Impulse
|
00:00:59 |
Bugger, bugger, bugger! |
00:01:03 |
Somebody shoot that sitar player now! |
00:01:07 |
I don't care how beautiful |
00:01:12 |
you all look like cows in my lens! |
00:01:16 |
Somebody get me an art director |
00:01:25 |
We are selling coffee. |
00:01:26 |
Just like you do with your cigarettes |
00:01:28 |
We want to make sure we reach |
00:01:32 |
Future buyers. |
00:01:33 |
We were promised |
00:01:35 |
But so far we've spent three million yen |
00:01:39 |
Where are the pictures? |
00:01:41 |
I see camera. I see photographer. |
00:01:44 |
I don't see coffee. I don't see pictures. |
00:01:49 |
With all due respect, |
00:01:50 |
what's happening out there |
00:01:53 |
It's genius. |
00:02:01 |
If all you want is pictures, take them. |
00:02:09 |
Take them back to Japan. |
00:02:11 |
and every billboard that you can find. |
00:02:19 |
If you're not happy with |
00:02:21 |
I'll shut down production immediately. |
00:02:25 |
I can't say that. |
00:02:39 |
Because of you. |
00:02:45 |
You. |
00:02:59 |
He just walked away. |
00:03:00 |
- Coke? |
00:03:02 |
Drinking. |
00:03:06 |
- Go away! |
00:03:08 |
Come in. |
00:03:18 |
It's horrible out there, CD. |
00:03:21 |
I can't find the right angle. |
00:03:27 |
I'm not feeling it. I'm not feeling anything. |
00:03:32 |
Last week I was in Times Square |
00:03:37 |
- Is it still there? |
00:03:42 |
Now, that was perfection, CD. |
00:03:49 |
I asked for you. No, I demanded you. |
00:03:53 |
Now sure, you may be a pain in the ass |
00:03:56 |
And you usually try to kill yourself |
00:04:02 |
- I know. |
00:04:06 |
brilliance. |
00:04:10 |
I'm back! I love you all. |
00:04:14 |
Harry, get me a nice crescent moon |
00:04:18 |
Where's my favorite production designer? |
00:04:20 |
I need some caramel-colored sheets here. |
00:04:23 |
Let's make some magic, loveys. |
00:04:28 |
Yeah? All right. |
00:04:31 |
It's blurry. |
00:04:34 |
Thinking. |
00:04:37 |
Like |
00:04:39 |
the world isn't real. |
00:04:42 |
The only thing that is real |
00:04:48 |
is what I want. |
00:04:51 |
I can't stop it. No. |
00:04:53 |
Whatever I do, it just... It just goes and goes |
00:05:01 |
What's the point, you know? |
00:05:05 |
Everything's a fucking lie anyway. |
00:05:09 |
It's fucking pointless. |
00:05:26 |
- Doc. |
00:05:30 |
Still don't understand why you don't have |
00:05:34 |
You know, rich folks |
00:05:37 |
- Yeah. |
00:05:40 |
- Okay. |
00:05:41 |
- Hell of a mood today. |
00:05:44 |
- Thanks. |
00:05:48 |
Okay. |
00:06:13 |
I am taking my medication. |
00:06:15 |
I am taking my medication. Look at me. |
00:06:19 |
You just tell me what I have to do |
00:06:22 |
If you were locked in this little room, |
00:06:26 |
You'd be crazy, too. Anybody would. |
00:06:30 |
I don't belong here. |
00:06:46 |
- What did they think? |
00:06:48 |
And that's just off the temps. |
00:06:50 |
- What do you think? |
00:06:57 |
- Let's celebrate. |
00:07:00 |
And then I need to go home |
00:07:01 |
Back home to that husband of yours? |
00:07:04 |
- with your Uncle Elliott. |
00:07:07 |
- Or how about a dip? |
00:07:11 |
- My husband knows you're harassing me. |
00:07:16 |
Special ring tone. It's our wedding song. |
00:07:18 |
That's so fucking sweet! |
00:07:23 |
I owe you one. |
00:07:25 |
Hey, honey. |
00:07:28 |
Well, I guess it went well as usual, then. |
00:07:30 |
It was touch and go around noon, |
00:07:32 |
but the twinkling lights of LA |
00:07:35 |
That's great! |
00:07:38 |
Do you want anything special tonight |
00:07:40 |
Surprise me. |
00:07:42 |
Let's see, |
00:07:44 |
- and I thought maybe I... |
00:07:47 |
- Okay, all right. |
00:07:50 |
- Hey, you talking to me? |
00:07:56 |
I... Hello, Claire? |
00:07:58 |
Claire... |
00:08:02 |
- Thanks guys. |
00:08:04 |
- One glass before you head out. |
00:08:12 |
So I take it no little pink-colored sticks yet? |
00:08:15 |
No. |
00:08:17 |
- And it's blue you want. |
00:08:20 |
Over a year. |
00:08:27 |
I need some beautiful women |
00:08:30 |
I'm drowning! |
00:08:32 |
What's going on? |
00:08:34 |
It's just tough, you know? |
00:08:36 |
It's difficult in bed, |
00:08:41 |
You know, it just becomes one lifeless act |
00:08:44 |
You just need a little spice, girl. |
00:08:47 |
Yeah? |
00:08:48 |
Things get boring with my wife and I. |
00:08:51 |
When I sense some lazy action... |
00:08:57 |
Cher. |
00:08:59 |
- Cher? |
00:09:03 |
I'm telling you, works every time. |
00:09:06 |
You think? |
00:09:07 |
I know. |
00:09:24 |
Who's that? |
00:09:30 |
Coming. |
00:09:32 |
Who is it, anyway? Yes? Yes? |
00:09:40 |
I didn't know it was Halloween. |
00:09:42 |
I didn't think |
00:09:46 |
Come on in, come on in. |
00:09:49 |
What are you doing, Claire? |
00:09:51 |
- Claire, what are you doing? |
00:09:56 |
Lucia? |
00:09:58 |
Jonathan's got some food on the... |
00:10:01 |
I've gotta get the vegetables... All right. |
00:10:04 |
- Sit down. |
00:10:17 |
Well, the... |
00:10:21 |
I can smell the food is... |
00:10:26 |
Maybe I should close the blinds |
00:10:32 |
Maybe we should charge them. |
00:10:36 |
Claire, maybe we should go upstairs. |
00:10:40 |
Maybe I should charge you. |
00:10:43 |
Maybe I should pay, but... |
00:10:47 |
Claire, what are you doing? Oh, Claire... |
00:10:50 |
Claire's not here. |
00:10:54 |
- I've gotta go deal with the rice. |
00:10:57 |
Will you... |
00:10:59 |
You're very nice, Lucia. |
00:11:04 |
That's nice, Lucia. |
00:11:07 |
Okay, but Jonathan's got some food |
00:11:11 |
cooking for Claire. |
00:11:14 |
I can... |
00:11:19 |
Come on, Claire. |
00:11:23 |
All right, now it's burning! Now it's burning. |
00:11:26 |
Can you smell the food, Claire? |
00:11:29 |
- Jonathan! |
00:11:33 |
Crap. |
00:11:35 |
- You okay? |
00:11:41 |
Great, blasting sea bass. |
00:11:45 |
Okay. |
00:11:47 |
Do you... |
00:11:49 |
Dinner's served. |
00:11:59 |
- It's good. |
00:12:05 |
Well, |
00:12:09 |
you're obviously not feeling satisfied. |
00:12:11 |
I didn't say that. |
00:12:14 |
No, I told you that our age difference |
00:12:18 |
I did warn you. |
00:12:20 |
Honey, that's not it. |
00:12:22 |
- Oh, really? |
00:12:24 |
I've been to your sets. |
00:12:26 |
I've seen those perfectly chiseled |
00:12:29 |
- with their abdomens of steel. |
00:12:34 |
Half of them are gay. |
00:12:36 |
The other half's gay. |
00:12:39 |
It's difficult, I suppose, |
00:12:43 |
It just makes it so... What's the word? |
00:12:47 |
- Clinical? |
00:12:50 |
Clinical is the word. |
00:12:52 |
Well, but it's okay. I mean, I suppose, |
00:12:56 |
it's just bound to happen anyway. |
00:12:59 |
to couples, you know, |
00:13:03 |
The passion wears thin. |
00:13:05 |
And we used to laugh. |
00:13:09 |
Somehow we just have to establish |
00:13:21 |
I love you. |
00:13:24 |
Well, I love you, too. But it's not about love. |
00:13:26 |
It's about the thrill. It's about, for example, |
00:13:30 |
when you walked in the door, I should have |
00:13:34 |
- become Roberto to your Lucia. I... |
00:13:40 |
No, I mean... |
00:13:42 |
It's not necessarily a bad idea. |
00:13:45 |
Honey, enough with the theory. |
00:13:47 |
All right, all right, enough with the theories. |
00:13:53 |
Hey, |
00:13:56 |
I want to make a toast. |
00:13:59 |
- To your new campaign. |
00:14:04 |
Good luck with that, |
00:14:09 |
sometime when you're out of town, |
00:14:11 |
in one of your hotel rooms, |
00:14:16 |
And he'll do all kinds of |
00:14:21 |
To Roberto. |
00:15:30 |
These brain scans tell us who is suffering |
00:15:37 |
Now let me just say |
00:15:39 |
any one person in this room |
00:15:42 |
the title of "normal." I know I can't. |
00:15:45 |
I definitely have a touch of crazy in me. |
00:16:01 |
Delays in treatment |
00:16:08 |
serious paranoid delusional states, |
00:16:13 |
suicide, self-abuse, |
00:16:16 |
rape, |
00:16:18 |
and murder. |
00:16:35 |
Son of Sam, |
00:16:38 |
Charles Manson, |
00:16:41 |
Aileen Wuornos, |
00:16:43 |
Jeffrey Dahmer. |
00:16:45 |
And it all begins here. |
00:17:14 |
- Hey, you. |
00:17:17 |
- You have a long day? |
00:17:20 |
- Did you eat? |
00:17:22 |
I grabbed something from the set |
00:17:25 |
- Don't forget to eat. |
00:17:29 |
- How was your day? |
00:17:31 |
hospital, university, back to the office. |
00:17:35 |
- You're still at the office? |
00:17:38 |
Gotta take some |
00:17:41 |
so I just have to clean up a few things here. |
00:17:44 |
Go to Beverly. |
00:17:47 |
Claire, she's 65 dollars. |
00:17:51 |
Honey, sometimes a good haircut |
00:17:57 |
Are you sure you're at the office |
00:17:59 |
No. |
00:18:01 |
Stop it. |
00:18:03 |
What would you do if I was at the office? |
00:18:08 |
What would you do if I was there |
00:18:14 |
What would you do to me? |
00:18:17 |
Well, I'm actually researching that |
00:18:23 |
How would you satisfy me? |
00:18:25 |
Well, Freud says |
00:18:28 |
you have to first consider |
00:18:31 |
- Then he goes on to say... |
00:18:34 |
Claire, it's very interesting. If you... |
00:18:38 |
Claire? |
00:18:42 |
I need to finish these temps, honey. |
00:18:46 |
Okay. |
00:18:50 |
All right, well, night. |
00:18:54 |
Same. |
00:19:32 |
Roberto. |
00:19:41 |
Roberto. |
00:19:50 |
- I can't do that. |
00:19:52 |
No, I can't do that, Claire. |
00:19:54 |
- I'd like to, but I can't. |
00:20:02 |
Claire? |
00:20:04 |
Claire? |
00:20:06 |
- I can't do that. |
00:20:09 |
Just for a minute. |
00:20:15 |
Oh, my God. |
00:20:18 |
Well, what's God got to do with this, Claire? |
00:20:21 |
Just shut up! |
00:20:27 |
Okay, thank you, everyone! |
00:20:32 |
Nice work, kids. |
00:20:35 |
- Yeah, it's a pretty good image. |
00:20:37 |
We'll shoot the product in studio next week. |
00:20:39 |
- Perfect. |
00:20:48 |
Hey, Jonathan, it's me. |
00:20:50 |
I've left you a couple messages. |
00:20:53 |
Anyways, we've finished here, |
00:20:56 |
but I'm just beat. |
00:20:59 |
and I'll see you in the morning. |
00:21:03 |
Please call me back. All right, bye. |
00:21:09 |
Can I get you something else? |
00:21:13 |
I'm not hungry, |
00:21:15 |
- Certainly. |
00:21:22 |
Black Label on the rocks. |
00:21:37 |
Surprise me when I least expect it. |
00:21:45 |
Yeah. |
00:21:48 |
Hey, Roberto. |
00:21:52 |
Hey. |
00:21:57 |
I don't think I know you. |
00:22:01 |
Don't think. |
00:22:02 |
Drink. |
00:22:09 |
I was wet the moment I saw you. |
00:24:40 |
You know what? |
00:24:42 |
The hell with you. It's too much trouble. |
00:24:47 |
Okay. |
00:24:49 |
Hey. |
00:25:03 |
How do I know |
00:25:07 |
You don't. |
00:26:05 |
You know, I have to be in New York |
00:26:10 |
Think Roberto can make an appearance? |
00:26:16 |
I like Roberto. |
00:26:39 |
Ciao, babe. |
00:27:06 |
- Hey, Doc. |
00:27:09 |
I was wondering, Doc, |
00:27:13 |
- Just don't heckle me. |
00:27:17 |
- By the way. |
00:27:19 |
- Rachel's in a hell of a mood today. |
00:27:21 |
Why should today be any different, huh? |
00:27:25 |
- Thank you. |
00:27:37 |
Claire, why don't you just join the club? |
00:27:41 |
- We all need them sooner or later. |
00:27:43 |
It's just dim in here. |
00:27:46 |
I said that for years |
00:27:49 |
Let me tell you, this is night and day |
00:27:54 |
No, no, no. I thought Jonathan's speech |
00:27:57 |
I did try to lighten it up. |
00:28:00 |
- Just a little soupçon... |
00:28:03 |
- Now, the rest was boring. |
00:28:05 |
God, and that woman. What was that about? |
00:28:08 |
The wine list, please. Garçon? |
00:28:11 |
Garçon. The wine list, please. |
00:28:18 |
Well, Paul was in a feisty mood tonight, |
00:28:21 |
- wasn't he? |
00:28:22 |
Yeah. His insistence on paying the check |
00:28:25 |
was forceful to say the least. |
00:28:29 |
because he was embarrassed |
00:28:31 |
She's obviously jealous of you. |
00:28:33 |
- I don't think that's the case. |
00:28:37 |
Sniping. She's sniping. |
00:28:42 |
Her husband didn't say a word all dinner |
00:28:47 |
Forty-five dollars. No, thank you. |
00:28:49 |
Honey, do you really wanna |
00:28:57 |
- Blinds? |
00:29:22 |
- No Roberto? |
00:29:26 |
That's okay. |
00:29:37 |
All right, let's start with the photographer. |
00:29:40 |
- Bill Anderson. He did the Altman campaign. |
00:29:44 |
- What about a crossover guy? |
00:29:47 |
I talked to Hurley last weekend at a party. |
00:29:49 |
This guy puts in anime |
00:29:50 |
- in everything that he does. |
00:29:54 |
- What do you think, Claire? |
00:29:56 |
but I do think a music video photographer's |
00:30:00 |
You guys get me the crossover books. |
00:30:01 |
We've got carte blanche on this deal, |
00:30:04 |
- Sounds good. |
00:30:07 |
- Thanks. |
00:30:12 |
- Anything else, CD? |
00:30:26 |
Okay. |
00:30:41 |
There's a small dress shop in the Village. |
00:30:55 |
Leave the dressing room aurtain |
00:31:25 |
On the first night, wear it. |
00:31:29 |
Go out. Eat alone. |
00:31:32 |
Somewhere niae. I'll be watahing you. |
00:31:37 |
Every move. Every step. |
00:31:42 |
Before you leave the restaurant, |
00:31:47 |
Leave them in a napkin. |
00:32:17 |
Leave a note for me at the front desk. |
00:32:20 |
Tell me the room number. |
00:32:25 |
Turn the lights out. |
00:32:27 |
Leave the door unloaked |
00:32:30 |
and the aurtains wide open. |
00:32:39 |
Do not look at me. |
00:32:47 |
Don't look at me. |
00:33:16 |
Your skin is so soft. |
00:33:20 |
Why are you trembling? |
00:33:25 |
- How much did the dress cost? |
00:33:29 |
How much? |
00:33:32 |
Three hundred dollars. |
00:33:34 |
Three hundred dollars? |
00:33:38 |
It's too bad you only get to wear it once. |
00:33:45 |
Don't look at me. |
00:34:19 |
I can be |
00:34:23 |
anyone you want me to be, Claire. |
00:34:38 |
Just be Jonathan. |
00:34:44 |
- Be Jonathan. |
00:34:55 |
Jonathan. |
00:34:57 |
I can be Jonathan. |
00:35:04 |
Yes. |
00:35:08 |
Yes. |
00:35:10 |
Yes. Yes. |
00:35:15 |
Yes. |
00:35:33 |
I love you. |
00:36:19 |
- Hey. |
00:36:22 |
- Good morning. |
00:36:24 |
but I just wanted to aall you |
00:36:27 |
and say hi. |
00:36:31 |
- Where are you? |
00:36:33 |
I was thinking, maybe, you know, |
00:36:36 |
we aould go up to the aabin. |
00:36:37 |
Yeah? 'Cause the weather's gonna be great, |
00:36:42 |
to get away for a long weekend, you know, |
00:36:46 |
And maybe Roberto |
00:36:49 |
Sure, sounds great. |
00:36:55 |
- Claire? |
00:36:57 |
- Well, I love you! |
00:37:01 |
You and only you. |
00:37:03 |
Okay, have a good day. |
00:37:06 |
You, too. |
00:37:11 |
Hey. |
00:37:13 |
- You need to leave. |
00:37:16 |
Just go. |
00:37:19 |
- What are you doing? |
00:37:21 |
Just... Here. |
00:37:24 |
- What's wrong with you? |
00:37:26 |
I don't know who you are. |
00:37:30 |
- Well, I'm Jonathan, you... |
00:37:33 |
- Get your stuff, and just get out. |
00:37:35 |
You're not Jonathan. Get the fuck out. |
00:37:37 |
- What did I do? |
00:37:40 |
- Well, I would, but what did I do? |
00:37:43 |
- I mean, I... |
00:37:45 |
Just get out! Please, please. |
00:37:48 |
- You got my other shoe? |
00:37:51 |
I don't know who the hell you are! |
00:37:56 |
Okay, okay. I'm going. |
00:37:59 |
- See you later? |
00:38:03 |
All right. |
00:39:09 |
Surprise! |
00:39:14 |
Happy anniversary to you! |
00:39:16 |
Congratulations. |
00:39:20 |
- Hi. |
00:39:21 |
Happy anniversary. |
00:39:24 |
Wow. Hey. |
00:39:26 |
- In from the cold. |
00:39:30 |
Party, party, party! |
00:39:46 |
This is our song, honey! |
00:39:51 |
Jonathan was so ambitious |
00:39:54 |
He just wanted so much to surprise you. |
00:39:57 |
He's so sneaky. Did you even have a clue? |
00:40:00 |
No. No idea. |
00:40:02 |
The look on your face was priceless. |
00:40:05 |
Joan, can I steal my sister away |
00:40:07 |
- Yeah, sure. |
00:40:09 |
Okay. |
00:40:20 |
Where's Claire? |
00:40:23 |
- Thanks for saving me. |
00:40:25 |
I mean, she's nice, but, God, |
00:40:31 |
Sometimes I feel like |
00:40:41 |
- So, how have you been? |
00:40:46 |
Hey, I was trying to lay low |
00:40:51 |
I mean, you know me. |
00:41:00 |
You all right? |
00:41:06 |
What? |
00:41:11 |
I cheated on Jonathan. |
00:41:14 |
- Don't say another word. |
00:41:17 |
God, just, Claire. |
00:41:21 |
This is a big mistake. |
00:41:23 |
Seriously, Claire. He's an amazing guy. |
00:41:28 |
He's the best thing |
00:41:29 |
I mean, the way he cares for you, |
00:41:34 |
- I know. |
00:41:39 |
Because you can't get back trust. |
00:41:45 |
And you can't take away pain. |
00:41:50 |
Believe me. |
00:41:55 |
Claire. |
00:41:59 |
Thank you. It was great to see you. |
00:42:01 |
Thanks for drinking me |
00:42:03 |
- You behave yourself. Later. |
00:42:06 |
- I'll call you real soon. |
00:42:07 |
- Okay? |
00:42:09 |
Good night. |
00:42:10 |
- Thank you. |
00:42:14 |
Sorry. |
00:42:16 |
Yeah, you know, what can you do? I mean, |
00:42:20 |
- you've been busy, right? |
00:42:22 |
I know, I know. |
00:42:24 |
Next year, I'll be busy, |
00:42:29 |
So I'm gonna go to bed. |
00:42:31 |
- I'll be right up. |
00:42:33 |
- It's all good. |
00:42:35 |
- Well, good night. |
00:42:37 |
All right. I'll be asleep. |
00:43:53 |
Simon Phillips. |
00:43:55 |
We haven't officially met, but well, |
00:44:00 |
- Night, CD. |
00:44:07 |
Hi. Simon Phillips. |
00:44:09 |
We haven't officially met, |
00:44:11 |
to really get to know you. |
00:44:13 |
- Claire Dennison. |
00:44:15 |
- Mrs. Claire Dennison. |
00:44:17 |
I read the e-mail. |
00:44:20 |
very well composed, but yeah? |
00:44:23 |
What happened to the spontaneous Claire? |
00:44:26 |
You know, you're not answering my e-mails |
00:44:28 |
so I figure I'll come over, I'll protect you |
00:44:31 |
- for a little dinner, a little wine. |
00:44:33 |
Some closure. |
00:44:35 |
You've got time for one drink. |
00:44:36 |
- Simon, I can't do this. |
00:44:39 |
- I need a little clarity, here. |
00:44:41 |
Claire, let's just have the drink, |
00:44:46 |
- You'll go away? |
00:44:49 |
You promise? |
00:44:51 |
- All right, one drink. |
00:44:54 |
- You look beautiful. |
00:44:55 |
- Beautiful. |
00:44:57 |
All right. |
00:44:58 |
- How are you, tonight? |
00:45:00 |
Tonight's special, we have the rack of lamb, |
00:45:03 |
the steamed bass. |
00:45:05 |
- Okay, great. |
00:45:07 |
- Nice. |
00:45:08 |
- Sorry, we're not eating. |
00:45:10 |
- We're not eating. |
00:45:12 |
I'm just trying to understand, Claire. |
00:45:14 |
I mean, you moved so fast. |
00:45:16 |
Like, one minute you're in, |
00:45:20 |
I've never done this before. |
00:45:22 |
Okay, that's a good thing. |
00:45:25 |
It makes you a decent human being. |
00:45:30 |
You got any kids? |
00:45:33 |
You've gotta take my feelings |
00:45:36 |
I understand your feelings, okay? I'm sorry. |
00:45:40 |
But I love my husband. |
00:45:42 |
And that's good. That's a very good thing, |
00:45:44 |
because I'm not saying |
00:45:47 |
but there's also my feelings for you |
00:45:52 |
- I have feelings for you. |
00:45:53 |
Did you feel something for me? |
00:45:56 |
You told me, you know, everything. |
00:45:59 |
- The kisses, the touching... |
00:46:02 |
Well, you told me you love me. |
00:46:04 |
You told me you love me, |
00:46:08 |
And your hunger knows me. |
00:46:11 |
Okay? |
00:46:13 |
Why don't we have lunch tomorrow, |
00:46:18 |
I have plans. |
00:46:22 |
I'll join you, okay? |
00:46:25 |
They're with my husband. |
00:46:27 |
I have to go. |
00:46:29 |
Wait. |
00:46:31 |
I'm a decent human being, |
00:46:33 |
- okay? |
00:46:36 |
I promised you one drink. |
00:46:41 |
Goodbye, Simon. |
00:46:44 |
Don't do that. |
00:46:53 |
- Hey. |
00:46:55 |
I'm close by. |
00:46:57 |
- You need anything? |
00:47:00 |
- pick up my dry cleaning? |
00:47:02 |
I've got to go get my stuff anyway, |
00:47:06 |
Okay. |
00:47:09 |
I love you. Bye. |
00:47:13 |
Bye. |
00:48:21 |
Hey, honey. |
00:50:33 |
Yes? Come in. |
00:50:41 |
Can I help you? |
00:50:47 |
Bizarre. |
00:50:49 |
What's going on? What's going on? |
00:50:57 |
May I? |
00:51:00 |
Yeah. |
00:51:04 |
- Simon Phillips. |
00:51:08 |
Pleasure to meet you. |
00:51:12 |
- Yeah, please. |
00:51:20 |
I mean, I've heard... |
00:51:23 |
and I've read some things in books. |
00:51:27 |
But I never thought I'd find myself |
00:51:31 |
doppelganger, in his office, |
00:51:34 |
- like this. |
00:51:37 |
Mr. Phillips? |
00:51:40 |
Yeah, my son goes to Cornell. |
00:51:44 |
Yes, I went there. |
00:51:46 |
It's my wife. |
00:51:51 |
Bipolar issues. |
00:51:52 |
And medication seems ineffective |
00:51:55 |
And Professor Samuels... |
00:51:57 |
Samuels? |
00:51:59 |
...told my son |
00:52:02 |
He also mentioned our likeness, |
00:52:04 |
Likeness is an understatement. |
00:52:07 |
An understatement, yes. |
00:52:10 |
Likeness is an understatement. |
00:52:13 |
Samuels. I can't believe he's still there. |
00:52:18 |
Still there, still going strong. |
00:52:22 |
Yeah, anyway, to get to the point, my wife... |
00:52:28 |
She's here with you now? |
00:52:30 |
No, I couldn't bring her. She... No. |
00:52:35 |
Well, I'm running late, I'm afraid, |
00:52:38 |
and I fly off to this |
00:52:42 |
four-day conference in Chicago, |
00:52:47 |
18th, Thursday, 3:00 p.m., shall we say? |
00:52:51 |
- You and your wife? |
00:52:53 |
That would be wonderful. |
00:52:55 |
It's just so hard, I mean, |
00:52:58 |
- This person I love... |
00:53:02 |
- in a bit of a hurry. |
00:53:05 |
- My wife is expecting me for lunch. |
00:53:08 |
- You're married, too? |
00:53:12 |
This is her? |
00:53:15 |
Wow. |
00:53:17 |
Wow, she's beautiful. You really... |
00:53:20 |
- You're a lucky man. |
00:53:22 |
Please, if you'll... I've got to get going. |
00:53:29 |
This way, please. |
00:53:35 |
Well, will you look at that. |
00:53:40 |
It's... |
00:53:47 |
I have an idea. |
00:53:48 |
Why don't you come to lunch |
00:53:50 |
- with Claire and I? |
00:53:52 |
No, no, no. You see, |
00:53:56 |
She has to see you, |
00:54:01 |
- It's... |
00:54:04 |
This will be one heck of a surprise. |
00:54:09 |
Yeah. |
00:54:17 |
Hey, sorry I'm late. |
00:54:20 |
I got caught up at the office, |
00:54:23 |
Well, I just got here myself. |
00:54:25 |
I always get what I want. |
00:54:31 |
I always get what I want. |
00:54:37 |
I... |
00:54:53 |
I always get what I want. |
00:54:55 |
I have a surprise for you. |
00:54:58 |
- What's the surprise? |
00:55:02 |
Surprise. |
00:55:09 |
It's uncanny. Please sit down. |
00:55:12 |
- I mean, I'm still amazed. |
00:55:20 |
I recognized her from the photos. |
00:55:22 |
- What photos? |
00:55:27 |
Mr. Phillips is... |
00:55:30 |
who has requested me |
00:55:33 |
up in Oakland, next month. |
00:55:36 |
I told Jonathan |
00:55:41 |
but he insisted. |
00:55:44 |
Well, of course. If I hadn't dragged him here, |
00:55:47 |
- would you even believe a word I said? |
00:55:51 |
It's a very strong resemblance. |
00:55:57 |
Excuse me. Yes, I have to take this. |
00:56:01 |
Hello? Yeah. |
00:56:04 |
- What are you doing here? |
00:56:06 |
- but you left out one minor detail. |
00:56:11 |
And spoil his fun? That would be rude. |
00:56:19 |
I missed you, Claire. |
00:56:21 |
I can't stop thinking about you, |
00:56:27 |
Haven't you missed me even a little? |
00:56:32 |
Take your hand off me. |
00:56:35 |
It was a big mistake. |
00:56:39 |
- Don't be delusional. |
00:56:44 |
- Were you wet the moment you saw me? |
00:56:48 |
I'll make you come. Right now, shut up. |
00:56:51 |
- I'm gonna make you come. |
00:56:53 |
I know you want it. |
00:56:57 |
Why don't you laugh |
00:56:59 |
I don't find this funny. |
00:57:01 |
Laugh anyway, |
00:57:09 |
Yes. Yeah, yes, I will. Okay, bye. |
00:57:19 |
Sorry about that. |
00:57:22 |
Sorry, but well, you know, the university |
00:57:27 |
- I really must, I've got a flight to catch. |
00:57:31 |
- My wife is expecting me. |
00:57:35 |
with my cell phone, |
00:57:37 |
You call me if you have any questions. |
00:57:39 |
- Yeah, I will. This your cell phone? |
00:57:43 |
Okay, thanks. |
00:57:47 |
The pleasure is all mine, Claire. |
00:57:51 |
- Have a nice flight. |
00:58:01 |
Waiter, waiter. Some water, please. |
00:59:12 |
I still think we need to go |
00:59:14 |
Someone who speaks to the audience |
00:59:17 |
Hurley just doesn't get it. |
00:59:19 |
- How old is Hurley, 32? |
00:59:21 |
What do we need? |
00:59:32 |
- I don't have time to deal with... |
00:59:37 |
- Hi. |
00:59:39 |
- Picking up. |
00:59:41 |
Your husband pick up your clothes already, |
00:59:46 |
- Jonathan. |
00:59:49 |
- They cancel your lecture? |
00:59:52 |
Perfect timing. |
00:59:57 |
Look at this. |
00:59:59 |
- Smells good. |
01:00:03 |
What do you mean? I used the key. |
01:00:08 |
What key? |
01:00:09 |
What key? The one that, |
01:00:12 |
What are you talking about? The key. |
01:00:17 |
Look at this. I made this beautiful |
01:00:23 |
I'd appreciate it if you'd leave now. |
01:00:26 |
Well, fine. I mean, I'll leave. |
01:00:30 |
Yeah, okay, I'll leave. |
01:00:32 |
After we have dinner, all right? |
01:00:36 |
Come on. Sit down. Come over here. |
01:00:42 |
Sit down. Don't make me do this by myself. |
01:00:44 |
I opened up a wonderful Sancerre for us, |
01:00:49 |
We'll eat. Okay? |
01:00:51 |
We'll reminisce about old times, |
01:00:55 |
and then I'm gonna go away. |
01:01:00 |
- No, you won't. |
01:01:04 |
Man of my word. |
01:01:07 |
I'm gonna go. |
01:01:09 |
Unless, of course, |
01:01:13 |
Get out of my house. |
01:01:15 |
Oh, my God. |
01:01:20 |
And the fish is seared to perfection. |
01:01:27 |
What? Me? |
01:01:30 |
Well, you know, I was a lonely kid. |
01:01:34 |
I didn't have any siblings. |
01:01:38 |
But I love the water, so when they died, |
01:01:42 |
What sign are you, anyway? |
01:01:45 |
Wait. Don't tell me, let me guess. |
01:01:47 |
Aries? |
01:01:49 |
Virgo? |
01:01:52 |
Gemini? Maybe a Gemini. |
01:02:04 |
Leo. Leo the lion, right? |
01:02:23 |
Still pretty clean. |
01:02:27 |
It's really nice here with you. |
01:02:29 |
I just want to say that. I... |
01:02:34 |
Anyway, I'm a man of my word, |
01:02:38 |
This bird's gotta fly. |
01:02:43 |
Sure. |
01:02:45 |
After you. |
01:02:47 |
After you. |
01:02:51 |
Why? Are you afraid that I'm gonna see |
01:02:55 |
Okay. |
01:03:01 |
Tell me something, Claire, |
01:03:02 |
if you could blink or wiggle your nose |
01:03:08 |
would you choose me or Jonathan? |
01:03:11 |
That's my foot. |
01:03:15 |
I only have one regret in my life. |
01:03:21 |
Marrying Jonathan isn't it. |
01:03:39 |
Answer the phone, answer the phone. |
01:03:46 |
Come on. |
01:03:48 |
God, no. |
01:03:59 |
Well, Mrs. Dennison, |
01:04:01 |
that gave him the idea |
01:04:03 |
I didn't say we were friends. |
01:04:08 |
Maybe you were flirtatious |
01:04:10 |
Maybe after a few drinks in a hotel bar, |
01:04:14 |
You know what? You're really rude. |
01:04:17 |
I don't need this. |
01:04:20 |
What about the dry cleaning? |
01:04:22 |
Are you making |
01:04:26 |
These are signs of a stalker. |
01:04:29 |
If for any reason, known or unknown to you, |
01:04:33 |
he might be acting on it. |
01:04:35 |
Have you received an unusual amount |
01:04:38 |
No. |
01:04:41 |
So what do I do? |
01:04:42 |
- Start by changing your locks. |
01:04:50 |
Well, actually, we can't do anything, |
01:04:54 |
A premature restraining order |
01:04:57 |
and it's not really gonna protect you. |
01:04:59 |
Don't answer his e-mails, |
01:05:02 |
If you ignore him, he should go away. |
01:05:07 |
And if he doesn't? |
01:05:37 |
You really are gonna have to |
01:05:41 |
because she has |
01:05:47 |
Very important. |
01:06:29 |
Yes, I miss you, too. |
01:06:31 |
- I love you. |
01:06:34 |
You and only you. |
01:06:35 |
All right, |
01:06:38 |
- Night, Claire. |
01:06:44 |
Just a normal conversation with my wife. |
01:06:49 |
That's weird. |
01:06:51 |
- That's... |
01:06:52 |
A normal conversation... |
01:06:55 |
Wow. |
01:06:58 |
Hey, hey, hey, what do you want? |
01:07:04 |
Here we go. |
01:07:08 |
You know, |
01:07:11 |
Let's get a nice big bite for you. |
01:07:19 |
I cooked it for Claire tonight. |
01:07:24 |
No more? What? |
01:07:28 |
You didn't like it? |
01:07:31 |
On you. |
01:07:32 |
Want to know how I prepared it? |
01:07:37 |
First of all, I caught the fish myself |
01:07:42 |
I went out there, and then |
01:07:46 |
I gutted it with this knife. |
01:07:56 |
And then, I |
01:07:59 |
seasoned the carcass |
01:08:01 |
which you don't possess, |
01:08:08 |
Yeah. |
01:08:16 |
And then, what can I say? |
01:08:18 |
We wined and we dined, |
01:08:20 |
and then I fucked her |
01:08:24 |
On the carpet, in the kitchen, everywhere. |
01:08:28 |
I filthied the whole place up. Yeah. |
01:08:31 |
And she was hungry. |
01:08:34 |
You know how I know it's love? |
01:08:37 |
"I love you, I love you, I love you, |
01:08:42 |
No tongue. Just pure love. |
01:08:45 |
Just her lips. |
01:08:49 |
What is the matter with you, Jonathan? |
01:08:52 |
What the fuck is wrong with you? |
01:08:56 |
You've got no passion. |
01:08:58 |
I get nothing from you. No fucking reaction! |
01:09:04 |
You're cold. You've got... |
01:09:06 |
I mean, Claire is warm. |
01:09:11 |
And she's... |
01:09:17 |
She's so soft, she's so... |
01:09:27 |
She's like liquid gold. |
01:09:38 |
You dried her up, didn't you? |
01:09:46 |
Probably with 10 years |
01:09:50 |
What happened to you? |
01:09:54 |
I... have certain emotional blocks. |
01:10:02 |
I'm a flawed human being. |
01:10:06 |
I'm a prisoner in my own mind. |
01:10:11 |
What do you want? |
01:10:14 |
I wish I could be more like you. |
01:10:20 |
Yeah. |
01:10:23 |
I wish I could be free. |
01:10:26 |
I know. |
01:10:35 |
Jonathan, you can't be me. |
01:10:39 |
You can't be me, Jonathan. |
01:11:10 |
Hey, hi there, this is Dr. Jonathan Dennison. |
01:11:14 |
Is Sal there, please? |
01:11:16 |
Password, password, password. |
01:11:21 |
Claire. |
01:11:29 |
Freud. |
01:11:41 |
Impulse. |
01:11:43 |
Impulse. |
01:11:49 |
Yeah. Gotcha. |
01:12:01 |
What have we here, Dr. Jonathan Dennison? |
01:12:06 |
Inside your mind. |
01:12:25 |
- Too modern, I need more classic. |
01:12:28 |
Take a message. |
01:12:29 |
It's the tenth time |
01:12:31 |
- Tell him I'm in a meeting. |
01:12:34 |
Well, tell him again. |
01:12:36 |
You guys, the colors are all wrong. |
01:12:39 |
I'm not taking this to the clients. Sorry. |
01:12:41 |
I need new books in an hour. |
01:12:48 |
- Hello. |
01:12:50 |
May I help you find anything in particular? |
01:12:52 |
Yeah, I'd like to get these lenses |
01:12:56 |
- Sure. |
01:12:59 |
- That will take about an hour. |
01:13:02 |
- Great. |
01:14:20 |
Oh, Claire? |
01:14:24 |
Where are you? |
01:14:27 |
You upstairs? |
01:14:29 |
You wanna go sailing this weekend, honey? |
01:14:31 |
You what? |
01:14:37 |
- You wanna go sailing? |
01:14:39 |
I mean, I... You know I don't... |
01:14:41 |
You know. |
01:14:45 |
You know I get seasick. |
01:14:49 |
But I'll watch. I like to watch. |
01:14:51 |
- I like to watch you. |
01:15:00 |
What? Hello? |
01:15:02 |
This is Claire Dennison of Image Engine. |
01:15:06 |
and I will return your aall |
01:15:10 |
I mean, I'm just waiting |
01:15:14 |
You know? |
01:15:17 |
That's fine, I can keep leaving messages. |
01:15:24 |
Pick up the fucking phone! |
01:15:58 |
Please leave a message, |
01:16:00 |
and I will return your aall |
01:16:01 |
Is this how it's gonna be? |
01:16:04 |
Is that how it's gonna be |
01:16:06 |
'Cause you'd better get ready, |
01:16:08 |
right now to see you. |
01:16:12 |
You don't treat me like this! |
01:16:24 |
Pick up the phone, Claire. |
01:16:31 |
This is Claire Dennison of Image Engine. |
01:16:34 |
and I will return your aall |
01:16:37 |
Pick it up, Claire. Pick up the phone! |
01:16:41 |
Pick up the phone, Claire. I can't take this. |
01:16:45 |
Pick up the phone. |
01:17:12 |
Oh, my God. |
01:17:40 |
Hello? |
01:17:43 |
All he wanted was one last kiss, Claire. |
01:17:55 |
Don't, don't run from me, Claire. |
01:18:01 |
It's Jonathan, baby. |
01:18:05 |
What are you doing? |
01:18:08 |
You're acting all crazy. I mean, look at me. |
01:18:11 |
Who do you think I am? Relax. |
01:18:17 |
What is wrong with you? |
01:18:20 |
Okay, okay, come here. Come here. |
01:18:27 |
Are you clear now? Are you clear now? |
01:18:31 |
It's Simon. No, it's Jonathan. |
01:18:34 |
It's Jonathan. It's Jonathan. |
01:18:37 |
It's me, babe. Come here. |
01:18:42 |
- Come here. |
01:18:43 |
Come here. |
01:18:45 |
- Please. |
01:18:47 |
Please. |
01:18:50 |
- Please, let go! |
01:18:52 |
- No! |
01:18:54 |
- That's good. |
01:18:56 |
- Yeah. |
01:18:58 |
- Okay. |
01:18:59 |
- Come here, come here. |
01:19:00 |
No. |
01:19:05 |
- Right here. That's right. |
01:19:09 |
Okay, yeah. |
01:19:13 |
Yeah. |
01:19:15 |
This... |
01:19:23 |
Okay... |
01:19:28 |
God, God. |
01:19:42 |
Shit. |
01:19:45 |
I can't believe... |
01:19:49 |
I can't believe he did this to you. |
01:19:53 |
I'm gonna kill... |
01:19:58 |
I'm gonna kill him. Okay? |
01:20:11 |
All he wanted was one kiss, you know? |
01:20:17 |
That's all he wanted. One kiss. |
01:20:20 |
And now, I'm gonna kill him. |
01:20:54 |
- Do you know what kind of car he's driving? |
01:21:04 |
We'll take you down to the hospital, |
01:21:15 |
And then we'll bring you back here, |
01:21:19 |
A car will be parked across the street |
01:21:28 |
Do you want to call your husband |
01:21:30 |
No. |
01:21:33 |
- I want to tell him in person. |
01:23:34 |
Claire. |
01:23:41 |
Claire. |
01:23:43 |
Claire? |
01:23:52 |
Wait, wait, wait. What are you doing? |
01:24:04 |
What are you doing? |
01:24:06 |
This is my house! |
01:24:09 |
It's my house! |
01:24:13 |
Claire! |
01:24:15 |
Claire, it's Jonathan! |
01:24:19 |
What's happening to me? Claire! |
01:25:26 |
- Hey, you safe on the ground? |
01:25:30 |
What do you say I swing by the office, |
01:25:35 |
- I'm home, honey. |
01:25:38 |
Yeah, I'm fine. |
01:25:42 |
I'll be right there. Don't move. |
01:25:58 |
I'm not angry, okay? |
01:26:01 |
- I'm so sorry. |
01:26:05 |
It's an honest mistake, my dear. |
01:26:08 |
I mean, how could you have known |
01:26:13 |
Stop. |
01:26:15 |
The man |
01:26:20 |
He simply lacks an ability |
01:26:23 |
The modern mind is overwhelmed |
01:26:27 |
And I'm going to make sure |
01:26:34 |
- I'm sorry. |
01:26:37 |
I mean, maybe you could explain to me |
01:26:42 |
so similar. |
01:26:44 |
Or, you know, was there some kind of... |
01:26:47 |
Was there something |
01:26:50 |
- You couldn't tell? |
01:26:54 |
Come here. It's okay. It's my fault. |
01:26:57 |
I put too much pressure |
01:26:59 |
I drove this to you. |
01:27:01 |
- Don't leave me. |
01:27:03 |
- Please don't leave me. |
01:27:07 |
I'm not gonna leave you. |
01:27:22 |
Hey, chief. |
01:27:47 |
Dinnertime. |
01:27:56 |
You've gotta be quiet, man. |
01:28:00 |
- Rachel's in a hell of a mood today. |
01:28:03 |
Rachel's in a hell of a mood today. Yeah? |
01:28:07 |
- Dr. D? |
01:28:09 |
- Rachel's in a hell of a mood today. |
01:28:11 |
Rachel's in a hell of a... |
01:28:20 |
Okay. |
01:28:22 |
- You good? |
01:28:24 |
- Music. You want music? |
01:30:22 |
Yes? |
01:30:26 |
This is Dr. Dennison. |
01:30:37 |
Hello? |
01:30:40 |
- Let's go. Come on. |
01:30:42 |
We're going to the cabin. Let's move. |
01:30:46 |
- Okay, hold on. |
01:30:55 |
- Hello? |
01:30:57 |
Jonathan? No, Claire said |
01:31:18 |
Pick up the phone, Claire. |
01:31:21 |
Claire. Pick up the phone. |
01:31:26 |
Pass me your plate, will you, honey? |
01:31:30 |
Honey, I'm going to go |
01:31:43 |
Here, finish the wine, and then I'm gonna |
01:31:46 |
and you're gonna go to sleep, okay? |
01:31:48 |
Damn, I made a mess again. |
01:32:13 |
- Okay, I'm going to run you that bath, okay? |
01:32:16 |
- Thank you. |
01:33:14 |
"What are you doing?" |
01:33:18 |
"Running a bath for my wife." |
01:33:21 |
"She's not your wife." "Yes, she is." |
01:33:23 |
"No, she's not." |
01:33:25 |
"You look pathetic in those clothes." |
01:33:29 |
"They're not my clothes." "They are now." |
01:33:32 |
Now you put those glasses on, |
01:33:35 |
You go downstairs, |
01:33:39 |
and you put her to bed. |
01:33:41 |
You be a man. |
01:33:43 |
It's too late now. |
01:33:54 |
Where is he? |
01:33:57 |
Where is he? Where is he, Claire? |
01:33:59 |
Claire? |
01:34:02 |
Where is he? Claire? |
01:34:05 |
It's me. It's Jonathan. Jonathan. Jonathan. |
01:34:08 |
You're gonna tell me |
01:34:10 |
Trust me now. Claire? |
01:34:13 |
Where is he? Tell me. |
01:34:15 |
I need to know where... |
01:34:18 |
Did he do that to you? Claire? |
01:34:20 |
Did he do that to you? Where the fuck is he? |
01:34:32 |
Claire. Get the gun, Claire. |
01:34:37 |
- Fucking... |
01:34:49 |
Okay, I'm up. You fucking coward. |
01:34:54 |
Use that gun and shoot this fucking animal. |
01:34:58 |
Pull the trigger, Claire. |
01:34:59 |
- I want you to hand me the gun... |
01:35:03 |
...and call the police. |
01:35:05 |
- give him the fucking gun. |
01:35:09 |
You do not give him the gun, Claire. No! |
01:35:20 |
You shot him. You shot him, Claire. |
01:35:55 |
Okay. |
01:35:56 |
You got me. |
01:36:00 |
Put down the gun, baby. |
01:36:09 |
What are you gonna do? Shoot me? |
01:36:14 |
You can't shoot me. You love me, baby. |
01:36:29 |
Oh, God. Oh, my God. |
01:36:33 |
Oh, my God, I love you. |
01:36:39 |
Are you talking to me? |
01:36:44 |
You and only you. |
01:38:33 |
- There you go. |
01:38:41 |
It's okay. |