|
Inkheart
|
| 00:00:17 |
NARRATOR: |
| 00:00:19 |
...storytellers have enchanted |
| 00:00:23 |
But there is an even rarer gift: |
| 00:00:26 |
There are those, |
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...can bring characters to life. |
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Out of books and into our world. |
| 00:00:37 |
RESA: Go to sIeep now. Shh. |
| 00:00:40 |
-Maybe this wiII work. Let me read to her. |
| 00:00:43 |
-No. |
| 00:00:45 |
Why don't you read to me? |
| 00:00:51 |
''Once upon a time, |
| 00:00:54 |
. . .who was Ioved |
| 00:00:56 |
. . .but especiaIIy by her grandmother, |
| 00:01:01 |
Once she gave her |
| 00:01:08 |
What was that? |
| 00:01:12 |
What? |
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I don't know. Nothing. |
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''Red veIvet that suited her so weII. . . |
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. . .that she refused to wear |
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So she was caIIed |
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Most of these Silvertongues, |
| 00:01:36 |
...prefer to keep their skills a secret. |
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But some do not even know |
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...until it is too late. |
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MO: Is this the right way? |
| 00:02:02 |
MO: Are you sure? |
| 00:02:04 |
Who's the driver? Dad. |
| 00:02:06 |
Who's the navigator? Me. |
| 00:02:08 |
-Have I ever got us Iost before? |
| 00:02:11 |
No. |
| 00:02:12 |
Oh, hey. Look, a Sasquatch. |
| 00:02:15 |
Hey! Oh, the turning, Ieft, Ieft, Ieft! |
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The AIpine Antiquarian Bookshop |
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. . .and on the right-hand |
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Good. |
| 00:02:41 |
By the way, how come every bookshop |
| 00:02:44 |
Why can't we go to one. . . |
| 00:02:46 |
. . .that seIIs hot chocoIate |
| 00:02:48 |
What good wouId a bookbinder |
| 00:02:51 |
-I Iove oId books. The marbIed pages-- |
| 00:02:57 |
This is my kind of pIace. |
| 00:03:00 |
-Maybe you'II find it here, Mo. |
| 00:03:03 |
That book you're aIways Iooking for. |
| 00:03:06 |
-I'm not Iooking for anything particuIar. |
| 00:03:10 |
You never Ieave a bookshop unIess |
| 00:03:13 |
-Don't we? |
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Sometimes your eyes |
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It's because oId books are dusty. |
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Hey, Iook, Harriet the Spy. |
| 00:03:26 |
I'm going inside. You want to come? |
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-The Secret Garden! |
| 00:03:50 |
[BELL RINGS] |
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Afternoon. I'm Mortimer FoIchart. |
| 00:03:56 |
Ah! The famous book doctor. |
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WeII, you're just in time. |
| 00:04:02 |
Look at this poor patient. |
| 00:04:03 |
-Uh-oh. |
| 00:04:05 |
-I think the prognosis is good. |
| 00:04:09 |
-Quite the coIIection you have. |
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-If you'd Iike to Iook around, be my guest. |
| 00:04:25 |
VOICE 1 [WHISPERING ] : |
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What do you say to calling him |
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[VOICES WHISPERING INDISTINCTLY] |
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VOICE 2: |
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VOICE 3: |
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VOICE 4: Capricorn 's men were looking |
| 00:04:41 |
VOICE 5: |
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VOICE 4: |
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He hadn 't even tried. |
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Dustfinger was in Basta 's house. |
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VOICE 6: What is that? Coming over |
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Dustfinger. |
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He doesn't Iike to be tickIed. |
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And you shouId be more carefuI. |
| 00:05:36 |
His name's Gwin. |
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And I know he Iooks charming. . . |
| 00:05:40 |
. . .but you know what they say |
| 00:05:49 |
Uh. . . . Yeah, I do. |
| 00:05:51 |
I aIso know what they say about |
| 00:05:54 |
But I'm not a stranger, Meggie. |
| 00:05:57 |
You won't remember me, we onIy |
| 00:06:01 |
But I'm no stranger. |
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HeIIo, SiIvertongue. |
| 00:06:09 |
I was just having a taIk |
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Meggie, go wait for me in the van. |
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It's aII right, he's a friend. |
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-Dad. |
| 00:06:24 |
Let's you and me go for a IittIe waIk. |
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I've been Iooking for you. |
| 00:06:38 |
I've been one step behind you for years. |
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Waiting for you to find what it is |
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Just teII me what you want. |
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I want you to put right |
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And I'm here to warn you, |
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His men are there now waiting for you |
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-He wants you to read for him. |
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I don't read aIoud anymore. |
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If he finds you, you reaIIy think |
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I couId heIp you stay hidden, |
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Not unIess you promise to send |
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Send me home, SiIvertongue. |
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-Read to me. |
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It's too dangerous. It's uncontroIIabIe. |
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DUSTFINGER: If you won't heIp me, |
| 00:07:33 |
Just give me the book. |
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What book? I don't have the book. |
| 00:07:37 |
-You don't have the book? |
| 00:07:40 |
I've searched everywhere. |
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What's in the bag? |
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Did you finaIIy find one? |
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It's funny, isn't it? Strange, my turning |
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You know, there are times in Iife |
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MO: |
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MEGGIE: |
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-Meggie! |
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I toId you to stay in the van! Run! |
| 00:08:22 |
Get in, get in! |
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Come on. Start! |
| 00:08:33 |
DUSTFINGER: |
| 00:08:42 |
-What are you doing? Leave it aIone. |
| 00:08:44 |
You're not to touch that book, |
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I don't understand. |
| 00:08:49 |
What is that book? Why did the |
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-Why did he caII you SiIvertongue? |
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-You have to teII me. |
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And your mother. |
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My mother? What has this |
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Meggie, pIease just. . . . |
| 00:09:09 |
I'm scared, Mo. |
| 00:09:12 |
Meggie, I'm going to take care of you. |
| 00:09:15 |
I aIways have, and I aIways wiII. |
| 00:09:19 |
At Ieast teII me where we're going. |
| 00:09:21 |
We're going to ItaIy. |
| 00:09:23 |
You have a great aunt there. It's |
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PIease, Meggie. No more questions. |
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So she's friendIy, |
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MO: |
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[BELL RINGING ] |
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WOMAN: WouId you pIease |
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After a whiIe. |
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Right. |
| 00:10:21 |
What? |
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EIinor. |
| 00:10:25 |
WeII, for the Iove of Thomas Hardy. |
| 00:10:28 |
ELINOR: I'm so gIad you've finaIIy made |
| 00:10:31 |
My poor books |
| 00:10:34 |
Don't worry. I'II take care of it. |
| 00:10:36 |
Don't pIay with your food, chiId. |
| 00:10:39 |
Look at her, she's as thin |
| 00:10:42 |
Oh, she so reminds me |
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Not just when she opens her mouth, |
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We haven't heard from her, |
| 00:10:51 |
Oh, weII, no matter. |
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I grew up without a mother. |
| 00:10:56 |
No, my mother just suddenIy dashed off |
| 00:11:02 |
It's what the women in our famiIy seem |
| 00:11:05 |
Not me, I prefer to stay where I am. |
| 00:11:07 |
But your mother. . . . |
| 00:11:10 |
WeII, she wanted the reaI thing. |
| 00:11:12 |
My mum wanted me. |
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And then one day she was gone, |
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-Is that what you caII an adventure? |
| 00:11:24 |
WeII done, EIinor. |
| 00:11:26 |
Oh, weII, you know it's the truth. |
| 00:11:30 |
MEGGIE: |
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MO: |
| 00:11:34 |
WeII, then what reaIIy happened to her? |
| 00:11:38 |
I'm not a chiId anymore. |
| 00:11:41 |
AImost. |
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Enough to know the most important |
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Don't you think I've reaIized |
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And why we're aIways |
| 00:11:53 |
AII these years |
| 00:11:56 |
And that book, but I just don't |
| 00:11:59 |
Meggie. |
| 00:12:02 |
You have to teII me something. |
| 00:12:10 |
-I write about her sometimes. |
| 00:12:13 |
Yeah. I make up stories about-- |
| 00:12:14 |
You make up stories? Meggie, you know |
| 00:12:20 |
But I have to. |
| 00:12:22 |
I feeI Iike the words bring her |
| 00:12:26 |
Yeah. |
| 00:12:28 |
The written word. |
| 00:12:31 |
It's a powerfuI thing. |
| 00:12:33 |
You have to be carefuI with it. |
| 00:12:37 |
Do you think we'II ever see her again? |
| 00:12:41 |
I hope we do, Meggie. |
| 00:12:46 |
I hope we do. |
| 00:13:40 |
Step away from that case! |
| 00:13:43 |
MEGGIE: |
| 00:13:44 |
What are you doing? |
| 00:13:47 |
I thought I made that cIear. |
| 00:13:49 |
I'm sorry, I was just Iooking |
| 00:13:51 |
Is that a nose print? |
| 00:13:53 |
Do you have any idea |
| 00:13:57 |
Yes, I know. |
| 00:13:59 |
Oh, you know, do you? |
| 00:14:01 |
It's Persian, isn't it? |
| 00:14:02 |
I can teII from the iIIuminations. . . |
| 00:14:04 |
. . .the pinks and the bIues |
| 00:14:07 |
Maybe from the Iate 1 2th century or so? |
| 00:14:11 |
Goodness me, what a IittIe know-it-aII. |
| 00:14:14 |
It's beautifuI. |
| 00:14:16 |
Yes, it is, isn't it? |
| 00:14:20 |
-You've been to Persia, then? |
| 00:14:22 |
AIong with St. Petersburg, Paris, MiddIe |
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And I never had to Ieave this room. |
| 00:14:29 |
Books are adventure. They contain |
| 00:14:35 |
They Iove anyone who opens them. |
| 00:14:39 |
If I promise not to touch anything. . . |
| 00:14:42 |
. . .couId I maybe just sit |
| 00:14:48 |
That was the window seat |
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She? |
| 00:14:57 |
Your mother. |
| 00:14:59 |
Your father used to read to her here. |
| 00:15:03 |
This was hers. |
| 00:15:06 |
If I find even a bookmark out of pIace, |
| 00:15:09 |
. . .and you'II never see the inside |
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[RAINDROPS PATTERING ] |
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VOICE 1 [WHISPERING ] : |
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As he did so.... |
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[VOICES WHISPERING INDISTINCTLY] |
| 00:16:26 |
VOICE 2: |
| 00:16:28 |
VOICE 3: |
| 00:16:31 |
VOICE 4: |
| 00:16:43 |
I tried to warn you. |
| 00:16:46 |
I gave you every opportunity |
| 00:16:51 |
AII you had to do was read me back. |
| 00:16:54 |
But you had to run. |
| 00:16:56 |
So I turned to Capricorn. |
| 00:16:59 |
-What? |
| 00:17:01 |
What have you done? |
| 00:17:03 |
[GLASS SHATTERING ] |
| 00:17:05 |
Meggie! |
| 00:17:17 |
There are men outside! |
| 00:17:36 |
MO: |
| 00:17:43 |
Mo, Iook out! |
| 00:17:46 |
Mortimer, my books! |
| 00:17:50 |
HeIIo, SiIvertongue. |
| 00:17:51 |
-Basta? |
| 00:17:53 |
Stop! |
| 00:17:55 |
ELINOR: Oh, you iIIiterate cretins! |
| 00:17:58 |
These are masterpieces |
| 00:18:00 |
Masterpieces, you ignorant haIfwit! |
| 00:18:05 |
Stop! |
| 00:18:08 |
You know I couId! |
| 00:18:11 |
Oh, we won't have to worry about |
| 00:18:14 |
You remember my caIIing card, |
| 00:18:17 |
One, two, three! |
| 00:18:19 |
If that doesn't work. . . |
| 00:18:22 |
. . .weII, there's aIways your daughter. |
| 00:18:27 |
-Get off me! |
| 00:18:30 |
Yes, the fire! The fire. |
| 00:18:31 |
Isn't that what we agreed? |
| 00:18:34 |
Yes, we agreed, we agreed, we agreed! |
| 00:18:39 |
EviI spirits, I repeI thee. |
| 00:18:42 |
MEGGIE: |
| 00:18:44 |
Right, get them in the van. |
| 00:18:46 |
-You're not taking them too. |
| 00:18:48 |
After aII, we are going |
| 00:18:53 |
. . .to make Daddy read. |
| 00:18:55 |
Meggie! |
| 00:18:58 |
Don't drag my daughter into this. |
| 00:19:03 |
-No, don't! No! |
| 00:19:04 |
-No. |
| 00:19:06 |
-My onIy hope of going home! |
| 00:19:08 |
What is it? When wiII you |
| 00:19:10 |
Has your father ever read you |
| 00:19:13 |
-You might want to ask him why. |
| 00:19:17 |
I'II take that! |
| 00:19:25 |
ELINOR: |
| 00:19:26 |
Oh, my books! No! |
| 00:19:29 |
FLATNOSE: |
| 00:19:33 |
ELINOR: |
| 00:19:36 |
[COCKS GUN] |
| 00:19:37 |
Come on! |
| 00:20:03 |
Meggie. |
| 00:20:11 |
Where are we? |
| 00:20:40 |
They're here. |
| 00:20:43 |
MAN: |
| 00:21:08 |
Oh, how IoveIy. |
| 00:21:10 |
After you. |
| 00:21:12 |
Come on, out! Out! |
| 00:21:15 |
ELINOR: |
| 00:21:19 |
BASTA: |
| 00:21:31 |
[ALARM RINGING ] |
| 00:21:32 |
MEGGIE: |
| 00:21:47 |
FIying monkeys. |
| 00:21:56 |
-What is this pIace? |
| 00:21:58 |
FLATNOSE: |
| 00:22:00 |
-Enjoy your stay. |
| 00:22:02 |
No, I wiII not share this fiIthy hoveI |
| 00:22:05 |
MAN 1 : |
| 00:22:07 |
MAN 2: |
| 00:22:12 |
ELINOR: |
| 00:22:14 |
[ANIMALS GROWLING ] |
| 00:22:16 |
Where did those monsters come from? |
| 00:22:20 |
Books. |
| 00:22:24 |
They came out of books. |
| 00:22:25 |
What are you taIking about? |
| 00:22:27 |
Mortimer, be quick, be cIear, |
| 00:22:34 |
Came out of books? What do you mean? |
| 00:22:40 |
Come here. |
| 00:22:47 |
Meggie. . . |
| 00:22:50 |
. . .this is the story |
| 00:22:53 |
EIinor, you were away at a book fair. . . |
| 00:22:57 |
. . .and we were housesitting for you. |
| 00:23:05 |
And that night we were in the library... |
| 00:23:08 |
...so I opened a copy |
| 00:23:12 |
Inkheart. |
| 00:23:15 |
Inkheart. |
| 00:23:17 |
MO: It was a good read. |
| 00:23:21 |
. . .and a creature caIIed The Shadow. |
| 00:23:24 |
I read several chapters aloud |
| 00:23:29 |
Then they appeared, out of nowhere... |
| 00:23:31 |
...from the medieval world of the book. |
| 00:23:36 |
...a thuggish bandit |
| 00:23:47 |
Then Basta, his knife-wielding sidekick. |
| 00:23:53 |
And then Dustfinger... |
| 00:23:56 |
...a traveling fire juggler |
| 00:24:02 |
My voice brought them out. |
| 00:24:04 |
Your voice brought them out |
| 00:24:06 |
And her mother went in. |
| 00:24:08 |
That's how it works. |
| 00:24:14 |
Dustfinger saved us |
| 00:24:17 |
It was only then that I realized... |
| 00:24:20 |
...Resa, your mum... |
| 00:24:23 |
. . .she was gone. |
| 00:24:25 |
They'd come out of the book, |
| 00:24:33 |
Resa! |
| 00:24:36 |
And that, Meggie, was the Iast time |
| 00:24:40 |
The night we Iost your mother. |
| 00:24:47 |
Oh, she went into the book. |
| 00:24:53 |
Oh. Goodness sake, Mortimer! |
| 00:24:55 |
AII these years you've aIIowed me |
| 00:24:58 |
-Why didn't you teII us? |
| 00:25:02 |
You want to read Mum |
| 00:25:05 |
That's why you've been searching |
| 00:25:11 |
If she's aIive, you mean. |
| 00:25:13 |
You say she's trapped in that book. |
| 00:25:16 |
Who's to say she got there? If she did. . . |
| 00:25:18 |
. . .how couId she survive for nine years |
| 00:25:22 |
Or worse. |
| 00:25:24 |
How do you know where she is? |
| 00:25:27 |
How do you know? |
| 00:25:34 |
-It's Iike the iIIustration in the book. |
| 00:25:37 |
It's hideous. The man's got |
| 00:25:39 |
Look, wiII you stop pushing me! |
| 00:25:46 |
Meggie, just pretend that you're in |
| 00:25:50 |
No, they don't. |
| 00:25:52 |
Remember The Little Match Girl? |
| 00:25:53 |
They found her in an aIIey |
| 00:25:58 |
WaIk. |
| 00:26:05 |
Ah. |
| 00:26:07 |
Come in. |
| 00:26:09 |
We saved you the good seats. |
| 00:26:12 |
MO: |
| 00:26:14 |
ELINOR: |
| 00:26:17 |
PIease. |
| 00:26:21 |
You got oId. |
| 00:26:22 |
You got a castIe. |
| 00:26:24 |
-Indeed, I did. |
| 00:26:26 |
A IoveIy castIe in a secIuded part |
| 00:26:29 |
. . .far from prying eyes. |
| 00:26:32 |
Oh, yes, I've adjusted rather weII |
| 00:26:39 |
This must be your daughter. |
| 00:26:43 |
You, however, are a noisy oId bag. |
| 00:26:46 |
You make a racket |
| 00:26:47 |
You barbaric piece of puIp fiction! |
| 00:26:49 |
Your maIice is matched |
| 00:26:52 |
I don't know how things are |
| 00:26:55 |
. . .but where I come from one |
| 00:26:58 |
My Iife's work, destroyed |
| 00:27:05 |
I have no patience |
| 00:27:10 |
You know my reader. |
| 00:27:12 |
Darius, why don't we show our guests |
| 00:27:16 |
Read that. |
| 00:27:18 |
[STUTTERING ] |
| 00:27:19 |
. . .I wouIdn't have to read |
| 00:27:23 |
[STUTTERS] Yes, weII, I Iied, didn't I, |
| 00:27:25 |
[MEN LAUGHING ] |
| 00:27:27 |
Read the book. |
| 00:27:30 |
''RapunzeI had spIendid Iong hair. |
| 00:27:35 |
It was as fine as spun goId. |
| 00:27:39 |
And when she heard--'' |
| 00:27:41 |
[WOMAN YELLING ] |
| 00:27:48 |
HeIp! No! |
| 00:27:51 |
HeIp! |
| 00:27:53 |
[MEN LAUGHING ] |
| 00:27:56 |
You see? |
| 00:27:57 |
Look at the writing on her face. She's |
| 00:28:02 |
-Take her to the dungeon. |
| 00:28:03 |
-And give her a haircut. |
| 00:28:06 |
I'm not going to read out Ioud, |
| 00:28:10 |
-Not with them in the room. |
| 00:28:14 |
You take your-- |
| 00:28:25 |
Here's how this wiII work: You'II |
| 00:28:29 |
. . .or I'II kiII the oId Iady and Iock your |
| 00:28:36 |
Great. WeII, Iet's get things started, |
| 00:28:41 |
This is a great book, fiIIed with riches. |
| 00:28:50 |
Reading out treasure? |
| 00:28:51 |
For now. Someone has to pay for repairs, |
| 00:28:56 |
I'm warning you. I have no controI |
| 00:29:01 |
I have no idea what's going to happen. |
| 00:29:03 |
WeII, this shouId be fun, then. |
| 00:29:17 |
''Kasim gazed upon the treasures |
| 00:29:21 |
Mountains of goId and siIver |
| 00:29:26 |
PiIes of siIks and sacks of jeweIs. |
| 00:29:31 |
Kasim gathered aII the treasure |
| 00:29:34 |
. . .onIy to find |
| 00:29:39 |
And by the wiII of AIIah. . . |
| 00:29:41 |
. . .he'd forgotten the password. |
| 00:29:43 |
He cried out, 'Open BarIey!' |
| 00:29:46 |
But the door did not budge. Kasim named |
| 00:29:50 |
'Open Buckwheat!' 'Open MiIIet!' |
| 00:29:53 |
But stiII the door wouId not open. |
| 00:29:56 |
Then came the sound |
| 00:29:59 |
[HOOVES PATTERING ] |
| 00:30:04 |
Sand. |
| 00:30:13 |
''Kasim ran to hide, but tripped, |
| 00:30:18 |
Then came the muffIed caII of |
| 00:30:22 |
And the cave opened. . . |
| 00:30:25 |
. . .to reveaI |
| 00:30:29 |
. . .of bandits. '' |
| 00:30:32 |
What? |
| 00:31:12 |
You see? |
| 00:31:14 |
BASTA: |
| 00:31:15 |
That's how it's done! |
| 00:31:17 |
[YELLS] |
| 00:31:20 |
Look! What'd I teII you? |
| 00:31:22 |
Put that boy in the stabIe and feed him |
| 00:31:27 |
But if he came out, who went in? |
| 00:31:36 |
HeIp. |
| 00:31:38 |
HeIp. |
| 00:31:40 |
It's my turn now. |
| 00:31:44 |
It's my turn now. |
| 00:31:47 |
Just Iike you promised. |
| 00:31:48 |
Your turn? |
| 00:31:52 |
Oh, you mean this. |
| 00:31:57 |
It's an incredibIy rare book, this. We've |
| 00:32:01 |
I can't send you back. |
| 00:32:03 |
Send us back? |
| 00:32:07 |
Why wouId we ever want to go back. . . |
| 00:32:09 |
. . .when your worId |
| 00:32:13 |
With your teIephones |
| 00:32:16 |
What's that sticky stuff caIIed? |
| 00:32:18 |
-Duct tape. |
| 00:32:21 |
I Iove duct tape. |
| 00:32:24 |
Besides, what was I in Inkheart? |
| 00:32:28 |
The Adderhead's henchman. |
| 00:32:30 |
Living in the woods |
| 00:32:34 |
But Iook at me now. |
| 00:32:36 |
I've got a castIe. |
| 00:32:39 |
I'II never go back. None of us ever wiII. |
| 00:32:42 |
To make sure of that, I'm going to |
| 00:32:45 |
. . .when someone digs up a copy |
| 00:32:47 |
You promised I'd be sent home. |
| 00:32:49 |
Yes, I know. I Iied when I said that. |
| 00:32:51 |
I mean, I'm a Iiar. |
| 00:32:54 |
After aII these years, |
| 00:32:58 |
-No! |
| 00:33:01 |
Get it! Get it out! |
| 00:33:03 |
No! |
| 00:33:07 |
Must you do that every singIe time? |
| 00:33:12 |
Don't! |
| 00:33:17 |
Now, get your burns tended to. |
| 00:33:19 |
Otherwise, I'II be forced |
| 00:33:21 |
You know how much I Iook forward |
| 00:33:35 |
Hey, Darius. Don't forget to feed |
| 00:33:43 |
Oh, for the Iove of Theseus! |
| 00:33:49 |
No, no, no. He didn't mean it. |
| 00:33:51 |
He's just hungry. |
| 00:33:55 |
He's a Minotaur. |
| 00:33:56 |
[STUTTERING ] He can bareIy waIk, |
| 00:34:00 |
COCKERELL: |
| 00:34:02 |
We came out with haIf the book |
| 00:34:06 |
[IN NORMAL VOICE] If you think |
| 00:34:09 |
-It's disgusting. |
| 00:34:11 |
So you can imagine how pIeased we are |
| 00:34:14 |
DeIighted. Because now we got someone |
| 00:34:37 |
I hurt myseIf. |
| 00:34:39 |
Again. |
| 00:34:46 |
I don't understand it. |
| 00:34:49 |
In Inkheart, my hands, |
| 00:34:52 |
But here. . . ! |
| 00:34:55 |
Fire has no sense of humor. |
| 00:35:06 |
You're trying to escape again? |
| 00:35:08 |
Resa. . . |
| 00:35:10 |
. . .give up. |
| 00:35:12 |
We're not going anywhere. |
| 00:35:19 |
For a moment. . . |
| 00:35:23 |
. . .I heId Inkheart in my hands. |
| 00:35:28 |
But it's ashes now. |
| 00:35:33 |
And I shaII never go home. |
| 00:35:40 |
But you. . . |
| 00:35:41 |
. . .you stiII have hope. |
| 00:35:52 |
When Darius read you out of InkworId, |
| 00:35:56 |
But if you couId taIk. . . |
| 00:35:57 |
. . .wouId you teII me your story? |
| 00:36:00 |
WouId you? |
| 00:36:05 |
No. |
| 00:36:08 |
No, you wouIdn't. It's because of how |
| 00:36:11 |
You think me weak and deceitfuI. |
| 00:36:18 |
It's not aII I am. |
| 00:36:23 |
Not aII of me. |
| 00:36:38 |
It's just a dream. |
| 00:36:40 |
It's just a dream. It's just a dream. |
| 00:36:42 |
Are you aII right? |
| 00:36:44 |
-What's your name? |
| 00:36:47 |
-Are you one of the 40 thieves? |
| 00:36:49 |
Don't you know it's bad Iuck |
| 00:36:54 |
You taIk in a dream, |
| 00:36:58 |
''Stupid''? |
| 00:37:00 |
You're the one who thinks you're in |
| 00:37:03 |
Go back to your muttering |
| 00:37:05 |
It's just a dream. Just a dream. |
| 00:37:13 |
Come home. |
| 00:37:15 |
PIease come home. |
| 00:37:23 |
Good morning. |
| 00:37:27 |
Thank you. |
| 00:37:29 |
How can I ever repay you? |
| 00:37:33 |
Resa, even if I couId find you a key, |
| 00:37:49 |
This is your famiIy? |
| 00:37:56 |
This is your husband? |
| 00:38:00 |
Your daughter? |
| 00:38:15 |
You went in the book when I came out. |
| 00:38:19 |
You went in the book. . . |
| 00:38:20 |
. . .when I came out. . . |
| 00:38:23 |
. . .and then Darius read you out again. |
| 00:38:25 |
Gwin. |
| 00:38:32 |
I'm gonna get you out of these chains, |
| 00:38:44 |
[SNORING ] |
| 00:38:48 |
I'II meet you at the stabIes. |
| 00:39:18 |
[CHATTERING ] |
| 00:39:34 |
I've never been that in controI before. |
| 00:39:38 |
I know I can get Resa out of the book. |
| 00:39:41 |
And maybe send Capricorn back in. |
| 00:39:43 |
We just have to find another copy. |
| 00:39:45 |
WeII, it onIy took you nine years |
| 00:39:49 |
I bet the author has a copy. |
| 00:39:53 |
If he's aIive, I bet he'd have one. |
| 00:39:55 |
Someone must know where he Iives. |
| 00:39:57 |
Great. Now we're going to |
| 00:40:01 |
Either that, or get fed |
| 00:40:05 |
MO: |
| 00:40:12 |
Before you say anything, |
| 00:40:14 |
After putting them on the chopping bIock |
| 00:40:18 |
Listen, you want your wife back as much |
| 00:40:23 |
You think there's another copy of |
| 00:40:26 |
And how do you intend that we escape? |
| 00:40:32 |
Page 1 4. |
| 00:40:35 |
The mighty storm? |
| 00:40:38 |
MAN 1 : Get in the castIe! |
| 00:40:40 |
MO: ''From the far north they heard |
| 00:40:43 |
...and Uncle Henry and Dorothy |
| 00:40:45 |
... where the long grass bowed |
| 00:40:50 |
'There's a cyclone coming, Em. |
| 00:40:53 |
Good doggies. |
| 00:40:57 |
''Suddenly, Uncle Henry stood up. '' |
| 00:41:00 |
MAN 3: |
| 00:41:02 |
''He ran toward the sheds where |
| 00:41:05 |
Aunt Em dropped her work |
| 00:41:08 |
One glance told her |
| 00:41:10 |
'Quick, Dorothy! Run for the cellar!''' |
| 00:41:12 |
There she is! Come on! |
| 00:41:14 |
''A strange thing happened. |
| 00:41:16 |
The house whirled around two or three |
| 00:41:22 |
Dorothy felt as if |
| 00:41:27 |
That shouId do it! |
| 00:41:32 |
MAN 1 : |
| 00:41:38 |
Must've run off! |
| 00:41:45 |
MAN 2: |
| 00:42:03 |
Come here! Let's go. |
| 00:42:08 |
MAN 1 : Come on! |
| 00:42:11 |
-Come on! |
| 00:42:18 |
Come on, get up! |
| 00:42:34 |
MO: |
| 00:42:36 |
[MOUTHING ] |
| 00:42:37 |
DUSTFINGER: Gwin! |
| 00:42:41 |
ELINOR: |
| 00:42:42 |
MAN 1 : |
| 00:42:46 |
MAN 2: |
| 00:42:57 |
DUSTFINGER: |
| 00:43:04 |
Dustfinger! |
| 00:43:06 |
MEGGIE: |
| 00:43:13 |
Don 't leave me! |
| 00:43:18 |
The prisoners! |
| 00:43:20 |
They're escaping! |
| 00:43:28 |
MO: |
| 00:43:30 |
MEGGIE: Hurry, get in! |
| 00:43:31 |
Get in, get in! |
| 00:43:37 |
MEGGIE: Get the keys, hurry up! |
| 00:43:39 |
MO: Which one? |
| 00:43:42 |
DUSTFINGER: |
| 00:43:45 |
Come on, Gwin. |
| 00:43:47 |
Come on! Okay, go, go! |
| 00:44:00 |
HoId on! |
| 00:44:07 |
MEGGIE: |
| 00:44:13 |
[YELLS] |
| 00:44:24 |
StiII think you're dreaming? |
| 00:44:25 |
FARID: |
| 00:44:27 |
We're fIying. |
| 00:44:30 |
Or is it the night fIying past us? |
| 00:44:37 |
MO: |
| 00:44:39 |
ELINOR: |
| 00:44:40 |
MO: South. |
| 00:44:42 |
Can't you be more precise? |
| 00:45:06 |
Beats a cameI, huh? |
| 00:45:08 |
ELINOR: |
| 00:45:09 |
Oh, hooIigan. |
| 00:45:11 |
Farid, some cIothes for you. |
| 00:45:14 |
ApparentIy this is the pIace. |
| 00:45:16 |
Man in the fishmonger's says he Iives |
| 00:45:19 |
Good. Great. |
| 00:45:21 |
Oh, I'm not coming. |
| 00:45:22 |
What do you mean? You have to come, |
| 00:45:25 |
DUSTFINGER: Oh, I don't know. |
| 00:45:28 |
MO: Huh? |
| 00:45:30 |
The book is right here within our grasp-- |
| 00:45:32 |
You're afraid. |
| 00:45:37 |
You've never read Inkheart, have you? |
| 00:45:39 |
DUSTFINGER: |
| 00:45:41 |
I've Iived it. Except for the end, |
| 00:45:45 |
WeII, why not? |
| 00:45:46 |
Do you know the end |
| 00:45:50 |
No. And I suspect you wouIdn't want to. |
| 00:45:52 |
It'd be Iike turning |
| 00:45:56 |
-Where's the fun in that? |
| 00:46:01 |
MO: Hm? |
| 00:46:03 |
Why? |
| 00:46:04 |
I'm sorry. It's just aII too reaI for me. |
| 00:46:06 |
I prefer a story that has the good sense |
| 00:46:10 |
No, I have to get back to my |
| 00:46:13 |
I want to mend them, put them in order. |
| 00:46:15 |
-I'II do that. Let me-- |
| 00:46:18 |
You see, I've aIready bought my ticket. |
| 00:46:21 |
Goodbye. |
| 00:46:23 |
Good Iuck. |
| 00:46:32 |
-EIinor-- |
| 00:46:33 |
ELINOR: |
| 00:46:35 |
Bye, then. |
| 00:46:44 |
Here it is. This must be it. |
| 00:46:46 |
That's it. |
| 00:46:48 |
What? Oh. |
| 00:46:53 |
-Signor FenogIio? |
| 00:46:55 |
Sir, my name's Mortimer FoIchart. |
| 00:46:58 |
-I'm Meggie. |
| 00:46:59 |
-I want to be a writer too. |
| 00:47:01 |
Yes. Give me something to write with. |
| 00:47:06 |
You Iook Iike you've been taxidermied. |
| 00:47:08 |
-If you want an autograph, give me a pen. |
| 00:47:11 |
-You don't want an autograph? |
| 00:47:13 |
Then why in the name |
| 00:47:15 |
WeII. . . . |
| 00:47:17 |
Dustfinger's in the piazza, we just |
| 00:47:21 |
. . .and you won't even beIieve |
| 00:47:25 |
What? |
| 00:48:00 |
Come home. |
| 00:48:03 |
PIease, come home. |
| 00:48:05 |
A good story, I'II give you that. |
| 00:48:07 |
SiIvertongues is a wonderfuI concept. |
| 00:48:10 |
Too absurd to take seriousIy. |
| 00:48:11 |
I know my characters are so beIievabIe |
| 00:48:15 |
But it's simpIy not possibIe. |
| 00:48:26 |
ExactIy as I imagined him. |
| 00:48:43 |
This must be |
| 00:48:46 |
Wait, where you going? |
| 00:48:48 |
Of course he does. |
| 00:48:51 |
WeII, what was that at the end? |
| 00:48:54 |
It's caIIed Dragon's Breath. |
| 00:48:56 |
You can teach to me? |
| 00:49:01 |
I'm sure that this must be very exciting |
| 00:49:05 |
But the purpose that we came here |
| 00:49:08 |
. . .to get him back in the book. |
| 00:49:10 |
Your father's given me |
| 00:49:12 |
A master thief who steaIs things. . . |
| 00:49:15 |
. . .the way a bIue jay swipes |
| 00:49:18 |
I am not trying to steaI them. |
| 00:49:20 |
You snatched them. |
| 00:49:22 |
That, my friend, is thievery. |
| 00:49:24 |
I'm just trying to get my wife back. |
| 00:49:27 |
Dustfinger. |
| 00:49:28 |
-So wonderfuI to meet you. |
| 00:49:30 |
The scars are perfect. |
| 00:49:33 |
MO: I toId you, he's afraid. |
| 00:49:37 |
He's afraid of what happens |
| 00:49:39 |
What do you mean? Because he dies? |
| 00:49:42 |
MO: |
| 00:49:44 |
-Oh, I see. Right, I'm sorry. |
| 00:49:48 |
I had to make the story exciting, it's my |
| 00:49:52 |
Life doesn't aIways, after aII. |
| 00:49:56 |
How's it happen? |
| 00:49:57 |
You're kiIIed by one of Capricorn's men |
| 00:50:02 |
It's a very touching death scene. |
| 00:50:05 |
You think I care what you wrote? |
| 00:50:09 |
You don't controI my fate. |
| 00:50:12 |
I'm not just some character |
| 00:50:15 |
. . .and you. . . |
| 00:50:18 |
. . .you're not my god. |
| 00:50:21 |
Now, Iisten, oId man. . . |
| 00:50:24 |
. . .do you have a copy |
| 00:50:26 |
Because I wouId Iike |
| 00:50:31 |
FENOGLIO: The probIem is it's been |
| 00:50:34 |
PIus, the originaI print run |
| 00:50:37 |
Then there was the fire |
| 00:50:39 |
. . .and the pubIishers |
| 00:50:42 |
DUSTFINGER [WHISPERS] : |
| 00:50:47 |
Stop it. This is no time to act fooIishIy. |
| 00:50:54 |
-Stop it. |
| 00:50:57 |
Thanks. And I don't want to know |
| 00:51:01 |
Look around. This garden is paradise. |
| 00:51:06 |
No sIave drivers. No sandstorms. |
| 00:51:09 |
-No fIeas. |
| 00:51:14 |
No, it's not that one either. |
| 00:51:16 |
I did hoId on to a few copies. . . |
| 00:51:18 |
. . .but I Ioaned them to a book exhibition |
| 00:51:21 |
. . .and they were stoIen. |
| 00:51:23 |
I suppose Capricorn |
| 00:51:26 |
At the time I assumed |
| 00:51:30 |
-Ah! Here we are. |
| 00:51:33 |
The originaI manuscript. Look at that! |
| 00:51:36 |
Grabbies. |
| 00:51:39 |
After aII these years, |
| 00:51:44 |
The water nymphs in the Wayless Wood. |
| 00:51:53 |
And in the castles of Umbra... |
| 00:51:57 |
... the Black Prince. |
| 00:52:01 |
The Motley Folk. |
| 00:52:05 |
And of course you, Dustfinger. |
| 00:52:07 |
As well as the villains: |
| 00:52:10 |
The Adderhead, |
| 00:52:14 |
And the worst of aII, The Shadow. |
| 00:52:26 |
It's a wonderfuI book, I must say. |
| 00:52:30 |
I'd give anything to go into it myseIf. |
| 00:52:32 |
WeII, get in Iine, oId man. |
| 00:52:33 |
I've got page 209 to 447. |
| 00:52:36 |
I have the rest. |
| 00:52:37 |
AII right. Need that. |
| 00:52:39 |
Now you can read me back, right? |
| 00:52:41 |
WeII, I'II try to. But that's onIy after I've |
| 00:52:46 |
It's the onIy way I'm gonna do it. |
| 00:52:48 |
-We might have a probIem. |
| 00:52:51 |
You can't read her out. |
| 00:52:53 |
Why? |
| 00:52:55 |
Because she's not in the book. |
| 00:52:58 |
MO: What are you not teIIing me? |
| 00:53:00 |
She's not actuaIIy in the book anymore. |
| 00:53:03 |
-She's. . . . |
| 00:53:05 |
She's in Capricorn's viIIage. |
| 00:53:07 |
She's aIive? |
| 00:53:08 |
We were just there |
| 00:53:10 |
-We need the book. |
| 00:53:12 |
I needed the book! |
| 00:53:13 |
My mum was there |
| 00:53:16 |
Listen. . . . |
| 00:53:18 |
. . .because if your Dad knew the truth, |
| 00:53:21 |
. . .and I need the book. |
| 00:53:23 |
-SeIfish, repugnant, weak character! |
| 00:53:27 |
-I disagree. |
| 00:53:29 |
Not untiI you promise to read me back. |
| 00:53:31 |
-TeII me how to find my wife. |
| 00:53:43 |
AII right. |
| 00:53:45 |
Promise. |
| 00:53:47 |
I promise. |
| 00:53:52 |
I want to heIp save Mum too. |
| 00:53:54 |
-Take me with you. |
| 00:53:56 |
But I can heIp. |
| 00:53:57 |
You can heIp by staying here and |
| 00:54:02 |
You don't know what I can do. |
| 00:54:08 |
And neither do I. |
| 00:54:10 |
Meggie, wiII you pIease--? |
| 00:54:17 |
Okay, come on. You got to stay here. |
| 00:54:29 |
-Thanks very much. Take care of Meggie. |
| 00:54:31 |
-And Farid as weII. |
| 00:54:34 |
-Take care of Farid as weII. |
| 00:54:36 |
FENOGLIO: |
| 00:54:41 |
Sweetheart. |
| 00:54:46 |
Just bring her back. |
| 00:54:48 |
I wiII. |
| 00:54:56 |
Reduced to babysitting. MarveIous. |
| 00:55:12 |
MAN: Hurry up, we'II miss the train. |
| 00:55:15 |
WOMAN: |
| 00:55:17 |
GIRL 1 : Can I sit next to you, Mum? |
| 00:55:19 |
WOMAN: |
| 00:55:37 |
[SNORING ] |
| 00:55:42 |
VOICE [WHISPERING ] : ''That just |
| 00:55:45 |
''I could not help it. '' |
| 00:55:51 |
You have no right to.... |
| 00:55:58 |
''If you wish me to use my magic powers |
| 00:56:02 |
... you must do something for me first. |
| 00:56:04 |
Help me and I will help you. '' |
| 00:56:09 |
''What must I do?'' said the girl. |
| 00:56:11 |
''Kill the Wicked Witch of the West. '' |
| 00:56:16 |
[WOMAN CACKLING ] |
| 00:56:27 |
MEGGIE: ''From the far north they heard |
| 00:56:30 |
. . .and UncIe Henry and Dorothy |
| 00:56:33 |
. . .before the coming storm. '' |
| 00:56:45 |
''It was Toto that made Dorothy Iaugh. |
| 00:56:48 |
He was a IittIe bIack dog |
| 00:56:50 |
. .and smaII bIack eyes |
| 00:56:52 |
. . .on either side |
| 00:56:57 |
Toto? Oh, Toto, don't be scared. |
| 00:57:01 |
You're just not in Kansas anymore. |
| 00:57:04 |
Oh, Toto. |
| 00:57:08 |
Toto, come out from under there. |
| 00:57:10 |
You're gonna get me in troubIe. |
| 00:57:12 |
[KNOCKING ] |
| 00:57:13 |
FENOGLIO: |
| 00:57:15 |
Just a minute. |
| 00:57:18 |
And not another sound. I mean it. |
| 00:57:27 |
I'm sorry, I had no choice. |
| 00:57:30 |
But, Iook, it's Basta. |
| 00:57:32 |
And I'm sorry, but I'm afraid aII the |
| 00:57:36 |
HeIIo, princess. Where's your father? |
| 00:57:39 |
ToId him he'd gone, |
| 00:57:41 |
-You toId them? |
| 00:57:44 |
Isn't he awfuI? |
| 00:57:47 |
TeII us where SiIvertongue is |
| 00:57:51 |
Toto, no! |
| 00:57:53 |
Toto? |
| 00:57:56 |
Oh, my goodness! |
| 00:57:58 |
She's inherited her father's gift. |
| 00:58:04 |
Another SiIvertongue. |
| 00:58:06 |
OId Capricorn wiII be pIeased. |
| 00:58:12 |
Bring them both. |
| 00:58:21 |
So if Darius read her out of the book. . . . |
| 00:58:24 |
Oh, no, no, no. She's fine. |
| 00:58:28 |
-MostIy. She-- |
| 00:58:31 |
She's got no voice. |
| 00:58:34 |
-What? |
| 00:58:38 |
. . .and she has no voice. |
| 00:58:41 |
But apart from that, she's fine. |
| 00:58:44 |
[GWIN CHITTERING ] |
| 00:58:49 |
-PuII over. |
| 00:58:53 |
-Just puII over. |
| 00:59:03 |
I thought I toId you to stay |
| 00:59:05 |
FARID: |
| 00:59:08 |
Not as mean as Capricorn. |
| 00:59:10 |
He doesn't scare me. |
| 00:59:14 |
WeII, he shouId scare you. |
| 00:59:18 |
-I shouId make you waIk back. |
| 00:59:28 |
Get in. |
| 00:59:29 |
FARID: After this, |
| 00:59:31 |
Just get in the car. |
| 00:59:41 |
HeIIo, Mr. FenogIio? |
| 00:59:59 |
Oh. |
| 01:00:19 |
MO: These guys are just |
| 01:00:21 |
We shouId move in now. |
| 01:00:23 |
When we get to maid's quarters. . . |
| 01:00:25 |
. . .Resa's room is the third door |
| 01:00:28 |
I'II go in the back. You guys cover me. |
| 01:00:36 |
AII right, this is our way in. |
| 01:00:38 |
Now, Iisten, this is going to |
| 01:00:42 |
Got to move quickIy. |
| 01:00:52 |
After you. |
| 01:01:04 |
ShaII we rest? |
| 01:01:07 |
No, that's okay. Just keep moving. |
| 01:01:11 |
-Kids. |
| 01:01:14 |
[YELLING ] |
| 01:01:18 |
MAN 1 : What was that? |
| 01:01:20 |
MAN 3: |
| 01:01:22 |
-Over there! |
| 01:01:23 |
-Bring him down! |
| 01:01:28 |
MAN 1 : They're there behind the square. |
| 01:01:31 |
DUSTFINGER: |
| 01:01:32 |
[YELLING ] |
| 01:01:36 |
MAN 2: Hurry! Go on! |
| 01:01:42 |
MAN 4: |
| 01:02:46 |
Look. Look at this. |
| 01:02:49 |
I think I got it. Here, feeI my hand. |
| 01:02:54 |
It's been too Iong. |
| 01:02:57 |
COCKERELL: Come on. |
| 01:03:01 |
MAN 2: |
| 01:03:05 |
-WeII done. Thank you. |
| 01:03:14 |
Look who's back. This is nice. |
| 01:03:20 |
Just in time for your execution. |
| 01:03:27 |
AII right. |
| 01:03:32 |
Capricorn's castIe |
| 01:03:35 |
Not for you, obviousIy. |
| 01:03:37 |
But some of our guests |
| 01:03:45 |
Resa. |
| 01:03:47 |
Sorry. |
| 01:03:48 |
Listen, your husband's here. |
| 01:03:52 |
He's come to rescue you. |
| 01:04:14 |
MAN 1 : |
| 01:04:27 |
There! |
| 01:04:28 |
MAN 2: |
| 01:04:30 |
What happened? |
| 01:04:31 |
They're going to kiII Dustfinger. |
| 01:04:33 |
MO: |
| 01:04:34 |
COCKERELL: Here. |
| 01:04:37 |
No, it's not. What happened? |
| 01:04:42 |
AII the Ietters of the aIphabet. |
| 01:04:44 |
It Iooks just Iike my book. |
| 01:04:46 |
It's Iike waIking into |
| 01:04:48 |
I wonder what Capricorn's |
| 01:04:51 |
I hope it's something good. |
| 01:04:52 |
I'm excited, I am. Are you, eh? |
| 01:04:57 |
MEGGIE: |
| 01:05:00 |
'You mean to say our oId raft |
| 01:05:18 |
I'm convinced. |
| 01:05:22 |
Though I don't know what that poor boy |
| 01:05:27 |
-No. |
| 01:05:29 |
TeII me where my father is. |
| 01:05:31 |
I have absoIuteIy no idea. |
| 01:05:34 |
Quite frankIy, I don't care, because |
| 01:05:44 |
What are you gawking at? |
| 01:05:46 |
You're just as I wrote you. |
| 01:05:49 |
A cowardIy thug. |
| 01:05:50 |
How dare you. |
| 01:05:53 |
You'II pay for your fiIthy story! |
| 01:06:00 |
OnIy the king can puII it out. |
| 01:06:02 |
Don't you remember? |
| 01:06:05 |
[MEGGIE CHUCKLES] |
| 01:06:07 |
Don't you ever Iaugh at me. |
| 01:06:12 |
Get it away from me. I want it |
| 01:06:15 |
The dog? You want the dog executed? |
| 01:06:19 |
As for you, we'II see how you enamored |
| 01:06:24 |
. . .when The Shadow |
| 01:06:27 |
You can't bring it out of the book. |
| 01:06:33 |
Wrong. |
| 01:06:36 |
I saved a copy of the book for myseIf. |
| 01:06:38 |
Aren't I fuII of surprises? |
| 01:06:46 |
No, I couIdn't burn them aII, couId I? |
| 01:06:51 |
Not with my oId friend trapped inside. |
| 01:06:54 |
Oh, you are going to Iove him. |
| 01:06:56 |
And by Iove, |
| 01:07:01 |
You see, I Iove this worId. . . |
| 01:07:03 |
. . .and I intend to write my name |
| 01:07:07 |
You. . . |
| 01:07:08 |
. . .and The Shadow are going to heIp me |
| 01:07:14 |
I won't read anything for you. |
| 01:07:17 |
Oh, reaIIy? |
| 01:07:20 |
Let me show you what happens |
| 01:07:26 |
She's been very naughty, this one. |
| 01:07:29 |
Tiresome in the extreme. |
| 01:07:31 |
AIways trying to escape. |
| 01:07:33 |
So I'm putting an end to it. |
| 01:07:36 |
-Meggie. |
| 01:07:41 |
It's you. |
| 01:07:43 |
Mo's here. We're going to get out. |
| 01:07:48 |
CAPRICORN: |
| 01:07:52 |
. . .what a touching dispIay of empathy. |
| 01:07:56 |
''Mum. '' |
| 01:07:59 |
Look at me. |
| 01:08:06 |
Yes, I can see the resembIance. |
| 01:08:10 |
Do you stiII think I can't convince you |
| 01:08:20 |
No! Mum! Mum! |
| 01:08:22 |
PIease! PIease! |
| 01:08:28 |
Meggie! |
| 01:08:33 |
FLATNOSE: |
| 01:08:35 |
Changes? |
| 01:08:36 |
Thinking perhaps you might be abIe to |
| 01:08:40 |
I don't need to be some great beauty, |
| 01:08:43 |
I don't know if you noticed my nose. |
| 01:08:45 |
Oh, your nose. Yes, right. |
| 01:08:47 |
Think you couId do that? |
| 01:08:50 |
I don't know. It's a wonderfuI idea. |
| 01:08:56 |
Move. |
| 01:09:02 |
-What are you doing? Get off me. |
| 01:09:05 |
-They have my daughter. |
| 01:09:08 |
-I shouId never have Ieft her aIone. |
| 01:09:21 |
FENOGLIO: Nothing to be frightened of. |
| 01:09:24 |
If there are any nasty spirits down here, |
| 01:09:28 |
MORTOLA: Princess needs to rest |
| 01:09:46 |
I've seen my mum. |
| 01:09:50 |
I know. |
| 01:09:53 |
Have you seen my dad? |
| 01:09:55 |
Yeah, he's fine. |
| 01:09:58 |
Capricorn's got another copy |
| 01:10:02 |
He's gonna make me |
| 01:10:06 |
I have Mo's gift. |
| 01:10:09 |
I can do it. |
| 01:10:11 |
WeII, then you couId read me back. |
| 01:10:14 |
FENOGLIO: |
| 01:10:16 |
. . .The Shadow |
| 01:10:24 |
MEGGIE: |
| 01:10:25 |
Make The Shadow do it. |
| 01:10:28 |
Food for the IittIe princess. |
| 01:10:34 |
Capricorn wants you to have |
| 01:10:37 |
You shouId stay. |
| 01:10:39 |
Right. You don't Iike |
| 01:10:42 |
I'II give you ghost stories, you--! |
| 01:10:48 |
Get it off of me! |
| 01:10:55 |
My pouch! |
| 01:10:58 |
DUSTFINGER: |
| 01:11:00 |
Give me that back! |
| 01:11:01 |
DUSTFINGER: |
| 01:11:05 |
What are you doing? |
| 01:11:06 |
Someone's got to get us out, |
| 01:11:11 |
You give that back to me. |
| 01:11:13 |
You be carefuI. |
| 01:11:15 |
Maybe I don't need my good Iuck. |
| 01:11:18 |
Time to finish what we started. |
| 01:11:26 |
By the bones of the dead man |
| 01:11:29 |
Don't you say that. Take that back! |
| 01:11:31 |
DUSTFINGER: |
| 01:11:35 |
BASTA: |
| 01:11:37 |
[BASTA GROANS] |
| 01:11:45 |
BASTA: Open this gate. |
| 01:11:48 |
-Open the gate. |
| 01:11:49 |
BASTA: |
| 01:11:52 |
-Which one? |
| 01:11:55 |
The fire! Use your fire! |
| 01:11:57 |
MEGGIE: |
| 01:12:00 |
HeIp! The prisoners are escaping! |
| 01:12:04 |
The prisoners are escaping! |
| 01:12:05 |
Come on! |
| 01:12:07 |
Come on. |
| 01:12:08 |
BASTA: |
| 01:12:11 |
HeIp! Quick! |
| 01:12:13 |
I'm sorry, I can't. |
| 01:12:15 |
-I can't, I'm sorry. |
| 01:12:17 |
MEGGIE: |
| 01:12:18 |
You don't have to be seIfish |
| 01:12:21 |
You're more than that! |
| 01:12:23 |
Stay and heIp us! |
| 01:12:31 |
BASTA: |
| 01:12:34 |
The prisoners are escaping! HeIp! |
| 01:12:45 |
BASTA: |
| 01:12:47 |
Let me out! |
| 01:13:11 |
MEGGIE: |
| 01:13:15 |
Oh, God. |
| 01:13:21 |
This is quite possibIy the most stupid |
| 01:13:25 |
There are a bunch of |
| 01:13:28 |
You think you're going to just waIk in |
| 01:13:31 |
Very IikeIy to Iisten to you, aren't they? |
| 01:13:33 |
SiIIy oId bookworm |
| 01:13:48 |
-Thank you. |
| 01:13:50 |
Thank you. |
| 01:13:52 |
AII right. AII right. |
| 01:13:55 |
Did you find them? |
| 01:13:57 |
-They're fine. |
| 01:13:58 |
For now. |
| 01:14:00 |
-But Capricorn has a copy of the book. |
| 01:14:04 |
He kept one secretIy. |
| 01:14:06 |
That was aIways his pIan, to have |
| 01:14:12 |
I can't read The Shadow out. |
| 01:14:16 |
He doesn't need you anymore. |
| 01:14:19 |
He found someone eIse. |
| 01:14:21 |
Meggie. |
| 01:14:23 |
Meggie? |
| 01:14:37 |
Having writer's bIock? |
| 01:14:39 |
Maybe I can heIp. |
| 01:14:40 |
Yeah, that's right. |
| 01:14:43 |
-You say that as if it's a bad thing. |
| 01:14:48 |
The worId you create on the page. . . |
| 01:14:49 |
. . .seems more friendIy and aIive |
| 01:14:53 |
And you wish |
| 01:14:57 |
You're a cIever girI, Meggie. |
| 01:14:58 |
I couIdn't have hoped for a finer young |
| 01:15:02 |
. . .whiIst awaiting my execution. |
| 01:15:05 |
Now, I haven't reaIIy got |
| 01:15:09 |
. . .but it's very cIose. |
| 01:15:15 |
MAN: |
| 01:15:17 |
BIast, they're earIy. Why are they earIy? |
| 01:15:21 |
Put one here somewhere. The words |
| 01:15:25 |
They have to be written by the writer. |
| 01:15:29 |
Ah. Here it is. |
| 01:15:34 |
Here what is? |
| 01:15:35 |
Something for her to |
| 01:15:37 |
Aw. |
| 01:15:39 |
I don't think much |
| 01:15:45 |
WeII, you are my crude scribbIings, |
| 01:15:47 |
. . .so I'd be carefuI |
| 01:15:50 |
-Where are you taking her? |
| 01:15:53 |
Oh, don't worry, you're invited |
| 01:15:57 |
We wouIdn't eat without you. |
| 01:16:00 |
The Shadow wiII be feeding on you |
| 01:16:04 |
. . .so rest assured |
| 01:16:13 |
ELINOR: You wanted to be aIone, |
| 01:16:16 |
AIone in the wiIderness. |
| 01:16:18 |
Mosquito bites and bIisters and-- |
| 01:16:21 |
Oh, God. |
| 01:16:24 |
And do you have a pIan? No, no pIan. |
| 01:16:27 |
Just rent a motorbike, find a map. |
| 01:16:30 |
We'II figure it out when we get there. |
| 01:16:35 |
-This is the pIan. |
| 01:16:36 |
You use your fire |
| 01:16:38 |
I can set fire to the castIe. |
| 01:16:40 |
I can heIp too. |
| 01:16:41 |
Don't get in my way. |
| 01:16:44 |
When Capricorn's men |
| 01:16:47 |
-. . .I move in, I rescue Meggie and Resa. |
| 01:16:51 |
-And they have these. . . . |
| 01:16:53 |
That's why we disguise ourseIves |
| 01:16:58 |
WeII, come on, then. |
| 01:17:04 |
CAPRICORN: |
| 01:17:10 |
But it'II be nice to have something |
| 01:17:13 |
Stretch out. |
| 01:17:16 |
Expand my kingdom's borders. |
| 01:17:20 |
That's why I need The Shadow. |
| 01:17:22 |
And I don't want anyone eIse escaping. |
| 01:17:37 |
If you don't stop shaking, |
| 01:17:45 |
Do you honestIy expect me to read |
| 01:17:49 |
-Do you have a better idea? |
| 01:17:51 |
Thought not. |
| 01:17:57 |
[MEN YELLING INDISTINCTLY] |
| 01:18:01 |
Get a move on. |
| 01:18:04 |
Go on. |
| 01:18:08 |
MAN 1 : |
| 01:18:10 |
MAN 2: |
| 01:18:21 |
Go on. |
| 01:18:31 |
Forward. |
| 01:18:35 |
Don't try anything funny or |
| 01:18:42 |
PIease. |
| 01:18:45 |
The time has come to be reunited |
| 01:19:15 |
WeII, tie them up, then. |
| 01:19:20 |
Good evening. |
| 01:19:23 |
Do you want to get out of here? |
| 01:19:26 |
Then you're going to have to heIp me. |
| 01:19:36 |
MEN: |
| 01:19:39 |
MAN 1 : |
| 01:19:41 |
MAN 2: |
| 01:19:45 |
Inkheart! |
| 01:19:49 |
Say the words! |
| 01:19:59 |
You're very good at that. |
| 01:20:04 |
Doesn't mean we're friends or anything. |
| 01:20:09 |
MAN 3: Read it! |
| 01:20:12 |
MAN 5: |
| 01:20:17 |
MAN 6: |
| 01:20:20 |
I got it. Here. |
| 01:20:23 |
''Capricorn Ied an army of brutaI men. . . |
| 01:20:26 |
. . .who struck fear in the hearts and minds |
| 01:20:33 |
-Whenever they passed by. . . |
| 01:20:34 |
. . .peopIe cIosed their doors |
| 01:20:51 |
MEGGIE: But of aII the viIIains |
| 01:20:53 |
. . .the one most feared and reviIed |
| 01:20:59 |
The Shadow. |
| 01:21:02 |
''Made from the ashes |
| 01:21:05 |
. . .The Shadow |
| 01:21:08 |
. . .and as pitiIess as his master. |
| 01:21:13 |
His fingers and even his breath |
| 01:21:16 |
. . .scenting his way |
| 01:21:30 |
''He appears onIy |
| 01:21:32 |
. . .rising from the ground, |
| 01:21:35 |
-No. Stop reading. Stop. |
| 01:21:38 |
[RUMBLING ] |
| 01:21:42 |
Stop reading, Meggie. |
| 01:21:45 |
Meggie, stop reading! |
| 01:22:26 |
BeautifuI. |
| 01:22:31 |
Feast. |
| 01:22:35 |
Mum! |
| 01:22:39 |
MAN: |
| 01:22:41 |
-Shadow! |
| 01:22:51 |
Mum! |
| 01:22:53 |
Feast. |
| 01:23:00 |
''Yet one starIit night, |
| 01:23:04 |
The voice of a girI, and when |
| 01:23:07 |
MAN 1 : |
| 01:23:08 |
''He remembered aII those |
| 01:23:11 |
AII the pain and aII the grief. |
| 01:23:14 |
The Shadow remembered, |
| 01:23:17 |
Revenge on those whose crueIty |
| 01:23:21 |
-Make her stop. |
| 01:23:23 |
. . .and reached out to him |
| 01:23:28 |
MAN 2: That's not right! |
| 01:23:34 |
That's not the book. |
| 01:23:37 |
Stop her. Somebody stop her reading! |
| 01:23:41 |
-Stop her! |
| 01:23:44 |
Mo! |
| 01:23:47 |
Mo! |
| 01:23:50 |
-Give that here! |
| 01:23:59 |
What a pIeasant turn of events. |
| 01:24:04 |
SiIvertongue, |
| 01:24:13 |
[BELL TOLLING ] |
| 01:24:17 |
CAPRICORN: |
| 01:24:19 |
Not my castIe! |
| 01:24:21 |
Attack! |
| 01:24:28 |
Attack! |
| 01:24:38 |
-Get off! |
| 01:24:45 |
MO: |
| 01:24:48 |
No! Get off! |
| 01:24:50 |
What--! No! |
| 01:24:58 |
You think these misfits can conquer me? |
| 01:25:01 |
Go! Devour her! |
| 01:25:04 |
-You'II have to get past me first! |
| 01:25:10 |
Just keep reading! |
| 01:25:11 |
MEGGIE: What? |
| 01:25:13 |
MEGGIE: |
| 01:25:16 |
Then write. |
| 01:25:25 |
FENOGLIO: |
| 01:25:27 |
You can do it! |
| 01:25:29 |
The Shadow turned away |
| 01:25:31 |
Come on, Meggie. |
| 01:25:38 |
''The Shadow turned away |
| 01:25:42 |
And back to the eviI master |
| 01:25:49 |
The Shadow reached out to him |
| 01:25:54 |
And as it did, Capricorn began to crackIe |
| 01:26:00 |
. . .growing transparent |
| 01:26:05 |
I won't Iet you! |
| 01:26:10 |
Dad! |
| 01:26:15 |
''Capricorn's ink-bIack souI |
| 01:26:19 |
. . .as he saw the end was near. |
| 01:26:21 |
And so, too, did the souIs of aII those |
| 01:26:24 |
. . .who'd committed viIIainy |
| 01:26:27 |
And then they bIew away, |
| 01:26:33 |
Stop! HeIp! |
| 01:26:42 |
No! |
| 01:26:52 |
''WhiIe the terribIe monster himseIf |
| 01:27:16 |
It's Meggie. She's reading. |
| 01:27:18 |
They're going back into their books. |
| 01:27:22 |
I don't want to go back |
| 01:27:24 |
''Those who'd been summoned against |
| 01:27:29 |
. . .were set free, and set right |
| 01:27:36 |
Mo. Mo! |
| 01:27:45 |
Toto? |
| 01:27:50 |
Meggie! |
| 01:27:52 |
PIease, set me free. |
| 01:27:55 |
''And the oId creator |
| 01:27:58 |
. . .disappearing into the worId |
| 01:28:05 |
And then, finaIIy, after what seemed |
| 01:28:11 |
. . .the young girI finaIIy got |
| 01:28:14 |
WhiIe the mother she knew she'd see |
| 01:28:17 |
Meggie. |
| 01:28:18 |
. . .came running |
| 01:28:28 |
RESA: |
| 01:28:36 |
What happened? |
| 01:28:37 |
I missed it. |
| 01:28:41 |
I missed it. They're aII gone. |
| 01:28:44 |
I got here too Iate to go home. |
| 01:28:46 |
He'II never read me back in now. |
| 01:28:49 |
He said he'd try. |
| 01:28:53 |
WeII, he won't. |
| 01:29:06 |
And I wouIdn't make him. |
| 01:29:11 |
Stop it, EIinor. |
| 01:29:16 |
Come here. |
| 01:29:25 |
Dustfinger. |
| 01:29:28 |
Dustfinger? |
| 01:29:31 |
Let's go. Come on, it's time to go. |
| 01:29:34 |
-Let's run. Come on. Meggie. |
| 01:29:37 |
The book's gone. |
| 01:29:39 |
-We don't need it. |
| 01:29:42 |
MO: Come on. |
| 01:29:49 |
MO: |
| 01:30:21 |
FARID: |
| 01:30:23 |
Oh, no. |
| 01:30:26 |
-You're better off with them. |
| 01:30:29 |
. . .you shouId probabIy |
| 01:30:43 |
You stoIe this? |
| 01:30:45 |
I Iearned from the best. |
| 01:30:48 |
Another reader. |
| 01:30:54 |
What about that girI? |
| 01:30:56 |
You Iike her, don't you? You come |
| 01:31:01 |
I stoIe photo from SiIvertongue's pocket. |
| 01:31:11 |
WeII, if I'm going to be |
| 01:31:17 |
. . .you can make yourseIf usefuI. |
| 01:31:20 |
We got a Iong waIk ahead of us. |
| 01:31:27 |
MO: |
| 01:31:32 |
Dustfinger! |
| 01:31:38 |
I promised. |
| 01:31:41 |
It's your turn now. |
| 01:31:43 |
Great. |
| 01:31:53 |
You sure you want this? You remember |
| 01:31:56 |
It's Iike I toId the writer. |
| 01:32:00 |
My fate's in my own hands now. |
| 01:32:05 |
Good Iuck. |
| 01:32:06 |
Hey, don't take this the wrong way, |
| 01:32:15 |
Do it. |
| 01:32:17 |
''It had been many years. . . |
| 01:32:18 |
. . .since Dustfinger had set eyes |
| 01:32:23 |
But it was even more beautifuI |
| 01:32:27 |
The butterfIies fIitted |
| 01:32:59 |
He's gone back. |
| 01:33:01 |
Where he wants to be. |
| 01:33:02 |
What about you? |
| 01:33:05 |
I can't foIIow him. |
| 01:33:08 |
Because I've kept Gwin behind, |
| 01:33:12 |
He's not going to die. |
| 01:33:14 |
You can stay with us. |
| 01:33:17 |
It was Mum's idea. |
| 01:33:19 |
Sorry. ShouIdn't I have said that? |
| 01:33:24 |
Just don't expect me to read you back. |
| 01:33:27 |
-You can teach me to read? |
| 01:33:30 |
Maybe. |
| 01:33:34 |
FARID: |
| 01:34:02 |
Roxanne! |
| 01:34:05 |
Roxanne. |
| 01:41:35 |
[ENGLISH SDH] |
