Inside Man
|
00:00:39 |
My name is Dalton Russell. |
00:00:42 |
Pay strict attention to what I say |
00:00:43 |
because I choose my words carefully |
00:00:47 |
I've told you my name. That's the "who." |
00:00:51 |
The "where" could most readily |
00:00:56 |
But there's a vast difference |
00:00:57 |
between being stuck in a tiny cell |
00:01:02 |
The "what" is easy. |
00:01:04 |
Recently I planned and set in motion |
00:01:09 |
That's also the "when. " |
00:01:12 |
As for the "why," |
00:01:16 |
it's exceedingly simple. |
00:01:19 |
Because I can. |
00:01:22 |
Which leaves us only with the "how. " |
00:01:25 |
And therein, as the Bard would tell us, |
00:01:29 |
lies the rub. |
00:04:39 |
So, your mother tells me about |
00:04:43 |
a certain young lady who's helping you |
00:04:47 |
- Okay? |
00:04:50 |
He's crazy. |
00:04:56 |
- Now? On 51st? 50... |
00:04:58 |
He's on 40, he... No, he's still on 47th Street, |
00:05:02 |
What do I have to... |
00:05:05 |
Yeah, we'll get lobster. |
00:05:09 |
Whatever. It's a meeting |
00:05:14 |
Because it's been like over a year now. |
00:05:20 |
I want to snap this guy's neck, |
00:05:25 |
So what? |
00:05:28 |
So what? They're flowers. |
00:05:31 |
They could've been to me. |
00:05:36 |
Okay, so maybe it's a client's. |
00:05:41 |
Okay. This is funny. |
00:05:43 |
I got this guy in front of me |
00:05:47 |
Fantastic. God damn it. |
00:05:50 |
- Excuse me. |
00:05:52 |
Can you lower your voice |
00:05:54 |
You're getting a little loud on your phone. |
00:05:57 |
Yeah. Fine. |
00:05:58 |
I don't want you |
00:06:00 |
- Sorry. |
00:06:01 |
- Yeah, you got it. |
00:06:05 |
It was a security guy. |
00:06:07 |
I didn't know I was in a library. |
00:06:10 |
Manhattan Trust. |
00:06:15 |
...from Yale. |
00:06:22 |
Thank you. |
00:06:35 |
Excuse me. Sir? |
00:06:37 |
Easy. |
00:06:39 |
Everybody get down on the fucking floor! |
00:06:44 |
Get down on the ground! |
00:06:45 |
You have four seconds! |
00:06:49 |
One! Two! Three! |
00:06:52 |
Back away from that counter! |
00:06:57 |
Put your hands on the floor! Now! |
00:06:59 |
Oh... What the... What is this? |
00:07:01 |
- Todd, what are we gonna do? |
00:07:03 |
Keep your head down, fat man! |
00:07:05 |
Get your fucking face on the floor! |
00:07:10 |
You get the same treatment |
00:07:13 |
Get down. |
00:07:19 |
Now, my friends and I are making |
00:07:22 |
a very large withdrawal from this bank. |
00:07:25 |
Anybody gets in our way |
00:07:31 |
Lie down, old man! |
00:07:33 |
Get your face on the floor. |
00:07:40 |
Hey, Officer, |
00:07:54 |
Possible 10-30. Manhattan Trust. |
00:07:58 |
I have got hostages. |
00:08:00 |
You fucking cops come near this door, |
00:08:04 |
I not fucking kidding, man. |
00:08:12 |
Central. Give me an 85. |
00:08:14 |
Back up, sir! Back up! You! |
00:08:15 |
Shit! |
00:08:17 |
Stay around the corner! |
00:08:18 |
Central, give me an 85. |
00:08:20 |
Perp with a gun. Possible hostages. |
00:08:22 |
I repeat, possible hostages. |
00:08:26 |
Baby, I'm fighting for my life over here. |
00:08:27 |
Keith, every time we have this conversation, |
00:08:30 |
- "Not now. " |
00:08:32 |
Do you know what kind of thin ice |
00:08:34 |
with this cheque-cashing thing? |
00:08:36 |
If this $140,000 doesn't show up |
00:08:38 |
- things gonna get rough for me. |
00:08:40 |
Of course I didn't take it, baby. |
00:08:43 |
trying to save his own ass |
00:08:45 |
- Eventually, it'll go away. |
00:08:47 |
- What about us? |
00:08:49 |
and we'll have enough money |
00:08:52 |
Why we got to have this conversation |
00:08:54 |
- or gets caught stealing a car? |
00:08:57 |
All right, I'm sorry, baby. You okay? |
00:08:59 |
- You still love me? |
00:09:01 |
- You still love me? |
00:09:02 |
All right. Big Willie and the twins for you |
00:09:05 |
- I got the handcuffs. |
00:09:07 |
Bye, Big Daddy. |
00:09:09 |
- Big Willie and the twins, huh? |
00:09:12 |
Her lowlife brother, he's got three priors, |
00:09:15 |
17-year-old high-school dropout. |
00:09:19 |
and he's too fucking stupid |
00:09:22 |
- Can't you get rid of him? |
00:09:24 |
No, she loves him. What am I gonna do? |
00:09:27 |
- How's he feel about you? |
00:09:28 |
To have a detective |
00:09:30 |
banging his sister. |
00:09:32 |
You know, "If we had a bigger place, |
00:09:35 |
Of course, if we got married |
00:09:37 |
- And what's wrong with that? |
00:09:40 |
You know what a diamond ring costs? |
00:09:42 |
- Come on, man. You've been married. |
00:09:44 |
- Yeah, but you give her a ring? |
00:09:47 |
- You guys cops? |
00:09:50 |
Christmas came early for you this year. |
00:09:53 |
Bank robbery. Hostage situation. |
00:09:56 |
- What? |
00:09:58 |
What about the Madrugada thing? |
00:10:01 |
- I thought I was in the doghouse. |
00:10:03 |
As far as I'm concerned, you still work here, |
00:10:05 |
- but if you don't think you're ready... |
00:10:07 |
Oh, good. Good. |
00:10:09 |
I'm giving you a break, here. |
00:10:11 |
- This is it, baby. The show! |
00:10:14 |
You got the call, man. God damn! |
00:10:15 |
I guess I should be happy. |
00:10:18 |
Here's all you need to know. |
00:10:20 |
Head bad guy puts a gun to your head |
00:10:22 |
You look around. There are five armed men |
00:10:25 |
Just picture them in their underwear. |
00:10:27 |
How about orange jumpsuits and shackles? |
00:10:28 |
- There you go, Keith. You can do this, man. |
00:10:55 |
Get back around the corner! |
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I told you, move it! Move it! |
00:11:01 |
Get those people back! |
00:11:05 |
All right, guys, as soon as we pull up, |
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The second floor window. Now. |
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- Let them in there! |
00:11:17 |
Sarge, what do you got? |
00:11:19 |
I got a perp in the bank. |
00:11:21 |
Who's on today? Who's your boss? |
00:11:23 |
- Sergeant Hernandez. I'll get him over here. |
00:11:25 |
- Sergeant Hernandez, you on the air? |
00:11:27 |
Sarge, I got Sergeant Collins over here. |
00:11:30 |
Can you come over to the other side? |
00:11:31 |
Redirect, on my way. Let's go. |
00:11:45 |
Back up! Go around, |
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Pull back. Pull it back. |
00:11:50 |
- Collins? What you got? |
00:11:52 |
I got a perp inside with a gun. |
00:11:57 |
Everyone, heads up! Let's clear the way! |
00:12:18 |
Let's go. Set them up. All right. |
00:12:21 |
We've got it under control. |
00:12:24 |
Step back, please! |
00:12:25 |
- Step back! |
00:12:27 |
There's nothing going on. |
00:12:29 |
You'll see it on the news tonight. |
00:12:31 |
Step back, please. |
00:12:44 |
Mr Case? |
00:12:46 |
Oh, good morning, Katherine. |
00:12:48 |
Sir, there's a robbery in progress |
00:12:52 |
Oh, my. |
00:12:53 |
- Has anybody been hurt? |
00:12:58 |
Oh, how awful. |
00:13:01 |
- Which branch is it? |
00:13:05 |
- Which one? |
00:13:10 |
Thank you, Katherine. |
00:13:11 |
I'm sorry, Mr Case. |
00:13:24 |
Oh, dear God. |
00:13:28 |
Get these people out of here. |
00:13:31 |
Up on the sidewalk. Come on in. |
00:13:38 |
Sergeant Collins, first on scene. |
00:13:41 |
That's right. Detective Frazier. |
00:13:43 |
Not much. |
00:13:45 |
The door was locked. |
00:13:48 |
and one of the gunmen opens the door, |
00:13:51 |
screaming in some foreign accent |
00:13:54 |
- See any other gunmen? |
00:13:56 |
- You hear anything inside? |
00:13:58 |
but with that. 357 sticking in my face, |
00:14:02 |
Okay. |
00:14:05 |
Good, good. Good, good, good, good. |
00:14:08 |
You ever had a gun |
00:14:10 |
- Yeah, once. |
00:14:11 |
Yeah, by a 12-year-old. |
00:14:13 |
- What was that like? |
00:14:16 |
I bet. All right, well, look. |
00:14:18 |
As soon as we get this thing cleared up, |
00:14:21 |
If you don't mind, |
00:14:23 |
at least until we make contact. |
00:14:25 |
That's what I like to hear, Sergeant. |
00:14:44 |
What? Come on. Why you doing this? |
00:14:49 |
Pop, what's going on? Yo. |
00:14:55 |
All bank employees, |
00:14:59 |
Bank employees, this side! |
00:15:09 |
Now, I need everybody |
00:15:14 |
out of your pockets and handbags |
00:15:37 |
- What's your name? |
00:15:39 |
- Peter what? |
00:15:41 |
- Where's your cell phone, Peter Hammond? |
00:15:47 |
Peter, think very carefully |
00:15:50 |
because if you get it wrong, |
00:15:54 |
"Here lies Peter Hammond, hero, |
00:15:57 |
"who valiantly attempted |
00:16:00 |
"by trying to hide his cellular phone, |
00:16:03 |
"but wound up getting shot |
00:16:07 |
Now, Peter Hammond, |
00:16:11 |
where is your cell phone? |
00:16:13 |
I'm telling you, I did. I left it at home. |
00:17:08 |
Okay, I fucked up. I'm sorry. Please. |
00:17:10 |
Hey. Don't worry about it. |
00:17:32 |
Just let me talk to you! |
00:17:35 |
Let me explain. |
00:17:38 |
Help! Help me. |
00:17:40 |
Stop! |
00:17:42 |
Stop! |
00:18:01 |
Anyone else here smarter than me? |
00:18:10 |
- And you are? |
00:18:13 |
Vikram Walia. Thanks, Vikram. |
00:18:15 |
Hey, mister. |
00:18:21 |
Keep it. |
00:18:23 |
Men here. Women here. |
00:18:26 |
Move! |
00:18:33 |
I need all of you |
00:18:38 |
Now. |
00:19:00 |
Lady? |
00:19:02 |
Believe me. This is the only situation |
00:19:08 |
- But take off your fucking clothes. |
00:19:12 |
You should be ashamed of yourself. |
00:19:16 |
What's with you mishegoyim? |
00:19:18 |
Go ahead. Make my day. |
00:19:20 |
- Take your fucking clothes off, lady. |
00:19:25 |
Stevie? |
00:19:29 |
Let's go! |
00:19:32 |
Now, I need all of you |
00:19:34 |
to put on one of these suits |
00:19:47 |
I'm Shon Gables, with CBS 2 News, |
00:19:50 |
where we have just been told |
00:19:52 |
the bank has been robbed. |
00:19:54 |
The suspect or possible suspects are inside, |
00:19:57 |
holed up with an unknown number |
00:19:59 |
- Captain Darius? |
00:20:01 |
I'm Detective Frazier. |
00:20:03 |
Hey. |
00:20:04 |
You may remember, |
00:20:06 |
during my training? |
00:20:08 |
Oh, yeah. That was a real shame. |
00:20:10 |
Yeah, it was. It was. |
00:20:12 |
So, what do we got? |
00:20:14 |
I got an unknown number of suspects |
00:20:17 |
and a bank, and about a million spectators, |
00:20:21 |
- so I'm kind of busy. |
00:20:22 |
The way this works, Mr Frazier, |
00:20:25 |
So if you need anything, |
00:20:27 |
No, it's not okay, Captain. |
00:20:29 |
Detective Grossman is away on vacation, |
00:20:32 |
so Detective Frazier |
00:20:35 |
Now, if you need anything, |
00:20:38 |
I guess it'll have to be. |
00:20:40 |
That's the way it's gonna be. |
00:20:42 |
- Berk! |
00:20:43 |
- Get these guys some vests! |
00:20:45 |
- And check them into the command log. |
00:20:47 |
You know what? |
00:20:49 |
and let you get control |
00:20:50 |
You'll let me know when you're ready |
00:20:53 |
- Okay. |
00:20:56 |
Don't go in the bank without calling us first, |
00:20:59 |
- All right. |
00:21:09 |
Shouldn't we be in there? |
00:21:11 |
Let's give him some time. See what he does. |
00:21:15 |
Until he secures his position |
00:21:18 |
he'll only dump on us. |
00:21:19 |
If the show starts, he'll call us. |
00:21:21 |
Your call, Keith. |
00:21:22 |
Can you get that for me? |
00:21:25 |
That's the one thing I learnt |
00:21:26 |
is these guys don't have much respect |
00:21:29 |
- How do you mean? |
00:21:31 |
Us being here means there's |
00:21:35 |
- Told you, you could handle this. |
00:21:37 |
I keep waiting for someone higher up |
00:21:41 |
"Here's what we do. " |
00:21:42 |
What happened at the hospital? |
00:21:43 |
Guy shot himself, shot his girlfriend. |
00:21:55 |
I told you, I've got |
00:21:59 |
a heart condition. |
00:22:02 |
Get up. |
00:22:28 |
Put down |
00:22:29 |
- Don't move! Don't move! |
00:22:32 |
- Don't move! Don't move! Come here! |
00:22:34 |
- Come here, come here, come here! |
00:22:37 |
On your knees! Down on your knees now! |
00:22:39 |
- They sent me out here! |
00:22:42 |
- He said stay away! |
00:22:44 |
If you come near the bank, |
00:22:47 |
- Who said this? Who? |
00:22:49 |
The guy with the big fucking gun! |
00:22:50 |
- That's who! |
00:22:52 |
- There's four of them in there! |
00:22:53 |
Christ! |
00:22:54 |
- Calm down! |
00:22:56 |
- Am I gonna be on TV? |
00:23:02 |
Was it a time when I thought |
00:23:05 |
Yeah, I thought about it. |
00:23:08 |
It was too much to think about at that point. |
00:23:10 |
You know, with a gun in your face, |
00:23:13 |
You know, I thought about... |
00:23:17 |
Yeah. |
00:23:18 |
My wife, you know, |
00:23:21 |
My kids. I got a 10-year-old son, |
00:23:27 |
Yeah, I thought about it, man. |
00:23:31 |
Those are my babies. |
00:24:25 |
Beautiful. |
00:24:43 |
Go ahead. |
00:24:44 |
Miss White, I want you to rest assured |
00:24:46 |
my only intention is to spend time |
00:24:49 |
and to enjoy all that it has to offer. |
00:24:51 |
And no business with your uncle? |
00:24:52 |
In truth, I have very little |
00:24:54 |
I'm told you haven't seen him in nine years. |
00:24:57 |
- You are extremely well informed. |
00:25:00 |
I have a Mr Arthur Case |
00:25:05 |
We'll need to end this here. |
00:25:06 |
I'm gonna need |
00:25:08 |
your mortgage application, |
00:25:10 |
- and I'll be in touch. |
00:25:12 |
Right this way, sir. |
00:25:25 |
Arthur Case? You sure? |
00:25:27 |
- That's what he said. |
00:25:29 |
It wasn't his secretary |
00:25:31 |
- No, ma'am. |
00:25:33 |
Okay. |
00:25:37 |
- This is Madeleine White. |
00:25:40 |
Oh, good morning, Mr Case. |
00:25:42 |
- Have we met formally? |
00:25:46 |
Yet, you're always turning up |
00:25:49 |
at my July 4th parties in Southampton. |
00:25:52 |
Yes, we know some of the same people. |
00:25:55 |
It seems. |
00:25:57 |
I'll come right to the point. |
00:26:00 |
I have a small problem |
00:26:02 |
with very special skills |
00:26:06 |
Are you such a person |
00:26:10 |
Go on. |
00:26:12 |
Can I pick you up in front of |
00:26:15 |
- I'll be downstairs. |
00:26:22 |
They had a kind of genius plan |
00:26:25 |
for throwing us out of whack |
00:26:28 |
and depriving us |
00:26:32 |
They were... They were very |
00:26:37 |
insistent, and yet, strangely detached. |
00:26:40 |
All I know is that they called each other |
00:26:44 |
Steven, Steve-O, Stevie. |
00:26:47 |
And they called you what? |
00:26:48 |
They didn't call me anything. |
00:26:50 |
You're lying to me. Tell me the truth, now. |
00:26:53 |
Tell me the... |
00:26:55 |
They had AK-47 s out. Four of them. |
00:26:57 |
- You know a lot about guns. |
00:26:59 |
- I don't know anything about guns, except... |
00:27:02 |
- Everybody knows what an AK-47 is. |
00:27:05 |
Anybody who's ever watched |
00:27:09 |
- You ever rob a bank before? |
00:27:11 |
Me rob a bank? No. |
00:27:14 |
- Never stole a dollar? |
00:27:16 |
- Never? |
00:27:18 |
- You know what? |
00:27:21 |
I stole a nickel |
00:27:26 |
She was Polish. |
00:27:28 |
I used to go up to her and say, |
00:27:34 |
One day, I opened her pocketbook |
00:27:39 |
I took it. |
00:27:40 |
That was the only thing I ever took. |
00:27:46 |
Look, Detective, I didn't mean |
00:27:49 |
Forget about it. What's the story, Captain? |
00:27:51 |
Well, the hostage they let go |
00:27:55 |
He was having chest pains. |
00:27:57 |
They told him to say |
00:28:00 |
they'd throw out two dead bodies. |
00:28:03 |
He thinks there's four perps. |
00:28:07 |
There's a video system in the bank. |
00:28:10 |
We're working on getting a download |
00:28:12 |
from Manhattan Trust's |
00:28:15 |
We got the block locked up. |
00:28:18 |
We're checking on the sewers with D.E.P. |
00:28:21 |
What about the phones? |
00:28:22 |
Cut and diverted into M.C.C. |
00:28:26 |
Cell phones are monitored |
00:28:31 |
But we like to leave it clear |
00:28:34 |
but so far nothing. |
00:28:36 |
-911? |
00:28:39 |
Any call about a bank |
00:28:42 |
Well, that's my end of it, Detective. |
00:28:47 |
Yeah. |
00:28:49 |
Yeah, I'm not calling them yet. |
00:28:51 |
Beg your pardon? |
00:28:53 |
Doesn't feel right yet, |
00:28:55 |
I'm not gonna call him |
00:28:56 |
Let's see what he does. |
00:28:59 |
Your call. |
00:29:08 |
Now, Mr Case, why don't you |
00:29:11 |
Please. That would be nice. |
00:29:13 |
Well, you say that there are family heirlooms |
00:29:18 |
That's fine. |
00:29:19 |
But in my experience, people like you |
00:29:23 |
that handle these kinds of things. |
00:29:24 |
And when they can't, |
00:29:27 |
Their people call me. |
00:29:29 |
So, immediately, I know |
00:29:32 |
that you don't even want |
00:29:36 |
No problem with me. |
00:29:38 |
You tell me I don't need to know |
00:29:42 |
But if you tell me |
00:29:45 |
and I find out that it's the launch codes |
00:29:49 |
then let's just say |
00:29:52 |
- Have you finished? |
00:29:54 |
What's inside that box, young lady, |
00:29:56 |
has belonged to me |
00:29:59 |
It's very valuable |
00:30:03 |
Except you. |
00:30:07 |
Okay. Well, first, |
00:30:09 |
so I can't guarantee any results. Agreed? |
00:30:11 |
- Of course. |
00:30:13 |
Now, what makes you think |
00:30:16 |
I don't. |
00:30:18 |
Well, why don't you tell me |
00:30:23 |
I'd prefer that nobody |
00:30:28 |
Not them, not you, not the authorities. |
00:30:31 |
And the sooner this situation ends, |
00:30:34 |
- Is that specific enough for you? |
00:30:39 |
The contents of that box |
00:30:43 |
are of great value to me. |
00:30:46 |
So long as they remain my secret. |
00:30:48 |
And if they're exposed? |
00:30:59 |
I'll face some difficult questions. |
00:31:01 |
- So, it stays locked or it disappears. |
00:31:04 |
- Can you make that happen? |
00:31:06 |
I hope so. |
00:31:09 |
Whoever gave you my number |
00:31:12 |
Clearly, they must have been satisfied. |
00:31:22 |
Steve? |
00:31:24 |
It's time for Steve-O. |
00:31:32 |
I came out here to take a look |
00:31:35 |
Guess what I found? |
00:31:37 |
That hostage they let out said these guys |
00:31:40 |
Yeah. |
00:31:51 |
Probably stolen. |
00:31:53 |
Have them run it and check it for prints. |
00:31:59 |
- Everybody on? |
00:32:13 |
- Sure you got the right number? |
00:32:26 |
Okay. Nothing yet. |
00:32:30 |
We got video. |
00:32:31 |
Let's have it. |
00:32:35 |
What happened to that camera |
00:32:37 |
Wait. Hold on, hold on, hold on. |
00:32:43 |
Yeah, there it is. |
00:32:45 |
It's like he blinds the camera |
00:32:48 |
It's weird, isn't it? |
00:32:50 |
- You'd think it'd be pretty bright, huh? |
00:32:53 |
- What's that? |
00:32:56 |
See, humans can't see it, |
00:32:58 |
He could knock out the cameras |
00:33:00 |
Right, right, right, right. |
00:33:01 |
He knocked out |
00:33:03 |
So, for approximately two minutes, |
00:33:05 |
we got no evidence of people |
00:33:09 |
Miriam, how long were you there |
00:33:12 |
It was just a few minutes. |
00:33:14 |
Well, can you tell us what happened |
00:33:17 |
They just told us to put our heads down. |
00:33:21 |
And then I just remember one of them |
00:33:24 |
telling the others to just go down |
00:33:27 |
- The video cameras? |
00:33:28 |
Anything else you want to share with us? |
00:33:30 |
No, just... |
00:33:32 |
- You sure? |
00:33:33 |
Could you give us |
00:33:36 |
I'm just messing with you, sweetheart. |
00:33:38 |
- You okay? |
00:33:40 |
Okay. |
00:33:41 |
- It was pretty awful. |
00:33:43 |
I mean, they made us strip. |
00:33:46 |
They made us take off our clothes. |
00:33:49 |
I don't understand why they had to do that. |
00:33:52 |
I really just thought... |
00:33:54 |
I thought I was gonna be killed. |
00:33:57 |
Well. |
00:34:00 |
- All right, my dear. |
00:34:03 |
- I can go? |
00:34:04 |
- No? |
00:34:06 |
- You got to stay. |
00:34:07 |
No, stay. No, go. |
00:34:10 |
Did you rob the bank? |
00:34:11 |
- You did. |
00:34:12 |
- No. |
00:34:14 |
There's movement at the front door. |
00:34:20 |
Put down the fucking weapon! |
00:34:23 |
Don't move! Don't move! |
00:34:25 |
He's got a device on him there. |
00:34:26 |
I said put your hands on your head |
00:34:29 |
I said put your hands on your head |
00:34:32 |
Hands are tied! |
00:34:33 |
- Jesus, pat him down. |
00:34:35 |
I'm one of the hostages! |
00:34:37 |
Easy, be very careful, |
00:34:39 |
I can't see him from where I'm at. |
00:34:40 |
I can see him. I got a clear shot. |
00:34:43 |
- Who are you? |
00:34:45 |
Okay. Vikram? Is this a bomb? |
00:34:48 |
- Oh, shit! A fucking Arab! |
00:34:50 |
- Is that a bomb? |
00:34:51 |
- Answer me, Vikram. Is this a bomb? |
00:34:52 |
- Are you booby-trapped? |
00:34:54 |
Okay, Vikram, I need you to relax. |
00:34:55 |
- Jesus, give me a hand. |
00:34:58 |
Just watch. |
00:35:00 |
- Team, take him down. |
00:35:01 |
What the fuck? Easy, easy. |
00:35:03 |
Get off my... That's my turban. Get off. Easy. |
00:35:06 |
Get... My turban! |
00:35:09 |
Come on, shut up. Relax. |
00:35:10 |
What the fuck are you doing? |
00:35:12 |
- You can't fucking rip my turban. |
00:35:14 |
- What the fuck? |
00:35:15 |
Get your fucking hands off me! |
00:35:21 |
And the 11:00 and 12:00... |
00:35:23 |
And don't forget about your 1:00 |
00:35:26 |
- Oh, Madge. What a day... |
00:35:28 |
Madeleine! How are you? |
00:35:30 |
I'm just fine, but thank you for seeing me |
00:35:32 |
- Sure. Madge, are we through here? |
00:35:36 |
This way, Miss White. |
00:35:38 |
I always have time to put on a tux |
00:35:42 |
Who are we saving this week? |
00:35:44 |
Well, I'm doing a round of support |
00:35:46 |
for the Joseph Freidkin Memorial Fund |
00:35:49 |
and we're having |
00:35:51 |
If you could attend, |
00:35:53 |
It would be my pleasure. |
00:35:57 |
- What the fuck do you want? |
00:36:00 |
- No shit. Which kind? |
00:36:04 |
That's the kind I had in mind. |
00:36:06 |
You know about this hostage situation. |
00:36:08 |
On my way. What's it to do with you? |
00:36:11 |
All right, well, I need to keep an eye on it. |
00:36:13 |
So, I want you to bring me down there |
00:36:16 |
to extend me every courtesy. |
00:36:20 |
You're out of your fucking mind. |
00:36:23 |
If it was easy, |
00:36:26 |
- It's impossible. |
00:36:29 |
You just have to call in a few markers, |
00:36:31 |
I may have to give out a few. |
00:36:34 |
Then that's exactly what you'll do. |
00:36:38 |
You're a magnificent cunt. |
00:36:43 |
Thank you. |
00:36:48 |
It's been a very tense situation |
00:36:51 |
It's unclear how many hostages are inside |
00:36:53 |
and how many robbers |
00:36:56 |
Officials say this all started out |
00:36:59 |
but has turned into this hostage situation. |
00:37:02 |
Negotiators are here on the scene, |
00:37:05 |
and it's still unclear |
00:37:07 |
Of course, we'll keep you up to date |
00:37:09 |
and we will remain here on the scene |
00:37:12 |
That's the latest from here |
00:37:14 |
Reporting live, I'm Sandra Endo. |
00:37:17 |
"Protect and serve" my ass. |
00:37:20 |
I'm not talking to anybody without a turban. |
00:37:22 |
It's part of my religion, to cover my head |
00:37:25 |
Okay, we'll find your turban. |
00:37:27 |
Not an Arab, by the way, |
00:37:29 |
Now, no, I don't think you heard that. |
00:37:31 |
There was a lot going on. |
00:37:33 |
- I didn't hear that. |
00:37:35 |
I'll give you all the information you want. |
00:37:37 |
I don't need this. I need my turban. |
00:37:40 |
- We'll get you your turban. |
00:37:42 |
No, no, no. Not "get me. " |
00:37:45 |
You just got to start thinking |
00:37:47 |
It's a dangerous situation. |
00:37:48 |
You got to start telling us |
00:37:51 |
We can talk about this later. |
00:37:53 |
You can write a formal complaint. |
00:37:55 |
But for now, |
00:37:57 |
First you beat me, |
00:37:59 |
You need to start thinking |
00:38:02 |
I could apologise on behalf of the NYPD, |
00:38:05 |
- We're gonna try and find out... |
00:38:07 |
- How many were there? |
00:38:10 |
- How many hostages? |
00:38:15 |
I'm fucking tired of this shit. |
00:38:19 |
Why can't I go anywhere |
00:38:21 |
I get thrown out of a bank. |
00:38:24 |
I go to the airport. |
00:38:25 |
I can't go through security |
00:38:28 |
Fucking random, my ass. |
00:38:29 |
I bet you can get a cab, though. |
00:38:33 |
I guess that's one of the perks. |
00:38:35 |
Put the ice on your face. |
00:38:41 |
"Two buses with full gas tanks. |
00:38:44 |
"and pilots at JFK, |
00:38:47 |
They give us until 9.:00 pm to do this, |
00:38:49 |
then they kill one hostage every hour |
00:38:51 |
"Bank is secured with Semtex. |
00:38:55 |
- Whatever you do, don't give them a jet. |
00:38:58 |
Till I talk to them, they get nothing. |
00:39:01 |
For now, we wait. |
00:39:02 |
Let's let them wonder |
00:39:05 |
Excuse me, Detectives. This is Arthur Case. |
00:39:07 |
- He's the... |
00:39:09 |
- Of the bank. You wanna talk to him? |
00:39:12 |
Mr Case, how are you? |
00:39:15 |
Anything in particular |
00:39:17 |
No. I just wondered |
00:39:23 |
- Have they made any demands? |
00:39:27 |
Oh, I see. |
00:39:31 |
Would you like me to arrange one for you? |
00:39:39 |
I'm so sorry. I must have misunderstood. |
00:39:42 |
That's quite all right, Mr Case. |
00:39:45 |
Where can we reach you |
00:39:47 |
Well, those are my people in there, |
00:39:48 |
and I would like to stay here for a while. |
00:39:51 |
I'll be very quiet right down... |
00:39:53 |
Mr Case, we'll try and keep you posted |
00:39:56 |
but you're gonna have to excuse us |
00:39:58 |
Right this way, sir. |
00:40:00 |
- Absolutely. |
00:40:01 |
Thank you very much. |
00:40:04 |
- Thank you. |
00:40:05 |
This way, sir. |
00:40:40 |
"Fifty hungry people need food now. " |
00:40:52 |
All right. |
00:40:54 |
I'm gonna need 15 minutes |
00:40:56 |
Pizza's the best. No sandwiches. |
00:40:58 |
Is she for real? |
00:41:00 |
Well, if we send in, say, |
00:41:04 |
maybe we'll get some conversation |
00:41:06 |
Give them each a sandwich, it's hit or miss. |
00:41:08 |
They can move around |
00:41:11 |
- What's this? |
00:41:13 |
You click it, and it'll record for half an hour. |
00:41:15 |
- James Bond shit. |
00:41:17 |
- You gonna ask for a hostage? |
00:41:20 |
I ask for another one, |
00:41:22 |
No, he knows what he's doing. |
00:41:24 |
He gave us a hostage. |
00:41:26 |
I don't want to get caught bluffing this guy. |
00:41:33 |
Fuck this shit. Look, they want to shoot me |
00:41:37 |
Do you wanna get us all killed? |
00:41:39 |
You wanna relax? |
00:41:41 |
They're out there robbing the bank! |
00:41:44 |
- Can't you see they fucked him up? |
00:41:46 |
You think they dressed us like this for fun, |
00:41:48 |
- I have no idea |
00:41:49 |
...why they made us put on all of this crap. |
00:41:52 |
Probably so when the cops break in |
00:41:55 |
- we all get fucking shot. |
00:41:57 |
It's a great plan, but, no, thanks. |
00:41:59 |
I told you to shut up! Leave him! |
00:42:03 |
No! Don't do this to me! Please, don't. |
00:42:10 |
I'll do as you say! No! Help! Help! |
00:42:28 |
Please, don't! Don't! |
00:42:37 |
One guy did most of the talking. |
00:42:39 |
He told everyone else what to do. |
00:42:41 |
- So they were talking amongst themselves? |
00:42:44 |
They had us in these rooms. |
00:42:47 |
The doors were locked all the time. |
00:42:49 |
We didn't know what they were doing. |
00:42:51 |
- Did you hear anything they said? |
00:42:54 |
- I see. |
00:42:56 |
- Where are they? |
00:42:57 |
- Let's see. |
00:42:59 |
- Yeah, let's take a look at them. |
00:43:01 |
That's your other one, there? |
00:43:02 |
What's the red part, there? |
00:43:04 |
They're different colours. |
00:43:07 |
And to distinguish right from left, also. |
00:43:09 |
- Distinguish right from left? |
00:43:10 |
Right from wrong. |
00:43:12 |
I don't understand. |
00:43:13 |
- Steve? |
00:43:16 |
- I didn't say anything. |
00:43:17 |
Steve. Is that your name? Steve? |
00:43:19 |
Stevie? Steve-O? |
00:43:21 |
- How much are they gonna pay you? |
00:43:23 |
- You heard me. |
00:43:26 |
- How much are they going to pay you? |
00:43:29 |
- Were you involved in this robbery? |
00:43:32 |
Were you involved in this situation? |
00:43:36 |
- What situation? |
00:43:56 |
If he gives us a tip, I'm keeping it. |
00:43:59 |
- Put that gun down! |
00:44:00 |
All right, everybody, relax. |
00:44:02 |
Calm the fuck down! |
00:44:06 |
How you doing? |
00:44:09 |
I'm Detective Keith Frazier, |
00:44:13 |
How's it going? |
00:44:15 |
Okay. I hope the pizzas are okay. |
00:44:19 |
Listen, you pick up the phone |
00:44:21 |
It's a direct line to me. |
00:44:23 |
I would love to talk to you. |
00:44:31 |
Nice talking to you. |
00:45:00 |
Shit. Fucking Russians. |
00:45:02 |
Call Operations. See if they can get |
00:45:06 |
And get some fucking body bags. |
00:45:07 |
I hope you know what you're doing. |
00:45:09 |
Because if my guys got to shoot it out |
00:45:12 |
Okay, okay, okay. Mitch? |
00:45:14 |
Check with either one of the hostages. |
00:45:16 |
Find out if they heard any Russian |
00:45:20 |
We'll be all right. |
00:45:39 |
No! |
00:45:42 |
Down on the floor! |
00:45:51 |
Come on, sweetheart. Let's go. Let's go. |
00:45:55 |
Stop crying! Shut the fuck up! |
00:46:00 |
Get in there! Sit down! Put your masks on! |
00:46:05 |
Come on, let's go. Come on, boobs. |
00:46:07 |
- "Boobs"? Who the fuck you talking to? |
00:46:11 |
- Why? |
00:46:13 |
"Fat ass"? Are you kidding me? |
00:46:14 |
If you don't shut the fuck up, |
00:46:21 |
Put your masks on! |
00:46:23 |
Put your hands on the ground! |
00:46:25 |
Okay, okay. |
00:46:27 |
On the floor. Hands are on the floor. |
00:46:34 |
Masks on! |
00:46:36 |
Put your hands on the ground! |
00:46:39 |
Come on, boobs, let's go. |
00:46:41 |
Oh, shit. Sit down! Sit down! |
00:46:52 |
She was on line in front of me. |
00:46:54 |
He was the teller on my line. |
00:46:57 |
This guy was to my right |
00:47:00 |
He was playing with a video game. |
00:47:02 |
I remember her. |
00:47:04 |
- Why do you remember her? |
00:47:08 |
- You remember seeing any of them after? |
00:47:12 |
- How are you sure you saw her again? |
00:47:16 |
Can't hide quality like that. |
00:47:17 |
This guy, he almost got us all killed. |
00:47:20 |
How? |
00:47:21 |
They put eight or nine of us |
00:47:24 |
This guy took off his mask |
00:47:27 |
"I don't have to wear this damn mask," |
00:47:30 |
So, they come in, pull him out of the room |
00:47:35 |
- You see him again after that? |
00:47:38 |
- Was he okay? |
00:47:41 |
You... |
00:47:43 |
- You recognise anyone else from that room? |
00:47:47 |
No one? |
00:47:49 |
- Why don't you keep looking? |
00:47:51 |
What about before it began? |
00:47:53 |
You didn't look around |
00:47:55 |
I was talking to my girlfriend on the phone. |
00:48:01 |
You wanna take another picture? |
00:48:03 |
I could bend over and pick up a pencil. |
00:48:06 |
Whatever. |
00:48:08 |
This guy. |
00:48:10 |
Asshole. |
00:48:32 |
What the fuck? This ain't Russian. |
00:48:36 |
No? What the hell is it? |
00:48:38 |
It's not Polish. Not Hungarian. |
00:48:40 |
Bulgarian, maybe. |
00:48:43 |
It's Central European. Sort of. |
00:48:45 |
That's it? |
00:48:48 |
What? No. |
00:48:50 |
- What do you think? |
00:48:52 |
Well, this is New York City. |
00:48:54 |
Somebody on the street |
00:48:56 |
Probably the hot-dog man. |
00:48:57 |
Berk, play that over the speaker for me. |
00:49:03 |
Excuse me! |
00:49:05 |
Does anybody know |
00:49:08 |
Yo, my man. |
00:49:10 |
Hey, Phil, let that guy through. Come on. |
00:49:16 |
- You know what language they're speaking? |
00:49:19 |
- Albanian? |
00:49:25 |
What am I doing here? |
00:49:29 |
Yo, am I getting arrested for something? |
00:49:31 |
No, you're not getting arrested. |
00:49:34 |
Whoa. |
00:49:36 |
- Okay. What are they saying? |
00:49:39 |
You got no idea? |
00:49:41 |
No. I never said I speak Albanian. |
00:49:42 |
You said you spoke Albanian. |
00:49:43 |
I never said I speak Albanian. |
00:49:45 |
Well, how do you know it's Albanian? |
00:49:46 |
My ex-wife and her parents are Albanian. |
00:49:48 |
Her parents couldn't speak English for shit. |
00:49:51 |
I have no idea what they're saying, |
00:49:52 |
but I'll tell you right now |
00:49:55 |
-100%%? |
00:49:56 |
Call the Albanian Consulate. |
00:49:59 |
to translate this for us. Make it happen fast. |
00:50:01 |
Okay, you hang out |
00:50:02 |
Oh, man, not again. |
00:50:05 |
Van was stolen two days ago, but it's clean. |
00:50:08 |
- Nothing? |
00:50:10 |
Albanian? |
00:50:12 |
My man, like I told you, 100%% Albanian. |
00:50:17 |
Undeniable. |
00:50:31 |
- Hey. |
00:50:57 |
Yo, yo, yo. |
00:50:59 |
Hey, yo, you thought you was gonna |
00:51:02 |
How does this game work? |
00:51:04 |
You get points for doing dirt, |
00:51:08 |
And you lose points |
00:51:12 |
Come on, baby. |
00:51:13 |
Take that! Take this! What? What? What? |
00:51:16 |
Talk shit now! I don't hear you! |
00:51:18 |
Eat this! Eat that! Eat this! Eat that! |
00:51:20 |
You're gone, baby! You're dead! Bye-bye! |
00:51:23 |
Jesus! |
00:51:24 |
What's the point of this? |
00:51:26 |
Like my man 50 says, |
00:51:30 |
Yo, you'd get mad points |
00:51:33 |
- You think that's cool? |
00:51:41 |
Finish your slice. |
00:51:45 |
I got to talk to him about this game. |
00:51:55 |
- Is it good? |
00:52:01 |
It's gonna be okay. |
00:52:03 |
Cool. |
00:52:05 |
You'll be home soon. |
00:52:07 |
That's whassup. |
00:52:13 |
- Sir? |
00:52:14 |
- No luck with the Albanian Consulate. |
00:52:16 |
I couldn't tell what the guy |
00:52:19 |
And I tried the State Department. |
00:52:21 |
Okay. |
00:52:22 |
- Call her. |
00:52:24 |
- I hate that bitch. Come on. |
00:52:27 |
- Yeah, she was born there. |
00:52:29 |
I'm gonna regret this. |
00:53:09 |
- Who's Detective Frazier? |
00:53:11 |
- I have llina Maria over here. |
00:53:14 |
- Oh, how you doing? |
00:53:15 |
How you doing? |
00:53:17 |
- What's this? |
00:53:22 |
Yeah, I'll see what I can do. |
00:53:24 |
Can you listen to this |
00:53:27 |
You can't smoke in here. |
00:53:32 |
Shit. Go ahead. |
00:53:43 |
What's so funny? |
00:53:46 |
I know what they're talking about. |
00:53:49 |
You know who it is? |
00:53:51 |
- Who? I mean, who is it? |
00:53:53 |
- They're taken care of. Who is it? |
00:53:55 |
- Who? |
00:53:58 |
Wait. |
00:53:59 |
You're telling me the former president |
00:54:02 |
Enver Hoxha's dead. |
00:54:03 |
That's a tape of him discussing |
00:54:06 |
They are immortal people. I wouldn't worry. |
00:54:11 |
It's a tape. You're sure about that? |
00:54:13 |
I had to listen to all this nonsense |
00:54:15 |
"Communism is great. Capitalism is evil. |
00:54:19 |
It's Enver Hoxha. It's a tape. |
00:54:21 |
Okay. Okay, well, |
00:54:25 |
And do me a favour, huh? |
00:54:35 |
So, they're playing tapes for us now. |
00:54:36 |
They knew we were gonna bug them. |
00:54:38 |
Yeah, you're damn right they knew we were |
00:54:40 |
What makes it even worse, |
00:54:42 |
so they could send us |
00:54:44 |
Last time I had my johnson |
00:54:47 |
$5? |
00:54:49 |
Yeah, Tijuana. Don't ask. |
00:54:52 |
Look at the... Oh, fuck that. |
00:56:44 |
- Detective Frazier. Nice to meet you. |
00:56:46 |
This is Madeleine White. |
00:56:48 |
- How do you do, Miss White? |
00:56:50 |
Miss White may be able to assist you. |
00:56:53 |
Good. Good. What do you have in mind? |
00:56:56 |
She has a certain amount of influence |
00:56:59 |
for reasons which I can't share with you. |
00:57:04 |
What are you trying to say, sir? |
00:57:05 |
What the Mayor means |
00:57:09 |
that are a little bit above your pay grade. |
00:57:11 |
And he's offering to help you. |
00:57:14 |
Well, why don't you just tell the Mayor |
00:57:18 |
and problem solved. |
00:57:20 |
From what I hear, that would have happened |
00:57:22 |
if you'd been a little bit more diplomatic. |
00:57:25 |
Look, I'm kidding. I mean, |
00:57:28 |
You want to speed that up, |
00:57:31 |
Then there's also the matter of $140,000 |
00:57:34 |
from the Madrugada cheque-cashing bust. |
00:57:36 |
Oh, I see. |
00:57:39 |
Well, I had nothing to do with that. |
00:57:42 |
Yeah, Collins, we got snipers |
00:57:44 |
We got guys in the building next door. |
00:57:47 |
We're trying to get the blueprints |
00:57:49 |
so we can figure out the ventilator shaft. |
00:57:56 |
Well? |
00:57:58 |
- Speaking. |
00:58:00 |
- You shouldn't eavesdrop on people. |
00:58:03 |
There's not gonna be much privacy |
00:58:05 |
You're damn right. |
00:58:06 |
This time next week, |
00:58:09 |
in a hot tub with six girls |
00:58:12 |
More like taking a shower with two guys |
00:58:16 |
if you know what I mean. |
00:58:18 |
that thing you're sucking on, |
00:58:23 |
- Maybe you like that kind of thing, huh? |
00:58:27 |
All right, here's where we stand. |
00:58:29 |
I don't need |
00:58:31 |
I tell you where things stand. |
00:58:33 |
- Sure, sure. I just meant... |
00:58:35 |
You're getting me what I asked you for. |
00:58:37 |
You'll have it ready in the time I gave you |
00:58:39 |
or you'll sit by and you'll watch me do |
00:58:42 |
Very clear. |
00:58:44 |
But you got to understand this. |
00:58:46 |
You know, it's not like the City of New York |
00:58:50 |
I understand that if you don't get |
00:58:52 |
- then you might as well send a hearse. |
00:58:54 |
Let's focus on how we can both |
00:58:57 |
Hey! You're not listening. |
00:59:01 |
You get me what I want, I won't kill anyone. |
00:59:05 |
All right. I'm on it. I'm on it. |
00:59:07 |
Let's just try to keep everybody calm, okay? |
00:59:10 |
- Don't I sound calm to you? |
00:59:15 |
Yeah, you do. |
01:00:08 |
- So, Mr Damerjian... |
01:00:11 |
- Damerjian. Is that Albanian? |
01:00:13 |
- Kenneth? |
01:00:16 |
It's Armenian. |
01:00:18 |
What's the difference? |
01:00:20 |
Detective, I was born in Queens. |
01:00:23 |
I've never been to Armenia, Albania. |
01:00:26 |
Can I have a glass of water? |
01:00:27 |
- Are you thirsty? |
01:00:30 |
- I'm not nervous. |
01:00:31 |
- My throat's parched. |
01:00:33 |
- I just want a glass of water. |
01:00:36 |
When you start telling us |
01:00:38 |
- I just want a glass of water. |
01:00:40 |
- Here. You want some coffee? |
01:00:41 |
- I don't drink that stuff. |
01:00:43 |
Did you know they were robbing the bank? |
01:00:44 |
I didn't know they were robbing the bank |
01:00:46 |
Is that why you held the door open |
01:00:48 |
How do you know they robbed the bank? |
01:00:49 |
Because they pulled a gun in my face... |
01:00:50 |
That doesn't mean they were |
01:00:51 |
Did they take money? |
01:00:53 |
I was in a bank and I was locked up |
01:00:57 |
- Okay. |
01:00:59 |
You saw me see you? |
01:01:01 |
- Is that what you just said? |
01:01:02 |
I was locked up in the room. |
01:01:04 |
Listen, I can't work miracles over here. |
01:01:07 |
Well, perhaps if you'd use the time |
01:01:10 |
you wouldn't be having this problem. |
01:01:11 |
- What do you want me to say? |
01:01:15 |
Okay, listen. |
01:01:17 |
I promise you, as God is my witness, |
01:01:21 |
It's just gonna take a few more hours. |
01:01:23 |
Why should I give you any more time? |
01:01:24 |
Well, it's simple. You give me more time, |
01:01:26 |
You don't give me the time, |
01:01:28 |
You got nothing to lose. |
01:01:33 |
Meanwhile, we'll send in some more food. |
01:01:35 |
I got a question for you. |
01:01:38 |
- And? |
01:01:42 |
Which weighs more? |
01:01:45 |
All the trains that pass through |
01:01:49 |
or the trees cut down to print |
01:01:53 |
Here's a hint. It's a trick question. |
01:01:58 |
What the hell is that? Playing games now? |
01:02:00 |
It's the trains. |
01:02:01 |
US money isn't printed on paper at all. |
01:02:04 |
- Yeah, I heard that. |
01:02:06 |
- Okay. |
01:02:07 |
- Are you sure? |
01:02:10 |
Okay. |
01:02:16 |
I got it. |
01:02:17 |
- Wait a second. Wait a second. |
01:02:24 |
It's a trap. They both weigh the same. |
01:02:26 |
Tell him they both weigh the same. |
01:02:28 |
They both weigh nothing |
01:02:30 |
Tell him they both weigh the same. |
01:02:32 |
Tell him they both weigh the same. |
01:02:33 |
They both weigh the same. Got it. |
01:02:39 |
- Well? |
01:02:41 |
This time, send sandwiches. |
01:02:44 |
That's pretty good. This guy's nuts. |
01:02:47 |
He said, "Grand Central Station. " |
01:02:50 |
Grand Central Terminal is the train station. |
01:02:52 |
- Grand Central Station is the post office. |
01:02:55 |
He's wrong. |
01:02:56 |
Perp One. |
01:03:00 |
It's the last stop for every train. |
01:03:01 |
- What about the subway? They run through. |
01:03:04 |
- How the fuck do you know? |
01:03:06 |
No. Metro-North starts there. |
01:03:08 |
What are you guys talking about? |
01:03:10 |
- Metro-North goes through! |
01:03:13 |
- Metro-North... |
01:03:17 |
Yeah, but the Metro-North goes up |
01:03:19 |
Look, shut up. It doesn't matter, anyway. |
01:03:21 |
I know what he meant. |
01:03:22 |
What he said is one thing, |
01:03:24 |
Yeah. |
01:03:25 |
Sandwiches. |
01:03:27 |
I'm on it, I'm on it. |
01:03:30 |
You know, right now I could go for |
01:03:33 |
I had Met tickets tonight. |
01:03:35 |
They're gonna get their asses |
01:03:37 |
Tell me about it. I'm better off here. |
01:03:40 |
- Do you think they're terrorists? |
01:03:42 |
How do you know? They could be Al-Qaeda. |
01:03:44 |
Trust me. I've studied these things. |
01:03:46 |
- What are you, Mossad? |
01:03:48 |
Now I teach courses at Columbia Law |
01:03:51 |
- war reparation claims. |
01:03:53 |
- Can I sue anybody when this is over? |
01:03:56 |
Go meshuga. |
01:04:00 |
Now that's a good looking shithole. |
01:04:12 |
- Hello? |
01:04:14 |
Baby, I'm worried about you. |
01:04:16 |
Yeah, yeah, yeah. Soon. |
01:04:17 |
It's gonna be a long night, though, |
01:04:20 |
Why don't you let me come down there? |
01:04:21 |
Because I don't want to be |
01:04:24 |
Well, if you're still there when I come |
01:04:27 |
- I cannot wait. I cannot wait. |
01:04:30 |
It's all right. We got a couple |
01:04:33 |
- No, no. How you doing? |
01:04:36 |
Oh, I saw the Mayor on TV. He said |
01:04:40 |
- You saw me on TV? |
01:04:42 |
- How'd I look? |
01:04:44 |
- All right, listen. I got to go. |
01:04:47 |
- Keep your head down. |
01:04:51 |
Come on. |
01:04:55 |
So, are we clear about the ground rules? |
01:04:58 |
- There's no need to worry, Detective. |
01:05:01 |
I just need you to look me in the eye |
01:05:03 |
and make me believe that you understand |
01:05:06 |
- I understand. |
01:05:13 |
Someone here wants to talk to you. |
01:05:17 |
- Hello? |
01:05:19 |
Let's not get into any names. |
01:05:21 |
- What matters is what I can offer you. |
01:05:23 |
Well, if I can be assured |
01:05:25 |
I might be able to help you get |
01:05:28 |
I doubt that. |
01:05:30 |
Tell me about these interests |
01:05:33 |
Why don't you let me worry about that? |
01:05:34 |
Now, what is it you were hoping to get out |
01:05:38 |
- Rich, of course. |
01:05:40 |
But you may have bitten off |
01:05:42 |
- How? |
01:05:45 |
- You work for the bank? |
01:05:48 |
And you're not a cop. |
01:05:50 |
That's right. |
01:05:53 |
Come on in. |
01:06:01 |
You got 10 minutes. No more. |
01:06:03 |
If you're not out |
01:06:04 |
you can stay inside until this thing is over. |
01:06:06 |
- You don't need to threaten me. |
01:06:09 |
I know this game is a mile over my head, |
01:06:12 |
I got where I am by collecting friends, |
01:06:14 |
Trust me, okay? |
01:06:16 |
You're on your own. |
01:06:42 |
What makes you think |
01:06:45 |
Well, |
01:06:48 |
It's not a problem. |
01:06:49 |
And they're fuelling |
01:06:53 |
Come on. You're not that stupid. |
01:06:56 |
Here's what I'm thinking. |
01:06:58 |
If you give up now, |
01:07:00 |
I'm thinking three years, |
01:07:02 |
You can arrange that? |
01:07:03 |
Well, you haven't hurt anyone |
01:07:05 |
so yes, as a matter of fact, I can. |
01:07:08 |
- It's not good enough. |
01:07:11 |
When you get out, you'll have $2 million. |
01:07:14 |
Will I? How? |
01:07:16 |
We'll put it someplace safe and it'll be |
01:07:20 |
Thanks. |
01:07:22 |
But no, thanks. |
01:07:23 |
Oh, come on. I made you such a sweet offer. |
01:07:26 |
I really don't think you have much |
01:07:29 |
Why don't you talk to me about these |
01:07:33 |
- I'm afraid I can't. |
01:07:34 |
Let me tell you a story. |
01:07:38 |
During World War ll, there was an American |
01:07:44 |
Now, I don't need to tell you |
01:07:46 |
was rife with opportunity |
01:07:49 |
People like this man. |
01:07:51 |
He used his position with the Nazis |
01:07:56 |
people were being stripped |
01:07:59 |
Then he used his blood money |
01:08:03 |
Now, |
01:08:06 |
does this sound like |
01:08:10 |
Or am I just whistling Dixie out of my ass? |
01:08:13 |
- I believe we understand each other. |
01:08:17 |
So, what the hell can you do for me |
01:08:19 |
since I clearly know more than you do, |
01:08:22 |
Believe me, if I need to, |
01:08:26 |
So, the sooner |
01:08:28 |
and you start becoming my solution, |
01:08:32 |
- What is it you want? |
01:08:34 |
The safety deposit box room. |
01:08:39 |
Looking for this? |
01:08:42 |
This could be very embarrassing |
01:08:45 |
He should have destroyed this |
01:08:47 |
He didn't, so now it's mine. |
01:08:52 |
Now, if the day ever comes |
01:08:55 |
and account for what I did here, |
01:08:56 |
you and your boss |
01:09:00 |
You get out of here with that envelope, |
01:09:03 |
and we'll pay you a lot of money. |
01:09:06 |
I'll keep that in mind. |
01:09:07 |
You're not gonna tell me how you're |
01:09:10 |
I'm gonna walk right out the front door. |
01:09:13 |
- How did you know about all this? |
01:09:16 |
Fact is, all lies, all evil deeds, they stink. |
01:09:19 |
You can cover them up for a while, |
01:09:23 |
- Murder will out? |
01:09:26 |
Well, I still don't get what you're |
01:09:28 |
Really? |
01:09:31 |
Good. |
01:09:36 |
So, we spoke. |
01:09:37 |
Oh, no. You're gonna have to give me |
01:09:39 |
- Let me have this window, fellows. |
01:09:40 |
I told him that, well, |
01:09:43 |
it wasn't too late to surrender |
01:09:46 |
And? |
01:09:48 |
And that was basically it. |
01:09:51 |
You know, I don't ordinarily get offended |
01:09:53 |
the first time somebody treats me |
01:09:56 |
Now, I know you did not go in there |
01:10:00 |
Talk to me. |
01:10:01 |
Look, Detective. |
01:10:03 |
Our arrangement doesn't include me |
01:10:05 |
I say it does, okay? |
01:10:07 |
Okay, you don't own me. |
01:10:09 |
This cheque-cashing thing, this coke bust, |
01:10:12 |
I know what I did and what I didn't do. |
01:10:14 |
- Talk to me. |
01:10:17 |
"Off the... " Everything about you |
01:10:21 |
- Well, I gave him an incentive. |
01:10:23 |
- Did he go for it? |
01:10:28 |
He's smart, isn't he? |
01:10:30 |
- He thinks he is. |
01:10:32 |
One of your types, like the Ivy League type? |
01:10:35 |
- Clearly well educated. |
01:10:38 |
That's exactly what I'm talking about. |
01:10:40 |
You talk like him, so think like him. |
01:10:45 |
- Well, he's not gonna kill anyone. |
01:10:48 |
- Because he's not a murderer. |
01:10:50 |
I got news for you. |
01:10:53 |
weren't murderers |
01:10:54 |
You never know what a person will do |
01:10:58 |
But it doesn't seem |
01:11:01 |
It doesn't, does it? |
01:11:06 |
You're right. |
01:11:08 |
So, you through? |
01:11:10 |
- I guess. Are you saying I'm dismissed? |
01:11:13 |
You got a card, in case I need to call you? |
01:11:16 |
Please don't take this personally, but no. |
01:11:19 |
I don't think you can afford me. |
01:11:20 |
Well, don't take this personally, Miss White. |
01:11:24 |
Careful, Detective Frazier. |
01:11:34 |
- So, how old are you, Brian? |
01:11:36 |
Eight and three-quarters. Big boy. |
01:11:40 |
- Were you scared in there? |
01:11:42 |
- No? Not at all, huh? |
01:11:44 |
You're from Brooklyn, huh? I understand. |
01:11:46 |
- Guns don't scare me. |
01:11:48 |
- Brave, too, huh? |
01:11:49 |
So the guys that had the guns, |
01:11:53 |
- Yeah. |
01:11:54 |
They asked me about my game. |
01:11:56 |
- Who did? |
01:11:59 |
Son, be respectful. |
01:12:01 |
Okay, Brooklyn. |
01:12:04 |
- Uh-huh. |
01:12:05 |
And you don't remember anything else? |
01:12:08 |
He was kind of tall. |
01:12:10 |
He had a mask. |
01:12:11 |
Brian, you think you can recognise him |
01:12:16 |
Take your time. Have a good look. |
01:12:19 |
Let's keep that over there. Just take a look. |
01:12:27 |
- With the mask, they look all the same. |
01:12:32 |
With the mask, they all look the same. |
01:12:35 |
Attempted robbery. Liquor store. |
01:12:39 |
Well, this was a real step up |
01:12:43 |
I got to hand it to you, Pablo. |
01:12:44 |
First of all, it's Paul. Not Pablo, okay? |
01:12:48 |
Excuse me. |
01:12:50 |
- You want some gum? |
01:12:53 |
And second, I didn't do it, all right? |
01:12:54 |
What? I made a few mistakes |
01:12:57 |
I was out with some friends |
01:13:01 |
What was I supposed to do? |
01:13:05 |
Where'd you grow up, you Wassa Wassa, |
01:13:07 |
- What's that? Wassa what? What'd you say? |
01:13:10 |
You know, a person |
01:13:13 |
How do you say "Rikers Island" in Spanish? |
01:13:15 |
What about these two? |
01:13:17 |
That ring a bell? |
01:13:18 |
These two? No. |
01:13:21 |
- Nothing? |
01:13:22 |
Don't they look suspicious to you? |
01:13:23 |
I mean, I would think that you would |
01:13:27 |
No. |
01:13:28 |
- Well, thank you very much. |
01:13:30 |
Hey, just out of curiosity |
01:13:32 |
A bit. What do you need? |
01:13:34 |
What do you think a guy like me |
01:13:37 |
Depends. How many carats? |
01:13:39 |
If you'd like, I could give you |
01:13:41 |
- Okay. |
01:13:42 |
What do you have on underneath? |
01:13:44 |
- Excuse me? |
01:13:46 |
- What do you have on underneath? |
01:13:48 |
Could you show us, please? |
01:13:55 |
You see, there's just you |
01:13:57 |
that fit the physical description |
01:13:59 |
What's that? |
01:14:02 |
It's your height, your age, and your... |
01:14:06 |
Your cup size. |
01:14:07 |
So, I violated Section 34 double-D? |
01:14:10 |
That's what you're telling me? |
01:14:16 |
How dumb do these morons have to be |
01:14:19 |
This guy's no moron. |
01:14:20 |
I don't just mean him. Any hostage taker. |
01:14:24 |
Those ragheads at the Munich Olympics. |
01:14:27 |
Who the fuck ever got a plane? |
01:14:29 |
Shit, and these days? |
01:14:31 |
The area is flooded |
01:14:33 |
with law enforcement right now. |
01:14:35 |
What you doing there, Keith? |
01:14:36 |
He wants a plane. |
01:14:38 |
- What happened to playing it by the book? |
01:14:41 |
It's like the other team read the book, too, |
01:14:48 |
This whole time, |
01:14:51 |
Wrong. They're the ones that are stalling. |
01:14:53 |
Think about it. |
01:14:55 |
So, you're saying he what? |
01:14:57 |
I'm saying that he wants |
01:15:00 |
He gives us deadlines. We stall. |
01:15:04 |
I don't think he's in a rush. |
01:15:05 |
- Why? |
01:15:28 |
- Yeah. |
01:15:29 |
Is that a fact? |
01:15:30 |
That's a fact, but I'm gonna need something |
01:15:33 |
I'm gonna need to come in there |
01:15:36 |
You'll see them when they get on the bus. |
01:15:38 |
I just need to make sure |
01:15:43 |
Meet me at the front door. |
01:15:51 |
- What the hell just happened? |
01:16:42 |
Down the stairs. |
01:16:51 |
- Gum? |
01:16:53 |
- Would you like some gum? |
01:17:43 |
Let me take the kid. |
01:17:46 |
No. |
01:17:48 |
Any more? |
01:17:50 |
There are some who misbehaved. |
01:17:58 |
Please help me! |
01:18:00 |
Please help us! |
01:18:02 |
Please help us! Please! |
01:18:05 |
We're gonna get you all out of here. |
01:18:07 |
I promise you. |
01:18:09 |
Tour is over. |
01:18:19 |
- Can I ask you a question? |
01:18:22 |
What were you planning on doing |
01:18:24 |
if you actually got |
01:18:27 |
- Excuse me? |
01:18:30 |
Who ever heard of bank robbers |
01:18:33 |
You saw Dog Day Afternoon. You're stalling. |
01:18:37 |
What's the matter? |
01:18:40 |
Perhaps. |
01:18:42 |
There's two ways out of this. |
01:18:44 |
The easy way, we walk out the front door |
01:18:47 |
hit you with the tear gas, |
01:18:50 |
It's your choice. You don't want that. |
01:18:53 |
And, you know, they'd like to do it tonight. |
01:18:55 |
You got night vision? |
01:18:58 |
- You got gas masks? |
01:19:01 |
- I'm this close to ordering it. |
01:19:04 |
First, you don't order an assault |
01:19:07 |
and there's no immediate threat. |
01:19:08 |
Second, if it ends that way, |
01:19:11 |
you don't get to be the hero. |
01:19:13 |
You want to bullshit me, try harder. |
01:19:16 |
Let's go. |
01:19:19 |
Okay. |
01:19:27 |
I tell you what. My ass is covered, sport. |
01:19:30 |
But I would not get too comfortable |
01:19:33 |
No? I got the cable guy |
01:19:36 |
- Why don't you just walk out the door? |
01:19:40 |
I'm gonna walk out of that door |
01:19:43 |
Can I get you to do that today? |
01:19:47 |
I didn't think so. |
01:19:48 |
Any other proposals? |
01:19:50 |
Oh, please. Do not say "proposals. " |
01:19:52 |
My girlfriend, she wants a proposal from me. |
01:19:55 |
- You think you're too young to get married? |
01:19:58 |
Maybe I should rob a bank. |
01:20:01 |
You love each other? |
01:20:04 |
Yeah. Yeah, we do. |
01:20:05 |
Then money shouldn't really matter. |
01:20:08 |
Thank you, bank robber. |
01:20:10 |
I'm just saying money can't buy love. |
01:20:15 |
Thank you very much. I'm... |
01:20:19 |
I'm learning so much today, you know? |
01:20:22 |
Look, why don't we go across |
01:20:24 |
Forget about |
01:20:26 |
- I'll buy you a beer. My treat. |
01:20:29 |
but I'm trying to stay away from bars, |
01:20:32 |
Well, if you change your mind |
01:20:41 |
Cellblock or the graveyard? |
01:20:43 |
Prison whites or a toe tag? |
01:20:45 |
- Make up your mind. Tick tock, tick tock. |
01:20:49 |
We done? |
01:20:53 |
You just crossed the fucking line! |
01:20:56 |
Buses, Kojak, parked outside. |
01:20:59 |
You think I'm bluffing? |
01:21:02 |
You roll the dice and see what happens. |
01:21:13 |
All right. Now get the bunker up. |
01:21:15 |
- So, what's up? |
01:21:17 |
Yeah? Where's that? |
01:21:18 |
Right behind me with my pants |
01:21:21 |
Jesus Christ. |
01:21:37 |
- What the fuck, man? |
01:21:38 |
- He got the drop on you! |
01:21:40 |
- How long? |
01:21:41 |
- Two. |
01:21:42 |
Two, maybe three hours. |
01:21:44 |
You know, you're letting this cop |
01:21:50 |
What happened? |
01:21:51 |
I gave him every excuse |
01:21:53 |
Yeah. |
01:21:54 |
He doesn't bite. Why? He ain't the type. |
01:21:58 |
Let's just step back |
01:22:00 |
We know that they planned this whole thing. |
01:22:03 |
There was a game plan, |
01:22:06 |
He's up to something but it ain't violence. |
01:22:12 |
I'm listening. |
01:22:15 |
- Excuse me? |
01:22:18 |
Give me a close-up |
01:22:21 |
- Rourke? |
01:22:34 |
No, no, no, no, no, no! Fuck! |
01:22:36 |
Oh, shit. |
01:22:41 |
Keith! Keith! Keith! |
01:22:50 |
What are you doing? |
01:22:52 |
You mean beyond the obvious? |
01:22:54 |
That's what I mean. |
01:22:57 |
This is your fault. |
01:23:00 |
Fuck you! I didn't kill anybody. |
01:23:05 |
I got 50 more people in here. |
01:23:08 |
I'll give you two |
01:23:10 |
All right, look, just tell me what |
01:23:14 |
- I promise. |
01:23:17 |
Right, right. And box seats |
01:23:19 |
Come on, don't bullshit a bullshitter. |
01:23:22 |
You planned every inch of this thing |
01:23:25 |
You got everybody marching to your beat, |
01:23:31 |
You're too damn smart to be a cop. |
01:23:33 |
Now get the fuck out of here. |
01:23:35 |
What? You going to shoot me? |
01:23:38 |
Do it. Shit, you got nothing to lose. |
01:23:39 |
I damn sure ain't got nothing to lose, |
01:23:42 |
Do it. |
01:23:43 |
- Shoot me. |
01:23:46 |
Tell them to send someone sane over here. |
01:24:16 |
We got a big problem. |
01:24:17 |
Hey, Detective, this ain't your day. |
01:24:26 |
How you doing, Captain? |
01:24:29 |
Look, I know you |
01:24:31 |
Well, you're a good cop. |
01:24:34 |
But if you're going down on this one, |
01:24:36 |
You got to understand this, though, sir... |
01:24:38 |
No, no, no. Let me just tell you |
01:24:40 |
I go to bed, everything's hunky-dory. |
01:24:42 |
I get a call at 3:15, and there's what? |
01:24:45 |
- Right, right, right. But I can end this... |
01:24:48 |
See, you think I got options. |
01:24:50 |
I got to answer to the Chief of D's. |
01:24:52 |
Darius is calling the shots on this. That's it. |
01:25:11 |
Hey, Sarge. |
01:25:13 |
- What'd he say? |
01:25:16 |
Shit. |
01:25:18 |
It's a tactical nightmare. |
01:25:21 |
Well, first, this is the only way in. |
01:25:24 |
Then we got to make it up the stairs blind. |
01:25:26 |
Once we get up there, |
01:25:29 |
They have the advantage of cover. |
01:25:33 |
Then if we make it across the floor |
01:25:36 |
we still can't tell the homies |
01:25:40 |
Even if it isn't rigged with explosives, |
01:25:48 |
Move! Move! Move! |
01:25:50 |
Open the door! |
01:26:05 |
Keep moving. |
01:26:07 |
Watch the hands, |
01:26:09 |
And let's not forget the possibility |
01:26:11 |
Right now! Put the gun down! |
01:26:13 |
Back off or I shoot! I said back off! |
01:26:16 |
Well, our best hope |
01:26:19 |
If we can get two or three upstairs |
01:26:22 |
Kill them? |
01:26:31 |
Gun! Gun! Gun! |
01:26:41 |
What if there's more than four? |
01:26:43 |
Yeah, well, that's what's so nuts about it. |
01:26:47 |
Maybe we should dress our guys up |
01:26:51 |
And we should use rubber bullets. |
01:26:57 |
Not a bad idea. |
01:26:59 |
Rubber bullets it is, baby. |
01:27:05 |
If this goes down wrong, |
01:27:08 |
they're going to dump this whole mess |
01:27:11 |
- I'm making First Grade. |
01:27:13 |
I'm making Detective First Grade. |
01:27:16 |
- What the fuck does that mean? |
01:27:20 |
- Are you fucking kidding me? |
01:27:22 |
Thank the Mayor |
01:27:25 |
You cut a deal with those guys? |
01:27:27 |
Never make First Grade? Shit. |
01:27:30 |
Worked too hard to let that happen. |
01:27:32 |
Everybody's getting theirs. |
01:27:37 |
I'll be outside. |
01:27:44 |
What a day, what a day. |
01:27:45 |
Detective, they're gonna storm that bank |
01:27:50 |
So, tell me about the kid |
01:27:53 |
- Now? |
01:27:56 |
Last year, up in the 33rd, |
01:27:57 |
I was breaking up a fight |
01:28:00 |
This one little spic is getting |
01:28:03 |
Do me a favour, Sergeant. |
01:28:08 |
So I bust up the fight, |
01:28:10 |
I turn around |
01:28:14 |
- Is that right? Now, which kid was this? |
01:28:18 |
- An African-American, right? |
01:28:19 |
Came out of nowhere. I didn't see him. |
01:28:21 |
So, what'd you do? |
01:28:22 |
What did I do then? |
01:28:24 |
I got shot in the fucking chest. |
01:28:27 |
Yeah, so you'll pardon |
01:28:30 |
but I would rather wind up an old bigot |
01:28:33 |
Now, no offence, Detective, |
01:28:35 |
but I'm just trying |
01:28:37 |
Now, what do you say we just |
01:28:40 |
I hear that. |
01:28:42 |
And I'll try and watch |
01:28:45 |
You never know who's listening. |
01:29:00 |
What are you doing? |
01:29:02 |
Jesus. Shit. |
01:29:04 |
They bugged us. |
01:29:06 |
They bugged us. |
01:29:11 |
Darius! |
01:29:13 |
Darius, don't make a move! |
01:29:14 |
- What? |
01:29:16 |
Do not make a move! Keep your men back! |
01:29:18 |
What are you talking about? |
01:29:20 |
They heard everything we said in the M.C.C. |
01:29:21 |
- What? |
01:29:23 |
The drawer with the demands in it! |
01:29:27 |
They put a transmitter in it! |
01:29:29 |
No, no, no. I'm going in. |
01:29:32 |
Shit. |
01:29:41 |
Get everyone together. |
01:29:43 |
Steve! Steve-O! |
01:29:48 |
They're coming in. |
01:29:50 |
- Everybody good? |
01:29:51 |
All right! Everybody out! |
01:29:53 |
- Put your masks on! |
01:29:57 |
- Go now! |
01:29:58 |
Go! Go! Go! |
01:30:02 |
Now! |
01:30:04 |
Move! |
01:30:05 |
Everybody up the fucking stairs! |
01:30:18 |
Move! |
01:30:46 |
- Don't shoot! Don't shoot! |
01:30:48 |
- Get down! Get down on the ground! |
01:30:54 |
Cease fire! |
01:30:56 |
Cease fire! Cease fire! |
01:30:59 |
Cease fire! Cease fire! |
01:31:04 |
Let's go, people. |
01:31:21 |
Put your hands on your head! |
01:31:23 |
Put your hands on your head. |
01:31:25 |
- Will somebody stop him? |
01:31:27 |
Put your hands on your head. |
01:31:28 |
- Put your hands on your head. |
01:31:30 |
- On the ground! |
01:31:33 |
Do not move! |
01:31:35 |
- Get down, put your hands on your head! |
01:31:41 |
What's going on? |
01:31:48 |
Don't take any chances! |
01:31:52 |
It wasn't me! I'm not a criminal! |
01:31:56 |
Cuffs! |
01:32:00 |
Don't shoot! Don't shoot! |
01:32:01 |
- Don't move! |
01:32:09 |
- Don't move! |
01:32:11 |
Check them. Make sure they ain't got |
01:32:14 |
Hernandez! |
01:32:18 |
E.S.U. team, line up! |
01:32:31 |
Door to the left, door to the left. |
01:32:32 |
- Clear on the right. |
01:32:37 |
- Left side clear. |
01:32:41 |
- Clear. |
01:32:43 |
- All clear! |
01:32:46 |
- Clear. |
01:32:50 |
- Clear. |
01:32:51 |
Clear. |
01:32:54 |
Clear. |
01:32:55 |
All clear, Sarge. |
01:33:00 |
All clear. E.S.U. on the stairs. |
01:33:09 |
Let's go, guys. |
01:33:17 |
Clear! |
01:33:19 |
- Clear. |
01:33:22 |
- Clear. |
01:33:24 |
Clear. |
01:33:26 |
- Clear, Sarge. |
01:33:28 |
Give me a bunker up here. |
01:33:31 |
Bringing the bunker up. |
01:33:32 |
Clear, Sarge. |
01:33:35 |
Clear. |
01:33:37 |
- We're almost clear down here. |
01:33:40 |
- I'll keep looking. |
01:33:41 |
Roger that. |
01:33:43 |
Ready? Let's go. |
01:33:49 |
This is the last door. |
01:33:57 |
- Clear, Sarge! |
01:34:07 |
Did you find a dead hostage? |
01:34:09 |
If it ain't here, |
01:34:10 |
Maybe, but I'm pretty sure we're |
01:34:13 |
Check this out. They forgot to rob the joint. |
01:34:16 |
Holy shit. |
01:34:18 |
We're still looking, |
01:34:21 |
no booby traps, no tunnels, no damage. |
01:34:23 |
- And nothing missing. |
01:34:24 |
We'll put out a city-wide description |
01:34:27 |
Listen, I'm not trying to tell you |
01:34:29 |
but unless they swam out |
01:34:31 |
whoever did this |
01:34:33 |
All right, good job. |
01:34:34 |
What's that? |
01:34:38 |
Cell phones. |
01:34:40 |
- Hey, guys! You need to see this. |
01:34:43 |
Collins! Grab a uniform, make a quick count |
01:34:47 |
- Yes, sir. |
01:34:49 |
Don't let anybody get tempted, |
01:34:51 |
Yes, sir! |
01:34:53 |
Right here, Detective. |
01:34:54 |
- What do you got? |
01:34:58 |
Fake guns. You got to be kidding me. |
01:35:01 |
- Toys. |
01:35:03 |
Cap, |
01:35:06 |
On my way. |
01:35:25 |
Check it out. |
01:35:27 |
We can stop looking for that body. |
01:35:29 |
Fake guns. |
01:35:32 |
Fake execution. |
01:35:34 |
Nobody goes home |
01:35:36 |
Cap, we got something else |
01:35:50 |
- Porcario? |
01:35:52 |
- Where's the men's room? |
01:36:05 |
Pick them up, pick them up. Toss them. |
01:36:08 |
I'm a hostage. |
01:36:32 |
Female hostages to be searched |
01:36:37 |
All right, listen, |
01:36:40 |
- I can't hear you. What? |
01:36:42 |
Valerie Keepsake. Go, go, get on the bus. |
01:36:44 |
- Kenneth Damerjian. |
01:36:45 |
Person one. |
01:36:47 |
- I'm Peter Hammond. |
01:36:49 |
- Wait! |
01:36:54 |
Fucking cocksucker. |
01:36:56 |
Whoa, whoa, whoa. |
01:36:58 |
Just give me your name. |
01:37:00 |
Say your name. |
01:37:02 |
I work in the bank! |
01:37:04 |
I'm the bank security guard! |
01:37:07 |
Okay, we'll straighten it out. |
01:37:08 |
Everybody's saying listen! |
01:37:10 |
We'll straighten it out. Come on. |
01:37:11 |
- Listen, I'm not getting on the bus! |
01:37:13 |
Move! Move! Move! |
01:37:16 |
Collins, you got this? |
01:37:17 |
Listen, I work at the bank! |
01:37:19 |
All right, just get him on the bus. |
01:37:21 |
- Nobody's listening! |
01:37:37 |
Come on, guys, guys! |
01:37:39 |
Officer, take her over to Sarge. Come on. |
01:37:42 |
Come on, let's get going |
01:37:45 |
Come on. |
01:37:53 |
Captain, I'm telling you, |
01:37:57 |
They thought this one out, soup to nuts. |
01:37:59 |
So, lay it out for me. |
01:38:01 |
We photograph everybody |
01:38:04 |
We sit them down, we question them, |
01:38:07 |
Most of them can't point to anybody |
01:38:11 |
We ask them if they could recognise |
01:38:14 |
Even if we considered someone |
01:38:17 |
there's one or two or three other people |
01:38:19 |
It's like the thing never happened. |
01:38:21 |
- What about prints? |
01:38:24 |
- All it shows is that these people were there. |
01:38:28 |
Just about everyone. |
01:38:29 |
Even if their alibi was weak, |
01:38:31 |
a hostage would identify them |
01:38:34 |
There we are, back to square one. |
01:38:36 |
Priors? |
01:38:37 |
We got one employee who had |
01:38:40 |
Excuse me. |
01:38:42 |
One customer had an out-of-state warrant |
01:38:45 |
Another one had a couple of priors, |
01:38:48 |
Again, same problem. |
01:38:51 |
- Bank cameras? |
01:38:53 |
I'm telling you, |
01:38:56 |
- Sounded like everything to me. |
01:38:58 |
We haven't found that. 357 |
01:39:01 |
If you did, there'd be no prints on it anyway. |
01:39:04 |
- Bury it. |
01:39:06 |
What the fuck do you expect me to say? |
01:39:12 |
Captain, this thing stinks to high hell. |
01:39:15 |
You said it yourself. |
01:39:17 |
You got no robbery. No suspects. |
01:39:20 |
Nobody's breathing down my neck |
01:39:22 |
I'm not gonna breathe down yours. Bury it. |
01:39:28 |
I wasn't expecting this. |
01:39:30 |
I promise you, |
01:39:35 |
Okay. |
01:39:38 |
Oh, here's something |
01:39:41 |
- They found that missing Madrugada money. |
01:39:45 |
Yes, you want to know where it was? |
01:39:47 |
- In my bank account? |
01:39:49 |
- My summer house in Sag Harbour? |
01:39:52 |
- My wallet? |
01:39:54 |
Then, no. I don't want to know. |
01:40:04 |
This is bullshit, man. |
01:40:06 |
I mean, we're the only ones left |
01:40:08 |
and they're gonna come after us like that? |
01:40:10 |
I'll tell you what. |
01:40:12 |
I say we go after them all, Keith, |
01:40:15 |
"Michael Corleone, |
01:40:17 |
"Yes, I renounce him. " |
01:40:20 |
There's no 392. |
01:40:22 |
- Huh? |
01:40:25 |
According to these records, it doesn't exist. |
01:40:27 |
Pinstriped, mayonnaise, lying motherfucker. |
01:40:30 |
- Didn't Coughlin say we should move on? |
01:40:42 |
Thank you, again, Your Honour. |
01:40:44 |
- Yes, you're welcome. |
01:40:53 |
What are you doing, Detective? |
01:40:54 |
Now, what business do you have |
01:40:57 |
Police business. |
01:40:58 |
- Weren't you told to bury this? |
01:41:02 |
And since when is your job |
01:41:04 |
- Or did you forget our arrangement? |
01:41:07 |
Let me tell you how this works. You... |
01:41:08 |
No, let me tell you how this works. |
01:41:10 |
You press here to record |
01:41:13 |
There's |
01:41:16 |
that seems to have walked away |
01:41:17 |
from the Madrugada cheque-cashing bust. |
01:41:20 |
I didn't have anything |
01:41:22 |
We'd like to be |
01:41:24 |
In exchange for what? I mean, what, |
01:41:27 |
I mean, no disrespect to the both of youse |
01:41:29 |
but I don't need you |
01:41:31 |
Look, I'm innocent. |
01:41:32 |
Innocent or guilty, |
01:41:36 |
Give Miss White whatever |
01:41:40 |
Done. |
01:41:41 |
Kaput. |
01:41:44 |
So? You gave me what I wanted. |
01:41:47 |
Your career is blossoming |
01:41:50 |
What was Case hiding? |
01:41:54 |
You know, there's a famous saying |
01:41:59 |
"When there's blood on the streets, |
01:42:05 |
I think Mr Case |
01:42:08 |
But he is no different |
01:42:12 |
Let it go, Detective. |
01:42:15 |
You're a good cop. |
01:42:17 |
This city needs you. |
01:42:46 |
- Lady! Lady, you're in the wrong place. |
01:42:58 |
Arthur. |
01:43:00 |
- Good morning. |
01:43:03 |
Have a seat. |
01:43:06 |
Thank you, Vincent. That's all for now. |
01:43:12 |
Well. What did he say? |
01:43:14 |
Well, Detective Frazier |
01:43:17 |
But I just fast-tracked his career a little |
01:43:20 |
I hope so. Tell me about the envelope. |
01:43:24 |
Where is it now? |
01:43:25 |
Well, the gang leader |
01:43:28 |
as an insurance policy |
01:43:31 |
Clearly, he has a very low opinion of you. |
01:43:34 |
And what might that be? |
01:43:35 |
Well, let's see. |
01:43:39 |
doing business with the Nazis |
01:43:45 |
Yes. |
01:43:47 |
It was 60 years ago. |
01:43:51 |
I saw a short path to success and I took it. |
01:43:55 |
I sold my soul. |
01:43:58 |
And I've been trying to buy it back |
01:44:01 |
But you and this mystery man, |
01:44:05 |
I think so. And he managed |
01:44:10 |
If someday |
01:44:14 |
you'll pay him. And you'll get it back. |
01:44:18 |
- So, I guess that's it. |
01:44:20 |
- Bullshit. |
01:44:22 |
He didn't go through all that just to stick |
01:44:26 |
Look, they left money untouched, Arthur. |
01:44:28 |
So? |
01:44:29 |
So, he had to have walked out of there |
01:44:35 |
The bank says |
01:44:37 |
So, there had to have been |
01:44:40 |
that was worth more to him |
01:44:44 |
You don't have to tell me. |
01:44:46 |
There's only one thing it could be anyway. |
01:44:52 |
Diamonds. |
01:44:54 |
And then there's the ring. |
01:44:56 |
Cartier ring. |
01:44:58 |
It belonged to the wife of a Parisian banker. |
01:45:01 |
Wealthy family of French Jews. |
01:45:04 |
And when the war came along, |
01:45:08 |
was confiscated and they were shipped off |
01:45:14 |
We were friends. |
01:45:17 |
I could have helped them. |
01:45:20 |
But the Nazis paid too well. |
01:45:27 |
Can I trust that you will keep |
01:45:31 |
here today confidential? |
01:45:35 |
Despite whatever you may think? |
01:45:46 |
Yes, Arthur. |
01:45:49 |
Well, I'd love to tell you |
01:45:53 |
but I have to help bin Laden's nephew |
01:46:01 |
If that were true, you wouldn't tell me. |
01:46:03 |
We're listing you as a reference. |
01:46:19 |
My name is Dalton Russell. |
01:46:22 |
Pay strict attention to what I say |
01:46:24 |
because I choose my words carefully |
01:46:27 |
I've told you my name. That's the "who. " |
01:46:31 |
The "where" could most readily |
01:46:35 |
But there is a vast difference |
01:46:37 |
between being stuck in a tiny cell |
01:46:42 |
The "what" is easy. |
01:46:44 |
Recently I planned and set in motion |
01:46:50 |
That's also the "when. " |
01:46:53 |
As for the "why, " |
01:46:57 |
it's exceedingly simple. |
01:47:00 |
Because I can. |
01:47:02 |
Which leaves us only with the "how. " |
01:47:05 |
And therein, as the Bard would tell us, |
01:47:09 |
lies the rub. |
01:47:57 |
He's gonna smell like shit. |
01:48:03 |
Yeah. |
01:48:05 |
Why do you think I rolled down the window? |
01:48:26 |
Oh, shit. |
01:48:32 |
That cop, Frazier, and his partner |
01:48:35 |
- Are they coming for me? |
01:48:45 |
Yeah, everything's going great today. |
01:48:49 |
Yeah, about 5:30. Okay. |
01:48:52 |
Sounds like fun. Okay. |
01:48:55 |
Talk to you later. |
01:49:17 |
- Sorry. |
01:49:22 |
Mr Hammond? |
01:49:23 |
Good morning, Detectives. |
01:49:28 |
Just like he planned. |
01:49:30 |
I got a court order here |
01:49:33 |
Number 392. |
01:49:45 |
Oh, thank God. |
01:49:52 |
Where is it? |
01:49:54 |
I left it in there. |
01:49:56 |
This way, Detectives. |
01:49:58 |
Why did you do that? You left the ring. |
01:50:00 |
Trust me. |
01:50:02 |
I left it in good hands. |
01:50:05 |
I'm no martyr. |
01:50:07 |
I did it for the money. |
01:50:10 |
But it's not worth much |
01:50:15 |
Respect is the ultimate currency. |
01:50:20 |
I was stealing from a man |
01:50:25 |
And then he tried to wash away his guilt. |
01:50:29 |
Drown it in a lifetime of good deeds |
01:50:34 |
- Let me get that. |
01:50:36 |
It almost worked, too. |
01:50:37 |
Okay. |
01:50:40 |
But inevitably, |
01:50:42 |
the further you run from your sins, |
01:50:45 |
the more exhausted you are |
01:50:48 |
And they do. |
01:50:51 |
Son of a bitch. |
01:50:53 |
Certain. |
01:50:55 |
It will not fail. |
01:51:01 |
What do you think that's worth? |
01:51:03 |
If you got to ask, man, |
01:51:06 |
Thank goodness my girlfriend ain't here. |
01:51:10 |
"Follow the ring"? |
01:51:25 |
- Detective Frazier. |
01:51:28 |
- How are you? |
01:51:30 |
Nobody got killed at the bank. |
01:51:34 |
That's wonderful. Wonderful. |
01:51:36 |
- Detective Mitchell. |
01:51:37 |
- Be seated, gentlemen. |
01:51:39 |
- Can I offer you anything? |
01:51:42 |
I must say |
01:51:44 |
I was most impressed |
01:51:47 |
by the way you handled that business. |
01:51:49 |
Thank you, Mr Case. |
01:51:50 |
Whenever I hear the term |
01:51:52 |
you're who I think of. |
01:51:54 |
You keep the rest of us safe |
01:51:59 |
- Pardon me. |
01:52:02 |
When you say "the rest of us," Mr Case, |
01:52:04 |
"The rest of us" is a category |
01:52:08 |
Touché, Detective. |
01:52:11 |
Yes, you have. But I'm very confused. |
01:52:13 |
You see, I got a case |
01:52:16 |
where armed robbers |
01:52:19 |
It is your bank, right? |
01:52:20 |
Well, I'm Chairman of the Board of Directors. |
01:52:22 |
Then ita-zita-vene-gazoo. |
01:52:24 |
The robbers disappear. Poof. |
01:52:26 |
And they don't take a nickel, right? |
01:52:27 |
- You're asking me? |
01:52:29 |
I mean, it's your bank. You own it. |
01:52:32 |
It's a tiny part of our organisation. |
01:52:33 |
No robbers. No real victims. |
01:52:36 |
It's got to be the first time |
01:52:38 |
I never heard of it before. |
01:52:39 |
So, you got to ask yourself, "What the fuck |
01:52:42 |
I'm not quite sure I like your tone, Officer. |
01:52:44 |
You don't like my tone? |
01:52:46 |
It's the founding bank of your empire. |
01:52:50 |
Give me a straight answer. |
01:52:52 |
- I have no idea. |
01:52:55 |
I'll tell you what I think happened. |
01:52:57 |
I think you sent that woman in there |
01:52:59 |
Miss White. I think you paid her. |
01:53:01 |
Look, this is absurd. |
01:53:03 |
Are you implying that |
01:53:05 |
392. |
01:53:07 |
Safe deposit box 392. |
01:53:09 |
- I have no idea what you're... |
01:53:12 |
- I don't lie. |
01:53:14 |
All the bank records |
01:53:18 |
At first glance, everything looked fine, |
01:53:21 |
but there was one safe deposit box |
01:53:23 |
I mean, going all the way back to 1948. |
01:53:25 |
So I started thinking. |
01:53:28 |
Probably the man who forgot to mention |
01:53:30 |
that he built the bank |
01:53:33 |
It doesn't add up, Mr Case. |
01:53:36 |
I'm afraid I can't be |
01:53:41 |
It's something really bad, isn't it? |
01:53:44 |
Mr Frazier, I have spent |
01:53:50 |
You can ask anyone who knows me. |
01:53:54 |
They'll vouch for me, |
01:53:56 |
You think they'll vouch for you |
01:53:59 |
I don't think so. |
01:54:05 |
Oh, by the way, that thing you said |
01:54:08 |
I want you to know, |
01:54:11 |
How gracious. |
01:54:13 |
Let's go. We're gonna follow that ring. |
01:54:23 |
- Hey, Keith, let me see your shoe. |
01:54:25 |
- Let me see your shoe. |
01:54:28 |
'Cause I have never seen anybody |
01:54:34 |
Yeah, I guess I did, didn't I? |
01:54:35 |
Oh, man. You cut him an ass |
01:54:38 |
We're gonna need a traffic cop on that shit. |
01:54:49 |
Good afternoon, sir. |
01:54:50 |
- Do you have a reservation? |
01:54:52 |
- May I have your hat, please? |
01:54:54 |
They're looking to invest |
01:54:56 |
And that's all in place. |
01:54:57 |
Sorry to interrupt you, Mr Mayor, |
01:55:00 |
"When there's blood on the streets, |
01:55:05 |
Edwin, could you please excuse us |
01:55:09 |
What's this about, Detective? |
01:55:11 |
I believe Detective Frazier |
01:55:15 |
That's a good word. Closure. |
01:55:17 |
Case closed, you know what I mean? |
01:55:20 |
This is the number |
01:55:21 |
of the War Crimes Issues office |
01:55:26 |
How'd you like to be on the front page |
01:55:29 |
That'd be great. |
01:55:30 |
Make sure they spell my name right, though. |
01:55:34 |
You can keep the pen. |
01:55:37 |
You made copies? |
01:55:40 |
Please. |
01:55:41 |
We got to keep the real criminals |
01:55:46 |
All right, well, thanks for lunch. |
01:55:53 |
War crimes, huh? |
01:55:55 |
What have you got me into this time? |
01:56:16 |
Mama? |
01:56:21 |
- Did you bring Big Willie? |
01:56:37 |
Slow down, girl. |
01:56:38 |
I'll get my gun off |
01:56:41 |
Pow, pow. |
01:57:22 |
- Sorry. |
01:57:24 |
Why don't you |
01:57:26 |
I will. |
01:57:27 |
I'm gonna walk out of that door |
01:57:30 |
Son of a bitch. |
01:57:39 |
Come on, honey. |