby.
01:12:35 - You hired the detectives.
01:12:40 - How am I supposed to know
01:12:44 - No, that's confusing.
01:12:46 - Take that off. Take it off.
01:12:49 - Give me my glasses.
01:12:51 - Give me my glasses.
01:12:53 - No.
01:12:54 You stay at home.
01:12:56 you don't come to work.
01:13:01 Trees and bees...
01:13:04 - Hey, Daryl, where are you?
01:13:06 - Dawn, this is Heather.
01:13:08 - Let's do it.
01:13:10 - I'm a really big fan of yours.
01:13:12 - It's so weird to meet my voice.
01:13:15 What? This script only has my lines,
01:13:19 - I told you, you are the
01:13:22 - Right. So what's the problem?
01:13:24 - I'm the face.
01:13:26 - Girl, you could... [Laughing]
01:13:29 All this,
01:13:34 Son of a bitch, Daryl!
01:13:36 - They want me back in a bikini?
01:13:38 - Dawn, please.
01:13:41 - The joke's on you! The joke is on you!
01:13:44 - No, stop.
01:13:47 I'm sick of this.
01:13:51 Look at me. Please,
01:13:54 Everybody look at me now. I am so pretty.
01:13:57 Everybody just wants
01:14:00 - Shania's on the stage.
01:14:03 working their way back
01:14:06 Right. Well, when we did
01:14:08 - we put the $10,000 donors up here.
01:14:11 Was that Garth Garth,
01:14:13 - That's classic Garth. The best.
01:14:16 Yeah, so, when we did the Garth benefit
01:14:19 Where's Marty?
01:14:22 Have you even seen
01:14:24 - Have you? I'm doing this for you.
01:14:27 - They're your detectives,
01:14:30 Do you understand?
01:14:33 Don't look at me like that.!
01:14:36 [Thuds]
01:14:38 - Hey, hey. Hey...
01:14:40 - Why don't you like my spots?
01:14:45 - This is myself.
01:14:48 - That is not Huckabees.
01:14:51 - Not in that bonnet.
01:14:54 It's like that story
01:14:56 What in God's name
01:14:58 We trusted you. We took care of you.
01:15:01 Pulled you out of a mall.
01:15:05 - Fuck-a-bees!
01:15:07 - Wow, wow, wow.
01:15:10 - She's knocking on the glass...
01:15:13 - What? I got corporate?
01:15:15 - I got corporate?
01:15:17 All right?
01:15:19 - Yeah.
01:15:32 What are you doing?
01:15:34 What are you
01:15:36 I'm in my tree.
01:15:39 and they're making me
01:15:41 Well, I think the Dixie Chicks would like you
01:15:46 - What?
01:15:49 I got corporate, Dawn.
01:15:51 I'm sorry you had to go through all this.
01:15:54 I went to the detectives to shake Albert
01:15:57 - I admit that.
01:16:00 Sweetheart, you're
01:16:02 Listen, you're mixing
01:16:05 - [Crying] Wait a second.
01:16:07 Do you even care about
01:16:10 Yes, I care about the marsh and the woods.
01:16:14 You don't go through the back door
01:16:18 You go through the front door with a tie,
01:16:21 That's how you're
01:16:23 - Let's celebrate.
01:16:25 - You want some new clothes?
01:16:27 - I'll get you whatever you want.
01:16:30 - Pedicure?
01:16:34 Well, you know,
01:16:37 But, no, it's not a choice.
01:16:41 Well, I'm pretty sure the Dixie Chicks
01:16:44 here where you can
01:16:46 Right. That's good.
01:16:48 You know what?
01:16:52 Stay positive. Bermuda. Jet Skis.
01:16:58 - Yeah.
01:17:01 Okay? 'Cause you
01:17:04 Okay. Okay.
01:17:06 - Okay?
01:17:08 [Chattering]
01:17:19 Hey, Tom, Tom.
01:17:23 Go for it, man.
01:17:37 [Speaking French]
01:17:44 The woods are hopeless.
01:17:47 So will the marsh.
01:17:50 mankind has played
01:17:53 Sadness is what you are.
01:17:55 The universe is a lonely place,
01:17:59 This is what we can share
01:18:01 [Brad And Dawn]
01:18:03 H'yah!
01:18:06 [Gasps]
01:18:08 What are you doing?
01:18:10 You told me you were done
01:18:13 - Why can't I do it?
01:18:15 - Do you want to lead a fake life?
01:18:18 - I can mix your thing with their thing.
01:18:21 - Why not?
01:18:23 And theirs is a lie. For the last time,
01:18:26 And as for Brad,
01:18:29 - what he did to you, and...
01:18:37 You ditched me.
01:18:41 - She's my teacher too, Albert.
01:18:45 No. It's all different now.
01:18:47 I thought we were a platonic trio,
01:18:50 You said that was bullshit.
01:18:52 Learn from this, Tommy.
01:18:56 I warned you... human drama.
01:18:58 Is that why
01:19:01 - Yeah, is that why you're doing this, to teach him?
01:19:05 There are unique moments when two people
01:19:09 All right. That's what
01:19:11 - How can you believe that bullshit?
01:19:14 This just happened.
01:19:16 - We could still be... You can
01:19:20 I brought you here. I wanted to share
01:19:24 - You fell in love.
01:19:27 - It is unnameable.
01:19:31 [Clattering]
01:19:33 It leaves me out!
01:19:35 Where is your pure being now, Tommy?
01:19:41 I'm just gonna accept
01:19:43 And I'm gonna go
01:19:46 From an even farther,
01:19:49 - Who needs you guys?
01:19:53 Hey, welcome.
01:19:56 - Let's start with the method.
01:20:00 - We'd like to discuss...
01:20:02 - Okay. What are you doing?
01:20:04 - What are you doing?
01:20:06 But seriously, I want to quit
01:20:08 Nothing personal. I appreciate
01:20:11 - You can't quit until the case is over.
01:20:14 - No, you can't.
01:20:16 - Sure I can.
01:20:18 Paragraph 201.
01:20:21 "may terminate case prior to resolution
01:20:26 - which states..."
01:20:28 - Oh, it's binding.
01:20:30 - Oh?
01:20:32 - Go ahead.
01:20:36 No, Brad, this is how it works.
01:20:39 You... You tell them
01:20:41 They ask why.
01:20:44 Or, maybe you wanted to
01:20:47 - by rattling Albert Markovski.
01:20:50 - Well, give us a little credit.
01:20:53 They talk to them.
01:20:56 has weird existential issues.
01:20:58 - Or he fakes them.
01:21:01 Which is worse.
01:21:04 - is dressing like an Amish bag lady.
01:21:09 You know, Brad, suddenly
01:21:11 - Okay. I said I get it, Bernie. Relax.
01:21:14 - Shut up.
01:21:17 - Does Dawn want to quit?
01:21:20 which is the stupidest thing
01:21:23 Shall we get back
01:21:26 All right.
01:21:28 Our staff did a little
01:21:31 - What? Talk to my family?
01:21:35 - So do you. But this guy.
01:21:40 - You bastards.
01:21:46 How could you do this?
01:21:50 [Crying]
01:21:57 Ooh.
01:21:59 Mm-hmm.
01:22:01 Are you kidding me? He weighs 250.
01:22:06 - What's the point?
01:22:09 Oh, excuse me. You...
01:22:12 - Yes, Brad, on the phone.
01:22:15 Well, if he's so sensitive, why doesn't he lose
01:22:19 - Maybe he'll find some friends.
01:22:23 Are you sympathetic to him?
01:22:27 - Are you kidding me? I gave him a car.
01:22:31 - I send him shirts.
01:22:33 l... Look.
01:22:36 Here, guys. Geckos.
01:22:38 And I keep 'em.
01:22:41 I'm a pretty good
01:22:43 [Vivian] He wishes you would
01:22:45 About what, geckos?
01:22:48 l... I don't have
01:22:50 But maybe he should listen
01:22:53 [Vivian] You have several stories that
01:22:56 Ohh. Oh-ho. That's not...
01:22:59 - l... I'm not boring like him.
01:23:05 [Vivian's Voice]
01:23:07 [Brad's Voice] Shania's there, you know,
01:23:10 - [Man Chuckles]
01:23:13 She hates mayonnaise, right?
01:23:16 So I order a ton of tuna fish sandwiches.
01:23:19 - Tuna fish. No mayo, darling.
01:23:22 [Vivian's Voice]
01:23:24 [Brad's Voice] Nojoke.
01:23:27 she threw up
01:23:29 [Vivian's Voice]
01:23:32 [Brad's Voice]
01:23:34 It's 4:00, and she's starving.
01:23:37 I order a ton of tuna fish sandwiches.
01:23:40 [Vivian's Voice]
01:23:44 Shania's there promoting her apparel, right?
01:23:48 The lady hates chicken salad.
01:23:51 - August 17, conference call.
01:23:55 No mayo. She hates it. And she cannot eat
01:24:00 September 3, in traffic,
01:24:03 Shania's there promoting her apparel, right?
01:24:07 No mayo. I eat two
01:24:10 She now eats one and a half.
01:24:13 She eats one and a half sandwiches
01:24:17 [Tape Player Stops]
01:24:20 [Tape Rewinding]
01:24:23 [Vivian] Why do you think that
01:24:27 - I don't know. Why?
01:24:29 - For mayonnaise?
01:24:32 Specifically, you're so impressive
01:24:36 And you're so strong,
01:24:38 - You're a funny guy, a good guy.
01:24:41 so that maybe, quote,
01:24:46 Well, what's so great
01:24:48 Nothing.
01:24:50 to something
01:24:53 so it will never be
01:24:55 hence your behavior becomes
01:24:57 - Like the story.
01:24:59 - Like the story. Like the story.
01:25:02 Shut up.
01:25:10 All right.
01:25:13 What do you think would happen
01:25:16 - Are you being yourself?
01:25:19 - "How am I not myself?"
01:25:21 - Myself.
01:25:23 - How am I not myself?
01:25:26 - How am I not myself?
01:25:30 How am I not myself?
01:25:32 How am I not myself?
01:25:35 [Together]
01:25:37 [Whispered Voice]
01:25:40 How am I not myself?
01:25:44 How am I not myself?
01:25:49 - How am I not myself?
01:25:51 She's starving.
01:25:53 I order a ton of tuna fish sandwiches.
01:25:57 - No mayo...
01:26:02 Freakin'awesome, man.
01:26:04 - [Sighs]
01:26:07 The Dundalee Cups are blowin'out
01:26:09 How's that for super weird?
01:26:12 Right? You arejust
01:26:16 - Right?
01:26:19 Well, let's go, dude. I'm gonna introduce you
01:26:22 - John, what did Legal say?
01:26:24 - We have a legal problem.
01:26:27 Give him the Salmon Stripper, call it the
01:26:30 - Just call it "Tuna Tornado."
01:26:33 Speaking of Shania and tuna,
01:26:36 - Go ahead, Brad.
01:26:39 - Well, we've got a trademark issue in Japan.
01:26:41 L-Let's hear the Shania story. I mean,
01:26:44 - Yeah, come on, tell the Shania story.
01:26:47 I don't want
01:26:49 - What?
01:26:51 Come on. You and Shania
01:26:54 You're opening up the store.
01:26:58 - She gets...
01:27:00 - Really hungry. Right. And so, you order...
01:27:05 - Yeah, tuna fish.
01:27:08 You order tuna fish, okay,
01:27:12 - Marty, no.
01:27:14 Come on.
01:27:17 - [Retching]
01:27:25 Why don't you and me go outside
01:27:29 - I'll be back in five.
01:27:32 - [Man] Is he gonna put a bonnet on?
01:27:35 [Man]
01:27:42 [No Audible Dialogue]
01:27:48 Fuck!
01:27:51 [No Audible Dialogue]
01:28:00 [Bell Ringing]
01:28:12 - You're gonna get on the truck like everybody else.
01:28:15 - Truck! Truck!
01:28:21 [Man On P.A.]
01:28:23 - [Siren Wails]
01:28:26 You're just sittin'
01:28:29 - So long, suckers!
01:28:32 [Man On P.A. Continues,
01:28:43 Where are you guys?
01:28:46 ?? [Vocalizing]
01:28:48 ? [Vocalizing Continues
01:29:00 [Sighs]
01:29:14 [Mouths Words]
01:29:47 [Mouths Words]
01:29:56 [Moaning]
01:30:11 [Sirens Approaching]
01:30:16 - [Woman] Here we are.
01:30:30 Creation, destruction.
01:30:34 Creation, destruction.
01:30:38 Creation, destruction.
01:30:47 [Brad]
01:30:54 [Crying]
01:31:00 Why?
01:31:02 - [Bernard] Oh, Brad, look at yourself.
01:31:05 - You're sitting in a big pile of shit.
01:31:08 [Brad]
01:31:10 [Bernard]
01:31:16 - [Brad Crying]
01:31:18 'cause your house is burning
01:31:23 I gotta go...
01:31:26 Don't... Don't tell anybody.
01:31:30 No, tell everybody.
01:31:35 - Oh, maybe not.
01:31:37 Oh, no, please,
01:31:39 You didn't see me cry.
01:31:41 Nobody sees that picture!
01:31:44 - Nobody sees that picture! Why did you do that?
01:31:48 We didn't do this.
01:31:50 - [Vivian] Never. Oh, maybe
01:31:53 Who the hell
01:31:55 - See-See... See, this isn't our thing.
01:31:59 - We wouldn't do it like that.
01:32:06 Why did you do that to me?
01:32:32 All right. I'm gonna go
01:32:35 [Sniffs]
01:32:37 - Brad.!
01:32:39 - Brad, we didn't do this.
01:32:42 - [Car Starting]
01:32:45 That fire was
01:32:49 No, it liberated you
01:32:51 Or did it bond me to Brad
01:32:54 until I saw that
01:32:56 - [Vivian] Yes.
01:32:58 Come on.
01:33:01 - We don't work together at all.
01:33:04 where she picks up where you leave off,
01:33:07 - There is no secret deal.
01:33:11 You're too dark, and you're not dark enough.
01:33:14 Maybe too close. Then it went sour
01:33:17 and you into
01:33:19 So, voilà! Two overlapping,
01:33:22 were born out of
01:33:26 [Gasps]
01:33:29 Wow.
01:33:31 I don't know.
01:34:14 Hi. Welcome to the Omni Hotel.
01:34:18 - Yeah, treat it like it's a car.
01:34:36 [Recording]
01:34:39 [Woman] Welcome to the Huckabees
01:34:44 Huckabees pledges to...
01:34:46 Huckabees pledges to...
01:34:50 - [Brad] Davy, come on.
01:34:53 - [Woman] Let's talk to Marty.
01:34:57 - Let me in. Marty, I'm me. I made it.
01:35:00 Brad, shh.
01:35:02 - Has everybody lost their minds?
01:35:05 - I put this together. I put this together!
01:35:08 Josh, I put this together.
01:35:12 Shania.
01:35:15 Shania.!
01:35:17 - It's the new Miss Huckabees.
01:35:20 Can I get
01:35:23 These are still
01:35:26 This is a collector's item
01:35:33 - What's this, Dawn?
01:35:38 - I think so.
01:35:43 Uh... N...
01:35:46 It's over, Brad.
01:35:49 I had a fire and almost died,
01:35:51 And he almost died
01:35:54 - And that shows there's
01:35:57 And he likes the bonnet.
01:36:01 [Man] Excuse me.
01:36:03 I need to ask you guys
01:36:05 The gentleman behind the bush,
01:36:14 One world. One store.
01:36:20 Shopping, nature,
01:36:36 - Did they let you in to the benefit?
01:36:40 Brad, I thought about chopping your head off
01:36:43 I thought about hacking you up
01:36:46 and smashing your face in
01:36:48 [Recording]
01:36:52 - You going up?
01:36:54 - Uh, no, I think you're going up.
01:36:57 Ma'am.
01:37:01 - Oh... Uh.
01:37:03 - Oh, at last.
01:37:07 - How could you do that to us, you liar?
01:37:11 A Dexicorp mall in my grandfather's forest
01:37:15 And they've already started surveying to...
01:37:18 - We saved the marsh.
01:37:20 Are we going up or what?
01:37:22 All you did was make Huckabees look good.
01:37:25 Albert, how can you be calm?
01:37:28 - I'm dealing with it.
01:37:31 - Shania doesn't give a shit!
01:37:34 - Let's go!
01:37:36 - We saved the marsh...
01:37:38 - So you sold out the woods?
01:37:42 I saved half the trees.
01:37:45 I don't know. I tried to do some good.
01:37:49 - [Sighs]
01:37:52 - And my house?
01:37:55 It spread to the house.
01:37:57 [Recording]
01:38:02 - [Sighs]
01:38:04 Good.
01:38:08 Who is that?
01:38:11 Give me...
01:38:14 - [Grunting, Groaning]
01:38:17 Give me that!
01:38:21 [Grunting, Groaning Continue]
01:38:27 [Woman]
01:38:29 - You're only smashing yourself, Brad!
01:38:32 [Grunting]
01:38:34 And now
01:38:37 Now I'm smashing myself.
01:38:42 - Stop it!
01:38:44 [Together]
01:38:47 Brad, do you realize
01:38:50 - No, let me explain.
01:38:53 - The entire food chain is
01:38:56 Let me explain.
01:38:59 I'm a vegetarian, Brad.
01:39:02 With the mayo,
01:39:04 Shania, I'm Albert. I used to run the
01:39:07 - She knew my name. See?
01:39:10 I was only joking, man.
01:39:15 Yeah, okay,
01:39:17 - So am I. That's how I bought into you.
01:39:21 Albert, we owe you an apology.
01:39:25 Thanks, Angela.
01:39:28 We're gonna stop
01:39:32 - Oh, my goodness.
01:39:35 I don't even know
01:39:37 That's exactly
01:39:41 Try this lady.
01:39:53 Ah, here he comes!
01:39:56 - Oh, boy.
01:40:01 The parking lot
01:40:04 who turned his back on his other
01:40:09 I know.
01:40:11 - You hurt my feelings.
01:40:14 - But you had to do it anyway, didn't ya?
01:40:18 - And I haven't been with a lot of women.
01:40:20 And she used me to teach us
01:40:26 So? Is that where
01:40:29 Hell no.
01:40:32 I didn't think so.
01:40:35 - Looks like you saw some truth.
01:40:38 - What'd you see?
01:40:42 - It is! I didn't think it was.
01:40:45 - That's amazing.
01:40:47 But it's also
01:40:49 Yeah, because it grows from
01:40:52 You see, the detectives,
01:40:56 But in fact,
01:40:59 - Did you hear some of that?
01:41:02 I think...
01:41:04 I think this case
01:41:07 Is it ever
01:41:09 Hmm.
01:41:20 - What are you doing tomorrow?
01:41:24 - Do you want to come?
01:41:27 Mm, 1:00, 1:30.
01:41:30 Sounds good.
01:41:34 We always do.