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I m Not There en
00:00:32	## [Rock band warming up]
00:00:38	[Crowd whistling]
00:00:42	[Cheering]
00:00:56	[Cheering louder]
00:01:01	[Chanting, stomping]
00:01:07	[Engine starts]
00:01:20	[Narrator]
00:01:22	God rest his soul,
00:01:29	A devouring public can now share
00:01:33	and his phone numbers.
00:01:38	There he lay...
00:01:40	poet,
00:01:41	prophet,
00:01:43	outlaw,
00:01:44	fake.
00:01:46	Star of electricity.
00:01:48	Nailed by a peeping Tom
00:01:51	who would soon discover...
00:01:53	A poem is like a naked person.
00:01:57	Even the ghost...
00:01:59	was more than one person.
00:02:02	[Gunshots]
00:02:07	But a song is something
00:02:11	## [Harmonica, guitar]
00:02:17	# Aw, the ragman draws circles #
00:02:21	# Up and down the block #
00:02:24	# I'd ask him what the matter was #
00:02:27	# But I know that he don't talk #
00:02:30	# And the ladies treat me kindly #
00:02:34	# And they furnish me with tape #
00:02:38	# But deep inside my heart #
00:02:41	# I know I can't escape #
00:02:44	# Oh, Mama #
00:02:47	# Can this really be the end #
00:02:51	# To be stuck inside of Mobile #
00:02:54	# With the Memphis blues again? #
00:03:00	# Well, Shakespeare, he's in the alley #
00:03:03	# With his pointed shoes and his bells #
00:03:07	# Speaking to some French girl #
00:03:10	# Who says she knows me well #
00:03:13	# And I would send a message #
00:03:17	# To find out if she's talked #
00:03:20	# But the post office has been stolen #
00:03:24	# And the mailbox is locked #
00:03:27	# Oh, Mama #
00:03:31	# Can this really be the end #
00:03:33	# To be stuck inside of Mobile #
00:03:37	# With the Memphis blues again? #
00:03:43	# Now the rain man gave me two cures #
00:03:46	# Then he said, "Jump right in" #
00:03:49	# The one was Texas medicine #
00:03:53	# The other was just railroad gin #
00:03:56	# And like a fool I mixed them #
00:03:59	# And it strangled up my mind #
00:04:03	# And now people just get uglier #
00:04:06	# And I have no sense of time #
00:04:10	# Oh, Mama #
00:04:13	# Can this really be the end #
00:04:16	# To be stuck here inside of Mobile #
00:04:20	- # With the Memphis blues again? #
00:04:29	[Grunts]
00:04:33	[Groans]
00:04:44	Hey. How old are you, boy?
00:04:47	Eleven years old.
00:04:50	Oh.
00:04:52	What's your name, son?
00:04:53	Woody.
00:04:56	Woody Guthrie.
00:04:57	Just like the singer.
00:05:00	Way I see it,
00:05:02	singin's kept me right in this world
00:05:05	[Chuckles]
00:05:06	And somethin' else I learned?
00:05:08	Takes just about a fountain pen
00:05:13	Hey, Joe. What do you
00:05:17	Uh, son...
00:05:19	you wouldn't be stashin' no weapons
00:05:23	No, sir. Not in any literalized way.
00:05:28	What'd you say his name was?
00:05:30	[Man]
00:05:33	Please sit down.
00:05:40	- "A-R-T-H-U-R...
00:05:43	- R-I-M-B-A-U-D."
00:05:48	[Man]
00:05:50	That makes you 19,
00:05:53	Is that correct?
00:05:54	That's correct.
00:05:58	So what's all this about?
00:05:59	[Woody]
00:06:02	A little town called Riddle.
00:06:03	But all over, really.
00:06:06	Been to Gallup, Phillipsburg,
00:06:09	I got me a cousin in Sioux Falls.
00:06:12	Yeah! That's right.
00:06:14	Uh, is there really
00:06:17	Tell you the flat truth,
00:06:21	A, uh...
00:06:22	A composite.
00:06:23	[Laughs]
00:06:30	Truth is, my mind
00:06:33	when I was, oh, so young.
00:06:34	I reckon it was Arvella Gray,
00:06:37	the blind protest singer from Chicago.
00:06:40	She first taught me the blues
00:06:42	four...
00:06:43	about five years back.
00:06:45	That's also when I first started
00:06:48	I've written some hillbilly songs.
00:06:50	You know Carl Perkins,
00:06:51	Yeah, yeah.
00:06:52	He sings some of my songs.
00:06:55	Yep. Talkin' blues kind
00:06:57	Union songs.
00:06:59	I also played piano with Bobby Vee.
00:07:02	I would've been a millionaire
00:07:07	Well, what brings you
00:07:10	[Sighs]
00:07:14	Carelessness.
00:07:21	[Woody]
00:07:23	And I started drinking.
00:07:29	Next thing I know, I'm in a crap game.
00:07:32	I wake up in a pool hall.
00:07:34	One night, I meet up with a Chinaman
00:07:36	working at a dime store
00:07:40	And next thing I know,
00:07:42	I'm all booked up
00:07:45	The Tiny Troubadour!
00:07:47	# I've been a... #
00:07:51	# Moonshiner #
00:07:57	# For 17 long years #
00:08:06	There you go, boy.
00:08:11	[Woody]
00:08:12	it's cracked up to be, now.
00:08:14	There's something
00:08:17	setting someone up on stage
00:08:20	when down in every boxcar
00:08:25	You got hobos, nobos,
00:08:28	One or all-time losers.
00:08:31	Call us what you will.
00:08:33	Deep down, we're all getting ready
00:08:36	to tuck our heads
00:08:39	We of the Pullman side-car
00:08:41	We ain't kidding ourselves.
00:08:45	It's lonesome roads we shall walk.
00:08:47	## [Strums guitar]
00:08:50	Till I joined the Union cause!
00:08:55	Don't he know it's 1959?
00:08:58	We done unionized 20 years ago.
00:09:01	[Man]
00:09:05	that you've stopped writing.
00:09:07	I've been on too many streets
00:09:08	to be doing the same thing
00:09:10	Can I smoke in here?
00:09:11	You sound,
00:09:13	for someone so widely known,
00:09:14	a bit fatalistic.
00:09:15	I'm not fatalistic.
00:09:18	Bank tellers are fatalistic.
00:09:20	Clerks are fatalistic.
00:09:21	I'm a farmer.
00:09:23	Who ever heard
00:09:29	# The sweet, pretty things
00:09:33	# The city fathers,
00:09:37	# The reincarnation
00:09:40	# But the town has no need
00:09:44	# The hysterical bride
00:09:48	# Screaming, she moans,
00:09:52	# Then sends out for the doctor
00:09:55	# Says, "My advice
00:09:59	# Where Ma Raney and Beethoven
00:10:03	# Tuba players now rehearse
00:10:07	# And the national bank for a profit #
00:10:09	# Sells road maps for the soul #
00:10:11	# To the old folks home
00:10:15	# Mama's in the factory #
00:10:16	# She ain't got no shoes #
00:10:18	# Daddy's in the alley #
00:10:20	# He's lookin' for food #
00:10:22	# I'm in the kitchen #
00:10:24	# With the tombstone blues #
00:10:27	# Hey, hey, yeah #
00:10:30	Whoo!
00:10:32	[All laughing]
00:10:33	Oh!
00:10:37	Boy, look like you found...
00:10:40	before you found your technique.
00:10:42	Now, real American music
00:10:45	You take Blind Willie McTell.
00:10:47	He's the best blues singer
00:10:49	He say, "Son, if you can
00:10:51	and understand them,
00:10:55	Ah, thank you very much, ma'am.
00:10:57	You're welcome.
00:10:58	I reckon I come out the womb
00:10:59	singing and picking
00:11:01	So where your people at?
00:11:03	Your kinfolk?
00:11:04	Oh, they back in Stockton, ma'am.
00:11:06	California.
00:11:08	I figured they got plenty
00:11:11	Not that I care a fig about material things,
00:11:13	you know, except for
00:11:16	See, us thumb-slummers
00:11:18	we get a little peckish
00:11:20	That boy sound just like Doughboy Hawkins,
00:11:22	a fella I met in the Dust Bowl.
00:11:24	Tell you what I think.
00:11:26	and this boy's singing
00:11:28	Hmm. What a boxcar
00:11:31	Right here, we got race riots,
00:11:34	Why ain't he out there
00:11:36	The boy a guest in our house.
00:11:37	I know he's a guest.
00:11:40	No!
00:11:43	Say it.
00:11:51	Live your own time, child.
00:11:54	Sing about your own time.
00:12:05	[Male Reporter]
00:12:06	once the in spot
00:12:09	is today home
00:12:12	a do-it-yourself musical expression
00:12:14	that's attracted youngsters
00:12:17	For them,
00:12:20	express a truth and candor
00:12:21	sorely lacking in today's
00:12:25	Why do you prefer folk music
00:12:28	Because it's honest.
00:12:31	Commercial songs,
00:12:34	It's controlled and censored
00:12:37	and make the rules.
00:12:38	[Male Reporter]
00:12:40	and talented artists to emerge,
00:12:41	one name stands alone
00:12:44	of this growing musical trend.
00:12:46	A young individual
00:12:49	some of his era's finest tunes,
00:12:51	and hailed by the New York Times
00:12:53	as folk music's
00:12:56	His name is Jack Rollins.
00:13:00	[Female Reporter]
00:13:02	folk sensation of the early '60s,
00:13:04	was the promise of a new generation.
00:13:06	So what was it that made him run
00:13:08	at the height of his career
00:13:11	trading in the limelight
00:13:15	He saw what was going on
00:13:18	and he had the ability
00:13:21	He could do a funny thing.
00:13:23	He could do a pathos thing.
00:13:26	# For the times, they are a-changin' #
00:13:33	Now, this young man has
00:13:36	who seem to somehow identify with, uh...
00:13:41	Jack, why do you think that is?
00:13:43	Well, I don't know.
00:13:45	I... I guess...
00:13:48	I got a lot of thoughts inside of me,
00:13:51	and most people, they...
00:13:54	they... keep them all inside.
00:13:57	And I guess it's for them
00:14:01	[Female Reporter]
00:14:03	might best be remembered
00:14:05	battling his conscience
00:14:08	Grain of Sand.
00:14:09	The role, of course,
00:14:11	of Hollywood rebel Robbie Clark.
00:14:13	Hell, I don't pick what I sing.
00:14:14	It picks me.
00:14:16	Some of it ain't pretty.
00:14:18	I mean, how you ever
00:14:19	if you only wanna show what's pretty?
00:14:21	[Female Reporter]
00:14:24	Tonight, we bring you face-to-face
00:14:29	## [Guitar]
00:14:34	# William Zanzinger
00:14:38	# With a cane that he twirled #
00:14:40	# 'Round his diamond ring finger #
00:14:42	He saw what was going on
00:14:45	and he had the ability
00:14:48	And this elevated the discussion.
00:14:50	I mean, certainly
00:14:52	but all through popular music,
00:14:56	[Female Reporter]
00:14:57	was herself a leading figure
00:15:00	achieving international success
00:15:02	a few years before
00:15:05	Hey, you're in my chair.
00:15:10	I was at a party in the Village,
00:15:12	and this twerpy little kid
00:15:14	kind of flirting with my baby sister
00:15:17	starts playing these songs
00:15:19	Now, this was '61, '62,
00:15:23	and all anybody sang were traditionals,
00:15:25	and here's this kid, applying traditional form
00:15:30	but with such insight, you know?
00:15:32	It was devastating.
00:15:33	You couldn't believe
00:15:36	Nobody was writing songs like that.
00:15:40	It was as if he was giving voice to ideas
00:15:42	that I wanted to express
00:15:45	Um, his finger-pointing songs,
00:15:48	He was churning them out
00:15:51	Well, folk music has always
00:15:55	but he was really expressing
00:15:58	in a way that was multileveled and very deep.
00:16:02	# Hattie Carroll
00:16:06	# She was 51 years old #
00:16:08	# And gave birth to ten children #
00:16:10	# Who carried the dishes
00:16:15	# And never sat once
00:16:19	# And didn't even talk
00:16:23	# She just cleaned up
00:16:28	# And emptied the ashtrays
00:16:32	# Got killed by a blow,
00:16:37	[Alice]
00:16:38	I would call this ragamuffin on stage
00:16:41	and introduce America
00:16:45	I'd say, you know,
00:16:47	you know, and that he is...
00:16:50	and everybody who wants
00:16:53	# Oh, but you who
00:16:58	# And criticize all fears #
00:17:02	# Bury the rag deep in your face #
00:17:07	# Now is the time for your tears #
00:17:11	[Man]
00:17:12	from what he sees.
00:17:13	His songs are like a true vision
00:17:17	Well, I just find
00:17:19	and aware insight working today.
00:17:23	You'd have thought we invented it,
00:17:24	we were so pleased and proud.
00:17:30	Sure, there was a certain tendency
00:17:34	for nostalgia about the Depression
00:17:36	and the radicalism
00:17:39	They were coming out
00:17:41	the McCarthy era, Eisenhower era.
00:17:43	So, as long as folk remained
00:17:47	it would always be us against the big, bad
00:17:50	But when the big, bad commercial
00:17:52	finally caught on to Jack,
00:17:55	then, well, all of a sudden,
00:17:58	the race was on.
00:18:01	And this time,
00:18:03	He was a rebel.
00:18:04	I wanted to record protest.
00:18:06	Of course, that's right
00:18:07	into that whole Nam business.
00:18:09	Jack really stopped protesting after 1963.
00:18:14	He said that you couldn't
00:18:18	You could only write
00:18:21	and folk music, he said, was, um...
00:18:24	was fat people.
00:18:26	He said it made him feel
00:18:28	you know, and he always
00:18:32	# You will search, babe #
00:18:36	# At any cost #
00:18:43	# Everybody will help you #
00:18:49	# Some people are very kind #
00:18:54	# And if I... #
00:18:58	# Can save you any time #
00:19:05	# Come on, give it to me #
00:19:09	# I'll keep it with mine #
00:19:11	[Arthur]
00:19:13	to be a poet.
00:19:14	Some work in gas stations.
00:19:16	Some shine shoes.
00:19:20	I don't really call myself one,
00:19:25	Me, I'm a trapeze artist.
00:19:27	Sighting it and hearing it
00:19:33	rubbing it all in the pores of my skin.
00:19:35	And the wind between my eyes
00:19:37	knocking honey in my comb.
00:19:40	[Man laughing]
00:19:41	You reckon he's some kind of midget?
00:19:44	[Man #2]
00:19:46	I ain't doing nothing!
00:19:48	[Screams]
00:19:50	Now look what you done!
00:19:52	You talk English?
00:19:55	Yes, sir.
00:19:56	You carrying money, boy?
00:19:58	Weapons?
00:19:58	N-No, sir.
00:20:00	He's lying.
00:20:01	What's that?
00:20:03	That your fiddle? Huh?
00:20:05	Give it back. Huh?
00:20:06	What's it say on that thing?
00:20:09	What you got stashed in here?
00:20:11	Nothing!
00:20:12	Get him, boys!
00:20:14	- [Roaring]
00:20:15	[All grunting]
00:20:18	- [Cackling]
00:20:21	- Give me...
00:20:32	This here young'un,
00:20:36	is going to sing a little song.
00:20:37	[Joe]
00:20:40	Could've sworn he was an older man.
00:20:42	Live your own time, child.
00:20:43	Get him, boys!
00:20:44	You reckon he's
00:20:46	[Man]
00:20:50	[Arthur]
00:20:54	Republics without history.
00:20:57	Secret religious wars.
00:21:00	I believed in every kind
00:21:03	At first it was a study.
00:21:06	I wrote out silences and nights.
00:21:09	Later I determined vertigos.
00:21:12	[Clock ticking]
00:21:18	[Alarm beeping]
00:21:32	[Alarm stops]
00:21:40	[Man]
00:21:42	bullet-shooting machine guns,
00:21:44	[Changing TV stations]
00:21:53	I just don't want to go.
00:21:56	Oh, my poor, sad little thing.
00:22:01	Do you know what a wonderful time
00:22:04	on a boat with the water?
00:22:07	Sounds pretty neat
00:22:09	Me, too!
00:22:13	Why can't you come?
00:22:15	Molly, you know I can't come.
00:22:18	Is that why...
00:22:20	you think you're feeling
00:22:22	Hmm?
00:22:23	When's Daddy coming?
00:22:26	Uh, Saturday, I think.
00:22:28	I only spoke to Sally
00:22:30	to get your father on the phone.
00:22:32	[Doorbell rings]
00:22:33	It's Emily.
00:22:35	Molly, you didn't eat a thing.
00:22:43	[Beep]
00:22:44	[Woman]
00:22:45	How may I direct your call?
00:22:47	- [Ringing]
00:22:51	## [Whistling]
00:23:01	Robbie... how can you whistle?
00:23:05	Who was that on the phone?
00:23:07	[Man on TV]
00:23:09	has already given advanced word
00:23:10	of what he will say
00:23:13	to the Cabinet,
00:23:16	Now, here is the president.
00:23:18	[Nixon]
00:23:21	and television time tonight
00:23:22	for the purpose of announcing
00:23:24	that we today have concluded
00:23:28	and bring peace with honor in Vietnam
00:23:33	The following statement
00:23:36	in Washington and Hanoi.
00:23:38	At 12:30 Paris time today,
00:23:42	# Ain't it just like
00:23:46	# When you're trying to be so quiet? #
00:23:51	[Robbie]
00:23:55	The longest-running war
00:24:01	The war that hung like a shadow
00:24:02	over the same nine years
00:24:05	Throughout the years
00:24:07	we have insisted
00:24:12	# Lights flicker from the opposite loft #
00:24:16	[Robbie]
00:24:18	# In this room,
00:24:23	# The country music
00:24:26	# But there's nothing,
00:24:31	[ringing]
00:24:32	# Just Louise and her lover #
00:24:37	# So entwined #
00:24:42	- # And these visions #
00:24:45	# Of Johanna #
00:24:47	# That conquer my mind #
00:24:52	## [harmonica]
00:24:57	[Man]
00:24:58	And... cut!
00:25:00	Check the gate.
00:25:01	Ladies and gentlemen,
00:25:03	I wish to thank each and every one of you.
00:25:05	You made it marvelous for me.
00:25:08	Cheers to all of you.
00:25:10	Hey, Louise! Louise!
00:25:13	# So this is what
00:25:17	# After a while #
00:25:19	[Man]
00:25:20	actor Robbie Clark
00:25:22	after four months abroad
00:25:25	his upcoming thriller.
00:25:27	Rumors linking Clark
00:25:30	the lovely newcomer Louise Pickering,
00:25:32	have been brewing for some time.
00:25:33	# She's all right,
00:25:37	# She's delicate
00:25:42	# But she just makes it #
00:25:43	# All too concise and too clear #
00:25:45	# That Johanna's not here #
00:25:51	# Oh, the ghost of electricity #
00:25:55	# Howls in the bones of her face #
00:26:01	# Where these visions
00:26:06	# Have now taken my place #
00:26:23	[Robbie]
00:26:26	It's not about me anymore;
00:26:30	Your guaranteed,
00:26:31	double-your-money-back
00:26:34	You didn't answer my question.
00:26:37	Once, maybe, you could sing
00:26:39	about Mary Hamilton and lemon trees,
00:26:40	or you can step out like me
00:26:45	[Sighs]
00:26:46	But they took away the meaning, Alice.
00:26:50	I was a pawn in their game.
00:26:52	[Director over megaphone]
00:26:53	[chattering]
00:26:56	[Indistinct chatter]
00:27:11	[Robbie]
00:27:13	in January of '64 in the Village.
00:27:17	They'd just buried their president.
00:27:22	Love was in the air.
00:27:24	- Wait, you're French?
00:27:26	- Well, you gotta be kidding me.
00:27:29	No, nothing. It's perfect.
00:27:30	You kidding?
00:27:32	[Chuckles]
00:27:34	I think you're making a joke.
00:27:35	Oh, no. No, no, no.
00:27:37	No joke.
00:27:39	Then what else
00:27:41	you like so much about me?
00:27:42	Your hair, your mouth,
00:27:50	I see.
00:27:52	So, um...
00:27:55	You're an actor.
00:27:56	Yeah, yeah. So?
00:28:00	I like what you said in that scene.
00:28:03	Uh, what scene?
00:28:04	But they were just lines from a movie.
00:28:06	- They were not...
00:28:08	- What did you see?
00:28:10	Hmm.
00:28:12	I would like to know
00:28:16	The center of my world?
00:28:17	[Laughs]
00:28:21	Well, you're no monkeying around.
00:28:22	Why?
00:28:24	It's very simple, this question.
00:28:26	[Clears throat]
00:28:29	Well, I'm 22.
00:28:36	I suppose you're honest.
00:28:37	Well, don't you think
00:28:39	or that you should be the center,
00:28:41	thinking with your own head,
00:28:45	Yeah.
00:28:46	But there are things in the world, too,
00:28:49	I'm not denying that.
00:28:50	That's not what I'm saying.
00:28:54	- Okay, thank you.
00:29:04	[Robbie]
00:29:07	Congress grants President Johnson
00:29:09	complete authority
00:29:11	while she studies painting
00:29:13	and he completes dubbing
00:29:18	She tells him she's sure it'll be a hit.
00:29:24	And the cats cross the roof,
00:29:28	scream into drainpipes,
00:29:31	and it's I who am ready.
00:29:33	Ready to listen.
00:29:34	Never tired, never sad, never guilty.
00:29:38	# The guilty undertaker sighs #
00:29:41	# The lonesome
00:29:43	# The silver saxophones
00:29:47	# The cracked bells and washed out horns #
00:29:50	# Blow into my face with scorn #
00:29:52	# But it's not that way #
00:29:53	# I wasn't born to lose you #
00:29:56	# I want you #
00:29:59	# I want you #
00:30:01	# I want you so bad #
00:30:05	# Honey, I want you #
00:30:10	# The drunken politician leaps #
00:30:13	# Upon the street
00:30:15	# And the saviors
00:30:17	# They wait for you #
00:30:20	# And I wait for them to interrupt #
00:30:22	# Me drinking
00:30:24	# And ask me to open up
00:30:29	# I want you #
00:30:31	# I want you #
00:30:33	# Yes, I want you so bad #
00:30:37	# Honey, I want you #
00:30:40	[no audible dialogue]
00:30:42	# Now all my fathers,
00:30:45	# True love, they've been without it #
00:30:47	# But all their daughters
00:30:50	# 'Cause I don't think about it #
00:30:52	[no audible dialogue]
00:30:54	# Well, I return
00:30:58	# And talk with
00:31:00	# She knows and she's
00:31:04	[Robbie]
00:31:05	# She is good to me
00:31:08	Watch it!
00:31:09	It's not a fucking can of tomatoes.
00:31:11	# But it doesn't matter #
00:31:14	# I want you #
00:31:16	- # I want you #
00:31:18	# Yes, I want you so bad #
00:31:22	# Honey, I want you #
00:31:27	# Now, your dancing child
00:31:30	# He spoke to me, I took his flute #
00:31:32	# No, I wasn't very cute
00:31:35	Okay, come on, let's go.
00:31:37	# But I did it
00:31:39	# And because
00:31:42	It is my bike, you know.
00:31:43	Of course it is.
00:31:45	# Because I want you #
00:31:48	# I want you #
00:31:50	- # Yes, I want you so bad #
00:31:53	All right, here we go.
00:31:54	[Grunts]
00:31:56	[Motor revs]
00:31:59	- Change the gear!
00:32:01	- Change the gear!
00:32:07	[No audible dialogue]
00:32:14	[Claire]
00:32:17	"One should say, 'I am thought. '
00:32:22	"I is someone else.
00:32:27	"I am present at the birth
00:32:30	"I watch and I listen.
00:32:33	"I draw a stroke of the bow.
00:32:36	"A symphony stirs in the depths,
00:32:39	"or comes with a leap
00:32:42	"It began with waves of disgust
00:32:45	and it ends... as we can't
00:32:50	it ends with a riot of perfumes. "
00:33:05	[Robbie]
00:33:07	the underground hit of 1965,
00:33:08	and Robbie Clark
00:33:10	Marlon Brando, and Jack Kerouac
00:33:14	But the movie disappointed her.
00:33:16	The more they tried
00:33:17	the more the images on screen
00:33:20	It wasn't the film they had dreamed,
00:33:22	the film they had
00:33:25	the film they each wanted to live.
00:33:28	[Gunshots]
00:33:30	[EKG beeping]
00:33:34	[Man]
00:33:36	Amazing endocrine system.
00:33:38	[Woman]
00:33:41	[Man]
00:33:42	Just a little water in the lungs.
00:33:44	[Woman]
00:33:46	Well, what do you know?
00:33:48	Looks like somebody might be able
00:33:53	Son? Can you hear me?
00:33:57	I'm Dr. Field.
00:33:58	And this here lady
00:34:02	Hello there.
00:34:04	I-I'm Mrs. Peacock.
00:34:06	My husband and I,
00:34:10	# Oh, the time will come up
00:34:15	# And the breeze will cease
00:34:19	# Like the stillness in the wind #
00:34:21	# Before the hurricane begins #
00:34:24	# The hour that
00:34:27	# And the sea will split
00:34:32	# And the sands on the shoreline #
00:34:34	# Will be shaken #
00:34:36	# And the tide will pound
00:34:40	# And the mornin' will be a-breakin' #
00:34:46	And no formal training?
00:34:48	# Sayin' we'll meet
00:34:51	# But we'll shout from the bow
00:34:55	# And like Pharaoh's tribe #
00:34:57	# They'll be drownin' in the tide #
00:34:59	# And like Goliath #
00:35:01	# They'll be conquered #
00:35:11	- Just terrific!
00:35:12	That was a fine job.
00:35:13	- Thank you, thank you.
00:35:15	How about another helping?
00:35:17	- Woody?
00:35:19	More wine, Woody?
00:35:20	Yes, sir. Thank you, sir.
00:35:21	Do you know
00:35:23	My only real plan
00:35:26	a real singer on television,
00:35:28	either that or a kind of voice
00:35:30	Interesting.
00:35:31	Because I've been
00:35:33	songs about what's going on.
00:35:36	And I'm going
00:35:37	and I'm going to head
00:35:40	Going to make it big just like Elvis Presley.
00:35:43	[Chuckling]
00:35:44	if you did just that.
00:35:46	- There you are, Woody.
00:35:47	And don't you go rushing off anyplace
00:35:52	Yes, ma'am.
00:35:53	Have to mother you while you still have
00:35:56	- [Chuckles]
00:35:57	Who on earth?
00:35:59	- Are you expecting a call?
00:36:01	[Ringing continues]
00:36:03	So, Hollywood?
00:36:04	- Hello?
00:36:06	Yes, it is. Who's calling?
00:36:09	Minnesota?
00:36:11	Well, how could...
00:36:14	Dr. Field, yes.
00:36:16	Would you hold on
00:36:19	Esther?
00:36:20	It's a juvenile center in Minnesota.
00:36:22	A what?
00:36:23	Something... Corrections.
00:36:26	You talk to 'em, Jack.
00:36:28	They think it's Woody.
00:36:30	What do they know about Woody?
00:36:32	They said they're looking for some...
00:36:34	a juvenile, but...
00:36:36	some state, you know, fugitive.
00:36:41	Certainly not Woody.
00:36:49	# Seen the arrow on the doorpost #
00:36:55	# Sayin' this land is condemned #
00:36:59	[Woody]
00:37:03	and looked way down
00:37:07	in all their veiled
00:37:10	Sighting it, hearing it,
00:37:14	seeing and feeling
00:37:19	Sucking down on it.
00:37:22	Rubbing it all
00:37:24	and the wind between my eyes
00:37:26	knocking honey in my comb.
00:37:30	Whoa.
00:37:31	# Blind Willie Mc Tell #
00:37:40	# See them big plantations burnin' #
00:37:46	# Hear the crackin' of the whips #
00:37:51	# Smell that sweet
00:37:56	# See the ghost of slavery ships #
00:38:10	May I help you?
00:38:11	Flowers for Mr. Guthrie.
00:38:14	Room 300. Just set 'em inside.
00:38:16	Thank you, ma'am.
00:38:31	# Well, God is in His heaven #
00:38:38	# And we all want what's His #
00:38:44	# But power and greed
00:38:49	# Seem to be all that there is #
00:38:56	# I'm gazin' out the window #
00:39:02	# Of the St. James Hotel #
00:39:07	# And I know no one
00:39:13	# Like Blind Willie Mc Tell #
00:39:28	[no audible dialogue]
00:39:34	[No audible dialogue]
00:39:36	[Alice]
00:39:38	Kennedy's funeral was on TV,
00:39:42	You could hear it.
00:39:44	I was pulling up
00:39:46	and feeling like we were splitting apart.
00:39:49	And... And, yeah, I asked him
00:39:52	what did he think
00:39:54	And he said it was simple.
00:39:57	You know, I thought
00:39:59	and he knew that no one could.
00:40:01	You know, look at Kennedy.
00:40:05	Then there was the fiasco
00:40:09	where Jack received
00:40:11	and drank three vats of wine
00:40:15	[Jack]
00:40:16	I wanna accept this
00:40:18	everybody that
00:40:21	[Scattered applause]
00:40:22	First of all,
00:40:25	And it's took me
00:40:27	and now I consider myself young.
00:40:30	- [Murmurs, chuckling]
00:40:33	It ain't old people's world out there.
00:40:35	I mean, you all
00:40:39	[Crowd murmurs]
00:40:42	I mean... it's not like before.
00:40:45	There's no black or white,
00:40:47	no more left wing,
00:40:49	There's up wing
00:40:52	which is why I think that, you know,
00:40:53	this man who shot President Kennedy,
00:40:58	this Lee Oswald,
00:41:01	I think I saw something
00:41:06	[Uproar]
00:41:10	Hey, but I'm just saying...
00:41:12	You can boo, but booing's
00:41:16	They didn't understand me,
00:41:17	because they got mind blinders on.
00:41:19	All they see is the cause
00:41:20	and how they use people
00:41:21	And now they're trying
00:41:23	The want me to... want me
00:41:25	and have my picture taken,
00:41:28	be a good little nigger, you know,
00:41:30	and not mess up their little game.
00:41:32	All they want from me
00:41:36	I only got ten fingers.
00:41:38	[Alice]
00:41:40	was sitting in that room that night.
00:41:42	A week later, he issued
00:41:45	[Jack]
00:41:47	thinking that something's expected of you,
00:41:49	but you don't know exactly what it is.
00:41:53	Brings forth a weird kind of guilt.
00:42:03	[Heart beating]
00:42:08	[No audible dialogue]
00:42:12	[Arthur]
00:42:15	Little Richard
00:42:18	So, whether you were
00:42:21	rock and roll was the devil.
00:42:27	Me, I was in a ditch, up a cliff,
00:42:29	out of step, ready to quit.
00:42:33	I wrote the kind of stuff
00:42:36	and you're wrapped up
00:42:41	I nearly killed myself
00:42:47	And then I wrote it.
00:42:50	It was like swimming in lava.
00:42:53	Skipping, kicking,
00:42:57	catching a nail with your foot,
00:43:00	seeing your victim
00:43:05	[Crowd cheering in distance]
00:43:08	[Heartbeats continue]
00:43:10	The person who's coming out now
00:43:14	is a person who has, in a sense,
00:43:17	changed the face
00:43:20	[cheering]
00:43:26	Ladies and gentlemen,
00:43:28	the person
00:43:29	[cheers grows louder]
00:43:31	...is a legend in his time.
00:43:34	And his name is Jude Quinn!
00:43:46	# Well, I try my best
00:43:51	# But everybody wants you
00:43:54	# They say sing while you slave
00:43:58	# Well, I ain't gonna work
00:44:09	I want that volume down now!
00:44:11	I can't turn the volume down!
00:44:12	- I can't even hear the words!
00:44:14	Hey what's wrong?
00:44:15	Man, what are you going to do?
00:44:16	What are you going to do up there?
00:44:18	I'm going to cut
00:44:22	[Indistinct dialogue]
00:44:35	## [Blaring]
00:44:37	[No audible dialogue]
00:44:51	[Grousing]
00:44:53	Sorry for everything I've done,
00:44:55	and, uh, I hope
00:44:58	- Shit!
00:44:59	Garbage! J'accuse!
00:45:00	Ah, it's just like
00:45:03	to some sort of popular taste
00:45:05	with this incredibly
00:45:08	but he's just... he's just prostituting himself.
00:45:12	He's... He's just
00:45:15	He's changed from what he was.
00:45:18	He's not the same
00:45:20	[Scottish accent]
00:45:22	crawling through the gutter.
00:45:24	If that is the way
00:45:26	I would rather walk with my head up
00:45:28	crawling through the bloody gutter,
00:45:30	just making a pile out of it!
00:45:31	That's what he is doing!
00:45:33	He is just making a pile out of it!
00:45:35	I kinda liked getting
00:45:40	I think he's evil.
00:45:43	And we were his biggest fans.
00:45:55	# You've got a lot of nerve #
00:45:58	# To say you are my friend #
00:46:03	# When I was down #
00:46:05	# You just stood there grinning #
00:46:09	[women screaming]
00:46:12	# You've got a lot of nerve #
00:46:15	# To say you got
00:46:19	# You just want to be #
00:46:22	# On the side that's winning #
00:46:26	[Man]
00:46:28	but a brand-new way
00:46:29	And Jude Quinn is definitely what's happening.
00:46:32	Here he comes now.
00:46:33	Mr. Quinn! Mr. Quinn!
00:46:34	Have you got a word
00:46:36	Uh, astronaut.
00:46:37	# What a drag it is #
00:46:40	# To see you #
00:46:52	- Mr. Quinn!
00:46:54	- Over here!
00:46:57	- Yes?
00:46:58	Thank you.
00:46:59	Why do you think you were booed
00:47:00	at your recent appearance
00:47:02	Well, um, I f...
00:47:06	I figure there's
00:47:09	- Jude!
00:47:10	Is it true you no longer
00:47:11	Who said that?
00:47:13	I didn't say that.
00:47:14	I was just, uh... I read somewhere
00:47:19	Well, that's all I ever do is protest.
00:47:24	Do you have a message?
00:47:26	Do you?
00:47:28	I mean, are you trying
00:47:30	Am I trying to accomplish anything?
00:47:32	Are you trying to change
00:47:34	What am I trying to change
00:47:36	You know, are you trying
00:47:40	- No.
00:47:42	Perhaps you could tell us...
00:47:44	Do you have a match?
00:47:45	...how many people who labor
00:47:48	in which you toil...
00:47:49	That's very pretty.
00:47:51	How many would you say
00:47:53	That is, people who protest
00:47:58	Uh, how many?
00:48:00	Yes. Are there many?
00:48:02	Yeah, um...
00:48:06	- I-I think there's about 136.
00:48:09	Mr. Quinn, Keenan Jones
00:48:12	As someone symbolic of the protest
00:48:17	some have questioned,
00:48:19	whether or not you still care
00:48:23	Yeah, but, you know,
00:48:26	we all have our own definitions
00:48:29	"Care" and "people..."
00:48:33	Well, I think we all know
00:48:36	- [Chuckling]
00:48:38	Do we?
00:48:40	Well, is it your belief,
00:48:41	has, perchance, failed to achieve
00:48:44	or the cause of peace?
00:48:46	You know, saying "cause of peace"
00:48:49	is just like saying...
00:48:53	You know, I don't know
00:48:56	who wants you to believe
00:48:58	and not the butter.
00:48:59	I'm not sure I follow.
00:49:01	You know, I didn't come
00:49:06	There's... There's no one out there
00:49:07	who's ever going to be
00:49:09	There's no Phil Ochs song
00:49:13	a movement moving
00:49:17	His songs are acts
00:49:19	like burning a draft card
00:49:23	Doesn't do a damn thing
00:49:27	and your audience from
00:49:30	I refuse to be
00:49:35	All these people, you know,
00:49:37	sitting around being offended
00:49:39	[Man]
00:49:40	I'm asking for your
00:49:43	to keep these assholes out of the lobby.
00:49:44	What? What?
00:49:47	And you, sir, are one of the dumbest assholes
00:49:51	I've ever spoken to
00:49:53	What?
00:49:55	Well, I certainly hope so.
00:49:57	- [Hangs up phone]
00:49:58	Meaningless is right.
00:50:00	Do you think the average cat
00:50:02	gives a tit what I do?
00:50:04	Anyway, it's not going
00:50:07	or out of the fiery furnace, that's for sure.
00:50:10	Not gonna make me happy.
00:50:12	Let me see that.
00:50:18	Whoa, there she is again,
00:50:20	No way, man.
00:50:22	Is that Andy's new bird?
00:50:25	Rivington.
00:50:26	Coco Rivington Rockefeller,
00:50:30	She's queen of the underground,
00:50:33	She's got good style.
00:50:37	- I'd ball her.
00:50:39	I think she's even here in, uh, London.
00:50:42	She's here?
00:50:43	So you dated her, did you?
00:50:44	Never. That girl's trouble.
00:50:47	[Man]
00:50:48	Sure. I always invite trouble.
00:50:51	[Chuckles]
00:51:13	# I'm beginning to hear voices #
00:51:20	# And there's no one around #
00:51:28	# Well, I'm all used up #
00:51:33	# Yeah #
00:51:36	# And the fields
00:51:39	[knocking at door]
00:51:41	[Man #1]
00:51:43	[Man #2]
00:51:44	I swear to God...
00:51:45	[Man #1]
00:51:48	They're going to have to come up
00:51:49	with some different numbers
00:51:51	No. Stu...
00:51:53	I'm not going to talk
00:51:55	"Puffing heavily on his cigarette,
00:51:57	he smokes 80 a day."
00:51:58	- [Chuckling]
00:52:00	God. I'm glad I'm not me.
00:52:04	Hey! I've got something to say to you.
00:52:06	- Whoa!
00:52:08	- It's him I'm talkin' at.
00:52:10	- Traitor! You wanker!
00:52:12	If you know what's good for you, you'll turn
00:52:14	Come on. Hey!
00:52:17	Hurry up.
00:52:18	Jason! You got to get in here, man.
00:52:21	- It's your boy I want.
00:52:25	- Hey, man.
00:52:26	Are you out of your fuckin' mind?
00:52:29	It's his fault! He's the one.
00:52:31	Stabbing truth in the eye.
00:52:33	I'm listening.
00:52:34	Easy, easy, easy.
00:52:37	No! Walk away.
00:52:39	- Just relax.
00:52:41	Either be groovy or leave, man.
00:52:50	- Is he okay?
00:52:51	Everybody all right?
00:52:53	- Thanks for steppin' in.
00:52:56	Just like a woman.
00:53:10	[Giggling, screaming]
00:53:24	# They sat together in the park #
00:53:27	# As the evening sky grew dark #
00:53:30	# She looked at him
00:53:33	# Tingle to his bones #
00:53:37	# 'Twas then he felt alone #
00:53:40	# And wished that he'd gone straight #
00:53:44	# And watched out
00:53:51	# They walked along
00:53:54	# A little confused, I remember well #
00:53:57	Claire! Claire, honey,
00:53:59	Hang on a second. Am I shitting you?
00:54:02	- Dirty son of a gun.
00:54:05	A very bad old friend of mine.
00:54:07	Hello.
00:54:08	She's a doll. Actress.
00:54:10	Uh, no, a painter. She's unbelievable.
00:54:13	And Sid's a collector.
00:54:14	What do you paint, honey?
00:54:16	Oh, they're... They're abstracts,
00:54:19	- most of what I do.
00:54:21	Aw, for cryin' out loud.
00:54:24	Oh, oh. It's Mailer.
00:54:27	Norman Mailer?
00:54:32	Abstracts, huh?
00:54:42	# People tell me it's a sin #
00:54:45	# To know and feel too much within #
00:54:48	# I still believe she was my twin #
00:54:51	# But I lost the ring #
00:54:54	# She was born in the spring #
00:54:57	# But I was born too late #
00:55:01	# Blame it on a simple twist of fate #
00:55:17	[Arthur]
00:55:21	is what terrifies people most.
00:55:25	## [Waltz, strings]
00:55:42	If he said he'll be here, he'll be here.
00:55:44	It's just such a terribly important booking.
00:55:47	Keenan seldom interviews.
00:55:48	He's really more of
00:55:50	on the telly, so, there's
00:55:53	Is there a handler?
00:55:56	I told you, he and John
00:55:59	Yes, but did he ever get back?
00:56:01	- Pardon me.
00:56:03	Do you know if Jude
00:56:06	The country-western singer?
00:56:07	No time for autographs, dearie.
00:56:11	- What's that over there?
00:56:13	- [Explosion]
00:56:16	[Beatle]
00:56:21	Whoa!
00:56:24	- [Giggling]
00:56:26	Mr. Quinn, yoo-hoo.
00:56:29	Yes, Mr. Quinn, hello!
00:56:34	Good. Sayonara.
00:56:43	Mother. Mother.
00:56:44	Oh, Mr. Quinn! What a privilege
00:56:46	- to have in our midst...
00:56:48	...a true visionary, and such a splendid
00:56:52	And such marvelous songs.
00:56:55	- Howdy.
00:56:56	Carolyn Hester, the folk singer?
00:56:58	She was saying,
00:57:01	what you're doing really is
00:57:03	Ma'am, I'm terribly sorry.
00:57:06	Carolyn said that? You tell Carolyn
00:57:08	now that she's, uh, liberated.
00:57:10	Jude, you know, like in the song
00:57:13	when you say "he has the eyes of a camel
00:00:04	'Cause I saw a picture of him once
00:00:07	which I know
00:00:09	but then he switched
00:00:11	Mr. Quinn, we really ought to hurry.
00:00:14	...till early '65.
00:00:15	Sammy? Who's Sammy?
00:00:18	Sonny. Sonny Dover.
00:00:20	The central doyen of the inner circle,
00:00:22	and Jude's oldest ally.
00:00:24	He plays maracas
00:00:27	Judey! Lover boy! Ah!
00:00:29	Two words on Shakespeare,
00:00:34	Two words?
00:00:36	Raving queen,
00:00:37	and cosmic amphetamine brain.
00:00:40	I dig Shakespeare.
00:00:42	I have a question for Mr. Quinn.
00:00:43	Oh, Keenan, please
00:00:45	allow me to introduce to you
00:00:47	arts editor and host of the BBC.
00:00:49	I remember you.
00:00:50	Yes, I was going to ask
00:00:53	on putting us and the rest
00:00:56	Some might be persuaded
00:00:59	Well, who said I was sincere?
00:01:02	Are you saying you're not sincere?
00:01:05	No more than you, you know?
00:01:08	No more sincere than you are.
00:01:11	See, you just want me to say
00:01:15	[Press chattering]
00:01:22	[Coco]
00:01:23	nothing can reach
00:01:26	living by the dollar.
00:01:30	But you'd be wrong.
00:01:38	Hey. What are you doin' here?
00:01:45	You alone?
00:01:47	Now, why would that be
00:01:50	[Chuckles]
00:01:54	- Nothing happened.
00:01:59	Oh, come on.
00:02:01	[Chuckles]
00:02:04	Look, I can't recall
00:02:08	And I can't really
00:02:10	but you shouldn't take
00:02:12	I don't, believe me.
00:02:15	My current situation far precedes
00:02:19	But you never know how
00:02:21	[Laughs]
00:02:24	But your kisses are nothing like his.
00:02:26	I bet.
00:02:28	- Anyone I know?
00:02:31	No, your lucky tongue will not decay me.
00:02:34	Fine, you take your glands,
00:02:37	and make love for once, freely.
00:02:39	So that's what you think
00:02:42	Freedom.
00:02:47	[Grunts]
00:02:49	I just got to clean up a little bit.
00:02:54	And I'll be fine.
00:02:55	Here's a tip: Use your fists.
00:02:59	Very funny, Coco.
00:03:04	Hey, Coco! [coughs]
00:03:07	Coco!
00:03:16	You look and sound very tired, very ill.
00:03:19	Is this your normal state?
00:03:21	I take that as an insult.
00:03:22	Do you suffer from sore eyes,
00:03:27	Take Zoomdom!
00:03:29	Hey. Hey, isn't that
00:03:33	- Ginsberg?
00:03:36	Oh, my God! It is!
00:03:39	Wait a minute.
00:03:47	Hey! Allen thought
00:03:50	I don't think you two have met.
00:03:52	- Hi.
00:03:55	Allen, tell him what you said to that reporter,
00:03:57	the one that asked
00:04:00	What, they're asking you?
00:04:01	I said I didn't know.
00:04:06	What's that even mean?
00:04:09	Well, if your mission
00:04:12	you could do great art on a juke box,
00:04:15	well, you know, then we all benefited.
00:04:17	Profited, you said, by his coercion.
00:04:21	That was it. So. What now?
00:04:25	Now? What's left?
00:04:28	Oh, my salvation?
00:04:32	- [Chuckles]
00:04:41	Oh, he'll give it to you!
00:04:45	That was Allen Ginsberg, man!
00:04:49	[Sonny]
00:04:55	[Keenan Jones]
00:04:56	that the collective struggles
00:04:57	of the color discrimination
00:04:59	or as I believe you inferred earlier,
00:05:01	do you think it's the process
00:05:03	Who cares what I think?
00:05:07	I'm not some shepherd.
00:05:10	- It's all I am.
00:05:13	But as someone
00:05:15	as a storyteller, as...
00:05:18	for social justice, equality...
00:05:23	Well, why? Why?
00:05:28	I mean, what do you care?
00:05:30	If I care, or I don't care, what's it to you?
00:05:34	All right, what if I said
00:05:38	About, you know, protest songs?
00:05:40	It was all about jumping into a scene.
00:05:44	You know, I was never
00:05:47	I knew I could do it
00:05:50	Well, I don't believe you.
00:05:52	No, I mean, you know,
00:05:54	you know, it matters
00:05:57	Does it matter to you when
00:05:59	are being used as recruitment tools
00:06:01	for militant street gangs,
00:06:04	Oh, yeah.
00:06:05	A group that promotes precisely
00:06:07	your earlier songs oppose?
00:06:08	If you're asking me, man, am I a member
00:06:11	the answer's no.
00:06:15	Man, I can't really tell you how I care.
00:06:19	Well, I presume at the very least
00:06:21	that you care something
00:06:24	What are you...
00:06:28	if you got the nerve to ask me?
00:06:30	I mean, you've got a lot of nerve,
00:06:33	- Do you ask the Beatles that?
00:06:36	- Or Mr. Eve of Destruction?
00:06:39	I have to ask, because you have the nerve
00:06:41	I'm not questioning you because I don't
00:06:43	Maybe Victor Mature.
00:06:45	More like Elsa Lanchester,
00:06:48	That's very protest-y, man.
00:06:51	You know, I am convinced of one thing.
00:06:54	or tremendously much
00:06:56	And you ask for my time?
00:07:01	[Coordinator]
00:07:03	Listen, I know more about you, right,
00:07:07	You think I give a crumpet
00:07:10	Now, I don't need to look to someone else,
00:07:13	Slaughter me, for all I care.
00:07:15	I refuse to be hurt.
00:07:17	Mr. Quinn, we really
00:07:18	[Sonny]
00:07:20	[Emmett Jones]
00:07:22	It's clear to anyone
00:07:25	in everything you do.
00:07:26	- That's enough!
00:07:28	That's what this is about?
00:07:31	What precisely, please do tell,
00:07:34	I'm simply referring
00:07:36	Pain, remorse, love.
00:07:39	Yeah, I have none of those feelings.
00:08:21	[Dinging]
00:08:24	# You walk into the room #
00:08:27	# With a pencil in your hand #
00:08:30	# You see somebody naked
00:08:34	# "Who is that man?" #
00:08:37	# You try so hard #
00:08:39	# But you don't understand #
00:08:43	# Just what you will say
00:08:49	# But there's something
00:08:53	# And you don't know what it is #
00:08:56	# Do you, Mr. Jones? #
00:09:07	# So you hand in your ticket #
00:09:10	# And you go watch the geek #
00:09:14	# Who immediately walks up to you #
00:09:16	- # When he hears you speak #
00:09:19	# And he says #
00:09:20	# "Well, how does it feel, my friend #
00:09:23	# To be such a freak?" #
00:09:26	# You say, "Impossiblel" #
00:09:28	# As he hands you a bone #
00:09:32	# And you're positive that
00:09:36	# But you don't know what it is #
00:09:38	# Do you #
00:09:41	# Mr. Jones? #
00:09:44	[bell dinging]
00:09:50	# You have so many contacts #
00:09:53	# Out there among the lumberjacks #
00:09:56	# To get you the facts
00:09:58	# Your imagination #
00:10:02	# No one has any respect #
00:10:06	# Anyway, they always expect #
00:10:08	# You'll just give a check #
00:10:11	# To tax-deductible
00:10:19	# Well #
00:10:22	# You been with the professors #
00:10:24	# And they all like your looks #
00:10:28	# And with great lawyers you have #
00:10:31	# Discussed lepers and crooks #
00:10:34	# You've been through all of #
00:10:37	# F. Scott Fitzgerald's books #
00:10:40	# You're very well read,
00:10:46	# Because something
00:10:50	# You don't know what it is #
00:10:52	# Do you #
00:10:55	# Mr. Jones? #
00:11:03	# Well, the sword swallower #
00:11:06	# He comes up to you
00:11:10	# He crosses himself #
00:11:13	# And then he clicks his high heels #
00:11:16	# Without further notice #
00:11:19	# He tells you how it feels #
00:11:21	# Then he says,
00:11:25	# Thanks for the loan" #
00:11:26	[Emmett Jones]
00:11:28	# And you kno... #
00:11:30	Well, I missed it. I missed it again.
00:11:33	I missed it.
00:11:34	Bobby, now you ain't hearin' me, man.
00:11:35	No, we are the geeks. You dig?
00:11:38	But then why is that cool?
00:11:39	No, man, we are the ones
00:11:42	like some sort of circus freaks.
00:11:43	"Come on up and see Harlem,
00:11:45	but make sure your window's
00:11:47	This song is hell, man.
00:11:49	this song is saying
00:11:53	All power to all people,
00:11:55	- I missed it again.
00:11:56	Aw, Bobby nothing.
00:11:58	Let's play it one more time.
00:12:01	# Because something
00:12:04	# And you don't know what it is #
00:12:07	# Do you #
00:12:10	# Mr. Jones? #
00:12:27	- [bottle shatters]
00:12:32	You know, this is music.
00:12:36	You know, what you're hearing
00:12:40	[Booing]
00:12:41	You've never really heard
00:12:42	[Booing intensifies]
00:12:44	And what you hear, obviously, right now,
00:12:47	It's words, all right? And sounds.
00:12:50	If it's something
00:12:54	Judas!
00:13:01	I don't believe you.
00:13:03	[Shouting]
00:13:08	Come up here and say that.
00:13:12	You're liars, all of you.
00:13:25	[Arthur]
00:13:31	I'm not sure whether it accepts me.
00:13:41	We hadn't spoken in a long while.
00:13:45	I think he was involved
00:13:49	He said something to me on the phone
00:13:51	about angels hanging off of buildings,
00:13:54	which was frightening.
00:13:56	I thought he was hallucinating.
00:13:59	That was the last I heard.
00:14:02	It was like what people say
00:14:07	that he really just dodged
00:14:11	And Jack, he always
00:14:15	- Whoo!
00:14:17	[Whining, panting]
00:14:21	Henry.
00:14:32	What the hell's wrong with you?
00:14:33	[Barks, whines]
00:14:37	[Billy]
00:14:40	Stopped me dead.
00:14:42	- That outlaws always die.
00:14:45	Only a fool would believe
00:14:49	Come on.
00:14:59	Here, I'm invisible.
00:15:04	Come on, now.
00:15:12	Even to myself.
00:15:36	[Whining, yelping]
00:15:39	Henry! Calm yourself down.
00:15:42	Gettin' everybody zigaboo here.
00:15:45	Henry. Henry! Henry!
00:15:47	Come on back here! Henry!
00:15:49	You get back here!
00:15:53	And here, by the road
00:15:56	where it causes no worry,
00:15:57	where the show must go on,
00:16:01	is where I'll die.
00:16:17	Henry! Come back here!
00:16:19	Henry! Come back here!
00:17:17	# There must be some kind
00:17:21	# Said the joker to the thief #
00:17:24	# There's too much confusion #
00:17:28	# I can't get no relief #
00:17:32	# Two riders are approaching #
00:17:34	# And the wind began to howl #
00:17:47	[explosion]
00:17:52	Henry! Henry!
00:17:55	God damn it, get back here!
00:17:56	Hey! Come back, Henry!
00:17:59	Come on, now.
00:18:03	[Billy]
00:18:05	I couldn't even say.
00:18:08	The day I arrived looks a lot like today.
00:18:14	Least, that's how it seemed at the time.
00:18:28	## [Harmonica]
00:18:41	Homer, is that you?
00:18:44	Mr. B.
00:18:50	What's the trouble, there?
00:18:52	A useless bag of thumbs what I am.
00:18:56	There you go.
00:18:58	Sellin' off whatnot.
00:19:01	Mm-hmm.
00:19:04	Well, ain't seen no
00:19:08	by any chance, have you?
00:19:10	Old Henry tore off on me.
00:19:12	- What, she get spooked?
00:19:14	Why? Critters know what's goin' on.
00:19:16	- What do they know?
00:19:19	Shadow Valley's gettin'
00:19:21	What, that old highway plan?
00:19:26	You mean, you really ain't heard?
00:19:28	Heard what?
00:19:30	Mr. B, that plan's official.
00:19:33	Last Tuesday, they all come.
00:19:35	Wavin' all sorts of papers?
00:19:37	- I never seen such a stupor.
00:19:39	- Wh-What's official?
00:19:41	straight through
00:19:42	Commissioner Garrett done
00:19:45	Why haven't I heard
00:19:47	Mr. B, you don't get out much.
00:19:50	Don't sound credible to me, Homer.
00:19:55	What have people been saying?
00:19:58	Well, first Charley Harper,
00:20:00	Shot hisself in the face in front of them
00:20:02	three maiden sisters
00:20:04	Them all went insane on account.
00:20:06	Been five hangings, six Phenobarbitals,
00:20:08	and, well...
00:20:10	you familiar with young Clarice Henry?
00:20:12	Mrs. Henry, the Captain's girl?
00:20:14	Of course I am.
00:20:16	Well, what?
00:20:19	The Captain found her.
00:20:21	Throat cut.
00:20:26	Well, where you fixin' to?
00:20:29	[Sighs]
00:20:32	gonna pay my respects
00:20:35	This whole thing's sounds
00:20:38	Oh, no. No, not today.
00:20:41	- Shameful day.
00:20:44	Anyway, Charley gone,
00:20:49	who's mindin' the zoo?
00:20:53	Homer?
00:20:58	[Robbie]
00:20:59	America watched its war plan collapse,
00:21:01	its cities burn, its youth erupt,
00:21:03	its president crumble,
00:21:06	And there we were.
00:21:09	All alone with Richard Nixon.
00:21:13	[Martin]
00:21:14	Come on, face it. Face it, it's over.
00:21:17	All these groups
00:21:19	are so full of their own
00:21:22	- and secretary bullshit.
00:21:25	They just think
00:21:26	All these right-wing corporate hawks
00:21:28	plotting to invade the world,
00:21:31	with happy pills and the Bible.
00:21:33	- It ain't gonna happen.
00:21:36	What are you talking about?
00:21:39	I don't know. I think we all agree
00:21:42	that the world is
00:21:44	but I happen to feel that
00:21:47	to change the situation, and you...
00:21:49	don't really sound like you...
00:21:51	He doesn't. Well...
00:21:54	Well, you want to know
00:21:58	That, uh, something can
00:22:01	Why?
00:22:03	- Because you're a chick.
00:22:06	- [Chuckles]
00:22:08	Oh, forget it.
00:22:11	[Shutter clicks]
00:22:12	- Son of a bitch.
00:22:15	So you're basically a chauvinist.
00:22:17	Why? Because I think guys
00:22:20	Come on, that's all I'm saying.
00:22:22	And they are.
00:22:23	They each have access
00:22:26	which is pretty much
00:22:28	- Jesus!
00:22:30	Robbie, please,
00:22:32	That's the most
00:22:33	Emily Dickinson.
00:22:34	No, that's not the same.
00:22:36	As what?
00:22:37	Whitman, Rimbaud, Shakespeare.
00:22:39	Grace is...
00:22:43	Guys and chicks
00:22:45	I cannot believe you're actually
00:22:48	I cannot believe you actually think
00:22:52	Okay, okay, okay.
00:22:54	Let's try something, huh?
00:22:56	[Makes tearing noise]
00:22:57	You write down the nastiest thing
00:22:59	and I'll write down the nastiest thing
00:23:03	- What?
00:23:05	- But what does that prove?
00:23:07	- No.
00:23:09	- No!
00:23:10	- No, no, no! I want to know...
00:23:12	- Play the game!
00:23:13	I want to know what this thing is
00:23:16	[Robbie]
00:23:18	Or write about or talk about
00:23:21	- [Laughs]
00:23:23	Do you own this place?
00:23:25	Did you invent it?
00:23:27	Uh, no, honey, I don't.
00:23:28	Claire, come on,
00:23:30	I-I worship women.
00:23:32	- [Shutter continues clicking]
00:23:33	- Yeah, fine.
00:23:35	Claire, come on. I was kidding.
00:23:38	Hey, God's a woman.
00:23:41	Claire.
00:23:43	Hey!
00:23:44	Fuck you, man!
00:23:46	What are you, fucking deaf?
00:23:47	I told you to stop fucking doing that.
00:23:50	Fuck.
00:23:55	What?
00:23:59	What?
00:24:00	Nothing.
00:24:04	You've changed.
00:24:06	Yeah. Fuck right, I've changed.
00:24:07	All of this... these new clothes,
00:24:08	new car, these shades.
00:24:10	You'd never wear shit like that before.
00:24:11	Man, you tell me I've changed
00:24:13	as if that's all there is to say,
00:24:15	in this completely different voice
00:24:16	than the one you had
00:24:19	You know, kids shooting craps
00:24:21	and you say nothing's perfect.
00:24:23	I say it again: There are no politics.
00:24:28	Right.
00:24:30	Well, then, what the fuck is there?
00:24:32	Huh?
00:24:35	Sign language.
00:24:58	[Billy]
00:25:00	like the town of Riddle.
00:25:03	So who a fellow really was never really
00:25:08	Not with what pretending had to offer.
00:25:11	It was my kind of town.
00:25:13	Hey, guys!
00:25:15	I come in like a Ferris wheel,
00:25:19	What the heck
00:25:22	Well, if you don't know,
00:25:24	# Your back is straight,
00:25:27	# On the pillow where you lie #
00:25:31	# But I don't sense affection #
00:25:34	# No gratitude or love #
00:25:37	# Your loyalty is not to me #
00:25:40	# But to the stars above #
00:25:44	# One more cup of coffee 'fore I go #
00:25:50	# One more cup of coffee 'fore I go #
00:25:56	# To the valley below #
00:26:01	Chester?
00:26:04	- Billy.
00:26:06	Ma'am.
00:26:09	So what's with all this
00:26:13	# One more cup of coffee for the road #
00:26:17	# One more cup of coffee 'fore I go #
00:26:20	You two taking a trip?
00:26:23	# To the valley below #
00:26:28	Seven simple rules for life in hiding.
00:26:34	One...
00:26:36	never trust a cop in a raincoat.
00:26:39	Two...
00:26:41	beware of enthusiasm and of love.
00:26:44	Each is temporary and quick to sway.
00:26:48	Three...
00:26:51	when asked if you care
00:26:54	look deep into the eyes of he who asks.
00:26:58	He will not ask you again.
00:27:01	Pack up the meat, sweet.
00:27:02	It's king for king
00:27:05	Afternoon, Mr. McCarty.
00:27:07	George, Delia.
00:27:08	[Arthur]
00:27:10	- Good afternoon, Billy.
00:27:11	- Good morning.
00:27:13	Afternoon,
00:27:15	[Man]
00:27:17	What are you doing?
00:27:18	Hey!
00:27:21	Hey, you all right, son?
00:27:23	Please, dear man,
00:27:25	This here's chicken town.
00:27:26	And if ever told to look at yourself...
00:27:31	never look.
00:27:38	His singing voice, asthmatic and whiny,
00:27:42	makes his success
00:27:45	but for so many
00:27:47	- Quinn's simple raggedness...
00:27:49	... was always the sound of his truth.
00:27:52	In it, they could conjure
00:27:54	his rough and tumble story implies,
00:27:57	all the honest struggles
00:27:59	their far more conventional backgrounds
00:28:02	[Sonny snorts]
00:28:03	- On the other hand...
00:28:05	If Quinn's recent foray
00:28:07	has raised doubts concerning
00:28:11	the startling truth behind
00:28:14	is sure to close the book
00:28:16	on his future.
00:28:17	[Arthur]
00:28:18	never say or do anything
00:28:21	the person standing in front of you
00:28:24	For, despite his unwashed, freewheelin'
00:28:28	and contrary to anything he's ever stated,
00:28:31	the real Jude Quinn...
00:28:32	suburban, middle class, educated...
00:28:36	is as conventional as they come.
00:28:37	The eldest son
00:28:40	department store owner,
00:28:43	backwoods vagabond
00:28:47	is Aaron Jacob Edelstein.
00:28:53	[Arthur]
00:28:58	never create anything.
00:29:03	[Arthur]
00:29:05	[No audible dialogue]
00:29:08	It will chain you and follow you
00:29:10	for the rest of your life.
00:29:11	[No audible dialogue]
00:29:14	[Arthur]
00:29:25	[Typing]
00:29:28	# Hollis Brown #
00:29:30	# He lived on the outside of town #
00:29:37	# Hollis Brown #
00:29:39	# He lived on the outside of town #
00:29:43	[Ginsberg]
00:29:45	Revenge sits black on your back.
00:29:48	And wherever you bite,
00:29:52	# He lived with his wife
00:29:57	# And his cabin #
00:30:00	# Broken #
00:30:03	# Down #
00:30:05	# Down #
00:30:08	# Down #
00:30:10	# Down #
00:30:13	# Down #
00:30:20	For that man
00:30:23	that for me is the highest hope.
00:30:25	- [Phone ringing]
00:30:30	- [Giggling]
00:30:34	Girls, Molly...
00:30:36	I want you to take everything
00:30:39	I'll be up in two minutes for your baths.
00:30:41	Yes?
00:30:42	You sound out of breath.
00:30:45	Oh, so you're back?
00:30:47	Today.
00:30:48	How are the girls?
00:30:49	They're great.
00:30:51	Busy. Enjoying school.
00:30:53	[Chuckles]
00:30:54	And you?
00:30:56	Fine. We're all fine.
00:30:58	So, um, which night is boat night?
00:31:05	Saturday?
00:31:08	- Hello?
00:31:10	Saturday, that's, um...
00:31:13	day after tomorrow.
00:31:15	Yep.
00:31:17	That's fine.
00:31:18	Mommy, who are you talking to?
00:31:21	[Sighs]
00:31:23	Uh, 11:00?
00:31:25	Fine.
00:31:28	Mommy, who are you talking to?
00:31:30	Molly, what did I tell you about pickup?
00:31:32	- Upstairs...
00:31:33	No, no, no, it's fine, fine.
00:31:36	But please bring those boxes, okay?
00:31:38	- I've asked you, like...
00:31:41	The photos. My photos?
00:31:44	- I've asked you, like...
00:31:45	Fine. Fine, fine.
00:31:46	Molly!
00:31:48	Okay, I gotta go.
00:31:49	Uh, welcome back.
00:31:50	- [Hangs up]
00:32:02	[Man on TV]
00:32:04	I am holding the only true account,
00:32:06	so buy it here, read it there.
00:32:09	Buy it here, read it there.
00:32:12	Buy it here, read it there.
00:32:14	An epic tale of blunder and despair,
00:32:18	a withering saga
00:32:21	a swan song to America
00:32:25	or the children of dawn in crazy duress
00:32:28	ever watched the red sun
00:32:31	Buy it here, read it there!
00:32:34	An epic tale of blunder and despair,
00:32:37	a withering saga of mystery unveiled,
00:32:40	a swan song to America
00:32:44	and the children of dawn
00:32:47	[woman screams]
00:32:48	Thief! Somebody stop that man!
00:32:51	Stop!
00:32:54	No!
00:33:11	# I'm goin' down #
00:33:14	# To Rose Marie #
00:33:17	# She never does me wrong #
00:33:23	# She puts it to me #
00:33:27	# Plain as day #
00:33:30	# And gives it to me for a song #
00:33:35	# It's a wicked lie #
00:33:39	# But what the hell #
00:33:42	# Don't everybody got to eat? #
00:33:48	# And I'm just the same #
00:33:52	# As anyone else #
00:33:54	# When it comes to scratchin' #
00:33:57	# For my meat #
00:34:01	# Goin' to Acapulco #
00:34:09	# Goin' on the run #
00:34:14	# Goin' down #
00:34:16	# To see that girl #
00:34:21	# Gonna have some fun #
00:34:27	# It's not a bad way to make a livin' #
00:34:32	# And I ain't complainin' none #
00:34:38	# Well, I can blow my plum #
00:34:42	# And drink my rum #
00:34:44	# And then go on home #
00:34:46	# And have my fun #
00:34:51	# Goin' to Acapulco #
00:34:58	# Goin' on the run #
00:35:03	# Goin' down to see that girl #
00:35:10	# Gonna have some fun #
00:35:15	# Yeah #
00:35:22	# Gonna have some fun #
00:35:29	Trouble was, I'd grown
00:35:32	that sudden smell of fear
00:35:35	and the thrill of waiting up
00:35:37	for the end of the world.
00:35:52	# I'm not your stepping stone #
00:35:58	# You're trying to make
00:36:02	# You're losin' all the friends... #
00:36:03	Congratulations, you're a millionaire.
00:36:05	- Huh?
00:36:07	- Full guarantees.
00:36:09	There's 55 additional, I think it was.
00:36:12	Plus the 30?
00:36:13	Well, 29, minus tonight is 28.
00:36:15	That's 83 total.
00:36:17	83 shows?
00:36:18	Well, it's not really 83 shows...
00:36:19	Man, I can't do 83 more shows.
00:36:22	It's going to fucking kill me
00:36:25	Who the fuck said I ever
00:36:28	[Man]
00:36:29	Hey.
00:36:30	Far out show.
00:36:32	Thanks, man.
00:36:33	Grab a throne.
00:36:34	Really?
00:36:36	Far out.
00:36:37	You know Norman, my executioner.
00:36:41	Norman, this is Brian Jones
00:36:46	# Now you're walkin' round
00:36:50	# You've been awful careful
00:36:53	# But you won't find my name
00:36:56	# I said I'm not your stepping stone #
00:37:01	Find the drinks.
00:37:05	Look at all these medicines.
00:37:08	Hey, man, what... what are those?
00:37:10	Mandies.
00:37:12	They make you sleep.
00:37:13	Sleep! I ain't sleepin'.
00:37:16	Sleep's for dreamers.
00:37:18	I haven't slept in 30 days, man.
00:37:21	Takes a lot of medicine
00:37:27	Coco!
00:37:28	Norman, darling.
00:37:32	I know I'm a wretch for being late.
00:37:34	And it was entirely my fault.
00:37:37	Hey, what's happening?
00:37:41	I feel like complete shit
00:37:43	[Chuckles]
00:37:51	[Jude]
00:37:53	here in the land
00:37:56	Oh, fuck off.
00:37:58	She's been kinda... uptight lately.
00:38:02	Oh, she has.
00:38:04	Oh, I see.
00:38:05	Yes, in fact, if you'd like to know,
00:38:08	- Angelina's been missing for four days.
00:38:12	Judey knows who Angelina is,
00:38:14	If you're asking if I remember
00:38:18	[Laughter]
00:38:21	Charming.
00:38:23	She has the sweetest little pussy.
00:38:26	If you don't count the teeth.
00:38:27	Okay, man.
00:38:28	Oh, but properly protected.
00:38:30	- [Screams]
00:38:33	Meow!
00:38:34	- Baby!
00:38:36	Slow down, slow down, slow down.
00:38:38	I tell you, love and sex are two things
00:38:42	that really hang people up.
00:38:46	Why that is...
00:38:49	I'Il... I'll never fully understand.
00:38:55	Death to all those
00:39:00	Did she... Do you think she...
00:39:03	Don't worry, man.
00:39:05	She'll be back.
00:39:07	Chick's gotta shit on something.
00:39:10	What do you mean?
00:39:12	What do I mean?
00:39:15	Who are you?
00:39:18	I mean...
00:39:19	who gave you permission
00:39:26	You're... You're like a shadow, man.
00:39:30	Maybe you were hip once,
00:39:32	but that trick got old, man,
00:39:35	a long time ago.
00:39:37	Now, every time
00:39:39	it's like, how long is this gonna take?
00:39:42	It's not like anyone's
00:39:46	No one wants to deal,
00:39:48	a pathetic situation.
00:39:51	Guess I'm the asshole, right?
00:39:53	Because I'm the only one
00:40:03	Oh, man, it's sad.
00:40:08	You used to be funny.
00:40:11	And you honestly think
00:40:13	as anything but a... as a tool?
00:40:21	Oh, no, you're kidding me.
00:40:23	I can't even watch this.
00:40:25	The sky isn't yellow.
00:40:27	It's chicken.
00:40:30	You know, people said
00:40:34	Well, it's not what goes
00:40:38	that defiles it.
00:40:39	No, it's what comes out.
00:40:41	Good and evil were invented
00:40:50	Uh!
00:40:51	[Sonny]
00:40:52	Come on, let's get him outta here.
00:40:54	Get that door!
00:40:57	[Crowd screaming]
00:41:10	# I'm beginning to hear voices #
00:41:14	# And there's no one around #
00:41:17	# Now I'm all used up #
00:41:21	# And the fields have turned brown #
00:41:25	# 20 miles out of town #
00:41:27	# Cold irons bound #
00:41:49	Son, you better get down
00:41:52	You're liable to get yourself killed!
00:41:57	How does it feel?
00:41:59	# I got to know, Lord #
00:42:01	# When to pull back on the reins #
00:42:04	# Death can be the result of the most
00:42:07	Man that is born of woman
00:42:10	and full of trouble.
00:42:13	Why don't you do your early stuff?
00:42:14	# Satan whispers to ya #
00:42:16	# Well, I don't wanna bore ya #
00:42:19	# But when you get tired
00:42:21	# I got another woman for ya #
00:42:23	[Jude]
00:42:25	and kingdoms totter,
00:42:27	when disaster follows hard upon disaster
00:42:29	and terror hangs on every side...
00:42:31	[machine gun fire]
00:42:36	Why hast Thou made me Thy mark?
00:42:38	# Trouble in mind, Lord #
00:42:41	# Trouble in mind #
00:42:44	# Lord, take away this trouble in mind #
00:42:47	[Jack]
00:42:50	There's so many distractions,
00:42:54	Start walking right,
00:42:57	there's someone
00:42:59	Sure as we're living, sure as we're born,
00:43:02	look up, look up.
00:43:05	Gabriel blows his horn.
00:43:08	He was having a lot of worries,
00:43:10	telling me things.
00:43:13	I just asked him one day,
00:43:17	And he said, "Pray?"
00:43:21	You know, like that.
00:43:24	And he started asking
00:43:26	[Man]
00:43:29	but I sure knew who he was.
00:43:32	People worshipped him.
00:43:34	Maybe only Jesus
00:43:36	someone like that
00:43:40	In spring of 1974,
00:43:42	Jack Rollins followed
00:43:45	to Stockton, California,
00:43:47	and enrolled in a course in Bible study
00:43:49	here at the California
00:43:53	a Pentecostal assembly
00:43:56	Six months later,
00:43:57	Rollins accepted Jesus into his heart.
00:44:01	Today, the one-time '60s folk hero
00:44:03	is a fully ordained member
00:44:06	and an active figure in the state's
00:44:09	And yet, for the past two decades,
00:44:11	Father John has remained
00:44:14	I asked him why.
00:44:15	Old things are passed away.
00:44:20	All things are made anew.
00:44:22	It doesn't matter what I did before.
00:44:25	I've never lied to you.
00:44:28	Never told you who to vote for
00:44:31	back then when
00:44:34	What I didn't know
00:44:35	what kind of music you were playing.
00:44:38	Folk, pop, rock 'n roll...
00:44:43	we're all rolled up
00:44:45	Now, I'm not talking about a devil
00:44:51	I'm talking about a spiritual devil
00:44:57	He's gotta be overcome.
00:45:00	And we here in America,
00:45:05	What greater honor for a nation
00:45:09	than to speak for God?
00:45:11	For some say that the war
00:45:14	has already begun
00:45:16	where it is prophesized
00:45:22	And that Jesus will set up
00:45:25	So why should we worry
00:45:29	right here, right now?
00:45:30	And why are you free?
00:45:31	You're free because Jesus
00:45:33	That's why you're free.
00:45:34	You're free to seek
00:45:40	Now pick up your bed and walk.
00:45:44	# I'm pressin' on #
00:45:51	# I keep pressin' on #
00:45:57	# Yes, I'm pressin' on #
00:46:01	# To the higher calling of my Lord #
00:46:10	# Pressin' on #
00:46:16	# I keep pressin' on #
00:46:22	# I'm pressin' on #
00:46:26	# To the higher calling of my Lord #
00:46:37	# Shake the dust off your feet #
00:46:40	# Don't look back #
00:46:43	# Nothing can hold you down #
00:46:46	- # There's nothing you lack #
00:46:50	# Temptation, not an easy thing #
00:46:53	# Given the devil's reign #
00:46:56	# 'Cause he sinned I got no choice #
00:46:59	# It runs in my veins #
00:47:02	# I'm pressin' on #
00:47:06	# Goin', and goin', and goin' and goin' #
00:47:09	# Pressin' on #
00:47:13	# Can't hold me back #
00:47:15	# I'm pressin' on #
00:47:18	# To the higher calling of my Lord #
00:47:25	- # Pressin' on #
00:47:27	# Hey #
00:47:29	# On and on and on #
00:47:31	- # Pressin' on #
00:47:37	# Yeah, I'm pressing on #
00:47:39	Fuck!
00:47:41	# To the higher calling of my Lord #
00:47:47	# Ooh, my Lord, yeah #
00:47:51	# Pressin' on #
00:47:55	# On and on and on and on #
00:47:58	# Pressin' on #
00:48:01	# Gotta, gotta keep pressin' on #
00:48:07	# To the higher calling of my Lord #
00:48:12	# Hey, gonna keep... #
00:48:15	[Claire]
00:48:18	"and I continually fail to communicate
00:48:24	"because I continue
00:48:26	"even when I'm not to blame.
00:48:27	[Baby crying]
00:48:29	"Because each failing
00:48:31	"from myself,
00:48:33	"from my babies, and from you...
00:48:37	"For all these reasons
00:48:40	"and many more still unknown...
00:48:44	"I must listen.
00:48:47	"I must look around more than ever.
00:48:51	I must leave."
00:48:53	[No audible dialogue]
00:49:13	[Sighs, clears throat]
00:49:18	All right.
00:49:23	Thank you.
00:49:30	Not with the girls.
00:49:32	- Yes, Robbie.
00:49:35	Robbie!
00:49:36	You're not taking my kids!
00:49:38	What are you going to do?
00:49:40	What would you do?
00:49:42	Because I would, you know?
00:49:44	Perhaps I even would.
00:49:45	If you actually could, who knows?
00:49:50	But I'm not going to take your children
00:49:54	so you don't have to...
00:50:09	# Someone's got it in for me #
00:50:12	# They're planting
00:50:17	# Whoever it is,
00:50:20	# But when they will, I can only guess #
00:50:25	# They say I shot
00:50:28	# And took his wife to Italy #
00:50:31	# She inherited a million bucks #
00:50:34	# And when she died,
00:50:36	# I can't help it if I'm lucky #
00:50:42	# People see me all the time #
00:50:44	# And they just can't
00:50:50	# Their minds are filled with big ideas #
00:50:53	# Images #
00:50:54	# And distorted facts #
00:50:59	# Even you, yesterday #
00:51:01	# You had to ask me where it was at #
00:51:04	# I couldn't believe
00:51:07	# You didn't know me
00:51:11	# Sweet lady #
00:51:15	# Idiot wind #
00:51:17	# Blowing every time
00:51:24	# Going down the back roads,
00:51:29	# Idiot wind #
00:51:32	# Blowing every time
00:51:37	# You're an idiot, babe #
00:51:40	# It's a wonder that you
00:51:49	[no audible dialogue]
00:51:54	# It was gravity which pulled us in #
00:51:57	# And destiny
00:52:02	# You tamed the lion in my cage #
00:52:04	# But it just wasn't enough
00:52:09	# Now everything's a little upside-down #
00:52:12	# As a matter of fact,
00:52:14	# What's good is bad,
00:52:17	# You find out
00:52:20	# You're on the bottom #
00:52:25	[blows]
00:52:40	[Chatter on TV]
00:52:45	[Man]
00:52:48	...and try and shake this flytrap.
00:52:51	But they took away
00:52:53	and I was a pawn in their game.
00:52:55	I'm telling you, if I don't
00:52:58	try and dope things out...
00:53:03	so long, Alice.
00:53:06	Jack, where are you gonna go?
00:53:10	First place that
00:53:19	So, good people of Riddle,
00:53:21	we come here with no intent to disrupt,
00:53:25	but only to commend you
00:53:28	in this time of change.
00:53:30	And in addition,
00:53:33	the evacuation fund has been established
00:53:36	as I pledged to you it would be.
00:53:38	[Scattered applause]
00:53:41	Exactly what does that do
00:53:45	Dollar compensation
00:53:46	will be made available to, uh, uh...
00:53:50	- [whispering]
00:53:52	So what you want to do
00:53:53	after you done took our lives!
00:53:55	[Crowd murmurs]
00:53:56	I assure you, boy,
00:53:58	nobody here in the business
00:54:00	Might wanna explain that
00:54:04	Yeah, or Ms. Montgomery.
00:54:07	Or how about Old Man Sykes?
00:54:09	Yeah, well, the way I see it,
00:54:10	you can either go through Riddle,
00:54:13	so why are you going
00:54:14	Yeah, that's right,
00:54:16	Who is that talking?
00:54:18	You there.
00:54:20	- What's your name?
00:54:22	- Mm.
00:54:25	William, did you say?
00:54:29	Yes, sir.
00:54:32	I had... I had a friend...
00:54:37	However, thing is, sir, truly,
00:54:39	you got us hanging by a thread here.
00:54:42	Who are you? I know you.
00:54:45	I don't reckon so.
00:54:47	You ever live in Dallas County?
00:54:49	- Can't say I have.
00:54:51	[Sighs]
00:54:53	You were talented.
00:54:57	You could sing a ditty
00:54:59	You got... You got any musical strain?
00:55:03	I never had the knack.
00:55:05	What we're saying
00:55:09	you go do as you please,
00:55:10	just so long as you stay clear
00:55:12	[Crowd cheering]
00:55:15	Do you think you're speaking
00:55:17	You are just stirring up lies
00:55:20	Now, we have methods
00:55:21	for dealing with
00:55:33	Boys, bring him in!
00:55:34	Hey, hey, what do you
00:55:36	[Crowd shouting]
00:55:39	Quiet down!
00:55:40	No need to get off to cause
00:55:44	Take care of my horse!
00:55:55	[Billy]
00:55:57	# She cried both day and night #
00:55:59	# I know it because it was there #
00:56:06	# It's a milestone #
00:56:09	# But she's down on her luck #
00:56:12	# And she mainly so lonely #
00:56:15	# But to make him hard to buck #
00:56:18	# I was there #
00:56:23	[Arthur]
00:56:25	festering somewhere.
00:56:28	I don't mean like Woody Guthrie,
00:56:29	wasting away in some hospital.
00:56:31	His vitals are stable.
00:56:34	What he needs is sleep.
00:56:35	[Arthur]
00:56:37	Decay like that.
00:56:39	That's nature's will,
00:56:44	I don't dig nature at all.
00:56:46	I don't think he can get back on stage.
00:56:49	He's gotten inside so many psyches,
00:56:52	and death is just such a part
00:56:56	It's the reds that make him mean.
00:56:58	He's already gone.
00:57:01	[Arthur]
00:57:05	which nature cannot
00:57:08	# When I'm there, she's all right #
00:57:11	# But she's not when I'm gone #
00:57:15	[girls giggling]
00:57:17	# Heaven knows that the answer #
00:57:20	# She don't call no one #
00:57:24	# She's the way #
00:57:25	# For sailing beautiful #
00:57:27	# She's mine for the one #
00:57:30	# And I lost a heavy tension #
00:57:33	# By temptation as it runs #
00:57:36	# But she don't follow me #
00:57:38	# But I'm not there #
00:57:40	# I'm gone #
00:57:48	# Now I'll cry tonight #
00:57:51	# Like I cried the night before #
00:57:53	# And I'll feast on the highs #
00:57:57	# But I'll dream about the door #
00:58:00	# So long, Jesus, savior #
00:58:03	# Blind faith #
00:58:04	# Is the tale #
00:58:06	# It don't have confirmation #
00:58:09	# She smiles fairly well #
00:58:15	# Now, when I choose to live it #
00:58:18	# I was born to love her #
00:58:21	# But she knows that #
00:58:23	# The kingdom waits #
00:58:24	# So high above her #
00:58:27	# And I run #
00:58:29	# Then I race #
00:58:30	# But it's not too fast to stand #
00:58:33	# But I don't perceive her #
00:58:35	# I'm not there #
00:58:36	Don't worry, Mr. B.
00:58:37	Your secret's safe with me.
00:58:40	God save the secrets.
00:58:42	[Train horn blares]
00:58:45	And you too, Homer.
00:58:46	Come on.
00:58:49	[Horn blares]
00:58:51	# I don't need anybody now #
00:58:54	# Beside me to tell #
00:58:57	# And it's all revelation #
00:59:00	# I recede #
00:59:02	# Good night #
00:59:03	# She's a long-bodied beauty #
00:59:06	# But she's gone like a smile #
00:59:09	# And she's gone #
00:59:15	# Yeah, she's gone like the rainbow #
00:59:18	# That was shinin' yesterday #
00:59:21	# But now she's old beside me #
00:59:24	# And I'd like to hear... #
00:59:26	Henry!
00:59:28	Henry!
00:59:29	Come on, Henry. Come on, girl.
00:59:31	Come on.
00:59:32	Come on!
00:59:33	Henry!
00:59:35	Come on!
00:59:38	Bye, Henry!
00:59:46	Good-bye, my lady.
00:59:51	[Engine starts]
01:00:01	[Tires screeching]
01:00:20	# With your mercury mouth #
01:00:25	# In the missionary times #
01:00:29	# And your eyes like smoke #
01:00:33	# And your prayers like rhymes #
01:00:37	# And your silver cross #
01:00:41	# And your voice
01:00:46	Doesn't really matter, you know,
01:00:47	what kind of nasty names
01:00:52	But, uh, folk music
01:00:56	that I can't use anymore.
01:00:59	What I'm talking about
01:01:02	right, which is to say
01:01:05	it's based on hexagons.
01:01:07	But all these songs
01:01:11	roses growing
01:01:13	and lovers who are
01:01:15	are turning into angels...
01:01:17	I mean, you know,
01:01:19	They're not folk music songs.
01:01:21	They're political songs.
01:01:24	They're already dead.
01:01:27	You'd think that these traditional music people
01:01:30	would... would gather
01:01:34	is a traditional fact, you know,
01:01:35	seeing as they're
01:01:38	And contradictions.
01:01:40	Yeah, contradictions.
01:01:42	And chaos.
01:01:44	Yes, it's chaos, clocks,
01:01:47	You know, it's... it's everything.
01:01:54	These people actually think
01:01:59	fantastic imagination.
01:02:03	It gets very, uh, lonesome.
01:02:07	But traditional music
01:02:09	is just, uh...
01:02:10	It's too unreal to die.
01:02:12	It doesn't need to be protected.
01:02:14	You know, I mean,
01:02:16	true valid death
01:02:18	you know, off a record player.
01:02:21	But like everything else in great demand,
01:02:29	Has to do with, like,
01:02:34	I think its meaninglessness is holy.
01:02:40	Everybody knows I'm not a folk singer.
01:02:44	## [Harmonica]
01:02:56	[Gunshots]
01:03:01	[Sighs]
01:03:03	[Creaking, rumbling]
01:03:05	[Groans]
01:03:31	[Billy]
01:03:33	Freedom to live a certain way
01:03:36	without being kicked around.
01:03:44	Course, the more
01:03:47	the less it feels like freedom.
01:03:56	Me? I can change during
01:03:59	I wake and I'm one person,
01:04:01	and when I go to sleep, I know for certain
01:04:03	I'm somebody else.
01:04:06	I don't know who I am,
01:04:21	It's like you got yesterday,
01:04:24	today, and tomorrow,
01:04:32	There's no tellin' what can happen.
01:04:34	## [Harmonica imitates train whistle]
01:04:44	## [Harmonica, upbeat]
01:06:06	# Once upon a time,
01:06:08	# Threw the bums a dime
01:06:12	# Didn't you? #
01:06:15	# People call, say beware, doll #
01:06:17	# You're bound to fall
01:06:21	# Kiddin' you #
01:06:26	# You used to laugh about #
01:06:30	# Everybody that was hangin' out #
01:06:35	# Now you don't talk so loud #
01:06:39	# Now you don't seem so proud #
01:06:43	# About havin' to be scrounging #
01:06:47	# Your next meal #
01:06:52	# How does it feel? #
01:06:57	# How does it feel #
01:07:01	# To be without a home #
01:07:06	# Like a complete unknown #
01:07:11	# Like a rolling stone? #
01:07:13	## [harmonica]
01:07:27	## [Fuzz guitar]
01:07:33	# Things are crashing better #
01:07:36	# She's all too tight #
01:07:39	# In my neighborhood #
01:07:41	# She cried both day and night #
01:07:44	# She's a lone-hearted mystic #
01:07:47	# And she can't carry on #
01:07:50	# When I'm there, she's all right #
01:07:53	# Then she's not when I'm gone #
01:07:59	# Heaven knows that the answer #
01:08:02	# She don't call no one #
01:08:05	# She's the way forsaken beauty #
01:08:08	# She's mine for the one #
01:08:11	# And I've asked her hesitating #
01:08:14	# About temptation as it runs #
01:08:17	# She don't follow me #
01:08:20	# I'm leaving #
01:08:22	# I'm gone #
01:08:26	# Now, I'll cry tonight #
01:08:29	# Like I cried the night before #
01:08:32	# And I'll feast on the highway #
01:08:35	# But I'll dream about the door #
01:08:38	# It's alone #
01:08:40	# She's forsaken #
01:08:41	# By her fate #
01:08:43	# Words to tell #
01:08:44	# It don't have approximation #
01:08:47	# She smiles fairly well #
01:08:53	# Her smile is contagious #
01:08:56	# I was born to love her #
01:08:59	# But she knows that the kingdom #
01:09:02	# Waits so high above her #
01:09:05	# And I run #
01:09:06	# But I race #
01:09:08	# But it's not too fast to stand #
01:09:11	# But I've got to be free #
01:09:14	# And I'm not there #
01:09:16	# I'm gone #
01:09:20	# Well, it's too hard to stay here #
01:09:23	# And I don't want to leave #
01:09:25	# It's so hard for so few #
01:09:28	# Sleep, but she's hard #
01:09:30	# Too hard to breathe #
01:09:32	# It's a load #
01:09:33	# It's a crime #
01:09:34	# The way she mauls me around #
01:09:37	# But she don't phone to hate me #
01:09:40	# But it's time to make the clown #
01:09:46	# Yes, I believe that it's rightful #
01:09:49	# I believe it in my mind #
01:09:52	# I been told #
01:09:53	# Like I slept #
01:09:55	# Before I carry on the grind #
01:09:58	# Yes, the soul judge had told her #
01:10:01	# That I should carry on #
01:10:04	# The child's been hurt and alone #
01:10:09	# Then I'm gone #
01:10:17	# Mama, take this badge off of me #
01:10:24	# I can't use it anymore #
01:10:32	# It's gettin' dark #
01:10:33	# Much too dark to see #
01:10:39	# Feel I'm knocking on heaven's door #
01:10:47	# Knock, knock, knocking
01:10:54	# Knock, knock, knocking
01:11:01	# Knock, knock, knocking
01:11:09	# Knock, knock, knocking
01:11:17	# Mama, wipe this blood from my face #
01:11:24	# I'm sick and tired of the war #
01:11:32	# Don't know if it's night #
01:11:33	# Or if it's the sun #
01:11:35	# Rising higher #
01:11:39	# Scared I'm knockin'
01:11:47	# Ooh, ooh, ooh-ooh #
01:12:02	# Ooh, ooh, ooh-ooh #
01:12:25	Subtitles extracted by LeapinLar

I m Not There