|
In the Electric Mist
|
| 00:00:17 |
My name's Dave Robicheaux. |
| 00:00:20 |
I'm an alcoholic. |
| 00:00:23 |
Sometimes I'm tempted |
| 00:00:30 |
But I never do. |
| 00:02:30 |
I hope this poor girl |
| 00:02:32 |
before he started |
| 00:02:35 |
This poor girl didn't have |
| 00:02:52 |
In the ancient world, |
| 00:02:54 |
people placed heavy stones |
| 00:02:57 |
so their souls would not wander |
| 00:03:01 |
I always thought |
| 00:03:03 |
of superstitious |
| 00:03:07 |
But I was about to learn |
| 00:03:09 |
can hover |
| 00:03:10 |
with the density |
| 00:03:14 |
And their claim on the earth |
| 00:03:17 |
and tenacious |
| 00:03:55 |
Could I see your |
| 00:03:58 |
My what? |
| 00:03:59 |
Driver's license. |
| 00:04:00 |
Please take it out your billfold, |
| 00:04:02 |
Oh, yeah, sure. |
| 00:04:04 |
Well... |
| 00:04:06 |
I was |
| 00:04:08 |
I'm sorry about that. |
| 00:04:09 |
You're Elrod T. Sykes? |
| 00:04:10 |
Yes, sir, |
| 00:04:12 |
Step out the car, |
| 00:04:14 |
Yes, sir. |
| 00:04:20 |
Mr. Sykes, |
| 00:04:23 |
and I know you've been smoking |
| 00:04:25 |
I believe your lady friend there |
| 00:04:28 |
Ooh, well, that wouldn't |
| 00:04:30 |
You're under arrest for driving |
| 00:04:33 |
I'll take you just down the |
| 00:04:35 |
I'll send a car, take Ms. |
| 00:04:37 |
But your |
| 00:04:38 |
is going to be towed |
| 00:04:40 |
This is bad news. |
| 00:04:41 |
This is not on my agenda, |
| 00:04:42 |
'cause we're just |
| 00:04:44 |
I've always enjoyed |
| 00:04:45 |
Ms. Drummond's too. |
| 00:04:46 |
Take your car keys |
| 00:04:48 |
El, do something. |
| 00:04:56 |
I feel real bad |
| 00:04:58 |
Can he make a contribution |
| 00:05:01 |
to Mothers Against Drunk Driving |
| 00:05:04 |
As an admirer of your work, |
| 00:05:06 |
I recommend you don't make any |
| 00:05:10 |
I recommend |
| 00:05:11 |
Deputy will be along here in |
| 00:05:13 |
Allons. |
| 00:05:23 |
You're not going to get sick |
| 00:05:26 |
No, I'm just fine. |
| 00:05:55 |
I know where |
| 00:05:57 |
What? |
| 00:06:01 |
Looks like a big pile |
| 00:06:05 |
Where was this? |
| 00:06:08 |
Way the hell out |
| 00:06:11 |
We had to pick up a scene near |
| 00:06:16 |
I went to take a leak. |
| 00:06:18 |
I saw it sticking out |
| 00:06:23 |
Get back in the truck. |
| 00:06:27 |
That swamp full |
| 00:06:29 |
Yeah, but... |
| 00:06:32 |
Sorry, I didn't |
| 00:06:34 |
Dave Robicheaux. |
| 00:06:35 |
Mr. Robicheaux, |
| 00:06:37 |
now, if that was |
| 00:06:39 |
I was wondering |
| 00:06:40 |
with a chain |
| 00:06:46 |
Say that again. |
| 00:06:48 |
It's a rusted chain |
| 00:06:51 |
as big as my fist |
| 00:06:52 |
crisscrossed |
| 00:07:04 |
Can you find |
| 00:07:08 |
Yes, sir, |
| 00:07:14 |
I'm going to make |
| 00:07:16 |
Mr. Sykes. |
| 00:07:17 |
DWIs are a pain |
| 00:07:19 |
If I take you home, |
| 00:07:20 |
you'll be in my office, |
| 00:07:23 |
And sober? |
| 00:07:25 |
9:00, you got it. |
| 00:07:28 |
Hey, I really appreciate this. |
| 00:07:48 |
Elrod Sykes |
| 00:07:50 |
I want to go |
| 00:07:51 |
Sykes is a drunk. |
| 00:07:52 |
He's huge! |
| 00:07:53 |
His head |
| 00:07:55 |
Maybe we could get |
| 00:07:57 |
No way! |
| 00:07:59 |
Not for you, |
| 00:08:01 |
Okay, cool. |
| 00:08:02 |
Please? |
| 00:08:03 |
Will you hush? |
| 00:08:04 |
I'll take her |
| 00:08:06 |
and look out for her, |
| 00:08:07 |
if that's |
| 00:08:09 |
Maybe we could get Kelly |
| 00:08:11 |
pay for somebody's roof. |
| 00:08:13 |
Please? |
| 00:09:07 |
It's over yonder. |
| 00:09:10 |
Hold on there, |
| 00:09:12 |
Best put |
| 00:09:14 |
We used to have |
| 00:09:16 |
but the mosquitoes |
| 00:09:18 |
That boy's a long way |
| 00:09:20 |
ain't he? |
| 00:09:21 |
This jackass |
| 00:09:23 |
Mr. Sykes, because |
| 00:09:25 |
to the outside world. |
| 00:09:26 |
Don't let it bother you. |
| 00:09:37 |
Hurricane Betsy blowing through |
| 00:09:40 |
and Katrina unearthed him. |
| 00:09:41 |
Why '65? |
| 00:09:42 |
Hurricanes tear up this part |
| 00:09:47 |
See that left shin bone? |
| 00:09:48 |
Clipped in half. |
| 00:09:51 |
That's where they shot him |
| 00:09:53 |
You a psychlc |
| 00:09:55 |
No, I saw it happen |
| 00:09:57 |
Are you saying |
| 00:09:59 |
lynched somebody |
| 00:10:00 |
When we get back, you're going |
| 00:10:03 |
get the coroner |
| 00:10:05 |
I don't know about y'all |
| 00:10:07 |
but around here, |
| 00:10:10 |
real interested in nigger trouble |
| 00:10:13 |
What are you looking for, |
| 00:10:14 |
I don't see any remnants |
| 00:10:19 |
or any laces |
| 00:10:20 |
That boy probably did his |
| 00:10:31 |
They never found him, |
| 00:10:33 |
Back then, with no body, |
| 00:10:36 |
that sheriff didn't have |
| 00:10:38 |
must less get off his ass |
| 00:10:42 |
You're not |
| 00:10:46 |
The trouble I have with you |
| 00:10:48 |
You've done everything |
| 00:10:51 |
You have no good reason |
| 00:10:53 |
Now drink your milk |
| 00:10:56 |
I'm horny. |
| 00:11:00 |
Bootsie was right. |
| 00:11:02 |
What was the point of reaching |
| 00:11:06 |
Just yesterday, a young girl |
| 00:11:09 |
We had her name now, |
| 00:11:21 |
Mr. Trajan around? |
| 00:11:22 |
He's over there, chere. |
| 00:11:24 |
We've been over this already |
| 00:11:27 |
Cherry's been working here off |
| 00:11:29 |
She's going to show up anyway |
| 00:11:33 |
The girl had a real thing |
| 00:11:34 |
Some time around 1:00, |
| 00:11:36 |
and says she's going to go |
| 00:11:38 |
You know she'd been |
| 00:11:40 |
I didn't know that. |
| 00:11:42 |
All right. |
| 00:11:44 |
Okay. |
| 00:11:45 |
You hired her |
| 00:11:47 |
she was an honor student |
| 00:11:49 |
I can't say I care for the way |
| 00:11:51 |
If I found out you've been |
| 00:11:54 |
Mr. Trajan, I'ma come back here |
| 00:11:59 |
for your arrest. |
| 00:12:22 |
Did you know Cherry LeBlanc, |
| 00:12:23 |
little white girl, |
| 00:12:26 |
She work here, |
| 00:12:29 |
Do you know if she had |
| 00:12:31 |
If that's what |
| 00:12:33 |
She in the business. |
| 00:12:35 |
Was Mr. Trajan involved? |
| 00:12:36 |
Ask him. |
| 00:12:38 |
I don't think he was. |
| 00:12:40 |
Otherwise you wouldn't be |
| 00:12:43 |
She a sad girl. |
| 00:12:45 |
I told her, |
| 00:12:48 |
could have anything you want." |
| 00:12:52 |
When that girl dress up, |
| 00:12:55 |
Who was her pimp? |
| 00:12:57 |
I don't know nothing else, me. |
| 00:13:01 |
She wasn't about |
| 00:13:02 |
of some rich white man |
| 00:13:06 |
What rich white man? |
| 00:13:11 |
Some rich white man maybe... |
| 00:13:14 |
get her out of the business |
| 00:13:20 |
She say that just before |
| 00:13:22 |
awful things |
| 00:13:39 |
The sheriff over |
| 00:13:42 |
said, "Thanks a lot," |
| 00:13:44 |
out in the Atchafalaya yesterday. |
| 00:13:46 |
They really appreciate |
| 00:13:48 |
He need to find |
| 00:13:49 |
he don't like them bones. |
| 00:13:51 |
Now, he said you're welcome |
| 00:13:53 |
and run an investigation. |
| 00:13:56 |
Their coroner's got them bones |
| 00:14:00 |
Autopsy report came in |
| 00:14:07 |
Looks like we're talking |
| 00:14:11 |
somebody wired to the eyes |
| 00:14:13 |
Maybe. |
| 00:14:15 |
I think she knew him. |
| 00:14:16 |
So you don't think |
| 00:14:18 |
No, she left her purse |
| 00:14:21 |
with all her condoms in it. |
| 00:14:24 |
Cherry LeBlanc was |
| 00:14:27 |
Maybe she misjudged |
| 00:14:30 |
Who's a girl like that |
| 00:14:33 |
Um... Baby Feet? |
| 00:14:38 |
Maybe Baby Feet. |
| 00:14:54 |
What's happening, Cholo? |
| 00:14:55 |
I thought |
| 00:14:56 |
No, man. |
| 00:14:57 |
Katrina, |
| 00:14:59 |
The whole damn crlme lab |
| 00:15:02 |
washed off |
| 00:15:03 |
Ain't got nothing on me |
| 00:15:05 |
Doing fine, bro. |
| 00:15:06 |
Besides that, they ain't |
| 00:15:08 |
to lobotomize |
| 00:15:09 |
What's going on, Dave? |
| 00:15:12 |
I'm investigating a murder, |
| 00:15:15 |
No kldding. |
| 00:15:17 |
Y'all worried about me, |
| 00:15:19 |
Hell yes. |
| 00:15:20 |
How many guys |
| 00:15:22 |
father's nightclub with their |
| 00:15:28 |
You got to forgive me |
| 00:15:31 |
by these |
| 00:15:35 |
I come home |
| 00:15:36 |
I'm a prominent man |
| 00:15:40 |
I talk on the phone every day |
| 00:15:44 |
you read about |
| 00:15:46 |
They ought to have |
| 00:15:48 |
Instead, |
| 00:15:50 |
I get treated |
| 00:15:52 |
You understand |
| 00:15:55 |
It hurts me. |
| 00:15:56 |
Sit down |
| 00:15:59 |
Cholo, |
| 00:16:01 |
Get the man |
| 00:16:12 |
Here, Lieutenant. |
| 00:16:14 |
Julie was telling me |
| 00:16:15 |
that nigger |
| 00:16:17 |
in the French Quarter. |
| 00:16:19 |
Said he saved your life. |
| 00:16:23 |
Weren't you and Julie baseball buddies |
| 00:16:27 |
Take the hint, |
| 00:16:28 |
This guy's |
| 00:16:33 |
You working on that |
| 00:16:37 |
What you know |
| 00:16:39 |
All over |
| 00:16:41 |
Julie and me |
| 00:16:44 |
Sounds like you got |
| 00:16:55 |
My meter's running, |
| 00:16:56 |
I want to talk about |
| 00:16:57 |
that murdered girl |
| 00:16:59 |
Which girl is that? |
| 00:17:00 |
Cherry LeBlanc. |
| 00:17:02 |
I guess |
| 00:17:05 |
You don't read |
| 00:17:06 |
I've been busy. |
| 00:17:07 |
I can see that. |
| 00:17:10 |
We used to be friends, |
| 00:17:12 |
I even maybe |
| 00:17:14 |
So I'm going to line it out |
| 00:17:16 |
that want to get |
| 00:17:18 |
Louisiana's flat-ass broke. |
| 00:17:20 |
New Orleans |
| 00:17:22 |
And the bottom |
| 00:17:23 |
than this shithole |
| 00:17:25 |
So they better |
| 00:17:27 |
that we are dropping |
| 00:17:29 |
in Iberia Parish. |
| 00:17:30 |
They don't like the name |
| 00:17:31 |
Balboni around here? |
| 00:17:33 |
We'll move the whole |
| 00:17:34 |
over to Mississippi. |
| 00:17:36 |
See how that floats |
| 00:17:38 |
on the Chamber of Commerce. |
| 00:17:39 |
You're |
| 00:17:41 |
Yeah, I'm producing Whlte Doves |
| 00:17:45 |
What you think |
| 00:17:48 |
I'm sure everybody |
| 00:17:50 |
I'ma do |
| 00:17:52 |
You want a part in it? |
| 00:18:13 |
You can go on in. |
| 00:18:16 |
You remember me, Dave? |
| 00:18:19 |
It's Doucet, isn't it? |
| 00:18:20 |
Yes, sir, |
| 00:18:22 |
You got a good memory. |
| 00:18:24 |
I was with the Jefferson Parish |
| 00:18:26 |
when you were with NOPD. |
| 00:18:27 |
I guess you're |
| 00:18:29 |
along with everybody else. |
| 00:18:31 |
Yeah, I own half |
| 00:18:33 |
and I'm still with the Teamsters |
| 00:18:36 |
So I'm kind of doing |
| 00:18:39 |
Is there some kind of trouble? |
| 00:18:40 |
Where can I find |
| 00:18:43 |
Right on the other side |
| 00:18:45 |
I'll let him know |
| 00:18:46 |
It's all right. |
| 00:18:50 |
We had two divisions of soldiers |
| 00:18:53 |
Looks like we're shooting |
| 00:18:56 |
Where'd we get this cannon, |
| 00:18:58 |
All right, I'm going to need |
| 00:19:01 |
one face down, |
| 00:19:04 |
Use some of the fat extras. |
| 00:19:05 |
They'll look bloated. |
| 00:19:07 |
My dead horse? |
| 00:19:08 |
No. |
| 00:19:09 |
Not on the call sheet? |
| 00:19:11 |
We need some blood, |
| 00:19:13 |
if that's what it says |
| 00:19:15 |
This is not |
| 00:19:16 |
They never show the blood. |
| 00:19:18 |
This is an allegory. |
| 00:19:20 |
We're not shooting |
| 00:19:22 |
This is Baghdad 2007. |
| 00:19:24 |
Copy that. |
| 00:19:26 |
If people don't |
| 00:19:29 |
There's a Detective Robicheaux |
| 00:19:31 |
So you're |
| 00:19:34 |
Seen any crime |
| 00:19:36 |
Only crime I'm aware of is |
| 00:19:39 |
You could fry an egg |
| 00:19:42 |
Then I've got a lead actor |
| 00:19:45 |
in sandbars, exactly what |
| 00:19:48 |
while I'm shooting a picture. |
| 00:19:49 |
Mr. Goldman, is Mr. Julius |
| 00:19:54 |
Producing? |
| 00:19:56 |
I must've really fucked up |
| 00:19:58 |
Maybe I sunk the Tltanlc |
| 00:20:01 |
or assassinated |
| 00:20:05 |
I am the only producer. |
| 00:20:06 |
So Mr. Balboni's lying. |
| 00:20:09 |
Mr. Balboni is investing |
| 00:20:13 |
Is that illegal? |
| 00:20:15 |
Congratulations. |
| 00:20:17 |
You in business with the man |
| 00:20:20 |
up by his colon |
| 00:20:23 |
Do you recognize |
| 00:20:25 |
Cherry LeBlanc? |
| 00:21:06 |
How you are, Hogman? |
| 00:21:10 |
Come on up |
| 00:21:12 |
Grab a chair. |
| 00:21:15 |
You knew that LeBlanc girl, |
| 00:21:18 |
I don't like to have nothing |
| 00:21:23 |
but it bothers me |
| 00:21:27 |
I spoke to her about two hours |
| 00:21:30 |
She said, "Hogman, |
| 00:21:32 |
in the next life, me and you |
| 00:21:34 |
That's what she said. |
| 00:21:35 |
I said, "Darling, don't let the |
| 00:21:40 |
She said, "I'm going |
| 00:21:43 |
on Lake Pontchartrain." |
| 00:21:44 |
Was she mixed up with somebody |
| 00:21:46 |
Probably some white-trash pimp |
| 00:21:50 |
she pretty. |
| 00:21:52 |
Instead, |
| 00:21:58 |
You're mixed up with |
| 00:22:00 |
in the Atchafalaya, |
| 00:22:01 |
How do you know |
| 00:22:03 |
When somebody find |
| 00:22:05 |
black people |
| 00:22:10 |
I'm listening. |
| 00:22:12 |
A blue jay don't sit |
| 00:22:15 |
The mockingbird will whoop |
| 00:22:19 |
What are we talking about here, |
| 00:22:21 |
I'm talking |
| 00:22:23 |
And he was carrying on |
| 00:22:25 |
who husband |
| 00:22:27 |
I think them was his bones |
| 00:22:30 |
What was his name? |
| 00:22:31 |
Who care what's his name? |
| 00:22:33 |
I think he got |
| 00:22:35 |
I say, "Past is past, |
| 00:22:36 |
and don't be |
| 00:22:38 |
You warning me? |
| 00:22:44 |
What was |
| 00:22:48 |
I got to go |
| 00:22:56 |
Alafair, |
| 00:22:58 |
you got to keep this raccoon |
| 00:23:01 |
Next time he come in here, |
| 00:23:03 |
Tripod's just an animal. |
| 00:23:06 |
Why don't you try kicking the |
| 00:23:09 |
Alafair, you shouldn't |
| 00:23:12 |
But he threatened Tripod |
| 00:23:15 |
Tripod's a raccoon, baby. |
| 00:23:18 |
Apologize to Batist. |
| 00:23:19 |
Sorry for what I said. |
| 00:23:21 |
And I'm saying it |
| 00:23:27 |
That's a beautiful child, |
| 00:23:30 |
By the time |
| 00:23:32 |
your hair's going |
| 00:23:35 |
if there's |
| 00:23:55 |
This is great! |
| 00:23:57 |
I love it. |
| 00:23:58 |
You run a bait shop too. |
| 00:24:01 |
How you doing, |
| 00:24:03 |
We want to have dinner |
| 00:24:05 |
Oh, thanks, but my wife's |
| 00:24:06 |
I was just on my way |
| 00:24:08 |
Well, hurry up. |
| 00:24:09 |
We got reservations |
| 00:24:12 |
The family has plans |
| 00:24:14 |
This is embarrassing, El. |
| 00:24:18 |
I have a reservation. |
| 00:24:21 |
Hey, I don't want |
| 00:24:22 |
We'll just pick up |
| 00:24:24 |
and hit the road, okay? |
| 00:24:27 |
Mr. Sykes... |
| 00:24:31 |
you've been |
| 00:24:32 |
and you come to a cop's house |
| 00:24:39 |
Why don't you hand |
| 00:24:41 |
before you hit the road? |
| 00:24:44 |
Where's that beer at? |
| 00:24:49 |
Hey. |
| 00:24:52 |
You're a good man. |
| 00:24:55 |
Y'all need |
| 00:24:58 |
Elrod's a shitbird, |
| 00:25:04 |
It's all right. |
| 00:25:06 |
Bad timing. |
| 00:25:09 |
Cool. |
| 00:25:10 |
Hey. |
| 00:25:12 |
All right. |
| 00:25:13 |
Um, shit. |
| 00:25:16 |
We'll settle up later, |
| 00:25:19 |
All right. |
| 00:25:21 |
Other side. |
| 00:25:25 |
Come here. |
| 00:25:26 |
Come on. |
| 00:25:30 |
Elrod. |
| 00:25:31 |
What? |
| 00:25:33 |
Will you stop? |
| 00:25:35 |
El! |
| 00:25:42 |
Check me out. |
| 00:25:45 |
S'more? |
| 00:25:47 |
Oh, thank you. |
| 00:25:50 |
Elrod Sykes |
| 00:25:51 |
Can you believe it? |
| 00:25:54 |
Now go do your homework. |
| 00:25:55 |
Something to drink? |
| 00:25:57 |
How about a beer? |
| 00:25:59 |
I think we're out. |
| 00:26:02 |
I'm sure there's |
| 00:26:05 |
I'm going to go feed |
| 00:26:07 |
You care to join me? |
| 00:26:09 |
Yeah, yeah, sure. |
| 00:26:25 |
Get back there, Leroy. |
| 00:26:26 |
Go on. |
| 00:26:34 |
You ever seen lights |
| 00:26:36 |
That's swamp gas. |
| 00:26:38 |
It'll ignite and roll out across |
| 00:26:40 |
No, sir, |
| 00:26:42 |
See these guys out yonder |
| 00:26:44 |
They have lanterns hanging |
| 00:26:48 |
A lot of those soldiers |
| 00:26:51 |
That's the only reason |
| 00:26:53 |
It's 'cause the maggots |
| 00:26:55 |
You've been drunk |
| 00:26:57 |
Pretty soon all the trees and |
| 00:27:00 |
A wild orchid |
| 00:27:03 |
She had the prettiest voice. |
| 00:27:05 |
Yeah, I wasn't drunk. |
| 00:27:08 |
This guy, a general, |
| 00:27:09 |
he's standing on a crutch |
| 00:27:11 |
And he said to me, |
| 00:27:13 |
"You and your friend |
| 00:27:16 |
I think you're delusional. |
| 00:27:17 |
You might want to think about |
| 00:27:19 |
with me one time. |
| 00:27:22 |
Maybe I was |
| 00:27:26 |
What happened |
| 00:27:28 |
Coon bit him. |
| 00:27:41 |
Lou Girard |
| 00:27:44 |
I had picked him |
| 00:27:46 |
from New Orleans |
| 00:27:48 |
held him |
| 00:27:50 |
driven him to AA meetings more |
| 00:27:55 |
And he had done |
| 00:27:57 |
Thanks for the call, Lou. |
| 00:27:59 |
Yeah, when I saw |
| 00:28:01 |
around her hands and her feet, |
| 00:28:03 |
I thought about you and that |
| 00:28:06 |
Where she at now? |
| 00:28:08 |
She's right there, |
| 00:28:11 |
She got about |
| 00:28:15 |
Coroner says, we move her, |
| 00:28:22 |
We're going to have a rough time |
| 00:28:24 |
Maybe by her teeth. |
| 00:28:26 |
That's the poor bastard |
| 00:28:28 |
When did you |
| 00:28:31 |
About four |
| 00:28:35 |
See anyone else out there |
| 00:28:37 |
Yeah, about a month ago |
| 00:28:41 |
I seen a dark-colored car. |
| 00:28:43 |
I remember thinking, |
| 00:28:46 |
Why would anybody |
| 00:28:48 |
down on that dirt road |
| 00:28:51 |
You remember |
| 00:28:53 |
No, sir. |
| 00:28:54 |
I just wish I hadn't been the one |
| 00:28:59 |
And, hey, I'm never |
| 00:29:01 |
another barrel again. |
| 00:29:02 |
Not me, no. |
| 00:29:03 |
That'll do. |
| 00:29:05 |
Officer Guidry |
| 00:29:07 |
Thank you. |
| 00:29:35 |
I need a tow truck |
| 00:29:37 |
Where about? |
| 00:29:38 |
Can't miss it. |
| 00:29:39 |
Right in front |
| 00:29:41 |
- When? |
| 00:29:42 |
- Copy that. |
| 00:30:24 |
You could get |
| 00:30:26 |
One dlvision of these guys |
| 00:30:27 |
could've knocked off |
| 00:30:29 |
had the Civil War over |
| 00:30:31 |
You know what? |
| 00:30:32 |
Maybe we'll do |
| 00:30:34 |
Yeah, but how do you fight |
| 00:30:36 |
That's... stupid. |
| 00:30:39 |
How did they win wars |
| 00:30:59 |
What's going on, Dave? |
| 00:31:02 |
Had a long night |
| 00:31:04 |
Found a girl in a barrel down |
| 00:31:08 |
She covered up |
| 00:31:10 |
You ought to run her again. |
| 00:31:11 |
We'll have gumbo. |
| 00:31:14 |
You here |
| 00:31:25 |
Sit down. |
| 00:31:32 |
You're pissed off |
| 00:31:33 |
so you have my car towed. |
| 00:31:35 |
You need to quit parking |
| 00:31:37 |
Fireplugs; I'm getting this kind |
| 00:31:39 |
No, Julie. |
| 00:31:41 |
I want to know what you have |
| 00:31:43 |
named Cherry LeBlanc. |
| 00:31:45 |
Who the fuck |
| 00:31:46 |
You know |
| 00:31:47 |
You and Cholo |
| 00:31:49 |
before I got to the Holiday Inn, |
| 00:31:52 |
Calling me a liar? |
| 00:31:53 |
You're a motherfucking lying |
| 00:31:55 |
I think this |
| 00:31:57 |
starting to rub off |
| 00:31:59 |
Gentlemen, could you please... |
| 00:32:01 |
I mean, |
| 00:32:02 |
Get the fuck |
| 00:32:04 |
It's all right, |
| 00:32:05 |
I'll be gone |
| 00:32:06 |
Oh, sad to hear that. |
| 00:32:09 |
I don't know |
| 00:32:12 |
I don't have nothing to do |
| 00:32:17 |
You said some |
| 00:32:20 |
and I'm going |
| 00:32:22 |
I'll call |
| 00:32:24 |
I'll pay the fine |
| 00:32:25 |
I'll buy some new tires, |
| 00:32:29 |
and I'll forget everything |
| 00:32:31 |
because I got |
| 00:32:35 |
Everybody's been |
| 00:32:37 |
Keep it simple, |
| 00:32:40 |
It's time for you to let |
| 00:32:48 |
Ease off, |
| 00:32:50 |
This ain't good |
| 00:32:52 |
Come on. |
| 00:33:02 |
You're losing it, Dave. |
| 00:33:03 |
You need to get yourself |
| 00:33:27 |
No, sir, I wouldn't |
| 00:33:30 |
You have a seat, |
| 00:33:33 |
Thank you. |
| 00:33:35 |
It's $100-million contract. |
| 00:33:37 |
He must've pocketed |
| 00:33:39 |
False load slips, |
| 00:33:44 |
Balboni Trucking hauled |
| 00:33:46 |
to fill a Dixie cup. |
| 00:33:47 |
Yes, sir, |
| 00:33:49 |
Thank you. |
| 00:33:51 |
Can I help you |
| 00:33:52 |
I hope so. |
| 00:33:53 |
This is my office. |
| 00:33:55 |
Oh, my God, |
| 00:33:56 |
I'm sorry. |
| 00:33:58 |
a call came in for me |
| 00:34:00 |
and I just... |
| 00:34:01 |
anyway, |
| 00:34:04 |
Everyone calls me Rosie, |
| 00:34:06 |
It's nice to meet you, |
| 00:34:13 |
"Your detective's |
| 00:34:15 |
are going to hurt you |
| 00:34:18 |
That's courtesy of that prick |
| 00:34:20 |
Bubba Broussard |
| 00:34:22 |
So you called the FBI? |
| 00:34:23 |
The FBI's been trying |
| 00:34:26 |
for over a year now |
| 00:34:28 |
And they still have |
| 00:34:31 |
That's why I think |
| 00:34:34 |
to that Cherry LeBlanc case. |
| 00:34:37 |
Now, Balboni |
| 00:34:39 |
for Mr. Michael Goldman |
| 00:34:43 |
I think you, too, |
| 00:34:49 |
There are 17 unsolved |
| 00:34:51 |
that share some |
| 00:34:53 |
And ten of them share |
| 00:34:56 |
All show marks |
| 00:34:58 |
all young, |
| 00:35:00 |
One was a high school girl. |
| 00:35:01 |
Two were waitresses. |
| 00:35:03 |
And four were prostitutes. |
| 00:35:07 |
The FBI has an informational advantage |
| 00:35:13 |
How do you like |
| 00:35:15 |
Uh, it's interesting. |
| 00:35:21 |
If you found the remains |
| 00:35:23 |
and he had no belt, |
| 00:35:25 |
what speculation |
| 00:35:28 |
Obviously he'd been in jail, |
| 00:35:31 |
some place where they were |
| 00:35:33 |
That's what I think. |
| 00:35:47 |
Mud bugs, |
| 00:35:50 |
This one |
| 00:36:01 |
Get out of here. |
| 00:36:15 |
Hey, Dave, you ought |
| 00:36:18 |
It's free. |
| 00:36:19 |
Thanks. |
| 00:36:23 |
See that man |
| 00:36:25 |
Twinky Hebert LeMoyne. |
| 00:36:27 |
That's the other half |
| 00:36:29 |
What's he doing here? |
| 00:36:31 |
He's an investor |
| 00:36:32 |
and trying to get laid. |
| 00:36:34 |
That's funny. |
| 00:36:36 |
You like doing business |
| 00:36:39 |
It's good for me. |
| 00:36:41 |
For him, |
| 00:36:42 |
I mean, if there's a business |
| 00:36:45 |
you can be sure |
| 00:36:59 |
Take a picture? |
| 00:37:00 |
What? |
| 00:37:01 |
Yeah. |
| 00:40:27 |
I'm General John Bell Hood, |
| 00:40:32 |
commander of the |
| 00:40:35 |
the 5th Texas Cavalry, |
| 00:40:37 |
and the 17th Texas Infantry. |
| 00:40:43 |
Do you object |
| 00:40:44 |
Am I dead? |
| 00:40:46 |
You don't look |
| 00:40:48 |
You were at Gettysburg. |
| 00:40:50 |
It's never over. |
| 00:40:51 |
I would think |
| 00:40:54 |
You were a lieutenant in the |
| 00:40:57 |
My head hurts. |
| 00:41:01 |
sure does hurt. |
| 00:41:02 |
Venal and evll people |
| 00:41:06 |
you were born in. |
| 00:41:08 |
It's us against them, |
| 00:41:10 |
Don't compromise your principles |
| 00:41:15 |
Do you know what's waiting |
| 00:41:18 |
For one reason or another, |
| 00:41:22 |
I find I have more insight |
| 00:41:25 |
Try to keep |
| 00:41:28 |
It's just like when |
| 00:41:30 |
with horseshoes |
| 00:41:33 |
You'd think the barrage |
| 00:41:36 |
Then all of a sudden, |
| 00:41:39 |
louder than the cannon flre. |
| 00:41:41 |
Please don't be alarmed |
| 00:41:48 |
Have a good night, Lieutenant. |
| 00:42:11 |
Paramedics who brought you in |
| 00:42:13 |
said you were talking |
| 00:42:16 |
out in the swamp. |
| 00:42:17 |
It was an usual night. |
| 00:42:19 |
What's the possibillity that one |
| 00:42:22 |
laced your Dr. Pepper? |
| 00:42:23 |
Do what? |
| 00:42:24 |
The tox screen came back |
| 00:42:28 |
I need to talk |
| 00:42:33 |
The sheriff |
| 00:42:34 |
You talked to him |
| 00:42:37 |
What'd I say? |
| 00:42:39 |
Nothing that made |
| 00:42:46 |
When you reel him in |
| 00:42:48 |
his little legs and tail |
| 00:42:54 |
Makes the black bass hungry. |
| 00:43:00 |
How would you define |
| 00:43:10 |
Well, it's knowing something |
| 00:43:17 |
I think there's two ways |
| 00:43:18 |
of looking at |
| 00:43:22 |
One is, if you don't look, |
| 00:43:25 |
And the other is, |
| 00:43:27 |
you might see |
| 00:43:33 |
You might not be over those drugs |
| 00:43:36 |
I know General John Bell Hood |
| 00:43:39 |
just like he was |
| 00:44:00 |
Are you accusing me |
| 00:44:02 |
When you do business with a man |
| 00:44:04 |
you create a certain amount |
| 00:44:07 |
I don't do business |
| 00:44:09 |
I don't do anything |
| 00:44:10 |
I'm a member |
| 00:44:13 |
that have put money |
| 00:44:17 |
in New Iberia. |
| 00:44:19 |
Investing in the local economy, |
| 00:44:22 |
Are your employees |
| 00:44:24 |
No, they certainly are not. |
| 00:44:27 |
You own half of a security |
| 00:44:29 |
don't you? |
| 00:44:30 |
That's right, |
| 00:44:32 |
And your partner |
| 00:44:34 |
is a Teamster steward |
| 00:44:36 |
I think you're involved in |
| 00:44:38 |
Mr. LeMoyne. |
| 00:44:39 |
You'll have to excuse me, |
| 00:44:42 |
I've got |
| 00:44:45 |
I have a lot of people |
| 00:44:48 |
Would you like |
| 00:44:50 |
for a next door neighbor? |
| 00:44:51 |
Would you like to have |
| 00:44:54 |
working for him? |
| 00:44:55 |
Mr. Roblcheaux, |
| 00:44:56 |
I can't express to you |
| 00:45:01 |
Did you get |
| 00:45:02 |
to lick your leg |
| 00:45:06 |
There's my business card. |
| 00:45:07 |
Thank you |
| 00:45:18 |
Here you go, Dave. |
| 00:45:19 |
Still 1965, |
| 00:45:22 |
Thank you, chere. |
| 00:45:23 |
You're welcome. |
| 00:45:25 |
How's Alafair? |
| 00:45:26 |
Blen bonne. |
| 00:45:27 |
Great. |
| 00:46:07 |
A nigger, |
| 00:46:09 |
DeWitt Prejean. |
| 00:46:12 |
Black man |
| 00:46:16 |
Yeah, I remember |
| 00:46:19 |
What about him? |
| 00:46:22 |
Were you on duty the night |
| 00:46:26 |
I was the jailer. |
| 00:46:28 |
Jailers don't work nights. |
| 00:46:30 |
They hire a man |
| 00:46:34 |
Do you remember what |
| 00:46:36 |
He wasn't charged |
| 00:46:38 |
Never got to that. |
| 00:46:39 |
They busted him |
| 00:46:41 |
Not according |
| 00:46:45 |
Lot of people wipe |
| 00:46:47 |
Newspaper said he broke |
| 00:46:50 |
with a butcher knife. |
| 00:46:51 |
Was DeWitt Prejean |
| 00:46:56 |
He couldn't keep |
| 00:46:58 |
if that's what you mean. |
| 00:47:01 |
Is it all right if I sit down |
| 00:47:04 |
Sure. |
| 00:47:13 |
You think her husband |
| 00:47:17 |
He might have |
| 00:47:20 |
He was a crippled man. |
| 00:47:22 |
Got shot up |
| 00:47:24 |
Where's he at now? |
| 00:47:28 |
He's in the cemetery |
| 00:47:30 |
east of town. |
| 00:47:32 |
What about the woman? |
| 00:47:35 |
She moved away, |
| 00:47:42 |
What's your interest in this |
| 00:47:45 |
I think I saw him killed. |
| 00:47:47 |
Where's the man who was on duty |
| 00:47:52 |
He got drunk and got his self |
| 00:47:59 |
Wait a minute. |
| 00:48:01 |
What'd you say? |
| 00:48:03 |
You saw what? |
| 00:48:06 |
What you think I saw, |
| 00:48:14 |
Hello? |
| 00:48:16 |
You're a hard man to catch. |
| 00:48:18 |
Who's this? |
| 00:48:19 |
Sugar, it's Amber. |
| 00:48:20 |
Don't you remember me? |
| 00:48:22 |
Don't hurt my feelings. |
| 00:48:23 |
No, I'm sorry. |
| 00:48:25 |
What can I do for you? |
| 00:48:26 |
It's me that's going to do you |
| 00:48:29 |
I'm going to give you |
| 00:48:31 |
What guy we talking about? |
| 00:48:33 |
The nasty old plmp that's been |
| 00:48:37 |
Meet me at Club Leon |
| 00:49:22 |
Thanks for coming out, Lou. |
| 00:49:23 |
Yeah, who you supposed |
| 00:49:26 |
Said her name was Amber. |
| 00:49:27 |
There's a hooker, |
| 00:49:31 |
What are we doing tonight? |
| 00:49:32 |
I'm going to drive around front |
| 00:49:35 |
I'd like you to be out here |
| 00:49:37 |
I don't want to walk |
| 00:50:06 |
What are you having? |
| 00:50:07 |
Has Amber been in? |
| 00:50:08 |
Amber Martinez? |
| 00:50:09 |
Short, skinny, |
| 00:50:11 |
maybe weigh 100 pounds |
| 00:50:12 |
- Yeah. |
| 00:50:13 |
What you drinking? |
| 00:50:14 |
- Dr. Pepper. |
| 00:50:18 |
I could call somebody, |
| 00:50:22 |
Why don't you do that? |
| 00:50:23 |
Yes, sir. |
| 00:50:30 |
Hey, Mama 'Ti, |
| 00:50:52 |
No word from Amber? |
| 00:50:54 |
No, man, |
| 00:51:22 |
Get back in there! |
| 00:51:26 |
Dave, |
| 00:51:31 |
Shooter fired at me twice. |
| 00:51:32 |
I put eight rounds |
| 00:51:34 |
I think |
| 00:51:45 |
Looks like she took one |
| 00:51:47 |
What you mean, "she"? |
| 00:51:50 |
You just popped |
| 00:51:54 |
There's no fucking gun. |
| 00:52:10 |
There's no gun, man. |
| 00:52:18 |
I got this throw-down. |
| 00:52:21 |
Tell me to do it. |
| 00:52:40 |
I opened up |
| 00:52:44 |
You thought your life |
| 00:52:49 |
I hope you don't mind |
| 00:52:50 |
No. |
| 00:52:55 |
You shouldn't have remorse. |
| 00:52:57 |
A desire to live doesn't mean |
| 00:53:01 |
Somebody's trying |
| 00:53:03 |
Can't believe what I see |
| 00:53:09 |
They say I killed |
| 00:53:13 |
I think that would |
| 00:53:16 |
I keep seeing that woman, |
| 00:53:20 |
her hair glued down |
| 00:53:24 |
Think about |
| 00:53:26 |
You're an intelligent man. |
| 00:53:29 |
What does |
| 00:53:34 |
I need help. |
| 00:53:38 |
The wind's |
| 00:53:40 |
There'll be thunder |
| 00:53:43 |
It'll sound |
| 00:53:45 |
but it'll only be thunder. |
| 00:53:49 |
General... |
| 00:53:56 |
What time is it? |
| 00:54:07 |
Why would Amber Martinez |
| 00:54:09 |
of her own car? |
| 00:54:12 |
What did |
| 00:54:14 |
have to say last night? |
| 00:54:15 |
He told me |
| 00:54:17 |
Everybody thinks |
| 00:54:20 |
There's not |
| 00:54:21 |
There's no casings. |
| 00:54:23 |
And there's no gun. |
| 00:54:26 |
It was a setup, Dave. |
| 00:54:39 |
What y'all doing out here? |
| 00:54:40 |
Can't be messing around |
| 00:54:42 |
I'm really just |
| 00:54:45 |
Who's she? |
| 00:54:46 |
Speclal Agent Gomez. |
| 00:54:47 |
This is part |
| 00:54:49 |
Do you have |
| 00:54:50 |
Why piss people off, |
| 00:54:54 |
St. Martin Parish ain't going |
| 00:54:56 |
but if I were you, |
| 00:54:59 |
You might piss me off. |
| 00:55:09 |
Well, from the size of the wound |
| 00:55:12 |
I'd say a .45 killed her. |
| 00:55:14 |
Look at her head. |
| 00:55:15 |
I only use hollow-point |
| 00:55:22 |
It ain't no hollow point |
| 00:55:25 |
Her hair was stuck to the carpet, |
| 00:55:31 |
Did she die in that car, |
| 00:55:39 |
Her blood lividity tells me |
| 00:55:41 |
that she was dead before |
| 00:55:45 |
If I can vacuum the Buick, |
| 00:55:48 |
I saw muzzle flashes |
| 00:55:51 |
I didn't see no bullet holes |
| 00:55:55 |
See what you |
| 00:56:00 |
What we waiting on here, |
| 00:56:03 |
Allons. |
| 00:56:09 |
Thank you, Henry. |
| 00:56:10 |
Anybody else |
| 00:56:14 |
My name's Dave. |
| 00:56:16 |
I'm an alcoholic. |
| 00:56:57 |
Want some cappuccino mix? |
| 00:56:58 |
You cops like coffee, right, |
| 00:57:02 |
You know anybody been recruiting |
| 00:57:04 |
Try the bus depot, |
| 00:57:08 |
But who's going to recruit? |
| 00:57:09 |
Ever since Katrina, |
| 00:57:11 |
there's cash on the hoof |
| 00:57:13 |
Maybe this guy does more |
| 00:57:16 |
Maybe he likes |
| 00:57:20 |
Been two of them |
| 00:57:21 |
maybe more. |
| 00:57:23 |
Talking about somebody |
| 00:57:25 |
at the bottom |
| 00:57:27 |
You think Baby Feets Balboni |
| 00:57:29 |
with something like this? |
| 00:57:35 |
You're using the names |
| 00:57:39 |
It stays with me, |
| 00:57:42 |
You looking for a guy |
| 00:57:46 |
Don't sound |
| 00:57:48 |
His outfit's running girls, |
| 00:57:51 |
they're not worth nothing to him |
| 00:57:54 |
Try the bus station. |
| 00:57:56 |
Try Adonis Brown. |
| 00:58:09 |
You, uh, |
| 00:58:13 |
You're not from around here, |
| 00:58:34 |
You'll be able |
| 00:58:35 |
I promlse you. |
| 00:58:37 |
Don't sweat it. |
| 00:58:43 |
I want you to make a public |
| 00:58:46 |
chere. |
| 00:58:47 |
I know what it's like |
| 00:58:49 |
Praise Jesus. |
| 00:58:52 |
There's a call |
| 00:58:53 |
for Mr. Adonls Brown at |
| 00:59:01 |
There's a call |
| 00:59:03 |
at the |
| 00:59:09 |
This is Adonis. |
| 00:59:12 |
Hello? |
| 00:59:18 |
What you want? |
| 00:59:21 |
Don't do that, man. |
| 00:59:22 |
I ain't no threat to you. |
| 00:59:23 |
Look, I ain't got a gun. |
| 00:59:24 |
I ain't no trouble. |
| 00:59:26 |
I want to know |
| 00:59:27 |
you've been delivering |
| 00:59:30 |
This one's occupied, |
| 00:59:31 |
Nobody. I ain't |
| 00:59:34 |
You know the guy |
| 00:59:36 |
Don't do this |
| 00:59:41 |
Tell me his name. |
| 00:59:42 |
This guy |
| 00:59:43 |
You tell me his name, |
| 00:59:46 |
There's a... |
| 00:59:48 |
baid-headed, |
| 00:59:53 |
He carries a gun too. |
| 00:59:55 |
Nobody fucks with him. |
| 00:59:57 |
Is that the guy |
| 01:00:01 |
You tell me. |
| 01:00:04 |
He's got juice. |
| 01:00:06 |
I don't know |
| 01:00:08 |
He connected? |
| 01:00:10 |
With the cops |
| 01:00:12 |
He's got to be |
| 01:00:16 |
That's all I know. |
| 01:00:20 |
Why you doing this |
| 01:00:24 |
God. |
| 01:00:27 |
I shit my pants. |
| 01:00:31 |
I can't |
| 01:00:32 |
That's right, Adonis. |
| 01:00:33 |
You ain't ever |
| 01:00:34 |
You're going |
| 01:00:35 |
like it's downtown Baghdad. |
| 01:00:38 |
Not a good place |
| 01:00:40 |
Who the fuck are you, man? |
| 01:00:41 |
You don't want to know |
| 01:00:43 |
What you want to do |
| 01:00:44 |
and quit doing wrong. |
| 01:00:45 |
I'll kill you, Adonis. |
| 01:00:46 |
I'll blow |
| 01:00:48 |
if you don't find |
| 01:01:32 |
You stay gone |
| 01:01:36 |
You don't call. |
| 01:01:38 |
I'm sorry. |
| 01:01:42 |
I don't deserve to be afraid |
| 01:01:44 |
No. |
| 01:01:46 |
You don't. |
| 01:01:49 |
But I'm not |
| 01:02:11 |
I really need your help, Dave. |
| 01:02:13 |
I really need help. |
| 01:02:15 |
Go ahead. |
| 01:02:16 |
You go ahead |
| 01:02:18 |
I don't care. |
| 01:02:19 |
Dave, |
| 01:02:23 |
The guy already charged me |
| 01:02:26 |
Elrod... |
| 01:02:27 |
It's going |
| 01:02:28 |
Now, why don't you wait until |
| 01:02:30 |
and you can go fishing |
| 01:02:32 |
and bream right out here |
| 01:02:34 |
When was the last time you |
| 01:02:36 |
after it rained? |
| 01:02:37 |
Oh, hell, |
| 01:02:38 |
You want to leave |
| 01:02:40 |
It came with the boat, |
| 01:02:47 |
Sure you don't |
| 01:02:48 |
Miss Drummond, |
| 01:02:49 |
you need to get yourself |
| 01:02:52 |
Please, |
| 01:02:58 |
Watch the bend |
| 01:03:00 |
It's about |
| 01:03:01 |
The water's been low |
| 01:03:03 |
and gill nets |
| 01:03:05 |
floating on |
| 01:03:07 |
I got it. |
| 01:03:43 |
Hello? |
| 01:03:49 |
How far |
| 01:03:53 |
Well, that's that bend |
| 01:03:58 |
What you asking me, Elrod? |
| 01:03:59 |
Can you come |
| 01:04:02 |
Yeah, |
| 01:04:05 |
But I am also going |
| 01:04:40 |
I got it. |
| 01:04:49 |
How'd you hit |
| 01:04:51 |
Dldn't you see |
| 01:04:55 |
Oh, man... |
| 01:04:56 |
I'm an idiot, |
| 01:05:25 |
You want me to get down |
| 01:05:27 |
Yeah. |
| 01:05:29 |
Get down by the bow |
| 01:05:31 |
when I put the motors |
| 01:05:33 |
Hey, are there |
| 01:05:35 |
Oh, hell yeah. |
| 01:05:38 |
They're not hungry, though. |
| 01:05:40 |
All right. |
| 01:05:48 |
Put on a life jacket, El. |
| 01:05:50 |
Okay, honey. |
| 01:05:52 |
I swam |
| 01:05:54 |
Watch out |
| 01:05:56 |
What? |
| 01:06:03 |
Don't worry about him. |
| 01:06:04 |
That water's |
| 01:06:06 |
I've got to give him |
| 01:06:07 |
He'd drown |
| 01:06:15 |
Here you go. |
| 01:06:17 |
It's nothing personal, |
| 01:06:21 |
But I think you're a very fine, |
| 01:06:27 |
I'm already soaked. |
| 01:07:11 |
I was burdened greatly |
| 01:07:13 |
by the deaths of those |
| 01:07:17 |
But incorporating |
| 01:07:20 |
into our own lives does not |
| 01:07:35 |
An act of kindness, |
| 01:07:39 |
one as simple |
| 01:07:43 |
had resulted |
| 01:07:50 |
The shooter |
| 01:07:53 |
no ejected brass, |
| 01:07:54 |
no recoverable prints. |
| 01:07:57 |
We had no suspects. |
| 01:08:02 |
But one heart-sinking |
| 01:08:03 |
and unalterable |
| 01:08:07 |
Kelly Drummond was dead. |
| 01:08:10 |
And she was dead because |
| 01:08:15 |
The tragic death |
| 01:08:17 |
the longtime companion |
| 01:08:19 |
and star of the popular |
| 01:08:21 |
River Valley, |
| 01:08:23 |
to have been a case |
| 01:08:26 |
Sources within |
| 01:08:27 |
conflrmed that |
| 01:08:30 |
may have been intended |
| 01:08:42 |
I'm going to miss her, Dave. |
| 01:08:56 |
You want him |
| 01:08:57 |
Guy's in bad shape. |
| 01:08:59 |
This is our home. |
| 01:09:00 |
Mr. Sykes just did |
| 01:09:02 |
Go to bed. |
| 01:09:07 |
The guy needs an AA friend, |
| 01:09:10 |
So what? |
| 01:09:11 |
Tell you what, |
| 01:09:14 |
First time he takes a drink, |
| 01:09:16 |
he gets 86ed |
| 01:09:17 |
to his movie star |
| 01:09:20 |
He pays for his share |
| 01:09:21 |
He does not |
| 01:09:23 |
He does not come in late. |
| 01:09:26 |
Okay, but only |
| 01:09:41 |
Do you like |
| 01:09:47 |
It's just a job, honey. |
| 01:09:48 |
Really? |
| 01:09:51 |
It's like Dave. |
| 01:09:52 |
You think he enjoys |
| 01:09:54 |
catching the bad guys, |
| 01:09:55 |
making the good people |
| 01:09:57 |
Yeah. |
| 01:09:58 |
Yeah, well... |
| 01:10:01 |
I like my job. |
| 01:10:06 |
I'm sorry |
| 01:10:11 |
Me too, honey. |
| 01:10:18 |
I've got 50 movie posters here |
| 01:10:24 |
I hate that picture. |
| 01:10:28 |
Well, 50 movie posters |
| 01:10:31 |
will fetch $25,000. |
| 01:10:33 |
That's four roofs, |
| 01:10:36 |
eight with volunteer labor. |
| 01:10:39 |
Here's your felt-tip pen. |
| 01:10:53 |
The worst thing |
| 01:10:55 |
is eat his own gun. |
| 01:10:58 |
Lou Girard |
| 01:11:02 |
Tonight someone else |
| 01:11:18 |
There's a half empty bottle |
| 01:11:21 |
spilled bottle of Diazepam |
| 01:11:27 |
Y'all writing that off |
| 01:11:30 |
Well, that's the way |
| 01:11:33 |
He was in bad shape. |
| 01:11:35 |
Mattress is covered |
| 01:11:38 |
The sink is full |
| 01:11:39 |
Where's the gun at? |
| 01:11:42 |
By the bedside. |
| 01:11:43 |
If Lou Girard wanted |
| 01:11:45 |
how come he didn't use |
| 01:11:48 |
'Cause he was drunk |
| 01:11:50 |
Not an unusual condition |
| 01:11:53 |
He was helping me |
| 01:11:56 |
And? |
| 01:11:57 |
Maybe he found out something |
| 01:11:59 |
somebody did not |
| 01:12:03 |
He was trembling, |
| 01:12:06 |
in front of everybody. |
| 01:12:09 |
There's no big mystery |
| 01:12:11 |
He was a good cop. |
| 01:12:14 |
He was a sorry-ass drunk. |
| 01:12:19 |
Now, if you want to look |
| 01:12:22 |
I'm going |
| 01:12:24 |
I appreciate you waiting outside |
| 01:12:28 |
Matter of fact, I appreciate you |
| 01:12:30 |
as you can possibly get. |
| 01:13:28 |
What had Lou found out |
| 01:13:32 |
Hogman Patin knew a lot |
| 01:13:37 |
Now I got word |
| 01:13:43 |
I started to think about |
| 01:13:46 |
And your daddy, |
| 01:13:49 |
and paid for her medicine |
| 01:13:51 |
when she was sick. |
| 01:13:54 |
You got something |
| 01:13:56 |
What was the name of that nigger |
| 01:14:00 |
DeWitt Prejean. |
| 01:14:03 |
He was fucking |
| 01:14:05 |
Start asking what |
| 01:14:07 |
and you'll find the people been |
| 01:14:11 |
Who's the man |
| 01:14:15 |
I said |
| 01:14:18 |
This still |
| 01:14:36 |
Why you keep |
| 01:14:39 |
I need to know what kind of work |
| 01:14:42 |
Done nigger work. |
| 01:14:43 |
You know, he cut lawns, |
| 01:14:46 |
got the dead rats out |
| 01:14:48 |
What the fuck |
| 01:14:50 |
Don't sound right to me. |
| 01:14:53 |
I think he did |
| 01:14:56 |
You leave me alone. |
| 01:14:58 |
You're a pretty good |
| 01:15:00 |
Do I look like somebody |
| 01:15:05 |
Hm? |
| 01:15:07 |
It was better |
| 01:15:10 |
You know it was. |
| 01:15:11 |
What kind of work he do, |
| 01:15:15 |
Drove a truck. |
| 01:15:17 |
Who for? |
| 01:15:18 |
It was over |
| 01:15:23 |
I brung her out here |
| 01:15:27 |
'cause I can't get in and out |
| 01:15:35 |
He worked seasonal |
| 01:15:38 |
owned some big sugar mill. |
| 01:15:40 |
I don't know |
| 01:15:41 |
except he was a brother |
| 01:15:45 |
That's all I know |
| 01:15:48 |
You saying I do, |
| 01:15:52 |
Something else |
| 01:15:56 |
You got a fish |
| 01:16:07 |
Batist. |
| 01:16:11 |
How many sugar mills they got |
| 01:16:13 |
Just one. |
| 01:16:23 |
Hey. |
| 01:16:24 |
Come on in. |
| 01:16:26 |
Stopped by |
| 01:16:29 |
give you |
| 01:16:32 |
Where you headed, |
| 01:16:34 |
Thought I might |
| 01:16:36 |
maybe open a business |
| 01:16:39 |
What you doing with |
| 01:16:41 |
in the back end |
| 01:16:46 |
Guy at the Holiday Inn wanted me |
| 01:16:49 |
Said I'd kind of be doing |
| 01:16:53 |
Giving him a write-off. |
| 01:16:57 |
You had some trouble |
| 01:17:01 |
Yeah. |
| 01:17:07 |
I told him he was a douche bag |
| 01:17:08 |
and I wouldn't work for him again |
| 01:17:11 |
That Cherry LeBlanc girl |
| 01:17:12 |
when she |
| 01:17:14 |
That's when the son of a bitch |
| 01:17:16 |
with this big... |
| 01:17:17 |
Now, wait, wait, wait. |
| 01:17:19 |
What's this |
| 01:17:24 |
If he tells you |
| 01:17:28 |
ask him about this. |
| 01:17:35 |
Julie forgot he told me |
| 01:17:37 |
when we drove over |
| 01:17:40 |
Is that her or not? |
| 01:17:47 |
Did Baby Feets |
| 01:17:51 |
Come on, Lieutenant. |
| 01:17:53 |
You know how it works. |
| 01:17:54 |
A guy like Julie |
| 01:17:57 |
He says something |
| 01:17:58 |
then he forgets it. |
| 01:18:00 |
If it's a speclal kind of job, |
| 01:18:03 |
Did Baby Feets |
| 01:18:06 |
Start a photo album, |
| 01:18:09 |
Make up |
| 01:18:16 |
What's Murphy Doucet |
| 01:18:32 |
What's wrong, Dave? |
| 01:18:34 |
Got a loose ignition wire. |
| 01:18:35 |
You got a knife |
| 01:18:37 |
Yeah, I ought |
| 01:18:45 |
This should do. |
| 01:18:48 |
Some Mexican pulled this on me |
| 01:18:52 |
I didn't know |
| 01:18:54 |
I wasn't. |
| 01:18:55 |
I was working highway |
| 01:18:57 |
That's where |
| 01:18:58 |
Is that when you got into |
| 01:19:01 |
No, we go back |
| 01:19:13 |
Thanks for the knife. |
| 01:19:15 |
What's the deal? |
| 01:19:17 |
Lou Girard was |
| 01:19:19 |
Lou arrested her |
| 01:19:21 |
It wouldn't be |
| 01:19:22 |
It was a state police raid |
| 01:19:24 |
State police? |
| 01:19:26 |
Oh, Sgt. Murphy Doucet. |
| 01:19:27 |
Murphy Doucet. |
| 01:19:39 |
I'd missed it. |
| 01:19:43 |
Lou Girard had dug up |
| 01:19:46 |
and it had |
| 01:19:50 |
But this was going to be the end |
| 01:20:44 |
I wasn't planting evidence, |
| 01:20:50 |
I was just removing it |
| 01:20:52 |
before a guilty man |
| 01:20:59 |
Why the hell |
| 01:21:01 |
We're here because of you, |
| 01:21:02 |
We've been checking |
| 01:21:05 |
of females in areas |
| 01:21:07 |
during the time you were working |
| 01:21:09 |
Rosie, I think |
| 01:21:11 |
that he used |
| 01:21:12 |
That knife |
| 01:21:15 |
I say it was, |
| 01:21:16 |
and I say your fingerprints |
| 01:21:19 |
I see. |
| 01:21:20 |
You and this Mexican bitch |
| 01:21:24 |
No, Murphy. |
| 01:21:26 |
I'm fucking you |
| 01:21:29 |
Get your hands up now. |
| 01:21:30 |
Get your hands up, |
| 01:21:32 |
up against that wall. |
| 01:21:36 |
Y'all are setting me up, |
| 01:21:38 |
Think about it. |
| 01:21:40 |
Think hard. |
| 01:21:41 |
Think all the way back |
| 01:21:44 |
just before |
| 01:21:46 |
Y'all made DeWitt Prejean |
| 01:21:49 |
locked around his chest, |
| 01:21:50 |
shot his leg out |
| 01:21:54 |
You didn't notice the boy |
| 01:21:56 |
from across the swamp, |
| 01:22:23 |
I don't know how you did it, |
| 01:22:25 |
Time is always on |
| 01:22:28 |
We wait for warrants while |
| 01:22:34 |
I didn't hear |
| 01:22:47 |
Jesus wienie, Dave. |
| 01:22:48 |
Y'all done |
| 01:22:50 |
You want to stay behind |
| 01:22:52 |
I don't want to be |
| 01:22:53 |
when that guy |
| 01:22:54 |
You heard he's out on bond? |
| 01:22:56 |
Screw that. |
| 01:22:57 |
He'll be here |
| 01:23:06 |
We got nothing. |
| 01:23:13 |
Alfie. |
| 01:23:14 |
You know where |
| 01:23:18 |
She's right here |
| 01:23:23 |
You sound speechless. |
| 01:23:27 |
Turn her loose, |
| 01:23:28 |
You don't want |
| 01:23:29 |
I'll make it simple |
| 01:23:32 |
You take that knlfe |
| 01:23:34 |
you put it in a Ziploc bag. |
| 01:23:36 |
At 8:00 tomorrow morning, |
| 01:23:37 |
you leave the bag |
| 01:23:39 |
on the corner of Royal |
| 01:23:42 |
You listen to me, |
| 01:23:44 |
Think about this. |
| 01:23:45 |
You're a cop. |
| 01:23:46 |
You can skate on this. |
| 01:23:47 |
We've been jacking you around |
| 01:23:49 |
You lying |
| 01:23:51 |
You won't rest till you |
| 01:23:54 |
You said |
| 01:23:57 |
I'm going to skate. |
| 01:23:58 |
And you're |
| 01:24:41 |
Finally |
| 01:24:43 |
Young lady, you need |
| 01:24:44 |
Okay, let's go. |
| 01:24:46 |
Get out of here. |
| 01:24:47 |
Nothing good |
| 01:24:50 |
Murphy Doucet |
| 01:24:55 |
Did you hear |
| 01:24:56 |
That's too bad. |
| 01:24:57 |
I don't like |
| 01:24:59 |
It upsets me. |
| 01:25:03 |
Hey, maybe you can get her face |
| 01:25:14 |
Where's my daughter, Julie? |
| 01:25:38 |
Where's Alafair at? |
| 01:25:39 |
I cut Doucet loose. |
| 01:25:41 |
I got nothing to do |
| 01:25:44 |
You get off |
| 01:25:45 |
or I swear to God, |
| 01:25:48 |
Cop or not, |
| 01:25:51 |
I'll cowboy |
| 01:25:57 |
Your window of opportunity's |
| 01:25:58 |
Where's my baby girl? |
| 01:26:00 |
I'm telling you |
| 01:26:02 |
I got nothing to do |
| 01:26:03 |
He's a geek. |
| 01:26:04 |
I don't hire geeks. |
| 01:26:12 |
Last by God chance. |
| 01:26:16 |
He's got a camp |
| 01:26:18 |
almost at Atchafalaya Basin. |
| 01:26:22 |
The deed's |
| 01:26:23 |
Nobody knows about it. |
| 01:26:25 |
It's at the end |
| 01:26:28 |
by the salt marsh. |
| 01:26:32 |
Alafair there? |
| 01:26:36 |
I hope to God |
| 01:30:06 |
Alfie! |
| 01:30:17 |
Come here. |
| 01:30:18 |
Did he hurt you, baby? |
| 01:30:20 |
I told him |
| 01:30:21 |
I told him |
| 01:30:24 |
I just shot a man |
| 01:30:27 |
No, no. |
| 01:30:29 |
He had a gun on him. |
| 01:30:31 |
You just don't |
| 01:30:35 |
You okay? |
| 01:31:20 |
Should I call my lawyer? |
| 01:31:23 |
Mr. LeMoyne, |
| 01:31:26 |
I saw you |
| 01:31:30 |
kill DeWitt Prejean |
| 01:31:36 |
I watched it |
| 01:31:40 |
Your crippled brother |
| 01:31:41 |
so you did it for him. |
| 01:31:47 |
Am I under arrest? |
| 01:31:48 |
I think Murphy Doucet's |
| 01:31:51 |
all these years. |
| 01:31:54 |
A lot of bad things happened |
| 01:31:57 |
between the races. |
| 01:31:58 |
But we're not |
| 01:32:01 |
we were then, |
| 01:32:03 |
I think we are. |
| 01:32:06 |
You seem unable |
| 01:32:11 |
It's been my experience |
| 01:32:13 |
that you let go of the past |
| 01:32:17 |
Please, leave. |
| 01:32:19 |
It won't make |
| 01:32:21 |
You're going to drag this one |
| 01:32:23 |
every day, |
| 01:32:27 |
for the rest of your life. |
| 01:32:31 |
Have you no mercy, sir? |
| 01:32:35 |
No, sir. |
| 01:32:38 |
No, sir, I don't. |
| 01:33:01 |
Julie Balboni |
| 01:33:04 |
but in a way |
| 01:33:06 |
in a beef |
| 01:33:09 |
They shipped Baby Feet |
| 01:33:12 |
at Leavenworth, Kansas, |
| 01:33:14 |
a place that, |
| 01:33:15 |
makes you believe |
| 01:33:17 |
that sub-zero winds blow from |
| 01:33:25 |
Elrod Sykes |
| 01:33:28 |
He brought Alafair to the set |
| 01:33:30 |
and gave her a little part |
| 01:33:32 |
Months later, |
| 01:33:35 |
he called us from California |
| 01:33:36 |
to say that Alafair |
| 01:33:47 |
I thought in the morning mists |
| 01:33:49 |
I might again see |
| 01:33:53 |
just a glimpse, |
| 01:33:54 |
a doff of his hat, |
| 01:33:57 |
the kindness |
| 01:33:59 |
the beleaguered affection |
| 01:34:01 |
that always seemed |
| 01:34:08 |
Then as the days passed |
| 01:34:09 |
and I began to let go of all the |
| 01:34:12 |
I came to accept that the |
| 01:34:16 |
was only a figment |
| 01:34:19 |
there to remind me |
| 01:34:22 |
that the contest |
| 01:34:25 |
the field never quite ours. |
| 01:35:21 |
Dave? |
