Intolerable Cruelty
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# I am just a poor boy # |
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# Though my story's seldom told # |
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# I have squandered my resistance # |
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# For a pocketful of mumbles # |
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# Such are promises # |
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# All lies and jest # |
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# Still, a man hears |
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# Just a come-on from those gals # |
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# On Seventh Avenue # |
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# I do declare # |
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# There were times |
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# That I took |
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# La-la-la, la-la-la-la ## |
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Bonnie? |
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Who is it? |
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Donovan? |
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Bonnie? |
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Donovan? |
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In here.! |
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Yes? Donovan. |
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Yeah. The production meeting |
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Here? |
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Who owns that piece-of-shit van |
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Oh... |
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It's just a guy, you know, going door-to-door |
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So why did he lock himself in the den? |
00:03:07 |
Well, he... |
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Oh, God. |
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- Remember my friend Ollie? |
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Short, cretinous wanker? |
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Ohh. Ollie's in there? |
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- Yes. |
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Well, I'm glad he finally |
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I'd always picked him as some sort of |
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So, he's selling |
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Well, this is the neighborhood for that. Just |
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It's quite a coincidence, |
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and you two |
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Donovan, please, let's just all talk... |
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Donovan? How you doin', man? |
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Good day, Ollie. |
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I... can't complain, man. |
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Excellent. |
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Well, let's get right down |
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We'll take a couple vacuum hoses. |
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Wait a minute, darling. |
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Okay, okay, man. Now, let's be |
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So, you caught me porkin'... |
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havin'relations |
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Oh, God. |
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and now we're all feelin' just a little bit |
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What the hey, man. |
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I mean, I know it's a drag and all, |
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Hey! Hey, hey. |
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Uh, w-we... we... |
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I was depressed 'cause |
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Unable to achieve an erection. |
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I have been for over |
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and I needed someone to talk to. |
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I mean, think about it, man. |
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Leave him alone! |
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- You should've seen this coming, you Australian piece of shit! |
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That's my Daytime Television |
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Cheesy bastard! |
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You whore.! |
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Oh, Christ! |
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Okay. |
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All right, you want fun and games? |
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I'll give you fun and games. |
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Explain this away. |
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# Li-la-li # |
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Aaah! Ollie! |
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That's my Jag.! That's my Jag.! |
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# Li-la-li-li, li-la-li # |
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# Li-la-li-li-li # |
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Bitch! Bitch! |
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Bye-bye, baby! |
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Oh, what are you looking at? |
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Explain this away, darling. |
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# We're caught in a trap # |
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# I can't walk out # |
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# Because I love you |
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# Why can't you see # |
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# What you're doin'to me # |
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# When you don't believe # |
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# A word I say # |
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# We can't go on together # |
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# With suspicious minds # |
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#Suspicious minds # |
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#And we can't build our dreams # |
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# On suspicious minds # |
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#So if an old friend I know # |
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#Drops by to say hello # |
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# Would I still see suspicion # |
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#In your eyes # |
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#But here we go again # |
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#Askin' where I been # |
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# You can't see the tears are real # |
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#I'm cryin'# |
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# Yes, I'm cryin'# |
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# We can't go on together # |
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# With suspicious minds # |
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# Suspicious minds # |
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# And we can't build our dreams # |
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# On suspicious minds # |
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# Oh, let our love survive # |
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# I'll dry the tears from your eyes # |
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# Let's don't let a good thing die # |
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# When, honey, you know # |
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# I have never # |
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# Lied to you # |
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# Mm-mmm # |
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# Yeah, yeah # |
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# We're caught in a trap # |
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# I can't walk out # |
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# Oooh # |
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# Too much, baby # # |
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Miles Massey's office. |
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Yeah, quite a few. Where are you? |
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Jim says he wants a meeting today, if possible. |
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Chapman says his wife |
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Tell Amstedler |
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get Wrigley to look up Oliphant v. Oliphant, |
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for its relevance |
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Oliphant v. Oliphant, relevance to Chapman... |
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That's right. |
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She's on some kind of cruise. |
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Yeah, well, if the cruise goes all the way around |
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Tell Wrigley to prepare a filing to attach. |
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What do you want in it? |
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Primary residence, beach house, ski cabin, |
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Everything. |
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Uh-huh. |
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And tell Fred Armatrading that we finally |
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Oh, and get a fruit and pastry basket in the conference |
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Where are you? |
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Your 9:00 is here. |
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Bonnie Donaly. |
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Mrs. Donaly. |
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Hmm. |
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Mm-hmm. |
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Hmm. |
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Yes, your husband did show remarkable |
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and, yes, |
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the presence of a pool man |
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But, madam, |
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Let me suggest to you |
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Your husband, on a prior occasion, |
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I think that word is not inappropriate. |
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Let me finish, please. |
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I'm not concerned |
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Your husband, who had beaten you repeatedly... |
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Please... repeatedly, was at the time |
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- It was his gun. |
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Trying, in his rage, |
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a friend of long standing. |
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They never really cared |
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And if not for your |
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his tantrum might have ended this |
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As for the sexual indiscretion |
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wasn't it in fact he... |
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No? |
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Were his sexual... No. |
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Sorry. I'm not omniscient. |
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The point is that he acted upon an |
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and I take it you deny. |
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- Well... |
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It's imperative that I meet with Oliver Olerud |
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so that I can massage the kinks |
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Do you really think |
00:11:01 |
The truth is so self-evident |
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that I'm sure I'll be able to make it |
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should your husband |
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We'll need to caucus again to draw up |
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A map of enemy territory, |
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You said he's a television producer? |
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It's a silly show. |
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Well, it'll be yours soon. |
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Thank you very much. |
00:11:25 |
Thank you, Mr. Massey. |
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Still, you have to admire him |
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Now, Mrs. Gutman, |
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you testified that you were |
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for 36 years during |
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Except for two years when he was |
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And before your marriage, |
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I was a hostess for Braniff Airlines. |
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And what is your husband's profession? |
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He manufactures staples |
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He's very successful. |
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How would you describe |
00:12:04 |
Well, at first he was |
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But then he became |
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on toys and machinery |
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I can't help it. |
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It just happens. |
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It's a midlife crisis. |
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Look, get yourself a new car. |
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I have a new car. |
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I have two new cars and a tab |
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Torn the house down |
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rebuilt |
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got three of those, uh... |
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Gardeners? Gardeners. I've |
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These encounters |
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Sometimes |
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A gizmo? |
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He had a device he |
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It was something he had |
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And then he had a prototype built |
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I see. |
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So the vacuum cleaner wasn't available |
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Several months without the appliance. |
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The problem is, everyone is |
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That's the problem with the institution of marriage. |
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Even through its dissolution. |
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Mrs. Gutman here, |
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concerning her husband's |
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Naturally, |
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And then the entire process |
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based on the skill |
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Then both parties will go home with |
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That's life. |
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That's not life. |
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Struggle and challenge and ultimate destruction |
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Let me ask you something. |
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Attila the Hun. |
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Thank you, Mrs. Gutman. Ivan the Terrible. |
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Mr. Massey, any questions? |
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Middle name. No. They didn't |
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Mr. Massey? |
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Mr. Massey, again I ask, |
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have you any questions |
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I'm sorry, Your Honor. I was |
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Now, Mrs. Gutman, |
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do you know a man |
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Well, he's the tennis pro at the club. |
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The tennis pro? |
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Then why are your letters addressed to him, |
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Whoo! Whoo! |
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Go, Rexie! |
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Go, Rexie baby! |
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Whoo-hoo.! |
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Whoo! |
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Rexie! |
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Cabin seven. |
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Choo-choo! |
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Whoo-whoo-whoo! |
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Choo-choo! |
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Choo-choo. |
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Choo-choo! |
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Choo-choo. |
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- Choo-choo. |
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Choo-choo. |
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- Choo-choo! |
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Choo-choo! |
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Ahh! Oh! Choo! |
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Yeah! |
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I'm gon' nail yo' ass! |
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Oh, I'm gon' nail yo' ass! |
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I'm gon' nail yo' ass! |
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I'm gon'nail ya.! |
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I'm gon'nail yo'ass.! |
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Hold it.! |
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Yeah.! Yeah.! |
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A silly misunderstanding... Mm-hmm. |
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Mm-hmm, yeah, I'm gon' nail yo' ass! |
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I'm gon'nail yo' ass! |
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Yep, I nailed his ass. |
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I thought he'd outgrown trains. |
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They never grow up, lady. |
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How charming. An aphorist. |
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Oh, yeah, I've always |
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But believe you me, it's all muscle. |
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I'm not one of these cream puff, |
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I'm an ass-nailer. |
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Gym four times a week... |
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LifeCycle, LifeStep, LifeCircuit. |
00:16:57 |
Gus Petch don't pussyfoot around. |
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I must say, for someone in your line of work, |
00:17:04 |
You want tact, call a tactician. You |
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Christ, you seem to be |
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I seen 'em come in here, weep and |
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Like they hired me to prove |
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Don't get me wrong, Mr., um... |
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Gus Petch. |
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Whilst I don't find this terribly amusing, |
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This is going to be |
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independence and freedom. |
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Sounds like to me |
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Honey? Honey! |
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Rex, get away from the door. |
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Honey? |
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My key doesn't work. |
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Can we talk about this? |
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Rex, get away |
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Oh, look, I know |
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Rex, for your own safety, |
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I don't like having |
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Oh, for crying out loud, |
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Yes, dogs. |
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I wanted some security |
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Look, Marylin, can't we have a civilized discussion about this? |
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Aaah! |
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You have a discovery hearing at 5.30 |
00:18:37 |
Discovery? Gopnick? |
00:18:39 |
He read your article about palimony settlements... |
00:18:41 |
in same-sex partnerships... |
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and would like to schedule an appointment. |
00:18:45 |
Arthur Yardumian and his tax attorney want to |
00:18:48 |
Yardumian? Arthur had to fly to |
00:18:51 |
Atlanta? And your 10:30 is here. |
00:18:55 |
- Rex Rexroth? |
00:19:01 |
Mr. Rexroth. |
00:19:03 |
Uh, call me Rex. |
00:19:04 |
Miles Massey. |
00:19:07 |
Consider this office your office, your haven, |
00:19:12 |
Thank you. |
00:19:14 |
Now, sir... |
00:19:16 |
tell me your troubles. |
00:19:18 |
Well... |
00:19:20 |
my wife has me between a |
00:19:23 |
That's her job. |
00:19:25 |
When I first met Marylin, |
00:19:29 |
Not emotionally, of course. |
00:19:32 |
But then... |
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Time marches on. |
00:19:38 |
- Ardor cools. |
00:19:40 |
So, um, we had an understanding. |
00:19:44 |
Whereby? |
00:19:47 |
Has Mrs. Rexroth pursued the opportunities |
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Uh, I can... I can only assume... |
00:19:54 |
Not in court, you can't. |
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- Has she retained counsel? |
00:19:59 |
- She has rottweilers. |
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And have you yourself exploited |
00:20:07 |
There's a lady. |
00:20:09 |
A- Ayoung lady. |
00:20:11 |
She lets me be myself. |
00:20:13 |
And your wife is aware |
00:20:17 |
- Video. |
00:20:20 |
To cut to the chase, |
00:20:23 |
is there a prenup? |
00:20:30 |
"The fault, dear Brutus, lies not |
00:20:34 |
Let me ask you this... |
00:20:38 |
What are, for you, |
00:20:41 |
Well, that's the problem. |
00:20:43 |
I can't afford to give her anything. |
00:20:48 |
Nothing? |
00:20:50 |
Yeah, I know that sounds |
00:20:53 |
I'm about to close a deal |
00:20:56 |
I'm mortgaged up to my heinie. |
00:20:58 |
If this deal goes south, I am ruined. |
00:21:00 |
So you propose... |
00:21:03 |
that, in spite of demonstrable |
00:21:06 |
your unoffending wife should be |
00:21:10 |
Well, is that possible? |
00:21:18 |
It's a challenge. |
00:21:20 |
Why don't you come out to Malibu |
00:21:23 |
I didn't know Dmitri |
00:21:26 |
Neither did I until my lawyer found it. |
00:21:29 |
He had it in the dog's name. |
00:21:31 |
Well, tomorrow won't work. |
00:21:33 |
How's Wednesday? |
00:21:35 |
Afternoon? Shrink. |
00:21:37 |
I'm having facial injections. |
00:21:40 |
- Botox? |
00:21:43 |
Does that really work? |
00:21:45 |
Hello, darlings. |
00:21:48 |
Mwah! |
00:21:50 |
So, you and Rex are... |
00:21:52 |
Well, as my private investigator put it, |
00:21:57 |
I've been trying to nail George's |
00:22:01 |
Oh.! Oh.! |
00:22:04 |
Are you all right, Claire? |
00:22:06 |
Down the wrong pipe. |
00:22:08 |
- So, who's your lawyer? |
00:22:11 |
I have an appointment this afternoon |
00:22:15 |
So, who's Rex's guy? |
00:22:17 |
Miles Massey? |
00:22:20 |
Do you know him? |
00:22:22 |
And, Marylin, he's no schnauzer. |
00:22:24 |
He got Phyllis Rumsey that cute |
00:22:27 |
George was so impressed, he hired him |
00:22:30 |
- Muriel Rumsey. |
00:22:33 |
Now? |
00:22:36 |
But, Marylin, |
00:22:40 |
Thorstenson Gieselensen. |
00:22:42 |
He just separated from his third. |
00:22:44 |
He is fish. |
00:22:46 |
Ladies, I'm not seeing anyone |
00:22:49 |
But, Marylin, |
00:22:52 |
Sarah, one husband at a time. |
00:22:57 |
I'll do the talking. |
00:22:58 |
I know you'll be tempted to chime in, but remember |
00:23:03 |
I'm the professional. |
00:23:06 |
Okay. |
00:23:07 |
Freddy. |
00:23:11 |
Freddy Bender, |
00:23:14 |
And you are |
00:23:16 |
Please, Ms. Rexroth. |
00:23:18 |
And you must be Mr. Massey. |
00:23:20 |
Please, Miles. Sit. |
00:23:22 |
Sit down. |
00:23:24 |
Freddy, I was sorry to hear |
00:23:28 |
Pastry? |
00:23:30 |
We did very well. |
00:23:34 |
Not to worry, Mrs. Rexroth. |
00:23:37 |
I'm sure Freddy's just too modest to tell you |
00:23:40 |
Pastry? |
00:23:42 |
Don't try to bait me, Miles. |
00:23:45 |
If you have a proposal to make, |
00:23:47 |
Well, at this point my client is still |
00:23:52 |
My client's ruled that out. |
00:23:54 |
My client is prepared to entertain an amicable |
00:23:58 |
That's a fart in a stiff wind. |
00:24:00 |
My client proposes |
00:24:02 |
My client feels |
00:24:05 |
My client asks that you not initiate proceedings |
00:24:11 |
What's so goddamn funny? |
00:24:13 |
Please, let me handle this. |
00:24:15 |
All right, so much for the |
00:24:19 |
My client is prepared to settle |
00:24:23 |
Why only 50, Freddy? |
00:24:27 |
While we're dreaming, |
00:24:30 |
- Are you familiar with Kershner? |
00:24:31 |
Bring this to trial, |
00:24:33 |
What's Kershner? |
00:24:35 |
- Kershner was in Kentucky. |
00:24:38 |
- Kershner was in Kentucky. |
00:24:41 |
Primary residence, |
00:24:43 |
What, are you nuts? |
00:24:47 |
Freddy, it's a negotiation. |
00:24:50 |
See you at the preliminary. |
00:24:52 |
Freddy, we're all friends here. |
00:24:54 |
It's a negotiation. Hey, uh... |
00:24:57 |
Freddy! |
00:24:59 |
Fine. We'll eat the pastry. |
00:25:10 |
I thought that went well. |
00:25:12 |
# Don't cry out loud # |
00:25:15 |
Oh, yeah. |
00:25:17 |
Gus, you outdid yourself. |
00:25:19 |
Mm-hmm. |
00:25:21 |
Mm-hmm, that's cool. |
00:25:23 |
Let's go back |
00:25:25 |
Oh, kiss my ass, now. It's halftime, man. |
00:25:28 |
I'm'bout to nail his ass |
00:25:30 |
Gussy, go back to the Rabinowitz tape again. |
00:25:33 |
Hold on, now. Here come the good part. |
00:25:36 |
Oh, yeah. Come on, come on, come on. |
00:25:39 |
Gus? |
00:25:41 |
It's Miles Massey. |
00:25:43 |
It's about a job tonight.! |
00:25:45 |
Goddamn it. |
00:25:47 |
Aah! Aah! Did you see that? |
00:26:04 |
Here we are. |
00:26:07 |
Ms. Rexroth, I am so delighted |
00:26:11 |
Well, I must admit |
00:26:13 |
Something to start? |
00:26:18 |
Red? |
00:26:19 |
Bordeaux? |
00:26:21 |
'57? |
00:26:23 |
'54. |
00:26:24 |
Mmm, Mr. Massey. |
00:26:27 |
Your husband had told me you were the most |
00:26:32 |
I didn't expect the most beautiful woman |
00:26:36 |
"Dismiss your vows, |
00:26:40 |
for where a heart is hard |
00:26:45 |
"Whoever loved that loved |
00:26:49 |
Now, you didn't ask me here |
00:26:52 |
You could be disbarred for that. |
00:26:54 |
Maybe I'm reckless. |
00:26:56 |
What was your performance about this afternoon? |
00:26:59 |
Oh, Freddy thinks you're a buffoon. |
00:27:01 |
He says |
00:27:03 |
you're bored, complacent, |
00:27:07 |
But you don't think so. |
00:27:09 |
Why would you be here? |
00:27:11 |
Can't I be curious? |
00:27:12 |
Do you ever answer questions? |
00:27:14 |
I'll have the tournedoes of beef. |
00:27:17 |
Thank you, sir. |
00:27:19 |
I assume you're a carnivore. |
00:27:21 |
Oh, Mr. Massey, you have no idea. |
00:27:25 |
Miles, please. |
00:27:27 |
Tell me more about yourself. |
00:27:29 |
All right, Miles. |
00:27:32 |
Let me tell you |
00:27:35 |
You may think you're tough, |
00:27:38 |
I've invested five good years |
00:27:41 |
and I've nailed his ass |
00:27:44 |
Now I'm going to have it |
00:27:47 |
and have my lady friends come over |
00:27:49 |
Man-hater, huh? |
00:27:52 |
People don't go on safaris |
00:27:55 |
So it's just for the hunt, |
00:27:58 |
No. Nothing so frivolous. |
00:28:02 |
This divorce means money. |
00:28:04 |
Money means independence. |
00:28:06 |
That's what I'm after. |
00:28:09 |
What are you after, Miles? |
00:28:11 |
Well, I'm a lot like you. |
00:28:13 |
Just looking for |
00:28:18 |
Well, don't look at mine. |
00:28:30 |
Yeah. |
00:28:36 |
Oy vey. |
00:28:58 |
I got ya. See this? |
00:29:16 |
Yeah? |
00:29:17 |
Uh, I'll just have |
00:29:21 |
Um, baby field greens. |
00:29:23 |
What did you call me? |
00:29:26 |
Uh, no, I-I... |
00:29:30 |
You want a salad? |
00:29:33 |
What the fuck color |
00:29:36 |
Why are we eating here? |
00:29:38 |
What's his problem? |
00:29:39 |
Just bring him an iceberg lettuce and a mealy |
00:29:45 |
- And for you? |
00:29:49 |
- Slaw cup? |
00:29:51 |
Hello, Marge. |
00:29:53 |
I'm all right. |
00:29:56 |
Okay, now, I Minoxed |
00:29:59 |
Don't call me anymore |
00:30:02 |
I shoot action. |
00:30:04 |
Thank you, Gus. |
00:30:06 |
And those rottweilers |
00:30:09 |
I told you she had dogs. |
00:30:11 |
Yeah. You ain't tell me |
00:30:13 |
Gus, did you see any evidence, |
00:30:16 |
any telltale signs... |
00:30:18 |
of indiscretion on the |
00:30:21 |
What are you talkin"bout, |
00:30:24 |
Look, I see an ass, I nail it. |
00:30:27 |
I don't sneak around |
00:30:29 |
Goddamn it, |
00:30:31 |
Couldn't you |
00:30:33 |
No, I don't think so. |
00:30:36 |
You had a guy break into her house |
00:30:39 |
No, Wrigley, I happened |
00:30:42 |
that I was interested in her address book... |
00:30:45 |
I also happened to let him know that I was |
00:30:48 |
That's not a crime either. |
00:30:50 |
No, I don't see myself |
00:30:53 |
You, on the other hand, |
00:30:55 |
for developing and examining these photos |
00:30:58 |
but that doesn't |
00:31:01 |
Right. |
00:31:03 |
Who are you looking for? |
00:31:06 |
Tenzing Norgay. |
00:31:07 |
That's someone she slept with. |
00:31:09 |
I doubt it. Tenzing Norgay was the Sherpa that |
00:31:14 |
And Marylin knows him. |
00:31:16 |
No, you idiot. Not the Tenzing Norgay. |
00:31:21 |
I'm not sure |
00:31:23 |
Few great accomplishments are achieved |
00:31:26 |
Most have their Norgays. |
00:31:28 |
Marylin Rexroth is even now |
00:31:31 |
I wanna find her Norgay. |
00:31:33 |
But how do you determine |
00:31:36 |
How do you spot a Norgay? |
00:31:38 |
You start with the people |
00:31:41 |
Oyez, oyez. Family Court of the Fifth District |
00:31:44 |
The Honorable Marva Munson presiding. |
00:31:54 |
Have you sat before her before? |
00:31:56 |
No. No, the judge sits first. |
00:31:59 |
Well, have you sat |
00:32:01 |
Sat after her before? |
00:32:04 |
The judge sits in judgment. |
00:32:08 |
So, have you argued |
00:32:10 |
Before her before, or before she sat before? |
00:32:13 |
I said, before her before. |
00:32:16 |
I did at first, but... |
00:32:18 |
I'm not. I'm... No, you don't argue. |
00:32:19 |
Counsel argues. |
00:32:21 |
Thejudge sits. |
00:32:23 |
- Or you stand in contempt. |
00:32:25 |
The counsel argues. |
00:32:27 |
Which we've done before. |
00:32:29 |
But not before her. |
00:32:34 |
Rex. Sit. |
00:32:36 |
There it is! I got it! |
00:32:39 |
I'm gon' nail yo' ass! |
00:32:41 |
I'm gon' nail yo' ass! Yeah! |
00:32:44 |
Yeah, I'm gon' nail yo' ass! |
00:32:47 |
Get that thing off me! |
00:32:49 |
Yeah, I'm gon' nail yo' ass! |
00:32:51 |
I'm gon' nail yo' ass! |
00:33:05 |
Devastated. |
00:33:07 |
Simply devastated. |
00:33:10 |
Thank you, Mrs. Rexroth. |
00:33:15 |
Mr. Massey, any questions? |
00:33:46 |
"Dismiss your vows, |
00:33:47 |
"your feigned tears, your flattery, |
00:33:49 |
for where a heart is hard |
00:33:52 |
Mrs. Rexroth, do you know those lines? |
00:33:55 |
- Grounds? |
00:33:59 |
Let me rephrase. |
00:34:02 |
how high is that wall |
00:34:05 |
Your Honor, this is harassment, |
00:34:07 |
and, frankly, it's still |
00:34:11 |
- Rephrase. Mrs. Rexroth, have you ever been in love? |
00:34:13 |
Of course. |
00:34:16 |
With Rex. |
00:34:18 |
And you've always loved him? |
00:34:21 |
"Whoever loved |
00:34:24 |
So... |
00:34:29 |
So it's your sworn testimony |
00:34:33 |
since first you met? |
00:34:38 |
Yes. |
00:34:41 |
Thank you. |
00:34:43 |
No further questions, |
00:34:45 |
Who's next, Mr. Bender? |
00:34:47 |
- We rest, Your Honor. |
00:34:50 |
Your Honor, I call Heinz, |
00:34:54 |
Heinz, the Baron Krauss von Espy. |
00:34:57 |
Heinz, the Baron Krauss von Espy! |
00:35:00 |
Heinz, the Baron Krauss von Espy. |
00:35:02 |
Heinz, the Baron Krauss von Espy.! |
00:35:04 |
Problem? |
00:35:06 |
Heinz, the Baron Krauss von Espy.! |
00:35:30 |
Mr. Krauss, do you solemnly swear that... |
00:35:33 |
Mr. Krauss von Espy, |
00:35:35 |
Baron Krauss von Espy. |
00:35:37 |
solemnly swear that the testimony you are about to give shall |
00:35:40 |
so help you God? |
00:35:41 |
- Mais bien sûr. |
00:35:43 |
Mais bien sûr. |
00:35:46 |
The baron does not lie. |
00:35:49 |
Did you sleep with him? |
00:35:51 |
Don't be a fool. |
00:35:53 |
Shush, Elsbieta. |
00:35:58 |
Baron von Espy, |
00:36:00 |
Silly man. I am a baron. |
00:36:03 |
Yes, but do you not |
00:36:06 |
Paying job. |
00:36:08 |
Well, one has to live. |
00:36:10 |
I am the concierge |
00:36:13 |
at Bad-Gadesbourg |
00:36:16 |
And what does that job entail? |
00:36:18 |
I satisfy such requests |
00:36:22 |
Towels, ice, etcetera? |
00:36:25 |
We have bellmen for that. |
00:36:26 |
Such requests that, were you at home, |
00:36:30 |
but to your majordomo. |
00:36:32 |
Shush, poochy-chow. |
00:36:34 |
I see. Baron, do you |
00:36:36 |
Ah, cher Marylin. |
00:36:39 |
Look who is here. Hi! |
00:36:44 |
And she was a guest |
00:36:47 |
Oh, many times, |
00:36:50 |
for relaxing and making |
00:36:55 |
Mm-hmm. I am curious about |
00:36:58 |
January 1998. |
00:37:00 |
Can you remember any specific request |
00:37:03 |
- Yes, I can. |
00:37:08 |
She said that she required... |
00:37:11 |
a husband! |
00:37:15 |
Do you want some bones? Huh? |
00:37:18 |
Has anyone any bones? |
00:37:20 |
Does anyone have any bones? |
00:37:24 |
No, they are not candies. Milk-Bones. |
00:37:28 |
Uh, hard, uh... |
00:37:30 |
We'll attend to the dog later. |
00:37:33 |
Now, Baron... |
00:37:35 |
Where were we? |
00:37:39 |
"She said that |
00:37:42 |
"Oh, do you want some bones? |
00:37:44 |
"Does Elsbieta want some bones? |
00:37:46 |
Has anyone any bones? |
00:37:48 |
Right. |
00:37:50 |
Now, a husband. |
00:37:53 |
Did she specify what kind |
00:37:55 |
Stop him. |
00:37:57 |
- Grounds? |
00:38:01 |
It's not secondhand, Your Honor. |
00:38:04 |
- I'm going to allow it. |
00:38:07 |
She said she wanted |
00:38:10 |
She wanted to know the businesses and the wealths-s... |
00:38:15 |
Can I say this? |
00:38:20 |
And did she have |
00:38:23 |
- Objection, Your Honor. Inflammatory. |
00:38:26 |
- Is this a legal argument..."What's good for the gander?" |
00:38:29 |
Mr. Massey has a point there. |
00:38:32 |
Were there any other |
00:38:35 |
She "specificated" a silly man. |
00:38:38 |
Objection, Your Honor.! |
00:38:41 |
She 'specificated' a man who, |
00:38:44 |
would be easily duped |
00:38:46 |
Objection, Your Honor. |
00:38:49 |
She 'specificated'a man |
00:38:52 |
How you say? Aphilanderer whose affairs |
00:38:57 |
Objection, Your Honor! |
00:38:58 |
Finally, a man whom |
00:39:02 |
until such time |
00:39:05 |
We would say, "faire un coup |
00:39:08 |
You would say, |
00:39:10 |
- Your Honor, Objection! I-Irrelevant! |
00:39:13 |
Tell us, Baron... |
00:39:17 |
Sir, I am the concierge! |
00:39:19 |
And to whom did you introduce |
00:39:21 |
I introduced her... |
00:39:24 |
to that silly man. |
00:39:26 |
Your Honor, objection.! |
00:39:28 |
Let the record show that the baron |
00:39:31 |
I did it! It was I! |
00:39:33 |
I introduced her to that silly man! |
00:39:36 |
- You son of a bitch! |
00:39:40 |
Absolument! |
00:39:43 |
I just love trains! |
00:39:45 |
I love trains! |
00:39:47 |
I'm not sick.! |
00:39:50 |
No... |
00:39:53 |
Not the larynx! |
00:39:56 |
Objection, Your Honor! |
00:39:57 |
I'm going to allow it. |
00:40:02 |
Well, I think it stinks. |
00:40:03 |
They left you with nothing. |
00:40:05 |
Makes you wonder about |
00:40:08 |
like Rodney what's-his-name. |
00:40:10 |
They bought |
00:40:13 |
If I lied or cheated and |
00:40:15 |
then he shouldn't have to |
00:40:17 |
Well, that makes no sense. |
00:40:20 |
Oooh! |
00:40:22 |
Are you all right, Sarah? |
00:40:25 |
Yeah. Wh-What is it? |
00:40:27 |
Peptic ulcer. |
00:40:29 |
I have medication, but I can't take it |
00:40:34 |
You shouldn't be |
00:40:37 |
My goddamn husbands |
00:40:39 |
But a bottle of Bromo |
00:40:41 |
Yeah. |
00:40:43 |
It's a catch-22. |
00:40:45 |
I have to admit, |
00:40:49 |
I mean, do I need 46 rooms? |
00:40:51 |
You could see people. |
00:40:53 |
It's risky. Palimony. |
00:40:55 |
Son of a bitch Marvin Mitchelson. |
00:40:57 |
I'm telling you, honey, getting laid |
00:41:03 |
Maybe I shouldjust tear it all down, |
00:41:07 |
More landscaping. |
00:41:11 |
Well, with my money, |
00:41:15 |
Besides, I have you. |
00:41:17 |
It'll be fun... |
00:41:19 |
Well, thanks, Sarah, but I can't |
00:41:24 |
I'm going to marry again, |
00:41:26 |
nail the guy's ass good. |
00:41:29 |
And this time |
00:41:44 |
Knock knock. |
00:41:46 |
Excuse me. Mr. Donaly? |
00:41:48 |
Mr. Donaly? |
00:41:50 |
Mr. Donaly, excuse me. |
00:41:55 |
You are Donovan Donaly? |
00:41:57 |
I'm in a meeting. |
00:41:59 |
I need a name. |
00:42:06 |
And, of course, we will have to litigate. |
00:42:11 |
Naturally, the first concern |
00:42:13 |
is the welfare |
00:42:16 |
Nevertheless, we do question whether the |
00:42:20 |
are truly justified, |
00:42:22 |
Mr. Massey, |
00:42:27 |
Herb wants to see me? |
00:43:02 |
Fourteen summary judgments sought. |
00:43:07 |
Thirteen granted. |
00:43:11 |
Eighteen movements to void |
00:43:15 |
Eighteen granted. |
00:43:17 |
Twelve court days on |
00:43:22 |
320 billable hours paralegal services. |
00:43:29 |
680 billable... |
00:43:32 |
at full attorney rate. |
00:43:36 |
Eighty-five lunches charged. |
00:43:57 |
Counselor... |
00:44:00 |
you are the engine... |
00:44:02 |
that drives this firm. |
00:44:12 |
Mr. Massey? |
00:44:14 |
Please, no calls. |
00:44:16 |
I'm feeling... a little fragile. |
00:44:18 |
I'm sorry, Mr. Massey, but I felt certain you'd |
00:44:22 |
Marylin... Uh, uh, uh, w... |
00:44:25 |
She's here now. |
00:44:27 |
Is she armed? |
00:44:40 |
Marylin. |
00:44:42 |
How nice of you to... |
00:44:44 |
Marylin? |
00:44:46 |
Shame on you. |
00:44:49 |
Marylin. |
00:44:51 |
What a lovely surprise. |
00:44:54 |
Marylin, what a pl... |
00:44:56 |
- Who the hell are you? |
00:44:59 |
So nice of you to see us. |
00:45:03 |
May I introduce Howard D. Doyle |
00:45:07 |
I'm goddamn pleased |
00:45:08 |
Marylin here, she says you're the best. |
00:45:11 |
Well, thank you, Mr., uh... |
00:45:14 |
Uh, any... any relation to |
00:45:18 |
Oh, you must be talkin' about Grandpa John. |
00:45:21 |
The Deuce, we called him. |
00:45:24 |
But they knocked off that whole John D. routine |
00:45:27 |
Grandpa nearly had a stroke. |
00:45:29 |
He did have a stroke, but that was later, |
00:45:32 |
The government stepped in. |
00:45:34 |
They called it mediation. |
00:45:36 |
He called it |
00:45:38 |
Of course, that's when |
00:45:40 |
Golly, the whole left side of his body |
00:45:43 |
He lingered in a vegetative state for years... |
00:45:46 |
What say we have a seat? |
00:45:48 |
Marylin's had me runnin' |
00:45:51 |
Kinda hit-and-run shoppin', you know. |
00:45:54 |
Forced march kind of thing. |
00:45:57 |
We started out at this li'I oI' place right off |
00:46:00 |
Had pewter things. |
00:46:02 |
But anyway, Miles, I know you're busy and you charge |
00:46:07 |
Howard D. and I |
00:46:14 |
Well... |
00:46:16 |
Well, I suppose that congratulations are in order. |
00:46:19 |
You know, the urge to wedlock and form a lastin' monogamous |
00:46:24 |
As a matter of fact, it might be of some |
00:46:28 |
Even your indigenous Americans... |
00:46:31 |
Howard and I are here because I've learned, |
00:46:35 |
that when it comes to matrimony and law, |
00:46:39 |
And as you are well aware, |
00:46:43 |
ended in an unjustified stain... |
00:46:46 |
upon my reputation. |
00:46:48 |
My motives were impugned. |
00:46:50 |
I was slandered in court. |
00:46:52 |
I was painted a harlot. |
00:46:55 |
Oh, honey, you ain't no harlot. |
00:46:57 |
Oh, yes, honey. |
00:46:59 |
So it's my desire to remove |
00:47:03 |
from the mind of my |
00:47:07 |
Oh, honey, come on, now. |
00:47:08 |
I wish to execute a |
00:47:11 |
And I'm dead-set against it. |
00:47:14 |
Howard's lawyers prefer it. |
00:47:16 |
I insist upon it. |
00:47:18 |
Oh, damn lawyers. Uh, no offense to the |
00:47:22 |
Now, is it my understanding that the Massey |
00:47:26 |
That is correct. |
00:47:28 |
Not to blow my own horn, but they devote |
00:47:31 |
They got a hell of a school up there, |
00:47:34 |
We donated that Doyle building up there here a while back. |
00:47:37 |
Now, I myself went to Texas A&M. |
00:47:40 |
- Business? |
00:47:42 |
And I had a fair amount of success |
00:47:44 |
See, when they line up |
00:47:47 |
it allows me to buttonhook and, you know, do a |
00:47:51 |
post pattern every now and then. |
00:47:53 |
Your tight ends don't |
00:47:55 |
But if the QB calls it, |
00:47:57 |
Interrupt for a second? |
00:47:58 |
I wanna make sure that you both understand... |
00:48:03 |
The Massey prenup provides that in the |
00:48:07 |
for any reason, |
00:48:08 |
both parties will leave it with what |
00:48:12 |
No one can profit |
00:48:15 |
The prenup protects |
00:48:18 |
Without it, that party is exposed, |
00:48:23 |
Not a hell of a lot |
00:48:26 |
No, sir, there is not. |
00:48:29 |
More to the point, |
00:48:31 |
So, are we sure... |
00:48:35 |
that this is what we want? |
00:48:37 |
Absolutely. |
00:48:41 |
It's my gift to Howard, |
00:48:43 |
for his peace of mind, |
00:48:46 |
whether or not he's worried |
00:48:49 |
Oh, honey pie, |
00:48:56 |
Excuse me, Mr. Doyle. |
00:48:58 |
Could I just borrow your charming |
00:49:01 |
Well, okay. |
00:49:09 |
What are you up to? |
00:49:11 |
Something |
00:49:14 |
Howard and I are very much in love. |
00:49:17 |
I don't know what you're thinking, but I have to warn you, |
00:49:21 |
You sign the prenup, |
00:49:24 |
Thanks for the professional help. |
00:49:26 |
Marylin, think of me for a moment... |
00:49:29 |
not as an attorney but as a friend. |
00:49:32 |
Does that mean you won't be |
00:49:35 |
Dump him. |
00:49:40 |
Is that all? |
00:49:44 |
No, that's not all. |
00:50:02 |
I could have you disbarred for that. |
00:50:05 |
It was worth it. |
00:50:09 |
A romantic divorce attorney. |
00:50:16 |
You fascinate me. |
00:50:25 |
I'll get right on it. |
00:50:30 |
All right. Thank you. |
00:50:33 |
How's Lionel? |
00:50:36 |
He asked me to deliver the keynote address |
00:50:41 |
That's quite an honor. |
00:50:42 |
I suppose. |
00:50:44 |
What was that? |
00:50:46 |
'What was that'? |
00:50:47 |
Um, Rex Rexroth? |
00:50:49 |
He kept everything? You win? No compromise? |
00:50:55 |
Oh, good God, Miles. |
00:51:00 |
I don't know. |
00:51:03 |
Okay, I won. |
00:51:07 |
What then? |
00:51:09 |
How many cases |
00:51:12 |
The old man? |
00:51:15 |
He's 87 years old, he's the first one |
00:51:19 |
- No home life. |
00:51:22 |
She can't really love this dope, |
00:51:24 |
Who? Uh, who loves who? |
00:51:27 |
Marylin Rexroth. |
00:51:29 |
She signed a prenup |
00:51:32 |
A... Massey... prenup? |
00:51:38 |
Yeah. |
00:51:40 |
Well, then she is not |
00:51:44 |
Only love is in mind |
00:51:59 |
# April # |
00:52:02 |
# Come she will # |
00:52:05 |
# When streams are ripe |
00:52:10 |
# Nay, she will stay # |
00:52:16 |
# A-resting in my arms again # |
00:52:30 |
What the hell's wrong with you? |
00:52:32 |
# April # |
00:52:35 |
# Come she will # # |
00:52:41 |
Thank you for coming |
00:52:44 |
of the love between our two friends, |
00:52:48 |
In today's cynical world, |
00:52:50 |
it's so hard to take |
00:52:53 |
aboard the ship of love and caring. |
00:52:56 |
But today Marylin and Howard |
00:53:00 |
and telling us, their friends, |
00:53:02 |
that they do believe, |
00:53:05 |
that they do love. |
00:53:07 |
Do you, Howard Drexler Doyle, |
00:53:10 |
take Marylin to be your shipmate |
00:53:14 |
through gale and doldrum, |
00:53:17 |
Yes, I do, Father Scott. |
00:53:21 |
And do you, Marylin Rexroth, take Howard |
00:53:24 |
to ports of every clime, |
00:53:26 |
be it in first class or steerage? |
00:53:29 |
I do. |
00:53:31 |
Then, by the power vested in me |
00:53:34 |
and as captain of the |
00:53:37 |
I now pronounce you man and wife. |
00:53:58 |
What do you think? |
00:54:01 |
- What are they, ladles? |
00:54:04 |
Spoons? |
00:54:06 |
Everybody has spoons. |
00:54:09 |
Everybody eats berries. |
00:54:11 |
Hey, everybody! Folks! Hey, y'all! |
00:54:14 |
A Martha Stewart catalog right next to the silver napkin rings? |
00:54:17 |
I need your attention for a minute. |
00:54:19 |
Dear God, Wrigley, how many cockamamie personal |
00:54:21 |
Why so angry? |
00:54:23 |
Now, I know it's not common practice for the groom |
00:54:28 |
but ever since |
00:54:31 |
I can't seem to quit |
00:54:35 |
And I don't wanna stop 'cause it feels so durn good! |
00:54:39 |
Chow Sing, bring that barbecue sauce |
00:54:41 |
There you go. |
00:54:43 |
Put that thing on my neck now. |
00:54:46 |
Now, honey, |
00:54:48 |
I want love and trust between us. |
00:54:50 |
Love and trust and |
00:54:52 |
And this here deed |
00:54:58 |
Well, honey, let me just, uh... |
00:55:04 |
You see this? |
00:55:13 |
This is for you, darlin. |
00:55:16 |
This here is for you. |
00:55:18 |
This here is for you, baby. |
00:55:20 |
Ever'last little speck of it. |
00:55:23 |
I love you. |
00:55:25 |
I mean, I love you |
00:55:29 |
I trust you.! |
00:55:32 |
This here is for you, baby. |
00:55:35 |
Baby, this is for you. |
00:55:37 |
What is it? |
00:55:38 |
It's the prenup. |
00:55:41 |
I love her! |
00:55:43 |
I trust her.! |
00:55:45 |
Ladies and gentlemen, |
00:55:47 |
I trust her.! |
00:55:53 |
You look beautiful. |
00:55:55 |
Ladies, |
00:55:58 |
We have to talk. |
00:56:00 |
I would like to offer |
00:56:02 |
It was a beautiful gesture |
00:56:05 |
Well, Howard |
00:56:08 |
A diamond in the rough. |
00:56:09 |
And I have a feeling that |
00:56:12 |
you'll be taking that diamond |
00:56:15 |
In a month or so, once I've established that |
00:56:19 |
May I offer my services? |
00:56:22 |
But no. |
00:56:24 |
No, I'm retaining Freddy Bender. |
00:56:26 |
Poor Freddy. He was awfully blue |
00:56:29 |
Well, I admire your loyalty. |
00:56:31 |
To lawyers, anyway. |
00:56:32 |
I guess without the prenup |
00:56:36 |
But how did you |
00:56:38 |
It felt like it was his idea. |
00:56:40 |
Surely, Mr. Massey, |
00:56:43 |
to appreciate |
00:56:46 |
Mmm. |
00:56:48 |
# Wish I was a Kellogg's Corn Flake # |
00:56:51 |
Look, now that the marriage is winding down, |
00:56:54 |
have dinner with me. |
00:56:57 |
No. |
00:56:59 |
No, nothing doing until |
00:57:03 |
Oh, this'll be no settlement. |
00:57:05 |
If I know Marylin Rexroth, this'll be |
00:57:11 |
annihilation. |
00:57:30 |
You're gonna win. |
00:57:33 |
I can always tell, going to Vegas, |
00:57:36 |
Well, thanks, |
00:57:40 |
I always win. |
00:57:43 |
# Yeah # |
00:57:53 |
# Yeah # |
00:57:57 |
You know why I hate this town, |
00:57:59 |
You see, people get to Las Vegas, and all of a sudden, |
00:58:03 |
When God is dead, |
00:58:06 |
I saw an ad in the paper: |
00:58:08 |
"No-fault divorce... |
00:58:12 |
Made me sick to my stomach. |
00:58:16 |
Good God. |
00:58:19 |
What's the world comin' to? |
00:58:22 |
One man... What |
00:58:25 |
- Freddy. |
00:58:28 |
He tells me that Marylin Rexroth-Doyle |
00:58:31 |
Ah, yes, but is she richer |
00:58:34 |
She could buy and sell you 10 times over. |
00:58:39 |
- My God, is that her? |
00:58:42 |
Freddy said she was flying in with him. |
00:58:45 |
I'm fascinated by that creature. |
00:58:49 |
Well, she deserves every penny. |
00:58:52 |
And now she's single again. |
00:58:56 |
No. You should stay away |
00:58:58 |
Recite your keynote address. |
00:59:08 |
You're looking well, Marylin. |
00:59:12 |
Obscene wealth becomes you. |
00:59:15 |
I should've known you'd be here. |
00:59:18 |
I'm the keynote speaker. |
00:59:21 |
"Nailing Your Spouse's Assets." |
00:59:24 |
My speech. |
00:59:28 |
Oh, I'm sure you'll |
00:59:31 |
It's an easy crowd. |
00:59:33 |
At this point, I would think you're probably the |
00:59:38 |
Really? |
00:59:40 |
Now, correct me, |
00:59:44 |
I believe |
00:59:46 |
On? You promised to have dinner |
00:59:50 |
I said I wouldn't whilst I wasn't, |
00:59:54 |
Noted. |
00:59:57 |
I would be delighted... honored, really... |
01:00:03 |
Howard! |
01:00:05 |
Howard! |
01:00:07 |
You named him after your ex. |
01:00:11 |
Well, I'm free this evening, so I suppose |
01:00:17 |
Le Veuve Clicquot Ponsardin, |
01:00:20 |
Yes. Thank you. |
01:00:26 |
Marylin, this is |
01:00:29 |
Yes, we were adversaries, |
01:00:32 |
but we were also professionals. |
01:00:35 |
So let us raise a glass |
01:00:43 |
To victory. |
01:00:48 |
So, how does it feel? |
01:00:53 |
Sorry? |
01:00:56 |
Oh, um... |
01:01:00 |
- Well, frankly, Miles... |
01:01:09 |
I know the feeling. |
01:01:11 |
Independence. |
01:01:16 |
My friend... My best friend... |
01:01:21 |
Sarah Battista-O'Flanagan-Sorkin? |
01:01:24 |
The O'Flanagan settlement? |
01:01:28 |
- Ahh. |
01:01:31 |
- Huh. |
01:01:35 |
More money |
01:01:37 |
Yes. |
01:01:39 |
Don't tell me. She sits around the house, afraid to |
01:01:44 |
And only a peptic ulcer |
01:01:49 |
Yes. |
01:01:52 |
There's a certain point |
01:01:55 |
You realize that you're |
01:01:59 |
Yes. |
01:02:07 |
We should order. |
01:02:11 |
You know, |
01:02:16 |
Neither am I. |
01:02:39 |
Shh. |
01:02:59 |
1,800 billable hours. |
01:03:02 |
1,221 motions to void. |
01:03:08 |
564 summary judgments. |
01:03:13 |
129,999 lunches charged. |
01:03:35 |
Hello? |
01:03:37 |
Miles? |
01:03:42 |
Sarah Sorkin just died! |
01:03:47 |
Marylin! |
01:03:48 |
Her ulcer... |
01:03:52 |
perforated. |
01:03:54 |
Infection. |
01:03:58 |
Miles? |
01:04:02 |
She was alone. |
01:04:04 |
She'd been dead for two days |
01:04:12 |
Marylin, listen to me. |
01:04:14 |
No arguments. No discussions. |
01:04:23 |
- Wrigley! |
01:04:27 |
The music is Simon and Garfunkel. |
01:04:31 |
- You the two gettin' married? |
01:04:35 |
Sorry. Short notice. |
01:04:38 |
Marylin, you're welcome |
01:04:41 |
This is the Massey prenup. |
01:04:45 |
As you know, it's ironclad. |
01:04:48 |
We tried to reach Freddy, to have him here for your protection, |
01:04:51 |
Are you two here to get married |
01:04:54 |
- So you can't hope to benefit from the marriage? |
01:04:58 |
And my wealth is completely... |
01:05:01 |
As if a lead veil |
01:05:13 |
Do you still want to marry me? |
01:05:19 |
Are ya rentin' kilts? |
01:05:38 |
Do you, Miles Longfellow Massey, |
01:05:41 |
of Massey, Myerson, Sloan |
01:05:45 |
take Marylin Hamilton-Rexroth-Doyle |
01:05:50 |
I do. Yes. I do. I do. |
01:05:53 |
Let me finish. |
01:05:57 |
To have and to hold, to love and to cherish, |
01:06:04 |
I do. |
01:06:07 |
And do you, |
01:06:10 |
take Miles Longfellow Massey |
01:06:15 |
To have and to hold, to love and to cherish, |
01:06:19 |
- I do. |
01:06:54 |
I'll take care of you later. |
01:07:07 |
No, no, no, no, no. No. |
01:07:12 |
Is it the kilt? |
01:07:15 |
Do you love me? |
01:07:19 |
Can I trust you? |
01:07:32 |
Darling, you're exposed. |
01:07:34 |
A sitting duck. |
01:07:54 |
I hereby declare the 12th Congress |
01:07:57 |
of Matrimonial Attorneys Nation wide... open. |
01:08:01 |
As our first order of business, it is a privilege |
01:08:07 |
From the Los Angeles firm of Massey, |
01:08:11 |
a man whose name is synonymous |
01:08:16 |
Miles Massey. |
01:08:35 |
Thank you, Branco. |
01:08:42 |
In the world of... |
01:08:47 |
In the world of matrimonial law, |
01:08:57 |
In the world of matrimonial law, |
01:09:17 |
Friends, |
01:09:22 |
this morning I stand before you |
01:09:25 |
than the one that |
01:09:27 |
on the disposition of marital assets |
01:09:31 |
I wish to talk to you today |
01:09:37 |
I wish to talk to you |
01:09:43 |
I wish to talk to you |
01:09:51 |
because today... |
01:09:56 |
I stand before you... naked... |
01:10:04 |
vulnerable... |
01:10:08 |
and in love. |
01:10:18 |
Love. |
01:10:21 |
It's a word |
01:10:26 |
Funny, isn't it? We're frightened of this |
01:10:29 |
the seed of our livelihood. |
01:10:32 |
Well, today Miles Massey |
01:10:35 |
that love need |
01:10:41 |
Love need cause us no shame. |
01:10:44 |
Love is... |
01:10:46 |
good. |
01:10:54 |
Love is good. |
01:11:00 |
I am, of course, aware that these remarks |
01:11:05 |
Cynicism, that cloak that |
01:11:10 |
and hides all human feeling. |
01:11:12 |
Well, I'm here to tell you that that cynicism |
01:11:15 |
in fact destroys. |
01:11:18 |
Destroys love, |
01:11:21 |
and, ultimately, |
01:11:24 |
Colleagues, when our clients come to us |
01:11:29 |
because their flame of love |
01:11:33 |
do we seek to extinguish that flame |
01:11:36 |
through the smoldering wreckage |
01:11:39 |
or do we fan |
01:11:41 |
this most precious flame, |
01:11:46 |
Do we counsel fear or trust? |
01:11:50 |
Do we seek to destroy or build? |
01:11:52 |
Do we meet our clients'problems |
01:11:58 |
or with love? |
01:12:06 |
The choice is, of course, |
01:12:10 |
For my part, I've made the leap of love, |
01:12:15 |
Ladies and gentlemen, this is |
01:12:18 |
as the president of N.O.M.A. N... |
01:12:24 |
I intend to devote myself to pro bono |
01:12:28 |
or... one of those other... |
01:12:35 |
God bless you all. |
01:13:24 |
I love you, man. |
01:13:40 |
So, Wrigley, I'm gonna be relinquishing |
01:13:43 |
If you'd care to join me in my |
01:13:47 |
Of course, I can't offer you the same kind of financial |
01:13:51 |
but the work'll have |
01:13:52 |
Barkeep, we'll have two of your finest scotches. |
01:13:56 |
- I propose a toast. Barkeep! |
01:14:01 |
Now, you'll be serving in a junior capacity, of course. |
01:14:04 |
- Miles, that's, uh... that's, uh... uh... |
01:14:08 |
Let me tell you what they called me |
01:14:11 |
The... I don't see why |
01:14:14 |
Howard? |
01:14:16 |
It's Howard. |
01:14:18 |
He's not an oil tycoon. |
01:14:22 |
Doctor, this is highly unusual. |
01:14:25 |
So Marylin married a soap actor. |
01:14:29 |
So she's... she's... poor. |
01:14:33 |
Get yourself some clean scrubs |
01:14:37 |
- Well, thank God you have the prenup. |
01:14:39 |
- You have no prenup. |
01:14:42 |
You have no prenup. |
01:14:54 |
Thanks. |
01:14:56 |
Okay. |
01:15:02 |
- Marylin? |
01:15:10 |
- Going back to L.A.? |
01:15:14 |
Look, Miles, I think it's only fair |
01:15:18 |
I intend to have Freddy |
01:15:20 |
that would forbid you to approach |
01:15:23 |
You mean, my house. Oh, I believe the |
01:15:31 |
Marylin, didn't last night |
01:15:35 |
Oh. Well, about as much as it'll mean to you... |
01:15:41 |
Oh, Miles, you'll always be |
01:15:45 |
But no more sentiment, |
01:15:48 |
I really have to be going. |
01:15:51 |
The dog's rented. |
01:16:02 |
You didn't win. |
01:16:04 |
Excuse me? |
01:16:06 |
I can always tell, comin' back |
01:16:12 |
You're right. |
01:16:18 |
But... |
01:16:21 |
you're going through with it? |
01:16:23 |
Yes. |
01:16:26 |
I just felt so sorry for him |
01:16:29 |
At the preliminary hearing, |
01:16:32 |
Well, he was beaten, fair and square. |
01:16:35 |
Oh, their pathetic look. |
01:16:37 |
It's what they all fall back on |
01:16:44 |
Just stay strong |
01:16:47 |
Relax... |
01:16:55 |
Do you think he's eating enough? |
01:17:00 |
This woman has humbled, |
01:17:03 |
shamed and disgraced |
01:17:08 |
- Yes, Herb. |
01:17:11 |
this firm deals in power. |
01:17:15 |
This firm deals in perception. |
01:17:19 |
This firm cannot prosper... |
01:17:22 |
nor long endure |
01:17:27 |
dancing to the music of a hurdy-gurdy! |
01:17:31 |
It's just... |
01:17:34 |
Herb, for the first time |
01:17:37 |
I don't know what to do. |
01:17:40 |
I'm a patsy. |
01:17:45 |
Lost? |
01:17:47 |
I'll tell you what you can do. |
01:17:51 |
And let me |
01:17:54 |
You thought you had it |
01:17:57 |
Trust. Marriage. |
01:17:59 |
All your goddamn love, love, love! |
01:18:04 |
Now, you listen to me. I'm gonna |
01:18:08 |
We serve the law! |
01:18:10 |
We honor the law! |
01:18:13 |
And sometimes, Counselor, |
01:18:17 |
But, Counselor, |
01:18:21 |
this is not one of those times. |
01:18:34 |
Are you... WheezyJoe? |
01:18:38 |
Which of youse is Smith? |
01:18:40 |
Well, uh, we're here |
01:18:44 |
on a matter of some delicacy. |
01:18:46 |
- Who's the pigeon? |
01:18:49 |
- Who you want me to kill? |
01:18:52 |
Mr. Smith would like you |
01:18:56 |
terminate... |
01:19:00 |
so that |
01:19:03 |
- Breathing. |
01:19:06 |
by the name of Marylin Rexroth-Doyle-Massey... |
01:19:11 |
Is that one person? |
01:19:13 |
I have some photos here... |
01:19:17 |
of Miss Rexroth, and, um, that's the address |
01:19:21 |
That is Mr. Smith's address... |
01:19:24 |
It's Mr. Smith's address, although |
01:19:27 |
Because of an impending legal matter, we need |
01:19:31 |
- On an expedited basis. |
01:19:35 |
We're not in a rush. |
01:19:45 |
Sh... Sh... Sh... She won't... |
01:19:51 |
Not unless you pay extra. |
01:19:54 |
# Oh, I've been workin' |
01:19:57 |
#All the livelong day # |
01:20:00 |
# I've been workin' on the railroad # |
01:20:02 |
# Just to pass the time away # |
01:20:05 |
# Can't you hear the whistle blowing # |
01:20:08 |
# Rise up so early in the morn # # |
01:20:14 |
Whistle's goin' "toot-toot." |
01:20:22 |
What's the matter, Rexie? |
01:20:32 |
Hello? |
01:20:35 |
Yes, he's here. |
01:20:50 |
Miles. |
01:20:53 |
It's for you. |
01:21:01 |
Hello? Yes? |
01:21:13 |
What? |
01:21:17 |
I see. |
01:21:19 |
My God. |
01:21:22 |
- What? |
01:21:25 |
He was Rex Rexroth's |
01:21:28 |
Yes? |
01:21:30 |
What do you mean, he was? |
01:21:32 |
Rex had a massive coronary |
01:21:37 |
He's dead. |
01:21:39 |
Well, I'm very sorry to hear that, |
01:21:41 |
but you two weren't... close, |
01:21:44 |
Marvin said that Rex's will was four years old. |
01:21:49 |
He was stinkin'rich. |
01:21:54 |
Everything goes to Marylin. |
01:22:03 |
She's not poor. |
01:22:05 |
She is exposed. No prenup. |
01:22:08 |
She's a sitting duck. |
01:22:10 |
No. It would be pointless. |
01:22:13 |
Exposed. Why kill the only woman you've |
01:22:15 |
She's rich. And I love her. |
01:22:18 |
Ah. What? Ah! |
01:22:20 |
You've reached |
01:22:23 |
Hi, it's Miles Smith... |
01:22:26 |
on behalf of myself, that it is... |
01:22:28 |
uh, no-go concerning Marylin. |
01:22:30 |
I'm speaking with no knowledge. |
01:22:33 |
This is what I want. |
01:22:36 |
I am Mr. Smith. |
01:22:40 |
That was good. |
01:22:42 |
- You think I'm protected? |
01:22:45 |
Am I protected? |
01:22:47 |
- Marylin. |
01:22:50 |
- What do we do? What if he's on his way there? |
01:22:53 |
- If he's on his way there... |
01:22:56 |
Get her out and buy some time. |
01:23:05 |
Hello? |
01:23:07 |
Marylin, you must leave |
01:23:09 |
It's imperative that you leave the house. |
01:23:11 |
- Hello, dear. |
01:23:15 |
you know that I'm entitled to use the house. |
01:23:17 |
It's an emergency! |
01:23:19 |
What is it? |
01:23:24 |
- Good gosh. That sounds dangerous. |
01:23:28 |
"liquid-less" gas that... that attacks |
01:23:31 |
and causes diarrhea |
01:23:34 |
Okay. All right. |
01:23:38 |
I think she bought it. |
01:23:46 |
So, tell me... |
01:23:51 |
who sent you? |
01:23:55 |
Mr. Smith. |
01:23:57 |
Is this Mr. Smith? |
01:23:59 |
No. |
01:24:02 |
That's his lawyer. |
01:24:06 |
Whatever they're paying you, |
01:24:12 |
What now? We wait for WheezyJoe. |
01:24:16 |
Careful. |
01:24:24 |
Looks like she's gone. |
01:24:27 |
Good stuff. There's no one here. |
01:24:31 |
Sure. Rottweilers. |
01:24:35 |
You go that way. |
01:25:03 |
Wheezy Joe? |
01:25:37 |
Wheezy Joe, thank God you're in time. |
01:25:40 |
You're not in time. We're in time. |
01:25:43 |
Look, it's a no-go. You get it? |
01:25:49 |
Good-bye. You know, |
01:25:52 |
Hear that? Okay? |
01:25:55 |
No-go. No contract. |
01:25:59 |
Will you explain to the lunkhead that |
01:26:02 |
We'll settle your contract later. Look, you're fired, pal. |
01:26:05 |
- Golden parachute. |
01:26:08 |
Here's what happened, Mr. Carnera. We feel that... |
01:26:10 |
Wait, wait, wait, wait. |
01:26:29 |
Wheezy.! Uh... |
01:26:44 |
Told him it was a no-go. |
01:27:10 |
Gentlemen. |
01:27:15 |
- Hello, Marylin. |
01:27:20 |
- This is where we first met, remember? |
01:27:26 |
It's hard to believe that when you walk out that |
01:27:32 |
It's not something |
01:27:34 |
But, then, I guess... |
01:27:37 |
something inside of me died... |
01:27:39 |
when I realized that |
01:27:43 |
Wait a minute. You hired him to kill me. |
01:27:46 |
- Nobody hired anyone to kill anyone. |
01:27:49 |
Apparently, from what I can gather, |
01:27:52 |
Miles's house. |
01:27:55 |
A burglar broke in intending to loot the place, |
01:27:59 |
became despondent over his lifestyle |
01:28:02 |
- So where does that leave you and me? |
01:28:07 |
We think it's very generous. |
01:28:12 |
But how could I trust you, |
01:28:16 |
See, that's exactly right. The point is... |
01:28:19 |
I'm not proud of what I've done, |
01:28:23 |
If you couldjust... |
01:28:28 |
Well, if you'll pardon me here, |
01:28:33 |
How could I ever trust you again? |
01:28:51 |
Marylin, there is nothing |
01:28:55 |
it can't be executed |
01:28:59 |
Well, if this, uh, indeed |
01:29:04 |
and a cursory examination tends to support |
01:29:10 |
Oh, my God, Marylin. |
01:29:17 |
Marylin. |
01:29:27 |
Counselor! Freddy! |
01:29:31 |
Freddy.! Come on, Freddy.! |
01:29:33 |
Freddy.! |
01:29:39 |
Did you hear something? |
01:29:49 |
Where did you find Howard? |
01:29:52 |
The actor? |
01:29:55 |
I think you know him. |
01:30:06 |
I guess that means I'm a partner. |
01:30:12 |
And what exactly is it |
01:30:22 |
Who gets what and who gets who? |
01:30:25 |
You'll find out on |
01:30:29 |
Here's the star of our show, |
01:30:35 |
You goddamn right, folks. |
01:30:38 |
And we got a great show for ya. We gon' |
01:30:43 |
- But most of all, we gon'nail yo'... |
01:30:48 |
Nail your ass! |
01:30:52 |
Nail your ass.! |
01:31:03 |
Gus.! Gus.! Gus.! Gus.! |
01:31:19 |
# Give a little |
01:31:22 |
# Let your poor heart bleed, babe |
01:31:26 |
# That's the glory oflove # |
01:31:30 |
# Cry a little |
01:31:33 |
# Let the clouds roll by, babe |
01:31:37 |
# That's the glory oflove # |
01:31:41 |
# As long as there's just the two of us |
01:31:47 |
# As long as there's just the two of us |
01:31:52 |
# Baby, now, win just a little |
01:31:55 |
# Sometime have the blues, babe |
01:32:00 |
# That's the glory oflove # |
01:32:48 |
# Long as there's just the two of us |
01:32:54 |
# Long as there's just the two of us |
01:32:59 |
# Baby, now, win just a little |
01:33:03 |
# Sometime have the blues, babe |
01:33:10 |
# That's the glory oflove # # |
01:33:31 |
# I am just a poor boy |
01:33:36 |
# I have squandered my resistance # |
01:33:39 |
# For a pocketful of mumbles |
01:33:45 |
# All lies andjest # |
01:33:47 |
# Still, a man hears |
01:33:50 |
# And disregards the rest # |
01:33:59 |
# When I left my home |
01:34:02 |
# I was no more than a boy # |
01:34:04 |
# In the company of strangers # |
01:34:07 |
# In the quiet of a railway station |
01:34:13 |
# Laying low |
01:34:17 |
# Where the ragged people go # |
01:34:20 |
# Searching for the places |
01:34:24 |
# Li-la-li # |
01:34:27 |
# Li-la-li-li, li-la-li # |
01:34:30 |
# Li-la-li # |
01:34:33 |
# Li-la-li-li, li-la-li |
01:34:41 |
# Asking only workman's wages |
01:34:46 |
# But I get no offers # |
01:34:49 |
# Just a come-on from the whores |
01:34:55 |
# I do declare # |
01:34:57 |
# There were times |
01:35:00 |
# I took some comfort there # |
01:35:07 |
# Li-la-li # |
01:35:10 |
# Li-la-li-li, li-la-li # |
01:35:12 |
# Li-la-li # |
01:35:15 |
# Li-la-li-li, li-la-li |
01:35:25 |
Subtitle Ripped by ~GRuPo |