|
Ink
|
| 00:00:54 |
Fuck! |
| 00:00:55 |
Fuck! |
| 00:00:57 |
Fuck! |
| 00:01:56 |
I have an appointment. |
| 00:02:00 |
My assistant was supposed to reschedule. |
| 00:02:02 |
She didn't. |
| 00:02:04 |
Better call her then. |
| 00:02:05 |
Mom said you're not allowed |
| 00:02:11 |
Please, just this once. |
| 00:02:13 |
Don't be a putz. |
| 00:02:15 |
Putz? |
| 00:02:17 |
I worked 80 hours this week. What did you do? |
| 00:02:27 |
Come on Dad, we don't have much time! |
| 00:02:35 |
We have to build a wall so the monster doesn't |
| 00:02:43 |
What ever happened to tea parties? |
| 00:02:46 |
Don't little girls have tea parties anymore? |
| 00:02:48 |
You dig the moat. |
| 00:02:51 |
Dig the moat before the monster comes. |
| 00:02:55 |
Can't your mom dig the moat when she gets up? |
| 00:02:57 |
I'm not really prepared for any kind of... |
| 00:03:00 |
...moat digging. |
| 00:03:01 |
Hurry up, we don't have much time! |
| 00:03:03 |
Emma. |
| 00:03:08 |
I just don't do this...okay? |
| 00:03:15 |
Your mom can play these games with you, |
| 00:03:17 |
I've never been any good at this anyhow. |
| 00:03:21 |
You can do this Dad. |
| 00:03:31 |
Oh no! |
| 00:03:32 |
What? |
| 00:03:33 |
It's coming! It's too late for the moat! |
| 00:03:41 |
Ah! It's got me! |
| 00:03:43 |
Ah! Save me Dad! Save me! |
| 00:03:49 |
He's pulling me into his cave! |
| 00:03:50 |
He's really ugly Dad! |
| 00:03:55 |
It's got me. Come on save me. |
| 00:04:09 |
Get away from her you big asshole! |
| 00:04:11 |
Get 'em Dad! Get the bastard! |
| 00:04:14 |
You mess with my daughter, you mess with me! |
| 00:04:22 |
Fort! Fort! Back to the fort! |
| 00:04:24 |
Get down! Get down! |
| 00:04:26 |
You did it Dad! You got 'em! |
| 00:04:31 |
Hey... |
| 00:07:19 |
28, 37, and 53. |
| 00:07:22 |
So good luck to everybody out there who played |
| 00:07:29 |
Dad? |
| 00:07:32 |
I thought you were gone. |
| 00:07:34 |
I went to your funeral. |
| 00:07:35 |
No, no, no. I'm here... |
| 00:08:47 |
It's bedtime Princess Moomba. |
| 00:08:49 |
It's time to get your beauty rest. |
| 00:08:51 |
Your majesty has blessed the land with your |
| 00:08:54 |
But it's quiet now and the journey will continue |
| 00:09:02 |
The rebels have infiltrated the base! |
| 00:09:05 |
Bam! Boom! |
| 00:09:06 |
Sir Lawrence, Sir Lawrence! |
| 00:09:07 |
Send in the cavalry quick! |
| 00:09:09 |
Sir Lawrence? Sir Lawrence?! |
| 00:09:11 |
What happened to you? |
| 00:09:12 |
No!!! |
| 00:09:13 |
Why?! |
| 00:09:14 |
Why?! |
| 00:09:15 |
Whhyyy?! |
| 00:09:18 |
He was so young! |
| 00:09:24 |
Emma? You're not in there playing are you? |
| 00:09:34 |
That's a very convincing snore, but you'll have to |
| 00:09:42 |
Thank you. |
| 00:09:44 |
Good night Grandma. |
| 00:09:46 |
Good night sleep-talker. |
| 00:11:35 |
Help! |
| 00:11:38 |
She buys her friends. |
| 00:11:39 |
She bought that body too. |
| 00:11:44 |
Stop! |
| 00:11:46 |
Stop talking about me! |
| 00:11:49 |
Stop! |
| 00:11:51 |
Stop it! |
| 00:12:06 |
You idiot! |
| 00:12:08 |
You idiot! |
| 00:12:09 |
- How could you be so frivolous and stupid? |
| 00:12:11 |
You're just like your father! |
| 00:12:12 |
He was an idiot too. |
| 00:12:13 |
You're disgusting! You're disgusting to look at! |
| 00:12:15 |
Even your own children are embarrassed to be |
| 00:12:18 |
I made a mistake the minute I met you! |
| 00:12:20 |
I should have known what a loser you were |
| 00:12:22 |
Unemployed and penniless! |
| 00:12:35 |
How many nights are you going to do this? |
| 00:12:38 |
This has got to stop. |
| 00:12:41 |
You can't be absent all the time. |
| 00:12:44 |
You have a whole other life... |
| 00:15:53 |
No! No! |
| 00:16:13 |
Grandpa! |
| 00:16:15 |
Grandpa! |
| 00:16:17 |
Grandpa! |
| 00:17:22 |
No, the girl! |
| 00:17:23 |
Go get the girl! |
| 00:17:31 |
Help! |
| 00:18:31 |
Well, it's one of the most anticipated lPO's of the |
| 00:18:34 |
Apollo Systems, the market leader in the |
| 00:18:38 |
will be choosing a lead underwriter sometime |
| 00:18:41 |
Word on the street is that Hannaway Capital, |
| 00:18:44 |
and Hamilton Partners are all in the front- |
| 00:18:48 |
It's going to be quite a beauty contest and we |
| 00:18:53 |
David... do you... |
| 00:19:32 |
John! |
| 00:19:33 |
No, not this morning. |
| 00:19:36 |
I hate that pants-shitting terror look. |
| 00:19:38 |
What is it man? I'm not going to kill you. |
| 00:19:40 |
- You know you are gonna survive the morning. |
| 00:19:42 |
We're never in a crunch Roger, ever. |
| 00:19:43 |
Word is that Apollo is leaning toward Hamilton. |
| 00:19:47 |
Hamilton came in last night and they low-balled |
| 00:19:49 |
the fee down to six and a half percent. |
| 00:19:51 |
- What, what? |
| 00:19:54 |
They snaked us early. |
| 00:19:55 |
Hamilton? On the Apollo-- |
| 00:19:56 |
- Are you talking about the Apollo account? |
| 00:19:58 |
- Hamilton did six-and-a-half on Apollo? |
| 00:20:02 |
Where did you get this? |
| 00:20:04 |
Carl's contact. |
| 00:20:06 |
Yeah. |
| 00:20:10 |
- Who the fuck let them do that? |
| 00:20:13 |
You know personally I thought it was a little bit |
| 00:20:16 |
Fucking bucket shop! |
| 00:20:18 |
Apollo wants Hamilton? |
| 00:20:20 |
Hamilton couldn't find a fat man in a county fair. |
| 00:20:23 |
Fuck Hamilton, fuck em. |
| 00:20:24 |
They want to win the bid on a percentage play? |
| 00:20:26 |
- They're gonna have to do better than that. |
| 00:20:27 |
- Good luck! |
| 00:20:29 |
This is desperate, I know these guys all too well. |
| 00:20:31 |
This is a desperate fucking move. |
| 00:20:37 |
Listen Roger. |
| 00:20:38 |
This deal falls through this morning... |
| 00:20:41 |
and I will kill you with my own bare hands. |
| 00:23:46 |
One...two...three...four |
| 00:23:48 |
One...two...three...four |
| 00:23:50 |
One... two... three...four |
| 00:23:52 |
One... two... three...four |
| 00:23:54 |
One... two... three...four |
| 00:23:56 |
One... two... three... four |
| 00:23:59 |
One... two... three... four |
| 00:24:01 |
One...two...three...four |
| 00:24:03 |
One...two...three...four |
| 00:24:05 |
One...two...three...four |
| 00:24:07 |
One...two...three...four |
| 00:24:09 |
Ha!..two...three...four |
| 00:24:12 |
Yah!..two...three...four |
| 00:24:14 |
Wah!..two...three...four |
| 00:24:16 |
One...two...three...four |
| 00:24:18 |
One...two...three...four |
| 00:24:21 |
One...two-- Ohh! |
| 00:24:27 |
Branch! |
| 00:24:28 |
Son of a bitch! |
| 00:24:29 |
One, two, three, branch... |
| 00:24:36 |
Hello dirt. And how are we today? |
| 00:24:57 |
Nope. |
| 00:24:58 |
Don't have the face of a fighter do we? |
| 00:25:03 |
You're Jacob? |
| 00:25:07 |
My name's Allel. |
| 00:25:09 |
I'm told I'm suppossed to assist you. You're able |
| 00:25:13 |
- Who was taken... |
| 00:25:16 |
You're the one who got your ass kicked. |
| 00:25:18 |
- What? |
| 00:25:20 |
'Course a good ass kicking doesn't sit well with |
| 00:25:24 |
Are you mocking me? |
| 00:25:25 |
Real sharp too aren't ya. |
| 00:25:30 |
I get it! I get it! I'll play along! |
| 00:25:32 |
You don't want word to get out do ya? |
| 00:25:34 |
- What word? |
| 00:25:36 |
Yeah no one knows you're actually a priss. |
| 00:25:40 |
you really are a priss. |
| 00:25:42 |
Is it your policy to let adorable little girls |
| 00:25:45 |
- That's enough! |
| 00:25:48 |
Cord has been struck... |
| 00:25:50 |
Do we have a guilty child neglector here?!!! |
| 00:25:54 |
There it is! |
| 00:25:56 |
The fighter! |
| 00:25:57 |
Just had to be sure you know. |
| 00:26:00 |
'Course she's roughing up the handicap, but |
| 00:26:04 |
We meet again! |
| 00:26:05 |
Look, is this a joke? |
| 00:26:07 |
Do you actually have a purpose or do you just |
| 00:26:09 |
You lost the girl right? |
| 00:26:10 |
- No I didn't lose the girl! |
| 00:26:13 |
There's still time... |
| 00:26:15 |
before all is lost. |
| 00:26:17 |
You have a way to track him? |
| 00:26:18 |
Hell no and who wants to? Remember he |
| 00:26:21 |
We'll go around the other side. We'll find the |
| 00:26:23 |
- And do what? |
| 00:26:30 |
Shake the shit out of her! |
| 00:26:35 |
We'll wake her up. |
| 00:26:36 |
That's just great! |
| 00:26:38 |
Last time I checked there's no way to physically |
| 00:26:47 |
you're a pathfinder. |
| 00:27:20 |
Ow! |
| 00:27:51 |
Help! |
| 00:27:55 |
Help! |
| 00:27:58 |
Help me! |
| 00:27:59 |
Please! |
| 00:29:41 |
I need help. |
| 00:29:44 |
I have a delivery. |
| 00:29:48 |
My key was broken. |
| 00:29:52 |
Are you a failure lnk? |
| 00:29:56 |
No. |
| 00:29:57 |
Because failure is not an option with us lnk. |
| 00:30:01 |
Only perfection. |
| 00:30:11 |
You can help me? |
| 00:30:15 |
Yes I can. Would you like help lnk? |
| 00:30:20 |
You need it. |
| 00:30:22 |
With that shame... |
| 00:30:26 |
That stench! |
| 00:30:49 |
The code isn't here. |
| 00:30:52 |
It's broken into two. |
| 00:30:56 |
The carriers are drifters. |
| 00:30:58 |
But they are loyal. |
| 00:31:02 |
Find each of them and you'll have access to the |
| 00:31:06 |
Best keep your pacing. |
| 00:31:07 |
You only have a few hours. |
| 00:31:10 |
Fail now and you need not go on. |
| 00:31:14 |
You only have one opportunity... |
| 00:31:17 |
...to become...numb. |
| 00:32:26 |
No Phil. All things considered I think I'd rather |
| 00:32:31 |
Uh huh... |
| 00:32:32 |
Uh huh... |
| 00:32:35 |
Hey Phil... yeah... I gotta go. |
| 00:32:38 |
Yeah, I gotta get to the pitch. Okay? |
| 00:32:41 |
I'm sorry. He said it was an emergency. |
| 00:32:48 |
What are you doing here? |
| 00:32:49 |
I couldn't get you on the phone. |
| 00:32:51 |
If I wanted to talk to you Ron, I would have taken |
| 00:32:54 |
Emma's in the hospital. |
| 00:32:58 |
They say that she's had some kind of seizure. |
| 00:33:05 |
Is she okay? |
| 00:33:06 |
She's alive... |
| 00:33:07 |
but she's not been responsive. |
| 00:33:10 |
She's in a coma now. |
| 00:33:16 |
What are they doing for her? |
| 00:33:18 |
Well they're trying to keep her stable but they... |
| 00:33:21 |
They said it's possible that... |
| 00:33:24 |
this has weakened her heart. |
| 00:33:25 |
They say it's... it's possible... |
| 00:33:27 |
that she could just cycle over into cardiac arrest. |
| 00:33:35 |
Emma needs you. |
| 00:33:38 |
Kathy and I are with her but... |
| 00:33:41 |
but she does... she needs her father. |
| 00:33:47 |
That's not my place anymore. |
| 00:33:51 |
We have to let that go. |
| 00:33:53 |
For your daughter. |
| 00:33:56 |
What can I do now? |
| 00:33:57 |
He wanted to manipulate you. |
| 00:33:59 |
I'm asking you Ron, what can I do now? |
| 00:34:01 |
I'm good enough to be her father now? |
| 00:34:03 |
We have to let that go. |
| 00:34:04 |
It's in the past now. |
| 00:34:05 |
Is it? |
| 00:34:06 |
Well it's very fucking present for me Ron. |
| 00:34:08 |
You know, you convince the world I'm the anti- |
| 00:34:12 |
You can't throw that in the past Ron... |
| 00:34:14 |
'cause that's where I live now! |
| 00:34:15 |
-I know that you've suffered with this, we all |
| 00:34:18 |
-Look, I am pleading with you... |
| 00:34:22 |
I don't even have a daughter... anymore... |
| 00:34:27 |
Those words ring a bell? |
| 00:34:31 |
John, I'm sorry - Mr. Hudson is asking for you. |
| 00:34:34 |
I know Judith, I know. |
| 00:34:51 |
You need to go. |
| 00:34:53 |
This is not the time. |
| 00:34:55 |
I didn't come here for that. |
| 00:34:59 |
You want to talk about lives Ron? |
| 00:35:01 |
Well I'm at the point of life and death... |
| 00:35:03 |
on a multi-billion dollar deal. |
| 00:35:05 |
And thousands of lives are at stake. |
| 00:35:07 |
And that's important. |
| 00:35:09 |
And that's my family now, that's all I have left. |
| 00:35:11 |
We did what we thought was best for her but... |
| 00:35:13 |
but she needs you now. |
| 00:35:16 |
Consider your obligation as her father. |
| 00:35:19 |
This insignificant man. |
| 00:35:22 |
Obligation? |
| 00:35:24 |
What's obligation to you? |
| 00:35:27 |
You don't talk to Shelly for fifteen years... |
| 00:35:29 |
and then you show up at her fucking funeral! |
| 00:35:32 |
Is that the obligation you're talking about Ron, |
| 00:35:35 |
You know, taking care of Emma doesn't |
| 00:35:40 |
You could have killed him. |
| 00:35:41 |
You're still a fraud! |
| 00:35:42 |
You live with that every day, don't ya? |
| 00:35:43 |
-I'm trying to keep you from making the same |
| 00:35:45 |
Oh fuck you Ron! I am not you! |
| 00:35:48 |
Do you understand me?! |
| 00:35:50 |
Don't play the old wise man with me. |
| 00:35:51 |
This is not about me and you John! |
| 00:35:53 |
This is about your daughter. |
| 00:35:55 |
Get out. |
| 00:35:56 |
-I'm asking you John. |
| 00:36:04 |
She's at Lutheran Hospital. |
| 00:36:07 |
They all grovel now. |
| 00:36:13 |
Thank you for your order sir, confirmation's in |
| 00:36:19 |
I just sold five million of our new Bowman |
| 00:36:25 |
Hey, you work for me don't ya? John Sullivan? |
| 00:36:28 |
Scott Hamilton. |
| 00:36:29 |
Yeah. |
| 00:36:30 |
Heard you moved some big money down in the |
| 00:36:33 |
Oh yeah... yeah... got lucky I guess, |
| 00:36:38 |
Hey Todd. |
| 00:36:40 |
Do you remember the Sable high-yield account |
| 00:36:43 |
I just sold them three million of Rumney Casino. |
| 00:36:45 |
I hate you. |
| 00:36:47 |
Johnny! Hey buddy... how are ya? |
| 00:36:49 |
Word is that Scott Hamilton has his eye on you. |
| 00:36:52 |
Huh... you might be moving into a corner office |
| 00:36:55 |
Unbelievable... you're here two-and-a-half years, |
| 00:37:00 |
You know what I got? View of my own demise. |
| 00:37:03 |
Hey! To the talk of the town... John Sullivan! |
| 00:37:05 |
To John! |
| 00:37:18 |
This is ridiculous. |
| 00:37:21 |
How many nights are you going to do this? |
| 00:37:24 |
Hey... |
| 00:37:25 |
we had a great day today. |
| 00:37:27 |
I mean... we... we just had to celebrate. |
| 00:37:32 |
You know. |
| 00:37:34 |
Look at me. |
| 00:37:39 |
What? |
| 00:37:42 |
This has got to stop. |
| 00:37:46 |
You can't be absent all the time. |
| 00:37:49 |
She hated your success. |
| 00:37:52 |
You have a whole other life... |
| 00:37:56 |
that you are forgetting. |
| 00:37:59 |
You can't change that now. |
| 00:38:41 |
You were so ashamed. |
| 00:38:43 |
Mr. Sullivan, your family has already suffered an |
| 00:38:48 |
So it saddens me to have to create any more. |
| 00:38:51 |
However I feel with your history of drug abuse |
| 00:38:56 |
it's important that you be given some time to |
| 00:39:00 |
I see you are currently unfit to care for your |
| 00:39:04 |
-Therefore it is the order of the court... |
| 00:39:07 |
-The custody of Emma Sullivan... |
| 00:39:09 |
-Be awarded to Ronald and Katherine Evans. |
| 00:39:12 |
Damn it! |
| 00:39:13 |
Oh! Let me help you. |
| 00:39:15 |
No don't touch a..! |
| 00:39:16 |
Don't touch a thing... please. |
| 00:39:19 |
Asshole. |
| 00:39:23 |
Two... three... four... one... two...three... four... |
| 00:39:28 |
step... two... three... four |
| 00:39:29 |
So uh... I'm a little confused about the plan |
| 00:39:33 |
Yeah, you and me both. |
| 00:39:35 |
As far as I know, we're supposed to try to |
| 00:39:41 |
And we do that how? |
| 00:39:45 |
I don't know. Today we're just escorts for him. |
| 00:39:48 |
He's a Pathfinder. |
| 00:39:52 |
You're a Pathfinder? |
| 00:39:53 |
Yeah, I wouldn't try to have a real rational |
| 00:39:57 |
Oh, and he has wandering hands. |
| 00:39:59 |
Ouch... two... three... four. |
| 00:40:02 |
Alright. |
| 00:40:04 |
We do this carefully and quietly. |
| 00:40:07 |
We pack light so... uh... don't fight. Mmmk? |
| 00:40:10 |
Okay, he just needs to observe right now. |
| 00:40:13 |
He studies the scene and we watch his back. |
| 00:40:15 |
Now we have no idea if this girl is being guarded |
| 00:40:21 |
We get seen, we have more heat than we can |
| 00:41:04 |
What do you see? |
| 00:41:06 |
It's her... Emma... the girl's body, she's |
| 00:41:11 |
What else? |
| 00:41:14 |
Her Grandmother's in the room. |
| 00:41:15 |
She's doing what? |
| 00:41:17 |
Standing. |
| 00:41:18 |
And she's looking at? |
| 00:41:19 |
She's looking out the window. |
| 00:41:23 |
Keep describing. |
| 00:41:29 |
Her Grandmother's looking at Emma now. |
| 00:41:34 |
She's touching her forehead. |
| 00:41:51 |
Doesn't sound right. |
| 00:41:55 |
Where are this girl's parents? |
| 00:44:27 |
You'll wear her guts! |
| 00:44:30 |
You'd murder her, rather than hand her over? |
| 00:44:33 |
Is she that expendable to you lnk? |
| 00:44:39 |
That's it! |
| 00:44:40 |
Whoa! Whoa! Whoa!!! |
| 00:44:42 |
Let's talk about this. |
| 00:44:44 |
Leave her. |
| 00:44:45 |
Take me. |
| 00:44:57 |
She's done. |
| 00:44:58 |
Okay, I yield. |
| 00:45:39 |
Morning. |
| 00:45:40 |
Someone want to fill me in? |
| 00:45:41 |
Our inside man says Hamilton put in an after- |
| 00:45:44 |
Says they offered up six-and-a-half at |
| 00:45:46 |
Our inside man, have mercy. We've turned into |
| 00:45:51 |
Fuck! Fuck! |
| 00:46:00 |
It's okay, okay. |
| 00:46:02 |
Hamilton's a joke. They're on their last legs. |
| 00:46:06 |
We can beat this. |
| 00:46:07 |
John, how the hell are we going to beat this? |
| 00:46:09 |
We all know they're going to bring the offer to |
| 00:46:12 |
-and now they're making sure Apollo knows it. |
| 00:46:14 |
we simply cannot compete with their trifecta. |
| 00:46:17 |
For the love of fuck people! Why do we want to |
| 00:46:20 |
Huh? Let's pick up the bat, and take a few |
| 00:46:23 |
Look, letting this one slide is just not an option. |
| 00:46:26 |
Okay? We are there, we will take it. |
| 00:46:30 |
We can always work the numbers. |
| 00:46:32 |
We could substantiate an offer at... eighteen? |
| 00:46:36 |
I love this woman. I love this woman. |
| 00:46:38 |
That's what I'm talking about. A little creativity. |
| 00:46:43 |
It's bullshit. |
| 00:46:48 |
This was nothing to you. |
| 00:46:54 |
This has got to stop. |
| 00:46:57 |
You can't be absent all the time. |
| 00:47:02 |
It's about self-image guys. |
| 00:47:05 |
It's just about how they perceive themselves. |
| 00:47:08 |
Apollo is high as a kite right now. |
| 00:47:10 |
So we indulge that. |
| 00:47:11 |
They want numbers, we'll give them some |
| 00:47:14 |
How solid is this? |
| 00:47:16 |
Solid. |
| 00:47:19 |
Okay. |
| 00:47:21 |
So we meet Hamilton's six-and-a-half. |
| 00:47:24 |
We offer up a firm commitment. Eighteen |
| 00:47:28 |
No one's gonna fuck with that. |
| 00:47:29 |
John that's a pretty big stretch. |
| 00:47:31 |
Dan! |
| 00:47:33 |
I will sell this. I will sell this. |
| 00:47:36 |
I just affirm what they already believe. |
| 00:47:38 |
These guys think they're God. Let's give them |
| 00:47:43 |
They worship you. |
| 00:48:02 |
Hey John! |
| 00:48:05 |
How many generations of trash do you come |
| 00:48:13 |
Don't listen to them John. |
| 00:48:15 |
Don't listen to them John! |
| 00:48:18 |
You are better than that! |
| 00:48:21 |
You are better than that! |
| 00:48:27 |
It'll be $1 0.80 |
| 00:48:29 |
I'm um... paying with food stamps today. |
| 00:48:40 |
Humiliation. |
| 00:48:43 |
What are they're staring at? |
| 00:48:46 |
They'll all burn John. |
| 00:49:05 |
In case we need the big guns. |
| 00:49:08 |
If all goes peachy, we will. |
| 00:49:14 |
Quiet. Get back. |
| 00:49:22 |
Damn it! |
| 00:49:23 |
Oh! Let me help you. |
| 00:49:24 |
No don't touch! Don't touch a thing, please! |
| 00:49:26 |
He's ahead of us. |
| 00:49:32 |
He's walking to his car and there's an lncubus |
| 00:49:37 |
What does the lncubus look like? |
| 00:49:39 |
Large. Collected. |
| 00:49:44 |
One... two... three... four... |
| 00:49:49 |
What is an lncubus doing with him during the |
| 00:49:53 |
What does it mean? |
| 00:49:58 |
It means this guy is fucked. |
| 00:50:00 |
Two... three... four... one... two... three... four... |
| 00:50:07 |
One... two... three... four. |
| 00:50:39 |
Are you good? |
| 00:50:42 |
Yes. |
| 00:50:44 |
And he's bad? |
| 00:50:49 |
He's not good. |
| 00:50:51 |
What do you think? Does he seem bad to you |
| 00:50:55 |
You know my name? |
| 00:50:57 |
I know a lot about you. |
| 00:51:00 |
How? |
| 00:51:01 |
When you go to sleep at night, do you like |
| 00:51:05 |
Well, when you sleep, people like me come. |
| 00:51:08 |
And we give you, and your family, and everyone |
| 00:51:16 |
Does he give nightmares? |
| 00:51:19 |
Not yet he doesn't. |
| 00:51:20 |
Quiet! |
| 00:51:26 |
Can you take me home? |
| 00:51:30 |
No, I can't. Why do you want to go home? |
| 00:51:34 |
I'm scared. |
| 00:51:37 |
That's strange. |
| 00:51:39 |
I didn't think a lioness could get scared. |
| 00:51:42 |
-What? |
| 00:51:44 |
Don't tell me you don't know. |
| 00:51:46 |
Know what? |
| 00:51:48 |
Ink didn't tell you? |
| 00:51:51 |
You know you're not a little girl anymore, right? |
| 00:51:54 |
In this world, you become something else. |
| 00:51:57 |
And as soon as you came here you started to |
| 00:52:02 |
A lion? |
| 00:52:03 |
Well you still look like a little girl but... |
| 00:52:05 |
you started turning into a lion as soon as you |
| 00:52:08 |
I did? |
| 00:52:09 |
Yeah, see that's why I'm so surprised. |
| 00:52:12 |
'Cause usually lionesses are big, brave suckers. |
| 00:52:16 |
I'm sure you can tell. |
| 00:52:18 |
You're full of it. |
| 00:52:20 |
Am l? |
| 00:52:24 |
Just what I thought. |
| 00:52:25 |
You know you might start working on your roar |
| 00:52:28 |
It's tough to be a noble lioness without a good |
| 00:52:34 |
Storytellers! Liars! |
| 00:52:40 |
I'll be rid of you soon. |
| 00:53:38 |
Intruders! |
| 00:53:41 |
Stay back... stay back! |
| 00:53:46 |
This is mine! This is all mine! |
| 00:53:53 |
Roar! |
| 00:54:07 |
This... this is all mine! It's all mine! |
| 00:54:10 |
-Th... th... that's mine! |
| 00:54:13 |
I'm here for a code. I have a delivery forthe |
| 00:54:16 |
There are... there are... there are codes. |
| 00:54:18 |
They are codes that belong to me and they will |
| 00:54:26 |
You want payment? |
| 00:54:30 |
Payment will be your life! |
| 00:54:31 |
No my life... my life... no, no! No! |
| 00:54:34 |
For my things to be taken, must replaced and |
| 00:54:38 |
My life? |
| 00:54:39 |
Mmm... nah. No, that's... thats, that's not of |
| 00:54:58 |
-Ooooh... those are mine. |
| 00:55:01 |
Yeah... three of those are mine. |
| 00:55:06 |
So. Assembly codes? |
| 00:55:11 |
This way. |
| 00:55:14 |
So... you've uh... come here for codes have |
| 00:55:19 |
I have codes! |
| 00:55:21 |
Some... some... uh... somewhere... um... |
| 00:55:28 |
Assembly codes! |
| 00:55:34 |
Umm... somewhere... uhhh... |
| 00:55:38 |
Assembly codes. |
| 00:56:01 |
How did you get the big prize? |
| 00:56:06 |
Oh, she... she... she's worth quite a lot I hear. |
| 00:56:11 |
I can take her off your hands for you. |
| 00:56:17 |
Liev... the Storyteller. |
| 00:56:23 |
Liev. |
| 00:56:27 |
The Storyteller. |
| 00:56:29 |
Get down now! |
| 00:56:37 |
I have a $10,000 PowerPoint here. All the bells |
| 00:56:42 |
Showing you why we are the greatest, the most |
| 00:56:47 |
But this meeting isn't about us. |
| 00:56:50 |
This meeting is about you. |
| 00:56:52 |
It's about how you guys are going to be the |
| 00:57:05 |
I've given them an hour. They agreed to |
| 00:57:09 |
As long as I show up with the final paperwork |
| 00:57:13 |
We're in business. |
| 00:57:20 |
One hour... you've got to be there. |
| 00:57:22 |
Wake up!!! |
| 00:57:25 |
Wake up!!! |
| 00:57:26 |
We don't have much time. |
| 00:57:29 |
Tick tock. This man got rocked. |
| 00:57:39 |
Two... three.. four... one... two... three... four. |
| 00:57:43 |
One... two... three... four... |
| 00:57:56 |
What exactly are you doing? |
| 00:57:58 |
I need links. |
| 00:58:00 |
Links. |
| 00:58:00 |
A chain needs links. |
| 00:58:03 |
Chain... chain reaction? |
| 00:58:04 |
You've got it, tell her what she's won Bob! |
| 00:58:07 |
You know what, I don't get this! I don't get you! |
| 00:58:10 |
What are we even doing here, we're wasing our |
| 00:58:14 |
A child is going to die and you're burning her |
| 00:58:16 |
Death is the least of her troubles. |
| 00:58:18 |
That's right! You know what, you're right! So |
| 00:58:24 |
You know the downward spiral is essentially a |
| 00:58:27 |
And nothing that comes out of your mouth |
| 00:58:29 |
They're all reactions! |
| 00:58:33 |
One thing begets the next. A man has a |
| 00:58:38 |
That flaw leads him to guilt. The guilt leads him |
| 00:58:41 |
The shame he compensates with pride and |
| 00:58:44 |
And when pride fails, despair takes over and |
| 00:58:48 |
What will become his fate. |
| 00:58:52 |
Something's got to stop the flow. |
| 00:59:07 |
He's on his way. |
| 00:59:12 |
The girl needs her father... |
| 00:59:15 |
and we're going to deliver him. |
| 00:59:20 |
One... two... three... four... |
| 01:00:48 |
One... |
| 01:02:13 |
Something's got to stop the flow. |
| 01:02:32 |
One hour, you've got to be there. |
| 01:02:37 |
Wake up! Your whole life is gonna crumble! |
| 01:02:43 |
Wake up! |
| 01:02:56 |
He's running for help! We don't have much time. |
| 01:02:59 |
Tick tock. This man got rocked. |
| 01:03:25 |
It's okay... |
| 01:03:28 |
it's all going to be okay John. |
| 01:04:35 |
Doesn't sound too good. |
| 01:04:38 |
Yeah, usually I can get it to start. |
| 01:04:40 |
Unfortunately I'm not to good with cars, but... |
| 01:04:44 |
this is the engine, right? |
| 01:04:47 |
Okay, alright. |
| 01:04:50 |
-Oh, look at this. Yeah, right here. |
| 01:04:52 |
-This is your problem right here. |
| 01:04:55 |
Ah, check this out. |
| 01:04:57 |
Yeah, try starting her up. |
| 01:05:02 |
Sorry... that was bad. Sorry, that was bad. |
| 01:05:05 |
-No... it was good. |
| 01:05:15 |
You were so cute. |
| 01:05:17 |
I was so nervous. |
| 01:05:20 |
Why? |
| 01:05:21 |
I don't know... I guess I was humbled by you. |
| 01:05:25 |
-No! No! |
| 01:05:27 |
-No! |
| 01:05:29 |
-Shelly! I love you I want the kisses! |
| 01:05:32 |
-Kisses! |
| 01:05:33 |
-I love you Shelly! |
| 01:05:35 |
-I want the kisses! I want the kisses! |
| 01:05:38 |
Oh baby! Oh baby! |
| 01:05:44 |
I know... |
| 01:05:46 |
I know I don't... uhh... say... |
| 01:05:52 |
I just want you to know... |
| 01:05:55 |
I just... I want you... I want you... |
| 01:05:56 |
-John. |
| 01:05:59 |
I love you too. |
| 01:06:04 |
This is who you were. |
| 01:06:11 |
Why are you here??! |
| 01:06:12 |
What do you mean? |
| 01:06:13 |
I know who you are Storyteller. This is a trap! |
| 01:06:16 |
You set me up! I'll kill her! I'll kill us all right |
| 01:06:19 |
Whoa! Whoa! Whoa! I'm the one in chains |
| 01:06:23 |
Liar! |
| 01:06:26 |
-You're confused by your own paranoia. |
| 01:06:31 |
You are in complete control. |
| 01:06:34 |
What is it you're so afraid of? |
| 01:06:51 |
Why the scars lnk? |
| 01:06:56 |
Do you even remember how you got them or did |
| 01:07:02 |
It was suicide wasn't it? |
| 01:07:07 |
I can tell from your scars your entry was painful. |
| 01:07:11 |
Remember. |
| 01:07:14 |
You can see nothing. |
| 01:07:19 |
They'll be gone soon. |
| 01:07:21 |
At the assembly... |
| 01:07:23 |
When you become one of them? |
| 01:07:27 |
You've been given promises of beauty and bliss |
| 01:07:36 |
This girl... |
| 01:07:40 |
she's your ticket? |
| 01:07:43 |
They told you bring her to the table and you |
| 01:07:46 |
Numb to your pain. |
| 01:07:49 |
They told you to take her as a sacrifice? |
| 01:07:53 |
That's all she is. |
| 01:07:56 |
There's nothing in you that sees something |
| 01:07:59 |
I have no sympathy for their kind. |
| 01:08:02 |
Don't try to manipulate my emotions, I don't |
| 01:08:06 |
I'm not interested in manipulation, just in |
| 01:08:11 |
I accept what's real! |
| 01:08:12 |
You can't even accept yourself! |
| 01:08:15 |
Why do you hide under that cloak? |
| 01:08:18 |
You wreak of guilt. |
| 01:08:20 |
Guilt comes from somene with a soul. |
| 01:08:22 |
Words. |
| 01:08:25 |
A Storyteller. |
| 01:08:26 |
Where is your army? |
| 01:08:28 |
I have no army lnk. |
| 01:08:32 |
I'm alone. |
| 01:08:35 |
No one is coming for me, there's no trap. |
| 01:08:53 |
You are in control. |
| 01:08:56 |
Yours, hers, my fate, are in your hands. |
| 01:09:07 |
You will not stop me. |
| 01:09:10 |
This girl will go to the assembly. |
| 01:10:03 |
Hello! |
| 01:10:05 |
You've come to visit Sadie? |
| 01:10:09 |
Sadie loves visitors. |
| 01:10:13 |
And they love to visit me. |
| 01:10:16 |
They love to take my picture. |
| 01:10:18 |
Love to see me smile. |
| 01:10:21 |
They ask about me all the time. |
| 01:10:24 |
What is she doing? Who is she with? |
| 01:10:31 |
Where have they all gone? |
| 01:10:38 |
But here you are... my... audience. |
| 01:10:50 |
My name is... Ink. |
| 01:10:52 |
Who is this??! |
| 01:10:57 |
Her ugliness disgusts me! |
| 01:11:00 |
I am lnk. |
| 01:11:01 |
These are my prisoners. |
| 01:11:03 |
I have a delivery for the Assembly. |
| 01:11:06 |
I need part of a code. |
| 01:11:08 |
I will speak with you. |
| 01:11:11 |
But not in her presence. |
| 01:11:18 |
Ooohhh... a kiddie! |
| 01:11:22 |
Roar! |
| 01:11:28 |
It's gettin' there. |
| 01:11:38 |
Guess we're not well liked here. |
| 01:11:41 |
Who's she? |
| 01:11:43 |
She's a drifter. |
| 01:11:45 |
She was once a person. |
| 01:11:47 |
And when she died she came here. |
| 01:11:49 |
But she wanders around not knowing her place. |
| 01:11:51 |
She's not a Storyteller like me. Or an lncubus. |
| 01:11:56 |
She refuses both sides. Like lnk. |
| 01:12:01 |
How long have you been a Storyteller? |
| 01:12:05 |
How long? |
| 01:12:07 |
Well, that depends on how you measure time. |
| 01:12:12 |
For us, time doesn't work the same as it does for |
| 01:12:15 |
We live in two different timelines. |
| 01:12:27 |
She's cutting your hair. |
| 01:12:30 |
She wants your hair for part of the code. |
| 01:12:34 |
You'll give it to her. |
| 01:12:36 |
It's yours. |
| 01:12:44 |
Filthy! Probably worthless! |
| 01:12:47 |
Of course I won't tell anybody I took it from some |
| 01:12:50 |
Of course, in the right light... |
| 01:12:55 |
in the right light, no one notices anything. |
| 01:13:00 |
When they light me, it's as though I were silk. |
| 01:13:04 |
Shimmering almost! |
| 01:13:07 |
Reflecting every gaze. |
| 01:13:17 |
That's enough. |
| 01:13:38 |
There's a bigger picture. |
| 01:13:41 |
What? |
| 01:13:46 |
Liev says we can't see, but... |
| 01:13:49 |
there's a bigger picture. |
| 01:13:55 |
Should we send for help yet? |
| 01:14:00 |
Not yet... |
| 01:14:04 |
she needs more time. |
| 01:14:21 |
How are you able to do what you do? |
| 01:14:24 |
It's all about the beat. |
| 01:14:27 |
God may have taken my sight. |
| 01:14:30 |
But I can hear the beat. |
| 01:14:34 |
The beat? |
| 01:14:34 |
Beat of the world. |
| 01:14:36 |
We're all part of a song, I just hear the music. |
| 01:14:40 |
You can physically change the path of people's |
| 01:14:43 |
That's what they say. |
| 01:14:48 |
You think he'll be okay? |
| 01:14:49 |
Sure. A little physical damage can be good. |
| 01:14:56 |
Shake the shit out of ' em. |
| 01:14:58 |
That's what I always say. |
| 01:15:01 |
He's convinced himself he's God. |
| 01:15:04 |
We're just reminding him he's not. |
| 01:15:07 |
Takes humility to remember who we are. |
| 01:15:10 |
If he embraces his shame... |
| 01:15:13 |
she has a chance. If not, the girl will be lost. |
| 01:15:19 |
That can't happen. |
| 01:15:23 |
Better get movin' big boy... |
| 01:15:25 |
she doesn't have much time. |
| 01:15:33 |
Shelly... baby... baby... stay awake... baby... |
| 01:15:41 |
Shelly... Shelly... Shelly... |
| 01:15:43 |
Stay... stay with me... stay with me... |
| 01:15:46 |
Stay awake... stay awake... just stay awake... |
| 01:15:50 |
-Sir come with me. |
| 01:15:51 |
-Sir we need to get your leg checked out. |
| 01:15:53 |
-Come on sir. |
| 01:15:54 |
Come on, she's going to be okay. |
| 01:15:55 |
Sir come with me. |
| 01:15:57 |
She's going to be okay. |
| 01:15:58 |
-Let's get your leg checked out. |
| 01:16:00 |
Let's go over here. |
| 01:16:04 |
That's when I lost you. |
| 01:16:08 |
That's when I lost you. |
| 01:16:10 |
But it wasn't your fault. |
| 01:16:46 |
I didn't know what to do. |
| 01:16:50 |
I didn't know what to do. |
| 01:16:51 |
I know. |
| 01:16:53 |
I know. |
| 01:16:55 |
I came home, and you were gone. |
| 01:16:58 |
But your things were there like you... Iike you |
| 01:17:02 |
I didn't... I didn't know what to do. |
| 01:17:05 |
'Cause I couldn't for the life of me wrap my mind |
| 01:17:16 |
you were never coming back. |
| 01:17:20 |
It's okay. |
| 01:17:23 |
This wasn't your fault. |
| 01:17:26 |
I miss you so much. |
| 01:17:29 |
I miss you so much. |
| 01:17:34 |
I miss you too. |
| 01:18:11 |
Why don't you fight? |
| 01:18:15 |
You're letting this happen. |
| 01:18:20 |
You're a warrior. |
| 01:18:23 |
You should fight. |
| 01:18:26 |
Fighting would only blind you further. |
| 01:18:40 |
Do you like my hair? |
| 01:18:42 |
It's all the rage right now. |
| 01:18:59 |
Makes no sense. |
| 01:19:02 |
What do you care about her? |
| 01:19:06 |
There's billions of children out there. |
| 01:19:10 |
Her life means nothing. |
| 01:19:13 |
I believe it means something to her. |
| 01:19:20 |
Yet you push forward. |
| 01:19:24 |
I have nothing to lose. |
| 01:19:29 |
I'm damned regardless. |
| 01:19:32 |
You've convinced yourself of that. |
| 01:19:37 |
You're desperate now. |
| 01:19:41 |
I know my fate is determined. |
| 01:19:48 |
I don't believe the rumors about you. |
| 01:20:44 |
What are you doing with her? |
| 01:20:49 |
She's an extra... gift... for the acceptance. |
| 01:20:56 |
Dangerous, but he will be happy. |
| 01:21:34 |
-Get her Dad! |
| 01:21:38 |
Go! Go! |
| 01:21:54 |
This is who you were. |
| 01:22:12 |
How do you feel? |
| 01:22:16 |
Lost. |
| 01:22:17 |
You were in a car accident. You have a nice |
| 01:22:22 |
Just go ahead and relax and the Doctor will be |
| 01:22:26 |
Where am l? |
| 01:22:27 |
You're at Lutheran Hospital. |
| 01:22:30 |
Lutheran Hospital. |
| 01:22:47 |
There's not much time. |
| 01:22:49 |
Come on John. |
| 01:23:48 |
Come on John! |
| 01:24:22 |
Shit! We need help I'm launching the pop! |
| 01:24:24 |
Do it! |
| 01:24:38 |
What's going on? |
| 01:24:39 |
The remote... it's... it's not working. |
| 01:24:43 |
Damn it! |
| 01:24:46 |
It has to be launched from the base then. |
| 01:24:56 |
Go Allel! We'll hold them off as long as we can. |
| 01:24:58 |
He won't make it without me! |
| 01:25:01 |
I'll go. |
| 01:25:05 |
Wow! |
| 01:25:10 |
Crazy blind bastard on the loose! |
| 01:25:13 |
One, two, three, four... |
| 01:25:16 |
I'll stay with him. |
| 01:25:19 |
It's not going to be much! |
| 01:25:25 |
One, two, three, four... |
| 01:25:26 |
One, two, three, four... |
| 01:25:28 |
One, two, three, four... |
| 01:26:01 |
Uh, hey, hey, excuse me... |
| 01:26:03 |
If I wanted to find a patient... |
| 01:26:05 |
...a little girl? |
| 01:26:06 |
Little girl? All children are in pediatrics which is |
| 01:26:09 |
- Okay? |
| 01:26:33 |
One, two, three, four... |
| 01:26:34 |
One, two, three, four...one... |
| 01:27:22 |
three, four, one, two, three, four... |
| 01:28:28 |
Emma... |
| 01:28:30 |
Emma, look at me. |
| 01:28:36 |
Oh my... |
| 01:28:39 |
What? |
| 01:28:40 |
I think the change is complete. |
| 01:28:43 |
I see a lioness. |
| 01:28:46 |
At first I wasn't sure, but then suddenly... |
| 01:28:48 |
I noticed something. |
| 01:28:51 |
Look how brave you've become. |
| 01:28:53 |
The little girl I met is no more. |
| 01:28:56 |
She's now the most ferocious creature on Earth. |
| 01:29:00 |
I knew I was right. |
| 01:29:04 |
When I die will I be a Storyteller like you? |
| 01:29:12 |
No, you'll be far greater than that. |
| 01:29:15 |
You'll be much more beautiful. |
| 01:29:19 |
Will I get to see my Mom again? |
| 01:29:22 |
Yes you will Sweetie. |
| 01:30:40 |
The real prize today...is lnk. |
| 01:30:44 |
You have proved your loyalty. |
| 01:30:49 |
Those scars, they will be gone now. |
| 01:30:54 |
No more shame. |
| 01:30:57 |
Because pride... |
| 01:30:59 |
is what we are made of. |
| 01:31:04 |
You will be our greatest asset. |
| 01:31:14 |
Roar! |
| 01:31:40 |
Ink... |
| 01:31:44 |
Incredible lnk. |
| 01:31:49 |
You hide yourself ashamed... |
| 01:31:54 |
but you can't see how beautiful you are. |
| 01:31:59 |
I don't understand. |
| 01:32:02 |
Why are you here? |
| 01:32:06 |
What have you done? |
| 01:32:10 |
I'm here for you lnk. |
| 01:32:14 |
I'm here for you. |
| 01:32:19 |
Why? |
| 01:32:22 |
Why? |
| 01:32:24 |
What do you want from me? |
| 01:32:28 |
I am ruined. |
| 01:32:33 |
Why can't you see that? |
| 01:32:36 |
Because I choose to see you... |
| 01:32:40 |
for what you were intended to be... |
| 01:32:43 |
not for what you've become. |
| 01:32:50 |
When will you recognize her? |
| 01:32:54 |
Has your mind become so corrupted? |
| 01:32:56 |
Who? |
| 01:32:58 |
This is what you could become. |
| 01:33:03 |
This is what you will choose to be. |
| 01:33:06 |
You don't have to choose this. |
| 01:33:31 |
I don't understand. |
| 01:33:34 |
I don't understand. |
| 01:33:36 |
You know my name... |
| 01:33:38 |
but why? |
| 01:33:42 |
Because you're a great warrior. |
| 01:33:48 |
Because it's said... |
| 01:33:50 |
you can undo what's already been done. |
| 01:34:05 |
When will you recognize her? |
| 01:34:08 |
Has your mind become so corrupted? |
| 01:34:47 |
This is what you could become. |
| 01:34:51 |
This is what you will choose to be. |
| 01:34:54 |
You don't have to choose this. |
| 01:35:17 |
It was suicide wasn't it? |
| 01:35:25 |
I can tell from your scars your entry was painful. |
| 01:35:36 |
For us time doesn't work the same |
| 01:35:38 |
For me, a day is like a thousand years... |
| 01:35:43 |
and a thousand years is like a day. |
| 01:36:04 |
You see now John? |
| 01:36:07 |
You see now? |
| 01:38:21 |
He did it. |
| 01:38:23 |
One... two... breathe... four... one... two... |
| 01:39:55 |
Forgive me. |
| 01:40:17 |
Dad? |
| 01:40:23 |
Yes baby. |
| 01:40:28 |
What happened to you? |
| 01:41:13 |
Dad... |
| 01:41:15 |
Dad? |
| 01:41:18 |
Emma. |
| 01:41:20 |
Is that you? |
| 01:41:24 |
Yeah baby... it's me... it's me. |
| 01:41:28 |
I'm not dreaming? |
| 01:41:31 |
No... you're not... you're not dreaming. |
