Imagine That
|
00:00:37 |
Mr. Danielson? |
00:00:40 |
He took my blanket! |
00:00:42 |
Okay. Everybody calm down! |
00:00:43 |
You'll get your blanket! |
00:00:50 |
lt's mine! Legally, it's mine! lt's mine! |
00:00:54 |
Nice, Evan. Really nice. |
00:00:57 |
Evan, get help. Get help! |
00:00:59 |
l don't need help! |
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- Man, you're crazy! |
00:01:05 |
l want my goo-gaa! |
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He wasn't always this way. |
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Once upon a time, he was a king. |
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The king of Somewhere. |
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Strong and powerful. |
00:01:21 |
What l'm suggesting is that |
00:01:22 |
you reallocate 8% of your equity |
00:01:25 |
He protected his loyal subjects |
00:01:29 |
All right, are you looking at the charts? |
00:01:31 |
Well, these are actually very |
00:01:34 |
But one day he left his Kingdom |
00:01:37 |
and he got lost in the Land of Nowhere. |
00:01:41 |
Something no one could |
00:02:01 |
Everybody's upped their stocks... |
00:02:03 |
I am here to taIk about finances, |
00:02:24 |
In Nowhere Land, |
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or at Ieast they aII try to be. |
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Evan, it's Noah. I got a feather. |
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- You got a what? |
00:02:34 |
lt was on my desk with a note attached. |
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- From Johnny Whitefeather? |
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What'd the note say? |
00:02:38 |
"l'll be at your 9:00 a.m. See you |
00:02:42 |
- Wow. Then the rumor must be true. |
00:02:45 |
- Stevens is cashing in. |
00:02:47 |
- He's selling the company? |
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His repIacement is gonna be me |
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You're gonna get this job! |
00:02:55 |
- Hey. Good morning! |
00:02:57 |
- Good morning! |
00:02:59 |
It was a very strange pIace. |
00:03:00 |
...and they've narrowed it down |
00:03:03 |
And it is confirmed, Whitefeather is |
00:03:05 |
The King was reaIIy unhappy there. |
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- Hey, Tod! |
00:03:11 |
Take this down to graphics |
00:03:13 |
- After l... |
00:03:14 |
- What about the... |
00:03:17 |
- How much are we paying that guy? |
00:03:20 |
lt might be too much. |
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l think it was because he was |
00:03:26 |
from those who wanted |
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Johnny Whitefeather. |
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Evan Danielson. |
00:03:35 |
- After you, sir. |
00:03:38 |
So those of us he left behind |
00:03:47 |
Whip, l said l'd sit you down with |
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Evan's been our number-one guy |
00:03:55 |
Johnny's been with us for 16 months, |
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but he's already |
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Either way, you'll be well taken care of |
00:04:04 |
- Evan? |
00:04:06 |
You've made some |
00:04:07 |
but quite frankly, l think we can do |
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Evan Danielson's office. |
00:04:15 |
Now, this will give you a solid base of |
00:04:20 |
Yeah, l understand. ls it... |
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Did you call her mother? |
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Because if l say it's urgent |
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The goo-gaa? |
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- Fantastic, Evan. |
00:04:36 |
- Johnny? |
00:04:39 |
Dave, Lee, Troy. |
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just like old man Stevens |
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Said to himself, "l hired an lndian. |
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And how. |
00:04:57 |
Hey, l really appreciate |
00:04:59 |
a little piece of venison to your potlatch. |
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Okay. |
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We're here under one sky. |
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All of us, under one sky. |
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One sky. |
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Evan Danielson, |
00:05:18 |
Uses the whole eye. |
00:05:21 |
But there is a difference between sight |
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and vision. |
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Sight is about |
00:05:35 |
Vision is about what lies ahead. |
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- The genius of the hawk... |
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Johnny, sorry to interrupt you |
00:05:43 |
in one of your always interesting stories |
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but, gentlemen, l have... |
00:05:48 |
in the very capable hands of |
00:05:51 |
l have a little family emergency at my |
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Thank you for your time, sir. |
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That's what we're all talking about. |
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Life, nest, eggs. Circle of life. |
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Yeah. Hakuna matata. |
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l'm so sorry, but the school kept calling. |
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- Don't tell me. The goo-gaa. |
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l hate that blanket! |
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We don't normally allow |
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but because of yours |
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we made a temporary exception. |
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Unfortunately, |
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Hey, you guys. |
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So this is why l was called out of work? |
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Because my daughter's |
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No, the reason l called you, |
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is because her class went inside |
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She's still sitting here because |
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- Kupida and Mopida are... |
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l told Trish we're gonna have to |
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Well, Trish and l discussed this, |
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and we both feel that |
00:06:47 |
is the reason why she still feels |
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lt's usually an indication of |
00:06:53 |
that haven't been met. |
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What's happening? Are they talking? |
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Well, you know, sometimes, |
00:07:01 |
You just have to rip it off. |
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Right. |
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Rip it. |
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Rip. |
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Kupida. l can't hear you both |
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Go ahead, Mopida. |
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Wait. Wait a minute. |
00:07:27 |
Hey, Liv. |
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- Hi, Daddy. |
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Hey, remember we talked about |
00:07:34 |
when you couldn't take the goo-gaa |
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That day is gonna be today. |
00:07:39 |
So what Daddy's gonna do |
00:07:41 |
l'm gonna hold on to it for you. |
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When you get home from school, |
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All right, sweetie. |
00:07:48 |
And you have a great day. |
00:08:11 |
As you know, |
00:08:13 |
relies solely on contributions. |
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Yeah. l've got 12 people and four desks. |
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Mr. Cosgrove, can l call you right back? |
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Trish, please, this is a really bad week. |
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Evan, l told you three months ago |
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- That's this week? |
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You promised me you wouldn't do this. |
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Look, Evan, |
00:08:41 |
- Trish, please, not this week. |
00:08:42 |
- Not this week. l'm begging you. |
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- Can we flip-flop and l'll do it next week? |
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- l promise you... |
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Evan, even if l could, l wouldn't. |
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Evan, why did you tell me |
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'Cause l did. l do! |
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l just didn't know l'd be so bad at it. |
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You know, Evan, |
00:09:11 |
You make huge deals every day. |
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l'm sure you'll find a way |
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Sweetie, you're gonna go |
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- Okay. |
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And l'm gonna call you every night |
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- Promise? |
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- Okay. |
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l love you, too. |
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Okay, here we go. |
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Hey, you're a competitive guy. |
00:09:57 |
That's intimidating, |
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Okay, first of all, |
00:10:02 |
l'm her father. |
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- What? |
00:10:07 |
Or through me. |
00:10:09 |
She's got this imaginary world |
00:10:11 |
with Kupida and Kapuda and Zupida. |
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Look, l'm gonna put this |
00:10:18 |
You're a complete idiot. |
00:10:19 |
You feel out of control |
00:10:22 |
Hey, look, man. |
00:10:26 |
But don't be Mr. Mystic Man |
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- Man Whisperer. |
00:10:30 |
John Strother, former cornerback |
00:10:33 |
is now known as the "Man Whisperer." |
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- That's right. |
00:10:38 |
Look, all l'm saying is that |
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- Yeah. Yeah. |
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Stop. Please. Stop. Stop! |
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lf you don't whisper to little Evan, |
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- you'll never get through to Olivia! |
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- and l'm not whispering with you. |
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No, l wasn't. |
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l was whispering on the other... |
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You was finished talking, |
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l wasn't whispering with you. |
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Little Evan? |
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Say it again. Say, "Whisper to little |
00:11:00 |
- You know what's gonna happen? |
00:11:01 |
- What you gonna do? |
00:11:04 |
What's that have to do with anything? |
00:11:13 |
- Hey, baby. |
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- You wear him out? |
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- Where are they at? |
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What? They started without me? |
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- Hey, Ev. Livvy's upstairs. |
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Absolutely. Anytime. |
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And Trish told me to remind you, |
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- Okay. |
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lt's a sleepover here, |
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And the Fall Sing is Saturday. |
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Livvy's really nervous, |
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She doesn't think l'm gonna |
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No. She does not. |
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Oh, no. Come on, guys. |
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More! l want to be beautiful! |
00:12:00 |
Hey, Ev. |
00:12:01 |
l've got the perfect size seat |
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- Come, sit down. |
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Come on, Liv, let's go. We gotta go. |
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- Bye, Olivia. |
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- Bye, Liv. |
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Denver Broncos, huh? |
00:12:19 |
No, Mopida, l can't go. |
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No. |
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Well, yeah. |
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Are you sure, Mopida? |
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Okay, if you say so. |
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What? He actually had a snake? |
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Nobody's going to fall |
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What we have to do is find a better way |
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No, no, listen. |
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Here's what we're gonna do. |
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No, no, no, no. |
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and l don't like what l see. First of... |
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Hold on a second. |
00:13:07 |
Olivia, what are you doing? |
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- You said you'd be a king. |
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You said last time that next time |
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Well, l don't recall saying that. |
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And even if l did say that, |
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l don't have the right stuff |
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l don't have any king clothes, |
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lt's called a crown. |
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- Evan, you there? |
00:13:28 |
Whatever. Olivia, please, just go to bed. |
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l will sleep in here. |
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No, you're sleeping in your room. |
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- You go sleep in your bedroom. |
00:13:39 |
All right. You're gonna go to sleep? |
00:13:42 |
Go over there and lay down. Be quiet, |
00:13:47 |
l'm sorry, man. Where was l? |
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Listen, this is where |
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'Cause he's thinking we're gonna go |
00:13:54 |
But what we're gonna do... Digital Fiber. |
00:13:57 |
- That's the obvious choice. |
00:14:00 |
Hold on a second. |
00:14:02 |
- Olivia. |
00:14:05 |
Yeah, sorry about that, man. Look. |
00:14:09 |
You gotta be quiet. |
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lt's his job, not yours. |
00:14:15 |
Can l call you back? Thank you. |
00:14:19 |
All right, that's it. |
00:14:22 |
Now, l asked you to be quiet, |
00:14:24 |
- Yes, l do. |
00:14:26 |
l asked you not to talk, |
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You don't know how to listen, |
00:14:30 |
you take your blanket |
00:14:36 |
Come on now. |
00:14:38 |
Come on, come on, really, please. |
00:14:39 |
Come on, please. l'm saying, "Please." |
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Now what? |
00:14:55 |
What is it? |
00:14:59 |
Look, l told you, |
00:15:02 |
Daddy has a lot of work to do. |
00:15:07 |
What? |
00:15:10 |
l do listen. |
00:15:49 |
l'm sorry. |
00:15:51 |
How many days till l go back home? |
00:16:01 |
I've gone over everything we taIked |
00:16:04 |
That's perfect, because |
00:16:07 |
- Of course. |
00:16:08 |
- Digital Fiber. |
00:16:10 |
Exactly. |
00:16:11 |
- right after l drop Olivia off to school. |
00:16:13 |
All right. Okay. |
00:16:14 |
Come on, honey. Let's get going. |
00:16:16 |
l think this milk is spoiled. |
00:16:18 |
No. That's not possible, |
00:16:20 |
Come on, let's go! Let's go. |
00:16:42 |
What if we say |
00:16:45 |
Tomorrow, can we make pancakes? |
00:16:47 |
Honey, l don't know |
00:16:49 |
- you know, supply-wise or skill-wise. |
00:16:52 |
l got a better idea. |
00:16:53 |
she can make some pancakes, |
00:16:55 |
we'll thaw them out |
00:16:57 |
- Not what l was thinking. |
00:17:00 |
Hey, you didn't pack my Fall Sing music. |
00:17:05 |
Okay, your Fall Sing... |
00:17:07 |
Okay, here it is! Right here. |
00:17:13 |
Rick? |
00:17:14 |
- l thought you said you were in a hurry. |
00:17:24 |
Okay, stop, stop, stop. Once is enough. |
00:17:30 |
Hey, does Mommy ever make |
00:17:33 |
- You mean Rick? |
00:17:35 |
ls that the guy from Mommy's work with |
00:17:39 |
"Hello, l'd like to talk to you for a sec." |
00:17:42 |
No, that's Skip. Rick is tall. |
00:17:45 |
Handsome, too. |
00:17:50 |
Good for Rick. |
00:17:53 |
- Morning, Graciella. |
00:17:55 |
- Hi, Graciella. |
00:17:58 |
Hey, Graciella! One thing. |
00:18:00 |
Can you please make some pancakes |
00:18:04 |
Thank you so much. All right. |
00:18:05 |
Hey, what are you, a button maniac? |
00:18:07 |
Press one floor and leave it alone. |
00:18:09 |
Daddy? |
00:18:11 |
Kupida wanted me to tell you something. |
00:18:14 |
Yeah. Go ahead. |
00:18:16 |
She heard what you were saying |
00:18:20 |
and she told me to tell you |
00:18:23 |
Which guy? Rick or Skip? |
00:18:25 |
The companies, |
00:18:29 |
Kupida doesn't like them, |
00:18:35 |
Daddy, do you know |
00:18:39 |
Daddy, l said, |
00:18:41 |
- Why? |
00:18:44 |
- Do you know which one they do like? |
00:18:47 |
The first one, |
00:18:50 |
- Are you sure you're listening? |
00:18:53 |
but come on, we got to go. Let's go. |
00:18:57 |
Kupida and Mopida really like it. |
00:18:59 |
- You know why? |
00:19:01 |
- Because it has buried treasure. |
00:19:05 |
- You aren't listening. |
00:19:13 |
Okay, so, we're here, |
00:19:16 |
And there's something |
00:19:44 |
Hey, come on, come on, |
00:19:50 |
- Liv! How are you? |
00:19:52 |
- Give me five. |
00:19:55 |
Okay, guys, l got, like, |
00:19:57 |
She's just gonna sit down here |
00:19:59 |
Let's get settled in. All right. |
00:20:01 |
- Mike, which one can l get rid of? |
00:20:03 |
That one. |
00:20:04 |
No. You don't say that one. |
00:20:06 |
That's Dante D'Enzo. |
00:20:08 |
- Kupida says he's boring. |
00:20:12 |
Because he happens to be one of |
00:20:15 |
- No, he's boring. |
00:20:16 |
Why am l standing here |
00:20:18 |
Let me get something for you to watch. |
00:20:21 |
There you go. There's the... |
00:20:23 |
Okay, look, can you watch my kid for |
00:20:26 |
Watch that Barney and l'll be... |
00:20:29 |
That's not Barney. That's Blue. |
00:20:32 |
And now I'm going to tap your knee |
00:20:36 |
Did you see that? |
00:20:37 |
...by increasing your family's holdings |
00:20:40 |
lf you take a look at these charts here |
00:20:52 |
Granted, Solocom looks solid, |
00:20:54 |
but if you pore over the financials, |
00:20:57 |
the smart play here is Digital Fiber. |
00:20:59 |
- Kupida says no. |
00:21:03 |
- No. |
00:21:05 |
l'm sorry. Don't move on Digital Fiber? |
00:21:08 |
Oh, no. Yes, yes. Do go, yes. No. |
00:21:11 |
- No? |
00:21:19 |
- Mother? |
00:21:22 |
Johnny? |
00:21:25 |
Not really. lt's good work from Evan. |
00:21:30 |
l struggled with it myself last night. |
00:21:31 |
l went to sleep convinced |
00:21:34 |
the Pressman family towards |
00:21:38 |
But in the middle of the night, |
00:21:42 |
She taps me on the forehead and says, |
00:21:46 |
"There's something happening |
00:21:49 |
"Uzbeka-what? |
00:21:50 |
"lt's 4:30 in the morning, little friend. |
00:21:54 |
But she said there's a kalacampi, |
00:22:00 |
And l let the dream sparrow fly away. |
00:22:03 |
- The dream sparrow. |
00:22:06 |
on the white fire grid |
00:22:10 |
At 4:15 this morning, |
00:22:13 |
the Uzbeki government |
00:22:16 |
to detonate a nuclear weapon. Boom. |
00:22:20 |
Digital Fiber, Solocom, |
00:22:22 |
all of their underground cabling |
00:22:27 |
lost in that mushroom cloud. |
00:22:30 |
Defend yourself, mountain republic, |
00:22:34 |
You followed through. |
00:22:38 |
But 200 miles south, in Turkmenistan, |
00:22:41 |
a little company called TriTek, |
00:22:45 |
but today, their 6,000 miles of |
00:22:51 |
looking a lot more valuable. |
00:22:58 |
- Let's keep our fingers crossed, huh? |
00:23:02 |
Evan, you mind if l sit in on your 11:00? |
00:23:06 |
Well, Johnny, that's not up to me. |
00:23:09 |
So it's cool? |
00:23:10 |
Because l checked with the client, |
00:23:13 |
That's great. That's great. |
00:23:16 |
Hey, ain't nothing but a thing. |
00:23:18 |
The herd moves on, |
00:23:21 |
You're going to be just fine. |
00:23:29 |
One sky. |
00:23:33 |
l didn't realize you guys were so tight. |
00:23:36 |
You know what l want you to do |
00:23:37 |
Go down to legal |
00:23:40 |
l want to know |
00:23:42 |
if l were to stab Johnny Whitefeather. |
00:23:50 |
- Daddy! |
00:23:52 |
- But, Daddy! |
00:23:54 |
And listen to me, Liv. |
00:23:56 |
You cannot come down here |
00:23:58 |
and flail your arms around. |
00:24:01 |
- Rose! |
00:24:04 |
Can you take Olivia downstairs |
00:24:08 |
- Are you hungry, honey? |
00:24:09 |
l don't think she's hungry. |
00:24:12 |
She's starving. l can see that. |
00:24:13 |
Come on. Here we go. |
00:24:16 |
Have some girl talk. |
00:24:23 |
- Hey, Ev. |
00:24:25 |
l'm trying to find my notes for the 11:00. |
00:24:28 |
Actually, it pertains to the 11:00. |
00:24:32 |
First, Johnny has just asked me |
00:24:38 |
l can't believe it. |
00:24:42 |
Yeah, it's stupid. |
00:24:46 |
- And you said yes, didn't you? |
00:24:50 |
But then he put |
00:24:51 |
He needed an answer immediately. So... |
00:24:54 |
lt's all well and good, Noah. |
00:24:57 |
Now if you don't mind, l gotta get ready |
00:25:00 |
That's the other thing. |
00:25:04 |
He had a conflict at 11:00. |
00:25:06 |
Johnny moved my meeting |
00:25:08 |
Yeah. lt started at 10:30, |
00:25:10 |
so l popped in here as a courtesy to you, |
00:25:15 |
And thank you so much for hiring me. |
00:25:18 |
- Out! |
00:25:22 |
Rose! |
00:25:25 |
Where are my notes for the 11:00? |
00:25:28 |
- Sorry. l think they're in there. |
00:25:36 |
Mr. D, l talked to the lawyer guy upstairs |
00:25:42 |
about the whole stabbing |
00:25:47 |
lt's a definite no-can-do |
00:25:51 |
- Go away, Tod. Go very far away. |
00:25:59 |
l can't find them. |
00:26:01 |
Well, they're here somewhere, Rose. |
00:26:02 |
Please, l can't make it happen |
00:26:04 |
- Find my notes. Please. |
00:26:06 |
All of a sudden, l'm late for a meeting |
00:26:09 |
All right. lt's all right. |
00:26:13 |
Oh, my God. |
00:26:20 |
Did you draw on my worksheets? |
00:26:21 |
- Qwali said l could. |
00:26:25 |
Qwali said you could. |
00:26:27 |
l'm getting ready to go into |
00:26:28 |
They're gonna be judging Daddy, |
00:26:30 |
and all of a sudden, |
00:26:32 |
pictures of flowers and sparkly stuff |
00:26:35 |
and, what is this, |
00:26:37 |
Kupida says they might get married. |
00:26:39 |
And why is this sticky? |
00:26:42 |
lt's sparkle glue. Sparkly. |
00:26:45 |
This is a disaster. |
00:27:04 |
- A horror show. |
00:27:06 |
Love. Laugh. Walahala! |
00:27:10 |
Live. Love. Laugh. Walahala! |
00:27:18 |
l have never, guys, |
00:27:21 |
about the prospects of our pension fund! |
00:27:26 |
l wish l could take credit, Fred, |
00:27:28 |
but we gotta give that to the Walahala, |
00:27:31 |
Hey, rain down prosperity! |
00:27:34 |
- And how. |
00:27:42 |
Evan. Everybody, |
00:27:47 |
l would hope so, after seven years |
00:27:50 |
Yeah. Of course. |
00:27:53 |
Good to see you. |
00:27:56 |
Mr. Whitefeather, he made some rather |
00:28:02 |
- Yeah. |
00:28:03 |
So what do you think, Evan? |
00:28:07 |
or do you have some special insight |
00:28:12 |
how you would increase the fund? |
00:28:15 |
l think l do have some insight. |
00:28:24 |
What l was going to suggest was |
00:28:26 |
a 4% reallocation |
00:28:33 |
And in addition |
00:28:40 |
to that... |
00:28:42 |
Okay. Good. Thank you. |
00:28:45 |
l don't know about you guys, |
00:28:49 |
Didn't l tell you he was good? |
00:28:50 |
Hey, man. |
00:28:52 |
Sometimes the best spear |
00:28:54 |
Ain't nothing but a thing. |
00:29:01 |
"Ain't nothing but a thing." |
00:29:03 |
lt's not a thing, but it is? |
00:29:07 |
But it's not. But it's something. |
00:29:11 |
You're a seeker, brother crow. |
00:29:15 |
You know what? Stop it right now. |
00:29:16 |
Because l'm not going to be |
00:29:18 |
Dr. Seuss-meets-Pocahontas |
00:29:20 |
"One sky, two sky, red sky, blue sky!" |
00:29:23 |
Evan, that's shadow time. Okay. |
00:29:27 |
Oh, no. Please, please, please, |
00:29:30 |
Lord, Lord, Lord, make him stop, Lord. |
00:29:34 |
What's the matter? l've been |
00:29:36 |
And you know that, Fred! |
00:29:39 |
and l went to Aspen with you |
00:29:42 |
We got history together. |
00:29:43 |
You gonna throw it all away because |
00:29:45 |
and got you chanting "Walla Walla"? |
00:29:47 |
Evan, we're always looking for fresh |
00:29:50 |
lt's like Johnny says. |
00:29:52 |
You got turtles that live in their shell |
00:29:57 |
What? What? What did you just say? |
00:29:59 |
What did he say? Johnny just said... |
00:30:01 |
What was that? |
00:30:03 |
He said turtles with no shell... |
00:30:05 |
Called geckos, man. |
00:30:08 |
That's not even biology! |
00:30:10 |
How could you listen... |
00:30:13 |
You want new ideas? |
00:30:16 |
'Cause slow, predictable growth |
00:30:18 |
Let's talk about... Let's talk about |
00:30:21 |
Let's talk about this company. |
00:30:23 |
Buy lots and lots of ChemStar. |
00:30:27 |
Everybody knows that |
00:30:30 |
so go out and buy some ChemStar |
00:30:33 |
Okay. Here's fresh new idea |
00:30:34 |
These companies were so stinky |
00:30:37 |
Snip! Snip! Snip! |
00:30:40 |
Okay. |
00:30:43 |
Look at that. |
00:30:45 |
What are they doing? |
00:30:48 |
They're kissing. |
00:30:54 |
Marriage! They're getting married! |
00:30:56 |
YeIIowFin and AeroDyne sitting in a tree |
00:31:02 |
First comes Iove, come on |
00:31:04 |
- Evan. Stop. |
00:31:06 |
l got more. l got more, Tom! |
00:31:11 |
NeoDyne, |
00:31:13 |
6% of your equity is in NeoDyne. |
00:31:14 |
You know what fresh new thinking has |
00:31:17 |
Pull out! Pull out now. You know why? |
00:31:18 |
Because NeoDyne is about |
00:31:20 |
and have his underwear exposed. |
00:31:22 |
- No. |
00:31:25 |
Poop is in the underwear. |
00:31:26 |
Poop. Nasty doo-doo. Stinky ca-ca. |
00:31:29 |
NeoDyne, pants pulled down, |
00:31:32 |
poo-poo, doo-doo, stinky ca-ca. Okay? |
00:31:34 |
Those are my fresh new... |
00:31:37 |
So those are my new ideas. |
00:31:39 |
Raining down! |
00:31:52 |
- Did you tell them what Kupida said? |
00:31:57 |
Did they like it? |
00:31:58 |
l imagine it was |
00:32:05 |
Oh, God. What have l done? |
00:32:08 |
ls everything okay? |
00:32:20 |
Hey, Ev? |
00:32:22 |
Stevens wants to see you. Yeah. |
00:32:48 |
- He just kind of flipped out. |
00:32:52 |
Look, whatever you heard l said, |
00:32:55 |
- l heard you said poop. |
00:32:59 |
Nice. |
00:33:04 |
l will be back in as much time |
00:33:06 |
as it officially takes to say, |
00:33:29 |
Evan, what... |
00:33:31 |
Tom, l don't know what... |
00:33:33 |
l'm still trying to process |
00:33:36 |
So am l, too. Really, Tom. |
00:33:39 |
How did you know |
00:33:41 |
Listen to me, Tom. There's... What? |
00:33:46 |
The two companies |
00:33:48 |
AeroDyne and YellowFin. |
00:33:49 |
- What did you mean by that? |
00:33:52 |
My brother-in-law |
00:33:55 |
For 18 months, they've been looking for |
00:33:59 |
Of the literally |
00:34:02 |
there's only one whose financials |
00:34:05 |
and that's YellowFin. |
00:34:07 |
Now, how did you know |
00:34:12 |
- l just... |
00:34:16 |
ChemStar. |
00:34:20 |
Yes? |
00:34:22 |
- Yeah, okay... |
00:34:26 |
came in during the meeting. |
00:34:31 |
"ChemStar finalizes plans to expand |
00:34:33 |
"bauxite excavation |
00:34:36 |
"Stock up 18%." |
00:34:40 |
Bauxite. |
00:34:41 |
It's sparkIe gIue. |
00:34:42 |
- Sparkly. |
00:34:45 |
NeoDyne. You said to get out. |
00:34:50 |
- Do you? |
00:34:52 |
l wrote this down. |
00:34:55 |
"Because their pants |
00:34:59 |
"and everyone was going to see |
00:35:01 |
"which was filled with poop." |
00:35:04 |
Yeah, l remember that. |
00:35:05 |
Lunchtime today, they were exposed |
00:35:10 |
Pants pulled down. |
00:35:16 |
So l'm asking you again. |
00:35:19 |
How did you know all of this? |
00:35:24 |
- Are you insider trading? |
00:35:28 |
Then what are you doing? |
00:35:32 |
Where are you getting this information? |
00:35:38 |
- So it's the goo-gaa? |
00:35:41 |
What do you mean you go there? |
00:35:42 |
- To where the princesses live. |
00:35:45 |
That's Kupida and Qwali |
00:35:48 |
Qwali's a queen. |
00:35:49 |
Kupida, Mopida and Sopida |
00:35:52 |
- Okay, got you. |
00:35:54 |
Right. Right. |
00:35:57 |
Now, they tell you things |
00:36:05 |
Well, you know what, |
00:36:07 |
l want you to ask them about. |
00:36:09 |
You can do it yourself. |
00:36:13 |
l can ask them myself. |
00:36:15 |
Yes, it'll be fun. |
00:36:20 |
Okay. |
00:36:24 |
A little more room here. |
00:36:26 |
- Now, l do what now? |
00:36:27 |
- l take the goo-gaa. |
00:36:28 |
- Hold it up to my face. |
00:36:32 |
- Okay, l'm doing it in little circles. Okay. |
00:36:35 |
Now you put it over your head, like this. |
00:36:39 |
Okay. Now what? |
00:36:40 |
And you kind of call them in your mind |
00:36:45 |
Okay. So l call to them in my mind |
00:36:48 |
- Yeah. |
00:36:51 |
Keep spinning. Keep spinning. |
00:36:58 |
l'm spinning around. |
00:37:00 |
Are you calling them in your mind? |
00:37:03 |
Yeah. |
00:37:05 |
Okay. So am l supposed to just |
00:37:08 |
'Cause l'm a tad bit nauseous now. |
00:37:13 |
Okay, we're there! |
00:37:26 |
lsn't it beautiful? |
00:37:31 |
Come on, Daddy! |
00:37:37 |
Wow. The princesses |
00:37:40 |
No, because this part's all burned. |
00:37:42 |
Yes, burned from a big forest fire. |
00:37:45 |
No, Sopida's dragon burnt it all. |
00:37:48 |
Sopida has a dragon? |
00:37:50 |
And if you want to get past her, |
00:37:53 |
l gotta sing a song |
00:37:57 |
- Hurry. She's coming! |
00:38:00 |
Sing. |
00:38:07 |
Sopida's dragon, please let me pass |
00:38:11 |
Sopida's dragon |
00:38:13 |
You gotta do better than that. |
00:38:16 |
Sopida's dragon, please let me pass |
00:38:23 |
Try higher. |
00:38:25 |
Sopida's dragon, please let... |
00:38:28 |
- Higher, like a mouse! |
00:38:31 |
Sopida's dragon, please let me pass |
00:38:36 |
She very hates that. |
00:38:38 |
- l'm with her. |
00:38:41 |
Okay, like a frog. |
00:38:44 |
Sopida's dragon, please let me pass |
00:38:48 |
Sopida's dragon... |
00:38:49 |
She very likes that. She fell asleep. |
00:38:52 |
Now we can go through her cave. Duck! |
00:38:55 |
All right, going into the cave. |
00:38:57 |
No, it's tiny. Can't you see? |
00:38:59 |
Okay. My eyes are just adjusting still. |
00:39:01 |
Jump, Daddy! Jump! |
00:39:02 |
- Jump? Why am l jumping? Okay. |
00:39:05 |
Okay, you're in. |
00:39:07 |
- Now you're out. |
00:39:09 |
- France! |
00:39:12 |
- Now, we're on the beach. |
00:39:14 |
All right. Great! ls it a nice beach here? |
00:39:17 |
Only 'cause mermaids give us |
00:39:20 |
That's so nice. |
00:39:26 |
Oh, no! Someone's coming! |
00:39:30 |
Can't what? What happened? |
00:39:32 |
She doesn't trust you! |
00:39:34 |
- Why? Why... |
00:39:36 |
l'm ducking! But what did Daddy do? |
00:39:37 |
Why's she throwing rocks at me? |
00:39:39 |
Up the path! |
00:39:42 |
Go back down! |
00:39:44 |
- This way. |
00:39:47 |
Okay, we made it. There they are. |
00:39:51 |
Hi, Kupida! Hi, Mopida! |
00:39:53 |
- Hey. |
00:39:56 |
Hey, Kupida and Mopida, how are you? |
00:40:01 |
My name is Evan Danielson, |
00:40:05 |
They already know who you are. |
00:40:07 |
Okay. |
00:40:10 |
lt's good to see you. |
00:40:12 |
the two of you. |
00:40:16 |
l'm here to ask you. l was wondering... |
00:40:21 |
- Are you sure they're... |
00:40:26 |
l was gonna... l have some... |
00:40:30 |
l want to ask about magnesium futures |
00:40:35 |
and their relationship to |
00:40:42 |
Specifically, these three companies, |
00:40:45 |
La Paz Ore and lron, |
00:40:49 |
and Weston Metallurgy Limited. |
00:40:53 |
Weston Metallurgy. |
00:40:55 |
These three. l was wondering if you... |
00:41:01 |
l don't want to be in your way. |
00:41:04 |
Okay, what are they doing? |
00:41:06 |
- Yeah. |
00:41:07 |
They're talking. |
00:41:14 |
Really? |
00:41:16 |
Are you sure? |
00:41:19 |
Okay. |
00:41:21 |
Yes, no, no. |
00:41:24 |
Did they give a reason? |
00:41:27 |
- Because it's fancy? |
00:41:31 |
But you're also saying, and this is what |
00:41:34 |
that we should abandon all interests |
00:41:37 |
- That's correct. |
00:41:40 |
What did he say again? |
00:41:41 |
"Be a big, dumb showoff |
00:41:44 |
No. Trike. |
00:41:48 |
Well, no offense, son, |
00:41:50 |
a load of what you just stepped in. |
00:41:52 |
Well, that's why we brought |
00:41:55 |
What you got, son? |
00:41:56 |
Mr. Rowe, that's funny. |
00:41:59 |
The country's entire monetary system |
00:42:05 |
That's a laugh. lt's good to laugh. |
00:42:10 |
But there's a time to be serious. |
00:42:12 |
We're out here in these holy mountains |
00:42:17 |
They're full of predator, prey. |
00:42:21 |
The lion of the mountain |
00:42:27 |
Better watch out, jack-bunny... |
00:42:29 |
- Excuse me, one moment. |
00:42:38 |
Love the new act, man. |
00:42:40 |
- Fun character. |
00:42:43 |
You know, there's an old tribal saying, |
00:42:45 |
"lt's not the paint |
00:42:48 |
- What? |
00:42:53 |
Evan, l ever tell you |
00:42:55 |
a guy l used to go fishing with |
00:42:58 |
l think you spared me that story. |
00:43:00 |
He'd go fishing |
00:43:02 |
and always come back with 10 fat trout. |
00:43:05 |
Turned out he was stopping off |
00:43:08 |
l'm not insider trading, |
00:43:10 |
Whoa, come on. Let's don't go into |
00:43:14 |
- There's a lot of bear in those woods. |
00:43:17 |
lf you're going to talk to me, |
00:43:20 |
You want me to speak directly? |
00:43:22 |
Then do it. |
00:43:25 |
You want to run with me, Evan, |
00:43:27 |
l accept the challenge. l welcome it. |
00:43:30 |
But if l find out that you're stopping off |
00:43:35 |
l'm gonna scalp you. |
00:43:36 |
You're gonna scalp me. Literally? |
00:43:38 |
lt's gonna feel literal, yeah. |
00:43:41 |
Nice chatting with you, Johnny. |
00:43:45 |
And you, Evan. |
00:43:46 |
Hey, Ev, good to see you. Okay. |
00:43:51 |
Let me tell you something |
00:43:53 |
Under all the show, |
00:43:57 |
l have a gift. l see trends. |
00:43:59 |
l see patterns. |
00:44:02 |
Evan is good, but he's not that good. |
00:44:06 |
l want you to find out |
00:44:08 |
Sopida's dragon, please let me pass |
00:44:15 |
- She's in a good mood tonight. |
00:44:17 |
We're all in a good mood. |
00:44:20 |
Let's get in the cave, |
00:44:21 |
Ducking down! |
00:44:22 |
And now we're coming out in France. |
00:44:27 |
All right. |
00:44:29 |
On the wonderful beach |
00:44:31 |
Hello, Kupida and Mopida! |
00:44:34 |
- They're good. |
00:44:36 |
That's great. |
00:44:38 |
- Yeah. |
00:44:39 |
Ladies, l want to talk to you |
00:44:41 |
First, let me tell you that those gowns |
00:44:44 |
They look exquisite, ladies. |
00:44:47 |
l'll just go right out and say it. |
00:44:50 |
- Yeah. |
00:44:52 |
l have a potential client |
00:44:55 |
and he has a particular company. |
00:44:56 |
He was wondering if |
00:44:58 |
And l was wondering if you ladies |
00:45:01 |
The company is called VallaTech. |
00:45:04 |
l've just been hearing |
00:45:07 |
We were just wondering |
00:45:11 |
- What do they think? |
00:45:16 |
Maybe? |
00:45:17 |
Because Kupida very liked it, |
00:45:23 |
Okay, so, now what do we do? |
00:45:24 |
lf they disagree, we have to see Qwali, |
00:45:32 |
Okay. Well, |
00:45:34 |
There. |
00:45:38 |
Now, does Qwali have to be out |
00:45:42 |
all these people all over the place, |
00:45:44 |
We are not by a bridge. |
00:45:46 |
We're at the bottom of |
00:45:47 |
And there's no one here |
00:45:50 |
and maybe Qwali, |
00:45:53 |
Dance? l have to dance for Qwali, too? |
00:45:55 |
Yeah. Because there's a ball tonight, |
00:45:59 |
And she will not talk until she does. |
00:46:03 |
Okay. Well, let's do a little dance |
00:46:10 |
- Hey, Evan. |
00:46:11 |
How are you... |
00:46:16 |
- Okay. How's that? |
00:46:18 |
You have to get on that thing, |
00:46:22 |
Hey, look. l'm not getting up |
00:46:24 |
She won't talk to you. |
00:46:26 |
Okay, l'm gonna go get up on the stage. |
00:46:39 |
Oh, come on! She can't see that! |
00:46:43 |
Hey, all right, okay. Take it easy here. |
00:46:51 |
More! Bigger! |
00:46:54 |
Like that? Like this? No? Yes? |
00:46:56 |
To the beat! Can't you hear the music? |
00:46:59 |
To the beat? l don't hear the beat. |
00:47:01 |
Check it out. |
00:47:03 |
l hear the snickers. |
00:47:07 |
lt's spinning music! |
00:47:10 |
- Spinning, with your arms out! |
00:47:15 |
Like a waltz you're talking about. Okay. |
00:47:51 |
- That's the best l could do. |
00:47:54 |
You can go to the ball! |
00:47:56 |
Okay, all right. |
00:47:58 |
Qwali said it was good. |
00:48:02 |
Now, did you ask Qwali |
00:48:08 |
Bottom line, sir, |
00:48:10 |
and doesn't play nice with others. |
00:48:12 |
- Really? |
00:48:13 |
l know this sounds a little unorthodox, |
00:48:15 |
but here's something else |
00:48:16 |
lt has a big butt? |
00:48:18 |
A big ol' butt with a shelf on it. |
00:48:21 |
l think if you look at DarbaCon's |
00:48:24 |
...you'll see it has pretty hair |
00:48:27 |
Well, if he said it wets the bed, |
00:48:31 |
What else did he say? |
00:48:33 |
This little company goes |
00:48:36 |
- Did you say, "Wee-wee-wee-wee"? |
00:48:40 |
- And people are buying that? |
00:48:42 |
lcky, icky, icky. Gross. Yucky. |
00:48:45 |
Rose, is Evan seeing a psychic? |
00:48:49 |
Not that l'm aware of. |
00:48:50 |
lt's fizzy like a soda pop. |
00:48:51 |
- ls he a psychic? |
00:48:54 |
lt's old enough to start wearing makeup. |
00:48:56 |
"Ready for makeup." You feeling this? |
00:48:59 |
He says your funds are mature, |
00:49:02 |
Specifically, for A.l., |
00:49:06 |
- l'm feeling that. |
00:49:08 |
Back off, dawg. lt's mine. |
00:49:09 |
Whoa! Whoa! Whoa! There's enough |
00:49:12 |
Agroco is a crybaby who always |
00:49:17 |
- That's your analysis. |
00:49:19 |
- And you recommend l... |
00:49:22 |
- Sell the crybaby. |
00:49:24 |
ls this some kind ofjoke, Tom? |
00:49:26 |
- No, Carl. lt's not. |
00:49:28 |
- l know, a little different. |
00:49:30 |
Why don't we hear |
00:49:33 |
Yes. Johnny, would you like to |
00:49:34 |
toss some spear at some tatonka, |
00:49:39 |
No, l wouldn't. |
00:49:43 |
There's a great deal of money |
00:49:45 |
l think that you should move forward |
00:49:48 |
lncrease your holdings. |
00:49:50 |
And a gentleman |
00:49:52 |
happens to concur with my position. |
00:49:58 |
is looking to increase |
00:50:02 |
So l think if we're going to make a move, |
00:50:06 |
lf you're ready, l'm ready. |
00:50:11 |
That's my "venison." |
00:50:14 |
Evan? Your thoughts? |
00:50:20 |
Well, l think that's interesting. |
00:50:24 |
Very, very, very interesting |
00:50:27 |
that Dante D'Enzo would say in |
00:50:29 |
That's interesting, l think. |
00:50:33 |
What l'm going to do now |
00:50:34 |
and l'm gonna think this through, |
00:50:37 |
and get right back to you, gentlemen. |
00:50:40 |
So... |
00:50:52 |
These look great. |
00:50:54 |
Evan? |
00:50:56 |
- Hey. Hey. What are you doing here? |
00:51:01 |
We're on lunch, |
00:51:02 |
- Hey, how you doing? l'm Rick. |
00:51:05 |
Rick's son, Henry, is in kindergarten. |
00:51:07 |
Yeah, so you're Rick. |
00:51:10 |
l saw your little thing that you did |
00:51:13 |
- Yeah. |
00:51:15 |
And unfairly criticized, l might add. |
00:51:17 |
Look, l got some last-minute |
00:51:19 |
Nice meeting you, Rick. |
00:51:21 |
Excuse me. Excuse me. |
00:51:23 |
- Can l talk to Olivia for one second? |
00:51:24 |
l'll be brief. Olivia, |
00:51:26 |
Hi, everybody. |
00:51:27 |
l have some quick questions for Qwali |
00:51:31 |
Come on. Come on. Come on. |
00:51:32 |
Okay. Did you bring the goo-gaa? |
00:51:35 |
l knew you would. Okay, perfect, perfect, |
00:51:39 |
l smell something burning. |
00:51:42 |
Mopida and Kupida! Good to see you! |
00:51:56 |
- That's it. |
00:51:58 |
l have no idea. |
00:52:00 |
- She's really sure? |
00:52:04 |
- l do? |
00:52:08 |
- Yeah, l guess l do, sort of. |
00:52:10 |
Okay, give me a high five. |
00:52:12 |
- Wish me luck. |
00:52:13 |
Put this back in. All right, tell no one! |
00:52:18 |
So you're saying that Dante D'Enzo |
00:52:22 |
Yes. |
00:52:23 |
And your inner child says that |
00:52:26 |
we should completely |
00:52:29 |
Yes. |
00:52:31 |
Okay. l think l'm going to go with |
00:52:35 |
what Mr. Whitefeather |
00:52:38 |
lt seems better. |
00:52:42 |
- l am going to have the venison. |
00:52:50 |
Doctor's office. |
00:52:51 |
l know you say Qwali's never wrong, |
00:52:55 |
lfjust Mopida says it |
00:52:59 |
it could be wrong. |
00:53:05 |
Well, l think |
00:53:08 |
- She was not. |
00:53:11 |
- Was not. |
00:53:12 |
Not. |
00:53:15 |
Actually, not. |
00:53:17 |
Ha, ha, you're just trying to get me |
00:53:19 |
No, she really wasn't wrong. |
00:53:21 |
D'Enzo pulled out ofAgroco, |
00:53:24 |
"Agroco cries foul, |
00:53:29 |
Crybaby runs to Mommy. |
00:53:37 |
- How are you doing this? |
00:53:39 |
You just overlap them |
00:53:43 |
Olivia? We're ready for you, sweetie. |
00:53:51 |
You did a really good job in there. |
00:53:54 |
For that, we're gonna get |
00:53:56 |
- l cried, though. |
00:53:59 |
You see, when l was your age |
00:54:00 |
l was running, screaming, |
00:54:03 |
No, you wouldn't. |
00:54:05 |
"Don't kill me! Don't kill me, please!" |
00:54:08 |
How you doing, sir? What can l get you? |
00:54:10 |
Can we get two juice bars? |
00:54:14 |
- So, who wants pancakes for dinner? |
00:54:26 |
Yeah, that's what l say. |
00:54:40 |
No, we're not going to pour it yet. |
00:54:41 |
Put butter on it. |
00:54:47 |
- You put too much butter. |
00:55:00 |
Looks like Sopida's dragon |
00:55:02 |
- Hey! |
00:55:05 |
You keep going here |
00:55:08 |
The restaurant? What restaurant? |
00:55:12 |
- Allow me to tell you the specials. |
00:55:15 |
Pancakes. |
00:55:17 |
We have kind of burnt pancakes |
00:55:23 |
Okay, well, how much for the regular? |
00:55:25 |
- Let me see. $3,000. |
00:55:30 |
- Forty-seven cents. |
00:55:32 |
Let me have two kind of burnts, please. |
00:55:34 |
Perfect. Now do we have |
00:55:37 |
What do you mean by that? |
00:55:38 |
You know, like syrup or some honey |
00:55:42 |
Anything that might cut the taste a bit. |
00:55:51 |
Ketchup. |
00:55:54 |
Chocolate syrup. Hot sauce. |
00:56:00 |
You know, l would have just went with |
00:56:03 |
- Don't worry, it's yummier this way. |
00:56:06 |
Wow. That's enough ketchup. |
00:56:10 |
- Now would you like chocolate sauce? |
00:56:15 |
- You probably would prefer it. |
00:56:19 |
Yeah, let's put a lot on. |
00:56:22 |
Mustard. |
00:56:24 |
Excellent choice. |
00:56:27 |
l think it's gonna add |
00:56:30 |
Don't eat it yet. We got the hot sauce. |
00:56:35 |
Hey, where... |
00:56:40 |
There. Perfect. |
00:56:42 |
l think we should say our grace and eat. |
00:56:44 |
- Okay. |
00:56:46 |
- So, you pray with Daddy now. |
00:56:49 |
- Dear Lord. |
00:56:51 |
- Please protect my daddy's throat. |
00:56:54 |
- He never done nothing to nobody, Lord. |
00:57:00 |
- Amen. |
00:57:01 |
- And now l'm going to dig in. |
00:57:06 |
And l think it's time |
00:57:10 |
Hey, look, it's Sopida. |
00:57:13 |
She's gone. |
00:57:16 |
That's the best pancake |
00:57:19 |
- Can l please see the bill? |
00:57:23 |
$400,000? |
00:57:26 |
You trying to get... Tell you what! |
00:57:28 |
Almost got you! Oh, my God! |
00:57:31 |
Yeah, that's a good one, too. |
00:57:32 |
Hold on, wait, wait, wait, |
00:57:34 |
You're gonna hog the picture. |
00:57:35 |
Wait, the picture's not right |
00:57:39 |
That's magic! Come on, it's late. |
00:57:44 |
Daddy? |
00:57:46 |
l'm scared about |
00:57:49 |
What are you afraid of? Your mother |
00:57:52 |
Well, everybody has a solo |
00:57:57 |
And l start it, so if l mess up, |
00:58:02 |
What makes you think |
00:58:03 |
l can't sing. |
00:58:05 |
- What do you mean you can't sing? |
00:58:07 |
Yes, you can. |
00:58:09 |
Let me see. |
00:58:11 |
l'll put it to the right page. |
00:58:13 |
- What song is it? |
00:58:15 |
All right, All You Need ls Love. |
00:58:16 |
Okay, that's a good one. |
00:58:18 |
Tell you what, here's what you do. |
00:58:19 |
Come over here. |
00:58:21 |
- This is the stage. |
00:58:23 |
No, you're gonna get on stage |
00:58:25 |
This is going to be |
00:58:27 |
And all the people in the audience |
00:58:29 |
We're all like, "This is great. |
00:58:31 |
"Who's in the show? Well, who's that? |
00:58:33 |
You've got to get ready now. |
00:58:35 |
see, 'cause everybody's watching, |
00:58:37 |
And you're going to say... |
00:58:38 |
There's nothing you can do |
00:58:41 |
- l can't. |
00:58:42 |
There's nothing you can do |
00:58:46 |
Here's how you're singing it. |
00:58:48 |
You say it and then you take |
00:58:50 |
There's nothing you can do |
00:59:03 |
All right, now, here's the second line. |
00:59:04 |
There's nothing you can sing |
00:59:10 |
And we go higher now. |
00:59:11 |
There's nothing you can sing |
00:59:15 |
A little higher though. Higher. Higher. |
00:59:17 |
There's nothing you can sing |
00:59:20 |
My baby sounds like Minnie Riperton! |
00:59:22 |
Okay, let's drop it lower. |
00:59:24 |
There's nothing you can sing |
00:59:26 |
Daddy, you're just doing |
00:59:28 |
Yeah, that's right. l'm doing |
00:59:31 |
There's nothing you can sing |
00:59:35 |
See, you're doing it. |
00:59:37 |
There's nothing you can say |
00:59:38 |
But you can Iearn how to pIay the game |
00:59:41 |
There's nothing you can say |
00:59:44 |
It's easy |
00:59:52 |
That's it! That's it! You're singing! |
00:59:55 |
Take a bow! She was wonderful! |
00:59:59 |
- You're going to the top! |
01:00:02 |
She's going to the top! |
01:00:07 |
"They finish reading. Olivia's mother |
01:00:10 |
"'You know, you really wear me out, |
01:00:14 |
"Olivia gives her a kiss back and says, |
01:00:20 |
There you go, sleepyhead. |
01:00:27 |
Hey! |
01:00:29 |
We didn't talk to the princesses tonight. |
01:00:33 |
Yeah, you know what, we didn't, |
01:00:36 |
lt's quite all right. |
01:00:37 |
Well, maybe if you want, |
01:00:41 |
Really? On my own? |
01:00:44 |
Qwali says she trusts you now. |
01:00:49 |
That's very nice of Qwali. |
01:00:51 |
Tell Qwali thanks a lot. |
01:00:54 |
Or l could tell her myself. |
01:00:56 |
You want me to? |
01:01:02 |
Hey, you want me to? |
01:01:05 |
Did you fall asleep that quick? |
01:01:40 |
l send you out to gather |
01:01:41 |
You come back with this. |
01:01:43 |
But this is all he does. |
01:01:46 |
They sing and they dance |
01:01:50 |
They're playing with a blanket. |
01:01:52 |
The two of them with their faces buried |
01:01:57 |
in a blanket. |
01:02:01 |
The blanket. |
01:02:05 |
- It's a wakaIyapi. |
01:02:11 |
He's a sharp cat. He is a razor cat! |
01:02:15 |
- Say that again? |
01:02:17 |
A tapestry. A weave. |
01:02:21 |
lt's how you access a higher eye. |
01:02:24 |
My people believe it's the way |
01:02:27 |
- Who are you calling? |
01:02:31 |
The entire Denver financial community |
01:02:34 |
But as your very first client ever, |
01:02:36 |
you owe it to me to tell me |
01:02:39 |
l told you, Maggie, l'm just listening. |
01:02:40 |
To the little voice that whispers to you. |
01:02:44 |
Why don't you just tell her your secret? |
01:02:48 |
- Hi. Johnny Whitefeather. |
01:02:52 |
Evan? Tell her the truth. |
01:03:01 |
Okay, Maggie, here's the truth. |
01:03:04 |
Now, she has what you would |
01:03:07 |
Now, with this blanket, |
01:03:09 |
to a mystical, magical place |
01:03:11 |
where l meet with three |
01:03:14 |
lncidentally, they all have |
01:03:17 |
except for one, |
01:03:20 |
and have me burned up by her dragon. |
01:03:23 |
A securities blanket. |
01:03:25 |
Fine, fine. Keep your secret. |
01:03:33 |
l can get a blanket. |
01:03:38 |
l can. And l'm going to get one. |
01:03:42 |
l need to see you guys |
01:03:45 |
You may have noticed l've been doing |
01:03:48 |
letting the two of you go head-to-head |
01:03:51 |
And l know you've probably |
01:03:56 |
There's an offer on the table, |
01:03:59 |
lt's the kind of out l've been looking for. |
01:04:02 |
But the buyer wants to make sure that |
01:04:08 |
to take this office. So... |
01:04:14 |
Here we go. |
01:04:15 |
Gentlemen, this is |
01:04:20 |
- You're Frederick Pratt. |
01:04:23 |
- Yes, sir. |
01:04:26 |
- He's ready for you. |
01:04:28 |
Mr. D'Enzo. |
01:04:32 |
Thank you. Have a seat, gentIemen. |
01:04:35 |
l assume that Tom |
01:04:42 |
- Mr. DanieIson, everything okay? |
01:04:44 |
Just had to kill the phone. lt's dead now. |
01:04:47 |
Okay, l assume Tom |
01:04:50 |
he's decided to throw away |
01:04:53 |
Which means one of you is going to be |
01:04:58 |
Now, you won't be surprised to know |
01:05:01 |
and, frankIy, you're both |
01:05:05 |
And I don't reaIIy care, as Iong as you |
01:05:09 |
But, unfortunateIy, gentIemen, |
01:05:11 |
there's onIy one chair |
01:05:14 |
So I have a decision to make, |
01:05:17 |
on my way back from Beijing tomorrow |
01:05:20 |
In the meantime, |
01:05:23 |
to suss out what Mr. Pratt |
01:05:26 |
And as far as preparation is concerned, |
01:05:28 |
I'II just share with you |
01:05:38 |
No, that's not the advice. |
01:05:40 |
The advice is, if I had eight hours |
01:05:43 |
I'd spend the first six sharpening my ax. |
01:05:47 |
- Abraham Lincoln. |
01:05:49 |
- Three times, sir. |
01:05:53 |
No, that's not what l meant. |
01:05:54 |
I think I know what you meant, |
01:05:57 |
AII right, gentIemen, |
01:06:00 |
Do you know where your ax is? |
01:06:02 |
I'II see you tomorrow. |
01:06:07 |
These are a few of the strategies |
01:06:10 |
We will require your most |
01:06:14 |
l'll leave you with Mr. Pratt. |
01:06:18 |
Okay, page one. |
01:06:28 |
Olivia! Hey! Olivia! |
01:06:32 |
Big night! Big, big night tonight! Hey! |
01:06:35 |
l want to talk to princesses |
01:06:38 |
Got a lot of questions! |
01:06:40 |
Hey, Olivia! Hey! Where are you? |
01:06:45 |
Graciella, where is she? You picked |
01:06:47 |
Yes, señor. Then Mrs. Trish came |
01:06:50 |
- What? When? |
01:06:53 |
Now, why would she do that |
01:06:55 |
You know why? Because |
01:06:59 |
Hey, listen! |
01:07:01 |
- The goo-gaa? |
01:07:04 |
- Hello! |
01:07:06 |
Evan, where are you? |
01:07:07 |
Olivia called you, like, five times, |
01:07:11 |
And then l had to leave the pledge drive |
01:07:12 |
lt's a long story. |
01:07:14 |
But, listen, you'll never guess |
01:07:16 |
Not now, Evan. l'm at the party. |
01:07:18 |
- The party? What party? |
01:07:20 |
- Which you obviously forgot about. |
01:07:22 |
Okay, listen, tell Olivia l'm gonna be |
01:07:25 |
Why? I'm aIready here. |
01:07:26 |
Look, you did your week. |
01:07:28 |
and take her to Ella's for the sleepover. |
01:07:30 |
Sleepover! No, no, no. l don't know if |
01:07:34 |
l actually need Olivia here with me. |
01:07:38 |
Her what? |
01:07:39 |
Listen, l know this is going to sound |
01:07:40 |
l know this is going to sound a little wild, |
01:07:42 |
but the fact of the matter is... |
01:07:45 |
l need... l need the goo-gaa. |
01:07:50 |
l don't have a response for that, Evan. |
01:07:52 |
- No, Trish, Iisten. |
01:07:54 |
- Bye. |
01:08:10 |
Okay, if you're here |
01:08:13 |
make your way to the orange sIide |
01:08:16 |
for some Fo Fo FiggIey fun. |
01:08:18 |
Olivia! |
01:08:21 |
- Trish, you want me... |
01:08:26 |
Olivia! |
01:08:28 |
Evan, what is going on? |
01:08:31 |
l know, l know. Everything's fine. |
01:08:33 |
Look, where did she go just now? |
01:08:35 |
She went into the Kidz Only room. |
01:08:37 |
Nothing. Everything's fine. |
01:08:38 |
- Hey. How we doing over here? |
01:08:40 |
l'm good. |
01:08:41 |
Trish, do you mind helping Lori |
01:08:44 |
Yeah, help Lori with the cake, |
01:08:45 |
and l'm gonna do |
01:08:47 |
- lt's my daughter's seventh birthday! |
01:08:50 |
You're going to think this is hilarious, |
01:08:51 |
but l got to go get Olivia's blanket for, |
01:08:54 |
- You need her blanket. |
01:08:56 |
l see, so that's what you're here for, |
01:08:59 |
l'm not trying to cause a scene at all. |
01:09:00 |
You're making it a scene by stopping |
01:09:02 |
You should just let me go get the |
01:09:05 |
- Let me talk to you for a second. |
01:09:06 |
Now we've all seen what happens |
01:09:09 |
- Okay, that's duly noted. |
01:09:12 |
Let me explain something to you. |
01:09:15 |
What l'm going to do |
01:09:17 |
l'm gonna get the blanket, |
01:09:19 |
And that's the end of the deal, |
01:09:21 |
Let me do my thing. |
01:09:24 |
John... |
01:09:25 |
Hey, what's up |
01:09:28 |
- Hey, be cool. |
01:09:30 |
l am being cool. l just need the goo-gaa! |
01:09:34 |
Okay, when a grown man says |
01:09:36 |
Okay, all right. |
01:09:41 |
Okay, all right. lt's cool. All right. |
01:09:43 |
You got it. You gotta be cool. |
01:09:47 |
l'll tell her you said happy birthday. |
01:09:51 |
She'll be touched. |
01:10:00 |
Hey, John. ls everything okay? |
01:10:02 |
- l took care of it. He's gone. |
01:10:05 |
Don't worry about it. |
01:10:07 |
That's the last we're gonna see |
01:10:28 |
You wanna play, boy? Man, stop. |
01:10:31 |
Hey, little brother. Hey, brother. |
01:10:35 |
Hey, why don't you do me a favor? |
01:10:38 |
and talk to Olivia Danielson and tell her |
01:10:40 |
l'm gonna give you $20. Go in there |
01:10:43 |
- and needs the goo-gaa. |
01:10:45 |
lt's a goo-gaa. lt's a pet name for |
01:10:47 |
Just go in, tell Olivia Danielson |
01:10:50 |
$20, man. Come on, brother. |
01:10:51 |
- l'll take $50, my brother. |
01:10:54 |
Or you can take your grown self up there |
01:10:59 |
Hey, stop it! l'm not in here |
01:11:02 |
Look, man, l haven't been to the |
01:11:05 |
See, that's more than half of $50. |
01:11:09 |
And l got this. |
01:11:11 |
A Peet's Coffee card. |
01:11:14 |
You know how much coffee |
01:11:15 |
You drink that coffee, you just keep |
01:11:18 |
- l'm a kid. l don't drink coffee. |
01:11:20 |
They got cookies and cakes and scones. |
01:11:23 |
Scones? What do l look like, |
01:11:27 |
Hey, you stop that right now! |
01:11:29 |
- l'm talking to this child! |
01:11:31 |
Yes, that is a nice Rollie, |
01:11:33 |
You're not getting my Rollie. |
01:11:36 |
$26, a Peet's Coffee card. That's some |
01:11:40 |
Not. Get this fool! |
01:11:44 |
Hey, stop it right now! |
01:11:49 |
Grandfather, will you bless the blanket? |
01:12:02 |
Here's the... This guy? |
01:12:05 |
The blanket works best |
01:12:11 |
Okay. Good. Thank you. |
01:12:15 |
- lndigo! Wake up, buddy. Hey! Hey! |
01:12:19 |
Wake up. |
01:12:21 |
- l don't wanna. l'm tired. |
01:12:25 |
Your new tribal name, Red Bull. |
01:12:31 |
Okay, l got this. l can do this. |
01:12:35 |
l'm thinking it through, |
01:12:36 |
And l can do this, |
01:12:39 |
Let it flow, Evan. Just let it flow. |
01:12:41 |
Okay, l know this company. Yes. |
01:12:48 |
l don't need the goo-gaa, |
01:12:49 |
l don't need the goo-gaa, |
01:12:53 |
Look at that. All right, how you feel? |
01:12:56 |
- l'm still tired. |
01:12:58 |
Hey, what is this? |
01:12:59 |
The relationship of this currency |
01:13:06 |
Maybe if you want, |
01:13:12 |
This is a wakalyapi, okay? |
01:13:14 |
Star blanket. |
01:13:18 |
All right, first up. |
01:13:20 |
- Oleon. |
01:13:21 |
- How you feeling about them? |
01:13:23 |
You want to go to bed? Bull! |
01:13:25 |
Red Bull. More of it. |
01:13:28 |
All right, l got a goo-gaa! |
01:13:33 |
You think you're the only one with a |
01:13:35 |
And l can rub it in little tiny circles, too. |
01:13:38 |
And l can say... |
01:13:40 |
l'm where the princesses are! |
01:13:42 |
Sopida's dragon! |
01:13:44 |
Hit me, Daddy! |
01:13:46 |
- HalliCom lnvestments. |
01:13:49 |
- Sell it! |
01:13:50 |
- Sell it? |
01:13:51 |
- Sell? lt's not a... |
01:13:53 |
Mopida and Kupida! Mopida and Kupida! |
01:13:56 |
Got some questions for you! |
01:13:58 |
- Pylong. |
01:13:59 |
- Diego lndustries. |
01:14:01 |
Talk to me, ladies. |
01:14:02 |
lt's beautiful! |
01:14:05 |
l can't hear you. Are you whispering? |
01:14:07 |
One sky! |
01:14:08 |
lf you're whispering, l can't hear. |
01:14:10 |
You have approximateIy 17 hours. |
01:14:13 |
Sleepover! l don't know |
01:14:15 |
The fact of the matter is |
01:14:18 |
I need the goo-gaa. I need the goo-gaa. |
01:15:01 |
Go on, l dare ya! ls that all you've got? |
01:15:05 |
That aII you've got? |
01:17:31 |
Mr. Danielson? |
01:17:33 |
- Hey, Ella. How are you? |
01:17:37 |
l'm not stealing them. |
01:17:38 |
l'm taking them to get them cleaned, |
01:17:40 |
You go back to sleep. Night-night. |
01:17:52 |
- Mr. Danielson? |
01:17:54 |
- How you doing? |
01:17:56 |
Hey, man, it's all good. |
01:17:57 |
- l'm on my way out. Go back to bed. |
01:17:59 |
l'm taking the blankets |
01:18:00 |
You go back to bed. |
01:18:02 |
- This is my sister's blanket. |
01:18:03 |
Be a good little boy, |
01:18:04 |
- No, give it. |
01:18:06 |
- You're being very disrespectful. |
01:18:07 |
- Give me the blanket. |
01:18:11 |
- A horrible child! |
01:18:14 |
- Evan, what the hell are you doing? |
01:18:17 |
For God's sake, Evan! |
01:18:21 |
- Yes, l do! |
01:18:23 |
- And now they're up. |
01:18:27 |
See? Now you messed with my little girl. |
01:18:29 |
Everybody calm down! Calm down! |
01:18:30 |
Everybody's going to get their blanket. |
01:18:34 |
Okay, all right. Here you go. |
01:18:36 |
Here's your blanket! l just want this one! |
01:18:38 |
- You're not taking no blanket! |
01:18:40 |
- l don't care what you paid for! |
01:18:43 |
Now you want to whisper? No, no. |
01:18:45 |
- Come on, man! |
01:18:47 |
- Come on, man. |
01:18:50 |
lt's okay, baby. Will! |
01:18:57 |
This blanket is mine! lt's mine! |
01:18:59 |
l'm calling Trish. |
01:19:05 |
Evan, get help. Get help! |
01:19:06 |
l don't need help. |
01:19:08 |
- Man, you're crazy! |
01:19:13 |
l want my goo-gaa! |
01:19:15 |
- John! John! This is important! |
01:19:18 |
l want my goo-gaa! l want my goo-gaa! |
01:19:20 |
John, come on, man, |
01:19:22 |
We're gonna go back to bed. |
01:19:38 |
Yeah, man! |
01:19:41 |
Johnny! |
01:19:42 |
Come inside before the neighbors |
01:19:46 |
Hey, Cheryl! We're down here working! |
01:19:48 |
You think your new nose |
01:19:54 |
- What's the next one? |
01:19:55 |
Yeah. |
01:19:57 |
- l'm sorry. Look... |
01:20:00 |
Listen, it's getting late. |
01:20:02 |
l think we need |
01:20:06 |
- You doubting the wakalyapi? |
01:20:09 |
So, you are saying that |
01:20:12 |
- ls that what you are saying? |
01:20:17 |
With wings! That flies! |
01:20:19 |
You got tiny eyes, man. |
01:20:20 |
- You got the eyes of a salamander. |
01:20:23 |
You say my kid's not a seer? |
01:20:26 |
Come here, boy! Get over here! |
01:20:28 |
AampCo! What you feeling |
01:20:31 |
AampCo is tight! |
01:20:33 |
- AampCo is tight! Write that down! |
01:20:36 |
No, Johnny, |
01:20:38 |
l can't go to Dante D'Enzo and say, |
01:20:41 |
"because we're listening |
01:20:43 |
"who's actually a 10-year-old boy |
01:20:46 |
"who's hopped up on Red Bull!" |
01:20:51 |
Listen to me, Johnny. |
01:20:54 |
We can't blow this thing. |
01:20:58 |
- Tell him he's out. |
01:21:01 |
- What? |
01:21:03 |
- You're out of the tribe! |
01:21:06 |
You're out of the tribe, because |
01:21:10 |
Blind to the poetry of... |
01:21:11 |
Stop it! Just zip it! Zip it! |
01:21:14 |
And you, you're a liar! l'm out? |
01:21:17 |
Good. Wrap it up! l have never been |
01:21:22 |
l didn't go to business school for this! |
01:21:26 |
And they don't just give |
01:21:31 |
- Get him. |
01:21:35 |
Get some sleep! |
01:21:38 |
Hey, Trish, it's me! |
01:21:43 |
- Trish, l really need to see her. |
01:21:48 |
And with tonight, |
01:21:50 |
- Please. Please, Trish. |
01:21:56 |
Okay. |
01:21:58 |
Thank you. |
01:22:05 |
Can you please leave? |
01:22:09 |
Hey, Liv, l'm sorry about |
01:22:13 |
l want you to go. |
01:22:17 |
About the concert... |
01:22:19 |
l'm not going to be able to |
01:22:21 |
because it's at the same time |
01:22:23 |
l don't want you there. |
01:22:29 |
Okay. l understand. |
01:22:31 |
l just want you to know that |
01:22:34 |
l don't care. Don't come. |
01:22:39 |
l won't. |
01:22:41 |
l won't because you don't want me to. |
01:22:45 |
But... |
01:22:47 |
Liv, l really have to go to this meeting. |
01:22:49 |
lt's really important. lt's a really |
01:23:12 |
Promise l'll get it right back to you. |
01:23:31 |
lt's okay. She's fine. She gave it to me. |
01:23:34 |
- What? |
01:23:37 |
- Everything. |
01:23:39 |
No, l don't understand. |
01:23:41 |
l mean, do you honestly believe that |
01:23:44 |
has something to do |
01:23:46 |
Look, l don't know what's happening. |
01:23:49 |
l need for it to happen |
01:23:52 |
So, now we're back to what you need. |
01:23:55 |
Hey, Trish, what do you want me to do? |
01:23:56 |
Blow off an opportunity |
01:23:59 |
and lose my job? |
01:24:00 |
Evan, you have two jobs, |
01:24:06 |
And she needs to know |
01:24:08 |
that you care as much about that job |
01:24:11 |
- l do. Of course l do. |
01:24:17 |
l can't. Not tonight, l can't. |
01:24:21 |
l don't expect you to understand. |
01:26:29 |
How you doing, Feather Man? |
01:26:32 |
Not so bad. A little amped, a little tired. |
01:26:36 |
How about another Red Bull? |
01:27:27 |
- Good luck, Johnny. |
01:27:34 |
Good. Here we are. |
01:27:39 |
- Hello. |
01:27:40 |
Mr. D'Enzo. John Whitefeather. |
01:27:43 |
Have a seat, guys. |
01:27:51 |
D- Papa-D to the Feather Man. |
01:27:56 |
And l think you're reading them |
01:27:58 |
You're getting the wisdom. |
01:28:01 |
Buy long, sell short. |
01:28:02 |
- Sell short, buy long. |
01:28:05 |
Good morning, everyone. |
01:28:07 |
It's so good to see |
01:28:10 |
WeII, I can hear a Iot of |
01:28:13 |
who, Iike their parents, are not here |
01:28:17 |
So without further ado, |
01:28:39 |
Summer fades into the blue |
01:28:43 |
Brand new colors come into view |
01:28:47 |
Seasons change |
01:28:51 |
Just like the leaves of autumn |
01:28:55 |
You know what l see in this room |
01:28:59 |
Hidden feathers. |
01:29:00 |
That's what we share, hidden feathers! |
01:29:05 |
Right now, |
01:29:08 |
l need you to caw with me. |
01:29:12 |
One crow to another crow. |
01:29:21 |
Bring it. Come on. Bring it in. |
01:29:34 |
l know you want to let it out, |
01:29:39 |
There it be, brother crow. |
01:29:43 |
Look forward to working with you, man. |
01:29:50 |
Wow. |
01:29:53 |
l've never seen anything like that before. |
01:29:55 |
l know. |
01:29:57 |
No, you don't know. |
01:29:59 |
Quite frankly, that's one of the |
01:30:05 |
What possible excuse can you give us |
01:30:07 |
for wasting our time |
01:30:12 |
that you call a presentation? |
01:30:16 |
- My kid. |
01:30:18 |
My kid. |
01:30:20 |
He's been wanting to get more involved |
01:30:24 |
He's like, "Dad, l'm on a vision quest. |
01:30:26 |
l'm like, "You're nine. |
01:30:30 |
He's on a vision quest. l'm like, |
01:30:32 |
You're blaming your child? |
01:30:34 |
- Look, don't let it rattle your corn stalk... |
01:30:39 |
l don't mind this lndian business |
01:30:41 |
- When it's not, it's just annoying. |
01:30:45 |
- That's deep shadow time. |
01:30:51 |
You're not even a real Native American. |
01:30:54 |
The fact is |
01:30:56 |
Your baptismal name |
01:30:59 |
And your great-grandfather |
01:31:03 |
So, what would that make you? 1/32? |
01:31:08 |
Frankly, you are an offense |
01:31:11 |
- and if you have nothing better to offer... |
01:31:15 |
Johnny Whitefeather can see |
01:31:20 |
lt's your loss! Old croaking toad. |
01:31:30 |
l'm going this way! |
01:31:37 |
Well, Mr. Danielson? |
01:31:40 |
Looks like this job is yours to lose. |
01:31:45 |
l'll get right to it. |
01:32:01 |
Mr. Danielson? |
01:32:04 |
Evan? |
01:32:07 |
l can't do this. |
01:32:10 |
l'm sorry? |
01:32:11 |
l messed up. l really have. |
01:32:14 |
Sorry, what? |
01:32:19 |
- Are you walking out? |
01:32:23 |
You realize what you're giving up? |
01:32:29 |
Yes, sir, l do. |
01:32:33 |
Sorry, Tom. |
01:32:42 |
Could l see that brochure, please? |
01:32:49 |
Ain't nothing but a thing, man. |
01:33:26 |
Next, we wiII sing |
01:33:29 |
about the bIooming |
01:34:18 |
Sorry! Sorry about that! |
01:34:29 |
The next song is one you aII know, |
01:34:33 |
Just don't sing Iouder than us. |
01:34:44 |
Love, Iove, Iove |
01:36:26 |
There's nothing you can do |
01:36:29 |
Nothing you can sing that can't be sung |
01:36:33 |
Nothing you can say |
01:36:36 |
It's easy |
01:36:40 |
There's nothing you can make |
01:36:43 |
No one you can save |
01:36:47 |
Nothing you can do |
01:36:51 |
It's easy |
01:36:55 |
AII you need is Iove |
01:37:03 |
AII you need is Iove, Iove |
01:37:07 |
Love is aII you need |
01:37:10 |
AII you need is Iove |
01:37:13 |
AII together now |
01:37:16 |
Everybody |
01:37:18 |
AII you need is Iove, Iove |
01:37:22 |
Love is aII you need |
01:37:42 |
Nice king hat. |
01:37:46 |
lt's called a crown. |
01:37:52 |
You know, |
01:37:54 |
- Thanks. |
01:38:00 |
- l don't need it anymore. |
01:38:04 |
l was hoping you would take it, |
01:38:05 |
you'd help me apologize |
01:38:07 |
- You can do it yourself. |
01:38:10 |
Yeah, they're right there. |
01:38:14 |
Okay. Well... |
01:38:18 |
Sopida, l wish that l could say |
01:38:21 |
but, obviously, |
01:38:25 |
l'm sorry. |
01:38:27 |
Thank you for protecting Olivia |
01:38:30 |
And Kupida and Mopida, |
01:38:33 |
l'm sorry for taking you for granted |
01:38:37 |
and not realizing how smart and kind |
01:38:42 |
and truly amazing you really are. |
01:38:45 |
Qwali, thank you so much |
01:38:47 |
for letting me come into your mystical, |
01:38:51 |
- 'cause it's a truly magical... |
01:38:56 |
They were bored. |
01:39:00 |
Do you want me to ask them to stay? |
01:39:02 |
Well, what do they want to do? |
01:39:08 |
They said it's time for them to go. |
01:39:13 |
Well, then l think they should go then. |
01:39:16 |
Wave goodbye. |
01:39:23 |
There they go. |
01:39:37 |
Hey, guys. What you doing? |
01:39:40 |
Just waving goodbye to Qwali |
01:39:43 |
Really? They're going away? |
01:39:48 |
How about that? |
01:39:52 |
You know, l think |
01:40:01 |
Wow, so, they're really gone? |
01:40:10 |
Nice outfit. |
01:40:13 |
l take it this is why |
01:40:19 |
Do you know how many people |
01:40:26 |
- Two. |
01:40:28 |
You want to know where they are |
01:40:32 |
Each one is running |
01:40:36 |
l don't want any sycophants around me. |
01:40:40 |
who are not afraid to make decisions, |
01:40:44 |
lncidentally, this is very good. |
01:40:47 |
You are very good indeed, |
01:40:51 |
and l want you |
01:40:54 |
l'd like to discuss that with you, |
01:41:03 |
Sir, l would love to discuss it now, |
01:41:11 |
Sure. |
01:41:13 |
- Well, Monday, then. |
01:41:17 |
- Well, congratulations. |
01:41:22 |
l have a daughter, too. |
01:41:25 |
l haven't seen her for years. |
01:41:30 |
- So, have a pleasant Saturday. |
01:41:43 |
So, what are you guys doing |
01:41:45 |
l don't know. What do you want to do? |
01:41:47 |
l think Mommy should get a chance |