Into the Sun
|
00:01:00 |
Commencing data uplink, |
00:01:05 |
Okay. |
00:01:07 |
Beam me to Burma, Scotty. |
00:01:10 |
Satellite online, sir. |
00:01:16 |
Snowman to Reindeer, |
00:01:24 |
Roger, Snowman. Target picked. |
00:01:30 |
Roger that. We have video confirmation, |
00:02:00 |
Locking complete. |
00:02:02 |
Reindeer, transpo is on. |
00:02:03 |
Look at all those poppies. |
00:02:06 |
Travis, I'm almost liking you now. |
00:02:09 |
Copy that. Stand by. |
00:02:13 |
Don't move. We got company. |
00:02:28 |
No, sir. Don't go. |
00:02:41 |
Shit! |
00:02:47 |
Snowman, this is Reindeer. Hot evac. |
00:02:50 |
Get them out of there. |
00:03:14 |
Gray smoke in sight, |
00:03:29 |
Go. |
00:03:36 |
Come on! Don't run! |
00:03:38 |
The package is in the box. Let's go. |
00:04:06 |
You'll be all right. |
00:04:08 |
We live right... |
00:04:11 |
and we die right. |
00:04:12 |
You're not dying, man. You'll be all right. |
00:04:14 |
- You're a lying motherfucker. |
00:04:17 |
You're not dying, man. |
00:04:20 |
I gotta lie down, man. |
00:04:22 |
Shit! |
00:07:17 |
I will continue working to give Tokyo |
00:07:22 |
Vote for me, vote for Takayama. |
00:07:26 |
In order to secure our cities and ports, |
00:07:31 |
...concerning the deportation of immigrants |
00:07:37 |
These countries need to understand |
00:07:50 |
How would you handle foreign residents' |
00:07:55 |
All questions should be directed |
00:08:48 |
To all my brothers, |
00:08:49 |
today we stand in front of |
00:08:54 |
We swear with blood our loyalty to him. |
00:08:56 |
When we shed our blood, |
00:08:58 |
Whether for good or bad, |
00:09:11 |
Gentlemen. |
00:09:13 |
Good afternoon. |
00:09:17 |
Well done. |
00:09:23 |
I want to toast you on a job well done. |
00:09:30 |
- Cheers to the Governor. |
00:09:38 |
He's in a better place now. |
00:09:46 |
...we live together and we die together... |
00:10:19 |
I am Chinese, |
00:10:24 |
I refuse to work for you, so I will not swear. |
00:10:40 |
Time to go. |
00:10:58 |
- Block. |
00:11:01 |
Listen, I'm calling |
00:11:04 |
- What about it? |
00:11:08 |
Johnny, it's local. It's not my party. |
00:11:10 |
We're thinking it's a Yakuza hit... |
00:11:13 |
and we're hoping that you have someone |
00:11:17 |
Yakuza? |
00:11:21 |
Yeah, I've got someone. |
00:11:23 |
You're gonna owe me big for this one. |
00:11:26 |
How have you been? |
00:11:27 |
Things are good. How about you? |
00:11:29 |
I've been working very hard. |
00:11:33 |
So have I. |
00:11:34 |
So here it is, swords of this caliber |
00:11:46 |
I would pay twice this amount |
00:11:52 |
I'm afraid I'm not a teacher. |
00:11:55 |
There is no one else as good as you. |
00:11:58 |
That isn't true at all, I just sell swords. |
00:12:01 |
But I heard a legend |
00:12:05 |
No, that's just foolish. |
00:12:07 |
But you have the skills of old masters. |
00:12:13 |
Listen, I wouldn't encourage fighting. |
00:12:19 |
Hello. |
00:12:20 |
Travis? |
00:12:22 |
Guess who. |
00:12:35 |
Sir. |
00:12:41 |
Hello? |
00:12:42 |
Okay, baby, I need you and your team |
00:12:46 |
All the usual assets? |
00:12:47 |
- Of course, baby, anything you need. |
00:12:50 |
I'll be in touch. And don't call me "baby." |
00:13:01 |
That would be meant for me. |
00:13:03 |
- You two know each other? |
00:13:06 |
For a long time. |
00:13:08 |
But I'm assigning you to him for right now. |
00:13:11 |
Just try to stay with him. |
00:13:13 |
And keep me posted. |
00:13:20 |
Didn't take you that long to get here. |
00:13:22 |
Yeah, I was in the area. |
00:13:24 |
In a nutshell, |
00:13:28 |
when he stated his plan to begin |
00:13:32 |
So why are we involved? |
00:13:33 |
The FBI feels sure it's terrorist related. |
00:13:36 |
That makes it a concern |
00:13:38 |
We have intel that the local Yakuza... |
00:13:41 |
have been farming themselves out |
00:13:43 |
I've been in this game a long time. |
00:13:46 |
Doesn't make sense to me that |
00:13:50 |
Anything is possible. |
00:13:52 |
Yeah, I suppose so. |
00:13:54 |
That's why I brought you in, big papa. |
00:13:56 |
Nobody knows the bad guys like you do. |
00:13:58 |
But with homeland security, |
00:14:02 |
I'm aware. |
00:14:04 |
I'll gather some intel, feed it back to you, |
00:14:07 |
You know, life is never that simple. |
00:14:14 |
This is Agent Mac. |
00:14:16 |
He's going to be working with you. |
00:14:19 |
- How do you do, Agent Mac? |
00:14:22 |
- And what do you do? |
00:14:25 |
So in the event |
00:14:29 |
why don't you have the FBI |
00:14:34 |
and get this boy a gun. |
00:14:39 |
Always great seeing you, Travis. |
00:14:42 |
That went well. |
00:14:50 |
The shooter exited |
00:14:54 |
FBI. |
00:14:56 |
It was quick. It was loud. |
00:15:00 |
Welcome to the crime scene. |
00:15:03 |
- Travis. |
00:15:04 |
I need copies |
00:15:07 |
Sure. |
00:15:09 |
Immediately, I want copies |
00:15:13 |
- You hear? |
00:15:19 |
So this is the security tape |
00:15:23 |
Guy on the right. Little bit closer. |
00:15:26 |
See that gold emblem on his neck? |
00:15:29 |
See if you can come real close on that |
00:15:31 |
- I wanna take a look at that. |
00:15:34 |
- How about that? |
00:15:37 |
Not only do these guys look Chinese, |
00:15:41 |
These guys are Tongs. |
00:15:42 |
I've got somebody I've gotta go talk to. |
00:15:44 |
- Can you get me a copy of this? |
00:16:06 |
Dai-Ryu, it's been a long time. |
00:16:12 |
What a surprise. |
00:16:17 |
And I see |
00:16:19 |
Just a simple man passing the time. |
00:16:23 |
Tell me, what brings you today? |
00:16:26 |
I've heard a rumor about an alliance |
00:16:30 |
I have a little problem with the Yakuza, |
00:16:34 |
So I was wondering |
00:16:37 |
Yakuza. |
00:16:39 |
I heard the rumors in the street. |
00:16:42 |
I'll help you. |
00:16:43 |
I'll talk with them |
00:16:50 |
Wait. |
00:16:51 |
Since you surprised me... |
00:16:53 |
I'm going to surprise you. Mei Ling. |
00:17:00 |
Look who has returned. |
00:17:03 |
Master. |
00:17:06 |
- Her skills have much improved. |
00:17:09 |
She's been my shield. Now she's yours. |
00:17:13 |
Okay. I'll see you soon. |
00:17:39 |
Chen and I have been in business |
00:17:43 |
He told me you have |
00:17:48 |
Yes. |
00:17:50 |
With his pachinko parlors |
00:17:53 |
we can round the cash into US dollars... |
00:17:57 |
and ship product everywhere |
00:18:03 |
What can I do for you? |
00:18:11 |
Golden Triangle. |
00:18:19 |
So we're meeting a Zaibatsu, |
00:18:23 |
- But who are we? |
00:18:26 |
Obviously I'm not a federal agent. |
00:18:28 |
Nobody knows what we do, |
00:18:31 |
I want you to just play a role for me. |
00:18:35 |
You're a fish out of water, trying to learn |
00:19:06 |
If it's okay, I wanted to ask you |
00:19:09 |
about the local problems going on here. |
00:19:12 |
Do you think there's any possibility... |
00:19:14 |
that the Tongs and the Yakuza |
00:19:20 |
A new generation of Yakuza |
00:19:29 |
One of our executives |
00:19:35 |
There were rules Yakuza respected |
00:19:41 |
Obviously, these rules do not apply |
00:19:46 |
It would make sense for us to assist you. |
00:19:53 |
I will assist you in any way possible. |
00:19:57 |
Thank you so much, Sensei. |
00:20:01 |
That's why I came. Thank you. |
00:20:12 |
Take a look... |
00:20:15 |
Beautiful women can often lead you to bliss. |
00:20:45 |
Sensei, please excuse me. |
00:20:57 |
- Travis. |
00:21:01 |
How's it going? |
00:21:02 |
Peachy keen. |
00:21:11 |
Hold them longer. |
00:21:16 |
Of course. |
00:21:20 |
Good. |
00:21:23 |
So, young man... |
00:21:25 |
you are his deshi? |
00:21:30 |
Deshi? |
00:21:31 |
His student. |
00:21:34 |
Yes, student. |
00:21:36 |
What have you studied? |
00:21:40 |
Kendo? |
00:21:42 |
Lyai. |
00:21:46 |
Kendo. |
00:21:48 |
Oh, yeah. |
00:21:53 |
What school? |
00:21:56 |
School? |
00:22:00 |
UCLA. |
00:22:04 |
Go, Bruins. |
00:22:07 |
What have you got? |
00:22:08 |
Jahto, look up the word. |
00:22:12 |
Got something for you. |
00:22:14 |
Be patient and leave me alone, all right? |
00:22:23 |
You have to understand something. A high |
00:22:27 |
It's only natural |
00:22:30 |
terrorism may have been involved. |
00:22:32 |
So the Agency is gonna watch us |
00:22:34 |
how the situation should turn out. |
00:22:38 |
- What, they decide? |
00:22:42 |
80% of the CIA's activity |
00:22:45 |
They pay close attention to the situation... |
00:22:47 |
and in the end |
00:22:49 |
in order to fit their agenda. |
00:22:57 |
I'm gonna pull over here, |
00:23:00 |
take the driver's seat and drive. |
00:23:02 |
Go north, |
00:23:05 |
- 15 minutes, you hear? |
00:23:42 |
Nayako-san, you look so beautiful today. |
00:23:47 |
These walls have many ears. |
00:23:48 |
Yeah, I know. |
00:23:50 |
But I'm always happy to see you. |
00:23:55 |
Actually, I wanted to see |
00:23:58 |
on the assassination of the Governor. |
00:24:01 |
Where should I look? |
00:24:02 |
I don't know if you know anybody... |
00:24:05 |
that has a good connection |
00:24:09 |
There is a tattoo artist. |
00:24:12 |
He is an old friend of my family. |
00:24:14 |
He knows a lot about the Yakuza. |
00:24:20 |
I'm sure he'll be pleased to hear from you. |
00:24:23 |
So, I love you. You be good. |
00:24:31 |
- Where is he? |
00:24:33 |
- What's a fusion? |
00:24:36 |
Good, she's an asset of his. |
00:25:16 |
Move it, move it. |
00:25:18 |
Ten thousand dollars. |
00:25:21 |
Now Kojima can't touch us. |
00:25:34 |
We're gonna |
00:25:38 |
Watch where you're walking, asshole! |
00:25:41 |
Sorry. |
00:25:42 |
Fucking round eyes! |
00:25:49 |
Don't fuck with me, man. |
00:25:52 |
May I take your order? |
00:25:57 |
Two cervezas, por favor. |
00:25:59 |
Can you give me a second? |
00:26:05 |
I'm sorry, I'm confused. |
00:26:08 |
This is my neighborhood, I grew up here. |
00:26:11 |
- No bullshit. |
00:26:19 |
That's great. |
00:26:21 |
But what does this have to do |
00:26:25 |
This neighborhood is the neighborhood... |
00:26:27 |
where all organized crime |
00:26:31 |
We got Tongs, we got Yakuza. |
00:26:33 |
All kinds of organized crime, |
00:26:37 |
There is major struggle for turf. |
00:26:40 |
Major struggle for power. |
00:26:42 |
Most of that power comes from heroin. |
00:26:45 |
- Or as we call it here, Shabu. |
00:26:48 |
- Yeah. |
00:26:54 |
Now you see, here's a perfect example. |
00:26:58 |
Only this time, it seems like |
00:27:02 |
That's strange. |
00:27:03 |
You would have never have seen that |
00:27:05 |
Will you excuse me for just one second? |
00:27:36 |
You aren't ready for a fight yet. |
00:27:41 |
You want to fight, come back in 10 years. |
00:27:48 |
Please tell me you're kidding. |
00:27:50 |
- Sorry, that was an accident. |
00:27:53 |
- I got excited. |
00:27:55 |
I've never seen or heard of such a thing. |
00:28:00 |
Look who's here. |
00:28:01 |
You're a cop, you deal with them. |
00:28:05 |
Fuck! |
00:28:10 |
One quick call to my boss, |
00:28:13 |
A-okay? |
00:28:16 |
I need Block now. |
00:28:18 |
What the fuck did he do? |
00:28:22 |
Three Yakuza injured and two Chinese |
00:28:25 |
You should have seen him. God, he's fast. |
00:28:28 |
You fired a weapon in public. |
00:28:31 |
Shit like that could destroy |
00:28:34 |
Sorry, that was an accident. |
00:28:36 |
Listen to this. |
00:28:38 |
American version of the current government |
00:28:43 |
We'll continue to use force |
00:28:47 |
You're clearly moving |
00:28:49 |
Has the lab heard this? What did they say? |
00:28:51 |
We're working on it. |
00:28:53 |
What makes you think |
00:28:56 |
This, for all we know, could be an attempt |
00:28:59 |
So, if you don't mind, I'd like to go |
00:29:04 |
- Go. |
00:29:12 |
Hello. |
00:29:13 |
I'm Dai-Ryu. |
00:29:15 |
Sensei is waiting for you. |
00:29:20 |
I'm Dai-Ryu. Nayako sent me here. |
00:29:25 |
So you must be Travis-san. |
00:29:28 |
Please come this way. |
00:29:29 |
Thank you. |
00:29:33 |
So what is it that you want to know. |
00:29:36 |
From my Nayako I've heard a lot about you. |
00:29:39 |
She says you know a lot about the Yakuza. |
00:29:43 |
I try to keep a low profile. |
00:29:48 |
Check out Kuroda. |
00:29:50 |
Kuroda. |
00:29:51 |
Apparently, he made a pact with the Chinese |
00:29:55 |
It seems like if this Kuroda |
00:29:58 |
and a direct connection with Myanmar... |
00:30:02 |
maybe he can eat all the other families |
00:30:08 |
There is only one Yakuza player |
00:30:10 |
who is capable of defeating Kuroda, |
00:30:14 |
But Kojima's boss is too old, |
00:30:20 |
He doesn't care about the current turf war. |
00:30:23 |
This Kojima guy, |
00:30:26 |
get me a meeting with him? |
00:30:29 |
If you want. |
00:30:34 |
As long as I have total access to Burma... |
00:30:37 |
the Tongs are welcome to grow and prosper |
00:30:42 |
Together we win Japan. |
00:30:45 |
And eventually... |
00:30:48 |
America. |
00:30:54 |
Don't worry, it happens to the best of us. |
00:30:59 |
Go inside, kid. |
00:31:02 |
Are you ready to be a man? |
00:31:48 |
My behavior... |
00:31:50 |
at the street market was unforgivable. |
00:31:54 |
My shame is beyond what I can describe. |
00:31:57 |
Please accept this as a token... |
00:32:01 |
of my regret. |
00:32:40 |
You're crazy. |
00:32:42 |
Not at all. |
00:32:49 |
Thank you for coming. |
00:33:02 |
Clean it up. |
00:33:39 |
Travis, they serve hamburgers here? |
00:33:41 |
Stop talking shit. |
00:33:50 |
I'm just going to wait outside. |
00:33:52 |
You found yourself a new deshi. |
00:33:56 |
What's up, dog? |
00:33:59 |
Yeah, don't worry about it. |
00:34:07 |
May I? |
00:34:11 |
Yes, please. |
00:34:42 |
So you are Dai-Ryu san. |
00:34:45 |
Yes, some people call me that. |
00:34:49 |
So tell me your story. |
00:34:55 |
I've heard that people respect you |
00:35:04 |
I heard the same about you. |
00:35:08 |
Actually, we have other things in common. |
00:35:12 |
You want to get rid of Kuroda... |
00:35:17 |
...and I feel the same. |
00:35:34 |
Kuroda wishes |
00:35:36 |
Time to die. |
00:35:44 |
I have a good reason to kill Kuroda. |
00:35:50 |
Heroin trade? |
00:35:52 |
That's not all. |
00:35:58 |
Listen, I live as a Yakuza... |
00:36:01 |
...and I chose my destiny. |
00:36:04 |
I grew up in this city, in the chaos |
00:36:12 |
People were living in despair |
00:36:25 |
It was a tragedy. |
00:36:33 |
So, tell me about your boss in there. |
00:36:36 |
Boss? |
00:36:37 |
Yeah, your boss. Who you work for. |
00:36:40 |
- Boss? |
00:36:42 |
Now fifty years later, |
00:36:48 |
The younger Yakuza completely ignore |
00:36:55 |
These scumbags live for nothing but money. |
00:37:01 |
And, by aligning themselves |
00:37:05 |
they're becoming too powerful. |
00:37:13 |
I won't tolerate their existence. |
00:37:18 |
It'll be interesting to see |
00:37:26 |
That's right. It will be a contest between us. |
00:37:32 |
Thank you. |
00:37:35 |
Excuse me. |
00:37:46 |
Kuroda sends his love. |
00:38:13 |
Good morning, darling. |
00:38:15 |
Good morning, my darling. |
00:38:18 |
Here it is. |
00:38:19 |
But I can't do this, can I? |
00:38:21 |
No, you can't do this. |
00:38:23 |
It's just like it always is. |
00:38:26 |
You stay safe |
00:38:29 |
I understand. |
00:38:31 |
See you in a while. |
00:38:32 |
Okay. Bye. |
00:39:18 |
Sit. |
00:39:34 |
So, what's the problem? |
00:39:44 |
What is this? |
00:39:46 |
Some girl dropped it off. |
00:40:04 |
Kuroda, this is a warning... |
00:40:17 |
A mystery man sending me a letter... |
00:40:21 |
at your place. |
00:40:25 |
Strange. |
00:40:38 |
Hello? |
00:40:40 |
It's me. |
00:40:41 |
Keep an eye out for Kojima's men. |
00:40:44 |
Get ready. |
00:40:49 |
I'd like to stay. But I must go. |
00:40:52 |
I have other things to take care of. |
00:41:16 |
I'm sorry I asked you to come so suddenly. |
00:41:18 |
I just had some things |
00:41:22 |
I came as fast as I could. |
00:41:27 |
Let's sit here. |
00:41:29 |
I wanna talk to you. Come, sit. |
00:41:31 |
What is it? |
00:41:33 |
You know... |
00:41:35 |
I've never had the best luck with women. |
00:41:38 |
In fact, you could probably say... |
00:41:40 |
I haven't had any luck at all. |
00:41:45 |
But for the first time in my life... |
00:41:49 |
I found somebody that I really love. |
00:41:53 |
Is that a proposal? |
00:41:56 |
You can call it a proposal. |
00:41:57 |
Yes, I'm proposing to you. |
00:42:00 |
I am so pleased to hear that. |
00:42:05 |
So I guess that means yes. |
00:42:09 |
The only reason why I have |
00:42:15 |
I have been hiding my feeling from you. |
00:42:19 |
I'm very sorry... |
00:42:22 |
and all I can do is promise you a better life. |
00:42:26 |
One last piece of work, that's it, |
00:42:31 |
I'll go wherever you decide to go. |
00:42:36 |
Together, we'll find some place |
00:42:40 |
and lead a great life together. |
00:42:42 |
I'll go wherever you want. |
00:42:50 |
Promise? |
00:42:52 |
Promise me... |
00:42:54 |
...let's do Yubikiri vow. |
00:42:56 |
Yubikiri, this I vow. If you ever break it, |
00:43:03 |
Yubi-kitta! |
00:43:08 |
Hai. |
00:44:08 |
What can I do for you? |
00:44:10 |
I come to you on behalf of a friend |
00:44:14 |
I ask you as a favor |
00:44:16 |
from this incident's possible reprisal. |
00:44:19 |
Sit down, please. |
00:44:30 |
- Hi. |
00:44:32 |
You know the guy |
00:44:35 |
He's an American. |
00:44:37 |
The American at the street market? |
00:44:39 |
Yeah, he wants a truce. |
00:44:41 |
Sounds like a problem to me. |
00:44:43 |
That's what I think. |
00:44:45 |
He seems to want an answer right now. |
00:44:49 |
- Okay, take care of it. |
00:45:04 |
Chill! |
00:45:10 |
Turn it off. |
00:45:16 |
There is an American |
00:45:21 |
American? |
00:45:23 |
An American that grew up in Japan. |
00:45:28 |
He's been talking to Yakuza dinosaurs |
00:45:32 |
Apparently, he is a sword master. |
00:45:37 |
A sword master? |
00:45:41 |
Is everything okay with the governor's case? |
00:45:55 |
There are no sword fights |
00:45:57 |
But, it would be good |
00:46:01 |
Maybe from this American. |
00:46:21 |
A fight is won not by technique... |
00:46:26 |
...but by the most furious mind. |
00:46:40 |
Take it easy, boss. |
00:46:44 |
How about going to the club and relaxing? |
00:46:52 |
That sounds good. Let's pick up some girls. |
00:47:02 |
You two go, I need to think. |
00:47:11 |
Why do you think I've been sucking up |
00:47:17 |
I'm getting close... |
00:47:21 |
...so close to getting everything |
00:47:24 |
Now I have an American snooping around? |
00:47:30 |
I told you two to go! |
00:47:37 |
Let me introduce to you |
00:47:37 |
Let me introduce to you |
00:47:43 |
Check out her fishnet stockings. |
00:48:15 |
Travis, do you know this man? |
00:48:16 |
Yes, I do. |
00:48:18 |
Travis, sorry for interrupting you. |
00:48:26 |
It's kind of a sudden visit, isn't it? |
00:48:29 |
Watch yourself. |
00:48:31 |
You've been asking a lot of questions |
00:48:34 |
Now... |
00:48:37 |
the street is starting |
00:48:42 |
Thanks for the warning. |
00:48:44 |
There is an abandoned hotel |
00:48:49 |
We monitored it for the last few weeks. |
00:48:53 |
Kuroda's assassins are living |
00:48:56 |
It may be a place of interest to you. |
00:48:59 |
Thank you for that intel, |
00:49:09 |
Is that a croissant on your head? |
00:49:15 |
- How are you? |
00:49:19 |
Everything's going good here? |
00:49:22 |
I bought this for you. |
00:49:26 |
It's a beautiful antique, |
00:49:29 |
Geishas have used this... |
00:49:30 |
and I thought of you |
00:49:34 |
It's beautiful... |
00:49:37 |
...thank you. |
00:49:38 |
I will treasure it forever. |
00:49:40 |
Thank you. |
00:49:42 |
Here is a singing Robo-Cop. |
00:50:01 |
- Travis. |
00:50:04 |
I'm so sorry to bother you, |
00:50:07 |
I just got off the phone |
00:50:10 |
Turns out |
00:50:13 |
Skigi, something like that. |
00:50:16 |
But all that background noise |
00:50:21 |
It would have been nice |
00:50:25 |
I'm in the middle of something. |
00:50:28 |
Sorry about that. |
00:50:32 |
I'm gonna give you one more chance. |
00:50:34 |
You go over there to the fish market... |
00:50:36 |
do some surveillance, take some pictures... |
00:50:39 |
long-lens, remote stuff. |
00:50:43 |
- call me. |
00:50:45 |
And no more ADs. |
00:50:48 |
Nice to meet you. |
00:50:53 |
He's young, you know. |
00:51:11 |
"Do some remote stuff with a long-lens... |
00:51:14 |
"take some pictures at the fish market." |
00:51:17 |
What does he think I am, a rookie? |
00:51:19 |
I hate this shit. |
00:53:22 |
No guns. Put the guns away. |
00:53:26 |
- Hands up. |
00:53:28 |
I'm an inspector. Move over here. |
00:53:32 |
Come on, move over here. Back the fuck up. |
00:53:35 |
Chill, surfer dude! |
00:53:36 |
I don't speak your language, motherfucker. |
00:53:41 |
You're in a lot of trouble. Big trouble. |
00:53:43 |
I gotta report to my boss |
00:53:45 |
- You are dead. |
00:53:48 |
I don't exist. All right? |
00:53:51 |
It's a show time. |
00:54:57 |
Taxi! |
00:55:29 |
I'm on to something here. |
00:55:32 |
I found where the tape was made. |
00:55:35 |
And get this, I found a finger... |
00:55:38 |
a severed pinkie finger |
00:55:40 |
I told you, "Do not go in there." |
00:55:43 |
I told you "remote surveillance." |
00:55:45 |
You know what remote surveillance means? |
00:55:48 |
If you get yourself killed on my watch, |
00:55:51 |
The battery's dying. |
00:55:53 |
I found a piece of paper with an address. |
00:55:56 |
It's like an invoice or something. |
00:56:07 |
Where's he going? |
00:56:08 |
If I didn't know any better, |
00:56:59 |
Is he in an apartment building? |
00:57:01 |
Yeah. Our apartment building. |
00:57:04 |
How does he know she's there? |
00:57:13 |
You're not as sharp as you used to be. |
00:57:17 |
Sharp enough for you. |
00:57:22 |
You'd have kind of disappointed me |
00:57:25 |
That's never gonna happen. |
00:57:28 |
You think? |
00:57:31 |
I like you much better like this. |
00:57:34 |
I like the delivery boy myself. |
00:57:37 |
The delivery boy was good. |
00:57:41 |
Why is Block having me |
00:57:44 |
United States government is always |
00:57:48 |
that could maybe bring income |
00:57:55 |
Why don't I go put on |
00:57:58 |
and then we'll go to the office? |
00:58:03 |
And don't look at my ass. |
00:58:27 |
Do you like takoyaki? |
00:58:30 |
Let's go for a little drive. |
00:58:35 |
Open the fucking door. |
00:58:45 |
- What the fuck do you want? |
00:58:49 |
Mr. FBI? |
00:58:54 |
Are you looking for this? |
00:59:03 |
Fuck you. |
00:59:07 |
All right. Easy. |
00:59:09 |
Let's all take it easy here. |
00:59:13 |
What the fuck are you looking at, smiley? |
00:59:17 |
- Who, me? |
00:59:21 |
Fuck me? |
00:59:35 |
Come on. |
00:59:48 |
Fuck me? |
00:59:55 |
Chen, are you crazy? |
00:59:58 |
Yeah, I'm crazy. |
01:00:04 |
Come on. |
01:00:13 |
My guess is the Governor's assassination |
01:00:16 |
to divert attention from him. |
01:00:18 |
What's this all about? |
01:00:19 |
This gives him a major alliance |
01:00:22 |
so that they could get a direct link |
01:00:26 |
This is Kuroda's renovated temple |
01:00:33 |
No one's seen the kid. |
01:00:35 |
That's because you had no surveillance |
01:00:38 |
He ain't around, and he's assigned to you. |
01:00:40 |
He's still working for me. |
01:00:42 |
and photographs. He'll be fine. |
01:00:44 |
That's fine. In the meantime... |
01:00:45 |
will you please tell me |
01:00:48 |
- I'm working on that. |
01:01:12 |
Kojima, this is a friend. Kuroda will kill you. |
01:01:18 |
Who's this? |
01:01:19 |
Listen to me, time is running out. |
01:01:52 |
Travis, thank you for telling me. |
01:01:57 |
That's what I thought. |
01:02:01 |
Thank you. |
01:02:29 |
Get the door. |
01:03:01 |
I can't put up |
01:03:05 |
We've already lost five people this month. |
01:03:09 |
We are in danger |
01:03:14 |
That bastard's involvement |
01:03:31 |
Boss, we are on the verge |
01:03:36 |
I strongly request your consent. |
01:03:40 |
For 60 years, I've been through hell |
01:03:49 |
On the verge of survival? |
01:03:52 |
We've been there before. |
01:03:58 |
Boss, Kuroda conspires with the Chinese |
01:04:03 |
and parades around |
01:04:11 |
With his staggering success, |
01:04:21 |
We have to take action before it's too late. |
01:04:26 |
Boss! |
01:04:44 |
Kojima says goodbye. |
01:05:02 |
Holy cow. |
01:05:18 |
What the hell? |
01:05:20 |
Call Kuroda. |
01:05:38 |
Some happened here. |
01:05:40 |
They've all been killed... by sword. |
01:05:44 |
It looks like Kojima's work. |
01:05:46 |
This cannot go unpunished. |
01:05:52 |
We start at the top with Ishikawa. |
01:06:02 |
That bastard, Kojima. |
01:06:15 |
Relax. |
01:06:18 |
Trust me. |
01:06:20 |
Trust you? |
01:06:22 |
Why? You got me into this shit. |
01:06:29 |
You broke the agent's neck. |
01:06:33 |
Are you prepared to take of the American |
01:06:39 |
Yes. |
01:06:42 |
Fuck you! |
01:07:27 |
Yo, Bonsai fart. |
01:07:30 |
What is it? |
01:07:42 |
Time to go. |
01:07:57 |
The reason why I came here is to inform you |
01:07:59 |
my American friend |
01:08:08 |
Alright. |
01:08:18 |
You have woken the sleeping giant. |
01:08:25 |
No, I promise. |
01:08:31 |
You fucking liar. |
01:08:37 |
Get up all of you. |
01:08:38 |
Go, get out! |
01:08:47 |
Do you want to swing by |
01:08:56 |
Yeah, that's a good idea. |
01:09:09 |
Hey, Travis. |
01:09:42 |
Welcome to Fusion. |
01:09:44 |
Please have a seat. Please. |
01:09:53 |
You haven't forgotten about us, have you? |
01:09:56 |
What are you talking about? You are |
01:10:24 |
Why are you so nervous? |
01:10:29 |
Hurry up and get our drinks. |
01:10:32 |
Would you excuse me? |
01:10:36 |
Bring drinks for this table. |
01:10:43 |
Hi, Fudomyo-O. These are Tongs. |
01:10:44 |
I don't want to put you in the middle... |
01:10:46 |
but when I signal you, |
01:10:48 |
Mei Ling, you set up the meeting. |
01:11:07 |
In the back. |
01:12:43 |
How did it go? |
01:12:47 |
Good job. |
01:13:05 |
- What are you doing here? |
01:13:36 |
Why did you come here? |
01:13:37 |
You should show him more respect. |
01:13:42 |
I have no problem with the Yakuza |
01:13:45 |
but I thought it'd be better |
01:13:49 |
- But I'll leave that up to you. |
01:13:52 |
We have Nayako. |
01:13:55 |
Really? |
01:13:57 |
If you have her, for your sake... |
01:14:00 |
I hope she's okay. |
01:15:19 |
We found Nayako. She's dead. |
01:15:30 |
Listen, I'm going after Kuroda tonight. |
01:15:40 |
If you feel the same as I do, |
01:15:43 |
Otherwise, I will understand. |
01:15:46 |
Nayako was a close friend of mine. |
01:15:49 |
When I lost my family, |
01:15:54 |
What about your search for the men |
01:16:02 |
I know who killed my family. |
01:16:09 |
Kuroda. |
01:16:14 |
No one is fiercer than someone |
01:16:23 |
What about her? |
01:16:27 |
I can't have her death on my conscience. |
01:16:38 |
This one is so sharp. |
01:16:42 |
I'll have to use this tonight. |
01:16:46 |
This kills very well. |
01:17:01 |
Okay, find Travis. |
01:17:02 |
Using PLER to locate the asset. |
01:17:06 |
Come on. |
01:17:07 |
He's in a car. |
01:17:09 |
- Where now? |
01:17:24 |
I see, alright. |
01:17:30 |
Chen is dead. |
01:17:34 |
- You ready? |
01:18:04 |
To my American bitch. |
01:18:11 |
Time to kill the American. |
01:18:38 |
Why don't we sneak in the back? |
01:18:39 |
'Cause I'm not in the mood for surprises. |
01:18:42 |
I'm going right in the goddamn front door. |
01:19:36 |
What the fuck are you doing here? |
01:19:39 |
I'm just visiting the temple to pray. |
01:19:44 |
Bring it on! |
01:19:52 |
Are you the one... |
01:19:54 |
...who killed Nayako? |
01:20:01 |
You are dead. |
01:20:06 |
Don't fuck with the Japanese, dude! |
01:20:08 |
I shall beat you to death. |
01:20:20 |
See you in hell. |
01:20:51 |
Idiot! I told you not to come. |
01:20:54 |
Do you want to die that badly? |
01:20:57 |
I swore to fight with you |
01:21:03 |
Hey... Thanks. |
01:21:28 |
Yo, punk. |
01:21:29 |
Who are you? |
01:21:30 |
Bring it on! |
01:21:31 |
What is this? |
01:21:32 |
Sushi. |
01:21:34 |
You guys really eat this crap? |
01:21:38 |
Are these your chopsticks? |
01:22:05 |
Now, she is too hot to kill... |
01:22:11 |
I've come to kill you. |
01:22:16 |
I couldn't sleep well, |
01:22:20 |
Take your sword. |
01:22:24 |
Yeah, right! |
01:22:47 |
I want you. |
01:22:57 |
You're turning me on, girl. |
01:23:10 |
Kiss me, please. |
01:23:28 |
You son of a bitch. |
01:23:32 |
Oh, too bad, no revenge. |
01:23:49 |
Now watch this. |
01:24:07 |
You alright? |
01:24:11 |
I just got a new tattoo. |
01:24:14 |
Finish him! |
01:24:20 |
Looking for your friend? |
01:24:25 |
Why are you hiding in here? |
01:24:30 |
You're making me laugh, my American bitch. |
01:24:32 |
Fuck you! |
01:24:34 |
What the fuck is an American doing, |
01:24:37 |
You piece of shit. |
01:24:39 |
Get your ass out of here. |
01:24:42 |
You're living in the fucking past. |
01:24:49 |
Alright, let's do it. |
01:25:02 |
Fuck you. |
01:25:10 |
Come and get it! |
01:25:57 |
Don't fuck with me. |
01:26:21 |
Let's go home. |
01:27:31 |
All right, tell me exactly what he did. |
01:27:33 |
By the looks of this place, it looks like |
01:27:36 |
You know what to do. Fast and beautiful. |
01:27:39 |
I'll handle it. |
01:27:57 |
All right, let's move out. |
01:28:06 |
You got the gear. I'll take the right. |
01:28:08 |
In here. |
01:28:11 |
Start cleaning up. |
01:28:30 |
I am pleased to announce to Mr. Kojima... |
01:28:33 |
...once you drink down the sake... |
01:28:38 |
...you'll officially become the new Godfather |
01:28:42 |
When you are ready, |
01:29:27 |
I would like to close the ritual |
01:30:21 |
No DNA. Very clever. |
01:30:26 |
Really nice job. |
01:30:34 |
- What's this? |
01:30:52 |
"Block, put this shield in the shadow box... |
01:30:56 |
"and tell his parents |
01:31:02 |
"Travis." |
01:31:50 |
Yeah, talk to me. |
01:31:52 |
Travis? Guess who. |