I Really Hate My Job

en
00:00:30 [cars passing by]
00:00:47 [woman narrating]
00:00:51 I mean, do you just
00:00:54 God, everyone else
00:00:57 Why do I have
00:00:59 How is it possible
00:01:02 and claustrophobic
00:01:06 Maybe that's my problem.
00:01:09 Christ, all these people.
00:01:11 They're probably
00:01:13 But what are they thinking?
00:01:18 Maybe my hopes
00:01:20 What I need is not to need
00:01:23 and to live in the moment.
00:01:28 That's it.
00:01:30 What on earth does that mean?
00:01:32 As if I could avoid
00:01:34 I mean, I'm in it
00:01:36 Breathe.
00:01:37 Breathe.
00:01:42 Okay, I'm fine. I'm fine.
00:01:45 Oh, God, I'm late.
00:01:53 Every day,
00:01:55 to the day I'll never
00:02:02 - Hi, Alice.
00:02:05 - [door closes]
00:02:07 Madonna, I'm sorry I'm late.
00:02:08 It's fine.
00:02:12 Suzie, could you
00:02:14 Sure. Cappuccino?
00:02:16 Yeah, thanks. Yeah.
00:02:25 [beeps, whirrs]
00:02:30 [woman]
00:02:33 - [baby yells]
00:02:35 - Good girl.
00:02:40 - Sit nicely.
00:02:44 - [phone rings]
00:02:50 Uh, I'm sure
00:02:52 One moment.
00:02:56 Right.
00:02:59 Yes. Great.
00:03:02 Thanks.
00:03:05 - Thank you.
00:03:09 - Bye-bye.
00:03:11 - See you again soon.
00:03:14 Hey, Alice.
00:03:17 - [camera shutter clicks]
00:03:25 I met a guy last night
00:03:29 - How?
00:03:32 - Didn't you ask him?
00:03:35 [laughs]
00:03:37 How could you not ask?
00:03:40 I don't know.
00:03:42 Uh, guys, I hate to nag,
00:03:45 Did you know it's a fact
00:03:47 live their lives embroiled
00:03:50 - A fact?
00:03:52 Where did you get
00:03:55 The news.
00:03:56 And it wasn't a headline?
00:03:58 Nope.
00:04:02 What's a miasma?
00:04:04 It's sort of like, you know,
00:04:07 Women spend most of their time
00:04:12 [Alice laughing]
00:04:16 Oh.
00:04:18 How's your book going?
00:04:20 I finished it a week ago.
00:04:22 Alice, that's great.
00:04:25 - Congratulations.
00:04:27 What's it about again?
00:04:28 About a woman who runs away.
00:04:31 Where does she go?
00:04:33 To the sea.
00:04:35 What then?
00:04:37 She sits on a pier
00:04:40 for about 150 pages.
00:04:43 - [sighs]
00:04:46 - Thanks.
00:04:51 [phone rings, beeps]
00:04:53 Hello. Stella Bar.
00:04:56 Your name?
00:04:59 Could you please
00:05:03 Dave, you should be
00:05:09 - He hung up.
00:05:11 Dave... barking.
00:05:14 - Barking mad?
00:05:18 - Oh.
00:05:21 Right.
00:05:23 So, can Paolo cook tonight?
00:05:25 - Paolo resigned at lunch.
00:05:28 - He burnt his arm.
00:05:30 He works in a kitchen,
00:05:32 and I'm sympathetic
00:05:42 [sighs]
00:05:44 There's only 25 booked.
00:05:46 - What?
00:05:48 For what?
00:05:52 But I've never
00:05:54 Dave told me once he thought you
00:05:57 You're recommending the opinions
00:06:00 He said that
00:06:02 I'm a kitchen hand.
00:06:07 Alice, we are
00:06:09 Families pull together.
00:06:11 [whimpers]
00:06:14 [Alice narrating]
00:06:16 [Madonna thinking]
00:06:20 Sixty quid
00:06:23 Ugh.
00:06:25 - Rita can help you.
00:06:29 [Madonna]
00:06:31 - Can I just finish my coffee?
00:06:43 [phone rings, beeps]
00:06:45 Hello. Stella Bar.
00:06:47 Greg. Hi.
00:06:50 There's been
00:06:52 [clears throat]
00:06:54 "Dear Alice..."
00:07:02 Dave can't come in.
00:07:06 But Alice is cool to do it.
00:07:10 Oh, she'll be fine.
00:07:14 She'll be fine.
00:07:18 [beeps]
00:07:20 [sighs]
00:07:22 Hey, ladies.
00:07:24 Abi, I hate to mention this,
00:07:27 I am not.
00:07:30 - Yes, you are.
00:07:34 [camera beeps]
00:07:40 Rita!
00:07:48 You sure you're gonna be okay
00:07:51 - Can you smell something?
00:07:54 You can't smell flesh?
00:07:56 [chuckles] No.
00:08:01 [sniffles]
00:08:02 Did your yoga teacher
00:08:05 Right in the middle
00:08:09 How's the acting going?
00:08:12 I didn't get that job
00:08:14 - Which one?
00:08:18 Depressing, really,
00:08:29 Well...
00:08:32 anything else lined up?
00:08:35 Did you get up to anything
00:08:38 Don't call me Al. No.
00:08:41 I'm too broke. You?
00:08:45 Broke up with the boy.
00:08:51 How old are you, Al?
00:08:53 Thirty-three or -four
00:08:56 Hundred.
00:09:03 I'm sorry about--
00:09:06 - Phil.
00:09:08 Yeah.
00:09:10 I'm 30 today.
00:09:11 Oh, my God.
00:09:15 Hey, don't tell anyone,
00:09:16 What, about Phil?
00:09:18 God, no.
00:09:20 Why'd you tell me, then?
00:09:22 I needed to tell
00:09:25 Tell Rita, then. She's 48.
00:09:33 Hey, is this okay?
00:09:35 [sniffs]
00:09:36 Mm, I don't know,
00:09:39 Marinade?
00:09:40 Yeah.
00:09:43 - You know Keats?
00:09:46 - Yeah.
00:09:48 Dead at 26.
00:10:09 [Madonna]
00:10:17 I had such a vivid dream
00:10:20 [groans]
00:10:22 It concerned light.
00:10:23 I'm not listening.
00:10:25 - The light had a face.
00:10:28 It was singing.
00:10:30 Okay, stop.
00:10:34 [laughter]
00:10:36 [quiet chatter]
00:10:41 Can you ask them to leave?
00:10:44 - No.
00:10:47 You get them out.
00:10:48 I mean, come on.
00:10:50 Policy? This isn't NATO,
00:10:53 You need to learn
00:10:56 - Really?
00:10:59 You are the sarcastic one.
00:11:01 Oh, really?
00:11:03 [sighs]
00:11:05 [groans]
00:11:11 [clears throat]
00:11:13 She demanded it
00:11:15 - [both laughing]
00:11:17 I have to ask you to leave.
00:11:20 So tell me, do you find
00:11:24 Just curious.
00:11:26 No, I find it challenging.
00:11:28 Really?
00:11:31 I waitress.
00:11:33 [man]
00:11:35 - [laughter]
00:11:38 No, no, no, no.
00:11:41 [both laughing]
00:11:44 [laughter continues]
00:11:49 Okay, we're leaving.
00:11:53 Thank you.
00:12:02 - Suze, how old are you?
00:12:05 Oh, God, you have
00:12:09 How old are you?
00:12:11 Twenty-eight.
00:12:12 That's only
00:12:15 First World War
00:12:18 [spits]
00:12:20 Did I tell you that
00:12:22 no one is more than 20 feet
00:12:26 Remind me how Dave
00:12:28 Yeah.
00:12:30 Well, let's... So...
00:12:32 "Marinade the chicken
00:12:34 balsamic vinegar
00:12:36 so it's really juicy,
00:12:40 Char-grill."
00:12:42 All under control, Alice?
00:12:44 Mm-hmm, like
00:12:46 Rita, you're happy
00:12:48 - I'm not going--
00:12:53 Do you know
00:12:55 to have all women
00:12:57 Right on, sister.
00:13:02 [man on sound system]
00:13:04 - # The sweetest thing #
00:13:07 # What else on earth
00:13:10 What are we listening to?
00:13:12 # A happy air
00:13:15 [kisses, sighs]
00:13:17 Al Bowlly.
00:13:19 Café de Paris,
00:13:22 Don't tell me
00:13:23 He did. He's got
00:13:26 - Sinatra didn't have a range.
00:13:29 Suzie, you are
00:13:31 You're meant to be listening
00:13:34 - [music stops]
00:13:37 No one ever tell you
00:13:39 It's for fucking
00:13:41 That mirror is
00:13:43 It would be great
00:13:49 Toilets and fridges?
00:13:56 [sighs]
00:13:57 - [sizzling]
00:14:01 Will you kill
00:14:04 - Cheers me up.
00:14:07 Oh, change it, then.
00:14:09 [sizzling]
00:14:15 - [classical music stops]
00:14:19 [squeaking]
00:14:22 Rita, can you start
00:14:24 [sniffs]
00:14:29 God, whatever happened
00:14:31 I don't know
00:14:33 - Put it in perspective.
00:14:36 It's only cooking for
00:14:41 I mean,
00:14:43 [Alice thinking]
00:14:46 It needs
00:14:47 I need to rewrite it.
00:14:49 Why are you doing this?
00:14:51 - What do you mean?
00:14:54 - I have bills to pay.
00:14:58 - Yeah, right.
00:15:03 You're just saying that.
00:15:05 Well...
00:15:07 how else am I meant
00:15:11 Suzie, you're
00:15:14 Abi, you're doing the bar,
00:15:17 [Abi thinking]
00:15:20 And please, g--
00:15:21 guys, we really need
00:15:24 so no annoying the intercom
00:15:28 [Abi thinking]
00:15:32 - [salsa music playing]
00:15:34 [rat feet pattering]
00:15:36 [squeaking continues]
00:15:39 - [phone rings]
00:15:43 I'm sorry.
00:15:48 Four?
00:15:50 Um, well, maybe...
00:15:55 Sorry. Could you just
00:15:58 Excellent.
00:16:01 [yells]
00:16:03 Rat.
00:16:06 - Under the table.
00:16:08 - Oh, my God, it's huge.
00:16:11 Suzie.
00:16:17 Hey, Donna, how old are you?
00:16:19 - Why?
00:16:22 I'm 28. Why?
00:16:24 Twenty-six.
00:16:26 Ha.
00:16:28 So were you
00:16:31 Was I born?
00:16:33 You told me you were 28.
00:16:35 Well, no, I figured
00:16:37 But were you christened
00:16:42 Oh, shit, it's gone.
00:16:44 The question is,
00:16:48 I met someone
00:16:58 - [phone beeps]
00:17:00 Sorry about the delay.
00:17:02 Yes.
00:17:04 - Rats are significant.
00:17:07 The fact that the worker here
00:17:11 Okay, I know.
00:17:12 You think you know,
00:17:14 We constantly function from
00:17:17 Can I take a name?
00:17:19 You promised Alice
00:17:21 Danny? What, three?
00:17:24 H-U-S-T-O-N?
00:17:27 Lovely. 9:00.
00:17:30 Can I take
00:17:33 0-2-0-7-3-4-2-0-8-6.
00:17:37 Lovely. Thank you.
00:17:39 [beeps]
00:17:40 Who?
00:17:42 Uh, Danny Huston.
00:17:45 As in the actor
00:17:47 I didn't ask
00:17:49 Well, did you
00:17:51 - No. It was his P.A.
00:17:54 Uh, she said...
00:17:56 "I am Danny Huston's P.A."
00:17:58 [laughs]
00:18:01 I love Danny Huston.
00:18:03 [Suzie]
00:18:05 Oh, God, everything,
00:18:07 that film where he plays
00:18:10 um... in Hollywood
00:18:12 You know, that Danny Huston.
00:18:14 Abi, there's a Steve McQueen
00:18:17 This Danny Huston might not
00:18:20 How many post office
00:18:25 You really like him.
00:18:27 Suze, God, he is like a proper
00:18:31 Now I know who you mean.
00:18:33 He has the eyes of
00:18:37 I wouldn't put it
00:18:39 Oh, yes.
00:18:41 Sorry. Yes, I know
00:18:43 Um, he was in that, um...
00:18:46 that film called...
00:18:48 uh...
00:18:50 Suzie, have you got
00:18:52 - Of course.
00:18:54 Could you kind of
00:18:58 - What?
00:19:01 [laughing]
00:19:04 No, you can't do that.
00:19:07 - You can't do that.
00:19:12 A stampede of stars?
00:19:15 Would you agree that,
00:19:17 not by the sense
00:19:19 but the banality
00:19:21 we have erected
00:19:23 Salads.
00:19:27 - I need to do his table.
00:19:30 I help out on the floor
00:19:33 What, you think
00:19:35 you are given a role
00:19:37 Stranger things
00:19:39 - I don't know if that's true.
00:19:42 This is me begging you.
00:19:43 Movie stars hate to be bugged
00:19:46 Okay, I might be desperate,
00:19:49 Toilets, Abi.
00:19:52 Suzie, please, please, please?
00:19:54 Please, please, please?
00:19:56 Please, please,
00:19:59 Okay, you can do his table,
00:20:02 at least four Al Bowlly songs
00:20:05 I love you, Suzie.
00:20:07 God, imagine
00:20:11 Abi, you're behaving
00:20:14 If only I was one.
00:20:19 You're not even 30.
00:20:23 What's it like
00:20:27 Fucking sad.
00:20:31 Abi, please
00:20:36 First customers due.
00:20:38 [Abi thinking]
00:20:41 He could be
00:20:43 of the fake moon
00:20:45 He might love me.
00:20:47 [Al Bowlly]
00:20:51 # I've found in your embrace #
00:20:54 Greg's coming in
00:20:56 What about?
00:20:59 I think maybe we
00:21:02 to become
00:21:06 What does that mean?
00:21:09 Uh, that we need
00:21:17 How's Simona?
00:21:20 Oh, yeah, you know,
00:21:22 she's really great.
00:21:27 What?
00:21:28 She keeps saying how
00:21:32 Aren't you friends already?
00:21:36 Lovers say they want
00:21:39 Oh.
00:21:41 I'm sure it's just a hiccup.
00:21:45 Have you tried
00:21:47 What?
00:21:49 Um...
00:21:51 I'm sure everything
00:21:53 Oh, no. Yeah,
00:21:59 You know, there was
00:22:01 who seemed really in love,
00:22:03 so I gave them
00:22:07 Then the phone rang.
00:22:11 She was in hospital,
00:22:14 in labor with
00:22:19 So he was with his mistress.
00:22:21 Yes.
00:22:26 So I told them
00:22:29 What time was it?
00:22:30 - Around 11:00.
00:22:33 But they didn't know that,
00:22:35 No.
00:22:42 This... was made
00:22:45 who spent his life
00:22:49 Well, that's very good.
00:22:52 Isn't it?
00:22:54 [chuckles]
00:22:58 Are you enjoying art school?
00:23:00 - Oh, my God, yes.
00:23:03 Well...
00:23:06 mainly portraits of the hands
00:23:09 and a video of people
00:23:12 the lyrics of
00:23:14 But for my final year show
00:23:17 filling the gallery
00:23:20 of precious objects
00:23:23 Simona said
00:23:26 That's not good.
00:23:30 I'm really glad that she
00:23:37 - [door opens]
00:23:39 First orders of the night:
00:23:43 Can you believe
00:23:45 Virginia Woolf?
00:23:47 No. Table for four at 9:00
00:23:49 in the name of Danny Huston.
00:23:51 - As in the actor?
00:23:54 He's a very
00:23:56 [Abi]
00:23:58 Oh, I like well-crafted,
00:24:00 morally complex movies
00:24:03 with strong narratives
00:24:05 and powerful acting.
00:24:07 Who wouldn't?
00:24:09 Madonna promised me
00:24:11 - This is an exception.
00:24:13 - He is an amazing actor.
00:24:16 What do you got
00:24:18 - They're like tribute bands.
00:24:21 They speak someone else's words,
00:24:23 and try to look
00:24:25 - The joy.
00:24:28 Blah, blah, blah,
00:24:30 What is the justice
00:24:32 for playing, say, a doctor
00:24:36 Or a cook.
00:24:40 More than I get, I bet.
00:24:41 Julia Roberts was
00:24:43 Yeah, okay, whatever.
00:24:44 Two chicken, one salmon.
00:24:46 Most of the world doesn't
00:24:48 That doesn't mean
00:24:50 Has there ever been
00:24:54 That would be
00:24:56 Take the bread.
00:24:59 You know, you guys
00:25:02 [banging, squealing]
00:25:04 Bloody fans.
00:25:06 Order, table 10.
00:25:09 Two soups,
00:25:11 one jamon.
00:25:13 Table eight ready?
00:25:14 Oh, it is hot in here.
00:25:17 Madonna, you promised
00:25:19 Sorry, Alice.
00:25:21 Can't turn down
00:25:23 - I am not a cook.
00:25:25 it's very good for
00:25:28 [coughs]
00:25:31 It's only one celebrity,
00:25:33 Man, a real movie star
00:25:35 I still can't
00:25:37 - Oh, for God's sake.
00:25:39 what you doing about
00:25:42 - Rita, are
00:25:44 You've got to remember
00:25:47 - Aah!
00:25:49 Alice, it's Danny Huston.
00:25:52 We're in this together.
00:25:54 I'm sorry, but I don't
00:25:56 you are that affected by
00:25:58 I don't know him.
00:26:00 People don't love movie stars
00:26:02 Okay, whatever.
00:26:03 That's patently unfair.
00:26:06 [laughs]
00:26:08 No, that's about
00:26:10 Yours is a drab, drab world.
00:26:11 How's table eight?
00:26:13 ...perpetuating
00:26:16 Rita, you've got to get
00:26:19 and embrace the positivity
00:26:23 We're not exactly
00:26:26 Okay, table eight.
00:26:28 If it's such a nice job,
00:26:31 to get the fans fixed
00:26:33 - The fans are being seen to.
00:26:35 - Of what?
00:26:39 of the possibility of being
00:26:43 Hey, ladies.
00:26:46 Suzie.
00:26:48 Abi, can you take these
00:26:51 Will you take these soups
00:26:53 I need to have
00:27:11 [Madonna]
00:27:13 and that you feel
00:27:17 And the rats?
00:27:19 You know that every cafe
00:27:22 So give me one reason
00:27:24 about the fate
00:27:28 Would a hug help right now?
00:27:30 No.
00:27:32 Madonna, you forgot
00:27:35 [clears throat]
00:27:38 I really appreciate
00:27:40 Thanks, Rita.
00:27:43 Blimey.
00:27:46 What's with the hugging?
00:27:48 What can I get you to drink?
00:27:51 [patrons chattering]
00:27:58 [sighs]
00:28:00 How's your boyfriend?
00:28:02 I have no boyfriend.
00:28:05 [banging]
00:28:08 [squeaking]
00:28:13 What about that guy
00:28:15 - Gone.
00:28:17 [squeaking]
00:28:25 [Abi thinking]
00:28:28 Good evening.
00:28:30 [man]
00:28:34 [screaming]
00:28:38 What can I get you to drink?
00:28:40 A bottle of champagne,
00:28:42 - A very good choice.
00:28:46 [pop song playing
00:28:53 [sniffles]
00:28:58 # Dancing at discos,
00:29:01 # Yeah, you make me merry,
00:29:03 # But you obviously #
00:29:06 - [sobs]
00:29:08 # So I learnt from you #
00:29:10 [salsa music playing
00:29:18 Table four:
00:29:24 Hey, Rita, parking meter.
00:29:26 Hold that pot up
00:29:28 Dream ranch?
00:29:30 Great.
00:29:33 Alice, do you think
00:29:37 Hard to say.
00:29:39 Oh, not flinch.
00:29:42 - They're not people.
00:29:46 - Busy in there?
00:29:48 - Suzie.
00:29:51 Can you take
00:29:53 Okay.
00:29:56 I went to a Chinese
00:29:58 - Stop now.
00:30:01 On the menu
00:30:04 with couch
00:30:08 [Rita laughing]
00:30:10 Imagine the size
00:30:13 on a couch.
00:30:16 - [door closes]
00:30:19 [Abi muttering]
00:30:21 Right.
00:30:25 Fuck it.
00:30:27 Hey, are you okay?
00:30:29 [sighs]
00:30:32 that breaking up with me
00:30:36 like, repeatedly,
00:30:38 like he is ecstatic.
00:30:42 He says that
00:30:45 But self-obsession is
00:30:48 - Why can't anyone see that?
00:30:51 I really can.
00:30:53 - You can?
00:30:57 Two glasses of house red
00:31:01 [Rita]
00:31:04 - Jesus.
00:31:06 You were enormous.
00:31:08 So what happened
00:31:11 I only saw him once.
00:31:13 Did you get down and dirty?
00:31:15 High-waisted jeans.
00:31:17 - So?
00:31:20 - Ah.
00:31:22 I have finally reached the end
00:31:32 - Enormous?
00:31:34 I didn't want to say it.
00:31:36 Yeah, I've been thinking
00:31:39 about how love affairs
00:31:41 both begin with
00:31:44 You actually
00:31:47 - Rita.
00:31:51 - Stefan.
00:32:06 One bottle of sparkling
00:32:09 and two San Miguel
00:32:12 Hey, what do you think
00:32:16 so utterly appealing?
00:32:18 What? I don't know.
00:32:21 Come on.
00:32:23 He's talented,
00:32:25 and he has empathy.
00:32:32 Thank you.
00:32:34 You know, millions
00:32:36 but you don't necessarily
00:32:38 I don't want to
00:32:40 - You don't?
00:32:42 Here you are.
00:32:45 Thanks.
00:32:47 What do you mean,
00:32:48 What you love
00:32:51 real and a phantom image.
00:32:54 Two espressos for 11, please.
00:32:58 What do you mean,
00:33:00 All movies are
00:33:03 I don't follow.
00:33:06 Every movie is
00:33:09 played out in the present,
00:33:11 and, therefore,
00:33:13 in a sense, phantoms.
00:33:24 [sizzling]
00:33:37 Tennis players eat bananas.
00:33:41 - What?
00:33:44 Sports people used to think
00:33:46 you had to have
00:33:48 and then someone
00:33:51 It's the potassium,
00:33:53 Rita, please.
00:33:55 All I'm saying here
00:33:57 there are some aspects
00:33:59 in which we are
00:34:02 when we could at least
00:34:04 the possibility of bananas.
00:34:05 What are you talking about?
00:34:07 You've never been married.
00:34:10 Who mentioned marriage?
00:34:12 [shudders]
00:34:13 - We've got work to do here.
00:34:18 What do you know about me?
00:34:20 What do you know about anything?
00:34:23 my feelings,
00:34:27 Rita, calm down.
00:34:29 It's...
00:34:31 It's true I don't really
00:34:33 but, I mean, we're not
00:34:36 What do you want me to say?
00:34:39 but I'm kind of
00:34:45 [whispering]
00:34:48 Okay.
00:34:54 [Suzie]
00:34:55 [Madonna]
00:34:57 [hacks, spits]
00:35:02 - [mutters]
00:35:04 - [argues]
00:35:05 So naive.
00:35:09 - How is table seven doing?
00:35:11 [chattering]
00:35:15 - Abi.
00:35:20 Table four.
00:35:25 - All done?
00:35:27 [man]
00:35:29 - Can I have the bill, please?
00:35:31 I think he has
00:35:34 I don't know.
00:35:37 - You have met someone.
00:35:40 Dreamy, arty, weirdo type?
00:35:43 - Maybe.
00:35:45 Whitstable, at Adam's house.
00:35:48 We talked all night
00:35:50 - Oh, how touching.
00:35:53 How old is he?
00:35:54 Nineteen.
00:35:57 You're in love
00:35:59 I thought you were keeping
00:36:01 My options do not include
00:36:05 His weight is irrelevant.
00:36:07 How many pounds?
00:36:08 - Abi.
00:36:12 Kind of...
00:36:13 Kind of... like...
00:36:15 Santa?
00:36:17 Jesus.
00:36:18 - Is that so weird?
00:36:21 Order, table four.
00:36:25 I think you guys are doing
00:36:27 Tarts, table nine.
00:36:33 Keep up the good work.
00:36:37 She ever try to hug you?
00:36:39 Mm-hmm. A couple of times.
00:36:42 I find hugging
00:36:44 as a management strategy
00:36:50 [chuckles]
00:36:53 Hey, Suze, can I run
00:36:57 Wait. I'll just
00:36:59 [sighs]
00:37:02 I got offered
00:37:04 - No.
00:37:08 A friend of my mother's
00:37:10 in this crappy publishing house
00:37:12 It's ghost-compiling
00:37:15 Okay.
00:37:17 - You know Tony O'Donnell?
00:37:19 A book is coming out of
00:37:22 That is hilarious.
00:37:25 [whispering]
00:37:28 a role in a porn film.
00:37:30 - Oh, my God.
00:37:32 I have studied
00:37:36 I'd love to see
00:37:39 - [man] Waitress.
00:37:45 You finish your book
00:37:47 That's so great.
00:37:50 - I'm not.
00:37:53 I cannot, in all conscience,
00:37:55 But it could get you
00:37:57 At least in here
00:37:59 Bullshit.
00:38:02 At least I'm not lying.
00:38:05 You know,
00:38:07 the smugness
00:38:15 One glass of merlot
00:38:18 It's a new line
00:38:21 You know, like porn
00:38:24 - Mm.
00:38:27 examining the texture
00:38:29 as his gnarled hand
00:38:33 They're offering me
00:38:35 [sighs]
00:38:38 I have a Visa bill
00:38:42 Whose gnarled hand?
00:38:44 My elderly fictitious uncle's.
00:38:46 Wow.
00:38:49 At least the director is gay.
00:38:51 - Man or woman?
00:38:53 - Why is that at least?
00:38:55 Mm-hmm. Wait a sec.
00:38:57 Okay.
00:39:03 [creaks]
00:39:07 [bangs]
00:39:10 [rattles, slams]
00:39:16 [woman]
00:39:19 17.9% is really high.
00:39:23 You should get a low-interest
00:39:25 - Suzie.
00:39:27 - This is serious.
00:39:31 What's the story?
00:39:33 An innocent but literary
00:39:36 is sent to stay
00:39:39 gnarled-handed uncle
00:39:42 Things transpire.
00:39:44 [sighs]
00:39:48 What do you think?
00:39:50 - The gateway to your guts?
00:39:53 Okay, okay.
00:39:55 So you'll be playing
00:39:57 an innocent but literary
00:39:59 That will be acting.
00:40:01 Exactly. The fact that sex is
00:40:04 How about the fact that
00:40:07 of the penises of men
00:40:09 Never think of your audience--
00:40:11 Way too paralyzing.
00:40:13 Besides, I bet there's
00:40:15 who carry wood 'cause a bee's
00:40:20 You should aim higher
00:40:22 I am aiming
00:40:25 but like I said,
00:40:27 and 17.9% fucking interest.
00:40:29 Weird they call it interest.
00:40:31 It's so not interesting.
00:40:33 Suzie.
00:40:34 - God, but...
00:40:36 can you imagine your...
00:40:39 you know, um...
00:40:40 stretched across the screen
00:40:44 Don't say bus.
00:40:46 Strange, but the energy
00:40:49 distracted in here tonight.
00:40:52 I'm sorry.
00:40:55 [snickers]
00:40:57 Please, guys, we really need
00:41:00 Good night.
00:41:02 energetic vibe.
00:41:07 Bottle of cab sav for 10,
00:41:17 You know,
00:41:19 Okay, it's interesting
00:41:21 When did this legendary time
00:41:25 Come on, Alice.
00:41:28 I am not an intellectual.
00:41:31 - Intellectuals can be tired.
00:41:34 That's true.
00:41:44 [man on radio]
00:41:46 [Latin dance music plays]
00:42:16 # Mmm #
00:42:27 Suzie, can I ask you something?
00:42:30 Of course.
00:42:31 Do I, um...
00:42:34 look okay in the mornings?
00:42:36 Most people look better
00:42:39 I wonder...
00:42:41 if you've kissed her
00:42:45 No, I mean...
00:42:48 I just always think
00:42:50 it's so strange
00:42:52 for the last time
00:42:55 and most of the time
00:43:00 I don't believe
00:43:02 It's not negative.
00:43:04 Reality's what you choose
00:43:08 Table four need help.
00:43:10 [chuckles]
00:43:12 if I said I don't believe
00:43:15 Uh, I would acknowledge
00:43:18 But if you were to believe it
00:43:20 two minutes,
00:43:23 Fair answer.
00:43:25 [laughs]
00:43:31 [exhales]
00:43:33 [water running]
00:43:36 [woman vocalizing]
00:43:38 # Yeah, yeah, yeah #
00:43:50 [laughs]
00:43:52 [sighs]
00:43:56 Did I ever tell you
00:44:00 No.
00:44:03 He was a communist, too.
00:44:05 Was he?
00:44:07 If it weren't for
00:44:10 The tragedy of his violence?
00:44:18 I thought
00:44:22 I mean, he was
00:44:24 who cried over leaves
00:44:27 And can I go with him?
00:44:29 He wanted me to go
00:44:31 And can I lend him some money?
00:44:35 'Cause I had
00:44:37 And then I discovered
00:44:39 Rita, can we just finish what
00:44:48 Okay.
00:44:51 So tell me what
00:44:56 Have we decided yet?
00:44:58 He should be here
00:45:00 Stay calm. Stay calm.
00:45:01 [woman] Do you mind
00:45:02 My eyesight's really bad.
00:45:04 Sure. Um, French onion soup
00:45:07 with crustini linguine
00:45:10 finished with an aged
00:45:12 Rocket salad with crushed broad
00:45:15 served
00:45:16 He'll look at me
00:45:19 Or he wouldn't even say no.
00:45:21 He just won't notice me.
00:45:24 Shropshire lamb shanks
00:45:26 Dismiss my whole life
00:45:28 give him any real reason
00:45:31 If only he would
00:45:33 ...with a Roman
00:45:34 Sides are green salad,
00:45:36 Is the salmon very filling?
00:45:38 Well, that depends
00:45:40 I'm sorry?
00:45:41 How could I possibly know
00:45:44 Or if you have, say,
00:45:46 or dairy
00:45:48 or if you are
00:45:49 I am not psychic.
00:45:54 Oh, God, I am so sorry.
00:45:56 I think we'd better go
00:45:59 I'm real sorry. I'm just
00:46:01 - I'm sorry, too.
00:46:04 I really like your shirt.
00:46:08 It's my birthday.
00:46:20 Is that really necessary?
00:46:21 Yes.
00:46:23 Why?
00:46:24 Because I want to leave
00:46:27 Obviously.
00:46:28 I mean, leave it, leave it.
00:46:30 As in I am leaving it.
00:46:33 What do you mean?
00:46:34 Have you noticed
00:46:37 Uh, yeah.
00:46:39 And you don't think
00:46:41 - Of course I do.
00:46:43 I've been half asleep.
00:46:45 - Can we discuss this later?
00:46:48 Defer any real
00:46:49 [Madonna] Order.
00:46:50 [Rita] Great.
00:46:52 [Madonna] Salmons.
00:46:55 [sighs]
00:46:59 God, Greg bizarrely
00:47:03 asking about takings.
00:47:04 As if I can
00:47:06 on a night
00:47:08 The world is
00:47:12 That's because
00:47:15 Madonna, I may as well
00:47:20 What?
00:47:21 I'm giving you
00:47:24 Why?
00:47:25 Because I think workers
00:47:27 than is given here.
00:47:29 How have I not
00:47:31 That you don't know
00:47:35 Rita, like I said before,
00:47:38 that you are expressing
00:47:41 Aah!
00:47:42 How can I be confused
00:47:44 There is
00:47:48 I'm really sorry,
00:47:50 that I'm really
00:47:52 and I would be very happy
00:47:54 but right now I really need
00:47:57 Okay. Eleven.
00:48:07 You're really quitting?
00:48:08 Yeah. I'm going to Chile.
00:48:11 He rang me.
00:48:14 Chile? Huh?
00:48:16 Oh, Jesus, Alice,
00:48:23 Not the "tragedy
00:48:25 Yeah. Salvadore.
00:48:26 [clanking]
00:48:30 Madonna, the lights have gone.
00:48:46 Repulsive.
00:48:49 [sniffles]
00:48:50 He was arrested.
00:48:53 What? When?
00:48:54 When we were
00:48:56 I went to prison
00:49:00 as an accessory.
00:49:02 When I was released,
00:49:04 I wasn't allowed
00:49:06 I thought
00:49:10 Ay!
00:49:11 - But then he rang me.
00:49:17 Pick up. Pick up.
00:49:19 And, Madonna,
00:49:21 The electricity's
00:49:22 [Suzie] Abi, I need
00:49:24 Join the club.
00:49:25 Abi, can I have
00:49:28 I think there's some fruit
00:49:30 Can you
00:49:32 Really lodged in there.
00:49:34 It's really solid fruit.
00:49:45 Oh, my god.
00:49:50 Did anyone see that?
00:49:53 [Abi retching]
00:49:55 No one is gagging.
00:49:58 [Abi] Oh, my god.
00:50:01 Oh, my god. Dead rodents
00:50:03 [Abi retching]
00:50:04 Can't work like this.
00:50:14 Alice.
00:50:21 So how did he get
00:50:24 I don't know.
00:50:27 Google?
00:50:29 Your phone number's
00:50:34 What if he doesn't live up
00:50:37 He would have still
00:50:41 Which is?
00:50:43 A reminder
00:50:51 Everything
00:50:54 Yeah. Lovely.
00:50:55 Great.
00:51:00 [both gasp]
00:51:10 Omni ma shivayar.
00:51:16 Omni ma shivayar.
00:51:18 [exhales]
00:51:24 Suze, could you please
00:51:27 Wash your hands
00:51:28 Abi, could you
00:51:31 - The vessel?
00:51:33 That's all that poor rodent
00:51:36 There's nothing
00:51:41 You know the feeling
00:51:44 and you have to pee
00:51:46 because everybody knows
00:51:48 Well, that reminds me
00:51:50 Everyone fucking knowing
00:51:52 whose career
00:51:54 the one who is metaphorically
00:51:57 You've got to stop this.
00:51:59 God, he is so late.
00:52:00 [Madonna] Hello there.
00:52:02 [man #1] Huston.
00:52:04 [Madonna] Huston.
00:52:06 Excellent.
00:52:08 Sir, if you'd like
00:52:10 [man #2] Thank you.
00:52:12 - [Madonna] Just three?
00:52:14 [man #1] We are three. Yes.
00:52:15 Three of them?
00:52:18 And no Danny.
00:52:25 Career. That's what happens
00:52:26 when you lose control
00:52:28 and it slams
00:52:30 Crash.
00:52:39 [Rita] It's not going
00:52:42 after all these years.
00:52:43 I don't know.
00:52:45 Sounds like you've
00:52:47 It's not that simple.
00:52:48 Okay, just do
00:52:51 Okay, Mrs. Clarity,
00:52:54 when was the last time you
00:52:57 I know exactly
00:52:59 What?
00:53:00 I want to want the last
00:53:02 not to be a waste of time.
00:53:04 I wanna publish a book.
00:53:07 And when was the last time
00:53:11 - Rita.
00:53:12 [Alice] Christ,
00:53:16 Mineral water, please.
00:53:18 - Fissy.
00:53:21 Fissy.
00:53:22 Fissy water.
00:53:24 Fissy. Oh. Fizzy.
00:53:26 Sure.
00:53:29 Is anyone else coming?
00:53:36 May I see
00:53:39 Sure. I'll get you one.
00:53:41 Anyone hungry?
00:53:43 I think we just wait
00:53:45 [Chorus]
00:53:47 # Hallelujah #
00:53:48 # Halle-lujah #
00:53:50 Sure.
00:53:54 I wonder if they're
00:53:58 Oh, God, I hate it
00:54:00 that "kneel down to take
00:54:02 She looks so phony,
00:54:05 I think they're
00:54:08 That doesn't surprise me.
00:54:10 Why?
00:54:12 Well, Danny Huston
00:54:15 well, like he's
00:54:18 in about 1921.
00:54:20 That's incredibly specific.
00:54:23 I've never believed time
00:54:25 Huh. So when am I from?
00:54:28 Well...
00:54:33 Hmm.
00:54:34 1953.
00:54:36 What was I doing in 1953?
00:54:39 - Waitressing.
00:54:41 In Minnesota.
00:54:43 That's a terrible date.
00:54:46 You can't argue
00:54:48 Please, guys,
00:54:51 There's work to be done.
00:54:53 Abi, bottle of Pinot,
00:54:55 [Abi] Can I have some what?
00:54:57 [Madonna] Two cabernet
00:54:58 - [Alice] Rita, the tarts.
00:55:00 - [Madonna] Ten, Alice!
00:55:04 [Madonna] Abi, come on.
00:55:05 [man]
00:55:07 [Suzie] I'm sorry.
00:55:10 Ah!
00:55:12 Abi!
00:55:14 I'll take your glass.
00:55:16 Chop, chop.
00:55:20 Turn it down!
00:55:23 Ah! Aah!
00:55:25 Right. I need two steaks,
00:55:28 Ally, please, not burnt.
00:55:30 Ah!
00:55:33 [Madonna] Are you okay?
00:55:36 Never better.
00:55:38 You hear the news, Madonna?
00:55:41 There is an eagle loose.
00:55:42 There was a warning
00:55:45 to keep them inside.
00:55:47 You read it?
00:55:49 No, I didn't.
00:55:51 I don't quite understand
00:55:52 why you're... sharing
00:55:55 Because nothing happens
00:55:58 I mean, you have
00:56:01 And everybody saying
00:56:03 And then, whoa,
00:56:06 Man and eagle in the city.
00:56:08 Nature's coming. Whoa!
00:56:14 Whatever, Rita.
00:56:18 [gasps]
00:56:21 Ohh!
00:56:23 Table two.
00:56:25 You know, that actually
00:56:29 You're a genius, Alice.
00:56:32 Let go.
00:56:33 [squeaking]
00:56:37 What's it like being you?
00:56:54 [Abi] Hey, Alice.
00:56:56 Can you give Danny's
00:56:57 some fancy toast or something
00:56:59 Danny's
00:57:04 Uh-huh.
00:57:05 - Why?
00:57:07 Don't mention P.R.
00:57:11 Whoo. Al, your kitchen.
00:57:14 Anyway, it's not toast.
00:57:16 It's bruschetta.
00:57:19 - Ooh!
00:57:20 Jesus, Abi, as if I haven't
00:57:22 [Abi] Come on. It's just
00:57:24 - Well, three at this point.
00:57:27 If it'll shut you up.
00:57:29 You're an angel.
00:57:34 Christ, it's hot in here.
00:57:36 Could you not pick, please?
00:57:39 Can you get us
00:57:41 Couple of Cokes?
00:57:42 Thanks.
00:57:43 Mineral water. Sparkling.
00:57:45 [Abi] Oh, come on, chef.
00:57:48 I've never had a Coke
00:57:52 - Not even a sip?
00:57:57 But drinking Coke is like
00:57:59 It just happens.
00:58:01 Pepsi?
00:58:03 No.
00:58:06 Have you had McDonald's?
00:58:08 [scoffs]
00:58:11 But you smoke, right?
00:58:18 It's human nature
00:58:23 [Rita] You know,
00:58:24 if every year you smoke
00:58:28 takes five years
00:58:30 And I've
00:58:33 38 years.
00:58:36 That means I have lost
00:58:43 ninety years...
00:58:44 off my life.
00:58:47 That means
00:58:54 1815.
00:58:57 Which was...
00:59:00 134 years before...
00:59:05 I was born.
00:59:09 Which I didn't.
00:59:13 So why worry?
00:59:22 Take that. Go, go.
00:59:24 It's on the house.
00:59:27 [woman]
00:59:29 [man #1] Why you
00:59:32 Oh, um, we like to give it
00:59:36 But we are
00:59:40 Yes, you are, actually.
00:59:42 [woman] George,
00:59:44 [man #1] Oh, oh, yeah.
00:59:46 I'm sorry.
00:59:48 So why did you
00:59:50 I left him. I didn't want
00:59:53 [rat squeaking]
00:59:56 [screams]
00:59:58 But-- but why-- why do
01:00:03 Well, it's bruschetta.
01:00:06 It's kind of complicated.
01:00:08 [laughing]
01:00:11 That is such
01:00:14 Cliché? No.
01:00:19 [both screaming]
01:00:22 Actually,
01:00:24 Rocket science
01:00:26 Yet, as an expression,
01:00:28 [screaming]
01:00:34 - [screaming]
01:00:37 Can I get anyone
01:00:40 - [man #1] No. We are fine.
01:00:42 Oh, that was so disgusting.
01:00:46 Like a fat octopus
01:00:49 pouring itself
01:00:56 Abi, I think you and I really
01:00:59 "Abi, I think you
01:01:00 Abi, it's obvious that
01:01:03 but I really don't
01:01:05 I will not dignify
01:01:08 - That was a reply, Jane.
01:01:11 Your friend
01:01:13 Told you what?
01:01:16 That she once knew you
01:01:22 I'll not dignify this.
01:01:30 [speaking German]
01:01:35 Do you have any idea
01:01:40 Abi, have you
01:01:44 You think I'm fat?
01:01:45 That depends.
01:01:49 On what?
01:01:50 You're the type of girl
01:01:52 because she always
01:01:53 It's like
01:01:55 I have a fat brain?
01:01:57 I thought you were
01:02:00 Oh, it does calm me down.
01:02:02 But contorting my body
01:02:04 of the wall-to-wall frustration
01:02:07 Well, don't
01:02:09 Okay. Okay. God.
01:02:10 It's like a fucking
01:02:14 You're such
01:02:16 Did you just mutter at me?
01:02:19 You don't exactly encourage
01:02:22 Okay. Fine.
01:02:24 I'm listening.
01:02:26 What? What is it?
01:02:29 Fuck!
01:02:32 Abi, you're not
01:02:35 Is that breast milk I smell
01:02:37 on your gilded fucking lips?
01:02:40 How much have you
01:02:44 Come on, guys.
01:02:45 We are really
01:02:50 [Abi]
01:02:52 [Suzie]
01:02:57 Okay, I need two rosé and
01:02:59 "...two rosé and
01:03:01 I got to go pee.
01:03:04 What is wrong
01:03:10 I think she's going through
01:03:14 She's always going through
01:03:16 Doesn't mean it's any less
01:03:21 [pouring wine]
01:03:24 Do you have any idea
01:03:38 Oh. Table 12.
01:03:41 And two lemon tarts
01:03:47 Abi.
01:03:52 Abi, are you okay?
01:03:56 I'm sorry.
01:03:58 [sighs] That's okay.
01:04:01 Two sparkling on seven?
01:04:04 I'm pre-menstrual.
01:04:07 Are you taking
01:04:10 Yeah. I took some
01:04:12 before
01:04:14 Good.
01:04:15 Um...
01:04:17 [rattling]
01:04:22 Hi.
01:04:27 One minute of air.
01:04:33 Okay, one minute.
01:04:41 Old people are smug.
01:04:43 Musicians
01:04:46 Old musicians. What
01:04:50 Maybe they
01:04:52 Danny is probably
01:04:55 having lunch
01:04:57 - Is that still a term?
01:04:59 Starlet.
01:05:01 It's like, um...
01:05:03 It's such a great word.
01:05:05 Oh, to be a starlet
01:05:14 So why does this girl
01:05:18 I don't know.
01:05:22 You have to have a clear idea
01:05:26 Otherwise, you are dealing
01:05:28 and the narrative
01:05:31 But life has no plot.
01:05:33 And book is not life?
01:05:35 Books without plots
01:05:40 I mean, is Anna Karenina
01:05:44 of a woman who threw
01:05:49 Or is Ulysses
01:05:53 in the life
01:05:56 Okay. Point taken.
01:05:59 Is The Great Gatsby
01:06:02 Okay, okay.
01:06:04 [humming]
01:06:08 You're okay?
01:06:10 I'm fine.
01:06:13 [knocking]
01:06:16 Coming.
01:06:33 Alice, I know you've
01:06:35 I'm really so impressed
01:06:37 with how you've been
01:06:39 We just had another complaint
01:06:43 Apparently,
01:06:46 Oh, God, burnt and raw.
01:06:50 It's actually quite
01:06:53 if you think about it.
01:06:55 I had to have two
01:06:57 [Rita]
01:07:04 [coughs]
01:07:12 They're fine.
01:07:13 Burnt.
01:07:15 Chargrilled.
01:07:17 God!
01:07:23 Come on.
01:07:26 The chicken looked good.
01:07:28 I keep thinking
01:07:32 It was two guys talking,
01:07:35 "Do you dwell on
01:07:37 or the terrifying
01:07:44 What are they
01:07:49 One bean starter.
01:07:50 One soup, two lamb,
01:07:55 Take... Take a little sip.
01:08:02 I'm tired.
01:08:04 I'll do plates
01:08:06 Get the chicken.
01:08:08 Okay. Okay, okay.
01:08:09 Okay.
01:08:21 Oh, okay.
01:08:23 Okay.
01:08:25 [Alice laughing]
01:08:31 Alice, are you okay?
01:08:33 [crying]
01:08:35 What's up, chef?
01:08:37 - [Alice laughing]
01:08:38 What?
01:08:39 I think hysteria's
01:08:42 to working
01:08:44 [crying]
01:08:45 What's happened?
01:08:47 [gasping]
01:08:49 I'll be okay in a moment.
01:08:51 Did you burn
01:08:52 What would you care
01:08:56 You care more
01:08:57 I quite simply reject
01:09:00 [Abi] Yeah, stop
01:09:03 [Rita laughing]
01:09:04 My ex-agent
01:09:07 as a "saxophone solo
01:09:11 and said
01:09:13 because it was too French
01:09:15 and they didn't know
01:09:18 Too French.
01:09:20 I was born
01:09:25 Ça va, ça va.
01:09:27 Ça va, ça va.
01:09:34 Alice.
01:09:37 Have you got
01:09:40 [squeals]
01:09:54 I am fond of the oboe,
01:09:57 which I do play,
01:10:01 And Gaiog--
01:10:02 Gaiog is a percussionist.
01:10:05 The triangle is so unexplored
01:10:10 don't you think?
01:10:11 [Cecile] Oh, you
01:10:14 But if I could
01:10:16 That other waitress
01:10:18 is just so rude.
01:10:21 I do apologize.
01:10:23 [man] Yes. Very rude.
01:10:26 She, um...
01:10:29 She actually has
01:10:31 to deal with
01:10:33 Her mother
01:10:36 so she's returning
01:10:40 [Abi] There you go.
01:10:41 Thanks.
01:10:43 This is actually
01:10:48 I'll just go and check on your
01:10:56 I'll get you an ashtray.
01:10:59 Do you think
01:11:03 Looks great.
01:11:04 You're sure?
01:11:06 Yeah.
01:11:08 Are the lights
01:11:11 [Suzie] Pretty low.
01:11:16 Suzie. Goddamn it.
01:11:19 Oh, please, don't cry.
01:11:22 I'm not gonna cry.
01:11:26 Pick this food up now,
01:11:27 or I will bludgeon
01:11:30 That's the spirit.
01:11:35 Excuse me. Could you
01:11:38 We have to sweep it up,
01:11:39 and these floorboards
01:11:41 - [clatters]
01:11:43 We are sorry
01:11:46 but there's no need
01:11:48 My mother?
01:11:50 In Quebec.
01:11:52 What?
01:11:53 Your colleague
01:11:54 about your mother
01:12:01 My mother is fine.
01:12:03 And I am not Canadian.
01:12:05 That was
01:12:07 on any chance
01:12:08 I was trying to deal
01:12:10 Quebec? My mother
01:12:13 And by the way,
01:12:16 the way you keep using
01:12:18 What's wrong with
01:12:20 Please take these meals.
01:12:22 You have never said the word
01:12:24 - Admit it.
01:12:26 - [Suzie] Abi. Abi, Abi, Abi.
01:12:29 That does sound odd
01:12:32 Can I have two lemon tarts,
01:12:34 [Suzie]
01:12:37 You don't need
01:12:39 You never
01:12:40 Oh, well, I'd better
01:12:41 because life
01:12:44 Excellent.
01:12:56 Okay. Let's get
01:13:09 Okay.
01:13:10 You are a champion.
01:13:12 [man singing in Spanish
01:13:49 They left
01:13:52 He looked kind of sad
01:13:55 I kept buzzing you.
01:13:57 [music on radio continues]
01:14:20 What are you doing?
01:14:23 Abi.
01:14:26 [dinging]
01:14:27 [Abi] I just wanted
01:14:30 it's my birthday today.
01:14:34 I'm...
01:14:36 25.
01:14:39 Get dressed.
01:14:40 I guess none of you know
01:14:42 that I trained as an actor
01:14:44 Alice, Rita.
01:14:47 in New York.
01:14:48 I've had enough.
01:14:50 But those creative,
01:14:53 are but a distant memory.
01:14:55 Now I can't even afford
01:15:00 Please get dressed.
01:15:01 I have a huge debt.
01:15:04 Get dressed.
01:15:06 I've just had
01:15:08 Please.
01:15:10 My Visa bill
01:15:14 I have been a waitress
01:15:18 and the only job
01:15:20 that I have been offered
01:15:25 [whistling]
01:15:26 [woman giggles]
01:15:30 So what I really
01:15:32 is if anyone has any tips
01:15:37 I would really
01:15:45 Perhaps you didn't hear me.
01:15:48 But as one miserably
01:15:52 to a bunch of probably
01:15:57 which you must be
01:16:00 in this overpriced,
01:16:03 I'm merely asking
01:16:07 with my life.
01:16:13 Just keep walking.
01:16:22 I am so sorry.
01:16:23 Nothing like this
01:16:25 Just gather up
01:16:27 - I'm so sorry. Um...
01:16:29 Thank you very much.
01:16:31 I'm sorry.
01:16:36 [man]
01:16:41 [woman] Do you wanna go
01:16:51 Major muff.
01:16:55 I have no fucking power.
01:16:58 Oh, you do.
01:17:04 You know what you
01:17:07 What?
01:17:08 You should go
01:17:10 and look
01:17:13 It'll put everything
01:17:15 What, so that
01:17:16 how totally insignificant I am
01:17:20 Exactly.
01:17:21 You're such
01:17:28 Alice.
01:17:29 Here's your bonus.
01:17:31 All things considered,
01:17:35 You'll all
01:17:36 that thanks to Abi's
01:17:40 we've made about £10
01:17:47 You're so anguished
01:17:49 but all you're really
01:17:52 Wow. You think
01:17:56 Do you know, Abi,
01:17:58 Have you ever asked me
01:18:02 Hmm? Do you even know
01:18:05 or whether she still
01:18:09 Do I have sisters?
01:18:12 I am 23 today.
01:18:15 No. You are fired!
01:19:05 I'm sorry to interrupt.
01:19:07 Ladies.
01:19:10 I had some
01:19:12 One of them lost
01:19:14 I don't suppose
01:19:20 Anyone seen a libretto?
01:19:25 No. Sorry.
01:19:27 No?
01:19:29 What a shame.
01:19:31 What the hell
01:19:34 [music plays]
01:19:37 Al Bowlly.
01:19:41 You know Al Bowlly?
01:19:42 Oh, yes, of course.
01:19:44 Wrote hits,
01:19:46 # Whether to 30
01:19:50 Whether to 40
01:19:53 # Whether you're 50 #
01:19:55 Whether to 50
01:19:58 There's one thing certain...
01:20:00 that you have to own.
01:20:10 # Love is #
01:20:13 # The sweetest thing #
01:20:15 # What else on Earth
01:20:19 # Such happiness #
01:20:21 # To everything #
01:20:23 # As love's old story #
01:20:27 # Love is #
01:20:30 # The strangest thing #
01:20:32 # No song of birds
01:20:36 # Shall in our hearts
01:20:41 # Than love's old story #
01:20:45 # Whatever hearts
01:20:48 # Whatever fate may send #
01:20:53 # This is a tale
01:20:57 # This is a song
01:21:01 # Love is #
01:21:03 # The greatest thing #
01:21:06 # The oldest #
01:21:08 # Yet the latest thing #
01:21:10 # My only hope
01:21:15 # Love's story to you #
01:21:18 [music continues]
01:21:19 Yes, and you, my dear.
01:21:22 And you.
01:22:11 They're fresh.
01:22:16 [crying]
01:22:30 Ma, you okay?
01:22:31 I'm fine.
01:22:44 I...
01:22:46 I really hate this...
01:22:51 bloody job.
01:23:00 Let's go.
01:23:12 So you're really
01:23:15 Correct.
01:23:17 And this doesn't
01:23:19 Of course it does.
01:23:20 It fills me
01:23:23 So...
01:23:24 remind me why
01:23:28 Because fear and dread
01:23:30 mingled with
01:23:32 of intense
01:23:35 is more appealing to me now
01:23:37 than the crushing
01:23:40 of everyday life.
01:23:42 Okay.
01:23:44 Sounds like a plan.
01:23:53 No, I really think maybe
01:23:56 and have a beautiful
01:23:59 Or... I don't know.
01:24:02 Why are you saying
01:24:05 You know, I don't know.
01:24:09 They serve bellinis
01:24:11 The Cafe de Paris
01:24:16 I can tidy up tomorrow.
01:24:18 Alice, Rita, you coming?
01:24:20 - You're paying?
01:24:21 Oops.
01:24:24 Maybe we should
01:24:31 [Alice]
01:24:33 Champagne and peach juice.
01:24:36 Oh.
01:24:37 Named after
01:24:39 He painted
01:24:43 All kind of colors.
01:24:45 Yellow, red, purple, rose.
01:24:48 So beautiful.
01:24:50 Is everyone invited?
01:24:52 If they keep
01:25:07 So, Madonna,
01:25:10 I do, actually.
01:25:12 Two.
01:26:18 Closed-captions by CAPTION FILES