|
Indiana Jones and the Last Crusade
|
| 00:01:54 |
Dismount! |
| 00:02:02 |
Herman's horse-sick! |
| 00:02:11 |
Chaps, no one wander off. |
| 00:02:14 |
Some of the passageways |
| 00:02:27 |
I don't think |
| 00:02:34 |
What is it? |
| 00:03:01 |
Alfred, did you |
| 00:03:03 |
Nothing. |
| 00:03:04 |
Then keep digging. |
| 00:03:05 |
The kid's got something! |
| 00:03:06 |
Whoo! Yee-hoo! |
| 00:03:08 |
I got something, Garth! |
| 00:03:09 |
I got something... |
| 00:03:19 |
Oh, look at that! |
| 00:03:20 |
Whoo! |
| 00:03:21 |
We're rich! We're rich! |
| 00:03:22 |
Shut up. Shut up. |
| 00:03:24 |
Well, we're rich, ain't we? |
| 00:03:27 |
Indy... |
| 00:03:30 |
Indy? |
| 00:03:32 |
What are they doing? |
| 00:03:33 |
Indiana? Indiana? |
| 00:03:36 |
Shh! |
| 00:03:41 |
Hey, we got to find |
| 00:03:43 |
It's the Cross of Coronado. |
| 00:03:45 |
Cortez gave it to him |
| 00:03:48 |
Ah! Oh, boy! Whoo! |
| 00:03:50 |
I'm thinkin' about |
| 00:03:52 |
dig down and put it on |
| 00:03:55 |
That cross |
| 00:03:57 |
It belongs in a museum. |
| 00:03:59 |
Run back |
| 00:04:01 |
Tell Mr.Havelock that there are |
| 00:04:04 |
Have him bring |
| 00:04:05 |
It's only a snake. |
| 00:04:07 |
Did you hear what I said? |
| 00:04:09 |
Right. Run back... |
| 00:04:10 |
Mr.Havelock... |
| 00:04:13 |
What, what are you |
| 00:04:15 |
I don't know. |
| 00:04:16 |
I'll think |
| 00:04:23 |
Dig with your hands, |
| 00:04:24 |
not with your mouth. |
| 00:04:41 |
He's got our thing! |
| 00:04:42 |
- Get him! |
| 00:04:50 |
Mr.Havelock! |
| 00:04:51 |
Anybody! |
| 00:04:52 |
Everybody's lost but me. |
| 00:04:54 |
There he is! |
| 00:04:55 |
Let's go! Let's go! |
| 00:05:14 |
- Hey! Hey, you! |
| 00:05:19 |
Hyah! Hyah! |
| 00:05:21 |
Hey! |
| 00:05:22 |
Come back here! |
| 00:05:36 |
Come on! Get him! |
| 00:05:46 |
Hey, come back here! |
| 00:06:09 |
Oh! |
| 00:06:38 |
Aah... Oh! |
| 00:06:54 |
Here, let me. |
| 00:07:01 |
Oh, oh... |
| 00:07:33 |
Holy smokes! |
| 00:07:58 |
Come on, kid. |
| 00:08:02 |
There's no way out of this. |
| 00:08:18 |
Hey! |
| 00:08:37 |
Toss up the whip. |
| 00:08:49 |
You got heart, kid, |
| 00:08:51 |
It belongs to Coronado. |
| 00:08:52 |
Coronado is dead, |
| 00:08:53 |
and so are all |
| 00:08:56 |
This should be in a museum. |
| 00:08:58 |
Now give it back! |
| 00:09:01 |
A snake! |
| 00:09:04 |
Snake! Aah! |
| 00:09:05 |
Don't let him get away! |
| 00:09:08 |
Magic? |
| 00:09:11 |
Hold it. |
| 00:09:12 |
Make sure he |
| 00:09:31 |
Okay, kid, |
| 00:09:35 |
Son of a... |
| 00:09:47 |
Damn. |
| 00:10:00 |
Dad! |
| 00:10:04 |
Dad! |
| 00:10:06 |
Dad. |
| 00:10:09 |
Dad... Out. |
| 00:10:10 |
It's important. |
| 00:10:11 |
Then wait. |
| 00:10:13 |
No, Dad. You listen to me. |
| 00:10:14 |
Junior! |
| 00:10:15 |
One, two, three, four... |
| 00:10:17 |
In Greek. |
| 00:10:30 |
"May he who illuminated this... |
| 00:10:35 |
illuminate me." |
| 00:10:41 |
I brought the sheriff. |
| 00:10:45 |
Just the man I want to see. |
| 00:10:47 |
Now, there were five |
| 00:10:48 |
- It's all right, son. |
| 00:10:50 |
You still got it? |
| 00:10:51 |
Well, yes, sir. |
| 00:10:52 |
It's right here. |
| 00:10:54 |
I'm glad to see that... |
| 00:10:55 |
because the rightful |
| 00:10:58 |
won't press charges |
| 00:11:01 |
He's got witnesses, |
| 00:11:16 |
Whoo! Yeah! |
| 00:11:28 |
Good day. |
| 00:11:35 |
You lost today, kid, |
| 00:11:37 |
but it doesn't mean |
| 00:12:07 |
Small world, Dr.Jones. |
| 00:12:10 |
Too small for two of us. |
| 00:12:20 |
This is the second time |
| 00:12:21 |
I've had to reclaim |
| 00:12:24 |
That belongs in a museum. |
| 00:12:26 |
So do you. |
| 00:12:29 |
Throw him over the side. |
| 00:13:18 |
Grab him, he's getting away! |
| 00:14:14 |
Archaeology is the search |
| 00:14:17 |
for fact... |
| 00:14:22 |
...not truth. |
| 00:14:23 |
If it's truth |
| 00:14:25 |
Dr.Tyree's philosophy class |
| 00:14:29 |
So forget any ideas you've got |
| 00:14:31 |
about lost cities, |
| 00:14:32 |
and digging up the world. |
| 00:14:34 |
We do not follow maps |
| 00:14:36 |
and "X" never, ever, |
| 00:14:42 |
Seventy percent |
| 00:14:44 |
in the library. |
| 00:14:45 |
Research. Reading. |
| 00:14:48 |
We cannot afford |
| 00:14:52 |
at face value. |
| 00:14:55 |
Next week: "Egyptology." |
| 00:14:57 |
Starting with the excavation |
| 00:14:59 |
by Flinders Petrie in 1885. |
| 00:15:01 |
I will be in my office |
| 00:15:02 |
if anybody's got |
| 00:15:04 |
for the next hour |
| 00:15:11 |
Marcus, I did it. |
| 00:15:14 |
You've got it! |
| 00:15:23 |
Oh! |
| 00:15:25 |
You know how long I've |
| 00:15:28 |
All your life. |
| 00:15:29 |
All my life. |
| 00:15:31 |
Well done, Indy. |
| 00:15:32 |
Very well done, indeed. |
| 00:15:34 |
This will find a place of honor |
| 00:15:38 |
We can discuss |
| 00:15:40 |
over dinner and |
| 00:15:42 |
Your treat. |
| 00:15:43 |
Yes. |
| 00:15:45 |
My treat. |
| 00:15:50 |
Dr.Jones! |
| 00:15:56 |
Shush! Shush! Shush! |
| 00:15:58 |
Dr.Jones, I am so glad |
| 00:16:00 |
Your mail is on your desk. |
| 00:16:01 |
Here are your |
| 00:16:02 |
Dr.Jones, you promised... |
| 00:16:04 |
This is your |
| 00:16:05 |
and these term papers still |
| 00:16:08 |
Okay. Irene, |
| 00:16:09 |
get the order they arrived... |
| 00:16:11 |
Oh, come on, Dr.Jones. |
| 00:16:12 |
Dr.Jones. |
| 00:16:13 |
...and I'll see each |
| 00:16:16 |
in turn. |
| 00:16:29 |
"Venice, Italy." |
| 00:17:00 |
Dr.Jones! |
| 00:17:07 |
Dr.Jones? |
| 00:17:25 |
I trust your trip down |
| 00:17:28 |
Uh, my men didn't alarm you, |
| 00:17:31 |
My name is Donovan. |
| 00:17:33 |
Walter Donovan. |
| 00:17:34 |
I know who you are, |
| 00:17:35 |
Your contributions |
| 00:17:37 |
over the years have |
| 00:17:39 |
Some of the pieces |
| 00:17:40 |
in your collection here |
| 00:17:42 |
Well, like yourself, |
| 00:17:44 |
I have a passion |
| 00:17:45 |
Have a look over here. |
| 00:17:50 |
This might interest you. |
| 00:17:54 |
Well, it's sandstone. |
| 00:17:56 |
Christian symbol. |
| 00:17:58 |
Early Latin text. |
| 00:18:00 |
Mid-12th century, |
| 00:18:02 |
That was our |
| 00:18:04 |
Where did this come from? |
| 00:18:06 |
My engineers |
| 00:18:07 |
in the mountain region |
| 00:18:09 |
while excavating |
| 00:18:11 |
Can you translate |
| 00:18:16 |
"...who drinks the water |
| 00:18:19 |
"will have a... spring |
| 00:18:23 |
"inside him welling up |
| 00:18:29 |
"Let them bring me |
| 00:18:31 |
"in the place where you dwell. |
| 00:18:33 |
"Across the desert |
| 00:18:34 |
"and through the mountain |
| 00:18:36 |
"to the Canyon |
| 00:18:38 |
to the temple |
| 00:18:45 |
"Where the cup |
| 00:18:47 |
of Jesus Christ resides |
| 00:18:51 |
The Holy Grail, Dr.Jones. |
| 00:18:55 |
The chalice used by Christ |
| 00:18:59 |
The cup that caught His blood |
| 00:19:02 |
and was entrusted to |
| 00:19:06 |
The Arthur legend. |
| 00:19:08 |
I've heard this |
| 00:19:11 |
Eternal life, Dr.Jones! |
| 00:19:12 |
The gift of youth to whoever |
| 00:19:16 |
Now, that's a bedtime story |
| 00:19:18 |
An old man's dream. |
| 00:19:19 |
Every man's dream, |
| 00:19:21 |
including your |
| 00:19:26 |
Grail lore is his hobby. |
| 00:19:28 |
He's a teacher |
| 00:19:30 |
The one the students hope |
| 00:19:33 |
Walter, you're neglecting |
| 00:19:36 |
Be along in a moment, dear. |
| 00:19:43 |
Hard to resist, isn't it? |
| 00:19:46 |
The Holy Grail's final resting |
| 00:19:49 |
What good is it? |
| 00:19:51 |
This grail tablet |
| 00:19:53 |
and mountains and canyons. |
| 00:19:55 |
It's pretty vague. |
| 00:19:56 |
Where do you want |
| 00:19:58 |
Maybe if the tablet were intact, |
| 00:20:01 |
but the entire top portion |
| 00:20:03 |
Just the same, an attempt |
| 00:20:04 |
to recover the Grail |
| 00:20:08 |
Let me tell you another |
| 00:20:12 |
After the Grail was entrusted |
| 00:20:15 |
it disappeared, and was lost |
| 00:20:17 |
before it was found again |
| 00:20:19 |
by three knights |
| 00:20:21 |
Three brothers, to be exact. |
| 00:20:23 |
I've heard this one, as well. |
| 00:20:25 |
Two of these brothers walked |
| 00:20:28 |
after having found the Grail |
| 00:20:30 |
and began the long journey |
| 00:20:33 |
but only one of them made it. |
| 00:20:35 |
And before dying |
| 00:20:38 |
he supposedly imparted |
| 00:20:40 |
to a... to a Franciscan friar, |
| 00:20:43 |
Not "supposedly," |
| 00:20:46 |
This is the manuscript |
| 00:20:48 |
in which the friar chronicled |
| 00:20:51 |
It doesn't reveal |
| 00:20:52 |
the location of the Grail, |
| 00:20:54 |
but the knight promised |
| 00:20:55 |
that two markers, that had been |
| 00:20:57 |
This tablet is one |
| 00:21:00 |
It proves |
| 00:21:03 |
But as you pointed out, |
| 00:21:06 |
Now, the second marker |
| 00:21:07 |
with the knight's dead brother. |
| 00:21:09 |
Our project leader |
| 00:21:11 |
believes that tomb to be located |
| 00:21:13 |
within the city |
| 00:21:17 |
As you can now see, |
| 00:21:20 |
we're about |
| 00:21:23 |
that began almost |
| 00:21:26 |
We're only one step away. |
| 00:21:27 |
That's usually |
| 00:21:30 |
from underneath your feet. |
| 00:21:31 |
You could be more right |
| 00:21:34 |
Yes? |
| 00:21:36 |
We've hit a snag. |
| 00:21:38 |
Our project leader has vanished, |
| 00:21:41 |
along with all his research. |
| 00:21:43 |
Uh, we received a cable |
| 00:21:44 |
from his colleague, |
| 00:21:46 |
who has no idea |
| 00:21:48 |
or what's become of him. |
| 00:21:49 |
I want you to pick up the trail |
| 00:21:53 |
Find the man, |
| 00:21:57 |
You've got |
| 00:22:00 |
Mr.Donovan. |
| 00:22:03 |
Why don't you try my father? |
| 00:22:05 |
We already have. |
| 00:22:07 |
Your father is the man |
| 00:22:20 |
Your father and I have been |
| 00:22:23 |
I've watched you grow up, Indy. |
| 00:22:24 |
I've watched |
| 00:22:26 |
I've never seen you this |
| 00:22:28 |
Dad? |
| 00:22:30 |
He's an academic; |
| 00:22:32 |
He's not a field man. |
| 00:22:33 |
Dad? Dad? |
| 00:22:35 |
Dear God. |
| 00:22:39 |
What has the old fool |
| 00:22:43 |
I don't know, |
| 00:22:45 |
but whatever it is, |
| 00:22:47 |
Dad? |
| 00:22:49 |
It's today's mail, |
| 00:22:51 |
and it's been opened. |
| 00:22:54 |
Mail. |
| 00:22:56 |
That's it, Marcus. |
| 00:23:00 |
Venice, Italy. |
| 00:23:05 |
What is it? |
| 00:23:10 |
It's Dad's Grail diary. |
| 00:23:13 |
Every clue he followed. |
| 00:23:15 |
Every discovery he made. |
| 00:23:17 |
A complete record of his search |
| 00:23:21 |
This is his whole life. |
| 00:23:23 |
Why would he have |
| 00:23:26 |
I don't know, |
| 00:23:27 |
but someone must want it |
| 00:23:40 |
Do you believe, Marcus? |
| 00:23:54 |
Do you believe |
| 00:23:58 |
The search for the Cup of Christ |
| 00:24:00 |
is the search for the divine |
| 00:24:03 |
But if you want facts, Indy, |
| 00:24:05 |
I've none to give you. |
| 00:24:07 |
At my age, I'm prepared |
| 00:24:08 |
to take a few |
| 00:24:16 |
Call Donovan, Marcus. |
| 00:24:18 |
Tell him I'll take |
| 00:24:23 |
I'll tell him |
| 00:24:30 |
All right, tell me what's going |
| 00:24:33 |
Don't worry, Dr.Schneider |
| 00:24:35 |
- Uh, Schneider? |
| 00:24:36 |
an apartment in Venice. |
| 00:24:38 |
Oh, well, that's good. |
| 00:24:39 |
Thank you. |
| 00:24:42 |
Dr.Jones... good luck. |
| 00:24:44 |
Now be very careful. |
| 00:24:46 |
Don't trust anybody. |
| 00:25:22 |
Signora? |
| 00:25:23 |
Signorina? |
| 00:25:31 |
Ah, Venice... |
| 00:25:33 |
Yes. |
| 00:25:34 |
Uh, how will we recognize |
| 00:25:37 |
when we see him? |
| 00:25:38 |
I don't know. |
| 00:25:40 |
Maybe he'll know us. |
| 00:25:41 |
Dr.Jones? |
| 00:25:44 |
Yes? |
| 00:25:45 |
I knew it was you. |
| 00:25:48 |
You have your father's eyes. |
| 00:25:52 |
And my mother's ears, |
| 00:25:56 |
Looks like the best parts have |
| 00:25:59 |
Marcus Brody? |
| 00:26:01 |
That's right. |
| 00:26:03 |
Dr. Elsa Schneider. |
| 00:26:04 |
Oh, how do you do? |
| 00:26:05 |
The last time I saw your father, |
| 00:26:09 |
He was very close |
| 00:26:10 |
to tracking down |
| 00:26:12 |
I've never seen him so excited. |
| 00:26:14 |
He was as giddy as a schoolboy. |
| 00:26:15 |
Who? Attila |
| 00:26:17 |
He was never giddy, |
| 00:26:19 |
even when he was |
| 00:26:21 |
Fraulein, will |
| 00:26:24 |
I usually don't. |
| 00:26:25 |
I usually |
| 00:26:27 |
In that case, |
| 00:26:28 |
It would make |
| 00:26:29 |
But I'm already sad. |
| 00:26:30 |
By tomorrow, |
| 00:26:32 |
Tomorrow I'll |
| 00:26:33 |
I hate to interrupt you, |
| 00:26:34 |
but the reason |
| 00:26:36 |
Yes. I have something |
| 00:26:37 |
I left your father working |
| 00:26:39 |
He sent me to the map section |
| 00:26:40 |
to fetch an ancient plan |
| 00:26:42 |
When I got back to his table, |
| 00:26:44 |
except for that scrap, |
| 00:26:47 |
Roman numerals. |
| 00:26:49 |
Here is the library. |
| 00:26:51 |
That doesn't look much |
| 00:26:53 |
Looks like a |
| 00:26:56 |
In this case, |
| 00:26:58 |
We are on holy ground. |
| 00:27:00 |
These columns over here |
| 00:27:02 |
were brought back |
| 00:27:04 |
after the sacking of Byzantium |
| 00:27:07 |
Now, please excuse me. |
| 00:27:09 |
The library's closing |
| 00:27:11 |
I'll arrange for us |
| 00:27:17 |
Marcus... I've seen |
| 00:27:21 |
Where? |
| 00:27:22 |
Right here, |
| 00:27:33 |
You see? |
| 00:27:34 |
Look, Indy. |
| 00:27:36 |
The Roman numerals. |
| 00:27:38 |
Dad was onto something here. |
| 00:27:40 |
Well, now we know |
| 00:27:42 |
but we still don't know |
| 00:27:44 |
Dad sent me this |
| 00:27:46 |
Until we find |
| 00:27:47 |
I suggest we keep |
| 00:27:49 |
Find something? |
| 00:27:50 |
Uh, yes. |
| 00:27:51 |
That window seems |
| 00:27:53 |
of the Roman numerals. |
| 00:27:55 |
My God, |
| 00:27:56 |
Dad wasn't looking for a book |
| 00:27:59 |
he was looking |
| 00:28:01 |
Don't you get it? |
| 00:28:02 |
The tomb is somewhere |
| 00:28:04 |
You said yourself |
| 00:28:06 |
Look. |
| 00:28:08 |
Three. |
| 00:28:11 |
Three. |
| 00:28:13 |
Seven. |
| 00:28:14 |
Seven. Ten. |
| 00:28:17 |
And ten. |
| 00:28:19 |
Now where's the ten? |
| 00:28:22 |
Look around for the ten. |
| 00:28:32 |
Three and seven. |
| 00:28:35 |
Seven and seven |
| 00:28:38 |
and ten. |
| 00:28:59 |
Ten. |
| 00:29:01 |
"X" marks the spot. |
| 00:30:02 |
Bingo. |
| 00:30:04 |
You don't disappoint, |
| 00:30:05 |
You're a great deal |
| 00:30:07 |
Except he's lost, |
| 00:30:09 |
Lower me down. |
| 00:30:20 |
Look after this for me, |
| 00:30:36 |
Come on. |
| 00:30:45 |
Pagan symbols. |
| 00:30:47 |
Fourth or fifth century. |
| 00:30:48 |
Right. |
| 00:30:49 |
600 years before |
| 00:30:52 |
The Christians would have |
| 00:30:54 |
and burial chambers |
| 00:30:56 |
That's right. |
| 00:30:58 |
If there's a knight of |
| 00:31:00 |
that's where we'll find him. |
| 00:31:34 |
What's this one? |
| 00:31:36 |
The Ark of the Covenant. |
| 00:31:37 |
Are you sure? |
| 00:31:38 |
Pretty sure. |
| 00:31:57 |
Watch out. |
| 00:32:15 |
It's petroleum. |
| 00:32:16 |
I should sink |
| 00:32:35 |
Give me the lighter. |
| 00:32:47 |
Oh, rats. |
| 00:32:48 |
Ugh! |
| 00:33:04 |
Come on. |
| 00:33:55 |
Come here. |
| 00:34:04 |
Look, it... |
| 00:34:06 |
it must be one of these. |
| 00:34:07 |
Look at the artistry |
| 00:34:09 |
of these carvings, |
| 00:34:27 |
It's this one. |
| 00:34:45 |
This is it. |
| 00:34:47 |
We found it. |
| 00:34:50 |
Look. |
| 00:34:53 |
The engraving on the shield, |
| 00:34:55 |
it's the same |
| 00:35:00 |
The shield is the second marker. |
| 00:35:02 |
What's that? |
| 00:35:03 |
It's a rubbing |
| 00:35:05 |
Dad made |
| 00:35:08 |
Just like your father-- |
| 00:35:12 |
Wouldn't it be wonderful |
| 00:35:14 |
if he were here now |
| 00:35:17 |
He never would have |
| 00:35:19 |
He hates rats. |
| 00:35:21 |
He's scared to death of them. |
| 00:35:44 |
Get back! |
| 00:35:45 |
Back against the wall. |
| 00:35:52 |
Quick! Under it! |
| 00:35:53 |
Air pocket! |
| 00:36:00 |
Don't wander off. |
| 00:36:01 |
What? |
| 00:36:02 |
What?! |
| 00:36:22 |
I think I've found |
| 00:36:24 |
Deep breath. |
| 00:36:43 |
Ah, Venice. |
| 00:37:17 |
Whoa! |
| 00:37:51 |
Are you crazy?! |
| 00:37:53 |
Go between them? |
| 00:38:07 |
I said go around! |
| 00:38:09 |
You said |
| 00:38:10 |
I said, |
| 00:39:16 |
No! |
| 00:39:22 |
Why are you |
| 00:39:24 |
Because you're looking |
| 00:39:26 |
My father was looking |
| 00:39:28 |
Did you kill him too? |
| 00:39:29 |
No. |
| 00:39:30 |
Where is he? |
| 00:39:32 |
Talk or you're dead. |
| 00:39:35 |
Damn it, tell me! |
| 00:39:36 |
Tell me! |
| 00:39:38 |
If you don't let go, Dr.Jones, |
| 00:39:40 |
Then we'll die. |
| 00:39:43 |
My soul is prepared. |
| 00:39:47 |
This is your last chance. |
| 00:39:49 |
No, Dr.Jones, it's yours. |
| 00:40:07 |
All right, where's my father? |
| 00:40:10 |
If you let me go, |
| 00:40:13 |
Who are you? |
| 00:40:15 |
My name is Kazim. |
| 00:40:17 |
And why were you |
| 00:40:19 |
The secret of the Grail |
| 00:40:20 |
has been safe |
| 00:40:23 |
and for all that time, |
| 00:40:25 |
the Brotherhood of |
| 00:40:27 |
have been prepared |
| 00:40:33 |
Let me off |
| 00:40:39 |
Ask yourself, why do you |
| 00:40:43 |
Is it for His glory, |
| 00:40:46 |
I didn't come |
| 00:40:49 |
I came to find my father. |
| 00:40:51 |
In that case, |
| 00:40:55 |
Your father is being held |
| 00:40:57 |
on the Austrian-German border. |
| 00:41:09 |
How's the head? |
| 00:41:10 |
It's better, |
| 00:41:13 |
It's the name of a city. |
| 00:41:15 |
"Alexandretta"? |
| 00:41:18 |
Hmm... |
| 00:41:19 |
The knights of the First Crusade |
| 00:41:21 |
laid siege to the city |
| 00:41:25 |
The entire city was destroyed. |
| 00:41:29 |
The present city of Iskenderun |
| 00:41:35 |
Marcus, you remember |
| 00:41:37 |
"Across the desert |
| 00:41:40 |
to the Canyon |
| 00:41:45 |
But where exactly? |
| 00:41:47 |
Your father would know. |
| 00:41:49 |
Mm. |
| 00:41:50 |
Your father did know. |
| 00:41:52 |
Look. He made a map. |
| 00:41:54 |
He must have |
| 00:41:56 |
from clues |
| 00:41:57 |
the whole history |
| 00:41:59 |
A map with no names. |
| 00:42:00 |
Now, he knew there |
| 00:42:02 |
with an oasis |
| 00:42:04 |
He knew the course |
| 00:42:05 |
turned south through |
| 00:42:07 |
and the river led |
| 00:42:09 |
Straight to the canyon. |
| 00:42:10 |
He knew everything |
| 00:42:13 |
the name of the city. |
| 00:42:16 |
Alexandretta. |
| 00:42:18 |
Now we know. |
| 00:42:19 |
Yes. Now we know. |
| 00:42:21 |
Marcus, get hold of Sallah. |
| 00:42:22 |
Tell him to meet you |
| 00:42:23 |
What about you? |
| 00:42:25 |
I'm going after Dad. |
| 00:42:47 |
Elsa? |
| 00:42:54 |
Elsa? Elsa? |
| 00:42:57 |
Oh! Oh... |
| 00:43:08 |
My room... |
| 00:43:09 |
Mine, too. |
| 00:43:11 |
What were they |
| 00:43:13 |
This. |
| 00:43:14 |
The Grail diary? |
| 00:43:16 |
Uh-huh. |
| 00:43:17 |
You had it? |
| 00:43:19 |
You didn't trust me. |
| 00:43:21 |
I didn't know you. |
| 00:43:23 |
At least I let you tag along. |
| 00:43:26 |
Oh, yes. |
| 00:43:27 |
Give them a flower, |
| 00:43:32 |
Knock it off. You're not mad. |
| 00:43:34 |
No? |
| 00:43:35 |
No. You like |
| 00:43:38 |
It's lucky I don't do |
| 00:43:41 |
You'd still be standing |
| 00:43:43 |
Look, what do you think |
| 00:43:46 |
Since I met you, |
| 00:43:49 |
drowned, shot at, |
| 00:43:52 |
We're caught in the middle |
| 00:43:55 |
My guess is Dad found out |
| 00:43:57 |
And until I'm sure, |
| 00:43:58 |
I'm going to |
| 00:44:00 |
the way I think |
| 00:44:05 |
How dare you kiss me! |
| 00:44:14 |
Leave me alone. |
| 00:44:17 |
And I hate... |
| 00:44:19 |
arrogant men. |
| 00:44:31 |
Ah, Venice. |
| 00:45:05 |
What do you know |
| 00:45:08 |
I know the Brunwalds |
| 00:45:13 |
What are you going to do? |
| 00:45:14 |
Don't know. |
| 00:45:15 |
I'll think of something. |
| 00:45:25 |
Yes? |
| 00:45:26 |
And not before time! |
| 00:45:28 |
Did you intend to leave us |
| 00:45:29 |
standing on |
| 00:45:30 |
We're drenched! |
| 00:45:33 |
Now look, I've gone |
| 00:45:35 |
Are you expected? |
| 00:45:36 |
Do not take that tone |
| 00:45:39 |
Now buttle off |
| 00:45:41 |
that Lord Clarence MacDonald |
| 00:45:45 |
...are here to view |
| 00:45:48 |
Tapestries? |
| 00:45:49 |
Dear me, |
| 00:45:51 |
This is a castle, |
| 00:45:53 |
There are tapestries? |
| 00:45:54 |
This is a castle, |
| 00:45:56 |
and we have |
| 00:45:59 |
But if you are |
| 00:46:01 |
then I am Mickey Mouse! |
| 00:46:04 |
How dare he? |
| 00:46:33 |
Nazis. I hate these guys. |
| 00:46:49 |
This one. I think |
| 00:46:51 |
How do you know? |
| 00:46:52 |
Because it's wired. |
| 00:47:22 |
Indy? Indy? |
| 00:47:25 |
Don't worry... |
| 00:47:28 |
I'll be right back. |
| 00:47:52 |
Junior? |
| 00:47:55 |
Yes, sir. |
| 00:47:57 |
It is you, Junior! |
| 00:47:59 |
Don't call me that, |
| 00:48:01 |
Well, what are you |
| 00:48:03 |
I came to get you. |
| 00:48:15 |
Late 14th century, |
| 00:48:18 |
Oh, it breaks the heart. |
| 00:48:21 |
And the head. |
| 00:48:23 |
I'll never forgive myself. |
| 00:48:26 |
Don't worry, I'm fine. |
| 00:48:28 |
Thank God. |
| 00:48:33 |
It's fake. |
| 00:48:36 |
See, you can tell |
| 00:48:41 |
No! |
| 00:48:42 |
Dad, get your stuff. |
| 00:48:43 |
We've got to get |
| 00:48:45 |
Well, I'm sorry about |
| 00:48:47 |
but I thought you |
| 00:48:49 |
Dad, they come in |
| 00:48:53 |
Good point. |
| 00:48:54 |
But better safe |
| 00:48:56 |
Hmm, so I was wrong this time. |
| 00:48:58 |
But, by God, I wasn't wrong |
| 00:49:02 |
You obviously got it. |
| 00:49:05 |
I got it, and I used it. |
| 00:49:08 |
We found the entrance |
| 00:49:11 |
Through the library? |
| 00:49:13 |
Right. |
| 00:49:18 |
I knew it. |
| 00:49:20 |
And the tomb of Sir Richard? |
| 00:49:21 |
Found it. |
| 00:49:24 |
He was actually there? |
| 00:49:29 |
You saw him? |
| 00:49:31 |
Well, what was |
| 00:49:34 |
And his shield... |
| 00:49:36 |
the inscription on |
| 00:49:40 |
"Alexandretta." |
| 00:49:42 |
Alexandretta! Of course! |
| 00:49:45 |
On the pilgrim trail |
| 00:49:49 |
Oh... |
| 00:49:50 |
Junior, you did it. |
| 00:49:54 |
No, Dad. You did. |
| 00:49:56 |
Forty years. |
| 00:49:58 |
Oh, if only I could have been |
| 00:50:01 |
There were rats, |
| 00:50:03 |
Rats? |
| 00:50:05 |
Yeah, big ones. |
| 00:50:06 |
What do the Nazis |
| 00:50:09 |
They wanted my diary. |
| 00:50:10 |
Yeah? |
| 00:50:11 |
I knew I had to get that book |
| 00:50:15 |
as I possibly could. |
| 00:50:18 |
Yeah. |
| 00:50:24 |
Dr.Jones. |
| 00:50:26 |
Yes? |
| 00:50:30 |
I will take the book now. |
| 00:50:32 |
What book? |
| 00:50:36 |
You have the diary |
| 00:50:38 |
You dolt! |
| 00:50:42 |
Do you think my son |
| 00:50:44 |
that he would |
| 00:50:46 |
all the way back here? |
| 00:50:49 |
You didn't, did you? |
| 00:50:50 |
You didn't bring it, |
| 00:50:53 |
Well, uh... |
| 00:50:54 |
You did. |
| 00:50:56 |
Look, can we |
| 00:50:58 |
I should have mailed it |
| 00:51:00 |
Will you take it easy? |
| 00:51:02 |
Take it easy?! |
| 00:51:03 |
Why do you think |
| 00:51:04 |
in the first place? |
| 00:51:05 |
So it wouldn't fall |
| 00:51:07 |
I came here |
| 00:51:09 |
Oh, yeah? |
| 00:51:10 |
And who's gonna come |
| 00:51:13 |
I told you... |
| 00:51:21 |
...don't call me Junior! |
| 00:51:25 |
Look what you did! |
| 00:51:29 |
I can't believe what you did... |
| 00:51:33 |
Elsa? Elsa? |
| 00:51:36 |
That's far enough. |
| 00:51:39 |
Put down the gun, |
| 00:51:40 |
But she's one of them. |
| 00:51:41 |
Indy, please! |
| 00:51:42 |
She's a Nazi. |
| 00:51:43 |
What?! |
| 00:51:44 |
Trust me. |
| 00:51:45 |
- Indy, no! |
| 00:51:47 |
Yeah? Go ahead! |
| 00:51:48 |
No! Don't shoot! |
| 00:51:49 |
Don't worry. He won't. |
| 00:51:52 |
Indy, please! Do what he says! |
| 00:51:54 |
And don't listen to her. |
| 00:51:56 |
Enough! She dies! |
| 00:51:58 |
Wait! Wait... |
| 00:52:07 |
I'm sorry. |
| 00:52:09 |
No, don't be. |
| 00:52:25 |
But... you should have |
| 00:52:46 |
She ransacked her own room, |
| 00:52:48 |
and I fell for it. |
| 00:52:50 |
How did you know |
| 00:52:53 |
Hmm? |
| 00:52:54 |
How did you know |
| 00:52:57 |
She talks in her sleep. |
| 00:53:09 |
I didn't trust her. |
| 00:53:12 |
Because he didn't |
| 00:53:21 |
Donovan. |
| 00:53:23 |
Didn't I warn you |
| 00:53:25 |
not to trust anybody, |
| 00:53:27 |
I misjudged you, Walter. |
| 00:53:29 |
I knew you would sell your |
| 00:53:33 |
but I didn't know |
| 00:53:35 |
your country |
| 00:53:36 |
to the slime |
| 00:53:38 |
Dr.Schneider... |
| 00:53:42 |
there are pages |
| 00:53:53 |
This book contained a map, |
| 00:53:56 |
precise directions |
| 00:53:58 |
to the secret Canyon |
| 00:54:01 |
So it did. |
| 00:54:02 |
Where are these missing pages, |
| 00:54:04 |
We must have |
| 00:54:06 |
You're wasting |
| 00:54:08 |
He won't tell us, |
| 00:54:09 |
and he doesn't have to. |
| 00:54:11 |
It's perfectly obvious |
| 00:54:15 |
He's given them |
| 00:54:17 |
Marcus? |
| 00:54:18 |
You didn't drag poor |
| 00:54:21 |
He's not up |
| 00:54:22 |
He sticks out |
| 00:54:24 |
We'll find him. |
| 00:54:26 |
The hell you will. |
| 00:54:27 |
He's got a two-day |
| 00:54:29 |
which is more |
| 00:54:30 |
Brody's got friends |
| 00:54:33 |
from here to the Sudan. |
| 00:54:34 |
He speaks a dozen languages, |
| 00:54:37 |
He'll blend in, disappear. |
| 00:54:38 |
You'll never see him again. |
| 00:54:40 |
With any luck, |
| 00:54:44 |
Does anyone here |
| 00:54:46 |
Or even ancient Greek? |
| 00:54:47 |
Uh, water? |
| 00:54:49 |
No. Fish make love in it. |
| 00:54:50 |
Goodness me. |
| 00:54:51 |
Thank you so much. |
| 00:54:52 |
No, I don't like that. |
| 00:54:53 |
No, I really don't want... |
| 00:54:55 |
No, no, thank you very much. |
| 00:54:56 |
No, thank you, madam. |
| 00:54:59 |
Does anyone understand |
| 00:55:02 |
Mr.Brody! |
| 00:55:04 |
Oh, Sallah. |
| 00:55:05 |
Marcus Brody, sir. |
| 00:55:07 |
But where is Indy? |
| 00:55:08 |
Oh, he's in Austria. |
| 00:55:10 |
A slight detour. |
| 00:55:11 |
You are on your own? |
| 00:55:12 |
Yes, but don't panic. |
| 00:55:13 |
Everything's under control. |
| 00:55:15 |
Have you, have you |
| 00:55:17 |
Oh, yes, |
| 00:55:18 |
But where |
| 00:55:19 |
Oh, this map will show you. |
| 00:55:20 |
It was drawn by, uh... |
| 00:55:22 |
Mr.Brody. |
| 00:55:24 |
Welcome to Iskenderun. |
| 00:55:26 |
The director |
| 00:55:28 |
has sent a car for you. |
| 00:55:30 |
Oh, well... |
| 00:55:32 |
And I am his. |
| 00:55:33 |
Follow me, please. |
| 00:55:36 |
My reputation precedes me. |
| 00:55:38 |
There is no museum |
| 00:55:39 |
Papers, please. |
| 00:55:41 |
Papers? |
| 00:55:42 |
Of course. |
| 00:55:43 |
Run. |
| 00:55:44 |
Yes. |
| 00:55:45 |
Papers. Got it here. |
| 00:55:47 |
Just finished |
| 00:55:48 |
Run. |
| 00:55:50 |
Yes. |
| 00:55:51 |
"Egyptian Mail," |
| 00:55:52 |
Run. |
| 00:55:53 |
Did you say, uh... |
| 00:55:54 |
Run! |
| 00:56:11 |
Okay, okay, |
| 00:56:12 |
Find the back door! |
| 00:56:29 |
Intolerable. |
| 00:56:33 |
Dr.Schneider. |
| 00:56:35 |
You must return immediately. |
| 00:56:37 |
A rally at the Institute |
| 00:56:39 |
So? |
| 00:56:40 |
Your presence |
| 00:56:41 |
is requested |
| 00:56:44 |
Thank you, Herr Oberst. |
| 00:56:45 |
I will meet you |
| 00:56:47 |
Take this diary |
| 00:56:48 |
to the Reichmuseum |
| 00:56:49 |
It will show them |
| 00:56:51 |
ahead of schedule. |
| 00:56:52 |
Without the map, |
| 00:56:53 |
I'm afraid it's no |
| 00:56:54 |
Let me kill them now. |
| 00:56:56 |
No. |
| 00:56:57 |
If we fail to recover |
| 00:56:59 |
we'll need them alive. |
| 00:57:00 |
Always do what |
| 00:57:11 |
Don't look at me like that. |
| 00:57:12 |
We both wanted the Grail. |
| 00:57:14 |
I would have done |
| 00:57:18 |
You would have |
| 00:57:19 |
I'm sorry you think so. |
| 00:57:32 |
I can't forget |
| 00:57:35 |
Thank you. |
| 00:57:37 |
It was rather wonderful. |
| 00:57:48 |
Oh, Dr.Schneider. |
| 00:57:52 |
Your car is waiting. |
| 00:58:01 |
That's how Austrians |
| 00:58:09 |
And this is how we say good-bye |
| 00:58:15 |
Oh! |
| 00:58:21 |
I liked the Austrian way |
| 00:58:24 |
So did I. |
| 00:58:25 |
Let's try and get |
| 00:58:27 |
We've got to get to Marcus |
| 00:58:30 |
You said he had |
| 00:58:32 |
That he would blend in. |
| 00:58:34 |
Are you kidding? |
| 00:58:36 |
You know Marcus. |
| 00:58:37 |
He got lost once |
| 00:58:38 |
Oh... |
| 00:58:40 |
Can you try and reach |
| 00:58:45 |
What am I looking for? |
| 00:58:46 |
My lucky charm. |
| 00:58:49 |
Feels like |
| 00:58:52 |
Try and burn |
| 00:58:54 |
Very good. |
| 00:59:01 |
Oh! |
| 00:59:22 |
I ought to tell you something. |
| 00:59:23 |
Don't get |
| 00:59:24 |
Save it till |
| 00:59:26 |
The floor's on fire. |
| 00:59:28 |
- See? |
| 00:59:29 |
And the chair. |
| 00:59:31 |
Move! Move it out of here! |
| 00:59:32 |
Go! |
| 00:59:34 |
It's scorching the table! |
| 00:59:36 |
- Move! |
| 00:59:50 |
Well, we have Marcus Brody, |
| 00:59:53 |
but more important, |
| 01:00:00 |
"By the personal command |
| 01:00:02 |
"Secrecy essential to success. |
| 01:00:03 |
Eliminate the American |
| 01:00:06 |
Germany has declared war |
| 01:00:16 |
- Dad! |
| 01:00:17 |
Dad! |
| 01:00:18 |
What? |
| 01:00:19 |
- Dad! |
| 01:00:20 |
Head for the fireplace! |
| 01:00:21 |
Oh. |
| 01:00:34 |
I think I can get |
| 01:00:37 |
Whoops. |
| 01:00:49 |
Our situation has not improved. |
| 01:00:52 |
Listen, Dad, I'm almost free. |
| 01:01:09 |
Alarm! |
| 01:01:19 |
This is intolerable. |
| 01:01:22 |
I'm out, Dad. |
| 01:01:24 |
Well done, boy. |
| 01:02:01 |
Come on, Dad. |
| 01:02:09 |
Dead end. |
| 01:02:11 |
There's got to be a... |
| 01:02:13 |
a secret door or a... |
| 01:02:14 |
passageway |
| 01:02:17 |
I find that if I just |
| 01:02:23 |
Dad! |
| 01:02:28 |
...the solution presents itself. |
| 01:02:39 |
Great. More boats. |
| 01:02:44 |
You say this has been |
| 01:02:45 |
just another typical |
| 01:02:49 |
No! But better than most. |
| 01:02:55 |
Come on, Dad. Come on. |
| 01:02:57 |
What about the boat? |
| 01:02:58 |
We're not going on the boat? |
| 01:03:15 |
Jones! |
| 01:04:29 |
Halt! Halt! |
| 01:05:33 |
- Stop! |
| 01:05:34 |
Stop! Stop! |
| 01:05:36 |
You're going the wrong way. |
| 01:05:38 |
We have to get to Berlin. |
| 01:05:40 |
Brody's this way. |
| 01:05:42 |
My diary's in Berlin. |
| 01:05:44 |
We don't |
| 01:05:46 |
Marcus has the map. |
| 01:05:48 |
There is more in the diary |
| 01:05:52 |
All right, Dad. Tell me. |
| 01:05:55 |
Well, he who finds the Grail |
| 01:06:00 |
What final challenge? |
| 01:06:02 |
Three devices |
| 01:06:05 |
Booby traps? |
| 01:06:06 |
Oh, yes. |
| 01:06:08 |
But I found the clues that |
| 01:06:11 |
in the Chronicles |
| 01:06:13 |
Well, what are they? |
| 01:06:19 |
Can't you remember? |
| 01:06:23 |
I wrote them down in my diary |
| 01:06:24 |
so that I wouldn't have |
| 01:06:27 |
Half the German army's |
| 01:06:29 |
and you want me to go |
| 01:06:30 |
Into the lion's den? |
| 01:06:31 |
Yes. |
| 01:06:32 |
The only thing that matters |
| 01:06:34 |
What about Marcus? |
| 01:06:36 |
Marcus would agree with me. |
| 01:06:38 |
Two selfless martyrs. |
| 01:06:40 |
Jesus Christ. |
| 01:06:46 |
That's for blasphemy. |
| 01:06:50 |
The quest for the Grail |
| 01:06:56 |
It's a race against evil. |
| 01:06:58 |
If it is captured by the Nazis, |
| 01:07:02 |
will march all over |
| 01:07:05 |
Do you understand me? |
| 01:07:08 |
This is an obsession, Dad. |
| 01:07:10 |
I never understood it. |
| 01:07:12 |
Never. |
| 01:07:15 |
Neither did Mom. |
| 01:07:17 |
Oh, yes, she did. |
| 01:07:19 |
Only too well. |
| 01:07:21 |
Unfortunately, she kept |
| 01:07:27 |
until all I could do |
| 01:08:32 |
My boy, we are pilgrims |
| 01:09:05 |
Fraulein Doctor. |
| 01:09:07 |
Where is it? |
| 01:09:08 |
How did you get here? |
| 01:09:09 |
Where is it? |
| 01:09:11 |
I want it. |
| 01:09:14 |
You came back for the book? Why? |
| 01:09:18 |
My father didn't want |
| 01:09:19 |
Is that |
| 01:09:22 |
I believe in the Grail, |
| 01:09:24 |
But you stood up to be counted |
| 01:09:25 |
with the enemy of everything |
| 01:09:28 |
Who gives a damn what you think? |
| 01:09:30 |
You do. |
| 01:09:31 |
All I have to |
| 01:09:35 |
All I have to do is scream. |
| 01:09:47 |
I've got it. |
| 01:09:48 |
Let's get the hell out of here. |
| 01:11:02 |
What did you get? |
| 01:11:03 |
I don't know. |
| 01:11:04 |
First available flight |
| 01:11:06 |
Good. |
| 01:11:33 |
Well, we made it. |
| 01:11:36 |
When we're airborne, |
| 01:11:39 |
then I'll share |
| 01:11:42 |
Relax. |
| 01:12:29 |
Tickets, please. |
| 01:12:43 |
Guten Tag... |
| 01:12:45 |
Herr Jones. |
| 01:12:50 |
Tickets, please. |
| 01:13:04 |
Oh, we should |
| 01:13:07 |
No ticket. |
| 01:13:12 |
Ticket. |
| 01:13:13 |
- Ticket! |
| 01:13:14 |
- Ticket! |
| 01:13:33 |
You know, |
| 01:13:34 |
sharing your adventures is |
| 01:13:39 |
That's not all we shared. |
| 01:13:41 |
It's disgraceful. |
| 01:13:42 |
You're old enough |
| 01:13:44 |
her-her grandfather. |
| 01:13:46 |
Well, I'm as human |
| 01:13:48 |
I was the next man. |
| 01:13:50 |
Oh. |
| 01:13:52 |
Of course. Well... |
| 01:13:54 |
Ships that pass |
| 01:13:56 |
Do you remember the last time |
| 01:14:02 |
I had a milkshake. |
| 01:14:03 |
Hmm? |
| 01:14:05 |
What did we |
| 01:14:07 |
We didn't talk. |
| 01:14:09 |
We never talked. |
| 01:14:12 |
Do I detect |
| 01:14:17 |
A regret. |
| 01:14:19 |
It was just the two of us, Dad. |
| 01:14:20 |
It was a lonely way to grow up. |
| 01:14:22 |
For you, too. |
| 01:14:23 |
If you'd been an ordinary, |
| 01:14:25 |
like the other guys' dads, |
| 01:14:27 |
Actually, I was |
| 01:14:31 |
When? |
| 01:14:33 |
Did I ever tell |
| 01:14:35 |
Go to bed? |
| 01:14:36 |
Do your homework? No. |
| 01:14:38 |
I respected |
| 01:14:40 |
and I taught |
| 01:14:42 |
What you taught me was |
| 01:14:43 |
that I was |
| 01:14:45 |
than people |
| 01:14:46 |
for 500 years |
| 01:14:48 |
And I learned it so well |
| 01:14:50 |
that we've hardly spoken |
| 01:14:52 |
You left just when you |
| 01:14:55 |
Unbelievable. |
| 01:14:56 |
Dad, how can you...? |
| 01:14:57 |
Very well. |
| 01:14:59 |
I'm here now. |
| 01:15:01 |
What do you want |
| 01:15:03 |
Hmm? |
| 01:15:04 |
Well, I... |
| 01:15:09 |
Uh... |
| 01:15:14 |
I can't think of anything. |
| 01:15:17 |
Then what are |
| 01:15:20 |
Look, we have work to do. |
| 01:15:24 |
When we get to |
| 01:15:26 |
we will face |
| 01:15:28 |
The first, |
| 01:15:30 |
"The Breath of God. |
| 01:15:32 |
Only the penitent |
| 01:15:34 |
Second, |
| 01:15:36 |
"The Word of God. |
| 01:15:37 |
Only in the footsteps |
| 01:15:41 |
Third, |
| 01:15:42 |
"The Path of God. |
| 01:15:43 |
"Only in the leap |
| 01:15:45 |
will he prove his worth." |
| 01:15:50 |
What does that mean? |
| 01:15:52 |
I don't know. |
| 01:15:54 |
We'll find out. |
| 01:16:02 |
We're turning around. |
| 01:16:05 |
They're taking us back |
| 01:16:14 |
Well, I thought |
| 01:16:16 |
to figure out |
| 01:16:17 |
Come on, Dad. Move! |
| 01:16:23 |
Come on, Dad. Come on! |
| 01:16:39 |
I didn't know you |
| 01:16:42 |
Fly, yes. |
| 01:16:45 |
Land, no. |
| 01:17:11 |
Dad, you're going to have |
| 01:17:13 |
Get it ready. |
| 01:17:15 |
Eleven o'clock! |
| 01:17:18 |
Dad, eleven o'clock! |
| 01:17:21 |
What happens at eleven o'clock? |
| 01:17:24 |
Twelve, eleven, ten. |
| 01:17:26 |
Eleven o'clock, fire! |
| 01:17:54 |
Dad, are we hit?! |
| 01:17:56 |
More or less. |
| 01:17:58 |
Son, I'm sorry. |
| 01:18:00 |
They got us. |
| 01:18:05 |
Hang on, Dad. |
| 01:18:06 |
We're going in! |
| 01:18:20 |
Nice landing. |
| 01:18:21 |
Thanks. |
| 01:18:37 |
Those people are |
| 01:18:39 |
I know, Dad! |
| 01:18:40 |
Well. |
| 01:18:41 |
It's a new |
| 01:18:43 |
It happens to me all the time. |
| 01:19:16 |
This is intolerable! |
| 01:19:20 |
This could be close. |
| 01:19:29 |
Faster, boy! Faster! |
| 01:19:48 |
Well, they don't come |
| 01:20:06 |
Dad, he's coming back! |
| 01:20:55 |
I suddenly |
| 01:20:58 |
"Let my armies be the rocks |
| 01:21:01 |
and the birds in the sky." |
| 01:21:21 |
These pages are taken |
| 01:21:22 |
from Professor Jones' |
| 01:21:24 |
and they include a map |
| 01:21:26 |
that pinpoints the exact |
| 01:21:29 |
As you can see, the Grail |
| 01:21:31 |
However, Your Highness, |
| 01:21:32 |
we would not think |
| 01:21:35 |
without your permission, |
| 01:21:36 |
nor of removing the |
| 01:21:38 |
without suitable |
| 01:21:43 |
What have you brought? |
| 01:21:54 |
Precious valuables, |
| 01:21:56 |
donated by some |
| 01:21:59 |
in all of Germany. |
| 01:22:04 |
Ah! |
| 01:22:06 |
Rolls-Royce |
| 01:22:09 |
Four-point-three liter, |
| 01:22:10 |
30 horsepower, |
| 01:22:13 |
with Stromberg |
| 01:22:16 |
Can go from zero to |
| 01:22:19 |
in 12.5 seconds. |
| 01:22:22 |
And I even |
| 01:22:24 |
The keys are in the ignition, |
| 01:22:29 |
You shall have |
| 01:22:31 |
an armed escort, provisions, |
| 01:22:33 |
desert vehicles |
| 01:22:35 |
and tanks. |
| 01:22:37 |
You're welcome. |
| 01:22:54 |
We have no time to lose. |
| 01:22:56 |
Indiana Jones |
| 01:23:01 |
We go this way. |
| 01:23:03 |
Get that camel |
| 01:23:07 |
What happened |
| 01:23:09 |
Ah, they set out across |
| 01:23:12 |
I believe they took |
| 01:23:16 |
Now they have the map. |
| 01:23:19 |
And in this sort of race, |
| 01:23:22 |
there's no silver medal |
| 01:23:47 |
Care to wet your |
| 01:23:49 |
I'd rather spit |
| 01:23:52 |
But as I haven't |
| 01:23:56 |
Must be within |
| 01:23:59 |
Otherwise we are |
| 01:24:03 |
Well, Marcus, |
| 01:24:06 |
of the recovery |
| 01:24:08 |
in the history |
| 01:24:10 |
You're meddling with powers |
| 01:24:12 |
you cannot |
| 01:24:20 |
Ah, I see Brody. |
| 01:24:23 |
He seems okay. |
| 01:24:28 |
They've got a tank. |
| 01:24:36 |
Six-pound gun. |
| 01:24:38 |
What do you think |
| 01:24:39 |
Get down! |
| 01:24:40 |
Dad, we're well out of range. |
| 01:24:53 |
That car belonged |
| 01:24:55 |
Come on, come on! |
| 01:24:57 |
I can't see anyone up there. |
| 01:24:58 |
Maybe it wasn't |
| 01:25:00 |
No, it is him, |
| 01:25:02 |
He's here somewhere. |
| 01:25:04 |
Put Brody in the tank. |
| 01:25:14 |
Well, in this sun, |
| 01:25:17 |
without transportation, |
| 01:25:29 |
It's Jones, all right. |
| 01:25:35 |
Now, who are |
| 01:25:36 |
Who cares? |
| 01:25:37 |
As long as they're |
| 01:25:39 |
Dad, you stay here |
| 01:25:41 |
organize some transportation. |
| 01:26:08 |
I'm going after those horses. |
| 01:26:09 |
I'll take the camels. |
| 01:26:10 |
I don't need camels. |
| 01:26:11 |
But, Indy... |
| 01:26:12 |
No camels. |
| 01:26:24 |
Who is he? |
| 01:26:28 |
A messenger from God. |
| 01:26:31 |
For the unrighteous, |
| 01:26:33 |
the Cup of Life |
| 01:26:56 |
Marcus! |
| 01:26:58 |
Oh. |
| 01:26:59 |
"Genius of the Restoration..." |
| 01:27:02 |
"Aid our own resuscitation." |
| 01:27:05 |
Henry, what are you |
| 01:27:07 |
It's a rescue, old boy. |
| 01:27:14 |
Search him. |
| 01:27:16 |
What is in this book? |
| 01:27:18 |
That miserable |
| 01:27:22 |
We have the map. |
| 01:27:24 |
And yet you come all the way |
| 01:27:27 |
Why? |
| 01:27:28 |
What are you hiding? |
| 01:27:31 |
What does the diary |
| 01:27:33 |
that it doesn't |
| 01:27:36 |
It tells me that goose-stepping |
| 01:27:39 |
should try reading books |
| 01:27:43 |
Colonel! |
| 01:27:45 |
Jones is getting away. |
| 01:27:46 |
I think not, |
| 01:27:48 |
Herr Donovan. |
| 01:27:49 |
Not that Jones, |
| 01:28:01 |
Sallah, I said no camels! |
| 01:28:04 |
That's five camels. |
| 01:28:05 |
Can't you count? |
| 01:28:06 |
Compensation for |
| 01:28:09 |
Indy, your father |
| 01:28:11 |
Where's my father? |
| 01:28:12 |
They have them. |
| 01:28:13 |
In the belly |
| 01:28:18 |
Hyah! |
| 01:28:27 |
Hyah, hyah, hyah! |
| 01:28:29 |
Hey-ah, hey-ah, hey-ah! |
| 01:28:39 |
Fire! |
| 01:30:41 |
Dad! Dad! |
| 01:30:43 |
Dad! |
| 01:30:44 |
Junior? |
| 01:30:46 |
Junior?! |
| 01:30:47 |
Junior! |
| 01:32:03 |
Dad! |
| 01:32:06 |
Dad! |
| 01:32:08 |
Dad! Get out! |
| 01:33:29 |
Henry, the pen... |
| 01:33:31 |
- What? |
| 01:33:33 |
The pen is mightier |
| 01:33:58 |
Look what you did. |
| 01:34:00 |
It's war. |
| 01:34:07 |
Didn't I tell you |
| 01:35:13 |
Dad! |
| 01:35:15 |
Yeah? |
| 01:35:17 |
You call this archaeology? |
| 01:35:19 |
Get out of there, Dad. |
| 01:35:31 |
How does one |
| 01:35:40 |
Where's Marcus? |
| 01:35:45 |
Dad! |
| 01:35:51 |
Hang on, Dad! |
| 01:35:58 |
Father of Indy, |
| 01:36:01 |
Sallah! |
| 01:36:03 |
Get Dad! |
| 01:36:04 |
Give me your hand! |
| 01:36:54 |
Junior! |
| 01:36:58 |
Indy! |
| 01:37:09 |
Oh, God. |
| 01:37:11 |
I've lost him. |
| 01:37:16 |
And I never told him anything. |
| 01:37:21 |
I just wasn't ready, Marcus. |
| 01:37:25 |
Five minutes |
| 01:38:05 |
I thought |
| 01:38:08 |
I thought |
| 01:38:12 |
Mmm... |
| 01:38:24 |
Well... |
| 01:38:28 |
Well done. Come on. |
| 01:38:34 |
Let's go, then. |
| 01:38:38 |
Why are you |
| 01:38:40 |
when we're so near the end?! |
| 01:38:42 |
Come on, let's go! |
| 01:38:56 |
The Canyon |
| 01:41:27 |
Helmut, another volunteer! |
| 01:41:57 |
I never expected |
| 01:42:00 |
I'm like a bad penny; |
| 01:42:03 |
Step back now, |
| 01:42:05 |
Give Dr.Jones some room. |
| 01:42:07 |
He's going to recover |
| 01:42:12 |
Impossible? |
| 01:42:15 |
Ready to go down in history? |
| 01:42:17 |
As what? |
| 01:42:18 |
A Nazi stooge like you? |
| 01:42:20 |
The Nazis?! |
| 01:42:22 |
Is that the limit |
| 01:42:25 |
The Nazis want |
| 01:42:27 |
into the Grail legend... |
| 01:42:28 |
take on the world. |
| 01:42:30 |
Well, they're welcome. |
| 01:42:33 |
But I want |
| 01:42:36 |
The cup that gives |
| 01:42:40 |
Hitler can have |
| 01:42:41 |
but he can't |
| 01:42:43 |
I'm going to be |
| 01:42:45 |
when he's gone the way |
| 01:42:51 |
The Grail is mine... |
| 01:42:53 |
and you're going |
| 01:42:55 |
Shooting me |
| 01:42:58 |
You know something, |
| 01:43:00 |
You're absolutely right. |
| 01:43:05 |
Dad? |
| 01:43:07 |
Dad?! |
| 01:43:08 |
Junior... |
| 01:43:10 |
- No! |
| 01:43:30 |
You can't save him |
| 01:43:32 |
The healing power |
| 01:43:33 |
is the only thing |
| 01:43:36 |
It's time to ask yourself |
| 01:44:13 |
"The Breath of God... |
| 01:44:18 |
...only the penitent man |
| 01:44:22 |
"The penitent man will pass. |
| 01:44:42 |
The penitent man will pass. |
| 01:44:45 |
The penitent man... |
| 01:44:50 |
"Only the penitent man |
| 01:44:53 |
"Only the penitent |
| 01:44:56 |
The penitent man will pass. |
| 01:44:58 |
The penitent, penitent... |
| 01:45:00 |
The penitent man... |
| 01:45:01 |
The penitent man... |
| 01:45:03 |
The penitent... |
| 01:45:04 |
The penitent man |
| 01:45:07 |
Penitent. Penitent... |
| 01:45:09 |
The penitent man... |
| 01:45:11 |
Penitent man |
| 01:45:14 |
...kneels before God. |
| 01:45:16 |
Kneel! |
| 01:45:25 |
I'm through! |
| 01:45:27 |
We're through. |
| 01:45:32 |
He's all right. |
| 01:45:34 |
No. |
| 01:45:36 |
The second challenge: |
| 01:45:39 |
"Only in the footsteps |
| 01:45:46 |
The Word of God... |
| 01:45:49 |
The Word of... |
| 01:45:53 |
Proceed in the footsteps |
| 01:45:57 |
"The Word of God..." |
| 01:45:58 |
No, Henry. |
| 01:46:07 |
The name of God... |
| 01:46:10 |
The name of God... |
| 01:46:15 |
Jehovah. |
| 01:46:18 |
But in the Latin alphabet, |
| 01:46:23 |
J... |
| 01:46:31 |
Oh, dear. |
| 01:46:37 |
Idiot! |
| 01:46:38 |
In Latin, Jehovah |
| 01:46:43 |
"I"... |
| 01:46:46 |
"E"... |
| 01:46:48 |
"H"... |
| 01:46:50 |
"O"... |
| 01:46:51 |
Oh! |
| 01:46:52 |
"V"... |
| 01:46:54 |
"A"... |
| 01:47:18 |
"The Path of God." |
| 01:47:23 |
"Only in the leap |
| 01:47:26 |
will he prove his worth." |
| 01:47:32 |
Impossible... |
| 01:47:38 |
Indy! |
| 01:47:40 |
Indy, you must hurry! |
| 01:47:42 |
Come quickly! |
| 01:47:50 |
It's a leap of faith. |
| 01:47:52 |
Oh, geez... |
| 01:47:54 |
You must believe, boy. |
| 01:47:56 |
You must... believe. |
| 01:49:37 |
Oh. |
| 01:49:45 |
I knew you'd come, |
| 01:49:47 |
but my strength has left me. |
| 01:49:50 |
Who are you? |
| 01:49:52 |
The last of three brothers |
| 01:49:55 |
who swore an oath |
| 01:49:57 |
and to guard it. |
| 01:50:00 |
That was 700 years ago. |
| 01:50:03 |
A long time to wait. |
| 01:50:06 |
You're strangely dressed... |
| 01:50:09 |
for a knight. |
| 01:50:11 |
I'm not exactly... |
| 01:50:13 |
a knight. |
| 01:50:15 |
What do you mean? |
| 01:50:16 |
I was chosen |
| 01:50:18 |
because I was the bravest, |
| 01:50:21 |
The honor was mine |
| 01:50:23 |
until another came |
| 01:50:26 |
to single combat. |
| 01:50:29 |
I pass it... |
| 01:50:31 |
to you who vanquished me. |
| 01:50:38 |
Listen, I don't have |
| 01:50:58 |
Which one is it? |
| 01:51:00 |
You must choose, |
| 01:51:02 |
but choose wisely. |
| 01:51:05 |
For as the true Grail |
| 01:51:07 |
the false Grail |
| 01:51:09 |
will take it from you. |
| 01:51:16 |
I'm not a historian. |
| 01:51:19 |
I have no idea |
| 01:51:20 |
what it looks like. |
| 01:51:22 |
Which one is it? |
| 01:51:24 |
Let me choose. |
| 01:51:26 |
Thank you, Doctor. |
| 01:51:41 |
Oh, yes. |
| 01:51:48 |
It's more beautiful |
| 01:52:03 |
This certainly is the cup |
| 01:52:13 |
Eternal life. |
| 01:52:50 |
What is happening to me? |
| 01:52:55 |
Oh! |
| 01:52:57 |
Tell me, what is happening? |
| 01:53:23 |
He chose... |
| 01:53:25 |
poorly. |
| 01:53:36 |
It would not be made |
| 01:53:39 |
That's the cup |
| 01:53:51 |
There's only one way |
| 01:54:08 |
You have chosen wisely. |
| 01:54:12 |
But the Grail cannot pass |
| 01:54:17 |
That is the boundary |
| 01:55:49 |
Drop your guns. Please. |
| 01:55:55 |
Dad, come on, |
| 01:56:11 |
We have got it. Come on! |
| 01:56:15 |
Elsa! Elsa, don't move! |
| 01:56:17 |
It's ours, Indy-- |
| 01:56:19 |
Elsa, don't cross the Seal. |
| 01:56:22 |
The knight warned us |
| 01:56:23 |
not to take |
| 01:56:52 |
Junior! |
| 01:56:53 |
Junior! |
| 01:56:57 |
Elsa... |
| 01:56:59 |
Elsa, don't. Elsa... |
| 01:57:01 |
Elsa... |
| 01:57:03 |
Give me your other hand, honey. |
| 01:57:04 |
I can't hold you! |
| 01:57:06 |
I can reach it. |
| 01:57:07 |
I can reach it. |
| 01:57:09 |
Elsa, give me your hand. |
| 01:57:13 |
Elsa! |
| 01:57:24 |
Junior, give me |
| 01:57:27 |
I can't hold on. |
| 01:57:28 |
I can get it. |
| 01:57:30 |
I can almost reach it, Dad. |
| 01:57:32 |
Indiana... |
| 01:57:36 |
Indiana... |
| 01:57:40 |
Let it go. |
| 01:58:01 |
Dad... |
| 01:58:10 |
Please, Dad. |
| 01:58:43 |
Elsa never really |
| 01:58:46 |
She thought she'd |
| 01:58:55 |
What did you find, Dad? |
| 01:58:57 |
Me? |
| 01:59:02 |
Illumination. |
| 01:59:13 |
And what did you find, Junior? |
| 01:59:14 |
"Junior"? Dad... |
| 01:59:17 |
Please, what does |
| 01:59:19 |
this... this "Junior"? |
| 01:59:20 |
That's his name: |
| 01:59:23 |
I like Indiana. |
| 01:59:24 |
We named the dog Indiana. |
| 01:59:26 |
May we go home now, |
| 01:59:27 |
please? |
| 01:59:29 |
The dog? |
| 01:59:32 |
You are named after the dog? |
| 01:59:35 |
I've got a lot of fond memories |
| 01:59:39 |
Ready? |
| 01:59:42 |
Ready. |
| 01:59:44 |
Indy! Henry! Follow me. |
| 01:59:46 |
I know the way! Ha! |
| 01:59:51 |
Got lost |
| 01:59:54 |
Uh-huh. |
| 01:59:56 |
After you, Junior. |
| 01:59:59 |
Yes, sir. Ha! |
