I Know Who Killed Me
|
00:03:29 |
"She knew a trick. |
00:03:32 |
"She knew how to turn her life into a movie |
00:03:38 |
"Not to her, |
00:03:43 |
"Was she the runaway |
00:03:45 |
"with everything she owned |
00:03:48 |
"Or, was she watching a movie about |
00:03:54 |
"A truck slowed till the girl squinted |
00:03:58 |
"But one good look at her |
00:04:00 |
"and the trucker couldn't get out of there |
00:04:03 |
"She didn't even have the strength |
00:04:05 |
"as she choked on the dust |
00:05:01 |
I'm sorry, Mr. Norquist. |
00:05:05 |
You've been distracted lately, Aubrey. |
00:05:08 |
The next Young Artist Competition |
00:05:13 |
I know. I know. |
00:05:21 |
Watch this hand. |
00:05:36 |
You see how easy? |
00:05:40 |
Yeah. |
00:05:43 |
I've been meaning to talk to you. |
00:05:45 |
You know, I've been thinking, and... |
00:05:49 |
I just... I don't know if I'm cut out |
00:05:53 |
Aubrey, all artists feel that way. It's normal. |
00:05:57 |
No, I... I want to quit. |
00:06:00 |
I mean, I barely made my winter admit |
00:06:04 |
I just need to concentrate |
00:06:07 |
But you have a gift, an innate talent. |
00:06:11 |
You won the Young Artist Competition. |
00:06:13 |
I mean, how much more validation |
00:06:16 |
That was a long time ago, Mr. Norquist. |
00:06:28 |
Hi, you. |
00:07:24 |
"She always felt like half a person. |
00:07:26 |
"Half a person with half a soul. |
00:07:28 |
"Sometimes, if she dreamed hard enough, |
00:07:33 |
"But she always woke to the same feelings |
00:07:46 |
- Hey. |
00:07:49 |
Where'd you find a blue rose? |
00:07:51 |
I passed a place on the street. Here. |
00:07:54 |
Thank you. |
00:08:01 |
You okay? |
00:08:04 |
Yeah. |
00:08:06 |
Got me. |
00:08:23 |
Sheriff, several federal agents |
00:08:26 |
- about an hour ago. |
00:08:28 |
- Sheriff! Jennifer Toland... |
00:08:30 |
...disappeared almost two months ago. |
00:08:31 |
Serial killers typically... |
00:08:32 |
We have one dead girl, |
00:08:35 |
- You people astound me. |
00:08:39 |
Who has not yet found the aortic arches? |
00:08:44 |
And the super-pharyngeal ganglia? |
00:08:48 |
The brain. |
00:08:50 |
Yes, you can barely see that, |
00:08:56 |
Is that all I am to you? |
00:08:58 |
Just something to relax you |
00:09:00 |
If I cut a worm in half, |
00:09:03 |
No, Pete, that's a myth. |
00:09:06 |
What's it gonna take for me and you |
00:09:09 |
A lot more than one blue rose. |
00:09:12 |
Aubrey, I think I'm falling in love with you. |
00:09:16 |
We barely know each other, Jerrod. |
00:09:19 |
- You're delusional. |
00:09:21 |
I've never felt this way about a girl before. |
00:09:24 |
- I just keep thinking about you and... |
00:09:25 |
Can you point out for me |
00:09:30 |
The seminal receptacles. |
00:09:31 |
Yes, I can, actually. |
00:09:37 |
That should be it. |
00:09:43 |
Those would be |
00:09:49 |
The female organs are at the other end |
00:09:55 |
Looks like you need a little more experience |
00:10:01 |
- Oh, my God! |
00:10:12 |
Jennifer Toland's body was discovered |
00:10:16 |
Please don't ask me any questions. |
00:10:26 |
Nineteen-year-old female, 5'4" tall. |
00:10:37 |
Amputation of individual digits, |
00:10:41 |
possibly on the same or successive days. |
00:10:44 |
Full metacarpal amputation |
00:10:52 |
Ragged cuts indicate |
00:10:55 |
near-lethal levels of amphetamines |
00:11:01 |
suggesting the killer wanted the victim |
00:11:05 |
fully conscious during each limb removal. |
00:12:24 |
As we all know, |
00:12:29 |
And we'd like to take a moment of silence. |
00:12:38 |
Now, let's get out there |
00:12:54 |
Come on! |
00:13:39 |
Curfew is one hour away. |
00:13:41 |
Attention, curfew, for under 21, |
00:13:48 |
Why are you... |
00:13:49 |
Just marry him |
00:13:51 |
No way. I'm done sleeping with guys |
00:13:55 |
Oh, like you were some kind |
00:13:58 |
But Jerrod loves you. |
00:13:59 |
I'll be 3,000 miles away in January. |
00:14:04 |
That's nice. |
00:14:05 |
It's like someone could stab you |
00:14:09 |
It's like Mardi Gras or something. |
00:14:11 |
Yeah, I read this story about this killer |
00:14:16 |
and stabs them with a needle right here. |
00:14:18 |
You die like instantly. |
00:14:20 |
Nobody even knows you're dead |
00:14:23 |
It's so creep... |
00:14:25 |
Beat them, baby! Owls, number one! |
00:14:29 |
Oh, my God! |
00:14:30 |
Oh, so weird! |
00:14:32 |
Everybody is insanely crazy. |
00:14:34 |
- Hey! |
00:14:37 |
I'm looking for Jerrod. |
00:14:38 |
- Oh, good luck. |
00:14:41 |
- Jerrod! |
00:14:43 |
I'll meet you in front of the Fremont at 11:45. |
00:14:46 |
Jerrod! |
00:15:14 |
Aubrey? |
00:15:17 |
Aubrey! |
00:15:20 |
Aubrey! |
00:15:23 |
Okay, so I am officially freaking out. |
00:15:26 |
I'm just gonna try her cell again, |
00:15:29 |
Okay. |
00:15:34 |
- I think it's coming from over here! |
00:15:37 |
- Hello? Hey. |
00:15:39 |
Where's Aubrey? |
00:15:41 |
What? |
00:15:44 |
Okay, where did she park? |
00:15:47 |
Where'd she park her car? |
00:15:49 |
- Come on, you rode with her. |
00:15:51 |
- It's that street, you know the one. |
00:15:54 |
- Tell me. |
00:15:56 |
- of the little art gallery with the gate. |
00:15:59 |
- Wait! |
00:16:04 |
There it is! There's her car! |
00:17:31 |
Help! |
00:17:32 |
No! |
00:17:36 |
No! |
00:17:44 |
She... |
00:17:46 |
She lives on this thing. |
00:17:49 |
It's her life. |
00:17:52 |
Writing. |
00:17:55 |
She loves to write. |
00:17:58 |
Mr. Fleming, I'm gonna have to |
00:18:01 |
I need to make a copy of the hard drive. |
00:18:03 |
Take it, please. Anything you need. |
00:18:14 |
Daniel, |
00:18:17 |
is there any chance |
00:18:20 |
Was she unhappy about anything? |
00:18:23 |
Aubrey? Unhappy? |
00:18:28 |
No. |
00:18:30 |
Not at all. |
00:18:32 |
You sure about that? |
00:18:35 |
Where were you |
00:18:40 |
I was on a conference call, |
00:18:45 |
You know, I always pace when I... |
00:18:48 |
Do you remember saying goodbye to her? |
00:18:52 |
Can you describe how she looked? |
00:18:55 |
What her mood was? |
00:19:08 |
You know, you don't always |
00:19:11 |
think to take a mental picture |
00:19:12 |
every time she leaves the house. |
00:19:15 |
I used to do that, but... |
00:19:18 |
"The Worrier," Daniel used to call me. |
00:19:27 |
Do you have kids? |
00:19:35 |
It falls away, and... |
00:19:40 |
They always come back. |
00:19:42 |
You know, they never don't come back. |
00:21:38 |
Aubrey! |
00:21:45 |
Aubrey! |
00:22:04 |
Keep your eyes peeled! |
00:22:37 |
3:00 sharp? Yeah, good man. |
00:22:42 |
Jesus. |
00:22:44 |
Well, I hope our little investigation |
00:23:18 |
I feel like half a person, you know? |
00:23:20 |
And, all of a sudden, it dawns on me, |
00:23:24 |
Steve and Vicky this, Steve and Vicky that. |
00:23:26 |
We're finishing each other's sentences here. |
00:23:30 |
Hell, we're finishing each other's thoughts. |
00:23:57 |
Hey! |
00:24:00 |
You okay? |
00:24:04 |
Hey! |
00:24:15 |
Yeah? |
00:24:18 |
Susan! |
00:24:20 |
Is she alive? |
00:24:22 |
- Oh, God! |
00:24:40 |
Her blood pressure's increasing. |
00:24:45 |
- She's fucking awake. |
00:24:47 |
Increasing her thiopental. |
00:24:59 |
Orthopedic saw. Orthopedic saw, now. |
00:25:12 |
Well! Hey, beautiful. |
00:25:16 |
Nobody expected to see those eyes |
00:25:25 |
- I'm in the hospital? |
00:25:29 |
What hospital am I in? Where? |
00:25:34 |
I'II... |
00:25:35 |
I'll get the doctor, okay? |
00:25:53 |
Oh, my... |
00:25:54 |
Oh, my God! |
00:26:08 |
Oh, my God! Oh, my God! |
00:26:28 |
Look, the press is asking questions. |
00:26:30 |
- Now, I think what we should do... |
00:26:34 |
Aubrey Fleming is still missing |
00:26:37 |
- and I want to keep it that way. |
00:26:39 |
been threatened with dismissal |
00:26:41 |
if they leak a word of this. We clear? |
00:26:44 |
Plausible explanations. Okay. |
00:26:46 |
Number one, he was done with her. |
00:26:49 |
But he didn't count on her will to live. |
00:26:52 |
I don't buy it. |
00:26:54 |
He wasn't done with Aubrey Fleming, |
00:26:57 |
He only had her for what? 17, 18 days? |
00:27:00 |
The sectioning was just getting started. |
00:27:04 |
And why the hell would he sew her fingers |
00:27:07 |
- and her hand back onto... |
00:27:08 |
Remember, Jennifer Toland drowned. |
00:27:11 |
I mean, now, it's too early |
00:27:14 |
I think the cutting is about punishment. |
00:27:17 |
And when the punishment is over, |
00:27:19 |
he finds a way for the death to happen, |
00:27:23 |
Now, he doesn't like the dying part, |
00:27:28 |
Dying freaks him out. |
00:27:30 |
I think she escaped. |
00:27:31 |
The only answer |
00:27:38 |
Hey, honey pie. |
00:27:44 |
Sure did miss you. |
00:27:49 |
We're gonna have you home in no time, |
00:27:55 |
Home? |
00:27:56 |
Isn't that right, Doctor? |
00:27:58 |
Aubrey's been very brave. |
00:28:00 |
With any luck, |
00:28:06 |
Who is Aubrey? |
00:28:12 |
Who are you? |
00:28:17 |
Who is... |
00:28:18 |
- Who is Aubrey? |
00:28:22 |
- Oh, my God. |
00:28:24 |
I just, I don't... |
00:28:29 |
Don't touch me. Don't touch me. |
00:28:45 |
Aubrey Fleming, |
00:28:49 |
I'm not Aubrey Fleming. |
00:28:51 |
Then what should I call you? |
00:28:52 |
My real name would be nice. |
00:28:57 |
Session number one, 10:30 a.m. |
00:29:00 |
Dakota Moss. |
00:29:03 |
Listen. |
00:29:04 |
I know I may look a little like |
00:29:08 |
but I'm not her, okay? I am not her. |
00:29:13 |
Let's get some housekeeping |
00:29:16 |
- Date of birth? |
00:29:20 |
Social Security number? |
00:29:23 |
I don't have one. |
00:29:26 |
Look, when you're raised by a crack addict |
00:29:28 |
that people know about you, the better, |
00:29:32 |
I made up a Social Security number |
00:29:35 |
but I couldn't keep a job long enough |
00:29:38 |
A job? You're fairly young to be working. |
00:29:42 |
Yeah, well, I didn't grow up in New Salem. |
00:29:48 |
You mentioned your mother. |
00:29:50 |
Dead. |
00:29:51 |
How did your mother die? |
00:29:53 |
O.D. |
00:29:57 |
How long ago? |
00:30:02 |
Six, seven months ago. |
00:30:07 |
since she'd started using again. |
00:30:09 |
But I could always count on seeing |
00:30:14 |
When she didn't come around, |
00:30:18 |
Wasn't too hard to see that one coming. |
00:31:00 |
She was stupid. |
00:31:04 |
Pathetic. |
00:31:06 |
And a junkie. |
00:31:23 |
Did your mother leave you anything? |
00:31:25 |
Yeah. $11. |
00:31:38 |
Tell me something. Why does a shrink need |
00:31:43 |
I like to have it for my files. |
00:31:47 |
You're fuzz, aren't you? |
00:31:52 |
I don't want to lie to you. |
00:31:54 |
I am a psychiatrist, |
00:31:57 |
I fucking knew it. |
00:31:59 |
It doesn't mean I care any less |
00:32:03 |
You know, you're wasting your time |
00:32:07 |
In cases like these, there are specific details |
00:32:10 |
to separate the serial confessors |
00:32:14 |
The pattern of your injuries is identical. |
00:32:19 |
identical, with another young girl. |
00:32:22 |
A murdered girl, from New Salem. |
00:32:27 |
Prove it. |
00:32:41 |
Oh, my God. |
00:32:45 |
Hello, Mrs. Fleming. |
00:32:48 |
Hey. |
00:32:50 |
Hi. |
00:32:52 |
I brought some of your things |
00:32:57 |
This is Mr. Gervais. |
00:33:09 |
All right. |
00:33:11 |
Look, I'm sure you're a very nice woman. |
00:33:15 |
And, yeah, I just want to know |
00:33:19 |
You don't remember Mr. Gervais |
00:33:26 |
Nope. |
00:33:32 |
And this is some of your... |
00:33:34 |
Some... Some of Aubrey's favorite music, |
00:33:39 |
Now, where are... Shit. |
00:33:42 |
How could I forget the earphones? |
00:33:46 |
This was the most important thing in here. |
00:33:49 |
You love your music, and, you know, |
00:33:52 |
they use music to help |
00:33:55 |
Do I look like I'm in a fucking coma? |
00:34:05 |
What else you got in the bag? |
00:34:08 |
What's that? Is it a picture? |
00:34:10 |
Yeah. |
00:34:11 |
Dr. Mancuso to the ER. |
00:34:15 |
Here. |
00:34:21 |
Where... |
00:34:23 |
Who gave you this? |
00:34:25 |
Is something happening? |
00:34:28 |
When I was a little girl, I... |
00:34:30 |
You were seven. |
00:34:32 |
We all went to Hawaii for Christmas. |
00:34:37 |
The pictures are almost the same. |
00:34:42 |
My bathing suit was different, |
00:34:47 |
It was brown, actually. |
00:34:49 |
And my mother took me there |
00:34:51 |
as if it was some sort of treat or something |
00:34:54 |
to watch freaking garbage float. |
00:35:02 |
What is it, honey? |
00:35:06 |
A lot of little girls look alike, I guess. |
00:35:14 |
What's this? |
00:35:20 |
You've got to understand that we are trying |
00:35:22 |
- to help your daughter, Mrs. Fleming. |
00:35:24 |
- This isn't help. This is just more torture. |
00:35:27 |
- to conduct this investigation... |
00:35:29 |
...in any way I see fit. |
00:35:31 |
- I'm trying to prevent it happening... |
00:35:33 |
...to another girl and mother... |
00:35:35 |
...because it will... |
00:35:36 |
...Mrs. Fleming. It will. |
00:35:39 |
Your daughter is lucky to be alive, |
00:35:42 |
until whoever did this to her is behind bars. |
00:35:48 |
She's not safe. |
00:36:17 |
Dakota, this is Julie Bascombe |
00:36:21 |
Yeah, I've seen them around. |
00:36:27 |
The security measures are all |
00:36:31 |
Dakota, who cut you? |
00:36:36 |
Look, once he finds out you're still alive, |
00:36:40 |
Now, we've done everything we can |
00:36:42 |
but it's bound to get out sooner or later. |
00:36:44 |
So, you're gonna use me as bait, |
00:36:46 |
Is that what you're saying? |
00:36:49 |
Dakota, help us, please. |
00:36:53 |
The same person who cut her cut you. |
00:36:59 |
What do you remember |
00:37:04 |
Everything. |
00:37:05 |
Everything? That's unusual. |
00:37:09 |
Dakota, who did this to you? |
00:37:12 |
I don't know. |
00:37:13 |
- Were you blindfolded? |
00:37:17 |
It doesn't matter |
00:37:19 |
We'll put the pieces together. |
00:37:28 |
All right, so I got this new job. Night shift. |
00:37:32 |
What kind of job? |
00:37:35 |
A hostess. |
00:37:37 |
At a gentlemen's club. |
00:37:40 |
Don't care how old you really are, kiddo. |
00:37:43 |
Your ID says you're 21, |
00:37:50 |
An exotic dancer, |
00:39:41 |
He could've been there |
00:43:00 |
Everything about him was just... |
00:43:03 |
I don't know, was intense. |
00:43:08 |
I never really got to see his face. |
00:43:10 |
How do you know it was the same guy |
00:43:12 |
- I just knew. |
00:43:19 |
He was wearing blue gloves. |
00:43:21 |
- The rubber kind that doctors wear. |
00:43:23 |
Look, I'm not sure about anything, okay? |
00:43:26 |
What about when he cut you? |
00:43:28 |
You didn't see him then? |
00:43:32 |
- No. |
00:43:35 |
To make you watch. |
00:43:37 |
To keep you awake, |
00:43:40 |
I don't lie. |
00:43:42 |
If I tell you I didn't see him, |
00:43:44 |
How do you know it was the same guy |
00:43:46 |
You're right. I don't know. |
00:43:49 |
Aubrey, you have got to |
00:43:52 |
Am I making myself clear? |
00:43:55 |
Oh. Oh, I'm sorry. |
00:43:58 |
Well, what about me? You think I don't? |
00:44:01 |
How the fuck would you feel? |
00:44:03 |
Fingers, leg, hand, gone. |
00:44:07 |
And now, I'm locked up |
00:44:11 |
like a goddamn prisoner! |
00:44:42 |
So, what are you saying, Doctor? |
00:44:44 |
I don't know. |
00:44:48 |
the holes in the fantasy. |
00:44:49 |
Even in the most extreme cases |
00:44:52 |
you get a tiny measure |
00:44:56 |
You know what I think, Doctor? |
00:44:59 |
- I think this kid is lying through her teeth. |
00:45:04 |
She's not lying. She's... |
00:45:12 |
I don't think it's that simple. |
00:45:14 |
She was withholding deliberately. |
00:45:16 |
- Yeah? |
00:45:17 |
I thought she just ran out of imagination. |
00:45:19 |
Aubrey Fleming is not short on imagination. |
00:45:21 |
- That's for sure. |
00:45:22 |
So, she gets to a certain point in her story |
00:45:27 |
Sometimes people create alter egos |
00:45:31 |
that their primary personalities |
00:45:34 |
So, why would the alter ego withhold? |
00:45:38 |
I don't know. |
00:45:40 |
I think she doesn't tell everybody |
00:45:42 |
because she doesn't think |
00:45:45 |
I mean, she's not even sure |
00:46:02 |
... unconfirmed reports tonight, |
00:46:05 |
that the abducted teen has been found |
00:46:07 |
and has been secretly held |
00:46:11 |
- News 5 will continue to update you... |
00:46:13 |
... on this story as it develops. |
00:47:00 |
No. No! |
00:47:03 |
No! Get off, get him off me! |
00:47:06 |
Aubrey! What happened? |
00:47:10 |
Honey, what happened? |
00:47:11 |
- Somebody come in here! |
00:47:13 |
It's okay, it's Daddy. It's Daddy. |
00:47:16 |
It's all right. |
00:47:18 |
- Calm down and back away, Mr. Fleming. |
00:47:21 |
Somebody came in here and sliced up |
00:47:26 |
No! No! |
00:47:54 |
I am Aubrey Fleming. |
00:47:58 |
My name is Aubrey Fleming. |
00:48:00 |
I enjoy sunsets, long walks on the beach, |
00:48:04 |
I have never seen the inside of a strip club |
00:48:07 |
and I have never sold my body |
00:48:09 |
Because I am perfect. |
00:48:18 |
Say hello to your new state-of-the-art hand. |
00:48:28 |
Your nerve impulses get picked up |
00:48:31 |
that control six different sets of gears |
00:48:34 |
so the movements are incredibly lifelike |
00:48:38 |
It's so creepy. |
00:48:40 |
No. It's beautiful. |
00:48:42 |
Once we're sure everything works |
00:48:45 |
we'll fit this over it. |
00:48:54 |
Lovely. |
00:48:56 |
Step forward. |
00:49:02 |
Take your time. |
00:49:07 |
Beautiful. |
00:00:05 |
Excellent, excellent. You'll be back |
00:00:10 |
It's amazing. |
00:00:11 |
- Thank you. |
00:00:14 |
For calling me Dakota. |
00:00:18 |
Just don't forget to plug it in |
00:00:20 |
If the battery runs down, |
00:00:24 |
Okay. |
00:00:40 |
I think we managed |
00:01:35 |
Aubrey chose the colors? |
00:01:40 |
Yeah. Aubrey. Aubrey chose everything. |
00:02:02 |
Thanks for putting me up for a while. |
00:02:09 |
Well... |
00:02:12 |
Looks like we're not the only ones |
00:02:18 |
I don't like cats. |
00:02:21 |
Okay. Yeah. |
00:02:24 |
If you need anything, just... |
00:02:34 |
Hold it! |
00:02:38 |
- ID, please. |
00:02:45 |
Go on. |
00:02:49 |
That's the boyfriend. |
00:03:21 |
- Hey. |
00:03:23 |
Dakota Moss. |
00:03:26 |
Jerrod. Jerrod Pointer. |
00:03:30 |
Sorry, I'm not really used to this thing yet. |
00:03:35 |
It's fucked up though, huh? |
00:03:39 |
- Thanks for seeing me. |
00:03:42 |
Are those flowers for me? |
00:03:44 |
Yeah. |
00:03:46 |
Thanks. |
00:03:50 |
Might as well sit down. |
00:03:59 |
It's upstairs. |
00:04:03 |
Just keep forgetting to plug it in at night. |
00:04:07 |
I was supposed to protect you. |
00:04:09 |
So, you must be Aubrey's boyfriend. |
00:04:12 |
Yeah. |
00:04:15 |
I'm not Aubrey. |
00:04:21 |
I'm really not Aubrey. |
00:04:34 |
Aubrey wouldn't do that, would she? |
00:04:44 |
Can I get you guys anything? |
00:04:49 |
Oh, hi, Mrs. Fleming. |
00:04:53 |
We're gonna go upstairs. |
00:04:58 |
- Could you? Thanks. |
00:05:10 |
- Well, you coming? |
00:05:17 |
Oh, and Susan, would you mind putting |
00:05:21 |
Thanks. |
00:05:37 |
There's only one of these, |
00:07:26 |
Don't stop! Oh, my God. |
00:07:53 |
Aubrey? |
00:07:55 |
Why are you doing this? |
00:08:00 |
Did she ever fuck you like that? |
00:08:05 |
Did she ever fuck you at all? |
00:08:10 |
Do you think she'd start now? |
00:08:14 |
Look, if you want me to call you Dakota, |
00:08:18 |
But if you're not Aubrey, |
00:08:25 |
I don't know. |
00:08:29 |
I can't really explain. |
00:11:10 |
Oh, God. |
00:11:34 |
I found that heroin ho just like that. |
00:11:38 |
What happened to her hand? |
00:11:40 |
Why the hell you asking me? |
00:11:44 |
What happened to your hand, kiddo? |
00:11:49 |
I'll be okay. |
00:11:50 |
What happened to your hand? |
00:11:53 |
Damn, that bitch lost a lot of blood. |
00:11:55 |
You can die from losing that kind of blood. |
00:11:58 |
Dance. |
00:12:00 |
I'm just saying! |
00:12:02 |
Dance. |
00:12:04 |
Marlene is out there, and she'll kick my ass |
00:12:08 |
You go out there. |
00:12:23 |
So? |
00:12:30 |
I was just having a drink out back |
00:12:32 |
and I dropped a glass. |
00:12:38 |
How you gonna get to the emergency room? |
00:12:41 |
Hospitals are for rich people. I'll be okay. |
00:12:44 |
How you gonna get home? |
00:12:47 |
I will be fine. |
00:12:49 |
You better take an extra towel. |
00:13:03 |
You got to hold it higher. |
00:13:08 |
You got to hold it higher than your heart. |
00:13:26 |
Aren't you gonna ask me what happened? |
00:13:32 |
People get cut. |
00:13:35 |
That's life. |
00:13:44 |
People get cut. That's life. |
00:13:49 |
Jesus. |
00:13:51 |
So my finger got cut off, |
00:13:54 |
but nobody did it. |
00:13:56 |
Who's gonna believe that? |
00:14:00 |
Look at you. You don't even believe it. |
00:14:02 |
Yeah, I do. |
00:14:05 |
That's because I fucked you. |
00:14:11 |
- What is it? |
00:14:17 |
Wrong foot. |
00:14:19 |
It's phantom limb pain. |
00:14:23 |
It's enough to make you |
00:14:28 |
You know, |
00:14:33 |
Because there's nothing left |
00:14:41 |
I need your help, Jerrod. |
00:15:04 |
Piece of shit. |
00:15:06 |
Hey. You got a condom, man? |
00:15:09 |
- No! |
00:15:11 |
I'm sorry, kid. I don't have one. |
00:15:14 |
Hey, any of you guys got a rubber? |
00:15:18 |
No, I'm... You don't carry rubbers? |
00:15:22 |
Thanks. |
00:15:31 |
Hey, hey! |
00:15:35 |
Where you headed, boy? |
00:15:37 |
Just let me through, okay? |
00:15:41 |
- Go ahead, kid. |
00:15:52 |
We're at the Tolands' house. Here. |
00:15:58 |
- Not so hard. |
00:16:01 |
So, this is it? |
00:16:03 |
- You want me to go in with you? |
00:16:06 |
You probably better go back. |
00:16:20 |
- Okay. |
00:16:22 |
Bye. |
00:17:07 |
Why did you have to come here, Aubrey? |
00:17:11 |
You've still got your life. |
00:17:15 |
And you're not cooperating with the police. |
00:17:18 |
I've heard all about it. |
00:17:23 |
I'm sorry, I can't. |
00:17:34 |
I know you didn't come over here |
00:17:42 |
Just seeing her room would be enough. |
00:19:08 |
Aubrey! |
00:19:14 |
This is what they call protecting us? |
00:19:16 |
- Where the hell was Lanny Rierden? |
00:19:18 |
Daniel, come on. Just calm down. |
00:19:20 |
I mean, he's mad because he knows |
00:19:22 |
- He knows Aubrey's still out there. |
00:19:29 |
Latest DNA test came back. |
00:19:33 |
Hello? Julie? |
00:19:36 |
Take a look at this. |
00:19:38 |
I thought I should go over |
00:19:43 |
"She wrote down the name |
00:19:47 |
"but it was what she saw next that |
00:19:52 |
"She stared at the hospital records |
00:19:56 |
"But there it was, in black and white. |
00:19:58 |
"Not only did she have a mother |
00:20:01 |
"she also had an identical twin. |
00:20:05 |
"But Virginia Sue Moss had left town |
00:20:10 |
"How would she ever find her other half? |
00:20:13 |
"She knew only that she had to try. |
00:20:17 |
"To be continued." |
00:20:20 |
Moss. |
00:20:22 |
As in Dakota Moss. Yeah. |
00:20:26 |
- So this proves that... |
00:20:28 |
and always will be Aubrey Fleming. |
00:20:29 |
I mean, she's living inside a world |
00:20:33 |
So the DNA test comparing |
00:20:36 |
Came back identical. |
00:20:38 |
Damn right, it did. |
00:20:55 |
Higher than your heart. |
00:21:09 |
Odd, even. |
00:21:12 |
Right, left. |
00:21:14 |
Rest, motion. |
00:21:17 |
Peace, war. |
00:21:20 |
Love, hate. |
00:21:23 |
Two halves to everything. |
00:21:26 |
Sometimes people get cut. |
00:21:32 |
Sometimes people get cut in half. |
00:23:22 |
Darker than the shadowy depths |
00:23:26 |
more infinite than the starry universe, |
00:23:31 |
all the knowledge that ever was |
00:23:35 |
I'm Art Bell, |
00:23:40 |
The best documented case |
00:23:43 |
is that of Joseph K., 35, |
00:23:49 |
Jacob K. Was a petty thief |
00:23:53 |
He owed more than $5,000 to the mob. |
00:23:57 |
Unable to pay off his loan, |
00:24:01 |
on the night of December 18th, 1944. |
00:24:08 |
The very same night Jacob K. |
00:24:11 |
a deep puncture wound appeared |
00:24:16 |
Lacking all explanation, |
00:24:19 |
that Joseph K. 's wound was self-inflicted. |
00:24:22 |
They failed, however, |
00:24:25 |
the precise location |
00:24:29 |
or how both men happened to die |
00:24:39 |
Hey. |
00:24:40 |
I saw the light. You all right? |
00:24:43 |
Yeah. I couldn't sleep. |
00:24:48 |
This is a non-smoking house, young lady. |
00:24:58 |
And will remain one. |
00:25:02 |
You know, I think that's the first time |
00:25:13 |
- I'm sorry. |
00:25:17 |
I think I'm Aubrey's twin sister. |
00:25:21 |
Her identical twin sister. |
00:25:22 |
I mean, hospitals make mistakes. |
00:25:26 |
Look at this house, |
00:25:29 |
Why would I pretend to be some loser |
00:25:33 |
It's like a bad dream, sweetie. |
00:25:36 |
And someday very soon, |
00:25:41 |
But it's possible we could be twins, right? |
00:25:46 |
You see? |
00:25:50 |
You were all by yourself in there. |
00:25:55 |
No twin sister. Just you. |
00:26:03 |
I'm not much of a crier, you know, |
00:26:08 |
but I cried when I saw this. |
00:26:12 |
Daniel and I... |
00:26:16 |
I fell. |
00:26:19 |
And |
00:26:22 |
they made me stay in my bed, |
00:26:28 |
Six weeks towards the end, |
00:26:30 |
I mean, there were times when I thought, |
00:26:33 |
"I'm not gonna be able |
00:26:36 |
But there were also... |
00:26:40 |
real still on me. |
00:26:44 |
And I'd take both my hands, |
00:26:48 |
"Kick. Kick the hell out of me, girl. |
00:26:52 |
And you'd kick. Every time. |
00:26:57 |
The night you were born. Oh, my God. |
00:27:01 |
It was terrifying. |
00:27:03 |
I barely saw you, |
00:27:07 |
And it was... |
00:27:10 |
And then finally, |
00:27:17 |
A little miracle. |
00:27:21 |
I'm not trying to prove you wrong, |
00:27:26 |
I'm really just trying to help you see. |
00:27:37 |
I know. |
00:27:42 |
But you don't believe me. |
00:27:50 |
But you don't need me |
00:27:54 |
When I think we'll never be normal again... |
00:28:02 |
I... |
00:28:04 |
I see that about you. That strength. |
00:28:11 |
And I think, you know, we'll be all right. |
00:28:16 |
Different, maybe, but all right. |
00:28:20 |
'Cause you're a kicker, girl. |
00:28:23 |
You go right ahead |
00:28:25 |
and you kick your way |
00:28:30 |
I'm gonna be there every step of the way |
00:29:19 |
Shit. |
00:29:25 |
Dakota. |
00:30:58 |
I know what you did, Daniel. |
00:31:01 |
- Susan's baby died in the incubator. |
00:31:03 |
You bought Aubrey |
00:31:05 |
because she had one to spare. |
00:31:06 |
- You're Aubrey. |
00:31:07 |
- Hey, you're Aubrey. |
00:31:08 |
- You were kidnapped... |
00:31:09 |
...and you were hurt, and you're home now. |
00:31:12 |
I'm her twin. Stop it! |
00:31:15 |
I'm her twin. |
00:31:17 |
Daniel, you're the only one who knows |
00:31:20 |
- You have to help me. |
00:31:22 |
No, I saw the envelopes. |
00:31:25 |
I saw the New Salem postmarks. |
00:31:28 |
A little cash on an ongoing basis. |
00:31:30 |
One hits the jackpot, |
00:31:32 |
- with Virginia Sue Moss. |
00:31:37 |
I'm tired of this shit, okay? Just... |
00:31:43 |
I'm gonna get you some ice. |
00:31:46 |
So you'd let both of us die |
00:31:49 |
No! |
00:31:55 |
She lost this one first. So did I. |
00:32:01 |
Fuck. |
00:32:47 |
Fuck! |
00:33:27 |
Oh, my... |
00:33:40 |
Oh, my God. |
00:33:48 |
I always felt like half a person. |
00:33:50 |
You know, half a person with half a soul. |
00:33:53 |
It never occurred to me |
00:33:57 |
All I had to go on was a gut feeling |
00:34:14 |
Look, Daniel, I know you may not care |
00:34:18 |
But what about Aubrey? |
00:34:20 |
What about the girl you raised |
00:34:23 |
Everything that happens to Aubrey |
00:34:27 |
He still has her, okay? |
00:34:30 |
Now, are you gonna help me find her? |
00:34:35 |
- I can't. |
00:34:36 |
- I can't risk losing this. |
00:34:41 |
Go fuck yourself. |
00:37:08 |
"Blue ribbons are for winners. |
00:37:11 |
"Never settle for the red. |
00:37:15 |
"Rest in peace. Douglas." |
00:37:30 |
- It's okay, it's me. |
00:37:33 |
You're alive, Dakota, okay? You're not... |
00:37:35 |
No, look. |
00:37:45 |
We really shouldn't go up there |
00:37:48 |
- We don't have enough time. |
00:37:51 |
Dakota, there's not enough air. |
00:37:55 |
- What is it? |
00:37:58 |
- Hold on. Just breathe. |
00:37:59 |
- Breathe. You're having a panic... |
00:38:00 |
- You're having a panic attack. Just breathe. |
00:38:02 |
It's okay. Come on, breathe. |
00:38:03 |
It's okay. It's okay. |
00:38:06 |
You need to breathe. Good, good. Breathe. |
00:38:22 |
I should've believed you from the start. |
00:38:26 |
I'm sorry. |
00:39:32 |
Dakota. |
00:39:40 |
Douglas Norquist. |
00:39:46 |
There's two halves to everything. |
00:40:09 |
Oh, come on. Just breathe, Aubrey. |
00:43:09 |
Fuck you! |
00:44:58 |
Oh, my God. |
00:45:03 |
Daniel, come on. Wake up. |
00:45:06 |
Come on. |
00:45:08 |
Aubrey? |
00:45:14 |
Yeah. |
00:45:18 |
- I'm sorry. |
00:45:22 |
Come on, stay with me. |
00:48:25 |
Why did you come back? |
00:48:29 |
You should be dead by now. |
00:48:32 |
Why aren't you dead? |
00:48:38 |
I fucking buried you. |
00:48:42 |
How did you get away from me? |
00:48:46 |
How did you get out, huh? |
00:48:50 |
Now, I have to fucking do the whole thing |
00:48:55 |
all over again! |
00:50:00 |
Dakota. |
00:50:02 |
I can't breathe. |