Interpreter The
|
00:01:57 |
She wouldn't tell me her husband's name. |
00:02:01 |
She knows not to speak |
00:02:05 |
Zuwanie's murdered half the town. |
00:02:10 |
With Zuwanie, he could murder the other half. |
00:02:33 |
No. Just us, they said. |
00:02:38 |
Xola's right, Philippe. |
00:02:41 |
You've done well, my friend, but just us. |
00:03:13 |
I'll do the talking. |
00:03:24 |
(native African dialect - Ku) |
00:03:29 |
They're Ku. |
00:04:37 |
(boy calls in Ku) |
00:04:47 |
(shouts) |
00:04:55 |
It's OK. It's OK. |
00:05:13 |
The Teacher says good day to you. |
00:05:16 |
(gunshot) |
00:05:43 |
(hubbub of voices in various languages) |
00:06:01 |
The United Nations was born in a hope |
00:06:06 |
(speaking Spanish) |
00:06:10 |
(continues in Spanish) |
00:06:13 |
(translator) We must not allow the peace |
00:06:17 |
(various languages in translation) |
00:06:23 |
(translator) Not only is this a negation |
00:06:27 |
it constitutes interference |
00:06:36 |
We are presently in the throes |
00:06:40 |
in humankind's affairs. |
00:06:43 |
Modern technology is altering our world |
00:06:47 |
in ways that would have been |
00:06:51 |
when the United Nations Charter was signed. |
00:06:55 |
- Could you take your jacket off?. |
00:06:59 |
- Next. |
00:07:02 |
What?. |
00:07:04 |
- Put it in the drawer, please. |
00:07:07 |
- Step through. |
00:07:11 |
(female translator) |
00:07:15 |
are not finite commodities |
00:07:21 |
which one state can acquire |
00:07:34 |
Get the GA President into the safe room. |
00:07:37 |
Clear out the tourists, |
00:07:41 |
(continues in Spanish) |
00:07:44 |
While globalisation has benefited |
00:07:51 |
While there are now 1 91 nations represented, |
00:07:55 |
1 40 more than there were in 1 945, |
00:07:58 |
you'll only have to learn to say "peace" |
00:08:03 |
- Do we get a pin?. |
00:08:06 |
Ladies and gentlemen, |
00:08:11 |
We will advise you further |
00:08:19 |
We can't use the stairs. |
00:08:21 |
- I know a short-cut. |
00:08:25 |
- I still get lost every other day. |
00:08:29 |
I'll be right back. |
00:08:34 |
- What is that?. |
00:08:37 |
I have a lesson. |
00:08:40 |
I let you do this, |
00:08:58 |
I had a beauty. "Pie in the sky". |
00:09:00 |
- lsn't it like "castles in Spain"?. |
00:09:09 |
Stay away from both doors. |
00:09:16 |
Delegates' entrance clear. |
00:09:19 |
Delegates' lounge clear. |
00:09:28 |
Visitors' lobby clear. |
00:09:39 |
Protectee is back in America. |
00:09:43 |
Want to wait this out at Oz?. |
00:09:46 |
- I've got to get back in to get my stuff. |
00:10:29 |
(indistinct whispered conversation in Ku) |
00:10:47 |
(conversation in Ku continues) |
00:11:01 |
(conversation in Ku becomes agitated) |
00:11:28 |
(¶ Moby Grape.. Hey Grandma) |
00:11:31 |
(background chatter) |
00:11:44 |
(jukebox stops - conversations halt) |
00:11:55 |
(¶ Lyle Lovett: If I Had a Boat) |
00:11:59 |
(conversations resume) |
00:12:12 |
(woman) Hey, you got the Kellers. We're out |
00:12:27 |
Hey, you got the Kellers. We're out |
00:12:50 |
(phone) |
00:12:56 |
(machine) Silvia?. Rudy thought he had |
00:13:00 |
Will you call me when you get in?. |
00:13:30 |
- You know, they make new ones now. |
00:13:53 |
(car horn) |
00:14:20 |
(car horn) |
00:14:34 |
(she shrieks, he apologises in Portuguese) |
00:14:38 |
Portuguese. |
00:14:40 |
(hum of conversations in variety of languages) |
00:14:50 |
(translation) |
00:14:54 |
the situation in Matobo |
00:14:57 |
With Ajene Xola in hiding |
00:15:02 |
Edmond Zuwanie has few domestic obstacles |
00:15:06 |
to his policy of ethnic cleansing. |
00:15:09 |
The Security Council therefore |
00:15:14 |
to the International Criminal Court |
00:15:22 |
Miss Broome. |
00:15:24 |
I'm Jonathan Williams, Ambassador Harris's |
00:15:31 |
- Which language?. |
00:15:35 |
- Ku?. |
00:15:46 |
- Let's be clear, Mr Ambassador. |
00:15:49 |
The United States may not recognise the lCC |
00:15:53 |
but we do not condone the methods |
00:16:00 |
(speaks Ku) |
00:16:03 |
Dr Zuwanie is an educator. |
00:16:06 |
He is...our teacher. |
00:16:12 |
But his opponents |
00:16:15 |
The partisans of both Kuman-Kuman |
00:16:22 |
terrorists. |
00:16:27 |
The French proposal |
00:16:34 |
- What a predicament. |
00:16:37 |
Dr Zuwanie wouldn't have to appear |
00:16:41 |
Not if he were somewhere else. |
00:16:47 |
- Do you want him to resign?. |
00:16:51 |
If he goes voluntarily, we're confident |
00:16:58 |
(speaks English) You can tell him yourself. |
00:17:02 |
He will be here next Friday, |
00:17:04 |
exercising his right |
00:17:08 |
where he will announce |
00:17:12 |
Perhaps then there will be no vote |
00:17:24 |
(Silvia) It will end here. |
00:17:26 |
The Teacher will never leave this room alive. |
00:17:30 |
That's it. |
00:17:34 |
Word for word. |
00:17:35 |
- And what language did you say?. |
00:17:40 |
It's a tribal dialect of Matoban, spoken |
00:17:44 |
- Did you see anyone?. |
00:17:49 |
Why didn't you report this last night?. |
00:17:53 |
It didn't mean anything to me at the time. |
00:17:57 |
- Rather, I didn't know what it meant. |
00:18:00 |
I heard something today. |
00:18:03 |
I don't know if I'm permitted. |
00:18:06 |
- It was in a closed... |
00:18:08 |
In fact, you're obligated, |
00:18:15 |
I think they were talking |
00:18:19 |
He's planning to come here |
00:18:24 |
Can you see her?. |
00:18:29 |
Turn on the light. |
00:18:38 |
Call the Secret Service. |
00:18:40 |
(¶ Zenvox: Bump) |
00:18:51 |
Bet you really miss this. Welcome back. |
00:18:54 |
Ma'am?. Excuse me. |
00:18:58 |
- (cell phone rings) |
00:19:03 |
Woods. |
00:19:04 |
(raised voices) |
00:19:09 |
The first of the demonstrators. |
00:19:11 |
They're here to protest the appearance |
00:19:16 |
Not just his political future |
00:19:19 |
hinges on that speech |
00:19:22 |
Dr Zuwanie is accused of genocide, |
00:19:24 |
but he's expected to argue that his actions |
00:19:29 |
and not acts of aggression, as some |
00:19:34 |
- Secret Service. |
00:19:37 |
We're with Foreign Dignitary Protection. |
00:19:41 |
- It's a branch of the US government. |
00:19:45 |
This is international territory. |
00:19:49 |
Zuwanie lands at 8.45 hours. |
00:19:51 |
State Department says no meet-and-greet, |
00:19:54 |
He leaves your podium, |
00:19:59 |
unless the UN cancels the visit |
00:20:01 |
and Tobin and I can get back |
00:20:05 |
That's up to the GA President. |
00:20:10 |
- Why is he coming?. |
00:20:13 |
To escape the lnternational Criminal Court. |
00:20:15 |
Security Council was debating whether |
00:20:20 |
so he'll come, |
00:20:24 |
and pray that that appeases everyone. |
00:20:27 |
So the stakes are high. |
00:20:31 |
Tell me about the interpreter. |
00:20:37 |
Born here, but lived mostly |
00:20:40 |
She studied music in Johannesburg |
00:20:42 |
and linguistics at the Sorbonne |
00:20:46 |
Parents?. |
00:20:48 |
British mother, white African father. |
00:20:52 |
Interview couldn't have taken long. |
00:20:55 |
- She is the UN. |
00:20:59 |
What else do we know?. |
00:21:03 |
Is she married?. |
00:21:04 |
Does she have a child?. |
00:21:08 |
Is she registered to vote?. |
00:21:12 |
Democrat?. Republican?. |
00:21:15 |
What religion is she?. |
00:21:20 |
Who is she?. |
00:21:22 |
Silvia. |
00:21:24 |
(they speak Spanish) |
00:21:36 |
Secret Service Dignitary Protection Squad. |
00:21:40 |
We're responsible for visiting heads of state. |
00:21:44 |
- I don't recall seeing you around. |
00:21:53 |
- Is she on guard?. |
00:21:56 |
Ma'am. Why is it you guys who carry guns |
00:22:04 |
I don't concentrate on faces in my job. |
00:22:07 |
But you listen to voices. |
00:22:11 |
Do you think you could identify the voice?. |
00:22:14 |
Well, I'd say yes, if it were... |
00:22:19 |
Whispers disguise the quality of a voice. |
00:22:23 |
You, I imagine, study faces. |
00:22:33 |
- You know, I'm not really a dignitary. |
00:22:41 |
How'd you happen to be up there after hours?. |
00:22:44 |
We had an evacuation. |
00:22:48 |
And there just happened to be some fellas |
00:22:52 |
in a language that you and eight other people |
00:22:58 |
Do you think I'm making it up?. |
00:23:02 |
Why would I report a threat I didn't hear?. |
00:23:04 |
- People do. |
00:23:07 |
- Some people like attention. |
00:23:12 |
- You don't want Zuwanie here. |
00:23:15 |
- How do you feel about him?. |
00:23:20 |
- Wouldn't mind if he were dead?. |
00:23:23 |
- Same thing. |
00:23:25 |
If I interpreted "gone" as "dead", I'd be fired. |
00:23:30 |
- Your profession is playing with words. |
00:23:33 |
- You're doing it now. |
00:23:35 |
If I wanted him dead, I wouldn't have |
00:23:40 |
- That's not why I'm here. |
00:23:43 |
Working at the UN, instead of standing |
00:23:48 |
- You believe in diplomacy?. |
00:23:50 |
- I believe in what it tries to accomplish. |
00:23:56 |
Listen. |
00:24:00 |
I'm scared, and my protector |
00:24:05 |
You don't look scared. |
00:24:08 |
People handle fear in different ways, Mr Keller. |
00:24:11 |
It turns some people into stand-up comedians. |
00:24:17 |
Maybe I should see about assigning someone |
00:24:22 |
I don't look after you, |
00:24:25 |
I look after the man who's been |
00:24:30 |
My job, as it concerns you, |
00:24:35 |
So you're not here to offer me |
00:24:38 |
No, ma'am. |
00:24:47 |
And we were getting along so well. |
00:24:49 |
- So what do you think?. |
00:25:05 |
Agent Keller?. Morning. |
00:25:11 |
We're on loan. |
00:25:13 |
So they have to be returned |
00:25:17 |
- Keller. |
00:25:25 |
- Are you sure you're ready to come back?. |
00:25:31 |
- We got a credible threat?. |
00:25:35 |
As popular as we are in the rest of the world, |
00:25:38 |
the last thing we need is to have |
00:25:42 |
particularly a guy like this that we don't like. |
00:25:45 |
So State wants you to know, NSA, ClA, FBl, |
00:25:48 |
whatever you need to keep this maniac's |
00:26:02 |
- (phone rings) |
00:26:05 |
(caller indistinct) |
00:26:08 |
(Dot) Zuwanie's head of security's arrived. |
00:26:11 |
(Tobin) He'll have to wait |
00:26:14 |
- He's white. He was a Dutch mercenary. |
00:26:19 |
(Jon) It's hard to remember |
00:26:22 |
That's not unusual for these guys. |
00:26:24 |
They begin as liberators. 20 minutes later, |
00:26:29 |
He liberated the country from one of |
00:26:34 |
gave the people hope, and was a hero. |
00:26:40 |
- Man likes his gun. |
00:26:43 |
He knows he won't be scanned. |
00:26:45 |
Who are his enemies?. |
00:26:47 |
Aside from the thousands of victims' relatives?. |
00:26:53 |
Both his opponents, both want his job. |
00:26:56 |
On the right, Ajene Xola. |
00:26:58 |
Son of a doctor, Paris-educated, |
00:27:03 |
- Aren't they all?. |
00:27:06 |
- And the other?. |
00:27:09 |
One name, twice. Kuman-Kuman. |
00:27:13 |
He's been yelling about Zuwanie being |
00:27:18 |
He's in exile in Brooklyn. |
00:27:20 |
A socialist and a capitalist, |
00:27:23 |
both with the motivation to see Zuwanie gone. |
00:27:27 |
- Gone?. |
00:27:30 |
But not just dead. |
00:27:33 |
Dead in front of the delegates of 1 91 countries |
00:27:37 |
- In front of the world. |
00:27:42 |
In my opinion, |
00:27:46 |
It's a con. |
00:27:52 |
- This is the interpreter?. |
00:27:55 |
(phone ringing) |
00:28:07 |
(answer machine.. male French voice) |
00:28:11 |
(speaks French) |
00:28:32 |
(Lud) So what do we make of this interpreter?. |
00:28:35 |
Is she making it up?. Is she imagining things?. |
00:28:40 |
I'm looking for Mr Lud. |
00:28:41 |
- Is she pretty?. |
00:28:45 |
Dr Zuwanie won't cancel his speech, |
00:28:48 |
That's up to the GA President, |
00:28:52 |
- Ms Broome has a Matoban passport. |
00:28:56 |
She was born here, she was raised there, |
00:29:00 |
Are you serious?. |
00:29:05 |
Black or white?. |
00:29:07 |
No, thank you. |
00:29:09 |
- Is she black or white?. |
00:29:14 |
- (Lud) Did you give her a polygraph test?. |
00:29:18 |
Well, shouldn't you?. |
00:29:45 |
(cell phone) |
00:29:48 |
Hi, Ma. |
00:29:52 |
Back off, you're too close. Way too close. |
00:31:23 |
Hey, you got the Kellers. We're out |
00:31:29 |
(female voice) Hey, you there?. |
00:31:33 |
Maybe I made a mistake. |
00:31:36 |
Are you there?. |
00:31:38 |
Shit. |
00:31:41 |
I told him I want to come back. |
00:31:45 |
and I was wondering... |
00:31:53 |
Unless you want to. |
00:31:56 |
I hope you haven 't changed the locks. |
00:32:02 |
(¶ Lyle Lovett: If I Had a Boat) |
00:32:08 |
¶ If I were Roy Rogers |
00:32:15 |
¶ It'd just be me and Trigger |
00:32:50 |
They're ready for you. |
00:32:53 |
I'll be right there. |
00:33:05 |
- I'll be right there. |
00:33:11 |
Ms Broome. |
00:33:15 |
- Can I get you anything?. |
00:33:18 |
- I want to split that. |
00:33:22 |
Right away. |
00:33:35 |
Look straight ahead, feet flat on the floor. |
00:33:38 |
Is your name Silvia Broome?. |
00:33:42 |
Miss Broome?. |
00:33:43 |
I found out something from our domestic lntel. |
00:33:47 |
All this may have begun with a tragic accident. |
00:33:50 |
- What do you mean?. |
00:33:53 |
This area became infested |
00:33:56 |
and Dr Zuwanie was forced to mine the roads. |
00:33:59 |
Her parents were bringing her younger sister |
00:34:04 |
- And they were killed?. |
00:34:08 |
- How old was she?. |
00:34:15 |
Something like that, even years later, |
00:34:24 |
She has every reason |
00:34:33 |
I'll be right back. |
00:34:38 |
- Oh, no. Come on. |
00:34:42 |
and the key questions show stress |
00:34:47 |
We should just read her palm. |
00:34:52 |
- How did I do?. |
00:34:57 |
Nils Lud. Dr Zuwanie's head of security. |
00:35:03 |
I thought since you were in a |
00:35:09 |
Might I ask where you stand now |
00:35:13 |
I'm for peace and quiet, Mr Lud. |
00:35:19 |
With respect, you only interpret. |
00:35:23 |
Countries have gone to war |
00:35:27 |
I would say she's clearly under stress, |
00:35:33 |
Congratulations. |
00:35:35 |
- I'm told what you heard was a whisper. |
00:35:40 |
Is it possible you could identify it |
00:35:46 |
It might be. |
00:35:48 |
Tell me, do you have a brother?. |
00:35:55 |
I hope it's all right. I took this opportunity |
00:36:01 |
You're free to go. |
00:36:09 |
Would you drive Ms Broome |
00:36:13 |
- Does this mean the test was...?. |
00:36:17 |
But I'd rather make the mistake |
00:36:21 |
Next time you want to question an |
00:36:29 |
- Silvia. |
00:36:32 |
Did you do something naughty?. |
00:36:38 |
If you often work later than everybody, |
00:36:44 |
- What'd you tell them?. |
00:36:50 |
you're perfect. |
00:36:51 |
I need somebody on the guy with two names. |
00:36:54 |
- Mo. |
00:36:57 |
You volunteering, or just correcting me?. |
00:36:59 |
- I'm from Brooklyn. |
00:37:02 |
- I was on him when he first came here. |
00:37:07 |
I thought she had perfect pitch. |
00:37:09 |
She says whispers |
00:37:12 |
NSA agrees. They say it's very difficult. |
00:37:15 |
- They don't know that. |
00:37:18 |
No, not NSA. Whoever she heard. |
00:37:22 |
Why not let them keep thinking she can lD it?. |
00:37:27 |
- What are you asking me to do, Jay?. |
00:37:31 |
In fact, get a place, keep an eye on her. |
00:37:37 |
Are we using her as bait?. |
00:37:42 |
Just make the calls. |
00:37:44 |
I'm sending you an attachment. |
00:37:49 |
I've asked lNS for a list of arrivals |
00:37:53 |
Zimbabwe, Botswana, Matobo. |
00:37:57 |
So when she hears the voice again, |
00:38:02 |
- She said it was a whisper. |
00:38:07 |
- Photo there yet?. |
00:38:15 |
That's an anti-Zuwanie rally. |
00:38:20 |
Look at the crowd. |
00:38:25 |
Look closely. |
00:39:07 |
Any leads?. |
00:39:12 |
Maybe one. |
00:39:15 |
Come on down to Mexico. |
00:39:28 |
Is that you?. |
00:39:35 |
Tell me what someone like you |
00:39:37 |
who uses the word "diplomacy" |
00:39:41 |
is doing at a rebel rally?. |
00:39:43 |
- A peace rally. |
00:39:47 |
That's exactly what it is. |
00:39:51 |
After that. After you listen. |
00:39:53 |
- You're asking the wrong question. |
00:39:57 |
Why would somebody type the names |
00:40:02 |
This is a death list. |
00:40:06 |
The question you should be asking is, |
00:40:16 |
- What are you not saying?. |
00:40:19 |
How do you feel about Zuwanie, |
00:40:23 |
I feel disappointment. |
00:40:27 |
That's a lover's word. |
00:40:31 |
What about rage?. |
00:40:35 |
Of all the people I've looked into |
00:40:38 |
the one with the darkest |
00:40:45 |
- It was his land-mines that killed your... |
00:40:49 |
We don't name the dead. |
00:40:55 |
Everyone who loses somebody |
00:40:58 |
on God if they can't find anyone else. |
00:41:03 |
But in Africa, |
00:41:05 |
in Matobo, the Ku believe that |
00:41:14 |
If someone is murdered, |
00:41:17 |
a year of mourning ends with a ritual |
00:41:23 |
There's an all-night party beside a river. |
00:41:28 |
He's taken out on the water and he's |
00:41:34 |
The family of the dead then has to choose. |
00:41:38 |
or they can save him. |
00:41:42 |
The Ku believe that if the family |
00:41:47 |
they'll have justice |
00:41:53 |
But if they save him, |
00:42:01 |
..that very act can take away their sorrow. |
00:42:07 |
Vengeance is a lazy form of grief. |
00:42:23 |
Why do you look away?. |
00:42:28 |
There are things I don't like to talk about |
00:42:33 |
But not when you do it. |
00:42:37 |
I'm not the one under investigation. |
00:42:47 |
That was a long time ago. |
00:43:30 |
- FBI. |
00:43:32 |
- TTF. |
00:43:34 |
Secret Service. |
00:43:36 |
This is Nils Lud, |
00:43:41 |
Shall we take a walk?. |
00:43:42 |
(she plays haunting melodic tune) |
00:43:55 |
- How close can a vehicle get over here?. |
00:44:00 |
- No garage under the GA. |
00:44:05 |
- It has to be a rifle. |
00:44:10 |
How does he get a rifle in?. |
00:44:20 |
- Could be from up close. |
00:44:23 |
One of Zuwanie's bodyguards?. |
00:44:25 |
That's a good thought, but we'd much prefer |
00:44:31 |
It's already here. |
00:44:35 |
If these guys know their stuff, |
00:44:52 |
(phone rings) |
00:44:59 |
Hello?. |
00:45:01 |
- (line crackles - no voice) |
00:45:09 |
(she screams) |
00:45:26 |
No prints on the door |
00:45:30 |
- Nothing on the door?. |
00:45:35 |
- No forced entry. |
00:45:38 |
No, he missed it. |
00:45:41 |
Go easy on him, OK?. He feels terrible. |
00:45:46 |
On the roof. He must have gone over the roof |
00:45:52 |
- I couldn't see the fire escape. |
00:45:57 |
You mean you screwed up. |
00:46:01 |
- I mean I screwed up. |
00:46:06 |
I need Polaroids of that, inside and out. |
00:46:12 |
- You OK?. |
00:46:15 |
- Who else has a key to this apartment?. |
00:46:18 |
- You don't keep a spare outside somewhere?. |
00:46:21 |
- No one else has a key... |
00:46:24 |
- The door wasn't forced. |
00:46:26 |
They can, we can tell. They didn't. |
00:46:30 |
- Where do you keep your key?. |
00:46:32 |
- It hasn't been out of your sight all day?. |
00:46:39 |
Yes. |
00:46:42 |
In my locker. |
00:46:45 |
Dot. Wake up Rory, have him dust her locker |
00:46:51 |
So you were just having a quiet evening, |
00:46:57 |
That's about it, yeah. |
00:47:00 |
(something falls) |
00:47:05 |
Dot?. |
00:47:08 |
Is there anything special about this mask?. |
00:47:12 |
I'll be honest with you. |
00:47:18 |
My brother gave it to me. |
00:47:23 |
I still have a brother there |
00:47:27 |
We've... Iost touch for a while, |
00:47:33 |
Is he standing on the road somewhere with |
00:47:39 |
He's more into lists. |
00:47:43 |
Farm kids will do anything |
00:47:48 |
I read. My brother kept lists. |
00:47:51 |
Weird lists in ratty notebooks. |
00:47:54 |
Times and dates that Mum used the F-word, |
00:47:57 |
countries with advantageous |
00:48:01 |
odd animal facts. |
00:48:04 |
Did you know the leading cause of death |
00:48:07 |
- Yes. |
00:48:13 |
He had a notebook for words that he liked. |
00:48:16 |
Hypotenuse, doodad, bodacious. |
00:48:21 |
Could he be involved in this?. |
00:48:30 |
We're stuck, aren't we?. You and l?. |
00:48:34 |
We're kepéla. |
00:48:37 |
It means standing on |
00:48:44 |
Give me a reason to get to the other side. |
00:49:06 |
(speaking Ku) |
00:49:19 |
(muffled cries) |
00:49:31 |
Just wait a second. |
00:49:42 |
OK. |
00:49:52 |
There's a blue and white outside. |
00:49:59 |
And then?. |
00:50:04 |
We'll figure something out. |
00:50:06 |
Thank you. |
00:50:26 |
My wife was killed two weeks ago. |
00:50:33 |
She...she'd left me. |
00:50:40 |
She'd left me before, |
00:50:44 |
She was going to come back this time. |
00:50:46 |
She said. |
00:50:55 |
She was a dancer. |
00:51:00 |
The guy was a dancer, too. |
00:51:04 |
Eddie. |
00:51:07 |
Great dancer. |
00:51:10 |
Lousy driver. |
00:51:14 |
The only way he knew how to stop a car |
00:51:17 |
was to slam it |
00:51:23 |
So there was no taking her back this time. |
00:51:30 |
The thing is, if he had lived, |
00:51:39 |
.. I think I would have let him drown. |
00:51:46 |
I might have even |
00:51:56 |
Not a very Ku thing to do. |
00:52:08 |
If you need anything, you can call the precinct |
00:52:21 |
This is my cell number. |
00:52:26 |
It's the same card. |
00:52:33 |
Goodnight. |
00:52:38 |
Lock this. |
00:52:42 |
It's a remodel. Owner's in the middle |
00:52:51 |
We got a clear view. |
00:52:55 |
- I'll do first shift. |
00:52:58 |
Lewis and King. He'll be in bed soon. |
00:53:01 |
FBl's right. |
00:53:06 |
Call me if she gets |
00:53:11 |
Sweet dreams, partner. |
00:53:15 |
(French being spoken) |
00:53:17 |
(Silvia translates).. the belief |
00:53:20 |
are paramount to its purpose, |
00:53:24 |
that human rights are fundamental |
00:53:30 |
They cannot be separated. |
00:53:35 |
You got one shot. You sever the brain stem, |
00:53:38 |
you drop the perpetrator without reflex action. |
00:53:45 |
If you have to issue a verbal warning, |
00:53:51 |
No. There won't be time for a second one. |
00:53:54 |
Whatever the weapon is, |
00:53:57 |
There's no profile for a suicide bomber. |
00:54:00 |
This could be nine or 90, male or female, |
00:54:04 |
All they have in common |
00:54:08 |
So this is either a fanatic for a cause |
00:54:13 |
We'll run two teams. DDO calls the decoy exit |
00:54:18 |
NYPD snipers from these two buildings here, |
00:54:24 |
Her locker was clean. |
00:54:28 |
Someone wiped hers. We're looking |
00:54:32 |
Or another interpreter. |
00:54:47 |
So when do we do this voice line-up?. |
00:54:51 |
We're not doing that any more. |
00:54:54 |
- She says she can't. |
00:54:57 |
ID the voice. She thought she could, now |
00:55:02 |
She can't because she can't, or because |
00:55:08 |
(conversation in Portuguese) |
00:55:13 |
- He says he wasn't here... I think. |
00:55:18 |
(he speaks Portuguese, she speaks French) |
00:55:23 |
- He traded shifts with someone. Com quem?. |
00:55:28 |
Jad Jamal. He's in Crown Heights. |
00:55:40 |
(knocking) |
00:55:48 |
Afternoon. Secret Service. |
00:55:56 |
- Does this guy live here?. |
00:56:00 |
You got lady's number?. |
00:56:04 |
Does he have a cell phone?. |
00:56:06 |
OK, we'll be back. If he shows up before that, |
00:56:11 |
(chanting and singing) |
00:56:19 |
(click of camera) |
00:56:28 |
(phone) |
00:56:33 |
- Hello?. |
00:56:37 |
Philippe. |
00:56:39 |
- Going out. |
00:56:51 |
- Shit. |
00:57:24 |
Oh, come on. |
00:57:43 |
Philippe. |
00:57:46 |
(she speaks French) |
00:57:57 |
- What is it?. |
00:58:00 |
- It is Simon. |
00:58:02 |
Someone contacted me. |
00:58:07 |
I thought it was one of his people... |
00:58:12 |
They said it was time to admit that |
00:58:17 |
- What happened?. |
00:58:20 |
But it was a trap. |
00:58:26 |
Xola's dead. |
00:58:35 |
I knew it. |
00:58:37 |
I knew he was dead. |
00:58:43 |
Was my brother there?. |
00:58:48 |
No, Simon wasn't there. Only Xola. |
00:58:52 |
I stayed in the car. No one came back out. |
00:58:57 |
- Where is he?. Where's my brother?. |
00:59:02 |
- You think Kuman has him?. |
00:59:05 |
Everything is chaos. It's all gone to hell. |
00:59:11 |
You see what I did?. I took Xola right to them. |
00:59:17 |
- You didn't know. |
00:59:23 |
- I was only trying to help. |
00:59:29 |
Yes, there is. |
00:59:30 |
- I have to go. |
00:59:36 |
(click of camera) |
00:59:44 |
You cannot do that. How the hell do l |
00:59:49 |
You emphatically told me that you weren't. |
00:59:53 |
That was before you had a man in a mask |
01:00:00 |
I've had a 24-hour shift of agents |
01:00:06 |
Who was that in the park?. |
01:00:10 |
- It's personal. |
01:00:13 |
It's not your business. |
01:00:15 |
Is he the one you e-mailed |
01:00:20 |
"Where are you?. |
01:00:25 |
"Please. I need to know you're OK"?. |
01:00:30 |
Worried why?. Because he's involved?. |
01:00:34 |
Is that him, here, now, in my country, |
01:00:39 |
You're wrong. It's got nothing to do with you. |
01:01:24 |
(Simon's voice) I'll take care of you. |
01:01:38 |
- I'm going to Starbucks. Want anything?. |
01:01:43 |
I'm good. Thanks. |
01:01:48 |
What's up with Common Kuman?. |
01:01:51 |
- Brushing his teeth. |
01:01:53 |
Café Atlantic, noon to two, then |
01:01:58 |
- Coffee?. |
01:02:05 |
She can't sleep either. Just turned the TV on. |
01:02:10 |
Probably PBS. |
01:02:13 |
- Where you going?. |
01:02:16 |
I can go home and get a good night's sleep. |
01:02:21 |
Unless you want me to stay. |
01:02:26 |
No. Thanks. |
01:02:28 |
- Thanks. |
01:02:31 |
United Nations, New York. Protests |
01:02:36 |
that President Edmond Zuwanie |
01:02:41 |
The exiled leader Kuman-Kuman |
01:02:45 |
He would be more convincing |
01:02:48 |
He doesn 't even have to die. |
01:02:50 |
An almost-assassinated leader |
01:02:53 |
he can do anything he wants... |
01:02:57 |
Security is on heightened alert |
01:03:02 |
(cell phone) |
01:03:05 |
- Keller. |
01:03:09 |
I really didn't know you were watching me... |
01:03:13 |
.. or I wouldn 't have just... Ieft like that. |
01:03:19 |
- You want to tell me what happened?. |
01:03:24 |
- Philippe Broullet. |
01:03:28 |
I know his name, I know he's |
01:03:32 |
- He needed to talk to me. |
01:03:37 |
- What did he say?. |
01:03:40 |
Are you over there?. |
01:03:48 |
Jesus. |
01:03:55 |
He told me we lost a friend. |
01:03:58 |
He lost a friend. |
01:04:04 |
It was a long time ago. |
01:04:10 |
You can't sleep either. |
01:04:13 |
I don't know why I'm calling you. |
01:04:15 |
- What do you do when you can't sleep?. |
01:04:25 |
You don't name the dead, you said. Why?. |
01:04:29 |
What...what happens?. |
01:04:34 |
You move past them. You leave them behind. |
01:04:38 |
You can do that, |
01:04:43 |
To move on. |
01:04:46 |
You've been going through hell. |
01:04:49 |
Keeping busy. |
01:04:53 |
You, too, I think. I don't know all of it, but... |
01:05:06 |
Are you going to be there until morning?. |
01:05:10 |
It almost is morning. |
01:05:13 |
Yeah, I'll be here. |
01:05:17 |
Is it OK if I just try to fall asleep |
01:05:25 |
That's fine. |
01:05:48 |
Goodnight. |
01:06:01 |
She's coming your way. |
01:06:05 |
Oh, no. No scooter, please. |
01:06:10 |
Yes. Thank you, God. |
01:06:24 |
You might as well drive me. |
01:06:29 |
Corner of Bergen and Nostrand. |
01:06:31 |
Jad Jamal. Worked the interpreters' lounge |
01:06:36 |
- Bring him to me. |
01:06:39 |
- Sit on his apartment. |
01:06:42 |
Hey. Got the lNS files. |
01:06:55 |
- This isn't the way it's supposed to be done. |
01:07:19 |
She's at the corner of Bergen |
01:07:23 |
- She's where?. |
01:07:28 |
She's here, whether I brought her or not. |
01:07:31 |
- Go back. What's she doing?. |
01:07:33 |
- Holy shit. |
01:07:36 |
The janitor. Jad Jamal. |
01:07:38 |
- That's not him. |
01:07:53 |
Jamal's room-mate just left the building. |
01:07:56 |
His name is Gamba. Jean Gamba. |
01:07:58 |
- Should I stay here?. |
01:08:02 |
- Are we working on a warrant?. |
01:08:05 |
- How are you?. |
01:08:08 |
OK, bless you. |
01:08:47 |
Tobin?. |
01:08:58 |
- What's up?. |
01:09:04 |
- What are they doing?. |
01:09:14 |
We're getting on the el. |
01:09:22 |
(speaks Ku) |
01:09:29 |
- Shit. |
01:09:33 |
(Tobin) What the hell is she doing?. |
00:00:09 |
- Or was I wrong, then?. |
00:00:12 |
And a fair Matoban, in fact. |
00:00:18 |
(Tobin) King, you stay with that bus. |
00:00:23 |
Do you know who I am?. |
00:00:26 |
Yes. |
00:00:29 |
You're a killer. |
00:00:41 |
You got a red light in that car?. |
00:00:45 |
- Who told you this nonsense?. |
00:00:49 |
Your brother?. I don't even know who you are. |
00:00:53 |
You are on the wrong bus, so to speak, |
00:01:06 |
Your people arranged a meeting |
00:01:10 |
- You know him. |
00:01:13 |
But the fact is, somebody wants you |
00:01:19 |
- I don't believe you. |
00:01:25 |
- Why?. |
00:01:29 |
Neither of us have made |
00:01:32 |
He has the working people. |
00:01:36 |
If he is dead, it is a loss |
00:01:41 |
(Doug) We're getting off. |
00:01:47 |
I got the back room. |
00:01:54 |
Jesus. |
00:01:58 |
Clear the other room. |
00:02:13 |
OK. |
00:02:15 |
- Closet. |
00:02:32 |
(Dot) Ho! Keller?. |
00:02:38 |
- We got a dead body in the closet. |
00:02:41 |
Yeah. I'll call it in. |
00:02:46 |
Wait. Wait. |
00:02:52 |
Why the lanterns?. |
00:02:58 |
Well, that's just rude. |
00:03:23 |
- What do you do so far away from home?. |
00:03:28 |
- Same as me, then. |
00:03:35 |
You work for...?. |
00:03:37 |
I'm an interpreter at the UN. |
00:03:40 |
So like the UN. |
00:03:45 |
- You'd prefer more war?. |
00:03:48 |
Guys, get with me here. We got a situation. |
00:03:51 |
No, boss, we got a situation. |
00:03:56 |
And Silvia Broome. And Kuman-Kuman. |
00:04:00 |
- What?. |
00:04:03 |
With our subjects. |
00:04:04 |
Get off the bus, |
00:04:08 |
We can't do that. We're moving. |
00:04:12 |
Doug, is the room-mate carrying anything?. |
00:04:19 |
- Doug, is he carrying anything?. |
00:04:24 |
- All right...where is it?. |
00:04:29 |
- Oh, man. |
00:04:35 |
Not without gettin' made. |
00:04:38 |
Despite all the flags on First Avenue, |
00:04:41 |
Only companies. International companies. |
00:04:51 |
I think you're wrong. |
00:04:53 |
You are still young. I'm an acquired taste. |
00:04:59 |
What's your brother's name?. |
00:05:04 |
Simon. Simon Broome. |
00:05:08 |
- OK, we're stopping. |
00:05:15 |
I'll see what my people can find out about him. |
00:05:18 |
But remember, |
00:05:24 |
Yeah. Thank you. |
00:05:27 |
Come on, guys, talk to me. What's going on?. |
00:05:31 |
We're stopped. She's getting off. |
00:05:36 |
- What's going on?. |
00:05:41 |
Keep talking to me. What's going on?. |
00:05:46 |
OK, he's got the satchel. |
00:05:49 |
That's OK, I got him. |
00:05:52 |
- Kuman?. |
00:05:55 |
Miss Broome! Please get in the car. |
00:05:59 |
Move it! |
00:06:01 |
- I got Gamba. |
00:06:03 |
No. Just get off that bus. |
00:06:11 |
- Doug! |
00:06:15 |
- Hey! Guy forgot his lunch. |
00:06:39 |
I'm standing here on Nostrand Avenue |
00:06:42 |
at a scene that can only be described |
00:06:46 |
..frantically helping victims |
00:06:50 |
These events are more familiar |
00:06:54 |
There is no word yet. |
00:06:59 |
that Kuman-Kuman, the exiled Matoban |
00:07:04 |
- You all right?. |
00:07:06 |
Doug?. |
00:07:15 |
This is Ron Ferguson, reporting live |
00:07:18 |
where just after 1 0.30 am this morning... |
00:07:27 |
We're OK, boss. |
00:07:32 |
(reporter).. the violence has now found |
00:07:37 |
- The death toll is 1 7, with scores injured... |
00:07:42 |
.. widely seen as the probable successor |
00:07:45 |
Tunnels and bridges |
00:07:48 |
.. alleged terrorist attack by Ajene Xola... |
00:07:51 |
.. Zuwanie is still planning to address |
00:08:05 |
What were you doing on that bus?. |
00:08:09 |
Thank you for bringing me home. |
00:08:21 |
Hey! |
00:08:26 |
I lost a man today. A kid. |
00:08:32 |
- How do you know Kuman?. |
00:08:35 |
You think that not getting caught in a lie |
00:08:38 |
- I'm not lying. I went to him for help. |
00:08:42 |
I can't tell you. Someone might get hurt. |
00:08:45 |
"Someone might get hurt." |
00:08:49 |
"Someone might get hurt"?. |
00:08:53 |
Someone who's mixed up in all this?. |
00:08:57 |
- I told you. |
00:09:00 |
- Stop it. |
00:09:02 |
- Stop shouting at me! |
00:09:04 |
- I'm not lying! |
00:09:06 |
I was just on that bus! I can't think |
00:09:33 |
That isn't me. |
00:09:36 |
Don't be ridiculous. |
00:09:39 |
- It isn't me. |
00:09:43 |
And I know, because I drive you home, |
00:09:45 |
and I look at you through the binoculars, |
00:09:55 |
It was once. |
00:09:58 |
It's not any more. |
00:10:02 |
After the rallies, |
00:10:07 |
then the rifles came out. |
00:10:11 |
It was the only way to get anyone to listen. |
00:10:19 |
I killed a boy who had nothing to live for |
00:10:26 |
I shot him in the head |
00:10:35 |
Then I handed the rifle to my brother |
00:10:39 |
I walked away with him shouting at me, |
00:10:44 |
"Our parents are dead, Zuwanie's alive." |
00:10:50 |
My brother, |
00:10:58 |
That was the last thing he ever said to me. |
00:11:01 |
The only contact I have is the notebooks |
00:11:06 |
I know he's alive. I know it. |
00:11:10 |
But I'm not to him. |
00:11:17 |
I lied to you because I was afraid. |
00:11:21 |
I was afraid |
00:11:27 |
I lied to everyone else |
00:11:32 |
and that's the only place that I believe |
00:11:38 |
And I lied to you about Ajene Xola because... |
00:11:41 |
I loved him. Once. |
00:11:45 |
Until the colour of my skin became a problem. |
00:11:49 |
The politics of my skin. |
00:11:54 |
I walked away from Africa with nothing. |
00:12:00 |
Just a belief that words and compassion |
00:12:06 |
Even if it's slower than a gun. |
00:12:18 |
Where are you going?. |
00:12:22 |
You've got blood all over your face. |
00:12:24 |
You can't say stuff like that |
00:14:10 |
- (protesters shouting) |
00:14:14 |
This is precisely why Dr Zuwanie |
00:14:20 |
(translation) This monstrous act of terrorism |
00:14:25 |
..and at the heart of the United Nations. |
00:14:28 |
- I can't listen to this. |
00:14:33 |
..or Dr Zuwanie. |
00:14:36 |
(policeman) I'm not at liberty to tell you. |
00:14:46 |
- Where we going?. |
00:14:55 |
Keller. |
00:15:17 |
Get this processed and back to me right away. |
00:15:50 |
Did he leave a note?. |
00:15:59 |
Did you read it?. |
00:16:01 |
Of course you did. |
00:16:07 |
Would you read it to me, please?. |
00:16:20 |
"Dear Silvia, I came to tell you something |
00:16:27 |
"l wanted to, but when I saw you |
00:16:33 |
"l told you I didn't know where Simon is. |
00:16:38 |
"He was there that day. |
00:16:45 |
"l couldn't tell you. I'm a coward. |
00:16:49 |
"You're braver than me. I'm so sorry." |
00:16:52 |
I'm so sorry. |
00:16:57 |
The second time was me. |
00:17:14 |
I feel like my friends must feel |
00:17:20 |
- It's all right. |
00:17:38 |
He left this with the note. |
00:17:47 |
The only thing that I wanted... |
00:17:58 |
.. besides having her back... |
00:18:00 |
was to be left alone. |
00:19:31 |
(child's voice) |
00:19:42 |
(young Simon's voice) Don't cry. |
00:19:45 |
- Don't cry. |
00:19:49 |
- You don't have to cry. |
00:19:52 |
Because I'm here, |
00:19:57 |
Look at me. I'll take care of you. |
00:20:02 |
(Silvia 's voice) We'll take care of each other. |
00:20:07 |
I'll take care of you. |
00:20:25 |
(young Simon) Promise me. |
00:20:33 |
(Silvia) I promise. |
00:20:54 |
I promise. |
00:21:06 |
(thunder) |
00:22:48 |
(shower running) |
00:23:23 |
Xola's dead. Kuman's dead. |
00:23:29 |
Who do you work for?. |
00:23:32 |
- Don't touch. |
00:23:39 |
(thunder continues) |
00:23:59 |
Russell! |
00:24:02 |
(shower still running) |
00:24:43 |
(neighbour) Hey!. |
00:24:47 |
(neighbours) - What the hell's going on?. |
00:24:55 |
Silvia! |
00:24:57 |
- Silvia! |
00:25:14 |
(shower still running) |
00:25:30 |
Silvia! |
00:25:33 |
Keller! |
00:25:36 |
Keller! |
00:25:43 |
She's not here. Check the roof. |
00:25:57 |
(siren) |
00:26:03 |
(Dot) Jay?. |
00:26:07 |
- Dot, what have you got?. |
00:26:11 |
His name is Jean Gamba. He's our bomber. |
00:26:17 |
- And our assassin?. |
00:26:21 |
But I doubt it. |
00:26:22 |
He tried to kill her. |
00:26:24 |
- What happened?. |
00:26:29 |
That's a pity. |
00:26:33 |
- And Miss Broome?. |
00:26:36 |
- He killed her?. |
00:26:45 |
- Mind if I take a look upstairs?. |
00:26:48 |
- Yeah. |
00:26:53 |
- Get NYPD to push their tapeline... |
00:26:58 |
- I'm gonna wait for her. |
00:27:01 |
I need you awake tomorrow morning. |
00:27:12 |
- Drive around the block. |
00:27:16 |
What if there were two guys?. Three?. |
00:27:23 |
They're not our family |
00:27:27 |
You told me that. |
00:27:29 |
You lose somebody, you lose somebody. |
00:27:37 |
One circle, then I'm taking you home. |
00:27:42 |
(beeping) |
00:28:02 |
(Silvia) Hello?. Are you there?. |
00:28:08 |
I'm fine. I'm all right, but I... |
00:28:13 |
I can't talk to you. |
00:28:16 |
You were right. |
00:28:20 |
It takes too long, Tobin. I'm going home. |
00:28:45 |
(phone ringing) |
00:28:50 |
Keller. |
00:28:51 |
Keller, Lewis. Those numbers |
00:28:55 |
Ray's Pizza, some sex lines, a hardware store |
00:29:00 |
Chase down the global cell. |
00:29:01 |
- Keller, it's Mo. |
00:29:04 |
She booked a flight online. |
00:29:06 |
Check all flights to South Africa |
00:29:10 |
And then what?. If I find her. |
00:29:16 |
Get her on the phone with me. |
00:29:24 |
He's here. |
00:29:47 |
That's him?. |
00:29:52 |
Second car. |
00:30:15 |
Keller?. Lewis. |
00:30:19 |
- Got the times of the calls?. |
00:30:21 |
Day before yesterday, 3.30 pm. |
00:30:24 |
- Day before yesterday, 3.30?. |
00:30:28 |
Call it. No, have Lewis call. |
00:30:31 |
- I'm Lewis. |
00:30:33 |
- No, King. And he's dialling. |
00:30:36 |
The bus. Right after. |
00:30:39 |
It's King. It's the Matoban mission. |
00:30:45 |
- Lud?. |
00:30:50 |
Head over. I need a face for that name. |
00:31:20 |
(Mo) She's booked 9 am, JFK. |
00:31:22 |
- I'm on the LIE. Almost there. |
00:31:58 |
Not as much sky as I remember, |
00:32:03 |
23 years, Dr Zuwanie. Things change. |
00:32:07 |
They diminish. |
00:32:10 |
Desire diminishes. |
00:32:13 |
- Where is the Second Avenue?. |
00:32:19 |
They decorated the bridge. |
00:32:22 |
When I came here before, they lined |
00:32:27 |
- That flight departs from gate one. |
00:32:30 |
- No sign of her. Hasn't checked in yet. |
00:32:35 |
Can we hold 'em in the safe room |
00:32:38 |
You can try, but it's up to him. |
00:32:45 |
There was a parade. |
00:32:50 |
There was a snowstorm of confetti. |
00:32:59 |
(indistinct shouting and chanting) |
00:33:07 |
(protester) Murderer! |
00:33:13 |
This is Second Avenue, sir. |
00:33:28 |
- Are you at the mission?. |
00:33:30 |
- Nobody knows where he is. |
00:33:35 |
- You get a photo lD?. |
00:33:37 |
Go back inside |
00:33:40 |
Get his address and get over there. |
00:33:43 |
I've got eight minutes. |
00:34:19 |
(Dot) Keep it tight. |
00:34:38 |
Agent Keller! |
00:34:54 |
He's here. I just saw him. |
00:35:14 |
49th...42nd. |
00:35:19 |
Good. Next. |
00:35:21 |
Move on. |
00:35:35 |
There it is. |
00:35:47 |
- OK. |
00:35:55 |
- Levels, please. |
00:36:13 |
Ladies and gentlemen, British Airways |
00:36:18 |
Please make your way |
00:36:21 |
- Thank you. Levels, please. |
00:37:09 |
The Assembly will first hear an address |
00:37:15 |
On behalf of the General Assembly, |
00:37:17 |
I have the honour to welcome |
00:37:20 |
His Excellency Dr Edmond Zuwanie, |
00:37:26 |
and to invite him to address the Assembly. |
00:37:29 |
(smattering of applause) |
00:37:41 |
Mr President, Mr Secretary-General. |
00:37:44 |
Today my beloved country is under siege. |
00:37:47 |
As you saw the other afternoon |
00:37:51 |
the terrorists in my country will stop at nothing. |
00:37:54 |
How am I to defend my country |
00:37:59 |
- I admit I have dealt harshly with terrorists... |
00:38:02 |
-..as we all will have to. |
00:38:05 |
Remember the profile of suicide bombers |
00:38:09 |
..who know the evil |
00:38:12 |
Your mother and sister |
00:38:15 |
- This isn't his apartment. |
00:38:19 |
No one here will live long. |
00:38:22 |
-..with a reciprocal and immediate violence... |
00:38:28 |
I have been forced to do this. |
00:38:30 |
It is the hope and specific goal |
00:38:35 |
- to reform these brutal methods... |
00:38:40 |
- To participate in the formation... |
00:38:44 |
But I want to speak! |
00:38:48 |
(click) |
00:38:51 |
(screaming) |
00:38:55 |
Come on, sir, run! |
00:39:03 |
(alarm blares) |
00:39:17 |
He's OK. |
00:39:19 |
- Cover here. I'll take the hall. |
00:39:21 |
Freeze! |
00:39:34 |
Incredible. Thank God I looked up. |
00:39:38 |
- He's from our mission. |
00:39:42 |
Dr Zuwanie. |
00:39:46 |
I remember the last time you were here. |
00:39:48 |
- (security) Use the 42nd Street exit. |
00:39:54 |
(security) Please move... |
00:39:56 |
We watched you on the telly back home. |
00:40:00 |
My family. All the families. |
00:40:05 |
Two or three more seconds, |
00:40:09 |
An almost-assassinated leader |
00:40:13 |
so he can stay in power |
00:40:17 |
We were so proud of you. |
00:40:22 |
There you were, speaking to the world. |
00:40:29 |
I don't think you should touch... |
00:40:33 |
Because I'm not wearing a glove?. |
00:40:35 |
What is your name, child?. |
00:40:40 |
I'm the Silvia whose family you killed. |
00:40:44 |
- What's in your hand?. |
00:40:47 |
What's in your hand?. |
00:40:52 |
He thought it was a live round. |
00:40:57 |
- Where is everyone?. |
00:41:03 |
(click) |
00:41:10 |
Give me the live round. |
00:41:14 |
I grew up seeing you with this gun. |
00:41:19 |
- Drop the gun! |
00:41:22 |
Keller, US Secret Service. |
00:41:25 |
It's the same one you used to kill it. |
00:41:29 |
- He's got a Glock on his hip. |
00:41:41 |
Look at it. |
00:41:47 |
Look at it! |
00:41:53 |
- Careful. The bleeder had AlDS. |
00:41:58 |
You'll cop a plea. |
00:42:01 |
- He's in custody. They're bringing him down. |
00:42:07 |
- Are you all right?. |
00:42:09 |
- The safe room. What happened?. |
00:42:12 |
A piece of theatre to justify the killing. |
00:42:17 |
You there?. That's the flight. She's not on it. |
00:42:20 |
I checked every hotel in New York, |
00:42:23 |
They don't know where she'd go. |
00:42:26 |
- I know her. |
00:42:29 |
- She said she was going home. |
00:42:33 |
What home?. |
00:42:34 |
- How'd you happen to be there after hours?. |
00:42:39 |
It takes too long... |
00:42:42 |
She's here. She's been in that room all night. |
00:42:44 |
How could someone so good, so... |
00:42:50 |
How could you give us so much, |
00:42:53 |
so much... |
00:42:57 |
then take away more?. |
00:43:00 |
- He in there?. |
00:43:05 |
Keep everybody out. |
00:43:09 |
Silvia?. |
00:43:11 |
Silvia?. |
00:43:14 |
It's me. |
00:43:17 |
I'm coming in alone. I'm coming in. |
00:43:21 |
Five minutes. |
00:43:28 |
Close it. |
00:43:31 |
- Close it! |
00:43:35 |
It was all just theatre, an almost-assassination |
00:43:40 |
- We've got all we need to prosecute. |
00:43:43 |
- He'll die in prison. |
00:43:47 |
That'll be over in two seconds, |
00:43:51 |
Sir, it's a lot worse than you think. |
00:43:55 |
Your head of security is making a deal. |
00:43:58 |
We have Lud and the rifle. |
00:44:02 |
- He's been tried! |
00:44:05 |
- It doesn't matter! |
00:44:10 |
I told you I'd let him drown. |
00:44:13 |
The man who drove my wife |
00:44:19 |
- But I wouldn't. |
00:44:22 |
No, I wouldn't be wrong. I don't want |
00:44:33 |
(cocks gun) |
00:44:38 |
You have to get out of here. |
00:44:41 |
I can't do that. So put the gun down. |
00:44:46 |
- I can't. |
00:44:50 |
I can't! I can't... I can't. |
00:44:54 |
Just go. |
00:45:10 |
This is how it's done. |
00:45:20 |
This is how you put a gun down. |
00:45:34 |
Please. |
00:45:38 |
You shoot him, he'll be dead... |
00:45:44 |
..but then you'll be dead... |
00:45:49 |
..and I don't know what I'll be. |
00:45:57 |
Put it down. |
00:46:02 |
Read it! |
00:46:05 |
Read it. |
00:46:08 |
- Where?. |
00:46:18 |
- "The gunfire around us..." |
00:46:24 |
When you believed it. |
00:46:27 |
When you meant it. |
00:46:34 |
"The gunfire around us makes it hard to hear." |
00:46:42 |
"But the human voice |
00:46:52 |
- "lt can be heard... |
00:46:57 |
over noises that bury everything else." "Even... |
00:47:04 |
- "Even... |
00:47:08 |
"Shouting." "Even when it... |
00:47:11 |
"Even if it's just a whisper." |
00:47:19 |
"Even the lowest whisper |
00:47:26 |
(Silvia) "When... |
00:47:30 |
- "When... |
00:47:53 |
That little boy was my country. |
00:48:43 |
(Silvia) Hove Vambi... |
00:48:47 |
..killed by land-mines. |
00:48:50 |
Alexander Mungoshi... |
00:48:54 |
Charles Kufomo... |
00:48:57 |
Ruth Kufomo... |
00:49:01 |
..shot to death defending their home. |
00:49:07 |
Robert Chenjari... |
00:49:09 |
Benita Matkudzi... |
00:49:13 |
.. burned to death during a protest rally. |
00:49:17 |
Edgar Sakuro... |
00:49:21 |
Masumi Bamcha... |
00:49:24 |
John Enkumo... |
00:49:26 |
Yvon Enkumo... |
00:49:29 |
- (GA President) Let the record show... |
00:49:32 |
-.. that the Security Council... |
00:49:36 |
-.. has unanimously commanded... |
00:49:39 |
-.. that President Zuwanie of Matobo... |
00:49:45 |
.. be tried at the International Criminal Court |
00:49:50 |
for crimes against humanity. |
00:49:56 |
(Silvia 's voice) Simon Broome... |
00:49:58 |
shot to death in a soccer stadium. |
00:50:35 |
How did you make out?. |
00:50:38 |
They said you told them I wasn't a danger. |
00:50:41 |
- I lied. |
00:50:46 |
They didn't believe you. |
00:50:50 |
They're sending me back. |
00:50:56 |
It's OK. I'm going home. |
00:51:03 |
We never... |
00:51:05 |
I never had time to tell you |
00:51:10 |
We never had time for a lot of things. |
00:51:18 |
You don't have anyone left there, do you?. |
00:51:22 |
No, it's where I remember them. |
00:51:29 |
Ever been to Africa?. |
00:51:34 |
Lot of airports, no lions. |
00:51:43 |
- When are you leaving?. |
00:51:48 |
Wow. |
00:51:54 |
Hey, look at this. We're not kepéla any more. |
00:52:00 |
We're on the same side. |
00:52:04 |
You never know |
00:52:09 |
No. |
00:52:13 |
Will you let me know how you are?. |
00:52:25 |
You'll always know. |
00:52:42 |
What was her name?. |
00:52:49 |
Laurie. |
00:52:52 |
Keller. |
00:52:58 |
Killed in an auto accident in Santa Fe... |
00:53:03 |
..23 days ago. |
00:53:13 |
(speaking Ku) |
00:53:18 |
Rest in peace?. |
00:53:23 |
Close enough. |
00:53:25 |
(African language singing and chanting) |