|
All That You Love Will Be Carried Away
|
| 00:00:10 |
Subtitles by Cobra35 |
| 00:01:06 |
& All That You Love Will Be Carried Away & |
| 00:01:41 |
Alfred Zimmer. |
| 00:01:45 |
Friends call me Alfie, |
| 00:01:51 |
Room 19. |
| 00:01:54 |
Allright. |
| 00:01:56 |
- Mind if I tell you something? |
| 00:02:00 |
I've been selling in the |
| 00:02:02 |
and I have formulated four basic rules |
| 00:02:06 |
One, always reserve ahead. |
| 00:02:09 |
Two, always reserve at a franchise motel |
| 00:02:13 |
your Ramada Inn, your |
| 00:02:16 |
Three, always get a room on the end. |
| 00:02:18 |
That way, you only have is |
| 00:02:22 |
Four, always get a room that starts with a one. |
| 00:02:26 |
Why is that? |
| 00:02:28 |
Because, I'm forty-four years old, too |
| 00:02:32 |
eating chicken-fried steak, |
| 00:02:36 |
Okee Dokie. |
| 00:02:42 |
Of course, the problem with |
| 00:02:46 |
...is that they're all |
| 00:02:48 |
So, I have a rule for that, too. |
| 00:02:50 |
Ask for'em and smoke anyway. |
| 00:03:01 |
Save Russian Jews. |
| 00:03:06 |
& FROZEN FOOD & |
| 00:03:13 |
There is a market for gourmet foods |
| 00:03:19 |
even in the Dakotas, although |
| 00:03:23 |
I've done quite well, especially |
| 00:03:26 |
as I've gotten to know the |
| 00:03:30 |
it's never going to equal the market for, |
| 00:03:40 |
Is it possible that behind those lights, |
| 00:03:42 |
some farmer's wife is even now heating |
| 00:03:46 |
Or perhaps micro-waving a Cottager |
| 00:03:51 |
It is. It's as possible as Hell. |
| 00:03:56 |
Her husband watches the early |
| 00:03:59 |
...and his socked feet on a hassock, |
| 00:04:02 |
...and overhead their son plays |
| 00:04:09 |
...and their daughter lies on a bed, |
| 00:04:11 |
kicking her feet behind |
| 00:04:31 |
Can I help you? |
| 00:04:32 |
I just dropped by for a dinner. |
| 00:04:35 |
That sounds a good |
| 00:04:55 |
Can I help you? |
| 00:04:57 |
Save Russian Jews. |
| 00:05:13 |
Can I help you? |
| 00:05:14 |
Ma'am, according to at least |
| 00:05:18 |
'All that you love |
| 00:05:27 |
Maybe then I could offer her... |
| 00:05:29 |
...a sample box of Cottager |
| 00:05:33 |
Maybe she'd have |
| 00:05:37 |
Many did. |
| 00:06:01 |
Alfie Zimmer. |
| 00:06:06 |
Charles More... Fertilizer. |
| 00:06:09 |
- Yeah, I can tell you, remembered |
| 00:06:11 |
How about that botany |
| 00:06:13 |
You get called in there? |
| 00:06:15 |
Yeah. Truck dropped that tassel. |
| 00:06:21 |
You know why? |
| 00:06:24 |
I already know |
| 00:06:29 |
It's square. |
| 00:06:31 |
The walls are white. |
| 00:06:32 |
On one wall is a picture of daylilies, |
| 00:06:36 |
It's cold in there right now, |
| 00:06:38 |
but if I hit that "High Heat" |
| 00:06:41 |
it'd heat up real fast, |
| 00:06:45 |
There are twin-beds, identical |
| 00:06:48 |
first tucked under the pillows |
| 00:06:52 |
so that they resemble |
| 00:06:56 |
On the table beside the bed |
| 00:06:58 |
a Gideon Bible. |
| 00:07:01 |
In the bathroom, |
| 00:07:04 |
you get the fan, too. |
| 00:07:06 |
There is no way around there. |
| 00:07:08 |
And then, the smell. |
| 00:07:10 |
Can come a harsh chemical |
| 00:07:13 |
...next with the mildew |
| 00:07:20 |
It's the room of my dreams. |
| 00:08:32 |
I bought this notebook |
| 00:08:33 |
...in the stationary department of some |
| 00:08:38 |
- ...for a dollar and nine cents. |
| 00:08:43 |
& I suckt Jim Morrison's cock |
| 00:08:45 |
Restrooms are filled |
| 00:08:48 |
most of it tiresome |
| 00:08:51 |
but "poutie boy mouth" |
| 00:09:13 |
Poopie doopie you so loopy. |
| 00:09:15 |
I'm crazy about that one. |
| 00:09:18 |
Something about the "-ie, -ie," |
| 00:09:24 |
It could be no more than |
| 00:09:27 |
but why think like that? |
| 00:09:29 |
What fun would that be? |
| 00:09:30 |
No, I prefer to believe |
| 00:09:33 |
...wait for it... "-y" was |
| 00:09:38 |
Something sneaky |
| 00:09:39 |
with the feel of an |
| 00:09:46 |
Two today. |
| 00:09:47 |
I found two today. |
| 00:09:50 |
Two in one day. |
| 00:09:52 |
Two on the last day. |
| 00:09:57 |
Like some sort of omen. |
| 00:10:02 |
& Save Russian Jews |
| 00:10:34 |
& All That You Love Will Be Carried Away. & |
| 00:11:16 |
& All That You Love Will Be Carried Away. & |
| 00:11:32 |
So many... so many entries |
| 00:11:39 |
...and roadside chicken shacks |
| 00:11:42 |
...the way certain songs |
| 00:11:44 |
...can bring back specific |
| 00:11:48 |
...or the person you were with, |
| 00:11:51 |
what you were thinking... |
| 00:12:24 |
& Here I sit, I'm at a loss, |
| 00:12:27 |
& I know I'm going to drop a load, |
| 00:12:41 |
& My mother made me a whore. & |
| 00:12:43 |
& If I supply the yarn, |
| 00:12:46 |
I started collecting |
| 00:12:48 |
...without at first |
| 00:12:51 |
They were just amusing, |
| 00:12:55 |
or both at the same time. |
| 00:12:57 |
Yet, little by little I became fascinated |
| 00:13:01 |
where the only other communications |
| 00:13:04 |
...when you passed in the rain, |
| 00:13:06 |
or maybe somebody in a bad |
| 00:13:08 |
...when you went by in the passing lane |
| 00:13:13 |
I came gradually to see... |
| 00:13:16 |
- or perhaps only hope - |
| 00:13:19 |
that something was |
| 00:13:22 |
The E. E. Cummings' lilt of |
| 00:13:26 |
for instance, or the |
| 00:13:32 |
...of 1380 West Avenue. |
| 00:13:35 |
Kill my mother. |
| 00:13:40 |
Or take this oldie: |
| 00:13:42 |
Here I sit, cheeks a flexin', |
| 00:13:47 |
The meter, |
| 00:13:51 |
Is not iambs, but some |
| 00:13:54 |
...with the stress on the third. |
| 00:13:57 |
Here I sit, cheeks a flexin', |
| 00:14:05 |
Of course, it broke down |
| 00:14:08 |
I thought on many occasions |
| 00:14:10 |
take some courses, get all that |
| 00:14:14 |
Know that |
| 00:14:15 |
...instead of running on |
| 00:14:18 |
All I really remember clearly |
| 00:14:23 |
"To be or not to be, |
| 00:14:26 |
& The real question is |
| 00:14:28 |
I had thought about |
| 00:14:31 |
Just a little one. |
| 00:14:32 |
The first title that |
| 00:14:35 |
"Don't Look Up Here, You're |
| 00:14:38 |
...but you couldn't call a book that. |
| 00:14:40 |
Not and reasonably hope someone... |
| 00:14:42 |
...could put it out for |
| 00:14:45 |
And, besides, that was light. |
| 00:14:47 |
I became convinced over the years |
| 00:14:53 |
The title I finally decided |
| 00:14:56 |
...something I'd seen in a |
| 00:15:00 |
Kansas, on Highway 54. |
| 00:15:03 |
I Killed Ted Bundy: The Secret |
| 00:15:08 |
by Alfred Zimmer. |
| 00:15:10 |
That sounded mysterious |
| 00:15:13 |
almost scholarly. |
| 00:15:17 |
But I hadn't done it. |
| 00:15:20 |
I'm just a little man, |
| 00:15:21 |
with a little man's job. |
| 00:15:24 |
I sell things. |
| 00:15:27 |
A line of frozen dinners currently. |
| 00:15:29 |
And now, of course... |
| 00:15:33 |
...now. |
| 00:15:57 |
Hi, it's me. |
| 00:15:59 |
I'm in Wentworth. |
| 00:16:01 |
Remember the casserole... |
| 00:16:02 |
...you were gonna |
| 00:16:04 |
She is expecting it, so... |
| 00:16:09 |
Oh, she asked for |
| 00:16:12 |
I know you think she's |
| 00:16:14 |
but go ahead and humor her, |
| 00:16:20 |
Tell Carlene that |
| 00:16:28 |
I love you. |
| 00:17:16 |
It's me again. |
| 00:17:18 |
Don't forget Rambo's appointment |
| 00:17:22 |
And the sea-jerky strips at night. |
| 00:17:25 |
They really do help his hips. |
| 00:17:30 |
Bye. |
| 00:17:36 |
Okee Dokie. |
| 00:17:41 |
The first thing anyone would |
| 00:17:44 |
would be my dead body of course, |
| 00:17:46 |
my head hanging down and |
| 00:17:49 |
The second thing, however, |
| 00:18:02 |
Watch the blood. |
| 00:18:10 |
"All that you love... |
| 00:18:13 |
Frank, looks like this nutjob |
| 00:18:21 |
"Elvis killed big pussy." |
| 00:18:24 |
I think we're lucky... |
| 00:18:24 |
...this guy didn't decide to |
| 00:18:27 |
Take a bunch of little kids. |
| 00:18:33 |
But, I'm not crazy, |
| 00:18:35 |
and the things I've written here |
| 00:18:38 |
I'm convinced of it. |
| 00:18:40 |
They'll think I'm crazy... |
| 00:18:41 |
...if they find this |
| 00:18:44 |
And is that fair to |
| 00:18:47 |
Carlene who's at her |
| 00:18:52 |
No, of course not. |
| 00:18:58 |
But, there's nothing fair about |
| 00:19:01 |
Sometimes when you're |
| 00:19:03 |
you see big curls of rubber |
| 00:19:06 |
...the recap tires some of |
| 00:19:12 |
That's what I feel like. |
| 00:19:15 |
Thrown tread. |
| 00:19:20 |
The pills make it worse. |
| 00:19:22 |
They clear your mind just enough |
| 00:19:28 |
It's an embarrassment to me |
| 00:19:31 |
and I can't explain |
| 00:19:34 |
If I can't explain that |
| 00:19:37 |
...within the context |
| 00:19:39 |
It would be like accidentally |
| 00:19:42 |
because you were experimenting |
| 00:19:45 |
...got found that way with your shorts |
| 00:19:49 |
Behind the picture, maybe? |
| 00:19:53 |
That might work. |
| 00:19:57 |
But they'll still find the pills |
| 00:20:01 |
They're prescription, sure, |
| 00:20:02 |
but not the sort the doctor |
| 00:20:07 |
And if they find the pills, |
| 00:20:09 |
Then, the things inside my |
| 00:20:12 |
even crazier, because of the |
| 00:20:30 |
I'll throw it in |
| 00:20:34 |
Soon, he'll come out |
| 00:20:37 |
the cab filled with music of |
| 00:20:41 |
or maybe even Clint Black and he will plow |
| 00:20:46 |
...and it will disappear |
| 00:20:54 |
Someone in Cameron, Missouri |
| 00:20:57 |
"Relax, it's all just the rinse cycle." |
| 00:21:07 |
See, a shot in the mouth |
| 00:21:13 |
Far easier than struggling |
| 00:21:16 |
if any at all, |
| 00:21:26 |
I'll count down from sixty. |
| 00:21:29 |
If the light in the kitchen comes |
| 00:21:34 |
I'll write the book. |
| 00:21:42 |
In order to write a book like that, |
| 00:21:45 |
...how it was to measure |
| 00:21:50 |
and the very width of land, |
| 00:21:53 |
and how the wind sounded when |
| 00:21:56 |
...at one of those rest areas |
| 00:22:00 |
How it sounded almost like words. |
| 00:22:03 |
You'd have to explicate |
| 00:22:06 |
and how the badrooms |
| 00:22:09 |
and the great hollow farts |
| 00:22:12 |
and how in that silence the |
| 00:22:18 |
The voices of those who had written |
| 00:22:22 |
That telling... |
| 00:22:25 |
...that would hurt, |
| 00:22:29 |
but if the wind drops and the |
| 00:22:37 |
I'll do that anyway. |
| 00:22:40 |
If they don't,... well. |
| 00:22:43 |
Either way. |
| 00:22:49 |
Either way. |
| 00:22:53 |
Sixty. |
| 00:22:56 |
Fifty nine... |
| 00:23:00 |
Fifty eight... |
| 00:23:04 |
Fifty seven... |
| 00:23:06 |
Fifty six... |
| 00:23:09 |
Fifty five... |
| 00:23:12 |
Fifty four... |
| 00:23:15 |
Fifty three... |
| 00:23:18 |
Fifty two... |
| 00:23:21 |
Fifty one... |
| 00:23:24 |
Fifty... |
| 00:23:26 |
Fourty nine... |
| 00:23:29 |
Fourty eight... |
| 00:23:32 |
Fourty seven... |
| 00:23:35 |
Fourty six... |
| 00:23:39 |
Fourty five... |
| 00:23:42 |
Fourty four... |
| 00:23:44 |
Fourty three... |
| 00:23:46 |
Fourty two... |
| 00:23:49 |
Fourty one... |
| 00:23:51 |
Fourty... |
| 00:23:53 |
Thirty nine... |
| 00:23:55 |
Thirty eight... |
| 00:23:58 |
Thirty seven... |
| 00:24:00 |
Thirty six... |
| 00:24:03 |
Thirty five... |
| 00:24:05 |
Thirty four... |
| 00:24:07 |
Thirty three... |
| 00:24:08 |
& Based on a story by Stephen KING & |
| 00:24:09 |
& Based on a story by Stephen KING & |
| 00:24:12 |
& Based on a story by Stephen KING & |
| 00:24:14 |
Thirty... |
| 00:24:17 |
Twenty nine... |
| 00:24:18 |
Subtitles by Cobra35 |
| 00:01:41 |
Alfred Zimmer. |
| 00:01:45 |
Friends call me Alfie, |
| 00:01:51 |
Room 19. |
| 00:01:54 |
Allright. |
| 00:01:56 |
- Mind if I tell you something? |
| 00:02:00 |
I've been selling in the |
| 00:02:02 |
and I have formulated four basic rules |
| 00:02:06 |
One, always reserve ahead. |
| 00:02:09 |
Two, always reserve at a franchise motel |
| 00:02:13 |
your Ramada Inn, your |
| 00:02:16 |
Three, always get a room on the end. |
| 00:02:18 |
That way, you only have is |
| 00:02:22 |
Four, always get a room that starts with a one. |
| 00:02:26 |
Why is that? |
| 00:02:28 |
Because, I'm forty-four years old, too |
| 00:02:32 |
eating chicken-fried steak, |
| 00:02:36 |
Okee Dokie. |
| 00:02:42 |
Of course, the problem with |
| 00:02:46 |
...is that they're all |
| 00:02:48 |
So, I have a rule for that, too. |
| 00:02:50 |
Ask for'em and smoke anyway. |
| 00:03:01 |
Save Russian Jews. |
| 00:03:13 |
There is a market for gourmet foods |
| 00:03:19 |
even in the Dakotas, although |
| 00:03:23 |
I've done quite well, especially |
| 00:03:26 |
as I've gotten to know the |
| 00:03:30 |
it's never going to equal the market for, |
| 00:03:40 |
Is it possible that behind those lights, |
| 00:03:42 |
some farmer's wife is even now heating |
| 00:03:46 |
Or perhaps micro-waving a Cottager |
| 00:03:51 |
It is. It's as possible as Hell. |
| 00:03:56 |
Her husband watches the early |
| 00:03:59 |
...and his socked feet on a hassock, |
| 00:04:02 |
...and overhead their son plays |
| 00:04:09 |
...and their daughter lies on a bed, |
| 00:04:11 |
kicking her feet behind |
| 00:04:31 |
Can I help you? |
| 00:04:32 |
I just dropped by for a dinner. |
| 00:04:35 |
That sounds a good |
| 00:04:55 |
Can I help you? |
| 00:04:57 |
Save Russian Jews. |
| 00:05:13 |
Can I help you? |
| 00:05:14 |
Ma'am, according to at least |
| 00:05:18 |
'All that you love |
| 00:05:27 |
Maybe then I could offer her... |
| 00:05:29 |
...a sample box of Cottager |
| 00:05:33 |
Maybe she'd have |
| 00:05:37 |
Many did. |
| 00:06:01 |
Alfie Zimmer. |
| 00:06:06 |
Charles More... Fertilizer. |
| 00:06:09 |
- Yeah, I can tell you, remembered |
| 00:06:11 |
How about that botany |
| 00:06:13 |
You get called in there? |
| 00:06:15 |
Yeah. Truck dropped that tassel. |
| 00:06:21 |
You know why? |
| 00:06:24 |
I already know |
| 00:06:29 |
It's square. |
| 00:06:31 |
The walls are white. |
| 00:06:32 |
On one wall is a picture of daylilies, |
| 00:06:36 |
It's cold in there right now, |
| 00:06:38 |
but if I hit that "High Heat" |
| 00:06:41 |
it'd heat up real fast, |
| 00:06:45 |
There are twin-beds, identical |
| 00:06:48 |
first tucked under the pillows |
| 00:06:52 |
so that they resemble |
| 00:06:56 |
On the table beside the bed |
| 00:06:58 |
a Gideon Bible. |
| 00:07:01 |
In the bathroom, |
| 00:07:04 |
you get the fan, too. |
| 00:07:06 |
There is no way around there. |
| 00:07:08 |
And then, the smell. |
| 00:07:10 |
Can come a harsh chemical |
| 00:07:13 |
...next with the mildew |
| 00:07:20 |
It's the room of my dreams. |
| 00:08:32 |
I bought this notebook |
| 00:08:33 |
...in the stationary department of some |
| 00:08:39 |
...for a dollar and nine cents. |
| 00:08:44 |
Restrooms are filled |
| 00:08:48 |
most of it tiresome |
| 00:08:51 |
but "poutie boy mouth" |
| 00:09:13 |
Poopie doopie you so loopy. |
| 00:09:15 |
I'm crazy about that one. |
| 00:09:18 |
Something about the "-ie, -ie," |
| 00:09:24 |
It could be no more than |
| 00:09:27 |
but why think like that? |
| 00:09:29 |
What fun would that be? |
| 00:09:30 |
No, I prefer to believe |
| 00:09:33 |
...wait for it... "-y" was |
| 00:09:38 |
Something sneaky |
| 00:09:39 |
with the feel of an |
| 00:09:46 |
Two today. |
| 00:09:47 |
I found two today. |
| 00:09:50 |
Two in one day. |
| 00:09:52 |
Two on the last day. |
| 00:09:57 |
Like some sort of omen. |
| 00:11:32 |
So many... so many entries |
| 00:11:39 |
...and roadside chicken shacks |
| 00:11:42 |
...the way certain songs |
| 00:11:44 |
...can bring back specific |
| 00:11:48 |
...or the person you were with, |
| 00:11:51 |
what you were thinking... |
| 00:12:46 |
I started collecting |
| 00:12:48 |
...without at first |
| 00:12:51 |
They were just amusing, |
| 00:12:55 |
or both at the same time. |
| 00:12:57 |
Yet, little by little I became fascinated |
| 00:13:01 |
where the only other communications |
| 00:13:04 |
...when you passed in the rain, |
| 00:13:06 |
or maybe somebody in a bad |
| 00:13:08 |
...when you went by in the passing lane |
| 00:13:13 |
I came gradually to see... |
| 00:13:16 |
- or perhaps only hope - |
| 00:13:19 |
that something was |
| 00:13:22 |
The E. E. Cummings' lilt of |
| 00:13:26 |
for instance, or the |
| 00:13:32 |
...of 1380 West Avenue. |
| 00:13:35 |
Kill my mother. |
| 00:13:40 |
Or take this oldie: |
| 00:13:42 |
Here I sit, cheeks a flexin', |
| 00:13:47 |
The meter, |
| 00:13:51 |
Is not iambs, but some |
| 00:13:54 |
...with the stress on the third. |
| 00:13:57 |
Here I sit... cheeks a flexin'... |
| 00:14:05 |
Of course, it broke down |
| 00:14:08 |
I thought on many occasions |
| 00:14:10 |
take some courses, get all that |
| 00:14:14 |
Know that |
| 00:14:15 |
...instead of running on |
| 00:14:18 |
All I really remember clearly |
| 00:14:23 |
"To be or not to be, |
| 00:14:28 |
I had thought about |
| 00:14:31 |
Just a little one. |
| 00:14:32 |
The first title that |
| 00:14:35 |
"Don't Look Up Here, You're |
| 00:14:38 |
...but you couldn't call a book that. |
| 00:14:40 |
Not and reasonably hope someone... |
| 00:14:42 |
...could put it out for |
| 00:14:45 |
And, besides, that was light. |
| 00:14:47 |
I became convinced over the years |
| 00:14:53 |
The title I finally decided |
| 00:14:56 |
...something I'd seen in a |
| 00:15:00 |
Kansas, on Highway 54. |
| 00:15:03 |
I Killed Ted Bundy: The Secret |
| 00:15:08 |
by Alfred Zimmer. |
| 00:15:10 |
That sounded mysterious |
| 00:15:13 |
almost scholarly. |
| 00:15:17 |
But I hadn't done it. |
| 00:15:20 |
I'm just a little man, |
| 00:15:21 |
with a little man's job. |
| 00:15:24 |
I sell things. |
| 00:15:27 |
A line of frozen dinners currently. |
| 00:15:29 |
And now, of course... |
| 00:15:33 |
...now. |
| 00:15:57 |
Hi, it's me. |
| 00:15:59 |
I'm in Wentworth. |
| 00:16:01 |
Remember the casserole... |
| 00:16:02 |
...you were gonna |
| 00:16:04 |
She is expecting it, so... |
| 00:16:09 |
Oh, she asked for |
| 00:16:12 |
I know you think she's |
| 00:16:14 |
but go ahead and humor her, |
| 00:16:20 |
Tell Carlene that |
| 00:16:28 |
I love you. |
| 00:17:16 |
It's me again. |
| 00:17:18 |
Don't forget Rambo's appointment |
| 00:17:22 |
And the sea-jerky strips at night. |
| 00:17:25 |
They really do help his hips. |
| 00:17:30 |
Bye. |
| 00:17:36 |
Okee Dokie. |
| 00:17:41 |
The first thing anyone would |
| 00:17:44 |
would be my dead body of course, |
| 00:17:46 |
my head hanging down and |
| 00:17:49 |
The second thing, however, |
| 00:18:02 |
Watch the blood. |
| 00:18:10 |
"All that you love... |
| 00:18:13 |
Frank, looks like this nutjob |
| 00:18:21 |
"Elvis killed big pussy." |
| 00:18:24 |
I think we're lucky... |
| 00:18:24 |
...this guy didn't decide to |
| 00:18:27 |
Take a bunch of little kids. |
| 00:18:33 |
But, I'm not crazy, |
| 00:18:35 |
and the things I've written here |
| 00:18:38 |
I'm convinced of it. |
| 00:18:40 |
They'll think I'm crazy... |
| 00:18:41 |
...if they find this |
| 00:18:44 |
And is that fair to |
| 00:18:47 |
Carlene who's at her |
| 00:18:52 |
No, of course not. |
| 00:18:58 |
But, there's nothing fair about |
| 00:19:01 |
Sometimes when you're |
| 00:19:03 |
you see big curls of rubber |
| 00:19:06 |
...the recap tires some of |
| 00:19:12 |
That's what I feel like. |
| 00:19:15 |
Thrown tread. |
| 00:19:20 |
The pills make it worse. |
| 00:19:22 |
They clear your mind just enough |
| 00:19:28 |
It's an embarrassment to me |
| 00:19:31 |
and I can't explain |
| 00:19:34 |
If I can't explain that |
| 00:19:37 |
...within the context |
| 00:19:39 |
It would be like accidentally |
| 00:19:42 |
because you were experimenting |
| 00:19:45 |
...got found that way with your shorts |
| 00:19:49 |
Behind the picture, maybe? |
| 00:19:53 |
That might work. |
| 00:19:57 |
But they'll still find the pills |
| 00:20:01 |
They're prescription, sure, |
| 00:20:02 |
but not the sort the doctor |
| 00:20:07 |
And if they find the pills, |
| 00:20:09 |
Then, the things inside my |
| 00:20:12 |
even crazier, because of the |
| 00:20:30 |
I'll throw it in |
| 00:20:34 |
Soon, he'll come out |
| 00:20:37 |
the cab filled with music of |
| 00:20:41 |
or maybe even Clint Black and he will plow |
| 00:20:46 |
...and it will disappear |
| 00:20:54 |
Someone in Cameron, Missouri |
| 00:20:57 |
"Relax, it's all just the rinse cycle." |
| 00:21:07 |
See, a shot in the mouth |
| 00:21:13 |
Far easier than struggling |
| 00:21:16 |
if any at all, |
| 00:21:26 |
I'll count down from sixty. |
| 00:21:29 |
If the light in the kitchen comes |
| 00:21:34 |
I'll write the book. |
| 00:21:42 |
In order to write a book like that, |
| 00:21:45 |
...how it was to measure |
| 00:21:50 |
and the very width of land, |
| 00:21:53 |
and how the wind sounded when |
| 00:21:56 |
...at one of those rest areas |
| 00:22:00 |
How it sounded almost like words. |
| 00:22:03 |
You'd have to explicate |
| 00:22:06 |
and how the badrooms |
| 00:22:09 |
and the great hollow farts |
| 00:22:12 |
and how in that silence the |
| 00:22:18 |
The voices of those who had written |
| 00:22:22 |
That telling... |
| 00:22:25 |
...that would hurt, |
| 00:22:29 |
but if the wind drops and the |
| 00:22:37 |
I'll do that anyway. |
| 00:22:40 |
If they don't,... well. |
| 00:22:43 |
Either way. |
| 00:22:49 |
Either way. |
| 00:22:53 |
Sixty. |
| 00:22:56 |
Fifty nine... |
| 00:23:00 |
Fifty eight... |
| 00:23:04 |
Fifty seven... |
| 00:23:06 |
Fifty six... |
| 00:23:09 |
Fifty five... |
| 00:23:12 |
Fifty four... |
| 00:23:15 |
Fifty three... |
| 00:23:18 |
Fifty two... |
| 00:23:21 |
Fifty one... |
| 00:23:24 |
Fifty... |
| 00:23:26 |
Fourty nine... |
| 00:23:29 |
Fourty eight... |
| 00:23:32 |
Fourty seven... |
| 00:23:35 |
Fourty six... |
| 00:23:39 |
Fourty five... |
| 00:23:42 |
Fourty four... |
| 00:23:44 |
Fourty three... |
| 00:23:46 |
Fourty two... |
| 00:23:49 |
Fourty one... |
| 00:23:51 |
Fourty... |
| 00:23:53 |
Thirty nine... |
| 00:23:55 |
Thirty eight... |
| 00:23:58 |
Thirty seven... |
| 00:24:00 |
Thirty six... |
| 00:24:03 |
Thirty five... |
| 00:24:05 |
Thirty four... |
| 00:24:07 |
Thirty three... |
| 00:24:09 |
Thirty two... |
| 00:24:12 |
Thirty one... |
| 00:24:14 |
Thirty... |
| 00:24:17 |
Twenty nine... |
| 00:24:18 |
Subtitles by Cobra35 |
