Indiana Jones And The Kingdom Of The Crystal Skull
|
00:00:55 |
Come on, let's go! Let's go! |
00:00:59 |
Hey! Hey, guys! |
00:01:19 |
Faster! |
00:01:22 |
Hey, what you got under there? |
00:01:23 |
- Hey, you want to race? |
00:01:25 |
- Come on! |
00:01:35 |
Come on! |
00:01:39 |
- Please? |
00:01:59 |
Come on. Let's go. |
00:02:03 |
Go faster! Faster! |
00:02:54 |
Sorry, gentlemen. |
00:02:55 |
This whole area is closed for |
00:02:58 |
That includes all on-base personnel. |
00:03:01 |
Good afternoon, sir. |
00:03:10 |
I'm afraid that goes for you, too, |
00:03:11 |
The Pentagon sent out revised... |
00:04:37 |
Russians. |
00:04:40 |
This ain't gonna be easy. |
00:04:42 |
Not as easy as it used to be. |
00:04:44 |
- Well, we've been through worse. |
00:04:47 |
Flensburg. There was twice as many. |
00:04:49 |
- We were younger. |
00:04:52 |
We had guns. |
00:04:53 |
Put your hands down, will you? |
00:04:57 |
Bet you 500 bucks |
00:05:09 |
Let's call it 100. |
00:05:15 |
You recognize building, yes? |
00:05:24 |
Drop dead. |
00:05:31 |
I'm sorry. |
00:05:33 |
I meant drop dead, comrade. |
00:05:53 |
- Where was he found? |
00:05:56 |
They were digging in the dirt, |
00:06:04 |
You're not from around here, are you? |
00:06:07 |
Where is it you would imagine |
00:06:12 |
Well, the way you're sinking your teeth |
00:06:15 |
I should think maybe Eastern Ukraine. |
00:06:18 |
Highest marks. |
00:06:20 |
Colonel Dr. Irina Spalko. |
00:06:24 |
Three times |
00:06:28 |
Also medal as Hero of Socialist Labor. |
00:06:32 |
And why? |
00:06:34 |
Because I know things. |
00:06:39 |
And what I do not know, I find out. |
00:06:44 |
Now, what I need to know now |
00:07:04 |
- You are a hard man to read, Dr. Jones. |
00:07:08 |
So, we will do this, |
00:07:13 |
You will tell us. |
00:07:39 |
This warehouse |
00:07:41 |
have hidden all of your secrets, yes? |
00:07:44 |
This is a military warehouse. |
00:07:50 |
Object we seek, |
00:07:52 |
dimensions 2 meters by 0.5 meter |
00:07:56 |
Contents of box, mummified remains. |
00:07:59 |
This is no doubt familiar to you. |
00:08:02 |
What makes you think I've got any idea |
00:08:05 |
Because 10 years ago |
00:08:08 |
you were part of the team |
00:08:14 |
Look... |
00:08:15 |
Even if l |
00:08:19 |
You will help us find it. |
00:08:34 |
Compass. I need a compass. |
00:08:36 |
You know, north, south, east... |
00:08:38 |
West. |
00:08:41 |
No compass? |
00:08:45 |
I need your bullets. |
00:08:54 |
The contents of that box |
00:08:57 |
I need gunpowder. |
00:08:59 |
You want my help or not? |
00:09:14 |
Don't toy with me, Dr. Jones. |
00:09:19 |
If it's still magnetic, |
00:09:21 |
the metal in this gunpowder |
00:09:54 |
Shells. Give me some shotgun shells. |
00:10:01 |
Pliers. |
00:13:20 |
Drop the guns, |
00:13:45 |
Why, Mac? |
00:13:46 |
Well, what can I say, Jonesey? |
00:13:49 |
I'm a capitalist, and they pay. |
00:13:54 |
After all those years |
00:13:59 |
I thought we were friends, Mac. |
00:14:02 |
I've had a run of bad luck |
00:14:05 |
Awful. Bloody awful. |
00:14:09 |
I can't go home empty-handed again. |
00:14:13 |
No defiant last words, Dr. Jones? |
00:14:18 |
I like Ike. |
00:14:20 |
Put down gun. |
00:14:23 |
You got it, pal. |
00:14:51 |
Damn, I thought that was closer. |
00:14:58 |
Come on. Come on. |
00:15:18 |
He's not to get out of here alive! |
00:15:26 |
Don't get clever, Boris. |
00:15:28 |
Know him. Know him. |
00:15:29 |
You don't know him! |
00:15:31 |
You don't know him! You don't know... |
00:17:14 |
You did well. |
00:18:56 |
Hello? Hello? |
00:19:04 |
Hello! |
00:19:07 |
Hey. I knocked. You guys got a... |
00:19:16 |
Wait a minute. |
00:19:18 |
Come on, gang! |
00:19:33 |
Oh, that can't be good. |
00:19:37 |
All personnel, |
00:19:41 |
Put on goggles or turn away. |
00:19:43 |
Do not remove goggles or face burst |
00:19:49 |
That can't be good at all. |
00:19:58 |
Wait! Wait! Wait, wait, wait! Wait! |
00:20:05 |
Sure! Great! Don't wait for me! |
00:20:07 |
Minus 15 seconds. |
00:20:17 |
Minus 10 seconds. |
00:20:20 |
Niner, eight, seven, six, |
00:20:26 |
fiver, four, |
00:20:29 |
three, two, one, zero. |
00:22:05 |
I had no reason to believe |
00:22:08 |
He was Ml6 when I was in OSS. |
00:22:10 |
We did 20, 30 missions together |
00:22:13 |
Don't wave your war record |
00:22:16 |
We all served. |
00:22:18 |
No kidding? What side were you on? |
00:22:20 |
I don't think you recognize |
00:22:23 |
You aided and abetted KGB agents |
00:22:26 |
who broke into |
00:22:29 |
in the middle of the |
00:22:32 |
What was in the steel box they took? |
00:22:35 |
You tell us. You've seen it before. |
00:22:42 |
You mean that Air Force fiasco in '47. |
00:22:47 |
I was tossed into a bus |
00:22:49 |
and 20 people |
00:22:52 |
Hauled out in the middle of the night |
00:22:54 |
on some urgent recovery project |
00:22:57 |
Pieces of wreckage |
00:22:58 |
and an intensely magnetic shroud |
00:23:03 |
None of us |
00:23:06 |
And we were threatened with treason |
00:23:09 |
So, you tell me, what was in the box? |
00:23:11 |
Indy, thank God. |
00:23:12 |
Don't you know it's dangerous |
00:23:14 |
Those things can be deathtraps! |
00:23:16 |
Good to see you, too, Bob. |
00:23:19 |
Relax, boys. I can vouch for Dr. Jones. |
00:23:21 |
What the hell is going on? |
00:23:23 |
KGB on American soil? |
00:23:26 |
Describe her. |
00:23:28 |
Tall, thin, mid-30s, |
00:23:30 |
carried a sword of some kind, |
00:23:36 |
Yeah, that's her. |
00:23:38 |
You sure she's here? |
00:23:39 |
Here and gone. Who is she? |
00:23:42 |
Irina Spalko, |
00:23:46 |
His favorite scientist, if you can call |
00:23:50 |
General Ross... |
00:23:51 |
She's leading teams from the Kremlin |
00:23:53 |
Scooping up artifacts |
00:23:54 |
she thinks might have |
00:23:57 |
- General Ross! |
00:24:00 |
Not everyone in the Army's a Commie |
00:24:04 |
What exactly am I being accused of, |
00:24:08 |
Nothing yet. |
00:24:09 |
But frankly your association |
00:24:11 |
makes all your activities suspicious, |
00:24:16 |
Are you nuts? |
00:24:18 |
Do you have any idea how many medals |
00:24:21 |
A great many, I'm sure. |
00:24:24 |
But does he deserve them? |
00:24:27 |
Dr. Jones, let's just say for now |
00:24:31 |
Of great interest. |
00:24:42 |
Grooved Ware in the beginning |
00:24:45 |
which we also see in Skara Brae |
00:24:48 |
Skara Brae dates from 3100 B.C. |
00:24:51 |
and was continuously occupied |
00:24:54 |
until it was apparently |
00:24:57 |
There's no clear evidence |
00:24:59 |
decided to abandon |
00:25:04 |
- May I have a moment, Professor? |
00:25:08 |
Open up Michaelson. Review Chapter 4. |
00:25:10 |
When I come back we'll discuss |
00:25:11 |
the difference between |
00:25:20 |
What? |
00:25:22 |
You have no idea the pressure |
00:25:25 |
The FBI showed up this morning, |
00:25:27 |
ransacked your office, |
00:25:29 |
You're the dean of the college. |
00:25:31 |
They have no right. |
00:25:33 |
They had every right! |
00:25:35 |
They were federal agents |
00:25:38 |
The university isn't gonna get itself |
00:25:41 |
not in this charged climate. |
00:25:44 |
So you're firing me. |
00:25:47 |
A leave of absence is all. |
00:25:51 |
- You are firing me. |
00:25:53 |
they've agreed to continue to pay |
00:25:56 |
I don't want their money! |
00:25:57 |
Please don't be foolish. |
00:26:00 |
You don't know what I had to go through |
00:26:02 |
You went through? What exactly |
00:26:05 |
Henry... |
00:26:09 |
I resigned. |
00:26:18 |
Where will you go? |
00:26:21 |
Train to New York, |
00:26:26 |
I might end up teaching in Leipzig. |
00:26:31 |
I'll wire you when I get settled. |
00:26:32 |
You can send on the rest of my things. |
00:26:34 |
I suppose |
00:26:36 |
I barely recognize this country anymore. |
00:26:38 |
The government's got us |
00:26:41 |
When the hysteria reaches academia, |
00:26:46 |
How did Deirdre take the news? |
00:26:48 |
How does any wife take such things? |
00:26:50 |
The look on her face |
00:26:54 |
I never should've doubted you, |
00:26:57 |
No, you have reason to question |
00:27:05 |
Brutal couple of years, huh, Charlie? |
00:27:10 |
First Dad, then Marcus. |
00:27:13 |
We seem to have reached the age |
00:27:16 |
and starts taking them away. |
00:27:21 |
Just another half glass. |
00:28:21 |
Hey! |
00:28:25 |
Hey, old man! |
00:28:27 |
Professor, hello! Hey! |
00:28:31 |
You're running out of platform, kid. |
00:28:33 |
Are you a friend of Dr. Oxley's? |
00:28:35 |
- Harold Oxley? The archeologist? |
00:28:38 |
What about him? |
00:28:41 |
They're going to kill him. |
00:28:44 |
I haven't talked to Harold Oxley |
00:28:49 |
He's a brilliant guy. |
00:28:51 |
He could put you to sleep |
00:28:54 |
Yeah. Yeah. When I was a kid, |
00:28:57 |
Oxley's voice was better than |
00:29:01 |
The name's Mutt, Mutt Williams. |
00:29:03 |
- Mutt? What kind of name is that? |
00:29:07 |
It's the one I picked. |
00:29:09 |
Take it easy. |
00:29:13 |
My dad died in the war. |
00:29:18 |
You were saying |
00:29:23 |
Six months ago, |
00:29:27 |
He's down in Peru. |
00:29:28 |
Found some type of skull, |
00:29:31 |
Like the one that guy |
00:29:35 |
- The one he found. |
00:29:38 |
The Ox and I were obsessed with |
00:29:43 |
How do you know about it? |
00:29:44 |
Are you kidding? It's all he talked about. |
00:29:45 |
He'd talk about that thing |
00:29:47 |
What's it? It's like an idol? |
00:29:49 |
Deity carving. Mesoamerican. |
00:29:52 |
There are a number of crystal skulls |
00:29:54 |
I saw one in the British Museum. |
00:29:57 |
Interesting craftsmanship, |
00:30:01 |
All right, well, laugh if you want. |
00:30:04 |
He said this was real and he was off |
00:30:08 |
- Akator? He said that? You're sure? |
00:30:11 |
That's what he said. |
00:30:15 |
It's a mythical lost city in the Amazon. |
00:30:18 |
Conquistadors called it El Dorado. |
00:30:21 |
Supposedly, the Ugha tribe were |
00:30:25 |
to build a giant city out of solid gold. |
00:30:29 |
It had aqueducts and paved roads |
00:30:32 |
and technology that |
00:30:37 |
Francisco de Orellana disappeared |
00:30:43 |
I almost died of typhus |
00:30:48 |
I don't think it exists. |
00:30:49 |
Why would Ox |
00:30:52 |
The legend says that a crystal skull |
00:30:56 |
in the 15th or 16th century, |
00:30:58 |
and that whoever returns the skull |
00:31:02 |
will be given control over its power. |
00:31:04 |
Power. Right. So there's some |
00:31:08 |
I don't know, kid. It's just a story. |
00:31:11 |
No. |
00:31:13 |
From his letter, my mom thought |
00:31:15 |
You know, smog in the noggin, |
00:31:16 |
so she goes down there to find him, |
00:31:20 |
Now they've got her, too. |
00:31:22 |
Now, Ox said |
00:31:23 |
and if my mom doesn't come up with it, |
00:31:27 |
Now, she said you'd help me. |
00:31:29 |
Me? What's your mom's name again? |
00:31:32 |
Mary. Mary Williams. |
00:31:35 |
There were a lot of Marys, kid. |
00:31:36 |
Shut up! That's my mother |
00:31:38 |
All right? That's my mother. |
00:31:40 |
You don't have to get sore all the time |
00:31:43 |
Sit down. Please. Sit down. |
00:31:47 |
She said if anybody could find the skull, |
00:31:50 |
Like you're some type of... |
00:31:54 |
I'm a tenured professor of archeology. |
00:31:57 |
Oh, you're a teacher. |
00:32:01 |
Anyway, she called me |
00:32:04 |
Said she'd escaped, |
00:32:06 |
She said she'd just gotten |
00:32:08 |
and mailed it to me |
00:32:10 |
Then the line went dead. I opened it. |
00:32:11 |
I mean, the thing's pointless, though. |
00:32:14 |
It's not even English lettering. |
00:32:16 |
See? |
00:32:19 |
See those two bricks over there, |
00:32:23 |
I don't think |
00:32:26 |
Who are they? |
00:32:28 |
Don't know. Maybe FBI. |
00:32:31 |
Come quietly, Dr. Jones. |
00:32:33 |
Make that KGB. |
00:32:34 |
- And bring letter with you. |
00:32:37 |
Letter Mr. Williams just give you. |
00:32:39 |
Me? Do I look like a mailman? |
00:32:41 |
We don't ask again. |
00:32:43 |
Or what? |
00:32:44 |
Nice try, kid, |
00:32:48 |
to a gunfight. |
00:32:51 |
Outside now. |
00:32:57 |
- Hit this guy. |
00:32:58 |
Joe College. Hit him hard. |
00:33:00 |
- Here, hold this. |
00:33:03 |
That's my boyfriend! |
00:33:08 |
Take it outside! |
00:33:09 |
Get that greaser! |
00:33:19 |
Your mom didn't escape. |
00:33:21 |
They let her go, |
00:33:23 |
and you could bring it to me |
00:33:29 |
Get on, gramps! |
00:33:59 |
Go, go, go, go, go! |
00:35:11 |
Better dead than Red! |
00:35:18 |
Better dead than Red! |
00:35:21 |
Better dead than Red! |
00:35:26 |
This is crazy! |
00:35:57 |
Left! Go left! Left! |
00:36:14 |
Move, move! Move! |
00:36:16 |
Split, split! Split, split! |
00:36:18 |
- You're going too fast. |
00:36:33 |
- Excuse me, Dr. Jones. |
00:36:36 |
I just had a question on |
00:36:40 |
Forget Hargrove. |
00:36:41 |
Read Vere Gordon Childe |
00:36:44 |
He spent most of his life in the field. |
00:36:48 |
If you want to be a good archeologist, |
00:36:52 |
you got to get out of the library! |
00:36:59 |
Who is that? |
00:37:00 |
Francisco de Orellana, |
00:37:03 |
Remember, the guy who got lost |
00:37:06 |
And just as I thought. |
00:37:09 |
Koihoma. |
00:37:11 |
What's that? |
00:37:13 |
It's an extinct Latin American language. |
00:37:19 |
See. Diagonal stresses |
00:37:23 |
- You speak it? |
00:37:25 |
It hasn't been heard aloud |
00:37:29 |
I might be able to read a bit though |
00:37:34 |
You know, for an old man, |
00:37:36 |
Thanks a lot. |
00:37:38 |
What are you, like, 80? |
00:37:43 |
It's a riddle. |
00:37:46 |
Leave it to Ox to write a riddle |
00:37:51 |
"Follow the lines in the earth |
00:37:55 |
"which lead to Orellana's cradle |
00:37:58 |
"guarded by the living dead." |
00:38:00 |
- He's talking about the Nazca Lines. |
00:38:03 |
Hold on here. |
00:38:06 |
Geoglyphs. Giant ancient drawings |
00:38:12 |
From the ground, |
00:38:15 |
But from the sky, |
00:38:19 |
because only gods live up there. |
00:38:23 |
Oxley's telling us |
00:39:31 |
Finally. They saw him. |
00:39:33 |
Ox wandered into town a couple |
00:39:36 |
Police locked him up in the sanitarium. |
00:39:38 |
I took Spanish and I didn't understand |
00:39:41 |
Quechua, local Incan dialect. |
00:39:43 |
- Where'd you learn that one? |
00:39:46 |
I got time. |
00:39:47 |
I rode with Pancho Villa. |
00:39:50 |
Bullshit! |
00:39:52 |
- You asked. |
00:39:54 |
- Technically, I was kidnapped. |
00:39:57 |
It was the fight |
00:40:01 |
- How old were you? |
00:40:03 |
Your parents must've had a cow, huh? |
00:40:06 |
It worked out. |
00:40:08 |
Yeah, me and my mom |
00:40:10 |
Treat her right, kid. You only get one |
00:40:13 |
It's not my fault. It's hers. |
00:40:15 |
She just got P.O.'ed |
00:40:16 |
She thinks |
00:40:18 |
- You quit school? |
00:40:20 |
Fancy prep schools |
00:40:23 |
and chess and fencing. |
00:40:24 |
I'm great with the blade. |
00:40:27 |
- You never finished. |
00:40:29 |
Just a bunch of useless skills. |
00:40:31 |
'Cause I love reading. |
00:40:34 |
But now I can pick them myself. |
00:40:36 |
- What do you do for money? |
00:40:39 |
Gonna do that |
00:40:42 |
Maybe I will, Teach. |
00:40:45 |
No. Not if that's what you love doing. |
00:40:47 |
Don't let anybody tell you different. |
00:40:50 |
This is it. Sister. |
00:41:12 |
She says Ox isn't here. |
00:41:16 |
Some men came and took him away, |
00:41:26 |
She says he was obsessed, deranged. |
00:41:28 |
Drew pictures |
00:41:34 |
This riddle in Oxley's letter |
00:41:38 |
"Follow the lines that only the gods |
00:41:44 |
Cradle, cradle, birth. |
00:41:46 |
Orellana wasn't born in Peru. |
00:41:49 |
He was a conquistador. |
00:41:51 |
What happened to him? |
00:41:53 |
He disappeared along with six others. |
00:42:26 |
He must have lost his mind. |
00:42:35 |
Ox, man, what happened? |
00:42:46 |
This is not the Mitchell-Hedges skull. |
00:42:49 |
Look at the elongated cranium. |
00:42:52 |
And the same word |
00:42:54 |
in different languages, |
00:43:01 |
Return. |
00:43:03 |
Return where? |
00:43:05 |
Or return what? |
00:43:07 |
You mean the skull? |
00:43:09 |
Seems to have been on his mind. |
00:43:12 |
Where was he supposed to return it to? |
00:43:27 |
- Sweep. |
00:43:38 |
Ox didn't mean Orellana's birthplace. |
00:43:41 |
Cradle has another meaning in Mayan. |
00:43:44 |
Literally, it means "resting place," |
00:43:49 |
Ox meant Orellana's grave. |
00:43:51 |
This drawing scratched into the floor |
00:43:57 |
You said Orellana vanished |
00:43:59 |
Well, it looks like Harold Oxley did. |
00:44:34 |
"Grave robbers will be shot." |
00:44:36 |
Good thing we're not grave robbers. |
00:44:46 |
- What are we looking for? |
00:44:50 |
Maybe an antechamber |
00:45:09 |
I think I just saw something! |
00:45:11 |
Oh, you're jumping at shadows. |
00:45:18 |
This way down. |
00:45:28 |
- This way up. |
00:45:55 |
Those darts are poison! |
00:45:59 |
Stay there. |
00:46:25 |
You're a teacher? |
00:46:29 |
Part-time. |
00:46:40 |
Dead end. |
00:46:43 |
Maybe. |
00:46:51 |
What are you doing? |
00:46:53 |
Give me some light over here. |
00:47:01 |
Bring it over here. |
00:47:10 |
It's just a thing. |
00:48:12 |
Dance on your own dime, will you? |
00:48:13 |
One of the scorpions just stung me! |
00:48:15 |
- How big? |
00:48:18 |
- Good. |
00:48:21 |
When it comes to scorpions, |
00:48:24 |
A small one bites you, |
00:48:48 |
Their skulls. Look at their skulls, man. |
00:48:52 |
Like the drawings in Oxley's cell. |
00:48:56 |
That's crazy. Why is it like that? |
00:48:58 |
Nazca Indians used to |
00:49:01 |
to elongate the skull like that. |
00:49:03 |
- Why? |
00:49:06 |
No, no. God's head is not like that, man. |
00:49:09 |
Depends on who your god is. |
00:49:21 |
You're going nowhere fast. |
00:49:28 |
Professor, this really |
00:49:38 |
Hey! |
00:49:56 |
Come on, genius. Bring the backpack. |
00:50:17 |
- This is incredible. |
00:50:23 |
Don't touch anything. |
00:50:28 |
Footprints. Somebody's been here. |
00:50:32 |
Recently. |
00:50:36 |
Two sets of prints. |
00:50:39 |
Same size, could have been |
00:50:43 |
Not bad, kid. |
00:50:53 |
One. Two. |
00:50:56 |
Three. Four. Five. Six. |
00:51:01 |
Seven. |
00:51:04 |
Orellana and his men might've |
00:51:10 |
Give me some light. |
00:51:18 |
You don't have a knife, do you? |
00:51:44 |
Looks like he just died yesterday. |
00:51:46 |
It's the wrappings. They preserved him. |
00:51:57 |
What just happened? |
00:51:58 |
He's been wrapped up for 500 years. |
00:52:10 |
Thanks. |
00:52:15 |
I don't want to keep |
00:52:17 |
- That's fine. |
00:52:26 |
Is this one open already? |
00:52:47 |
It's him. |
00:52:50 |
It's Orellana himself. |
00:52:57 |
They called him The Gilded Man. |
00:53:03 |
It's odd. |
00:53:07 |
Somebody's been here and gone. |
00:53:10 |
But they left all this gold |
00:53:18 |
What were they looking for? |
00:53:33 |
- Hold this. |
00:53:54 |
Unbelievable. |
00:54:06 |
No tool marks. |
00:54:08 |
A single piece of seamless quartz. |
00:54:13 |
Cut across the grain. |
00:54:15 |
It's not possible, even with |
00:54:26 |
Crystal's not magnetic. |
00:54:28 |
Neither is gold. |
00:54:34 |
What is this thing? |
00:54:36 |
Maybe the Nazca Indians thought |
00:54:41 |
- You think this is the one from... |
00:54:48 |
Maybe the Spaniards found this skull |
00:54:53 |
They were headed for their ships |
00:54:58 |
Maybe the Indians caught up with them, |
00:55:01 |
or they got to squabbling |
00:55:03 |
over their prize, kill each other off. |
00:55:07 |
The Indians wrap them up |
00:55:10 |
A couple of hundred years later, |
00:55:15 |
Takes it away, maybe to Akator. |
00:55:22 |
But then he returns it here. |
00:55:24 |
Return. |
00:55:26 |
Return, like he wrote |
00:55:30 |
He put it back where he found it. Why? |
00:55:58 |
- Hello, Jonesey. |
00:56:34 |
You're lucky I turned up, Jonesey. |
00:56:36 |
Dovchenko there wanted |
00:56:39 |
That's the third time I've saved your life. |
00:56:42 |
Unshackle me. I'll give you a big hug. |
00:56:45 |
You had a Luger |
00:56:48 |
the first time we met. |
00:56:49 |
I had the situation under control. |
00:56:51 |
- You owe me. |
00:56:56 |
After the war, when you turned, |
00:56:58 |
how many names |
00:56:59 |
You're not looking |
00:57:00 |
How many good men died |
00:57:02 |
Eventually, they're gonna |
00:57:05 |
and when they do, |
00:57:08 |
"Comrade"? |
00:57:12 |
About uniforms? |
00:57:14 |
It's just about money, isn't it? |
00:57:16 |
No. Not only money. |
00:57:21 |
A gigantic pile of money. |
00:57:24 |
Don't worry about |
00:57:26 |
It's nothing compared |
00:57:31 |
An entire city of gold. |
00:57:36 |
For God's sake, Jonesey, we'd be rich! |
00:57:41 |
Blood money, every nickel. |
00:57:44 |
I need you to see the angle here, mate. |
00:57:46 |
Be smart. Do the right thing. |
00:57:51 |
Like in Berlin. Got me? |
00:57:53 |
Just like in Berlin. |
00:57:55 |
You want me to trot off, |
00:58:00 |
How fortunate our failure to kill you, |
00:58:04 |
You survive |
00:58:07 |
Well, you know me, always glad to help. |
00:58:10 |
"Now I am become death, |
00:58:15 |
You recognize those words? |
00:58:18 |
It was your own Dr. Oppenheimer |
00:58:23 |
He was quoting the Hindu bible. |
00:58:24 |
It was nuclear intimidation. |
00:58:26 |
But now this next level of weapon |
00:58:30 |
yours to fear. |
00:58:32 |
Weapon? What weapon? |
00:58:35 |
A mind weapon. |
00:58:37 |
A new frontier of psychic warfare. |
00:58:43 |
Now I know why Oxley |
00:58:48 |
He knew you were looking for it. |
00:58:49 |
That skull is no mere deity carving. |
00:58:51 |
Surely you knew that |
00:58:53 |
It was not made by human hands. |
00:58:56 |
Who made it, then? |
00:59:01 |
Come on. |
00:59:04 |
The body we found in New Mexico |
00:59:07 |
We'd already dissected two others |
00:59:11 |
Saucer men from Mars. |
00:59:13 |
The legends about Akator are all true. |
00:59:15 |
Early men could not have conceived it, |
00:59:18 |
It was a city of supreme beings |
00:59:20 |
with technologies |
00:59:23 |
You got to be kidding me. |
00:59:25 |
Why do you choose |
00:59:31 |
The New Mexico specimen |
00:59:34 |
Unlike the others we'd found, |
00:59:41 |
A distant cousin, perhaps. Maybe they, |
00:59:45 |
Perhaps we're all searching |
00:59:51 |
- There is no other explanation. |
00:59:56 |
The skull was stolen from Akator |
01:00:00 |
Whoever returns it... |
01:00:01 |
Returns it to the city temple |
01:00:04 |
I've heard that bedtime story before. |
01:00:07 |
It's a legend. |
01:00:10 |
You should ask your friend |
01:00:12 |
We're certain he's been there. |
01:00:16 |
Oxley? |
01:00:32 |
Ox, it's me, Indy. |
01:00:35 |
Ox? |
01:00:38 |
Ox, you're faking it, right? |
01:00:40 |
"Through eyes that last I saw in tears..." |
01:00:43 |
Ox, listen to me, pal. |
01:00:47 |
You were born in Leeds, England. |
01:00:49 |
You and I went to school together |
01:00:52 |
And you were never this interesting. |
01:00:57 |
My name is Henry Jones, Jr. |
01:01:01 |
What have you done to him? |
01:01:02 |
We ain't done a thing. |
01:01:04 |
He is the divining rod |
01:01:07 |
But we need someone |
01:01:10 |
His mind, it seems, is quite weak. |
00:00:06 |
opening a psychic channel. |
00:00:08 |
Oxley lost control of his mind |
00:00:12 |
We believe you can get through to him |
00:00:17 |
I've got a better idea. You look at it. |
00:00:20 |
The skull does not speak to everyone, |
00:00:24 |
Surely you're not afraid, Dr. Jones. |
00:00:27 |
You've spent your entire life |
00:00:29 |
Think of the truth behind those eyes. |
00:00:33 |
There may be |
00:00:35 |
Whoever finds them |
00:00:38 |
the world has ever known. |
00:00:42 |
Power over the mind of man. |
00:00:45 |
Be careful, |
00:00:49 |
I usually do. |
00:01:23 |
Imagine. |
00:01:26 |
To peer across the world |
00:01:30 |
To place our thoughts |
00:01:33 |
Make your teachers |
00:01:36 |
your soldiers attack on our command. |
00:01:39 |
We'll be everywhere at once, |
00:01:41 |
invading your dreams, |
00:01:43 |
thinking your thoughts for you |
00:01:48 |
We will change you, Dr. Jones, |
00:01:51 |
all of you, from the inside. |
00:01:54 |
We will turn you into us. |
00:01:57 |
And the best part? |
00:02:04 |
Return. |
00:02:08 |
Return? |
00:02:13 |
That's enough. |
00:02:17 |
That's enough. |
00:02:21 |
Cover it. |
00:02:28 |
Henry. |
00:02:30 |
You all right, Jonesey? |
00:02:38 |
- You broke my nose! |
00:02:39 |
Enough! You will speak to Oxley |
00:02:46 |
Take him outside. |
00:02:53 |
- You all right, kid? |
00:02:56 |
- Yeah, but you're all right? |
00:02:58 |
Whoa! Whoa, whoa. |
00:03:10 |
I'm ready. Don't give these pigs a thing. |
00:03:14 |
You heard him. |
00:03:15 |
Clearly I have chosen |
00:03:19 |
Perhaps I can find a more sensitive one. |
00:03:23 |
Get your hands off me, |
00:03:31 |
Indiana Jones. |
00:03:36 |
About time you showed up. |
00:03:38 |
- Mom! |
00:03:40 |
"Mom"? |
00:03:42 |
What are you doing here? |
00:03:43 |
Forget about me. Are you all right? |
00:03:45 |
- "Mom"? |
00:03:48 |
- not to come here. |
00:03:49 |
You never wrote that. |
00:03:51 |
Marion Ravenwood is your mother? |
00:03:54 |
For God's sake, Indy, it's not that hard. |
00:03:57 |
No, I mean, I just never thought... |
00:03:59 |
I would have a life after you left. |
00:04:01 |
- That's not what I meant. |
00:04:03 |
- Well, that's fine. |
00:04:07 |
- Well, so have l! |
00:04:08 |
You still leaving |
00:04:10 |
or have you retired? |
00:04:12 |
Why? You looking for a date? |
00:04:13 |
With anybody but you. |
00:04:16 |
So, Dr. Jones, you will help us? |
00:04:19 |
A simple "yes" will do. |
00:04:21 |
Oh, Marion, you had to go |
00:04:23 |
Not like you did any better. |
00:04:27 |
Same old, same old. |
00:04:31 |
Henry Jones, Jr. |
00:04:35 |
- Henry Jones, Jr... |
00:04:39 |
"To lay their just hands |
00:04:42 |
- "that ope's the Palace of Eternity." |
00:04:45 |
It's from Milton. |
00:04:47 |
Ox, you got to tell us |
00:04:50 |
or they're gonna kill Marion. |
00:04:51 |
"Through eyes that last I saw in tears, |
00:04:56 |
Harold, they're gonna kill |
00:04:58 |
You got to tell us how to get there. |
00:05:09 |
Get me paper. Something to write with. |
00:05:22 |
Autowriting! I should have seen this. |
00:05:29 |
- Henry Jones, Jr. |
00:05:34 |
Three times it drops. The way down. |
00:05:39 |
- Three times... |
00:05:43 |
Ideograms. |
00:05:53 |
Good, Ox. Good. |
00:06:07 |
Ox? |
00:06:10 |
It's me, Ox. |
00:06:12 |
It's Mutt, Ox. Hey, look at me. |
00:06:19 |
It's me. |
00:06:23 |
The wavy lines mean water, of course. |
00:06:27 |
The sun with the arc over the sky |
00:06:32 |
The word "now" is "until." |
00:06:35 |
These two close together, |
00:06:36 |
the horizon and the snake, |
00:06:39 |
The horizon stood for the world, |
00:06:41 |
but it didn't mean the Earth. |
00:06:47 |
"The water sleeps |
00:06:51 |
These aren't just drawings, |
00:06:58 |
The great snake is the Amazon, |
00:07:00 |
but "sleep," what water sleeps? |
00:07:07 |
Here! Sono. |
00:07:11 |
Yes, good. Exactly. |
00:07:15 |
He wants us |
00:07:19 |
down to where it meets the Amazon |
00:07:23 |
After that, I'm not sure. |
00:07:25 |
Kingdom of dreams, tears and eyes... |
00:07:29 |
This could be the route, though. |
00:07:30 |
It's a completely unexplored part |
00:07:37 |
Go, go, go, go, go! Come on! |
00:07:46 |
- Kid, what the hell are we doing, kid? |
00:07:48 |
- Well, maybe. |
00:07:50 |
- Something else would have been good. |
00:07:53 |
This is intolerable. |
00:08:04 |
Mom? |
00:08:05 |
- Stay back! |
00:08:08 |
Moving makes space, |
00:08:10 |
No, I think I can get out if I can just... |
00:08:11 |
Stop it! |
00:08:13 |
It's like trying to lift a car. |
00:08:15 |
Okay, I'm calm. |
00:08:16 |
- What is it? Quicksand? |
00:08:17 |
- No, it's a dry sand pit. |
00:08:19 |
Quicksand is a mix of sand, |
00:08:22 |
And depending on the viscosity, |
00:08:23 |
- as people sometimes think. |
00:08:25 |
we're not in school! |
00:08:27 |
Don't worry. There's nothing |
00:08:31 |
A void collapse. |
00:08:35 |
I'll go get something to pull you out. |
00:08:37 |
Ox, don't just sit there. |
00:08:39 |
For God's sake, man, go get help! |
00:08:42 |
- Help? |
00:08:45 |
Help? |
00:08:46 |
Help! Go! |
00:08:51 |
Mutt can be a little impetuous. |
00:08:53 |
It's not the worst quality in the world. |
00:08:56 |
Keep your arms above the surface. |
00:08:59 |
- Indy, he... |
00:09:02 |
You should get off his back |
00:09:04 |
- Mutt, I mean... |
00:09:06 |
His name is Henry! |
00:09:08 |
Henry. Good name. |
00:09:10 |
He's your son. |
00:09:13 |
My son? |
00:09:15 |
Henry Jones the Third. |
00:09:20 |
Why the hell |
00:09:24 |
- Mom, grab on! Grab it! |
00:09:27 |
I got it. |
00:09:29 |
Come on, Mom! Pull, pull, pull, pull! |
00:09:32 |
Pull! |
00:09:37 |
Grab on. |
00:09:40 |
- Grab it. |
00:09:43 |
It's a rat snake! |
00:09:44 |
- Rat snakes aren't that big. |
00:09:46 |
It's not even poisonous. Now grab on! |
00:09:48 |
- Go get something else. |
00:09:51 |
Like a rope or something. |
00:09:52 |
There's no Sears and Roebuck here! |
00:09:58 |
- Maybe I can touch the bottom. |
00:10:01 |
No, I think I can feel it with my feet. |
00:10:03 |
- Grab the snake! |
00:10:06 |
It's a snake! |
00:10:08 |
- Say "rope." |
00:10:10 |
Say "grab the rope." |
00:10:12 |
- Grab the rope! |
00:10:15 |
Hold tight. It's slimy. |
00:10:17 |
Pull! |
00:10:25 |
Get rid of that thing, will you, Son? |
00:10:29 |
Afraid of snakes. |
00:10:32 |
You are one crazy old man. |
00:10:38 |
Why do you have to do everything |
00:10:46 |
Good work, Ox. Thanks. |
00:10:48 |
Help. |
00:11:23 |
No. No, he was British. |
00:11:27 |
He was a war hero, |
00:11:30 |
No, sweetheart. |
00:11:33 |
We started dating |
00:11:35 |
He was a good man. |
00:11:37 |
Wait, wait, wait. Colin? |
00:11:42 |
You married him? I introduced you! |
00:11:45 |
I think you gave up your vote |
00:11:48 |
when you decided to break it off |
00:11:51 |
I think we both knew, Marion, |
00:11:53 |
You didn't know that. |
00:11:56 |
Because we never had an argument |
00:11:58 |
It's not my fault if you can't keep up! |
00:12:00 |
I didn't want to hurt you! |
00:12:01 |
For love of God, shut the hell up! |
00:12:04 |
Didn't you ever wonder years ago |
00:12:08 |
He hated that you ran away. |
00:12:10 |
Would you two just stop? |
00:12:11 |
Yeah, Marion, let's not let the kid see |
00:12:15 |
- You're not my dad, okay? |
00:12:17 |
And I got news for you. |
00:12:18 |
You're gonna go back and finish school. |
00:12:21 |
Really? What happened to, |
00:12:22 |
"There's not a damn thing |
00:12:23 |
"and don't let anybody else |
00:12:25 |
You don't remember saying that? |
00:12:26 |
That was before I was your father! |
00:12:28 |
- You're not my father! |
00:12:29 |
You should have |
00:12:31 |
I had a right to know. |
00:12:32 |
You vanished after that. |
00:12:34 |
- I wrote. |
00:12:37 |
By then, |
00:12:41 |
Why are you bothering to tell me now? |
00:12:43 |
Because I thought we were gonna die! |
00:12:45 |
Not yet! |
00:13:01 |
Got it? |
00:13:06 |
Oh, shit. |
00:13:20 |
I'm sure I wasn't the only one |
00:13:23 |
There must've been |
00:13:26 |
Yeah. There were a few, |
00:13:30 |
Yeah? What's that? |
00:13:34 |
They weren't you, honey. |
00:14:00 |
We got to get Oxley back, |
00:14:02 |
and get to Akator before they do. |
00:14:17 |
What's he gonna do now? |
00:14:20 |
- I don't think he plans that far ahead. |
00:14:23 |
- Scooch over, will you, Son? |
00:14:26 |
I think I'd cover my ears if I were you. |
00:14:39 |
Duck! Duck! |
00:14:44 |
Move, move! |
00:14:48 |
Pull up next to that duck. |
00:14:59 |
Henry Jones, Jr. |
00:15:14 |
Jones! |
00:15:31 |
Come on! Come on! |
00:15:48 |
Get down! |
00:16:01 |
Ox has got the skull. |
00:16:04 |
That's not fair. She drove the truck. |
00:16:05 |
Don't be a child. |
00:16:18 |
Jonesey! |
00:16:33 |
- Jonesey! |
00:17:10 |
- Indy. Indy! Indy! |
00:17:13 |
- You stupid son of a bitch! I'm CIA. |
00:17:19 |
I almost screamed it at you in the tent. |
00:17:22 |
What were we in Berlin, mate? |
00:17:24 |
- Double agents! |
00:17:26 |
Throw me the skull! |
00:17:30 |
Throw me the skull! |
00:17:54 |
Riposte. |
00:18:01 |
Get on your front foot. Riposte. |
00:18:03 |
It's not a match, Mom. |
00:18:31 |
You fight like a young man, |
00:18:35 |
Mutt, disengage! |
00:19:16 |
Hey! Hey, I got the skull! |
00:19:19 |
- Throw the bag! Throw it! |
00:19:21 |
- Gun! |
00:20:09 |
What are you looking at, Daddy-o? |
00:21:11 |
This is very dangerous. |
00:21:41 |
Do svidanya, Dr. Jones. |
00:22:11 |
Jones! |
00:22:16 |
Whoa. |
00:22:18 |
Whoa. |
00:22:20 |
Whoa! |
00:22:26 |
Turn! |
00:23:00 |
- Siafu. |
00:23:01 |
Big damn ants! Go! |
00:23:16 |
Run to the river! |
00:23:38 |
Get to the river! |
00:23:49 |
Jump in! Come on! Come on! |
00:23:57 |
Mom, there's a cliff! |
00:26:44 |
- Jonesey, come on! |
00:27:03 |
- Mom, stop. |
00:27:09 |
- Honey, stop. |
00:27:11 |
- You're gonna go off the cliff. |
00:27:12 |
- Bad idea. Give me the wheel. |
00:27:15 |
Slow down! |
00:27:44 |
- Don't ever do that again. |
00:27:59 |
Three times it drops. |
00:28:05 |
Reverse. Put it in reverse! Full reverse! |
00:28:07 |
- I'm trying! I'm trying! |
00:28:30 |
The way down. |
00:28:34 |
He means by land. He came by land. |
00:28:40 |
- Three times it drops? |
00:28:42 |
What is he talking about? |
00:28:43 |
He means one! |
00:28:48 |
Two! |
00:29:07 |
Three. |
00:29:42 |
You okay? Babe? Let go. |
00:29:46 |
"Through eyes that last I saw in tears." |
00:29:51 |
"The golden vision reappears!" |
00:29:57 |
Gold. I'm in. |
00:29:59 |
Through eyes... Through eyes in tears. |
00:30:06 |
The skull has to be returned. |
00:30:10 |
Who cares? |
00:30:12 |
It's brought us nothing but trouble. |
00:30:15 |
Look what it did to him. |
00:30:18 |
- I have to return it. |
00:30:21 |
Because it told me to. |
00:30:36 |
- Ochre, iron oxide, charcoal. |
00:30:40 |
How old is this? |
00:30:42 |
Four or five thousand years. |
00:30:46 |
Look, sun worshippers, |
00:30:52 |
This is fresh. These were just used. |
00:31:09 |
More worshippers. |
00:31:11 |
Yeah, but that's not |
00:31:20 |
Someone came |
00:31:25 |
and taught the Ugha farming. |
00:31:32 |
Irrigation. |
00:31:44 |
Ox, what is it? |
00:32:03 |
I think I understand, Ox. |
00:32:07 |
Someone came? |
00:32:33 |
Are they the same? |
00:32:34 |
There were more. Look. |
00:32:40 |
Thirteen in a circle. |
00:32:49 |
Show us the way, Ox. |
00:33:40 |
- Let's go. Go, go, go! Run! Run, go! |
00:34:14 |
Indy! |
00:34:16 |
Jonesey! |
00:34:19 |
Oxley! |
00:34:21 |
You were here before. |
00:34:36 |
Come on, Mac. Come on! |
00:34:42 |
Come on, come on, come on. |
00:34:43 |
"To lay their just hands |
00:34:45 |
- "that ope's the Palace of Eternity." |
00:34:46 |
You did good, Ox. You did good. |
00:35:12 |
City of gold. So where's all the gold? |
00:35:16 |
Look at the state of this place. |
00:35:18 |
What a stupid legend. |
00:35:21 |
Ox was here before, |
00:35:26 |
so he took the skull back |
00:35:31 |
"To lay their just hands |
00:35:34 |
"that ope's the Palace of Eternity." |
00:35:36 |
Key that ope's the palace. |
00:35:40 |
The obelisk. The obelisk is the key? |
00:35:50 |
What are you looking for, Ox? |
00:35:55 |
What are you doing? |
00:36:02 |
You figured this out in your cell, |
00:36:06 |
Excuse me, Professor. |
00:36:23 |
Well done. |
00:36:26 |
Go get your own. |
00:37:27 |
Listen. |
00:37:29 |
Hear that? |
00:37:33 |
Get up! Move! Ox, move! |
00:37:39 |
Faster! Faster! |
00:37:42 |
Faster! Faster! |
00:37:45 |
Faster! |
00:37:46 |
This is not good. Move, Ox! Move! |
00:37:49 |
Quick! Quick! Quick! |
00:37:54 |
I don't like this! I don't like it! |
00:37:56 |
- Mom, come on! |
00:38:16 |
He dropped it. He dropped the skull! |
00:38:18 |
Okay? |
00:38:30 |
Hold this. |
00:38:34 |
Ox, you okay? |
00:38:40 |
Lovely. |
00:38:42 |
All right, let's go. |
00:38:51 |
This way? |
00:39:59 |
Now that's more like it. |
00:40:07 |
There are artifacts |
00:40:11 |
Macedonian. |
00:40:14 |
- Sumerian. |
00:40:16 |
Etruscan. Babylonian. |
00:40:18 |
There isn't a museum in the world |
00:40:23 |
Early Egyptian. |
00:40:24 |
Dozens of museums. |
00:40:28 |
Collectors. |
00:40:32 |
They were archeologists. |
00:41:11 |
How do we open it? |
00:41:18 |
I'll give it back, Ox. I promise. |
00:42:41 |
No more forever waiting. |
00:42:45 |
Soon now. |
00:42:56 |
Sorry, Jonesey. |
00:42:58 |
So what are you, a triple agent? |
00:43:01 |
Nah, I just lied about being a double. |
00:43:10 |
Look at them! |
00:43:14 |
Still waiting for the return |
00:43:23 |
They are a hive mind. |
00:43:27 |
One being physically separate, |
00:43:33 |
More powerful together |
00:43:45 |
Imagine what they could tell us. |
00:43:48 |
I can't imagine. |
00:43:50 |
Neither could the humans |
00:43:51 |
and neither can you. |
00:43:52 |
Belief, Dr. Jones, |
00:43:58 |
My sympathies. |
00:43:59 |
Oh, I believe, sister. |
00:44:38 |
- Mayan. He's speaking Mayan. |
00:44:41 |
He says he's grateful and he wants... |
00:44:46 |
It. |
00:44:50 |
It wants to give us a gift. |
00:44:57 |
A big gift. |
00:45:00 |
Tell me everything you know. |
00:45:06 |
I want to know everything. |
00:45:17 |
I've got a bad feeling about this. |
00:45:24 |
Indy? |
00:45:27 |
The eyes. |
00:46:33 |
What are they? Spacemen? |
00:46:35 |
Interdimensional beings, in point of fact. |
00:46:38 |
Welcome back, Ox. |
00:46:51 |
What the hell is that? |
00:46:53 |
A portal! |
00:46:57 |
I don't think we want to go that way. |
00:47:16 |
I want to know. |
00:47:18 |
I want to know. |
00:47:21 |
Tell me. I'm ready. I want to know. |
00:47:31 |
Mac! Mac! Come on! |
00:47:36 |
Mac! |
00:47:40 |
Mac, damn it, now! |
00:47:54 |
I can see. |
00:47:58 |
I can see! |
00:48:02 |
Grab it! |
00:48:08 |
Use your legs, Mac. I can't do it alone. |
00:48:13 |
Jonesey! |
00:48:16 |
I'm going to be all right. |
00:48:26 |
No more! |
00:48:31 |
Cover it. Cover it. |
00:48:47 |
Go! |
00:48:48 |
Enough! |
00:48:50 |
Enough! |
00:49:05 |
Go! Go! |
00:51:27 |
Like a broom to their footprints. |
00:51:32 |
Where did they go? Space? |
00:51:36 |
Not into space. |
00:51:50 |
I don't understand. |
00:51:53 |
Why this legend of a city of gold? |
00:51:56 |
The Ugha word for gold |
00:52:00 |
But their treasure wasn't gold. |
00:52:04 |
Knowledge was their treasure. |
00:52:22 |
What? We're just going to sit here? |
00:52:25 |
Night falls quick in the jungle, kid. |
00:52:26 |
You don't want to |
00:52:28 |
No? |
00:52:31 |
I can. Who's coming with me? |
00:52:35 |
Why don't you stick around, Junior? |
00:52:40 |
I don't know. Why didn't you, Dad? |
00:52:45 |
Dad! |
00:52:50 |
Dad? |
00:52:56 |
Somewhere your grandpa is laughing. |
00:53:15 |
Marvelous! Perfect! |
00:53:32 |
Henry Jones, Jr., |
00:53:36 |
insomuch in that you two have agreed |
00:53:41 |
have promised your love for each other |
00:53:44 |
the joining of your hands |
00:53:47 |
I now declare you |
00:53:51 |
Whom God hath put together, |
00:53:56 |
"How much of human life |
00:54:00 |
Congratulations. |
00:54:02 |
You may kiss your bride. |
00:54:25 |
Well done, Henry! |
00:54:27 |
- Thanks, Ox. |