|
In Bruges
|
| 00:00:54 |
RAY: After I killed them, |
| 00:00:58 |
washed the residue off me hands |
| 00:01:01 |
and walked home |
| 00:01:05 |
Shortly thereafter, |
| 00:01:09 |
'Get the fuck out of London, |
| 00:01:12 |
'Get to Bruges:' |
| 00:01:15 |
I didn't even know |
| 00:01:22 |
It's in Belgium. |
| 00:01:28 |
RAY: Bruges is a shithole. |
| 00:01:29 |
KEN: Bruges is |
| 00:01:30 |
Bruges is a shithole. |
| 00:01:31 |
Ray, we've only just |
| 00:01:33 |
Could we reserve judgment on Bruges |
| 00:01:36 |
I know it's gonna be |
| 00:02:02 |
(EXHALES) |
| 00:02:06 |
(SOFTLY) Shithole. |
| 00:02:09 |
(BELL DINGS) |
| 00:02:13 |
I think you have a couple of rooms |
| 00:02:17 |
Yes. No, we have one room booked. |
| 00:02:21 |
One twin room. |
| 00:02:25 |
Two weeks! |
| 00:02:27 |
Do you have another room? |
| 00:02:28 |
No, I'm afraid we're fully booked. |
| 00:02:29 |
With Christmas, |
| 00:02:33 |
Okay. |
| 00:02:35 |
(SIGHS) |
| 00:02:40 |
It's very pretty. |
| 00:02:42 |
I'm not being funny, |
| 00:02:43 |
We've got to stay here |
| 00:02:45 |
Well, what if he doesn't |
| 00:02:47 |
Then we stay here for two weeks. |
| 00:02:48 |
For two weeks? In fucking Bruges? |
| 00:02:52 |
With you? No way! |
| 00:02:54 |
Ray, I really don't like to say this. |
| 00:02:57 |
You really don't like to say what? |
| 00:02:59 |
Well. You know? |
| 00:03:03 |
Fucking bring that up. |
| 00:03:42 |
Do you think this is good? |
| 00:03:44 |
Do I think what's good? |
| 00:03:46 |
You know, going round in a boat, |
| 00:03:50 |
Yes, I do. |
| 00:03:53 |
It's called 'sightseeing.' |
| 00:04:05 |
Oh, look at that. |
| 00:04:10 |
It's a former hospital. |
| 00:04:17 |
Bruges is the most |
| 00:04:19 |
in the whole of |
| 00:04:44 |
Coming up? |
| 00:04:47 |
The view. |
| 00:04:49 |
The view of what? |
| 00:04:53 |
Ray, you're about |
| 00:04:57 |
Ken, I grew up in Dublin. |
| 00:05:00 |
If I'd grown up on a farm and was |
| 00:05:04 |
But I didn't, so it doesn't. |
| 00:05:17 |
(HUMMING) |
| 00:05:19 |
Trying to get rid of me coins. |
| 00:05:21 |
3, 3.50, 4, |
| 00:05:24 |
4.10, 4.20, 4.30, |
| 00:05:30 |
4.70, |
| 00:05:32 |
4.80, |
| 00:05:35 |
4.90. |
| 00:05:39 |
Will you take 4.90? |
| 00:05:41 |
Entry is 5 euro. |
| 00:05:45 |
Come on, man, |
| 00:05:47 |
Entry is 5 euro. |
| 00:05:56 |
(CASH REGISTER DINGS) |
| 00:06:00 |
Happy in your work? |
| 00:06:01 |
Very happy. |
| 00:06:33 |
(SIGHS) |
| 00:06:39 |
I like it here. |
| 00:06:52 |
(IMITATES GUN FIRING) |
| 00:07:08 |
MAN: Been to the top of the tower? |
| 00:07:11 |
Yeah. Yeah, it's rubbish. |
| 00:07:14 |
It is? The guidebook says |
| 00:07:18 |
Well, you lot ain't going up there. |
| 00:07:21 |
Pardon me? Why? |
| 00:07:22 |
I mean, it's all windy stairs. |
| 00:07:26 |
What exactly are you |
| 00:07:30 |
What exactly |
| 00:07:32 |
Youse are a bunch |
| 00:07:34 |
Right, you. |
| 00:07:43 |
Come on, leave it, fatty. |
| 00:07:47 |
(PANTING) |
| 00:07:55 |
You know, you're just |
| 00:08:00 |
What's all that about? |
| 00:08:03 |
They're not going up there. |
| 00:08:04 |
Hey, guys, I wouldn't go up there. |
| 00:08:08 |
Screw you, motherfucker! |
| 00:08:13 |
Americans, isn't it? |
| 00:08:19 |
Now, this is more like it. |
| 00:08:23 |
One gay beer |
| 00:08:24 |
and one normal beer for me, |
| 00:08:27 |
(SIGHS) |
| 00:08:28 |
This is the life. |
| 00:08:30 |
We're not staying here getting pissed. |
| 00:08:33 |
We are quietly sightseeing, |
| 00:08:35 |
and awaiting his call |
| 00:08:37 |
This is my vote |
| 00:08:39 |
We give it another day, |
| 00:08:42 |
Then we check the papers again, |
| 00:08:45 |
we phone him and say, 'Harry, |
| 00:08:48 |
'it's been very nice, all the |
| 00:08:51 |
'but we're coming back to London now, |
| 00:08:54 |
'where it isn't all just |
| 00:08:56 |
My vote would be |
| 00:09:00 |
and await his call |
| 00:09:06 |
You don't even know |
| 00:09:10 |
What are you talking about? |
| 00:09:12 |
You don't even know |
| 00:09:14 |
- What, on a job? |
| 00:09:16 |
- Here in Bruges? |
| 00:09:18 |
- Here in Bruges, on a job? |
| 00:09:21 |
Why? What did he actually say? |
| 00:09:23 |
He didn't actually say anything. |
| 00:09:24 |
- Then why do you think it might be? |
| 00:09:27 |
But it's a bit fucking |
| 00:09:30 |
- 'Go take him to hide out.' |
| 00:09:33 |
'Go take him to hide out |
| 00:09:37 |
You can hide out in Croydon. |
| 00:09:41 |
Hmm. |
| 00:09:43 |
Or Coventry. |
| 00:09:47 |
Hmm. |
| 00:09:50 |
It is a bit over-elaborate. |
| 00:09:54 |
Hmm. |
| 00:09:56 |
But we haven't got any guns. |
| 00:09:58 |
Harry can get guns anywhere. |
| 00:10:01 |
(BELL TOLLING) |
| 00:10:22 |
He's not gonna ring tonight. |
| 00:10:30 |
(SIGHS) |
| 00:10:31 |
He's not gonna ring tonight. |
| 00:10:35 |
Let's go out. |
| 00:10:37 |
- Go out where? |
| 00:10:39 |
No! |
| 00:10:58 |
Let's go out and have a look |
| 00:11:00 |
All the old medieval |
| 00:11:03 |
Because I bet they look even |
| 00:11:11 |
Yes! |
| 00:11:21 |
That there is called |
| 00:11:24 |
They all have funny names, |
| 00:11:27 |
Yes, Flemish. |
| 00:11:29 |
In here it says, 'The Belgians |
| 00:11:32 |
'from being murdered, 1471 and 1651.' |
| 00:11:35 |
I used to hate history, |
| 00:11:38 |
It's all just a load of stuff |
| 00:11:40 |
What are they doing over there? |
| 00:11:42 |
They're filming something. |
| 00:11:46 |
Ray! |
| 00:11:50 |
MAN: So, on this scene, you're supposed |
| 00:11:58 |
Okay? Great. |
| 00:12:03 |
Ray, come on, let's go. |
| 00:12:04 |
My arse, 'Let's go.' |
| 00:12:09 |
Oh, my God! |
| 00:12:12 |
She's gorgeous! |
| 00:12:14 |
Ray, we're going right now. |
| 00:12:15 |
Fuck off, are we! |
| 00:12:16 |
This is the best bit of Bruges |
| 00:12:45 |
Hello. |
| 00:12:49 |
Do you speak English? |
| 00:12:53 |
Yes, you do. |
| 00:12:55 |
What are you filming midgets for? |
| 00:12:58 |
It's a Dutch movie. |
| 00:13:02 |
It's a pastiche of Nicholas Roeg's |
| 00:13:05 |
Not a pastiche, but a... |
| 00:13:08 |
A 'homage' is too strong. |
| 00:13:14 |
Wow, your English is very good. |
| 00:13:21 |
A lot of midgets |
| 00:13:26 |
A disproportionate amount. |
| 00:13:29 |
Hervé Villechaize, |
| 00:13:33 |
I think somebody |
| 00:13:36 |
I suppose they must |
| 00:13:41 |
being really little and that. |
| 00:13:43 |
People looking at them |
| 00:13:45 |
Calling them names. |
| 00:13:50 |
There's another famous |
| 00:13:55 |
It's not the R2-D2 man. |
| 00:14:00 |
I hope your midget doesn't kill himself. |
| 00:14:05 |
He doesn't like being called a midget. |
| 00:14:07 |
Well, this is exactly my point! |
| 00:14:10 |
People go around calling you a midget |
| 00:14:13 |
Of course you're |
| 00:14:18 |
- My name's Ray. What's yours? |
| 00:14:23 |
How did you get past |
| 00:14:25 |
Getting past security men, |
| 00:14:28 |
You're a shoplifter? |
| 00:14:29 |
(CHUCKLES) No, not a shoplifter. |
| 00:14:31 |
It's a good joke, though. |
| 00:14:34 |
No. |
| 00:14:36 |
I'll tell you what I am |
| 00:14:39 |
(CHUCKLING) |
| 00:14:55 |
Fuck. |
| 00:15:09 |
How fucking cool. |
| 00:15:22 |
Mr. Blakely? |
| 00:15:24 |
- Yes. No, Mr. Cranham. |
| 00:15:31 |
You have a message. |
| 00:15:38 |
Shit! |
| 00:15:40 |
HARRY: Number one, why aren't you |
| 00:15:43 |
Number two, why doesn't this hotel |
| 00:15:46 |
and not I have to leave messages |
| 00:15:49 |
Number three, you better fucking be in |
| 00:15:52 |
or there'll be fucking Hell to pay, |
| 00:16:20 |
(DOOR LOCK TURNING) |
| 00:16:33 |
Would you turn |
| 00:16:36 |
Sorry, Ken. |
| 00:16:38 |
Keep the fucking noise down! |
| 00:16:43 |
Someone's in a mood. |
| 00:16:59 |
(SOFTLY) You'll never guess what. |
| 00:17:00 |
Will you shut your fucking mouth, |
| 00:17:02 |
Oh, sorry. |
| 00:17:09 |
Except I've gotta take me |
| 00:17:19 |
Altogether, |
| 00:17:20 |
I had |
| 00:17:23 |
five pints of beer |
| 00:17:28 |
No. Six pints of beer |
| 00:17:32 |
And you know what? |
| 00:17:40 |
You'll never guess what, Ken. |
| 00:17:44 |
- Ken, you'll never guess what. |
| 00:17:46 |
Got a date for tomorrow night. |
| 00:17:48 |
I'm very happy for you. |
| 00:17:49 |
With a girl. |
| 00:17:50 |
Can you turn |
| 00:17:51 |
Only been in Bruges one day, got a date |
| 00:17:54 |
the Belgian film business. |
| 00:17:58 |
They're doing a film about a midget. |
| 00:18:19 |
Miss? |
| 00:18:21 |
Marie? |
| 00:18:25 |
Sorry about the message last night. |
| 00:18:31 |
Well, he's a bit of a... |
| 00:18:33 |
Cock? |
| 00:18:36 |
Yes. He's a bit of a cock. |
| 00:18:41 |
Morning. |
| 00:18:52 |
Harry called last night. |
| 00:18:54 |
We missed him. |
| 00:18:59 |
Jeez, he swears a lot, doesn't he? |
| 00:19:02 |
We're staying in tonight. |
| 00:19:06 |
Hmm. |
| 00:19:08 |
Except... |
| 00:19:12 |
Hmm. |
| 00:19:14 |
Except 'hmm' what? |
| 00:19:15 |
Except only one of us |
| 00:19:20 |
Uh-huh. |
| 00:19:23 |
And which one of us |
| 00:19:26 |
I thought you didn't like Bruges. |
| 00:19:27 |
I don't like Bruges, |
| 00:19:29 |
But I did already say I had a date |
| 00:19:33 |
in the Belgian film business, |
| 00:19:42 |
Just don't get into |
| 00:19:44 |
We're keeping a low profile. |
| 00:19:47 |
And this morning, |
| 00:19:51 |
we are doing what I want to do. |
| 00:19:53 |
- Got it? |
| 00:19:56 |
Which, I presume, |
| 00:19:58 |
Oh, we shall strike a balance |
| 00:20:02 |
Somehow I believe, Ken, that the |
| 00:20:07 |
Like a big, fat, fucking retarded, |
| 00:20:11 |
on a seesaw, opposite |
| 00:20:18 |
a dwarf. |
| 00:20:49 |
(DRAGGING FEET) |
| 00:20:55 |
(SOFTLY) Ray, did we |
| 00:20:58 |
that if I let you |
| 00:20:59 |
we'd do the things |
| 00:21:01 |
We are doing the things |
| 00:21:03 |
And that we'd do them without you |
| 00:21:06 |
like some 5-year-old who's dropped |
| 00:21:08 |
I didn't agree to that. |
| 00:21:11 |
I'll cheer up. |
| 00:21:14 |
Up there, the top altar, is a phial |
| 00:21:17 |
brought back by a Flemish knight |
| 00:21:21 |
And that phial, do you know what |
| 00:21:24 |
No, what's it |
| 00:21:25 |
It's said to contain some drops of |
| 00:21:29 |
Yeah, that's how this church got |
| 00:21:33 |
Yeah. Yeah. |
| 00:21:35 |
And this blood, right, |
| 00:21:38 |
at different times over many years, |
| 00:21:42 |
Turned back into liquid |
| 00:21:44 |
At various times of great |
| 00:21:48 |
stress. |
| 00:21:49 |
- Yeah? |
| 00:21:51 |
So, yeah, I'm gonna go up in the queue |
| 00:21:56 |
- Yeah? |
| 00:21:59 |
Do I have to? |
| 00:22:02 |
- Do you have to? |
| 00:22:05 |
It's Jesus' fucking blood, isn't it? |
| 00:22:09 |
Of course you don't |
| 00:22:56 |
You little fucking cunt. |
| 00:23:00 |
(SIGHS) |
| 00:23:30 |
RAY: Murder, Father. |
| 00:23:34 |
PRIEST: Why did you |
| 00:23:38 |
For money, Father. |
| 00:23:40 |
For money? |
| 00:23:43 |
You murdered someone for money? |
| 00:23:45 |
Yes, Father. |
| 00:23:46 |
Not out of anger, not out of nothing. |
| 00:23:50 |
(CLEARS THROAT) |
| 00:23:52 |
Who did you murder |
| 00:23:55 |
You, Father. |
| 00:23:59 |
I'm sorry? |
| 00:24:00 |
I said you, Father. |
| 00:24:03 |
Harry Waters says hello. |
| 00:24:22 |
The little boy. |
| 00:26:10 |
RAY: I quite like this one. |
| 00:26:13 |
All the rest were rubbish by spastics, |
| 00:26:17 |
What's that all about, then? |
| 00:26:20 |
- It's Judgment Day, you know? |
| 00:26:27 |
What's that then? |
| 00:26:30 |
Well, it's, you know, |
| 00:26:33 |
When mankind will be judged for all |
| 00:26:40 |
And see who gets into Heaven and |
| 00:26:44 |
Yeah. |
| 00:26:45 |
And what's the other place? |
| 00:26:47 |
Purgatory. |
| 00:26:48 |
Purgatory? |
| 00:26:50 |
Purgatory's kind of like |
| 00:26:53 |
You weren't really shit, but you |
| 00:26:58 |
Like Tottenham. |
| 00:27:00 |
Do you believe |
| 00:27:03 |
About Tottenham? |
| 00:27:05 |
The Last Judgment |
| 00:27:10 |
Guilt and sins and |
| 00:27:14 |
Hell and all that? |
| 00:27:20 |
Um... |
| 00:27:24 |
Well... |
| 00:27:32 |
KEN: I don't know, Ray. |
| 00:27:35 |
The things you're taught as a child, |
| 00:27:39 |
So, like, I believe in trying |
| 00:27:41 |
Like, if there's an old lady, |
| 00:27:45 |
I don't try and help her carry her |
| 00:27:49 |
but I'll certainly hold |
| 00:27:53 |
Yeah. And anyway, if you tried to |
| 00:27:55 |
she'd probably think you were |
| 00:27:57 |
Exactly. This is the world |
| 00:28:00 |
At the same time as trying to lead |
| 00:28:05 |
I have to reconcile myself with the |
| 00:28:10 |
Not many people. Most of them were |
| 00:28:14 |
Apart from one person. |
| 00:28:16 |
Who's that? |
| 00:28:18 |
This fellow, |
| 00:28:20 |
He was just trying to protect |
| 00:28:24 |
He was just a lollipop man. |
| 00:28:26 |
He came at me with a bottle. |
| 00:28:30 |
I shot him down. |
| 00:28:31 |
Hmm. |
| 00:28:33 |
In my book, though, sorry, |
| 00:28:37 |
that is a deadly weapon, |
| 00:28:39 |
I know that in my heart. |
| 00:28:41 |
I also know that he was just trying |
| 00:28:43 |
I know. But a bottle, |
| 00:28:46 |
It's a case of |
| 00:28:47 |
If he'd come at you with his |
| 00:28:49 |
That wouldn't |
| 00:28:50 |
Well, technically, your bare hands |
| 00:28:53 |
They can be deadly weapons, too. |
| 00:28:55 |
You said he was |
| 00:28:57 |
He was a lollipop man. |
| 00:28:59 |
What's a lollipop man doing |
| 00:29:01 |
I'm just saying. |
| 00:29:02 |
- How old was he? |
| 00:29:05 |
What's a 50-year-old lollipop man |
| 00:29:07 |
What was he, |
| 00:29:10 |
Jesus, Ken, I'm trying to |
| 00:29:21 |
I know what you're |
| 00:29:23 |
I killed a little boy. |
| 00:29:26 |
You didn't mean |
| 00:29:28 |
I know I didn't mean to. |
| 00:29:32 |
But because of the choices I made and |
| 00:29:36 |
a little boy |
| 00:29:38 |
And he'll never be here again. |
| 00:29:45 |
I mean here in the world, |
| 00:29:50 |
Well, he'll never be here in Belgium, |
| 00:29:51 |
I mean, he might have wanted |
| 00:29:55 |
I don't know why. |
| 00:29:57 |
(SIGHS) |
| 00:29:58 |
And that's all because of me. |
| 00:30:02 |
He's dead because of me. |
| 00:30:04 |
And I'm trying to... |
| 00:30:07 |
I'm trying to get me head |
| 00:30:11 |
I will always have |
| 00:30:16 |
That ain't ever |
| 00:30:20 |
Unless... |
| 00:30:22 |
Maybe I go away. |
| 00:30:29 |
Don't even think like that. |
| 00:30:44 |
(EXHALES) |
| 00:31:26 |
You look good. |
| 00:31:32 |
What's it matter anyway? |
| 00:31:48 |
(PEOPLE CHATTERING) |
| 00:32:00 |
So, what do you do, Raymond? |
| 00:32:01 |
I shoot people for money. |
| 00:32:04 |
(SCOFFS) |
| 00:32:07 |
What kinds of people? |
| 00:32:09 |
Priests. Children. |
| 00:32:12 |
Is there a lot of money to be made |
| 00:32:14 |
There is in priests. |
| 00:32:16 |
So what is it you do, Chloe? |
| 00:32:18 |
I sell cocaine and heroin |
| 00:32:21 |
Do you? |
| 00:32:25 |
Do I look like I do? |
| 00:32:28 |
You do, actually. |
| 00:32:30 |
(CHUCKLING) |
| 00:32:33 |
Do I look like |
| 00:32:37 |
No. |
| 00:32:40 |
Just children. |
| 00:32:42 |
Mmm-hmm. |
| 00:32:49 |
I saw your midget today. |
| 00:32:53 |
Well, he's on a lot of ketamine. |
| 00:32:55 |
What's that? |
| 00:32:58 |
Horse tranquilizer. |
| 00:32:59 |
A horse tranquilizer? |
| 00:33:01 |
- Where'd he get that? |
| 00:33:03 |
You can't sell horse tranquilizers |
| 00:33:10 |
This movie, I think it's gonna be |
| 00:33:12 |
There's never been a classic movie |
| 00:33:15 |
Of course there hasn't, |
| 00:33:16 |
Bruges is my hometown, Ray. |
| 00:33:18 |
Well, it's still a shithole. |
| 00:33:19 |
It's not a shithole. |
| 00:33:20 |
What? Even midgets have to |
| 00:33:23 |
Okay. |
| 00:33:25 |
So, you've insulted my hometown. |
| 00:33:30 |
You're doing very well, Raymond. |
| 00:33:32 |
Why don't you tell me some |
| 00:33:35 |
I don't know any Belgian jokes. |
| 00:33:36 |
And if I did, I think I'd have |
| 00:33:40 |
Hey, hang on. Is Belgium where there |
| 00:33:44 |
Then I do know a Belgian joke. |
| 00:33:49 |
What's Belgium famous for? |
| 00:33:51 |
Chocolates and child abuse. |
| 00:33:53 |
And they only invented the chocolates |
| 00:33:57 |
What? |
| 00:33:59 |
One of the girls they murdered was |
| 00:34:07 |
(SIGHS) |
| 00:34:12 |
I'm sorry, Chloe. |
| 00:34:23 |
One of the girls they murdered |
| 00:34:27 |
I just wanted to |
| 00:34:29 |
And it worked. |
| 00:34:51 |
Fucking unbelievable. |
| 00:35:06 |
What's fucking unbelievable? |
| 00:35:08 |
Are you talking to me? |
| 00:35:12 |
(SOFTLY) He pauses, even though he |
| 00:35:15 |
And he repeats. |
| 00:35:16 |
Yes, I am talking to you. |
| 00:35:21 |
Well, I'll tell you what's |
| 00:35:23 |
Blowing cigarette smoke straight into |
| 00:35:26 |
That's fucking unbelievable! |
| 00:35:27 |
- This is the smoking section. |
| 00:35:31 |
All right? |
| 00:35:33 |
I don't wanna |
| 00:35:36 |
Isn't that what the |
| 00:35:39 |
Vietnamese? What are you |
| 00:35:42 |
That statement makes |
| 00:35:44 |
- Yes it does. |
| 00:35:46 |
Well, saying it over and over ain't |
| 00:35:49 |
How does the Vietnamese |
| 00:35:52 |
to myself and my girlfriend |
| 00:35:54 |
your friend's cigarette smoke? |
| 00:35:56 |
Tell me how saying... |
| 00:35:59 |
That's for John Lennon, |
| 00:36:02 |
A bottle? No, don't bother. |
| 00:36:11 |
(GROANS) |
| 00:36:19 |
We're leaving. |
| 00:36:20 |
I don't hit women! |
| 00:36:25 |
I'd hit a woman who was trying to |
| 00:36:27 |
That's different. |
| 00:36:29 |
Or a woman who could do karate. |
| 00:36:32 |
I'd never hit a woman generally, Chloe. |
| 00:36:36 |
God, you're pretty. |
| 00:36:39 |
I have to make a call. |
| 00:36:41 |
Oh, no. |
| 00:36:43 |
You've gone off me, now, haven't you? |
| 00:36:48 |
(MUSIC PLAYING ON TV) |
| 00:37:01 |
(PHONE RINGING) |
| 00:37:12 |
Hello? |
| 00:37:15 |
We just popped out for some dinner, |
| 00:37:18 |
Yeah? What'd you have? |
| 00:37:20 |
- For dinner? |
| 00:37:22 |
Pizza, at Pizza Hut. |
| 00:37:23 |
Was it nice? |
| 00:37:24 |
Yeah, it was all right. |
| 00:37:26 |
The same as in England. |
| 00:37:28 |
Well, that's globalization, |
| 00:37:32 |
He's in the toilet. |
| 00:37:34 |
- Can he hear? |
| 00:37:36 |
What's he doing? |
| 00:37:38 |
- What do you mean? |
| 00:37:41 |
I don't know, Harry, |
| 00:37:43 |
Send him out on an errand for half |
| 00:37:49 |
(SIGHS) |
| 00:37:52 |
Ray? Why don't you go out down |
| 00:37:59 |
Yeah, yeah, I know I said you couldn't, |
| 00:38:02 |
but might as well enjoy ourselves, eh? |
| 00:38:04 |
No, I don't know if they've got |
| 00:38:10 |
Yeah, see you. |
| 00:38:22 |
Yeah. He's gone. |
| 00:38:24 |
What'd you say to him? |
| 00:38:26 |
I said, 'Why don't you go have a drink, |
| 00:38:28 |
- What did he say? |
| 00:38:31 |
And he might go have a look to see |
| 00:38:33 |
Was he just having a wee? |
| 00:38:35 |
Yeah, I think so. |
| 00:38:37 |
Sure he didn't mind? |
| 00:38:38 |
No, he was glad to get out. |
| 00:38:40 |
He's definitely gone? |
| 00:38:41 |
Yeah, yeah, he slammed the door. |
| 00:38:42 |
That don't mean he's gone. |
| 00:39:02 |
Harry, he's definitely gone. |
| 00:39:04 |
You realize there are no |
| 00:39:07 |
I realize that, Harry. |
| 00:39:09 |
What are they gonna have, |
| 00:39:12 |
As I say, I think he was just glad |
| 00:39:14 |
So, is he having a nice time, |
| 00:39:17 |
I had a lovely time |
| 00:39:19 |
All the canals and the |
| 00:39:22 |
When were you here? |
| 00:39:23 |
When I was seven. |
| 00:39:27 |
- Have you been on a canal trip, yet? |
| 00:39:30 |
Have you been down, like, |
| 00:39:32 |
Yeah. |
| 00:39:33 |
It's like a fairytale, |
| 00:39:36 |
With the churches and that. |
| 00:39:38 |
- Is it Gothic? |
| 00:39:39 |
So he's having |
| 00:39:42 |
Well, I'm having |
| 00:39:45 |
I'm not sure if it's |
| 00:39:50 |
What? |
| 00:39:52 |
You know, I'm not sure |
| 00:39:54 |
What do you mean, |
| 00:39:56 |
What's that supposed to mean, |
| 00:39:58 |
What the fuck is that |
| 00:39:59 |
Nothing, Harry. |
| 00:40:01 |
It's a fairytale |
| 00:40:03 |
How can a fairytale town not be |
| 00:40:06 |
How can all those canals and bridges |
| 00:40:09 |
all that beautiful |
| 00:40:11 |
how can that not be |
| 00:40:13 |
What I think I meant to say was: |
| 00:40:14 |
- Is the swan still there? |
| 00:40:16 |
How can fucking swans not fucking |
| 00:40:20 |
How can that be? |
| 00:40:21 |
What I think I meant to say was, |
| 00:40:22 |
when he first arrived, |
| 00:40:25 |
You know, there's that big, dual |
| 00:40:29 |
It mightn't have been here when you |
| 00:40:32 |
Well, as soon as he got into, |
| 00:40:35 |
and he saw the canals and the bridges and, |
| 00:40:39 |
well, he just |
| 00:40:41 |
Couldn't get enough of it, |
| 00:40:44 |
It was just that initial, dual carriageway |
| 00:40:49 |
Don't know if I remember |
| 00:40:51 |
Must be recent. |
| 00:40:52 |
Hasn't spoilt it, has it? |
| 00:40:53 |
No, no, no, it's just that |
| 00:40:59 |
And you know what? |
| 00:41:02 |
As we were walking |
| 00:41:04 |
there was this sort of freezing fog |
| 00:41:10 |
and it made it look almost like |
| 00:41:14 |
And he turned to me, |
| 00:41:15 |
What'd he say? |
| 00:41:17 |
He said, 'Ken, I know I'm awake, |
| 00:41:22 |
Yeah? He said that? |
| 00:41:25 |
Yeah. |
| 00:41:26 |
Meaning, like, |
| 00:41:28 |
Yeah. Of course, |
| 00:41:31 |
Oh, good: I'm glad |
| 00:41:35 |
I'm glad we were able |
| 00:41:37 |
Something good and happy. Because he |
| 00:41:42 |
Huh? |
| 00:41:43 |
He wasn't a bad kid, |
| 00:41:47 |
Listen, take down this address. |
| 00:41:50 |
That's 'Raam,' like 'Ram,' |
| 00:41:54 |
Raamstraat 17. |
| 00:41:55 |
You got that? |
| 00:41:57 |
Yes, Raamstraat 17. |
| 00:41:59 |
Good: There'll be a man there tomorrow |
| 00:42:03 |
- Yuri. |
| 00:42:05 |
Ring me on the public phone |
| 00:42:07 |
about 3:00 or 4:00 tomorrow, |
| 00:42:10 |
After what's done? |
| 00:42:13 |
Are you being thick? |
| 00:42:16 |
- No. |
| 00:42:18 |
He was a good bloke, but when it |
| 00:42:21 |
he blew the head off a little |
| 00:42:24 |
So if the buck don't stop with him, |
| 00:42:33 |
Ken? |
| 00:42:35 |
If the buck don't stop with him, |
| 00:42:37 |
It stops with me, Harry. |
| 00:42:39 |
Look, don't get shirty, Ken. |
| 00:42:42 |
Listen, I'm just glad that I was able |
| 00:42:47 |
Do what for the boy? |
| 00:42:49 |
You know, have him |
| 00:42:52 |
I'd like to go to see |
| 00:42:56 |
What was it he said again about: |
| 00:43:02 |
'I know I'm awake, but I feel like |
| 00:43:07 |
Yeah. |
| 00:43:10 |
Give me a call |
| 00:43:34 |
(GASPS) |
| 00:43:37 |
That's my fucking girlfriend, |
| 00:43:40 |
Eirik, what are you doing? |
| 00:43:42 |
Where are you from, fucker? |
| 00:43:43 |
Ireland, originally. |
| 00:43:46 |
And you think it's okay |
| 00:43:48 |
and fuck another man's girl? |
| 00:43:50 |
Look, I didn't know she had |
| 00:43:52 |
And I haven't fucked her, anyway. |
| 00:43:55 |
Eirik, put the gun down! |
| 00:43:58 |
Get down on your knees |
| 00:44:00 |
Don't start being silly. |
| 00:44:02 |
Get down on your: |
| 00:44:05 |
Exactly at what point was it that |
| 00:44:08 |
Used to be, |
| 00:44:10 |
you just went around beating up |
| 00:44:12 |
Now it seems a prerequisite |
| 00:44:17 |
That's not gonna help you, man. |
| 00:44:18 |
Ray, there's only |
| 00:44:27 |
Eirik, don't! |
| 00:44:29 |
Now who's the fucking bum-boy? |
| 00:44:31 |
You, you fucking bum-boy! |
| 00:44:33 |
(GROANING) |
| 00:44:35 |
Chloe, what exactly |
| 00:44:37 |
I can't see! |
| 00:44:39 |
Of course you can't |
| 00:44:44 |
- Is this fella your boyfriend? |
| 00:44:49 |
Well, what's he doing here? |
| 00:44:50 |
We... We rob tourists, sometimes. |
| 00:44:53 |
I fucking knew it was too good |
| 00:44:57 |
I knew you'd have never |
| 00:44:59 |
No! That's not true, I... |
| 00:45:01 |
I called it off tonight. |
| 00:45:04 |
Why did you come tonight? |
| 00:45:06 |
EIRIK: Chloe, I can't see, |
| 00:45:07 |
Stop whingeing |
| 00:45:10 |
I haven't had a shag in months! |
| 00:45:11 |
I can't see out of this eye, Chloe! |
| 00:45:17 |
I'll drive you. |
| 00:45:18 |
Great! Now the whole |
| 00:45:20 |
No! |
| 00:45:22 |
You can stay if you want. I just |
| 00:45:26 |
I just knew someone like you |
| 00:45:29 |
- I just knew. |
| 00:45:31 |
You know, someone nice. |
| 00:45:41 |
Call me. Please. |
| 00:45:48 |
EIRIK: Chloe! |
| 00:46:30 |
Cha-ching! |
| 00:46:57 |
(MUMBLES) |
| 00:47:00 |
Have you got some |
| 00:47:02 |
No, no problem. |
| 00:47:04 |
Four beers in 20 minutes. |
| 00:47:09 |
Fuck off. |
| 00:47:18 |
JIMMY: Beer and a red wine. |
| 00:47:20 |
I'll be back. |
| 00:47:24 |
How's the movie going? |
| 00:47:26 |
It's a jumped-up Eurotrash piece of |
| 00:47:30 |
Like, in a bad way? |
| 00:47:36 |
Your girlfriend's |
| 00:47:38 |
She ain't my girlfriend. |
| 00:47:44 |
Didn't know there were |
| 00:47:46 |
You just have to look |
| 00:47:49 |
Brothels are good. |
| 00:47:52 |
Well, you've picked up |
| 00:47:55 |
Thank you. |
| 00:48:01 |
You from the States? |
| 00:48:03 |
Yeah. |
| 00:48:05 |
But don't hold it against me. |
| 00:48:06 |
I'll try not to. |
| 00:48:09 |
Just try not to say |
| 00:48:30 |
Hey-ho. Drowning |
| 00:48:32 |
What sorrows? |
| 00:48:36 |
One gay beer, please. |
| 00:48:37 |
How'd your date go? |
| 00:48:39 |
My date involved two instances of |
| 00:48:41 |
One instance of her hand on my cock |
| 00:48:43 |
which lasted all too briefly. |
| 00:48:46 |
One instance of me stealing five grams of |
| 00:48:50 |
and one instance of me |
| 00:48:52 |
So, all in all, my evening |
| 00:48:55 |
You got five grams of coke? |
| 00:48:58 |
I've got four grams on me |
| 00:49:00 |
which is why me heart |
| 00:49:01 |
as if I'm about to |
| 00:49:02 |
So if I collapse any minute now, |
| 00:49:05 |
that it might have something |
| 00:49:06 |
Give us a gram, then. |
| 00:49:08 |
I thought you were laying off, |
| 00:49:10 |
You know what? Right now, |
| 00:49:41 |
Why didn't you wave hello to me |
| 00:49:45 |
I was on a very strong |
| 00:49:47 |
I wasn't waving hello to anybody, |
| 00:49:53 |
Huh? What are you |
| 00:49:55 |
Just horseshit. |
| 00:49:58 |
You from America? |
| 00:50:00 |
Yeah. But don't |
| 00:50:03 |
Well, that's for me |
| 00:50:06 |
Are you from America, too? |
| 00:50:07 |
No, I'm from Amsterdam. |
| 00:50:09 |
(SCOFFS) Amsterdam. |
| 00:50:10 |
Amsterdam is just a load of bloody |
| 00:50:13 |
Yes. That's why I came to Bruges. |
| 00:50:15 |
I thought I'd get |
| 00:50:20 |
Huh? |
| 00:50:23 |
You two are weird. |
| 00:50:27 |
Would you like some cocaine? |
| 00:50:31 |
I've also got some |
| 00:50:36 |
(POP MUSIC PLAYING) |
| 00:50:45 |
Hervé Villechaize, I know, did. |
| 00:50:48 |
The dwarf off, I think, |
| 00:50:52 |
Lots of midgets: |
| 00:50:54 |
Dwarves, top themselves. |
| 00:50:57 |
Hmm. Shitloads. |
| 00:51:01 |
Would you ever think about it? |
| 00:51:03 |
Huh? |
| 00:51:04 |
Would you ever think about killing |
| 00:51:08 |
Fuck, man! |
| 00:51:11 |
We're just chatting, |
| 00:51:19 |
See, Ken, this is the kind of hotel |
| 00:51:22 |
A five-star, |
| 00:51:26 |
You know, sometimes, I think Harry |
| 00:51:32 |
Has he still not called? |
| 00:51:35 |
No. Still hasn't called. |
| 00:51:37 |
No news is good news, eh? |
| 00:51:40 |
(SOFT MUSIC PLAYING) |
| 00:51:48 |
RAY: Hmm. |
| 00:51:50 |
Who's she? |
| 00:51:54 |
JIMMY: There's gonna be a war, man. |
| 00:51:57 |
I can see it. |
| 00:51:58 |
There's gonna be a war between the |
| 00:52:02 |
You ain't even gonna need |
| 00:52:05 |
This ain't gonna be a war |
| 00:52:07 |
Your side's already |
| 00:52:09 |
And I know whose side I'm fighting on. |
| 00:52:12 |
The whites are gonna get |
| 00:52:14 |
JIMMY: You don't decide |
| 00:52:16 |
Well, who are the half-castes |
| 00:52:18 |
The blacks, man. |
| 00:52:21 |
But what about the Pakistanis? |
| 00:52:24 |
The blacks. |
| 00:52:28 |
Think of a hard one. |
| 00:52:30 |
What about the Vietnamese? |
| 00:52:32 |
The blacks! |
| 00:52:34 |
Well, I'm definitely fighting with |
| 00:52:43 |
So, hang on. |
| 00:52:45 |
Would all of the white midgets in |
| 00:52:47 |
against all the black |
| 00:52:48 |
Yeah. |
| 00:52:51 |
That would make a good film! |
| 00:52:54 |
You don't know how much shit I've had |
| 00:52:59 |
That's... |
| 00:53:02 |
Undeniably true. |
| 00:53:04 |
See, Jimmy, |
| 00:53:07 |
my wife was black. |
| 00:53:10 |
And I loved her very much. |
| 00:53:13 |
And in 1976, she was murdered |
| 00:53:20 |
So, where the fuck am I supposed |
| 00:53:26 |
Did they get the guy who did it? |
| 00:53:28 |
A friend of mine got him. |
| 00:53:29 |
Harry Waters got him. |
| 00:53:33 |
So tell me, Jim, whose side do I fight |
| 00:53:41 |
I think you need to |
| 00:53:45 |
and let your conscience decide, Ken. |
| 00:53:57 |
Two manky hookers |
| 00:54:02 |
I think I'm heading home. |
| 00:54:03 |
Yeah. I think I'll come with you. |
| 00:54:07 |
What's... |
| 00:54:10 |
You don't know karate. |
| 00:54:12 |
Don't say you didn't |
| 00:54:13 |
Don't say you didn't |
| 00:54:15 |
Shortarse! |
| 00:55:44 |
Meeting Yuri. |
| 00:55:45 |
Yes, I'm Yuri. |
| 00:56:16 |
Mr. Waters said |
| 00:56:22 |
There are a lot of alcoves |
| 00:56:26 |
You use this word, |
| 00:56:29 |
'Alcoves'? Yes. Sometimes. |
| 00:56:31 |
There are not many people around |
| 00:56:36 |
If I were to murder a man, |
| 00:56:42 |
Are you sure this is |
| 00:56:45 |
'Alcoves,' yes. |
| 00:56:49 |
'Nooks and crannies,' yes. |
| 00:56:53 |
'Nooks and crannies,' |
| 00:57:03 |
You are going to do it, aren't you? |
| 00:57:07 |
Of course I'm going to fucking do it. |
| 00:57:11 |
It's what I do. |
| 00:57:19 |
Your friend was behaving |
| 00:57:30 |
Oddly? How? |
| 00:57:32 |
Well, he asked me about the baby, |
| 00:57:37 |
I said I didn't mind as long as |
| 00:57:40 |
But then he gave me 200 euros |
| 00:57:46 |
I refused, obviously, |
| 00:57:53 |
Would you give it back to him |
| 00:57:56 |
I don't want to appear ungrateful, but it |
| 00:58:01 |
- Do you know where he is now? |
| 00:59:04 |
Sorry, Ray. |
| 00:59:07 |
I'm sorry. |
| 00:59:39 |
Ray, don't! |
| 00:59:41 |
Fucking hell! |
| 00:59:43 |
- I was behind the thing. |
| 00:59:46 |
What the fuck are you doing? |
| 00:59:48 |
Nothing. |
| 00:59:49 |
(BREATHING HEAVILY) |
| 00:59:51 |
Oh, my God! |
| 00:59:55 |
- You were gonna kill me. |
| 00:59:58 |
You were gonna kill yourself! |
| 01:00:03 |
I'm allowed to. |
| 01:00:04 |
No, you're not! |
| 01:00:05 |
What? |
| 01:00:07 |
I'm not allowed to and you are? |
| 01:00:17 |
Can we go somewhere |
| 01:00:23 |
I wasn't gonna go |
| 01:00:26 |
You fucking looked like you were |
| 01:00:32 |
Where'd you get that gun? |
| 01:00:34 |
A friend of Harry's. |
| 01:00:35 |
Fuck, man. |
| 01:00:39 |
Let me see it. |
| 01:00:45 |
Silencer, too. |
| 01:00:49 |
Nice. |
| 01:00:55 |
Mine's a bloody girl's gun. |
| 01:01:07 |
I'm keeping it. |
| 01:01:12 |
Give me me gun back. |
| 01:01:14 |
You're a suicide case. |
| 01:01:15 |
And you were trying to shoot me |
| 01:01:18 |
You're not getting |
| 01:01:20 |
A great day this has |
| 01:01:22 |
I'm suicidal, |
| 01:01:26 |
me gun gets nicked |
| 01:01:30 |
Listen, I'm gonna give you some money |
| 01:01:35 |
Back to England? |
| 01:01:36 |
You can't go back to England, Ray. |
| 01:01:39 |
(CRYING) I want to be a dead man. |
| 01:01:42 |
Have you been missing something? |
| 01:01:45 |
You don't want to be |
| 01:01:50 |
I killed a little boy! |
| 01:02:06 |
Then save the next little boy. |
| 01:02:10 |
Just go away somewhere, |
| 01:02:12 |
get out of this business |
| 01:02:17 |
You're not gonna |
| 01:02:20 |
You're not gonna |
| 01:02:25 |
But you might save the next one. |
| 01:02:29 |
What am I gonna be, a doctor? |
| 01:02:32 |
You need exams. |
| 01:02:34 |
Do anything, Ray. |
| 01:02:53 |
RAY: What a wanker! |
| 01:02:57 |
He said this whole trip, |
| 01:03:01 |
this whole being in Bruges thing, |
| 01:03:04 |
was just to give you one last, |
| 01:03:09 |
In Bruges? |
| 01:03:13 |
(LAUGHING) |
| 01:03:16 |
The Bahamas, maybe. |
| 01:03:20 |
Why fucking Bruges? |
| 01:03:22 |
I suppose it's cheaper. |
| 01:03:28 |
(WOMAN ANNOUNCING ON PA) |
| 01:03:31 |
The rest of the acid |
| 01:03:35 |
Can I have me gun back, please? |
| 01:03:42 |
What am I gonna do, Ken? |
| 01:03:45 |
- What am I gonna do? |
| 01:03:49 |
Keep on moving. |
| 01:03:51 |
Try not to think about it. |
| 01:03:54 |
Learn a new language, maybe? |
| 01:03:56 |
Sure, I can hardly do English. |
| 01:03:58 |
That's one thing |
| 01:03:59 |
You don't have to learn |
| 01:04:01 |
Just forget about home for a while. |
| 01:04:04 |
See how the land lies |
| 01:04:07 |
Seven years is not that long. |
| 01:04:10 |
It's longer than that boy got. |
| 01:04:12 |
Me first fucking job. |
| 01:04:16 |
Great hitman I turned out to be. |
| 01:04:22 |
Some people just aren't |
| 01:04:26 |
Are you? |
| 01:04:34 |
When are you |
| 01:04:37 |
I'll head back in a couple |
| 01:04:39 |
Harry's not gonna be mad at you, |
| 01:04:43 |
I'll sort out Harry. |
| 01:04:44 |
Just tell him I'll have probably |
| 01:04:48 |
You won't, will you, Ray? |
| 01:05:09 |
Harry? It's Ken. |
| 01:05:12 |
Listen to this noise. |
| 01:05:16 |
Do you know what that is? |
| 01:05:18 |
Yeah, I know you know it's a train. |
| 01:05:22 |
Well, it's a train that Ray just |
| 01:05:25 |
and he doesn't know where he's going |
| 01:05:28 |
So if you need to do your worst, |
| 01:05:31 |
You've got the address of the hotel. |
| 01:05:34 |
Because I've got to quite |
| 01:05:37 |
It's like a fucking |
| 01:06:03 |
(PHONE BANGING) |
| 01:06:09 |
Harry. |
| 01:06:11 |
Harry! |
| 01:06:12 |
What? |
| 01:06:14 |
It's an inanimate fucking object. |
| 01:06:16 |
You're an inanimate fucking object! |
| 01:06:26 |
(CLEARS THROAT) |
| 01:06:28 |
Now, you lot be good for your mummy |
| 01:06:31 |
'Cause Daddy's got to |
| 01:06:33 |
Where are you going? |
| 01:06:34 |
I've got to go to Bruges. |
| 01:06:36 |
Bruges? Where's that? |
| 01:06:38 |
It's in Belgium. |
| 01:06:40 |
Why would anybody |
| 01:06:43 |
'Cause I've got to |
| 01:06:45 |
Is it something |
| 01:06:48 |
It's something to do with Ken. |
| 01:06:51 |
It's a matter of honor. |
| 01:06:54 |
Well, it ain't gonna |
| 01:07:00 |
Well, of course it's gonna be dangerous |
| 01:07:03 |
You are bringing the fellas with you? |
| 01:07:05 |
Tell me you're bringing |
| 01:07:08 |
Harry. |
| 01:07:10 |
I'm sorry for calling you |
| 01:07:13 |
I was upset. |
| 01:08:20 |
(TRAIN BRAKES SCREECHING) |
| 01:08:54 |
You're Irish? |
| 01:08:58 |
What is your name? |
| 01:09:02 |
Derek Perlurrl. |
| 01:09:08 |
You hit the Canadian. |
| 01:09:11 |
You hit the Canadian. |
| 01:09:13 |
I 'heet' the Canadian? |
| 01:09:19 |
That's him! |
| 01:09:28 |
You hit the Canadian, yeah? |
| 01:09:31 |
Canadian? Shit. |
| 01:09:39 |
(HANDCUFFS CLICKING) |
| 01:09:40 |
- We're taking you back to Bruges. |
| 01:10:10 |
Aye aye. |
| 01:10:13 |
YURI: Take your pick, Mr. Waters. |
| 01:10:18 |
(CHUCKLES) An Uzi? |
| 01:10:20 |
I'm not from South Central |
| 01:10:23 |
I didn't come here to shoot 20 black |
| 01:10:27 |
I want a normal gun |
| 01:10:41 |
I knew he wouldn't kill the guy. |
| 01:10:44 |
I could see it in his eyes when I was |
| 01:10:49 |
- About the what? |
| 01:10:51 |
The alcoves in the |
| 01:10:56 |
Oh, I also have some dumdums. |
| 01:10:58 |
You use this word,'dumdums'? |
| 01:11:02 |
Dumdums, yeah. |
| 01:11:03 |
Would you like some |
| 01:11:06 |
I know I shouldn't, |
| 01:11:10 |
but I will. |
| 01:11:16 |
Motherfucker. |
| 01:11:19 |
Is he talking to me? |
| 01:11:20 |
No, Eirik's on your side, |
| 01:11:22 |
Your young friend |
| 01:11:24 |
Ray did? |
| 01:11:26 |
I was trying to rob him |
| 01:11:30 |
And the gun |
| 01:11:33 |
and he shot the blank |
| 01:11:35 |
And now, I cannot see from this eye |
| 01:11:41 |
Well, to be honest, it sounds like |
| 01:11:44 |
What? |
| 01:11:45 |
I mean, basically, if you're robbing |
| 01:11:48 |
and you allow your gun |
| 01:11:50 |
and you allow yourself to be shot |
| 01:11:52 |
for which I assume the person has to get |
| 01:11:56 |
yeah, really, it's all your fault |
| 01:11:59 |
So why don't you stop whingeing |
| 01:12:02 |
YURI: Eirik, I really wouldn't respond. |
| 01:12:12 |
I thought you wanted the guy dead? |
| 01:12:13 |
I do want the guy dead. |
| 01:12:15 |
But it don't change the fact |
| 01:12:19 |
Does it? |
| 01:12:22 |
Thanks for the gun, Yuri. |
| 01:13:31 |
Well? |
| 01:13:34 |
The boy is suicidal, Harry. |
| 01:13:36 |
He's a walking dead man. |
| 01:13:39 |
Keeps going on |
| 01:13:41 |
When I phoned you |
| 01:13:43 |
'Ken, will you do me a favor and |
| 01:13:47 |
No. What I think I asked you was, |
| 01:13:52 |
'He's suicidal'? |
| 01:13:54 |
I'm suicidal. You're suicidal. |
| 01:13:57 |
We don't all keep |
| 01:13:59 |
Has he killed himself yet? |
| 01:14:04 |
He put a loaded gun to his head this morning. |
| 01:14:06 |
He... What? |
| 01:14:10 |
We were down in the park... |
| 01:14:11 |
Let me get this right. |
| 01:14:15 |
What's that got to do |
| 01:14:17 |
Let me get this right. Not only |
| 01:14:20 |
you've even stopped the boy |
| 01:14:22 |
which would have |
| 01:14:24 |
which would have |
| 01:14:25 |
which sounds like |
| 01:14:27 |
It wouldn't have |
| 01:14:29 |
Ken, if I had killed a little kid, |
| 01:14:33 |
I wouldn't have thought twice. |
| 01:14:34 |
I'd have killed myself on the |
| 01:14:37 |
I'd have stuck the gun in me mouth |
| 01:14:39 |
That's you, Harry. |
| 01:14:43 |
The boy has the capacity to do |
| 01:14:46 |
Excuse me, Ken. |
| 01:14:50 |
Yeah, you do. You've the capacity |
| 01:14:54 |
Yeah, now I'm |
| 01:14:57 |
Harry, let's face it. |
| 01:14:59 |
And I'm not being funny, |
| 01:15:01 |
but you're a cunt. |
| 01:15:03 |
You're a cunt now, |
| 01:15:06 |
And the only thing that's |
| 01:15:10 |
Maybe have some |
| 01:15:11 |
Leave my kids fucking out of it. |
| 01:15:13 |
You fucking retract that bit |
| 01:15:16 |
I retract that bit about |
| 01:15:18 |
Insulting my fucking kids! |
| 01:15:22 |
I retracted it, didn't I? |
| 01:15:27 |
Still leaves you being a cunt. |
| 01:15:28 |
Yeah, I fucking got that. |
| 01:15:49 |
Where's Ray now? |
| 01:15:52 |
Oh, right about now, |
| 01:15:55 |
of the one million towns in |
| 01:16:01 |
(DOOR SHUTS) |
| 01:16:15 |
I'll get all the money |
| 01:16:17 |
It's not a problem, |
| 01:16:19 |
And I'll get all your acid and |
| 01:16:21 |
English humor! |
| 01:16:23 |
I'm assuming you've |
| 01:16:28 |
That Yuri bloke's |
| 01:16:31 |
He does yoga. |
| 01:16:34 |
'The alcoves.' |
| 01:16:35 |
Was he going on |
| 01:16:37 |
(CHUCKLES) |
| 01:16:39 |
'The alcoves |
| 01:16:46 |
(SNIFFLES) |
| 01:16:50 |
Harry, I know you gotta do |
| 01:16:53 |
It's a bit crowded |
| 01:16:55 |
Well, I'm not gonna |
| 01:16:57 |
in the middle of a thousand |
| 01:17:01 |
Not to mention the other |
| 01:17:05 |
Hmm. |
| 01:17:07 |
To see the swans and the Gothic |
| 01:17:10 |
- Are you trying to fucking wind me up? |
| 01:17:13 |
On top of calling me a cunt |
| 01:17:15 |
I might just have to |
| 01:17:18 |
Christ! |
| 01:17:23 |
Let's go up the bell tower. |
| 01:17:26 |
Be quiet up there |
| 01:17:28 |
Let's go up there. |
| 01:17:49 |
Yeah. Canadians. |
| 01:17:52 |
I feel a bit bad. They didn't kill |
| 01:17:56 |
Anyway, supposed to turn up |
| 01:17:58 |
Are you going to turn up? |
| 01:17:59 |
Don't know. |
| 01:18:00 |
What have I got to |
| 01:18:05 |
The most beautiful woman |
| 01:18:09 |
you've ever seen |
| 01:18:12 |
in all of your stupid life. |
| 01:18:25 |
The tower is closed this evening. |
| 01:18:27 |
No way. It's supposed |
| 01:18:29 |
The tower is usually |
| 01:18:31 |
Yesterday an American |
| 01:18:34 |
Today the tower is closed. |
| 01:18:36 |
Here, cranky, here's 100 for you. |
| 01:18:45 |
The tower is closed this evening. |
| 01:18:51 |
Understand, Englishman? |
| 01:18:59 |
(GROANING) |
| 01:19:32 |
(CHUCKLES) |
| 01:19:33 |
Jimmy, I've been wanting to say |
| 01:19:35 |
I'm really sorry for |
| 01:19:38 |
That was way out of order. |
| 01:19:41 |
You know, Ray, I'd find it easier |
| 01:19:45 |
if the two of you weren't |
| 01:19:50 |
(BOTH CHUCKLING) |
| 01:19:53 |
It's for the goddamn movie, man. |
| 01:19:59 |
It is a nice town, Harry. |
| 01:20:03 |
I'm glad I got to see it. |
| 01:20:09 |
I didn't mean to be taking the |
| 01:20:13 |
It is a fairytale place. |
| 01:20:16 |
- It really is. |
| 01:20:18 |
It's just a shame |
| 01:20:19 |
But then you figure if it wasn't |
| 01:20:23 |
there'd be too many people coming to |
| 01:20:29 |
Well, I'm glad I got to see it |
| 01:20:34 |
before I died. |
| 01:20:42 |
What are you doing? |
| 01:20:44 |
What are you fucking doing? |
| 01:20:46 |
I'm not fighting anymore, Harry. |
| 01:20:49 |
All right, then I'm blowing |
| 01:20:54 |
Don't come over all Gandhi. |
| 01:21:00 |
Ken, stop messing about, please. |
| 01:21:01 |
Pick up your gun. I know I'm going |
| 01:21:04 |
'cause you're a spaz, but... |
| 01:21:08 |
I'm totally in your debt. |
| 01:21:13 |
The things that have |
| 01:21:17 |
I love you unreservedly |
| 01:21:18 |
What? |
| 01:21:21 |
For your integrity. |
| 01:21:23 |
For your honor. |
| 01:21:26 |
I love you. |
| 01:21:30 |
The boy had to be let go. |
| 01:21:34 |
The boy had to be given a chance. |
| 01:21:37 |
And if to do that, I had to say, |
| 01:21:43 |
'and fuck everything that's gone on |
| 01:21:48 |
But I'm not fighting you. |
| 01:21:52 |
And I accept, totally, |
| 01:21:54 |
I accept it. Totally. |
| 01:21:59 |
Oh, yeah? |
| 01:22:03 |
Yeah. |
| 01:22:09 |
Well, you say all that fucking stuff, |
| 01:22:15 |
It's entirely up to you, Harry. |
| 01:22:18 |
It's entirely your call. |
| 01:22:21 |
All I'm saying is |
| 01:22:31 |
Oh, you fucking cunt! |
| 01:22:33 |
Look, I'm not gonna |
| 01:22:34 |
just 'cause you're standing about |
| 01:22:39 |
- Like who? |
| 01:22:41 |
out of Jesus of |
| 01:22:43 |
My fucking leg! |
| 01:22:44 |
The psycho dwarf turns out to just be |
| 01:22:49 |
and it's all some kind of |
| 01:22:51 |
Kiss my ass! |
| 01:22:53 |
I guess at least there weren't any |
| 01:22:58 |
I wasn't... |
| 01:23:00 |
I wasn't talking about... |
| 01:23:04 |
There's gonna be a war between |
| 01:23:07 |
And all the black midgets |
| 01:23:09 |
which would actually |
| 01:23:11 |
That's just cocaine. |
| 01:23:13 |
He didn't even want |
| 01:23:15 |
That's just cocaine. |
| 01:23:18 |
Listen, we're filming down |
| 01:23:22 |
It might actually be good for once. |
| 01:23:26 |
You guys should come along. |
| 01:23:28 |
We...I think we're just gonna have |
| 01:23:35 |
That's how it is! |
| 01:23:38 |
In another life. |
| 01:23:47 |
They're great, |
| 01:24:04 |
You didn't. You didn't! |
| 01:24:48 |
(GRUNTING) |
| 01:24:52 |
(FOOTSTEPS APPROACHING) |
| 01:24:55 |
Mr. Waters? Mr. Waters? |
| 01:25:00 |
- Who's that? |
| 01:25:04 |
- The blind boy? |
| 01:25:08 |
Yes. |
| 01:25:10 |
What do you fucking want? |
| 01:25:12 |
The guy you're looking for, |
| 01:25:14 |
the guy Ray, he's downstairs |
| 01:25:23 |
(GRUNTING) |
| 01:25:53 |
I'm sorry, Ken. |
| 01:25:56 |
But you can't kill a kid |
| 01:26:01 |
You just can't. |
| 01:26:18 |
- Where? |
| 01:26:21 |
The bar to the left. |
| 01:26:35 |
(GROANING) |
| 01:26:50 |
(SOFT MUSIC PLAYING) |
| 01:28:51 |
(COINS CLINKING) |
| 01:29:18 |
(PEOPLE SCREAMING) |
| 01:29:40 |
Ken! |
| 01:29:41 |
(GASPING) |
| 01:29:44 |
Ken! Ken! |
| 01:29:48 |
Harry's here. |
| 01:29:51 |
What? |
| 01:29:54 |
Take |
| 01:29:57 |
my gun. |
| 01:30:12 |
Ken? |
| 01:30:14 |
Where's my gun? |
| 01:30:17 |
Where's my gun? |
| 01:30:22 |
I'm gonna die now, I think. |
| 01:30:27 |
Oh, Ken! |
| 01:30:30 |
Jesus! |
| 01:31:08 |
(SCREAMING) |
| 01:32:39 |
Mr. Blakely said you had left. |
| 01:32:41 |
I need the key |
| 01:32:42 |
Quickly, now! |
| 01:32:45 |
And you gotta go home right now. |
| 01:32:47 |
- All right? Go home! Right now! |
| 01:33:33 |
MARIE: No, I won't let you |
| 01:33:37 |
HARRY: Lady, get out of |
| 01:33:39 |
No, I won't. I won't |
| 01:33:43 |
You'll have to go through me. |
| 01:33:45 |
Well, obviously, |
| 01:33:48 |
I'm a nice person. |
| 01:33:49 |
But could you just get out |
| 01:33:57 |
Marie! |
| 01:33:59 |
Just let him come up, it's okay. |
| 01:34:01 |
Harry, swear not to start |
| 01:34:05 |
I swear not to start shooting till she's |
| 01:34:08 |
Well, I'm not going anywhere. |
| 01:34:11 |
This is my hotel. |
| 01:34:13 |
So you can fuck off! |
| 01:34:27 |
- I suppose you've got a gun up there? |
| 01:34:31 |
Then what are we gonna do? |
| 01:34:34 |
Why don't you both put your |
| 01:34:37 |
Don't be stupid. |
| 01:34:42 |
- Harry, I've got an idea. |
| 01:34:45 |
My room faces onto the canal, right? |
| 01:34:48 |
I'm gonna go back to me room, |
| 01:34:50 |
see if I can swim to the other side |
| 01:34:52 |
Right. If you go outside |
| 01:34:55 |
you can shoot at me from there |
| 01:34:57 |
That way, we leave this lady and her |
| 01:35:00 |
Do you completely promise |
| 01:35:02 |
I don't want to run out there, |
| 01:35:04 |
and find you fucking |
| 01:35:06 |
I completely promise, Harry. |
| 01:35:07 |
I'm not gonna risk having another |
| 01:35:09 |
So, hang on, I go outside, |
| 01:35:14 |
You go right, don't you? |
| 01:35:15 |
You can see it from the doorway! |
| 01:35:18 |
All right. Jesus! |
| 01:35:21 |
Okay. On a count of |
| 01:35:24 |
Okay. |
| 01:35:31 |
What? Who says it? |
| 01:35:33 |
Oh, you say it. |
| 01:35:34 |
You guys are crazy. |
| 01:35:36 |
- Are you ready? |
| 01:35:38 |
- Set? |
| 01:35:39 |
One, two, three, go! |
| 01:35:55 |
Keep driving! |
| 01:36:04 |
No way. You're way |
| 01:36:12 |
(GROANING) |
| 01:38:09 |
The little boy. |
| 01:38:11 |
That's right, Ray. |
| 01:38:13 |
The little boy. |
| 01:39:20 |
Oh. |
| 01:39:23 |
I see. |
| 01:39:31 |
No, Harry. |
| 01:39:34 |
He's not... |
| 01:39:38 |
You've got to stick |
| 01:40:07 |
RAY: There's a Christmas tree |
| 01:40:09 |
with a bunch of presents underneath |
| 01:40:13 |
And I thought, 'If I survive all this, |
| 01:40:17 |
'apologize to |
| 01:40:19 |
'and accept whatever |
| 01:40:23 |
Prison, death, |
| 01:40:27 |
Because at least in prison |
| 01:40:31 |
I wouldn't be |
| 01:40:36 |
But then, like a flash, |
| 01:40:42 |
'Fuck, man, maybe |
| 01:40:46 |
'The entire rest of eternity |
| 01:40:54 |
And I really, really |
| 01:41:00 |
I really, really |
