|
Infamous
|
| 00:01:32 |
Hi. |
| 00:01:35 |
Okay, here she is, folks. Kitty Dean. |
| 00:04:22 |
That a girl, Kitty. |
| 00:05:27 |
It's 38 degrees in New York this morning. |
| 00:06:04 |
Should I call and get our table for lunch? |
| 00:06:10 |
Goodie-good. |
| 00:06:12 |
And Big Mama? Bring lots of gossip. |
| 00:06:16 |
Everything about him is designed to rivet: |
| 00:06:21 |
The appearance, the demeanor, |
| 00:06:25 |
The voice? |
| 00:06:28 |
To the lucky person |
| 00:06:31 |
...I can only say imagine what |
| 00:06:38 |
...if a Brussels sprout could talk. |
| 00:06:41 |
He's so magical... |
| 00:06:44 |
...you soon forget the most unforgettable |
| 00:06:49 |
Here's a word I loathe: Eccentric. |
| 00:06:52 |
Eccentric is a word that boring people use |
| 00:06:57 |
A great many people think of me |
| 00:07:01 |
...when I have my shoes polished |
| 00:07:05 |
...top, sides and soles. |
| 00:07:07 |
Some people think it eccentric... |
| 00:07:09 |
...that every morning I have my maid |
| 00:07:13 |
When I told Truman I had my maid iron |
| 00:07:17 |
Here's what he didn't say, "How eccentric." |
| 00:07:20 |
Here's what he did say, "How wonderful!" |
| 00:07:25 |
You can forgive a person a lot |
| 00:07:29 |
He's loads of fun wherever you go. |
| 00:07:32 |
He's the rarest thing in the world, |
| 00:07:37 |
How could Leland |
| 00:07:40 |
Even someone who doesn't speak |
| 00:07:44 |
He listened to me the way you'd listen |
| 00:07:47 |
...just enough to hear |
| 00:07:51 |
Oh, well. He's with Pamela, |
| 00:07:56 |
Maybe you can... |
| 00:07:57 |
...but tout New York is dividing |
| 00:08:01 |
Babe and I are the head Slimites. |
| 00:08:04 |
Tru Heart. |
| 00:08:07 |
Oh, have you heard about Tracy? |
| 00:08:09 |
Yeah. Having her eyes done, I know. |
| 00:08:11 |
Well, a little more than that. |
| 00:08:16 |
Oh, who's the father? |
| 00:08:19 |
Chas Fitzgerald. |
| 00:08:22 |
Oh, perfect. Does Dick know? |
| 00:08:24 |
I think she should just tell Dick it's his. |
| 00:08:27 |
- She can't. Dick's infertile. |
| 00:08:29 |
- Everybody knows that. |
| 00:08:34 |
Did you see the paper? |
| 00:08:36 |
Yes. There's a story that's stuck in my teeth |
| 00:08:41 |
What is it? |
| 00:08:43 |
Well, these well-to-do farm people |
| 00:08:47 |
...were murdered in the middle of the night |
| 00:08:52 |
- Do they have any idea who did it? |
| 00:08:55 |
But that won't affect the piece |
| 00:08:58 |
I want to explore how a crime |
| 00:09:02 |
...where everyone trusts each other. |
| 00:09:04 |
It may be preferable that we don't know |
| 00:09:07 |
Exactly. Because what I imagine everyone |
| 00:09:12 |
"Who among us did this horrible thing?" |
| 00:09:15 |
It used to be you'd look at someone |
| 00:09:21 |
Now you think... |
| 00:09:22 |
..."Did you do it?" |
| 00:09:24 |
Oh, I can't bear the thought of you |
| 00:09:27 |
Whom will I talk to? |
| 00:09:29 |
Oh, that reminds me. |
| 00:09:33 |
- The eyes? |
| 00:09:36 |
Abortion. |
| 00:09:37 |
Oh, I just saw her at Sotheby's. |
| 00:09:41 |
I wanted it for the guest bath... |
| 00:09:43 |
...but Bill wants to put the little |
| 00:09:47 |
Tell him nobody wants to go to the bathroom |
| 00:09:51 |
- I know it from bitter personal experience. |
| 00:09:56 |
How did you find out about Tracy? |
| 00:09:58 |
Slim. But I'm absolutely sworn |
| 00:10:02 |
I'm only telling you |
| 00:10:07 |
Nelle, as my oldest and dearest friend, |
| 00:10:13 |
Are you joking? |
| 00:10:14 |
That small town stuff, |
| 00:10:18 |
That is your world as much as this, |
| 00:10:23 |
- How were they killed? |
| 00:10:26 |
But there's a caretaker not a hundred yards |
| 00:10:30 |
How could he not hear four gunshots |
| 00:10:33 |
Maybe he did it. |
| 00:10:36 |
Maybe. Though the victims |
| 00:10:39 |
...which suggests at least two |
| 00:10:43 |
...one with the gun |
| 00:10:45 |
...and one to tie them up |
| 00:10:50 |
The father and boy were shot |
| 00:10:53 |
...the mother and girl in their beds. |
| 00:10:55 |
- How do you know all this? |
| 00:10:59 |
May I tell him who's calling, please? |
| 00:11:01 |
Yes, dear. This is Truman Capote. |
| 00:11:04 |
I'm sorry. The district attorney |
| 00:11:10 |
And what did you say? |
| 00:11:12 |
Who says I'm strange? |
| 00:11:17 |
They can judge for themselves soon enough. |
| 00:11:22 |
Which of your pillbox hats |
| 00:11:27 |
Why didn't Jack come tonight? |
| 00:11:32 |
Truman and I... |
| 00:11:35 |
...had a taste for one another's company |
| 00:11:38 |
...but we weren't a together-wherever-we-go |
| 00:11:43 |
I'm not... |
| 00:11:46 |
...especially with that crowd. |
| 00:11:49 |
Jack didn't... |
| 00:11:52 |
...approve of us. |
| 00:11:54 |
He has the social graces of a syringe. |
| 00:11:57 |
Jack is just so iron, you know, |
| 00:12:02 |
Before he knew Truman... |
| 00:12:04 |
...he was married to a darling actress |
| 00:12:09 |
They were dancers together in Oklahoma! |
| 00:12:14 |
And then the war came, |
| 00:12:17 |
And she told him that she'd had an affair. |
| 00:12:20 |
Well, he was so humiliated... |
| 00:12:23 |
...that not only did he end |
| 00:12:27 |
...but he stopped sleeping with women |
| 00:12:32 |
Can you imagine? |
| 00:12:33 |
Curing your distaste for infidelity |
| 00:12:40 |
What if one of the people |
| 00:12:43 |
And what if he thinks you know? |
| 00:12:45 |
He's already committed four murders, |
| 00:12:48 |
Honey, is this your funny way of saying |
| 00:12:52 |
- Doesn't it seem dangerous? |
| 00:12:55 |
I can't. I'm trying to write my book. |
| 00:12:58 |
Well, then it's o sole mio, off I go! |
| 00:13:01 |
- I don't want anything to happen to you. |
| 00:13:06 |
- Much to everyone's regret. |
| 00:13:12 |
Come with me. Your book's all done. |
| 00:13:14 |
Well, I am intrigued... |
| 00:13:16 |
...but I want to get started on my new book |
| 00:13:22 |
How near did you say the caretaker lived |
| 00:13:27 |
Nelle grew up with him in Alabama. |
| 00:13:29 |
She based the other little boy in |
| 00:13:33 |
Aptly enough, she named the child Dill. |
| 00:13:36 |
People always mention his effervescence... |
| 00:13:40 |
...but one must remember that at the center |
| 00:13:45 |
...there's always that little touch of blue. |
| 00:13:51 |
Truman's parents deserted him |
| 00:13:54 |
...leaving him with elderly relations |
| 00:13:58 |
And Truman always disguised his shame |
| 00:14:02 |
...with grand tales |
| 00:14:08 |
"My daddy can't be here, |
| 00:14:11 |
"My mother's a photographic subject, |
| 00:14:15 |
...he would always say. |
| 00:14:19 |
Every year at Christmas... |
| 00:14:22 |
...our elementary school did a pageant |
| 00:14:26 |
And one year, Truman wrote his parents |
| 00:14:31 |
...though he was only |
| 00:14:35 |
But, no matter, it worked. |
| 00:14:39 |
They wired him to say they'd take |
| 00:14:42 |
...and get there just in time |
| 00:14:46 |
...they'd stand right by the cannon |
| 00:14:51 |
Well, we marched through town |
| 00:14:57 |
...I could see him straining |
| 00:15:01 |
When we got to that cannon, |
| 00:15:06 |
...forgetting we were supposed |
| 00:15:10 |
He stopped and he stared. |
| 00:15:18 |
They had not come. |
| 00:15:24 |
I thought for a minute he might break. |
| 00:15:30 |
And then he threw his arms up in the air... |
| 00:15:35 |
...and twirled himself all the way over. |
| 00:15:42 |
A cartwheel. |
| 00:15:46 |
And then again. And again... |
| 00:15:50 |
...all the way down the street... |
| 00:15:54 |
...till his tears were gone. |
| 00:15:57 |
Truman adored Nelle. |
| 00:15:59 |
She and Jack were just about |
| 00:16:04 |
I will say it stung him |
| 00:16:08 |
He might not have minded her winning one, |
| 00:16:13 |
I've always been interested in crime. |
| 00:16:16 |
Daddy was a lawyer, and sister too. |
| 00:16:19 |
I studied the law as well... |
| 00:16:22 |
...but I either lost my nerve |
| 00:16:27 |
But when Truman asked me |
| 00:16:31 |
...it was deep calling to deep. |
| 00:17:11 |
Detective Dewey! |
| 00:17:13 |
- Do you have any leads yet? |
| 00:17:16 |
- Detective Dewey! |
| 00:17:18 |
Yeah. Will you confirm that there is |
| 00:17:20 |
I will not. |
| 00:17:21 |
Well, of course there was more than one, |
| 00:17:25 |
Beg your pardon, ma'am? |
| 00:17:27 |
It's illogical to suppose |
| 00:17:31 |
The Clutters were tied up. |
| 00:17:33 |
...he'd have to put his gun down. |
| 00:17:35 |
Once he put the gun down, |
| 00:17:39 |
- I don't believe I know who you are. |
| 00:17:44 |
I'm from out of town. |
| 00:17:46 |
- What's your paper? |
| 00:17:49 |
Oh, I'm not a reporter. I'm a writer. |
| 00:17:54 |
May I see your press card? |
| 00:17:56 |
Good heavens, |
| 00:18:00 |
But I do have a passport |
| 00:18:03 |
Would you like to come back |
| 00:18:09 |
I'll need not only the facts of the case... |
| 00:18:11 |
...but how this terrible crime |
| 00:18:15 |
...that makes up your community. |
| 00:18:17 |
- I see. No. |
| 00:18:20 |
No reporter has special access. |
| 00:18:23 |
Sir, I'm not writing a news story. |
| 00:18:27 |
I'm writing a psychological study |
| 00:18:31 |
...and how that place is affected |
| 00:18:34 |
I will not be careless in my depiction. |
| 00:18:37 |
I shall labor over every word, every sound. |
| 00:18:40 |
The final result must be just so... |
| 00:18:42 |
...as dazzling and unique |
| 00:18:45 |
Right. And I got a crime to solve. |
| 00:18:47 |
But I don't care whether the crime |
| 00:18:50 |
I sure as hell care. |
| 00:18:52 |
The Clutters went to our church. |
| 00:18:56 |
No access. |
| 00:18:59 |
Oh, you are very, very foxy. |
| 00:19:02 |
I can see I'm gonna have |
| 00:19:05 |
...to get around |
| 00:19:08 |
Isn't he foxy? |
| 00:19:15 |
It was lovely how you didn't care |
| 00:19:18 |
- Lovely. |
| 00:19:20 |
Would you folks care for a cocktail? |
| 00:19:22 |
Yes, a gin and tonic, please. |
| 00:19:24 |
I'll have J&B on the rocks... |
| 00:19:25 |
...with a tiny curl of lemon |
| 00:19:29 |
A what, on the rocks? |
| 00:19:32 |
J&B. |
| 00:19:34 |
It's a type of Scotch, dear. |
| 00:19:38 |
You want me to see if we've got any? |
| 00:19:40 |
That would be a wonderful beginning. |
| 00:19:43 |
Yes, ma'am. |
| 00:19:47 |
I think we need to come in |
| 00:19:50 |
I know where you are headed... |
| 00:19:52 |
...but you of all people know how impossible |
| 00:19:56 |
I'm not saying get married and have kids... |
| 00:19:59 |
...but maybe come in |
| 00:20:02 |
It's no use. |
| 00:20:06 |
Anyway... |
| 00:20:07 |
...l'll call Dewey's office in the morning |
| 00:20:11 |
- It might better suit his vanity. |
| 00:20:13 |
- Let's start talking... |
| 00:20:16 |
Thank you. |
| 00:20:17 |
In the meantime, |
| 00:20:20 |
We don't need his blessing for that. |
| 00:20:22 |
I think we should just speak |
| 00:20:24 |
Yes, and in our nicest way, the way |
| 00:20:29 |
Madam! |
| 00:20:31 |
May we ask you about the gruesome murders |
| 00:20:42 |
Maybe you should drop |
| 00:20:49 |
Sir! |
| 00:20:50 |
Sir! |
| 00:20:54 |
Excuse me, sir. |
| 00:20:56 |
My friend and I would like to talk to you |
| 00:21:01 |
Sorry, ladies. |
| 00:21:05 |
Do you think everyone keeps calling me |
| 00:21:09 |
...or can they honestly not tell? |
| 00:21:12 |
I know I'm not Charles Atlas, |
| 00:21:16 |
No. Hers is thicker. |
| 00:21:26 |
Mr. Capote. |
| 00:21:30 |
Is this all? No messages? |
| 00:21:33 |
No, sir. |
| 00:21:36 |
I simply don't understand why |
| 00:21:40 |
I've telephoned three times. |
| 00:21:52 |
Nelle! |
| 00:21:54 |
Care package from Babe! |
| 00:21:56 |
It's beluga! |
| 00:22:02 |
Let's get some Ritz crackers |
| 00:22:04 |
Let's. And you know what I think |
| 00:22:08 |
Go see the Clutter place. |
| 00:22:10 |
Honey, if Alvin Dewey won't return my calls, |
| 00:22:14 |
You know everybody on the planet. |
| 00:22:18 |
And please tell the duke and duchess |
| 00:22:24 |
I will. |
| 00:22:25 |
Bennett hears wonderful things |
| 00:22:30 |
I almost don't care what the critics say... |
| 00:22:32 |
...as long as I can be allowed |
| 00:22:35 |
Your dream of being the |
| 00:22:40 |
Anyway, Bennett knows |
| 00:22:43 |
...who knows the Clutters' lawyer. |
| 00:23:13 |
The killers came in this way. |
| 00:25:04 |
Any messages? |
| 00:25:08 |
Princess Margaret... |
| 00:25:11 |
...and Noël Coward. |
| 00:25:16 |
No Dewey. Again. |
| 00:25:20 |
They're in both ways over there. |
| 00:25:22 |
Right, but this particular form |
| 00:25:25 |
- That whole stack? |
| 00:25:35 |
Is this a good time? |
| 00:25:37 |
Yeah. Come on in. |
| 00:25:44 |
Ma'am. |
| 00:25:46 |
What can I do for you folks? |
| 00:25:48 |
Well... |
| 00:25:51 |
...you can begin by serving me |
| 00:25:55 |
I've come to apologize for acting |
| 00:25:59 |
As you see, I even got new britches. |
| 00:26:03 |
Yeah, well, no harm done. |
| 00:26:07 |
I wanted to explain myself. |
| 00:26:09 |
I'm trying to create |
| 00:26:12 |
Have you read my book |
| 00:26:17 |
Well, it was very well received. |
| 00:26:20 |
It's about an American opera company going |
| 00:26:25 |
Now, if I relied only on what |
| 00:26:30 |
...it would have been no different |
| 00:26:33 |
But I treated the people with the emotional |
| 00:26:38 |
I see, so you're doing something different |
| 00:26:42 |
Yes. |
| 00:26:43 |
And I can't really know how people feel |
| 00:26:47 |
Oh, well, I can tell you how they feel. |
| 00:26:49 |
They'll feel better when this is solved. |
| 00:26:52 |
Yes. I agree. And that's... |
| 00:26:53 |
Look, I wish you well with your project. |
| 00:26:59 |
I'm sorry, but Nelle |
| 00:27:04 |
Why? |
| 00:27:06 |
Because no one will talk to me. |
| 00:27:09 |
I've got to stay until they forget about me |
| 00:27:13 |
No one forgets about you. |
| 00:27:16 |
What will you do for Christmas? |
| 00:27:18 |
Of course, everything will be closed... |
| 00:27:21 |
...so I thought before I'd go to the market |
| 00:27:25 |
...some ham and olives. |
| 00:27:27 |
Slim sent a wonderful Burgundy. |
| 00:27:30 |
Nelle and I can make a picnic at the hotel. |
| 00:27:33 |
VELvEETA |
| 00:27:40 |
Excuse me? |
| 00:27:42 |
- Could this be all the cheese? |
| 00:27:46 |
Mine is a matter of quality, dear, |
| 00:27:50 |
Oh, you mean other types of cheese. |
| 00:27:58 |
- Are you staying for Christmas? |
| 00:28:02 |
What will you and Mrs. Capote do |
| 00:28:05 |
If this is the only cheese I find, |
| 00:28:11 |
Would you like to come to our house |
| 00:28:14 |
Really? Like for a party? |
| 00:28:17 |
It's just not right you don't have |
| 00:28:20 |
That is so kind of you. |
| 00:28:22 |
Nelle will be thrilled. |
| 00:28:36 |
Hi. |
| 00:28:38 |
Hi. |
| 00:28:42 |
What? |
| 00:28:43 |
We are spending Christmas |
| 00:28:53 |
This just isn't right. |
| 00:28:54 |
What isn't right is for two people |
| 00:28:58 |
If there's two of them, they won't be alone. |
| 00:29:01 |
Hi. We're here. |
| 00:29:03 |
- Merry Christmas. |
| 00:29:07 |
I know you said not to bring anything... |
| 00:29:09 |
...but my daddy would kill me if I showed up |
| 00:29:13 |
We brought you fruitcake. |
| 00:29:14 |
And she doesn't mean me. |
| 00:29:19 |
My wife, Delores. |
| 00:29:21 |
- Truman. |
| 00:29:23 |
- Thank you. |
| 00:29:24 |
And here is our son, Paul. |
| 00:29:26 |
Hello, Paul. Merry Christmas. |
| 00:29:39 |
You gonna watch the game? |
| 00:29:41 |
I got $25 on it. |
| 00:29:49 |
Truman, you like football? |
| 00:29:51 |
Not much. |
| 00:29:53 |
Though I must admit it always sends shivers |
| 00:29:57 |
...when the men get inside |
| 00:30:12 |
We have treats. |
| 00:30:14 |
I have kind of a party question. |
| 00:30:17 |
I hope it's not too awful or mean. |
| 00:30:20 |
That sounds fun. Let's play. |
| 00:30:22 |
Paul Dewey. Don't you wanna come in here |
| 00:30:25 |
Since it's Christmas... |
| 00:30:26 |
...I thought we could all take turns telling |
| 00:30:34 |
Mine was a shawl from an elderly |
| 00:30:39 |
- Me neither. |
| 00:30:41 |
Are my ears working properly? |
| 00:30:44 |
Am I the only one here who loves shawls? |
| 00:30:50 |
Don't look at me. |
| 00:30:52 |
My goodness, I love shawls. |
| 00:30:54 |
I have several. |
| 00:30:56 |
I think the prettiest one is the one |
| 00:31:00 |
Jennifer Jones? The movie star? |
| 00:31:03 |
Yes. We were in Rome making |
| 00:31:07 |
...and I was struggling |
| 00:31:10 |
...when I began to feel |
| 00:31:14 |
Bogie? You mean Humphrey Bogart? |
| 00:31:16 |
I mean Mr. Lauren Bacall, yes. |
| 00:31:20 |
I was trying to write a scene for him |
| 00:31:23 |
Wait a minute. Who's Peter? |
| 00:31:25 |
Peter Lorre. |
| 00:31:28 |
But I had a terrible impacted tooth, |
| 00:31:32 |
- Wayne? |
| 00:31:33 |
Kennedy? |
| 00:31:35 |
Huston? |
| 00:31:36 |
John Huston, the director? |
| 00:31:43 |
John told me he didn't care if we had |
| 00:31:47 |
...I was going to the hospital. |
| 00:31:50 |
So I thought: |
| 00:31:52 |
"Well, if I have to be in a Roman hospital |
| 00:31:57 |
...I may as well have something with me |
| 00:32:01 |
So I wore the beautiful Balmain shawl |
| 00:32:05 |
...and, if I do say so myself... |
| 00:32:08 |
...I felt and looked dreamy. |
| 00:32:18 |
- Did you meet Humphrey Bogart? |
| 00:32:21 |
My dear, every night |
| 00:32:25 |
...and, once, poker! |
| 00:32:28 |
You played poker with Humphrey Bogart? |
| 00:32:31 |
I had a disadvantage in that... |
| 00:32:33 |
...I didn't know the game |
| 00:32:36 |
Frank?! |
| 00:32:37 |
Sinatra. |
| 00:32:40 |
Experience had taught them things... |
| 00:32:42 |
...a relative novice such as myself |
| 00:32:45 |
...did you know that three of a kind |
| 00:32:50 |
So, I did not defeat Mr. Humphrey Bogart |
| 00:32:55 |
...but you may be interested to know |
| 00:33:08 |
Arm wrestling. |
| 00:33:11 |
Hold on now. |
| 00:33:14 |
You expect us to believe... |
| 00:33:16 |
...that you beat Humphrey Bogart |
| 00:33:24 |
Twice. |
| 00:33:34 |
You're good. |
| 00:33:35 |
Good match, sir. Thank you. |
| 00:33:39 |
Hey. I just beat the guy who could beat |
| 00:33:42 |
Cool. You wanna come over |
| 00:33:44 |
You didn't beat Humphrey Bogart, |
| 00:33:49 |
You don't think I'd defeat your child |
| 00:33:53 |
...with everyone here thinking |
| 00:33:57 |
That would be a gift of switches |
| 00:34:03 |
But you didn't beat Humphrey Bogart, |
| 00:34:06 |
All right. Roll up your sleeve. |
| 00:34:09 |
No, no, no. |
| 00:34:12 |
Scared? |
| 00:34:28 |
Well, I'll be. |
| 00:34:30 |
Listen, Foxy. |
| 00:34:35 |
This world isn't kind to little things. |
| 00:35:11 |
So glad you could make it. |
| 00:35:13 |
- Hope you'll come back. Thank you. |
| 00:35:16 |
- Merry Christmas. Good night. |
| 00:35:19 |
Bye-bye. |
| 00:35:20 |
Foxy, check under the tree. |
| 00:35:23 |
Hello? |
| 00:35:26 |
No, they just left. |
| 00:35:29 |
Well, I know it, but the time flew. |
| 00:35:33 |
He knows Ava Gardner. |
| 00:35:36 |
And Humphrey Bogart. |
| 00:35:38 |
And Betty Bacall. That's Lauren Bacall. |
| 00:35:44 |
And she got right into the kitchen |
| 00:35:55 |
Anything good? |
| 00:35:57 |
Merry Christmas from the queen mother. |
| 00:36:00 |
She loves me. |
| 00:36:03 |
Babe. |
| 00:36:05 |
Slim. |
| 00:36:09 |
Who's this? |
| 00:36:10 |
"Mrs. John Stimmell called to invite you |
| 00:36:14 |
Who's that? |
| 00:36:15 |
It says she's a friend of the Deweys. |
| 00:36:18 |
How nice. |
| 00:36:19 |
Look, here's another. |
| 00:36:23 |
Friend of the Deweys." |
| 00:36:26 |
Well, that sounds lovely. |
| 00:36:29 |
Nelle. |
| 00:36:32 |
These are all invitations! |
| 00:36:39 |
Then Ava said: |
| 00:36:41 |
"I'm not afraid of the police. |
| 00:36:46 |
And Marilyn said, |
| 00:36:52 |
Marilyn Monroe. |
| 00:36:54 |
Bonnie Clutter is such a dear and l... |
| 00:37:00 |
Was such a dear. |
| 00:37:02 |
Oh, goodness. |
| 00:37:04 |
It's hard to put a friend in the past tense. |
| 00:37:08 |
It seems so sad, especially since Bonnie |
| 00:37:14 |
What was the matter? |
| 00:37:17 |
Oh, well, I shouldn't say. |
| 00:37:19 |
I just don't think she liked |
| 00:37:24 |
But if you ever did see her, |
| 00:37:28 |
...oh, she was always good old Bonnie. |
| 00:37:32 |
She was going through |
| 00:37:35 |
That's all? |
| 00:37:37 |
You try it. It's enough. |
| 00:37:43 |
Well, there were four of us went |
| 00:37:48 |
...clean up... |
| 00:37:53 |
...all the damage and the mess. |
| 00:37:58 |
We used to go out to Herb's |
| 00:38:03 |
It was strange driving out there |
| 00:38:08 |
The couch where the boy had been. |
| 00:38:10 |
It was just, |
| 00:38:16 |
...good Lord, just seeing that couch. |
| 00:38:20 |
Or the mattress box |
| 00:38:25 |
There was so much blood. |
| 00:38:28 |
There was so much blood. |
| 00:38:34 |
Sometimes in little spatters. |
| 00:38:38 |
...and then I saw a big spot |
| 00:38:42 |
...and I almost... |
| 00:38:44 |
I swear... |
| 00:38:47 |
...well, that was worse than the big stuff |
| 00:38:50 |
"It made it all the way up here?" |
| 00:38:55 |
I can only say I was a Marine... |
| 00:38:58 |
...and nothing ever got to me |
| 00:39:04 |
Herb was one of the most |
| 00:39:07 |
If there was a list that told you how |
| 00:39:11 |
...well, he just did everything on it. |
| 00:39:13 |
You see, he worked hard, |
| 00:39:17 |
...and when he went to church, |
| 00:39:22 |
No, he went in and he listened. |
| 00:39:25 |
And I've always believed |
| 00:39:30 |
...it gives you a little bit of weight... |
| 00:39:32 |
...so that you come to feel rooted |
| 00:39:39 |
Now what scares me is that... |
| 00:39:43 |
...well, sometimes, out of nowhere... |
| 00:39:46 |
...a bad wind blows up. |
| 00:39:49 |
Now it could be cancer, could be drink... |
| 00:39:55 |
...could be some woman |
| 00:40:00 |
And despite the weight that's holding you |
| 00:40:04 |
...when that wind comes, |
| 00:40:11 |
...and it takes you where it wants. |
| 00:40:17 |
We're in control until we're not. |
| 00:40:21 |
Then we're helpless. |
| 00:40:27 |
"If you ever saw her, |
| 00:40:32 |
No, no. She said, "If you ever did see her, |
| 00:40:36 |
That's right. |
| 00:40:37 |
"...she was always good old Bonnie." |
| 00:40:39 |
Good ear. |
| 00:40:43 |
Drink? |
| 00:40:46 |
Well, obviously the mother wasn't right. |
| 00:40:50 |
Oh, I don't know. |
| 00:40:53 |
I hope not. |
| 00:40:57 |
Your novel? |
| 00:41:00 |
What are you talking about? |
| 00:41:02 |
I think this story is bigger than an article. |
| 00:41:07 |
I can see that. But non-fiction, right? |
| 00:41:10 |
Yes, of course it will all be true, but... |
| 00:41:13 |
- But what? Either it is or it isn't. |
| 00:41:17 |
I wanna to bring fictional techniques |
| 00:41:21 |
What fictional techniques? |
| 00:41:24 |
Excuse me, if I were gonna make stuff up |
| 00:41:29 |
You obviously plan to turn Bonnie Clutter |
| 00:41:33 |
...when what it sounds like is that she was |
| 00:41:37 |
What is your stupid fucking point? |
| 00:41:40 |
That you shouldn't be doing |
| 00:41:43 |
The truth is enough! |
| 00:41:45 |
I must say I don't appreciate this lecture |
| 00:41:49 |
Mockingbird was based on true things, |
| 00:41:52 |
Right. It's a novel! |
| 00:41:55 |
Reportage means re-creating, |
| 00:41:58 |
This is a new kind of reportage! |
| 00:42:02 |
I'll say. |
| 00:42:25 |
Okay. "But if you ever did see her, |
| 00:42:28 |
- I remember. |
| 00:42:33 |
- It's your book. |
| 00:42:36 |
My seventh. |
| 00:42:44 |
- Okay, okay. |
| 00:42:48 |
Lt'll take me a long time to shape, but... |
| 00:42:51 |
...thanks to Nelle, |
| 00:42:54 |
...and you all... |
| 00:42:56 |
...we'll probably only need |
| 00:42:58 |
- Well, I'm gonna miss your Kansas steaks. |
| 00:43:02 |
Is there any news? |
| 00:43:07 |
We got them. |
| 00:43:08 |
- What? |
| 00:43:10 |
We caught them. |
| 00:43:13 |
The killers? We caught the killers? |
| 00:43:16 |
Who are they? |
| 00:43:18 |
They're in Las vegas. |
| 00:43:20 |
- Can I come? Oh, please, Foxy?! |
| 00:43:23 |
Well, there isn't gonna be another time. |
| 00:43:27 |
I'm sorry. |
| 00:43:29 |
Honestly, Marie... |
| 00:43:31 |
...how can you stay married |
| 00:43:35 |
Maybe now you'll get |
| 00:43:48 |
Congratulations, Foxy. |
| 00:43:53 |
This kind of changes your book. |
| 00:43:56 |
You're telling me. |
| 00:43:58 |
Of course, if I thought it was hard |
| 00:44:01 |
...how in heaven's name will I ever get |
| 00:44:04 |
Look, look. They're here. |
| 00:44:32 |
Pardon me. Pardon me. |
| 00:44:43 |
I can't see the other one. |
| 00:44:46 |
There he is. |
| 00:45:04 |
No way. No press inside the prison. |
| 00:45:08 |
I have many connections in government. |
| 00:45:10 |
Perhaps I could have someone call, |
| 00:45:13 |
You'd pretty much have to know |
| 00:45:16 |
...before I'd let you visit these boys. |
| 00:45:24 |
Suck my cock, you cocksucker! |
| 00:45:26 |
I never snack. |
| 00:45:28 |
You want to kiss my asshole, bitch? |
| 00:45:29 |
I'd prefer it to your face. |
| 00:45:33 |
You want to write a book about me? |
| 00:45:36 |
If my jackass teachers |
| 00:45:40 |
- Did you ever write a book? |
| 00:45:43 |
My first novel, Other Voices, Other Rooms, |
| 00:45:47 |
...as the most exciting literary debut since... |
| 00:45:50 |
Yeah, okay. |
| 00:45:52 |
- You a queer? |
| 00:45:55 |
Because I'd let you suck me. |
| 00:45:57 |
I'm not a queer, but letting you suck my dick |
| 00:46:00 |
It makes you queer. |
| 00:46:06 |
Well, thanks, I guess, but no. |
| 00:46:10 |
- So then what's in it for me? |
| 00:46:14 |
I'd give you a share of my royalties. |
| 00:46:26 |
I got two kids by my first marriage. |
| 00:46:30 |
Maybe I can give the money to Lacy, my ex. |
| 00:46:37 |
I'd be glad to. |
| 00:46:40 |
Okay, I'll do it. |
| 00:46:44 |
I shared a cell with a piece of rat shit |
| 00:46:47 |
...who told me old man Clutter had |
| 00:46:52 |
Dick says you first heard |
| 00:46:57 |
...Floyd Wells. |
| 00:47:00 |
- Is that right? |
| 00:47:04 |
Yes, but can I trust him? |
| 00:47:09 |
He's in jail. |
| 00:47:11 |
I wouldn't trust him. |
| 00:47:15 |
You don't want the only perception people |
| 00:47:20 |
- I can help get your side out. |
| 00:47:25 |
You don't care about my side. |
| 00:47:27 |
- You're not trying to help me. |
| 00:47:32 |
You'd be entitled |
| 00:47:35 |
And what would I do |
| 00:47:39 |
- You might get out, and you could use... |
| 00:47:45 |
I said no bullshit |
| 00:47:51 |
Go away. |
| 00:47:54 |
He'll loosen up. |
| 00:47:58 |
Dick? |
| 00:48:02 |
Perry probably shot the Clutters |
| 00:48:06 |
I have to have both sides. |
| 00:48:10 |
How do you get your New York lady friends |
| 00:48:14 |
My swans? |
| 00:48:16 |
I figure out what they need. |
| 00:48:18 |
Gossip. Comfort. And I give it to them. |
| 00:48:23 |
So find out what Perry needs. |
| 00:48:27 |
Surely he'll shed some light |
| 00:48:31 |
The man and the boy |
| 00:48:33 |
Now, here's something. |
| 00:48:35 |
When I wanted to enjoy myself on the girl, |
| 00:48:40 |
...Perry says for me not to touch her. |
| 00:48:43 |
But then, when he's tying up that boy, |
| 00:48:49 |
And told the old man |
| 00:48:52 |
...because he said the floor was cold. |
| 00:48:55 |
Too cold to get shot on? |
| 00:48:57 |
Why do you think he did that? |
| 00:49:00 |
And I said, "You losing your nerve? |
| 00:49:08 |
And he said, "No," |
| 00:49:12 |
Putting that pillow for the boy, |
| 00:49:19 |
But other times he's okay. |
| 00:49:23 |
Didn't seem like a faggot |
| 00:49:30 |
No, we didn't want to kill them. |
| 00:49:32 |
We wanted to get in |
| 00:49:35 |
Perry wanted us |
| 00:49:38 |
But that shit-ass store where we got |
| 00:49:42 |
You could see my eyes through them. |
| 00:49:46 |
So Perry says we should go to the hospital |
| 00:49:51 |
And I thought that was |
| 00:49:53 |
...but I didn't feel like fighting |
| 00:49:55 |
...so I went and huddled behind the door, |
| 00:49:59 |
"Catholic bitches wouldn't sell me none." |
| 00:50:02 |
And what did Perry say? |
| 00:50:04 |
He said: |
| 00:50:06 |
"Any. |
| 00:50:08 |
Catholic bitches won't sell you any." |
| 00:50:11 |
Really? |
| 00:50:13 |
- He corrected your grammar? |
| 00:50:18 |
Perry Smith... |
| 00:50:20 |
...fancies himself an artiste. |
| 00:50:29 |
Hey, baby. |
| 00:50:33 |
Yours couldn't reach through the bars. |
| 00:50:39 |
The only way to deal with vulgarity |
| 00:50:44 |
I had a similar experience with my friend, |
| 00:50:49 |
The artist and intellectual? |
| 00:50:54 |
Never mind. |
| 00:50:56 |
Nobody here likes this kind of thing. |
| 00:51:00 |
I do. |
| 00:51:05 |
I'd like to hear it. |
| 00:51:11 |
Well, Tennessee |
| 00:51:14 |
...when this very drunk woman |
| 00:51:17 |
"May I have your autograph?" |
| 00:51:21 |
She said she didn't have |
| 00:51:24 |
So she pulled up her shirt, |
| 00:51:27 |
...and asked me to autograph that. |
| 00:51:31 |
So then she hands me an eyebrow pencil... |
| 00:51:33 |
...and I write my name all the way around |
| 00:51:38 |
All of the sudden appears her angry |
| 00:51:44 |
"Since you're in the mood for signing things, |
| 00:51:49 |
And with that, he unzipped his fly |
| 00:51:54 |
Well, what'd you do? |
| 00:51:55 |
Well, the room was graveyard silent. |
| 00:51:59 |
I looked him up and down |
| 00:52:04 |
"Well, I don't know if I could autograph it, |
| 00:52:14 |
What kind of stuff does |
| 00:52:18 |
I know his name, |
| 00:52:21 |
He's a dramatist. |
| 00:52:25 |
- That Brando was in? |
| 00:52:27 |
Marlon Brando is the fucking king! |
| 00:52:31 |
Now, he's one of my two favorite actors. |
| 00:52:33 |
- Who's the other? |
| 00:52:53 |
I beat Humphrey Bogart. |
| 00:52:55 |
And Alvin Dewey too. |
| 00:52:58 |
This is the most black-hearted thing |
| 00:53:02 |
...and I will never forgive you. |
| 00:53:04 |
Oh, hush your silliness. |
| 00:53:10 |
I need my life back. |
| 00:53:13 |
There are a few fires I need to rekindle. |
| 00:53:16 |
Well, goodbye. |
| 00:53:19 |
Thank you. You too. |
| 00:53:44 |
- How's the vanquisher of Bogart? |
| 00:53:49 |
Tell me more about him. |
| 00:53:53 |
Well, I think we should talk |
| 00:53:56 |
Like what? |
| 00:53:57 |
Nothing. |
| 00:54:06 |
I do have a very amusing story |
| 00:54:11 |
I once spent an entire evening with him, |
| 00:54:15 |
...and he told me all about his life |
| 00:54:20 |
Are you guys friends? |
| 00:54:22 |
Well, I wouldn't say that. |
| 00:54:26 |
What for? |
| 00:54:28 |
He didn't like the way I portrayed him |
| 00:54:32 |
He claims he told me certain things |
| 00:54:35 |
Well, you couldn't just check your notes? |
| 00:54:38 |
I never take notes. |
| 00:54:41 |
I employ a memory technique that gives me |
| 00:54:46 |
Well, "almost" is the key fucking word. |
| 00:54:48 |
I may miss a word, but never a meaning. |
| 00:54:50 |
If you miss the right word, you will. |
| 00:54:54 |
You've got a hell of a fucking nerve. |
| 00:54:56 |
What are you trying to bother |
| 00:54:59 |
You misunderst... |
| 00:55:00 |
See, this is why I don't |
| 00:55:02 |
If you want to make me look |
| 00:55:05 |
Perry, I never judge my characters. |
| 00:55:11 |
Well, here's something for you |
| 00:55:16 |
...I am not a character. |
| 00:55:19 |
I'm a human-fucking-being. |
| 00:55:22 |
- Guard! |
| 00:55:24 |
I am writing this book |
| 00:55:28 |
You can get involved, so I can make you |
| 00:55:32 |
...or you can continue this foolishness... |
| 00:55:34 |
...and I will head straight back to New York |
| 00:55:47 |
Is this my party? |
| 00:55:49 |
Truman! |
| 00:55:51 |
Welcome home, my darling. |
| 00:56:04 |
I don't believe I've ever said this: |
| 00:56:07 |
Tell us about the killers. |
| 00:56:12 |
Well, their names are Dick Hickock |
| 00:56:16 |
- Have you met them? |
| 00:56:18 |
My dear, I've been in their cells. |
| 00:56:21 |
I have goose flesh. |
| 00:56:22 |
When you're talking to them, |
| 00:56:26 |
To be frank, I'm much more concerned |
| 00:56:34 |
Dick speaks about what happened |
| 00:56:38 |
- It was just something that happened. |
| 00:56:41 |
No, it's Perry. As in Antoinette. |
| 00:56:45 |
He's an enigma. |
| 00:56:47 |
You know, before he killed the Clutter boy |
| 00:56:51 |
And he wouldn't let Dick rape the girl. |
| 00:56:54 |
- He's not all kind. |
| 00:56:56 |
After these demonstrations of gentility, |
| 00:57:01 |
And cut the old man's throat. |
| 00:57:03 |
There's something... |
| 00:57:05 |
...I can't quite put my finger on it. |
| 00:57:08 |
It seems insane to say that he's tender... |
| 00:57:11 |
...but he does have the tender |
| 00:57:19 |
He's very... |
| 00:57:32 |
He's very? |
| 00:57:40 |
Never mind that. |
| 00:57:42 |
...and you can all tell me whom |
| 00:57:47 |
Oh, goody. |
| 00:57:49 |
Bennett? |
| 00:57:54 |
In his letters, Tru Heart always says: |
| 00:58:00 |
And, as any of us with children know... |
| 00:58:02 |
...the big new thing is not on Broadway |
| 00:58:07 |
Sorry, darling. |
| 00:58:09 |
- It's this. |
| 00:58:12 |
...and you think, |
| 00:58:16 |
And five minutes later... |
| 00:58:17 |
...you're doing it. |
| 00:58:19 |
Doors closed, of course, |
| 00:58:23 |
I did. |
| 00:58:24 |
Well, assholes aren't much for dancing. |
| 00:58:28 |
Oh, dear. |
| 00:58:31 |
How's your writing coming, Jack? |
| 00:58:36 |
Well, let's hear it. |
| 00:58:37 |
Well, when Babe told me anyone |
| 00:58:40 |
...I bet her $ 100 she couldn't teach me, |
| 00:58:46 |
Slim and I will show you how it's done, |
| 00:58:52 |
- You, especially. |
| 00:58:57 |
Oh, my word. |
| 00:59:03 |
- Come on, my protégé. |
| 00:59:09 |
When she taught me, |
| 00:59:12 |
She said, "There are no other steps." |
| 00:59:15 |
- Who's next? |
| 00:59:22 |
No, how do I? |
| 00:59:26 |
That's what I said. It's not a dance. |
| 00:59:29 |
- You're putting the cigarette out. |
| 00:59:32 |
Truman? |
| 00:59:38 |
- Just put your foot out there. |
| 00:59:42 |
What are you doing there? |
| 00:59:44 |
You're doing something with your arms. |
| 00:59:47 |
- Then we go down. |
| 00:59:51 |
I'm so sorry about Jack. |
| 00:59:58 |
Bill can take it, believe me. |
| 01:00:00 |
Jack has a moral certainty |
| 01:00:03 |
Moral in what way? |
| 01:00:06 |
Just that anything fun |
| 01:00:10 |
...certainly not moral in a personal way. |
| 01:00:13 |
We have an understanding |
| 01:00:16 |
...and the other isn't there to provide it, |
| 01:00:19 |
I understand. |
| 01:00:21 |
I hardly ever wander, but he does. |
| 01:00:24 |
We don't discuss it. |
| 01:00:29 |
But doesn't even the idea upset you? |
| 01:00:36 |
...or keep yourself from picturing...? |
| 01:00:42 |
Honey, what is it? |
| 01:00:46 |
Bill is having an affair. |
| 01:00:49 |
Babaling, no. |
| 01:00:51 |
Please, you absolutely must not breathe |
| 01:00:54 |
It will die inside me. |
| 01:00:57 |
How did you find out? |
| 01:01:01 |
Our bed sheets were stained. |
| 01:01:04 |
- Okay, well, now I could vomit. |
| 01:01:08 |
Well, no. |
| 01:01:10 |
So, he got on his hands and knees |
| 01:01:15 |
But it didn't quite come out. |
| 01:01:17 |
And when I got back I noticed |
| 01:01:21 |
And I said, like a fool, I mean, |
| 01:01:28 |
I said: |
| 01:01:31 |
"What on earth is that?" |
| 01:01:34 |
I thought Mary Lee had bleached them. |
| 01:01:37 |
But then I looked at Bill |
| 01:01:42 |
...that look on his face. |
| 01:01:47 |
"Thank heavens he is such a bad liar... |
| 01:01:51 |
...or I would have been most unjust |
| 01:01:55 |
It doesn't seem possible that a man |
| 01:01:59 |
...can be such a bad liar. |
| 01:02:01 |
It seems so essential to his success. |
| 01:02:07 |
What am I gonna do? |
| 01:02:10 |
You are going to call me |
| 01:02:13 |
...even if it's 3 in the morning |
| 01:02:16 |
...between Brooklyn and Manhattan. |
| 01:02:22 |
...to let you know you have |
| 01:02:26 |
T-bone, you are so dear. |
| 01:02:29 |
I can't picture Bill Paley washing sheets! |
| 01:02:33 |
He must have been frantic. |
| 01:02:36 |
- Poor Babe. |
| 01:02:40 |
Check. |
| 01:02:43 |
Will you come while I find a newsstand? |
| 01:02:45 |
I'm trying to bribe Perry into liking me |
| 01:02:51 |
Sure. |
| 01:02:54 |
Oh, I wish I'd find a man like you. |
| 01:02:59 |
We could always have fun like this. |
| 01:03:01 |
- Oh, thank you, Big Mama. I love you. |
| 01:03:06 |
- Do you? |
| 01:03:10 |
- You never confide in me. |
| 01:03:14 |
Why don't you? |
| 01:03:15 |
- It's very simple. I can't trust you. |
| 01:03:21 |
Paralyzed and speechless. |
| 01:03:23 |
Good afternoon. |
| 01:03:24 |
I need two copies of Playboy, |
| 01:03:28 |
... Baby Doll, Hotsy Totsy, French Flip, |
| 01:03:33 |
Jiggle. |
| 01:03:35 |
Why on earth can you not trust me? |
| 01:03:37 |
Well, you know why. |
| 01:03:41 |
That will never be true. |
| 01:03:44 |
I may not be a monk, |
| 01:03:47 |
Good heavens! |
| 01:03:52 |
Women look much better in clothes, |
| 01:03:55 |
Goodness gracious, |
| 01:03:58 |
I'm glad to see you've recovered. |
| 01:04:10 |
How are things coming? |
| 01:04:12 |
I found a superb structure, |
| 01:04:15 |
...between the Clutters |
| 01:04:19 |
But if I don't find some emotional depth |
| 01:04:23 |
Who needs it? |
| 01:04:26 |
Well, face it, without Perry, you're dead. |
| 01:04:29 |
- I'd cut your losses. |
| 01:04:33 |
Here's your mail. |
| 01:04:36 |
Something from The New Yorker. |
| 01:04:41 |
Something that looks like invitations, |
| 01:04:45 |
Do you know anyone |
| 01:04:51 |
He must be writing to thank me |
| 01:05:04 |
Well, you won't believe this. |
| 01:05:09 |
What? |
| 01:05:11 |
Dear Mr. Capote... |
| 01:05:13 |
...it was extremely solicitous of you |
| 01:05:17 |
He reads the dictionary. |
| 01:05:19 |
But I regret to inform you |
| 01:05:24 |
My future will soon be determined. |
| 01:05:26 |
But there are only two outcomes: |
| 01:05:31 |
So, whether I have a short time remaining |
| 01:05:35 |
...I owe it to my mind to fill it |
| 01:05:40 |
And how about that handwriting? |
| 01:05:43 |
Well, if he wants beauty and intelligence... |
| 01:05:47 |
...you're his man. |
| 01:05:59 |
I waited so we could open it together. |
| 01:06:06 |
Dear Mr. Capote: |
| 01:06:10 |
It was much more intellectual |
| 01:06:14 |
However... |
| 01:06:15 |
However? |
| 01:06:17 |
Though the stories are told well... |
| 01:06:19 |
...l, ultimately, did not like them, because |
| 01:06:25 |
I have never! |
| 01:06:27 |
Maybe you should go back |
| 01:06:30 |
Imagine being told your work |
| 01:06:35 |
My writing is dispassionate |
| 01:06:40 |
...but I wouldn't say it's unkind. |
| 01:06:42 |
I've never thought about it |
| 01:06:46 |
- What a thing to say. |
| 01:07:00 |
I came all this way back, |
| 01:07:05 |
...because there's something |
| 01:07:09 |
I have given my whole life |
| 01:07:12 |
...the creation of a great work of art. |
| 01:07:15 |
Please don't laugh at me. |
| 01:07:19 |
My whole life... |
| 01:07:21 |
...all I've wanted was |
| 01:07:26 |
I sang, nobody listened. |
| 01:07:29 |
I painted, nobody looked. |
| 01:07:34 |
Now, Dick and me, |
| 01:07:38 |
And what's gonna come out of it? |
| 01:07:41 |
A work of art. |
| 01:07:46 |
I'm laughing at me. |
| 01:07:49 |
You want me to open up, |
| 01:07:53 |
- Why not? |
| 01:07:57 |
I thought you looked down on the people |
| 01:08:01 |
...like you were sneering at them. |
| 01:08:03 |
I would never sneer at my characters. |
| 01:08:07 |
If I'm gonna put my heart in front of you... |
| 01:08:09 |
...I need to know I'm doing it with someone |
| 01:08:13 |
...and not make a joke out of it |
| 01:08:20 |
You can't write my story... |
| 01:08:22 |
...because your idea of suffering |
| 01:08:26 |
It's not. I promise. |
| 01:08:32 |
Goodbye. |
| 01:09:11 |
Okay. |
| 01:09:16 |
The reason this is hard |
| 01:09:21 |
...l've never said it out loud before. |
| 01:09:25 |
He told everyone she was sick, but... |
| 01:09:35 |
...my mother committed suicide. |
| 01:09:41 |
- Is this a trick? |
| 01:09:42 |
- Are you bullshitting me? |
| 01:09:45 |
Have you been talking to Dick? |
| 01:09:47 |
No. |
| 01:09:53 |
What happened? |
| 01:09:59 |
Why'd she do it? |
| 01:10:04 |
All my mother ever wanted... |
| 01:10:07 |
...was to be a Park Avenue lady... |
| 01:10:13 |
...which isn't easy when you're in Alabama |
| 01:10:17 |
So she married my father to get out. |
| 01:10:21 |
But before they could go, I came. |
| 01:10:25 |
So she deserted me... |
| 01:10:28 |
...leaving me with my aunts. |
| 01:10:30 |
And when my father failed to deliver |
| 01:10:35 |
...she deserted him too. |
| 01:10:39 |
Because she was beautiful... |
| 01:10:49 |
...so beautiful. |
| 01:10:53 |
She married again, |
| 01:10:57 |
He had a job in New York... |
| 01:10:59 |
...and worked all hours |
| 01:11:03 |
We moved to 1060 Park Avenue. |
| 01:11:10 |
It seemed to extinguish |
| 01:11:17 |
But the way Joe got us there |
| 01:11:21 |
He'd embezzled the money... |
| 01:11:24 |
...a hundred thousand dollars. |
| 01:11:28 |
He was fired and tainted. |
| 01:11:33 |
But not to a smaller place |
| 01:11:36 |
...but to a cold-water flat |
| 01:11:43 |
She couldn't take it. |
| 01:11:50 |
She frantically tried to save money |
| 01:11:55 |
...eating less, not buying lipstick. |
| 01:12:02 |
She'd stopped drinking when they moved |
| 01:12:07 |
And when that failed |
| 01:12:13 |
...she swallowed |
| 01:12:30 |
I'm sorry about before. |
| 01:12:34 |
I thought you were trying to trick me. |
| 01:12:38 |
Trick you? |
| 01:12:40 |
My mother killed herself too. |
| 01:12:45 |
How? |
| 01:12:46 |
The slow way. Drank herself to death. |
| 01:12:51 |
Drinking. |
| 01:12:53 |
Suicide for the faint of heart. |
| 01:12:57 |
My brother couldn't wait. |
| 01:13:00 |
My God. |
| 01:13:02 |
- So you're all alone? |
| 01:13:07 |
I have a sister. |
| 01:13:09 |
You want to know what I think about her? |
| 01:13:12 |
I think she's one evil bastard. |
| 01:13:17 |
You want to see the ball-busting letter |
| 01:13:34 |
Pay attention. |
| 01:13:37 |
This could be good for our book. |
| 01:13:52 |
I don't feel like talking. |
| 01:13:53 |
I thought we were off to a good start. |
| 01:13:57 |
After you left, that asshole next door said: |
| 01:14:00 |
"Hey, Smith, how come your mother |
| 01:14:03 |
Fuck him, who cares? |
| 01:14:05 |
You see, when I'm talking to you, |
| 01:14:08 |
And then I think abut how you |
| 01:14:10 |
Perry, what I'm gonna write about you |
| 01:14:14 |
You're not thinking clearly. |
| 01:14:16 |
You're under the most |
| 01:14:20 |
Aw, doesn't wittle Perry wike it here? |
| 01:14:22 |
- Shut the fuck up, Andrews! |
| 01:14:26 |
Be above him. |
| 01:14:31 |
Come. |
| 01:14:43 |
This can be our little tree house. |
| 01:14:48 |
How come y'all are so quiet? |
| 01:14:52 |
Now... |
| 01:14:56 |
...I want you to relax. |
| 01:14:59 |
I can't. Not here. Not with him. |
| 01:15:02 |
I may be wrong, |
| 01:15:06 |
...that made me think |
| 01:15:10 |
Artists have the power, |
| 01:15:14 |
...to escape a degenerate world |
| 01:15:20 |
How? |
| 01:15:22 |
- Close your eyes. |
| 01:15:27 |
Trust me. |
| 01:15:31 |
Now I want you |
| 01:15:36 |
...and relaxing place you know. |
| 01:15:40 |
Mexico. |
| 01:15:41 |
I know it well. |
| 01:15:48 |
Feel that hot sun beating down on you... |
| 01:15:53 |
...warming all the tension out of you. |
| 01:15:58 |
Feel the heat soaking into you. |
| 01:16:03 |
And then... |
| 01:16:06 |
...gentle as a feather |
| 01:16:11 |
...there's a breeze. |
| 01:16:16 |
Close them. |
| 01:16:20 |
Good. |
| 01:16:22 |
Feel the breeze... |
| 01:16:27 |
...that sensual breath from heaven. |
| 01:16:33 |
Just let go... |
| 01:16:36 |
...relax every muscle. |
| 01:16:51 |
I'm ready. |
| 01:16:56 |
When I was a boy, |
| 01:17:00 |
His parents were rodeo performers. |
| 01:17:04 |
It was a hard life in lots of ways... |
| 01:17:07 |
... but it sure looked good once we lost it. |
| 01:17:11 |
Mom and Dad had to quit. |
| 01:17:14 |
That kind of riding wears your bones out. |
| 01:17:18 |
But that's what they were: Riders. |
| 01:17:23 |
So, when that went away... |
| 01:17:26 |
...everything went with it. |
| 01:17:29 |
Jesus, Flo. |
| 01:17:31 |
Fuck off! It's just beer. |
| 01:17:34 |
Fucking asshole! |
| 01:17:37 |
So Mom left him, and she took me |
| 01:17:47 |
I dreamed Dad would rescue me. |
| 01:17:50 |
How funny. |
| 01:17:54 |
Me too. |
| 01:17:59 |
Every day I waited for him, |
| 01:18:03 |
And then one day |
| 01:18:13 |
Please be real. Please be real. |
| 01:18:16 |
Please be real. |
| 01:18:21 |
Dad. |
| 01:18:25 |
Are you here to take me with you? |
| 01:18:27 |
I wish I could, but I can't. |
| 01:18:32 |
I don't know how to take care of you. |
| 01:18:38 |
I came to tell you to be |
| 01:18:42 |
And he made me get down. |
| 01:18:45 |
He hated his old lady. |
| 01:18:49 |
She took his daddy away. |
| 01:18:52 |
A boy needs his daddy. |
| 01:18:54 |
And did he hate the father too? |
| 01:18:57 |
He always said he hated his old man, |
| 01:19:02 |
...this excruciatingly poignant thing. |
| 01:19:08 |
Dick says that sometimes |
| 01:19:14 |
Dad! |
| 01:19:18 |
Dad! |
| 01:19:21 |
Where you been? |
| 01:19:24 |
I've been looking everywhere for you. |
| 01:19:28 |
Years later, after the Army... |
| 01:19:31 |
... I got a letter from Dad saying |
| 01:19:35 |
Wanted me to come help him. |
| 01:19:38 |
And I'd be lying to you if I told you I wasn't |
| 01:19:43 |
He finally had a place for me. |
| 01:19:46 |
I was gonna sing and play my guitar |
| 01:19:50 |
I painted all the pictures. |
| 01:19:55 |
Nobody's coming here! |
| 01:19:59 |
Nobody! |
| 01:20:01 |
Know why? |
| 01:20:03 |
It's because of you, |
| 01:20:08 |
Your fucking sign is no good! |
| 01:20:10 |
I said, "Buy a neon sign"... |
| 01:20:13 |
...and you said, "I'll paint us a good one." |
| 01:20:16 |
Fucking sissy. |
| 01:20:26 |
Come on. |
| 01:20:27 |
He killed me, this guy. |
| 01:20:30 |
Over and over my whole life, |
| 01:20:37 |
It was always like having a knife in me. |
| 01:20:40 |
So I decided to kill him right then, |
| 01:20:47 |
Sissy. |
| 01:20:49 |
But I couldn't do it. |
| 01:20:52 |
And all this stuff about Dad |
| 01:20:58 |
...it's gonna make me look like |
| 01:21:01 |
No! It will help people see you |
| 01:21:06 |
...not just as someone who has caused |
| 01:21:12 |
Can I see what you've written so far? |
| 01:21:15 |
Not till it's perfect. |
| 01:21:19 |
No one's ever treated me like you have. |
| 01:21:23 |
Is it just to get me to tell you stuff? |
| 01:21:26 |
No. |
| 01:21:27 |
It's because I respect you. |
| 01:21:32 |
All right. Time's up. |
| 01:21:45 |
- Thanks for that beautiful thing you said. |
| 01:21:51 |
About respect. |
| 01:22:25 |
So, I'm sympathetic, am I? |
| 01:22:28 |
You been looking out for me, have you? |
| 01:22:32 |
What's the title of your book? |
| 01:22:39 |
I know the title. The fucking guard told me, |
| 01:22:46 |
It's called In Cold Blood, isn't it? |
| 01:22:49 |
It is, isn't it? |
| 01:22:54 |
You sold me out, you shit... |
| 01:22:56 |
...after I opened myself up |
| 01:22:59 |
Well, you're not gonna get away with it. |
| 01:23:03 |
One sound out of you... |
| 01:23:06 |
...and you'll join the Clutters in hell. |
| 01:23:10 |
Okay? |
| 01:23:18 |
Open your mouth! |
| 01:23:21 |
Open your mouth! |
| 01:23:25 |
Open your fucking lying mouth! |
| 01:23:29 |
You're gonna pay for that title now. |
| 01:23:33 |
You fucked me, |
| 01:24:14 |
I'm not gonna rape you... |
| 01:24:17 |
...because you can trust me. |
| 01:24:22 |
But look. |
| 01:24:25 |
Look |
| 01:24:29 |
That's how your fucking title made me feel. |
| 01:24:56 |
Don't let him in. |
| 01:24:59 |
I need to talk to you, please. |
| 01:25:01 |
From there. |
| 01:25:05 |
Can we have some privacy? |
| 01:25:14 |
In Cold Blood is the title of my book, |
| 01:25:20 |
You boys did a monstrous thing. |
| 01:25:23 |
And the public and their prosecutors |
| 01:25:27 |
If they get what they want, |
| 01:25:29 |
...not in a senseless moment of passion, |
| 01:25:35 |
That is the legal definition |
| 01:25:38 |
This title is a condemnation of their plans. |
| 01:25:42 |
But not only their plans. |
| 01:25:44 |
No. No, not only. |
| 01:25:48 |
Look, you did a terrible thing. |
| 01:25:53 |
That doesn't mean you're not |
| 01:25:58 |
I'm not talking to you |
| 01:26:15 |
It's tough to read the family stuff. |
| 01:26:19 |
- But you told it to me. |
| 01:26:24 |
The Clutters. |
| 01:26:31 |
There better be more than this in this house, |
| 01:26:36 |
Get him to the basement. |
| 01:26:37 |
I'll get the old man. |
| 01:26:40 |
You don't think about it |
| 01:26:45 |
Why don't you put some clothes on? |
| 01:26:50 |
Yes, sir. |
| 01:26:51 |
We didn't know anything about them. |
| 01:26:57 |
Except that they had a safe. |
| 01:27:00 |
But I don't have a safe. |
| 01:27:03 |
How old are you, baby? |
| 01:27:08 |
- Let me help you down with these covers. |
| 01:27:13 |
Now! |
| 01:27:16 |
- You touch her, and I'll kill you. |
| 01:27:19 |
Let's just go. There's no safe. |
| 01:27:22 |
We're not leaving, baby. |
| 01:27:26 |
Get down to the basement so we |
| 01:27:30 |
I'm not leaving you here. |
| 01:27:32 |
Fuck you, then! |
| 01:27:36 |
Let's go. |
| 01:28:24 |
I know this is crazy... |
| 01:28:27 |
...but when I looked in his eyes, |
| 01:28:31 |
"Too bad we couldn't be friends." |
| 01:28:35 |
He had 4-H stuff in his room. |
| 01:28:38 |
And, I could have told him about my folks |
| 01:28:47 |
- Why don't you kiss him? |
| 01:28:50 |
You never like anything to do with girls. |
| 01:28:52 |
- You never want a whore. |
| 01:28:54 |
You won't even watch me |
| 01:28:56 |
- You like boys better? |
| 01:28:58 |
- Go ahead. Then I can break his sister's box! |
| 01:29:00 |
Go ahead, sugar, kiss him. |
| 01:29:04 |
Or would you rather kiss his daddy? |
| 01:29:17 |
Shit, Perry! His hand came free! |
| 01:29:42 |
Now, now you kill the women. |
| 01:30:10 |
I wish I could have saved them... |
| 01:30:14 |
...but at least... |
| 01:30:18 |
I knew what he wanted to do to that girl. |
| 01:30:26 |
Least I spared her that. |
| 01:30:41 |
About the best example I can give you |
| 01:30:46 |
He told me what he thought |
| 01:30:49 |
He said, "Right before I cut his throat |
| 01:30:54 |
"He was a nice soft-spoken gentleman. |
| 01:30:56 |
I thought that right before |
| 01:31:00 |
"I thought he was a very nice gentleman. |
| 01:31:04 |
I thought so right up to the moment |
| 01:31:08 |
What an extraordinary thing to say. |
| 01:31:10 |
Extraordinary. |
| 01:31:28 |
So how's the book? |
| 01:31:30 |
Well, it's coming. I have to leave |
| 01:31:34 |
That's all pro forma, right? |
| 01:31:37 |
No, they hope for life, not death. |
| 01:31:40 |
Death would be better for the book. |
| 01:31:42 |
It would satisfy the readers more, |
| 01:31:48 |
Honey, I've worked harder on this |
| 01:31:52 |
I don't want it ruined just because |
| 01:31:58 |
Gentlemen of the jury, |
| 01:32:00 |
We have, Your Honor. |
| 01:32:02 |
Will the clerk please bring the verdict up? |
| 01:32:11 |
We, the jury, find the defendant, |
| 01:32:16 |
...guilty of the crime of murder |
| 01:32:20 |
And the punishment... |
| 01:32:25 |
...is death. |
| 01:32:31 |
- Will you appeal? |
| 01:32:35 |
But we'll hang. We should. |
| 01:32:39 |
You think hanging is fair? |
| 01:32:42 |
It's funny. |
| 01:32:45 |
...and thinking: |
| 01:32:50 |
Being in jail isn't punishment, |
| 01:32:55 |
And neither is death, |
| 01:33:01 |
I'll tell you what punishment is for me. |
| 01:33:04 |
What? |
| 01:33:06 |
It's hoping there's someone for you. |
| 01:33:11 |
And after years of no one |
| 01:33:32 |
- We really connected, didn't we? |
| 01:33:37 |
You weren't being nice to me |
| 01:33:40 |
No! I think about you all the time. |
| 01:33:43 |
- Dick too? |
| 01:33:48 |
You're the only person |
| 01:33:51 |
Me too. |
| 01:33:53 |
I don't have to act |
| 01:34:07 |
Perry... |
| 01:34:10 |
...I don't want you to die. |
| 01:34:57 |
Look, Ron and Nancy Reagan we're not. |
| 01:35:02 |
We're apart for long times. |
| 01:35:09 |
But we're men. We can have sex |
| 01:35:16 |
What's not allowed is falling in love. |
| 01:35:28 |
You see, that would be a betrayal. |
| 01:35:34 |
A terrible breach of a very mature... |
| 01:35:38 |
...and very sensible arrangement. |
| 01:35:41 |
After the verdicts, |
| 01:35:46 |
By mid-'63 it was done. |
| 01:35:49 |
Perfect as a diamond, |
| 01:35:54 |
...only this time... |
| 01:35:56 |
...it had kindness. |
| 01:35:59 |
But we couldn't publish it |
| 01:36:03 |
...until something had been settled |
| 01:36:06 |
There were four appeals, |
| 01:36:09 |
It took five full years |
| 01:36:12 |
That was hard on the killers, which doesn't |
| 01:36:29 |
Do you have any word yet |
| 01:36:33 |
I don't know. |
| 01:36:37 |
You simply cannot conceive |
| 01:36:44 |
I've worked on this book ceaselessly |
| 01:36:50 |
...pouring the whole of myself into it, |
| 01:36:55 |
And then to be waiting like this... |
| 01:36:58 |
...unable to publish what I've done |
| 01:37:02 |
I can hardly wait. |
| 01:37:05 |
Do you feel that your book is worth |
| 01:37:09 |
- Well, it's certainly worth Dick's. |
| 01:37:14 |
His name is Perry. |
| 01:37:18 |
I mean, it's just an intolerable position. |
| 01:37:22 |
Because to get an ending for the book |
| 01:37:35 |
on death row, |
| 01:37:40 |
Every week, for five years... |
| 01:37:45 |
...Perry wrote both letters to Truman. |
| 01:37:48 |
Friend Truman, cold in Kansas today... |
| 01:37:51 |
...though not as frigid as I imagine |
| 01:37:55 |
How big are those Alps? |
| 01:37:57 |
Friend Truman, do you know the song |
| 01:38:02 |
It was Dad's favorite. |
| 01:38:05 |
Maybe you could use your influence |
| 01:38:08 |
... and get me a tape recorder |
| 01:38:11 |
Not much to say today. |
| 01:38:14 |
Awful blue. |
| 01:38:16 |
God, I miss you. Please write soon. |
| 01:38:20 |
You can't imagine what it does to me |
| 01:38:23 |
... and there's something from you. |
| 01:38:25 |
Friend Truman: |
| 01:38:27 |
It's all over. |
| 01:38:30 |
Our last appeal has been denied. |
| 01:38:33 |
Dick and I are allowed |
| 01:38:36 |
We both pick you. |
| 01:38:39 |
- You have to come with me. |
| 01:38:43 |
I'm getting desperate about my new book. |
| 01:38:56 |
Anyway, |
| 01:38:59 |
I know I said that... |
| 01:39:01 |
...but to see him killed? |
| 01:39:06 |
It's too much. |
| 01:39:09 |
- I don't suppose Jack would? |
| 01:39:13 |
He wouldn't anyway, but... |
| 01:39:15 |
...for some reason, |
| 01:39:21 |
It's like he's jealous. |
| 01:39:28 |
Truman... |
| 01:39:33 |
...are you and Perry? |
| 01:39:35 |
Please, Nelle. |
| 01:39:39 |
I'm begging you. |
| 01:39:43 |
But I couldn't. |
| 01:39:46 |
And I wouldn't. |
| 01:39:51 |
I'm sorry, he can't take the call. |
| 01:39:57 |
It was the boys again. |
| 01:39:59 |
They want me to help... |
| 01:40:02 |
...but I can't help them. |
| 01:40:04 |
Maybe they want you for comfort. |
| 01:40:12 |
Rain is good. |
| 01:40:16 |
I hope he apologizes. |
| 01:40:22 |
That would really make him sympathetic. |
| 01:40:35 |
Hey, Truman. Where you been? |
| 01:40:41 |
I thought you were gonna spend |
| 01:40:43 |
I couldn't get here earlier. |
| 01:40:53 |
It's just so late now. |
| 01:40:55 |
- Hickock, let's get ready. |
| 01:41:00 |
I have something I want to tell you. |
| 01:41:03 |
They're gonna ask if you have anything |
| 01:41:10 |
- That won't bring them back. |
| 01:41:33 |
It's time. |
| 01:41:36 |
Anyone saying goodbye |
| 01:41:47 |
Bye, Truman. |
| 01:41:49 |
Thanks for it. |
| 01:42:14 |
Did he say anything to you? |
| 01:42:18 |
He said he loved me... |
| 01:42:22 |
...and he always had. |
| 01:43:09 |
Richard Eugene Hickock. |
| 01:43:18 |
Just that I hold no hard feelings. |
| 01:43:22 |
You people are... |
| 01:43:24 |
...sending me to a better world |
| 01:43:52 |
"The Lord is my shepherd. |
| 01:43:57 |
He maketh me to lie down |
| 01:44:01 |
He restoreth my soul. |
| 01:44:03 |
He leadeth me in the paths of righteousness |
| 01:44:09 |
Yea, though I walk through |
| 01:44:13 |
...I will fear no evil, |
| 01:44:43 |
Not dead yet. |
| 01:45:13 |
I still hear breathing. |
| 01:45:47 |
Okay, he's ready. |
| 01:46:37 |
Perry Edward Smith. |
| 01:46:44 |
Friend Truman... |
| 01:46:47 |
... I don't know what you did, |
| 01:46:53 |
There's a gold mine in the sky |
| 01:47:01 |
We will find it |
| 01:47:09 |
There'll be a clover just for you |
| 01:47:17 |
Where the skies are always blue |
| 01:47:26 |
Far away |
| 01:47:31 |
Far away |
| 01:47:35 |
We will find that long lost gold mine |
| 01:47:43 |
And we'll say hello to friends |
| 01:47:51 |
When we find that long lost gold mine |
| 01:47:57 |
In the... |
| 01:48:00 |
... sky |
| 01:48:02 |
"The Lord is my shepherd. |
| 01:48:06 |
He maketh me..." |
| 01:48:19 |
Was he able to speak? |
| 01:48:21 |
Yes, he spoke. |
| 01:48:23 |
What did he say? |
| 01:48:25 |
Smith did not speak. |
| 01:48:28 |
He apologized. |
| 01:48:30 |
Just chewed his gum. |
| 01:48:34 |
You saw those two men hanged. |
| 01:48:41 |
Isn't it painful for you? |
| 01:48:48 |
Babaling, life is painful. |
| 01:48:52 |
It's the one experience |
| 01:48:57 |
I suppose I'm able to endure it... |
| 01:49:02 |
...because I can alchemize |
| 01:49:07 |
Yes, but... |
| 01:49:12 |
...at what cost? |
| 01:49:16 |
It made him the most famous author |
| 01:49:21 |
He moved to Manhattan where, oddly... |
| 01:49:24 |
...he had a very good view |
| 01:49:40 |
Who ever knows |
| 01:49:44 |
Who can... |
| 01:49:48 |
...defend themselves from it? |
| 01:49:57 |
Seeing what's happened to him since... |
| 01:50:00 |
...well, despite the bravado |
| 01:50:06 |
...I have come to feel |
| 01:50:15 |
...that there were three deaths |
| 01:50:20 |
He never wrote anything big again. |
| 01:50:23 |
Just collections, |
| 01:50:28 |
God knows he didn't have to write, |
| 01:50:35 |
It's funny. |
| 01:50:37 |
It made him, and it ruined him. |
| 01:50:41 |
You know, in his will... |
| 01:50:45 |
...Perry left everything to Truman. |
| 01:50:55 |
America is not a country |
| 01:51:01 |
We're not a country like France... |
| 01:51:05 |
...where charm, |
| 01:51:09 |
...can survive. |
| 01:51:12 |
We want everything you have... |
| 01:51:14 |
...and we want it as fast |
| 01:52:01 |
Friend TRUMAN |
| 01:52:08 |
I read an interview with Frank Sinatra... |
| 01:52:12 |
...in which he said about Judy Garland: |
| 01:52:15 |
"Every time she sings, she dies a little." |
| 01:52:21 |
That's how much she gave. |
| 01:52:27 |
It's true for writers, too... |
| 01:52:31 |
...who hope to create something lasting. |
| 01:52:35 |
They die a little getting it right. |
| 01:52:40 |
And then the book comes out... |
| 01:52:44 |
... and there's a dinner. |
| 01:52:47 |
Maybe they give you a prize. |
| 01:52:51 |
And then comes the inevitable |
| 01:52:56 |
What's next? |
| 01:53:02 |
But the next thing can be... |
| 01:53:08 |
...so hard... |
| 01:53:13 |
...because now you know |
| 01:53:18 |
Hi, Nelle. |
| 01:53:20 |
I just began my novel |
| 01:53:24 |
...that I want to celebrate. |
| 01:53:26 |
Want to come to lunch? |
| 01:53:31 |
No, honey, I don't care where. |
| 01:53:38 |
Just someplace pretty |
| 01:53:42 |
...and be ourselves. |
| 01:58:29 |
[ENGLISH] |
