Jimmy Hollywood

en
00:00:22 Ready.
00:00:25 Gloria Swanson.
00:00:29 Maurice Chevalier.
00:00:33 Ralph Bellamy.
00:00:36 Lon Chaney.
00:00:39 Phillips Lord.
00:00:43 One of my favorites. Humphrey Bogart.
00:00:46 Here's an actress. Snow White.
00:00:50 Ann Miller.
00:00:54 Jean Harlow.
00:00:56 Blank.
00:00:58 Rex Harrison.
00:01:01 Burgess Meredith.
00:01:03 Ray Bolger.
00:01:05 Blank.
00:01:06 Steve McQueen.
00:01:09 Danny Kaye.
00:01:11 Sarah Vaughan.
00:01:16 Jimmy Stewart.
00:01:18 Victor Mature.
00:01:21 Edward G. Robinson.
00:01:23 Blank.
00:01:26 Dinah Shore.
00:01:28 Adolphe Menjou.
00:01:31 Erich Von Stroheim.
00:01:34 Tom Mix.
00:01:36 Rory Calhoun.
00:01:39 Henry Fonda.
00:01:41 Burt Lancaster.
00:01:44 This one, if I had a hat, I'd tip it.
00:01:47 John Ford.
00:01:50 Betty Grable.
00:01:55 Little Richard.
00:01:58 Jimmy Cagney.
00:02:01 Blank.
00:02:04 Van Heflin.
00:02:06 "Richard Widmark."
00:02:08 Richard Widmark. Shit!
00:02:10 That was pretty good, though.
00:02:12 Richard Widmark.
00:02:15 Yeah. How many was that?
00:02:17 -What?
00:02:20 I thought you were going to count.
00:02:22 How could I be counting?
00:02:26 Come on, William. I depend on you.
00:02:29 This is important to me.
00:02:30 I think this was my personal best.
00:02:32 I don't ever remember
00:02:35 This was definitely a better run
00:02:38 Debbie Reynolds one?
00:02:40 Now we gotta go back and count.
00:02:43 I can't believe you did this to me.
00:02:48 Come on. Let's go. We're to count them.
00:02:50 One, two...
00:02:53 You don't remember where I started at all?
00:02:55 Think. Maybe if you see it. Three.
00:02:57 How many was that?
00:02:58 What? Five?
00:02:59 How many did we just do?
00:03:01 One, two, three, four, five.
00:03:07 Here we go.
00:03:09 You look good.
00:03:10 Very, very good. Very compelling.
00:03:15 Catches your eye, don't you think?
00:03:20 Don't forget, this is a big traffic flow area.
00:03:22 A lot of people passing by are seeing this.
00:03:25 Big traffic flow.
00:03:27 You look good. Very, very good.
00:03:28 Very, very compelling.
00:03:34 Sometimes you just got
00:03:36 You got to step up and invest.
00:03:42 They did a beautiful job with the artwork.
00:03:45 Definitely worth the money.
00:03:52 I should probably have a fax or two waiting
00:03:56 What do you think?
00:03:58 Yeah.
00:04:11 There go the Ortegas.
00:04:16 Is that my phone?
00:04:17 No. No, it's not yours.
00:04:22 Hi. This is Jimmy Alto, actor extraordinaire.
00:04:25 I’m gonna have to get back to you.
00:04:28 I’m on the set right now,
00:04:29 so please leave a message
00:04:32 -Favorite movie?
00:04:35 1939, Selznick International.
00:04:39 First movie you ever saw?
00:04:41 -The Mummy.
00:04:45 I was a young kid with my dad.
00:04:47 My dad let me stay up
00:04:51 You know what I could
00:04:53 The mummy used to walk with one
00:04:57 He was still always able to get his victim.
00:04:59 I’m thinking as a kid, "I’m pretty fast.
00:05:02 "Just put some moves on the mummy,
00:05:04 "and the mummy would never get me."
00:05:06 This is what you're thinking about?
00:05:08 Then I realize the mummy
00:05:12 Eventually, I’d get tired
00:05:15 That's when he'd get me.
00:05:18 So what did you do?
00:05:20 thinking you were going to sleep
00:05:21 and the mummy
00:05:23 This schmuck, this mummy is in Cairo.
00:05:26 He's got to take a plane
00:05:28 This mummy has got to get a passport,
00:05:31 and you're worried
00:05:33 This mummy's got
00:05:38 You know what I could
00:05:40 was how he used to walk around
00:05:41 -and a leg dragging behind him.
00:05:43 William, you're blanking.
00:05:47 Did I say that?
00:05:48 Trust me.
00:05:50 I did say that.
00:05:53 Watch the radio.
00:05:54 I got to go to the bathroom.
00:06:12 You see this?
00:06:14 We're going to make a withdrawal.
00:06:16 Oh, God. Of all the people,
00:06:19 I make very little money.
00:06:20 Two hundred's not going to kill you.
00:06:22 Two hundred?
00:06:24 I never use these machines at night.
00:06:26 I’m always afraid.
00:06:28 Just shut up and get on with it.
00:06:29 I’m wrong. "Enter again."
00:06:31 Lady, don't provoke me!
00:06:32 Don't touch my back, please.
00:06:35 Don't provoke me. Just give me the money!
00:06:36 Wait, wait. "Processing."
00:06:42 "No funds?"
00:06:43 -What do you mean?
00:06:46 I don't have any money in my account.
00:06:49 -All right, give me your purse.
00:06:51 I don't have anything.
00:06:57 Pick it up. Pick it up!
00:06:59 No. If I do, then you'll hit me in the head.
00:07:01 Take what you want. I don't have anything.
00:07:03 Put your hands down.
00:07:06 Okay, pick up the car keys.
00:07:09 Go ahead. Pick up the car keys.
00:07:13 Where's your car?
00:07:14 It's the blue Mazda.
00:07:16 -Okay, come on.
00:07:17 -if you want the car, you have the car.
00:07:20 -Do you speak English? Okay.
00:07:21 -I want you to get into the car...
00:07:23 Listen to me.
00:07:26 -I won't say anything.
00:07:28 -I don't want to get into an argument!
00:07:31 If you want the car, you have the car!
00:07:35 Oh, shit.
00:07:37 Would you put your fucking hands...
00:07:53 You get up, you big tub of guts.
00:08:03 Jimmy.
00:08:05 -Jimmy.
00:08:06 Some guy just held me up
00:08:09 -What?
00:08:11 -He wanted $200.
00:08:13 What the fuck
00:08:16 Will somebody tell me what kind of
00:08:21 Tell me what happened.
00:08:22 Don't leave anything out.
00:08:23 I couldn't get money from the machine.
00:08:27 -He wanted me to get in the car.
00:08:29 -You didn't get in the car?
00:08:31 I threw the keys away, and he ran off.
00:08:33 Lowlife scum. Scum of the earth.
00:08:36 I'll tell you,
00:08:38 I knew I wasn't going to get into the car.
00:08:39 Definitely smart not to get in the car.
00:08:42 -What did he get?
00:08:43 I didn't have any money in my account.
00:08:49 Honey, I’m sorry.
00:08:50 I’m sorry.
00:08:52 Don't worry.
00:08:56 It’s a good thing I took that money.
00:08:58 -You took the money?
00:09:01 You mean you took my money?
00:09:03 What the hell is wrong with you?
00:09:05 I borrowed the card.
00:09:06 I had a crisis
00:09:09 What are you talking about?
00:09:11 I have a bus bench on Sunset
00:09:13 right near the gates of Bel Air,
00:09:15 They're looking for an actor,
00:09:18 Jimmy, you stole my money.
00:09:20 "Stole" is a harsh word, honey.
00:09:24 In us? In you, not in us!
00:09:26 The phone could ring any moment.
00:09:28 Next thing you know, I’m in a series.
00:09:30 Then we're living on the Westside.
00:09:32 Bam! It happens just like that.
00:09:34 You don't have that bullshit job anymore.
00:09:38 You took my money.
00:09:41 You know how strong I am as an actor.
00:09:42 I’m bound to be recognized.
00:09:44 You really are a sick nut, you know that?
00:09:46 -Oh, yeah?
00:09:47 "Ring, ring." Any moment.
00:09:49 Boom, we're on our way.
00:09:51 That money sits there at the gates of
00:09:56 It was a good thing,
00:09:59 that I got that money out
00:10:02 How many times have I told you
00:10:06 Don't ever go into my purse again.
00:10:08 Ever!
00:10:11 Kid...
00:10:14 I think it'd be a good idea
00:10:24 You want to look for this guy?
00:10:27 What?
00:10:30 I say you think you could recognize him?
00:10:32 I’ll kill the motherfucker
00:10:36 Please just spare me this, will you?
00:10:38 Why? You think I’m kidding? Huh?
00:10:41 You think I’m fooling around?
00:10:43 Yeah? I’m fooling around?
00:10:45 See this? I find him, I’ll put him away.
00:10:48 -What are you doing with a gun?
00:10:52 Jesus Christ!
00:10:53 Are you crazy?
00:10:55 Blanks.
00:10:56 William gave me the gun and the blanks.
00:10:59 That's a smart idea. A gun with blanks.
00:11:02 It’s all an illusion. That's all it is.
00:11:05 Put that away, please.
00:11:07 That's the whole point.
00:11:09 That's the whole point.
00:11:11 You made it for me.
00:11:15 It frightens you. See?
00:11:18 A guy terrified you today with a gun.
00:11:21 It was terrifying, right?
00:11:24 That's why I want to get him.
00:11:28 -You still scared? You all right?
00:11:30 Be careful with my heart.
00:11:32 -Huh?
00:11:37 Self-promotion.
00:11:39 That's what it's about.
00:11:41 You can't rely on agents.
00:11:44 Do it yourself. That's what I say.
00:11:48 You'll see, those calls
00:11:50 You can bank on it.
00:11:53 Then, with the contacts I make,
00:11:57 you become
00:11:59 Lorraine De la Pena,
00:12:02 haircutter to the stars.
00:12:10 Yeah, but in the meantime,
00:12:14 -I’m working on it. I’m working on it.
00:12:19 -You're handsome.
00:12:23 The camera can only photograph
00:12:28 Not bad.
00:13:06 -What you doing out here, man?
00:13:10 Oh, yeah, right. Yeah. Come on in.
00:13:12 I been out there since 6:30.
00:13:15 6:30.
00:13:17 You ought to get the coffee going
00:13:21 Right.
00:13:22 You know how to
00:13:24 -Yeah, sure.
00:13:28 -So, Mr. M tell me you an actor, huh?
00:13:31 Yeah. I seen you in anything?
00:13:33 You ever see that show Matlock,
00:13:36 You was on that show?
00:13:38 No. I was up for the role of Cliff.
00:13:40 -You was up for the role?
00:13:43 Let me tell you something
00:13:45 Between you and me, and it goes no further.
00:13:46 No problem.
00:13:47 I gave a hell of a reading for that part,
00:13:49 but I think they felt
00:13:52 Really?
00:13:54 I blew Andy Griffith off the screen.
00:13:57 I mean that's how strong I am.
00:13:59 I mean, I know this guy. I had that part, too.
00:14:02 But, you know,
00:14:05 -Yeah, lots of it.
00:14:08 And I’m a little intimidating, you know?
00:14:10 -I’m so strong, I intimidate other actors.
00:14:13 I just thought
00:14:14 You know, that's what I thought.
00:14:16 It’s not always about talent.
00:14:18 I hear that.
00:14:20 So, man,
00:14:22 -Stack up about a half dozen of these.
00:14:24 You good to go, right?
00:14:26 I did this in a Broadway show.
00:14:27 -You was on Broadway, man?
00:14:30 Off-Broadway?
00:14:32 Off-off-Broadway, but they're all the same.
00:14:34 -People don't understand.
00:14:36 Well, you know what?
00:14:39 -Let's get this cooking started. All right?
00:14:41 -You good to go, right?
00:14:43 All right.
00:14:51 I think there's something wrong
00:14:54 Well, why don't you try
00:15:02 I’d like a half a cup of coffee.
00:15:27 I only wanted half a cup of coffee.
00:15:35 I’m thinking of putting together
00:15:38 -Tour de force kind of thing.
00:15:40 That way you don't have some other
00:15:43 A one-man show, that's the way to go.
00:15:45 I got to find some piece
00:15:48 My... I don't know, I can't find the words.
00:15:50 Like homeboy with the big mustache?
00:15:54 You know, the Huckleberry Finn dude?
00:15:56 -Mark Twain?
00:15:57 I could do Mark Twain. I could do that.
00:15:59 But I need something
00:16:02 Something that really challenges me.
00:16:04 Something that'll show off
00:16:07 Yeah, well, why don't you show your
00:16:11 Like to go to movie premieres?
00:16:15 -Hey, what the hell is this?
00:16:17 What up? There's nobody here.
00:16:20 Oh, man.
00:16:22 Where everybody at?
00:16:24 Are they outside?
00:16:25 They're all outside. Something's going on.
00:16:28 Back up on the curb.
00:16:31 -I saw it out of the corner of my eye.
00:16:32 get back up on the curb!
00:16:36 Back behind the cones!
00:16:42 French toast, right?
00:16:43 Pastry and a coffee, half decaf, half regular.
00:16:48 -Eggs over?
00:16:50 Portuguese sausage.
00:16:51 -Portuguese sausage?
00:16:53 You were in this restaurant?
00:16:55 -Cream cheese and bagel?
00:16:58 -Whitefish.
00:17:00 How am I gonna do this?
00:17:02 Got him!
00:17:04 All right! Terrific! Way to go!
00:17:06 All right for the boys in blue!
00:17:08 And girls, too!
00:17:12 I don't know who gets what here.
00:17:13 Fuck it! This shit's getting cold!
00:17:20 Soup's on!
00:17:21 Has anyone seen the corned beef hash?
00:17:24 Hey, waiter!
00:17:30 Hey, shorty!
00:17:32 Hey, hey. I asked for scrambled eggs.
00:17:34 Scrambled eggs.
00:17:36 -Now they're scrambled!
00:17:39 -Whitefish!
00:17:46 I don't know where your toast is!
00:17:49 Another half cup of coffee!
00:17:52 Suck it off the floor.
00:17:54 I like it hot!
00:17:56 Waiter!
00:17:59 You eat this!
00:18:00 Mr. Alto, is this a cafeteria?
00:18:03 No.
00:18:05 Then he says, "That's what I thought."
00:18:07 I hired a waiter,
00:18:09 so this is not a cafeteria.
00:18:12 I said, "Yeah, but I had this problem."
00:18:14 He says, "I can hire. I can fire."
00:18:17 End of story. End of job.
00:18:19 -What are you going to do now?
00:18:22 Sometimes you gotta
00:18:24 Is that an expression?
00:18:26 I don't know. It’s new to me.
00:18:28 Yeah, it's a new expression.
00:18:31 Hey, there goes John.
00:18:35 Want to watch him again?
00:18:37 What the hell's that all about?
00:18:39 I told you.
00:18:41 Tell me that again.
00:18:44 The story goes
00:18:47 They brought him in.
00:18:48 Relief pitch, crucial game,
00:18:51 First pitch he threw, boom.
00:18:53 Gave up a home run, lost the game
00:18:57 Supposedly what he's doing
00:19:01 trying to get it right,
00:19:03 living that moment.
00:19:04 Boom.
00:19:06 -Any of this sound familiar to you?
00:19:09 Come on. I’ll do it again for you tomorrow.
00:19:13 Hell of a thing going through life
00:19:17 regretting that you never got it right,
00:19:19 you never had another chance. Poor fuck.
00:19:22 I’m not gonna spend my life
00:19:24 living the same moment
00:19:26 I’m going to beat it.
00:19:27 Lorne Greene didn't happen
00:19:30 All of a sudden, boom, the guy shows
00:19:33 He hung in there.
00:19:35 You know,
00:19:36 l got to hand it to Lorne, he hung in there.
00:19:39 Nothing's ever going to stop me. Nothing.
00:19:42 Bet he was a good pitcher in his day.
00:19:45 What?
00:19:46 What do you want to do?
00:19:48 I don't know. What's playing?
00:19:49 I don't know.
00:19:52 -Gone with the Wind?
00:19:54 Gone with the Wind, you want to see?
00:19:57 I don't know, William.
00:19:59 I don't understand it.
00:20:01 From this moment on,
00:20:03 Hollywood stars will be recognized
00:20:05 as unparalleled fundraisers
00:20:07 and morale builders in time of war.
00:20:13 After the war, however,
00:20:17 In the '20s and '30s it becomes a lotus land
00:20:21 whose godlike inhabitants seem
00:20:26 And this is...
00:20:38 Oh, shit.
00:20:44 One fucking time. Don't tell me.
00:20:47 Don't fucking tell me!
00:20:49 One fucking time
00:20:51 One time. Son of a bitch!
00:20:54 Son of a bitch!
00:20:56 What?
00:20:57 Get out of the street.
00:20:59 -Son of a bitch!
00:21:01 Come on. Get out of the street.
00:21:04 -Come on! Hey!
00:21:07 Come on! Get the fuck out of the street!
00:21:08 Hey, what is it, what is it?
00:21:12 -Get out of the street!
00:21:13 What are you going to do,
00:21:16 Hey, hey!
00:21:17 Hey, get out of the car!
00:21:19 Can't you see I got a fucking problem here?
00:21:21 They stole my radio!
00:21:23 Stupid son of a bitch!
00:21:24 Jesus!
00:21:29 -Hi.
00:21:36 What are you guys doing?
00:21:38 Some lowlife scum stole my car radio.
00:21:40 -Oh, where?
00:21:43 Yeah, they said there have been
00:21:46 That's epidemic proportions.
00:21:49 What is the gun
00:21:51 Well, the police aren't going
00:21:54 They don't care.
00:21:55 This is a two-hour battery.
00:21:57 What are you guys supposed to be doing?
00:22:00 I’m gonna catch the thief myself.
00:22:02 Video him.
00:22:04 This is a good idea.
00:22:08 Have you lost your mind?
00:22:10 Have you gone completely and totally nuts?
00:22:13 You know what it's like
00:22:16 Your car radio gone.
00:22:18 and nobody's going to do
00:22:20 Yeah. Jimmy, it's just a radio car.
00:22:23 I want something done. I want satisfaction.
00:22:26 You just gonna wait outside,
00:22:27 -Wait for someone to break into a car?
00:22:30 I’m going to videotape him in the act,
00:22:34 Some couples,
00:22:36 going to movies or clubs.
00:22:38 My boyfriend is going to be in the bushes,
00:22:40 looking for some thief.
00:22:42 Do you have any idea how absurd this is?
00:22:45 William, will you get that
00:22:48 I’m sorry. I was just checking
00:22:50 I’m sorry. I must have lost my mind.
00:22:56 Hey, Will,
00:22:58 these blanks are not all the same size.
00:23:01 I wasn't taping.
00:23:09 -What day is this?
00:23:12 -It’s not the fourth?
00:23:15 Wednesday the fifth?
00:23:17 Tuesday the 5th.
00:23:20 Is this the beginning of Tuesday,
00:23:24 What I’m saying is, is this last night,
00:23:27 or is it now tomorrow, the fifth?
00:23:31 This day is the fifth.
00:23:33 It has begun the fifth, not ending the fifth.
00:23:36 On the sixth
00:23:38 The accident.
00:23:40 It feels pretty good, though, doesn't it?
00:23:42 Yeah, except for the buzzing and humming,
00:23:45 Still?
00:23:47 -What did the doctor say?
00:23:51 You said you had
00:23:52 This is the seventh. What did he say?
00:23:55 I don't remember anything that important.
00:24:00 Up or down?
00:24:06 Make sure you don't get me
00:24:12 Okay.
00:24:15 Can't see him very well yet, can you?
00:24:17 No, I’m not focused yet.
00:24:21 The filthy cretin.
00:24:26 This is weird. I feel dizzy.
00:24:37 I don't know why anybody bothers to
00:24:40 They steal your radio, and then
00:24:43 Scumbags.
00:24:46 Okay, this is it. Come on. Let's get him.
00:24:51 Okay, scumball, get out of the car.
00:24:54 What are you, cops?
00:24:56 No, FBI. Come on.
00:24:58 Put the radio up. Put it up.
00:25:00 Got that?
00:25:01 What the hell's going on here?
00:25:03 Never mind. We're going to take
00:25:05 Come on. Pick your stuff up. Come on.
00:25:06 Got my radio in there, too, probably? Sure.
00:25:09 Who do you work for, Radio Shack?
00:25:11 Now, where do you sell these radios?
00:25:14 Where do you sell these radios?
00:25:20 Are you gonna fuck with me?
00:25:22 -1149 North Western Avenue, sir.
00:25:37 Did you write the note for the police?
00:25:39 -Was I supposed to write the note?
00:25:49 What are you doing?
00:25:51 I’m writing the note.
00:25:52 That's a labeling machine.
00:25:54 I know. I just don't want the police
00:25:57 Pardon moi.
00:26:15 Here's an unusual story.
00:26:16 Hollywood police report
00:26:20 was left in front of the police station
00:26:23 Two car radios, which he is accused
00:26:26 That, according to a videotape and note
00:26:31 -Do you want a little conditioner?
00:26:34 No further information is available.
00:26:35 Police say the note stated, "To the police,
00:26:38 "this guy stole two car radios last night.
00:26:42 "This is a video of his thievery.
00:26:44 "If you can't do the job, we can.
00:26:47 "Signed, the S.O.S."
00:26:49 There's no information
00:26:52 or what their intentions may be.
00:26:54 We'll keep you updated as more
00:26:57 -In other news, a Hollywood man...
00:27:12 -That my phone?
00:27:43 Jimmy.
00:27:44 Hey, honey.
00:27:46 I just thought I’d get some sun.
00:27:49 I read in the trades
00:27:51 for that new movie Urban Nomad.
00:27:54 Get a little color on my face.
00:27:56 I want to talk to you.
00:27:58 -What?
00:28:01 Well, sit down.
00:28:03 Not here.
00:28:04 William, you, too.
00:28:08 -So you did it, didn't you?
00:28:11 The car radio guy.
00:28:12 Dropping him off at the police station.
00:28:16 Well, it just so happens, yes.
00:28:18 I saw it on the news.
00:28:20 -News? It got on the news?
00:28:21 No kidding?
00:28:22 It’s bad enough what the two of you did,
00:28:27 Well, I mean, you got to understand
00:28:29 So you guys are now the S.O.S.
00:28:31 What?
00:28:32 The note. You guys are now the S.O.S.
00:28:37 -What did you put in that note?
00:28:40 I mean, it had to come from somebody.
00:28:43 Yeah, but where'd you come up
00:28:45 It’s that movie producer guy.
00:28:47 What movie producer guy?
00:28:48 It’s his initials.
00:28:51 David O. Selznick?
00:28:53 David? I thought his name was Steven.
00:28:56 No. Steven is Spielberg.
00:28:59 I love that Gone with the Wind.
00:29:01 Please, this is serious.
00:29:03 The television believes
00:29:07 some kind of vigilante organization.
00:29:13 You shouldn't have did that, William.
00:29:17 I wanted to draw attention to the crime,
00:29:22 not the Steven O. Selznick gang.
00:29:24 Just what you need.
00:29:25 The police are looking
00:29:28 Jimmy, you has to promise me
00:29:32 Lorraine, this is no big to-do.
00:29:37 -Really?
00:29:39 She's got a point, though, William.
00:29:42 "Frankly, my dear, I don't give a damn."
00:29:44 Wasn't that Gone with the Wind?
00:29:46 Yes, that was Gone With the Wind.
00:29:50 S.O.S. Steven O. Selznick.
00:29:54 How long did they run it?
00:29:55 -Three and a half hours.
00:29:58 Gone with the Wind was
00:30:00 -Yeah, but they...
00:30:02 the report on the S.O.S.
00:30:05 What'd they do,
00:30:08 Thought it was Gone with the Wind.
00:30:09 No, it was 15 minutes.
00:30:11 I know how long Gone with the Wind was.
00:30:13 What channel was it on?
00:30:18 -That wasn't on that Spanish station.
00:30:21 -BBC? It was international?
00:30:23 RBR? No. RBZ. RBZ.
00:30:26 We don't have RBZ in this country,
00:30:30 -ABC?
00:30:31 -NBC?
00:30:33 Bingo! I feel like I won something.
00:30:35 The suspect was apprehended
00:30:39 This note was made available
00:30:42 "To the Police:
00:30:43 "This guy stole two car radios last night.
00:30:46 "This is a video of his thievery.
00:30:49 "If you can't do the job, we can.
00:30:51 "Signed, the S.O.S."
00:30:53 The police say they have
00:30:56 on this S.O.S.
00:30:57 It seems to be their first act.
00:30:59 The size of the group is undetermined.
00:31:02 Elsewhere in local news...
00:31:03 S.O.S. I like that.
00:31:05 I wish I’d known they were gonna put it
00:31:07 I would've made you write
00:31:10 Punched it up for you a little bit.
00:31:12 -The "thievery" I thought was good.
00:31:15 What are you talking?
00:31:17 I’m talking to myself. Just ranting.
00:31:21 Have some more of this tortilla.
00:31:24 I know.
00:31:25 Got potatoes in there, eggs, everything.
00:31:27 It’s good for you. You get eggs.
00:31:32 They let the guy go,
00:31:36 I mean, isn't it amazing?
00:31:38 Here we are, trying to do good,
00:31:41 and what do they do?
00:31:42 They're looking for the kidnappers
00:31:46 All of a sudden we're the villains,
00:31:50 -Hey, is that your ad?
00:31:52 You look better in your photo.
00:31:54 Fuck you! Fuck you!
00:31:58 All of a sudden
00:32:01 He knows something.
00:32:04 It looks the same. It looks the same, right?
00:32:06 This is crazy. They're looking for
00:32:08 They wanna know what his name is.
00:32:10 -Who?
00:32:13 Who is he?
00:32:15 There is no head of the organization.
00:32:17 If they're thinking there's an organization,
00:32:20 then who's the head of the organization?
00:32:23 I don't know what you're talking about.
00:32:26 Remember years ago,
00:32:30 This guy Cinque was the head of the S.L.A.
00:32:33 That being the case,
00:32:37 That'll be my role. I’ll be the spokesman.
00:32:41 The recent decision by the police
00:32:46 How does it look if I stand like this?
00:32:49 It looks like you don't have any arms,
00:32:52 -No arms? Is that stronger?
00:32:56 -How about this? How about this?
00:32:58 -It’s good?
00:32:59 It’s like, you know,
00:33:01 -Remember he used to stand like this?
00:33:04 All right. How's this?
00:33:07 Don't... Don't go like this.
00:33:10 I’m trying to get into the thing here
00:33:13 -What do you want me to do?
00:33:15 l mean, I know it's running,
00:33:17 I mean you don't have to...
00:33:18 -I’m pausing it right now.
00:33:20 I’ll shake my head.
00:33:21 -Okay.
00:33:24 Are you gonna keep shaking your head?
00:33:27 -Just once is enough, okay?
00:33:30 This is J-Three, head of the S.O.S.
00:33:33 No. Let me do it again. Let me do it again.
00:33:36 This is J-Three, cell leader for the S.O.S.
00:33:40 That cell leader's got a nice ring to it.
00:33:42 -Keep the tape rolling.
00:33:43 Keep tape rolling. Don't stop.
00:33:46 This is J-Five, cell leader of the S.O.S.
00:33:48 The recent decision by... Hold on.
00:33:51 This is K-Four, cell leader of the S.O.S.
00:33:54 Has K-Four been used
00:33:57 K-2 is a mountain. K-9 is a dog.
00:34:02 Like the Js better?
00:34:03 Who am I?
00:34:08 You're the leader of the S.O.S.
00:34:10 I know that, William, but who is J-Three?
00:34:13 What do I think? What do I feel?
00:34:16 How do I know?
00:34:19 You see, William,
00:34:24 What happened to me?
00:34:26 Where am I at this point in time in my life?
00:34:29 What happened to get me where I am?
00:34:32 They stole your radio.
00:34:35 William, this isn't me.
00:34:37 This is the leader of the S.O.S.
00:34:40 Jimmy Alto isn't the leader of the S.O.S.
00:34:43 J-Three is the leader of the S.O.S.
00:34:47 Who is J-Three?
00:34:56 William?
00:34:58 As an actor, when you know
00:35:01 When you don't,
00:35:04 you don't know where you are.
00:35:07 I’m an actor playing a vigilante.
00:35:10 Who am I? Who am I?
00:35:16 I have to know who I am.
00:35:18 Until I know who I am,
00:35:25 Is that my phone?
00:35:27 No.
00:35:29 This is Jericho, cell leader of the S.O.S.
00:35:31 Let it be known from this day forth
00:35:35 This is a promise to
00:35:39 We give fair warning to the police
00:35:42 Protect and serve
00:35:45 because we will be watching and waiting.
00:35:48 This is our pledge. S.O.S. Save our streets.
00:35:54 -Jimmy.
00:35:55 -to Channel 5 News.
00:35:57 We have shown it to the police,
00:36:01 that this type of organization
00:36:04 They have further stated that
00:36:08 to combat the S.O.S.,
00:36:10 should this illegal criminal behavior
00:36:13 As to the leader of the S.O.S.,
00:36:15 the police are not discussing any clues
00:36:20 Earlier this afternoon,
00:36:24 threatened several commercial structures.
00:36:26 The blaze broke out in a vacant building
00:36:29 of North Fairfax Avenue.
00:36:30 I thought I was pretty good.
00:36:33 I don't know. It took 35 or 40 goes to get it.
00:36:36 I kind of lost my perspective.
00:36:39 Is she okay?
00:36:43 l better go see what her problem is.
00:36:56 I wanted to at least let Hollywood know
00:37:00 The way it was left, it felt open-ended.
00:37:03 I had to put a cap on it.
00:37:06 This is the end now.
00:37:08 Really?
00:37:12 -What'd you think of the work?
00:37:16 Yeah, the work.
00:37:19 Jimmy, you're playing with fire here,
00:37:22 and you want to know
00:37:25 Did you believe him?
00:37:27 Yes, yes. I believe him.
00:37:32 Did he seem sympathetic?
00:37:36 See, I felt there was a vulnerability.
00:37:40 I mean, I thought there was toughness,
00:37:46 Terry Malloy, On The Waterfront.
00:37:49 -Brando. He had vulnerability.
00:37:54 Remember that scene I always play for you?
00:37:57 -What?
00:38:02 He picks it up, tries to put it on his hand.
00:38:07 He was a boxer, a tough guy,
00:38:11 and he's trying to put
00:38:16 Macho into femininity.
00:38:24 I mean, don't forget,
00:38:26 I mean, I was in the shadows.
00:38:28 You couldn't see my eyes.
00:38:31 You know, put me at a big disadvantage,
00:38:34 but I thought I came across
00:38:40 I had vulnerability, too, right?
00:38:41 -Yeah.
00:38:47 Okay. I’m gonna take a bath.
00:39:06 You know, another thing
00:39:09 It’s the first time I played Jericho.
00:39:12 I mean, I’m not gonna do it,
00:39:18 If I was allowed to do an
00:39:22 instead of a one-minute clip,
00:39:25 This is a promise to
00:39:29 We give fair warning to the police
00:39:32 to protect and serve
00:39:35 because we will be watching and waiting.
00:39:38 -This is our pledge.
00:39:40 S.O.S. Save our streets.
00:39:43 Definitely better with repeated viewing.
00:39:51 Jimmy. Men with ties.
00:40:00 -Detectives, looks like.
00:40:03 You think they're looking into the S.O.S.?
00:40:05 The car radio guy
00:40:14 Wonder if they'll come and question me.
00:40:16 Be interesting questioning me.
00:40:19 I could do a real number
00:40:22 Where were you on the night of so-and-so?
00:40:25 I could really do a number.
00:40:28 Do you want to go out for breakfast
00:40:32 Yeah. Yeah.
00:40:36 You know, if they question me,
00:40:39 Long pauses, you know.
00:40:41 I’d drive them crazy. Pause. Pause.
00:40:44 I’d play this real deliberate kind of a guy.
00:40:54 They just didn't know is
00:40:58 They mentioned an MRI and they said
00:41:01 'Cause I definitely don't
00:41:03 I don't know. What do you think, Jimmy?
00:41:05 I don't know. "This is MRI. This is MRI."
00:41:09 -I think Jericho's better.
00:41:12 -Is that root beer?
00:41:14 No? I’ll like root beer.
00:41:16 You know, when you get this MRI, you're
00:41:20 So don't worry, you know?
00:41:21 You're just a little preoccupied.
00:41:24 -You think so?
00:41:30 Look at this.
00:41:33 These people, they kill everybody
00:41:36 They should put something
00:41:38 I mean, look. This is disgusting.
00:41:52 -How big is this part?
00:41:54 It takes place in one
00:41:56 Yeah? Well, I mean, if this isn't
00:42:01 Don't you have
00:42:03 No, these are the roles we're casting.
00:42:04 I understand that,
00:42:06 Were they already cast?
00:42:07 This is what we're casting right now.
00:42:12 Well, I came for a principal role.
00:42:15 Well, this is all we have.
00:42:17 The ad in the trades said a principal role.
00:42:20 This is not a principal role.
00:42:24 Do you have a picture and resume?
00:42:26 He's got his own bus bench ad.
00:42:28 He's right.
00:42:30 Right at the gates of Bel Air.
00:42:32 A big advertisement,
00:42:34 and as we speak I have new pictures
00:42:37 -Excuse me.
00:42:38 -What's your name?
00:42:40 -I’m Rob Weiss, the film's director.
00:42:43 -How's it going?
00:42:46 some roles that are available here.
00:42:47 I wanna read him for Lewis.
00:42:49 I think you'd be interested
00:42:51 Lewis? Who's Lewis? He's a principal?
00:42:53 -He's a principal.
00:42:54 I want to take... He's going to come with me.
00:42:56 I want to do this.
00:42:57 Well, I just... You know,
00:42:59 I have another appointment with a director,
00:43:03 I don't think you have
00:43:05 -It’s a little later, the appointment...
00:43:07 Listen, I wanna take you with me.
00:43:08 If you come with us to the end of the hall,
00:43:09 maybe we can do some work.
00:43:10 -Just take a couple of minutes.
00:43:13 Thanks for your help, sweetheart.
00:43:14 You know, Rob,
00:43:16 I mean, she tried to dismiss me
00:43:17 like I was some kind of an extra
00:43:19 Yeah, we'll take care of that ourselves.
00:43:22 So, did you happen to see any of
00:43:26 -The what?
00:43:29 I think you're going way over my head here.
00:43:30 I don't know what you're talking about.
00:43:34 Thought you said that Channel 5 was
00:43:53 Jimmy, I want you
00:43:55 All right, this is a very inexpensive film,
00:43:59 Well, there's not a script-script.
00:44:00 So what we're gonna do is
00:44:02 -It’s going to be real loose.
00:44:04 when I’m loose, when I’m free, you know.
00:44:06 Hey, you give me words, sometimes it
00:44:09 Listen, I have this guy outside
00:44:11 Okay, I’m gonna bring him in here.
00:44:12 What I want you guys to do
00:44:14 -Hey, no problem.
00:44:16 Get really loose with him.
00:44:17 Hey, it's a principal role. Of course.
00:44:21 Stella! Loosening up my voice.
00:44:23 It’s all right.
00:44:26 Get up now, you big tub of guts.
00:44:29 Hey, the heads of the family,
00:44:36 So, what do you want to do?
00:44:37 You want to kill him? 'Cause I’ll kill him.
00:44:40 I’ll kill him if that's what you want me to do.
00:44:42 So, you want to kill him?
00:44:44 What are you saying, I can't?
00:44:48 It’s just that you seemed
00:44:52 You see something in these eyes
00:45:11 Guess which one of your favorite actors
00:45:15 -Really?
00:45:53 Jimmy Alto. Remember that name.
00:45:56 Urban Nomad. Probably be out
00:46:17 -Is that my phone?
00:46:22 Hi, this is Jimmy Alto.
00:46:25 so please leave a message
00:46:29 Hi. This is Linda from Rob Weiss' office.
00:46:31 We've been trying to get in touch with you.
00:46:33 Unfortunately, we've had to go with
00:46:37 We're very sorry, Mr. Alto.
00:46:43 The burden of battle.
00:46:46 Stars like Al Jolson,
00:46:49 Debbie Reynolds,
00:46:51 Mickey Rooney,
00:46:54 and Marilyn Monroe.
00:46:58 This is a traditional scene,
00:47:03 for it was established long ago
00:47:08 Hollywood went, too.
00:47:29 It’s a shame. You know that?
00:47:33 It all happened before I got here.
00:47:37 This was the Mecca for dreams.
00:47:42 This place used to sparkle.
00:47:46 You could rub shoulders with movie stars
00:47:51 The glamour...
00:47:56 Look at Hollywood now.
00:48:02 No wonder I can't make it.
00:48:18 You know something, William?
00:48:23 Hollywood needs the S.O.S.
00:48:26 I just realized it. They need Jericho.
00:48:35 We got to get some better
00:49:05 Do you believe
00:49:08 Seems pretty amazing, doesn't it?
00:49:12 We're going to just keep taping everything,
00:49:15 send all the tapes to the TV station.
00:49:19 Put it all on television.
00:49:22 Let the people see
00:49:25 just how fucked up all this is.
00:49:30 Right in plain view.
00:49:33 You remember that Medfly problem?
00:49:37 It was a little tiny Medfly.
00:49:40 They tracked it down,
00:49:44 and they can't find these drug dealers.
00:49:50 But we're going to be the watchdogs,
00:49:54 the guardians.
00:50:03 Look what they've done to my Hollywood.
00:50:20 Relax, William.
00:50:24 What are you guys up to?
00:50:26 l don't think that's any of
00:50:28 Yes, it is, actually.
00:50:30 My friends, they have a thing
00:50:32 Really?
00:50:35 So, what do you suggest we do?
00:50:38 l suggest you stop taping.
00:50:42 Get away or I’ll put a bullet through
00:50:57 Oh, shit!
00:51:04 He shot his own guy.
00:51:19 William, you okay? William?
00:51:22 Yeah, I’m okay.
00:51:26 This place is crazy. What, does
00:51:39 I loved that car.
00:51:40 You really didn't have much choice.
00:51:42 If those guys talked,
00:51:45 Yeah, but I loved that car.
00:51:48 We came to Hollywood together
00:52:04 These drug dealers operate openly
00:52:08 The wounding of one of
00:52:10 when he went up against two members
00:52:14 Let this be a signal. Don't tread on us.
00:52:18 We will never initiate aggressive action.
00:52:21 But we will certainly return gunfire
00:52:24 I can't take this, Jimmy. I can't live this way.
00:52:28 What?
00:52:29 Don't you see how wrong this is?
00:52:32 Is there something wrong with you?
00:52:34 Jericho. That's good. That's good.
00:52:37 With William it's understandable.
00:52:40 At best, he's half there.
00:52:42 Are you telling me that this is not effective?
00:52:45 It’s great acting. I mean, come on,
00:52:50 Jimmy, somebody was shot.
00:52:53 We're really not at liberty right now
00:52:54 to talk about the specifics of the case.
00:52:56 But we do have several leads. Yes.
00:52:58 Oh, my God, Jimmy, they're gonna get you.
00:53:00 They're gonna put you in prison.
00:53:03 -...statement from Jericho...
00:53:07 Look at this! They're paying attention.
00:53:10 It’s a media blitz!
00:53:11 It works. It works. Jericho works.
00:53:15 It’s a great role, Lorraine.
00:53:17 -...Jericho warned other law breakers...
00:53:20 ...not to challenge them.
00:53:27 I’m gonna be at Janet's for a couple of days.
00:53:30 I have to go. I can't even talk to you
00:53:41 You can't talk to me? You can't talk to me?
00:53:44 You're out of the Oscar speech!
00:55:07 "Ride the RTD."
00:55:10 Rapid Transit District, my ass.
00:55:13 Six blocks, four hours.
00:55:27 William! Come on. You're zoning.
00:55:30 What are you doing over here?
00:55:32 Now, you gotta blank out?
00:55:34 What do you think?
00:55:36 This is the place the guy brings
00:55:39 "1149." Never forget a number.
00:55:52 Yep. Nobody's making a living
00:55:56 Hello, there, gentlemen.
00:56:00 I thought you might have some radios here.
00:56:03 Radios?
00:56:05 Yeah, you know, car radios.
00:56:08 Well, what you see is what we got.
00:56:13 Yeah, you got great merchandise here.
00:56:18 It must just fly out of the door.
00:56:21 Listen, I got a very good friend,
00:56:25 What's his name?
00:56:26 He doesn't like people to mention his name.
00:56:29 Well, I don't do business with strangers.
00:56:34 -Hey, hey, hey!
00:56:38 I thought there was a bathroom in here.
00:56:40 Who the fuck are you?
00:56:43 It’s obvious they got stolen merchandise
00:56:48 What are you thinking about?
00:56:50 Is that what you're thinking about?
00:56:52 I don't even have my car anymore.
00:56:53 What the fuck would I want my radio for?
00:56:56 So, then what are you thinking about?
00:57:00 I’m thinking the S.O.S.
00:57:03 At least, I’m sure
00:57:05 Put that thieving ring out of business.
00:57:10 -The big question is...
00:57:13 ...what do we do for transportation?
00:57:15 Well, where do you wanna go?
00:57:20 Maybe we could do a carjacking.
00:57:23 What's a car jacket?
00:57:25 -What?
00:57:28 Not a car jacket, a car jacking.
00:57:31 They stick a gun in somebody's face
00:57:34 And the people give them the car
00:57:36 But we're not real thieves.
00:57:38 Jericho came up to me
00:57:41 for one of their missions.
00:57:43 He said they would return it.
00:57:45 And they did. With a full tank of gas
00:57:54 -You know what I like about you, William?
00:57:57 You're always right there,
00:58:01 I need a gun. You get me a gun.
00:58:03 We're going to burn down a building,
00:58:09 Thank you, Jimmy.
00:58:12 You know, there's an advantage
00:58:16 I keep forgetting all the bad times.
00:58:20 Well, I remember quite a few,
00:58:27 What? You were going to
00:58:31 -New York.
00:58:34 You know, it's named after York.
00:58:38 And then there's New Jersey.
00:58:42 And then there's New Zealand.
00:58:45 Where is Zealand?
00:58:52 Yeah.
00:58:55 Where's Zealand?
00:58:57 The fire began early this morning.
00:58:59 Once again, it seems to be the work
00:59:03 We received this tape
00:59:06 This store was a front for stolen items,
00:59:09 from car radios to televisions and stereos,
00:59:12 most of which were drug-related.
00:59:14 The S.O.S. will not allow this operation
00:59:20 We're out there,
00:59:23 That's all for now.
00:59:25 S.O.S. Save Our Streets.
00:59:30 I just get better and better.
00:59:32 I mean, I don't know.
00:59:34 I’m not putting too much into it,
00:59:40 You want to get some breakfast?
00:59:44 We just got through eating.
00:59:52 No. I’m only kidding.
00:59:54 I know you blank all the time,
01:00:27 Is this Janet's apartment?
01:00:29 Yes, it is.
01:00:33 -Is Lorraine here?
01:00:35 The two of them went to Big Bear
01:00:38 I’m Holly, Janet's cousin.
01:00:43 I’m Jimmy, Lorraine's friend.
01:00:47 You want to come in for a minute?
01:00:50 Sure. Yeah. Sure.
01:00:58 I was just watching a piece on
01:01:02 -Pretty wild.
01:01:04 Oh, yeah. Everybody's talking about it.
01:01:06 -Really?
01:01:08 I had to go to market the other day,
01:01:10 there were people at the register
01:01:14 And what do you think of the situation?
01:01:18 I think it's a good idea.
01:01:20 I mean, there's a lot of crime, and
01:01:23 Plus, they're not hurting the good people.
01:01:25 Right. And what about this Jericho guy,
01:01:31 I think he's right.
01:01:35 Do you?
01:01:37 Yeah, well, I’ve always been really
01:01:40 You know, kind of underground stuff,
01:01:43 Yeah.
01:01:45 -French resistance.
01:01:48 I guess it's unimportant. Doesn't matter.
01:01:52 Do you want something to drink?
01:01:55 Yeah. You got any liquor here?
01:01:58 I’ll take a look. I don't know what she has.
01:02:01 Yeah. Nothing with any pineapple.
01:02:05 -So what do you do, Jimmy?
01:02:17 Can you imagine what it's like to be
01:02:24 You know, he's like a Batman or something.
01:02:28 That's right. That's right.
01:02:31 It’s very dangerous.
01:02:33 Imagine putting your life on the line,
01:02:39 -This Jericho is some kind of guy.
01:02:44 I mean, he must be a pretty
01:02:48 Special.
01:02:52 I wonder if he's like a Bruce Wayne.
01:02:56 You know, a wealthy guy that does that.
01:02:59 Because you'd have to have
01:03:01 to train that whole group
01:03:09 What if I told you
01:03:12 that I know someone in the S.O.S.,
01:03:17 and that someone...
01:03:23 Hello.
01:03:25 Hi, honey.
01:03:29 I miss you, too.
01:03:31 Hold on a second.
01:03:34 I’m going to be on a while.
01:03:36 That's okay.
01:03:39 -I’m going to run.
01:03:44 Hi, honey.
01:03:45 No, I feel better. I might be able to
01:03:47 I think the S.O.S. is doing a really good job.
01:03:49 I’m a big fan of those Death Wish movies.
01:03:51 I’m sick and tired of being a hostage...
01:03:53 If this is gonna get rid of
01:03:55 It’s time the bad guys were victims.
01:03:56 I wish I could join S.O.S.
01:03:58 I’m a young girl, I’m single,
01:04:02 The only way you fight fire's with fire.
01:04:03 The police could never intimidate them
01:04:06 And I am just...
01:04:09 Jericho. They love Jericho.
01:04:11 ...that there's hope for the city
01:04:14 The S.O.S. is apparently striking
01:04:18 In an unofficial telephone survey
01:04:23 It’s a hit. It’s a rave review.
01:04:25 It’s as good as a review if it was a show.
01:04:27 80%. 80%.
01:04:31 Look at this. Another drive-by shooting.
01:04:33 You know what's amazing,
01:04:37 I mean, it's become so commonplace,
01:04:41 It’s ridiculous. It makes me sick.
01:04:44 What do you want to do today?
01:04:47 I don't know. What do you got in mind?
01:04:49 I want to go see a movie.
01:04:51 -I want to go see The Mummy
01:04:55 Will, don't start with The Mummy, okay?
01:04:59 My father let me stay up
01:05:01 That's when I first saw it.
01:05:02 You know what I couldn't figure out
01:05:05 It’s how he always used to walk
01:05:06 with one arm behind him
01:05:08 Will, Will, I know.
01:05:11 Let me ask you a question.
01:05:13 How come the only time
01:05:15 is with this Fright Night mummy thing?
01:05:18 Don't you have any other memories?
01:05:21 I remember he used to call me "useless."
01:05:25 He did, huh?
01:05:27 Well, let me tell you something.
01:05:30 I was a salesman
01:05:31 and I can size up
01:05:34 and you have a lot of potential.
01:05:37 Don't let anybody tell you different, ever.
01:05:40 You just haven't clicked
01:05:42 but when you do, boom!
01:05:44 You're going to be on your way.
01:05:45 Big things are going to happen for you.
01:05:47 Trust me. A lot of potential.
01:05:51 -Potential.
01:05:57 -Who's this?
01:06:02 All right, all right. This time.
01:06:04 Don't bring nobody else new, man.
01:06:25 Stick up your hands, please.
01:06:27 -Don't turn around. Don't turn around.
01:06:29 -Take the money.
01:06:32 -You don't want the money?
01:06:34 It’s not cheap running
01:06:36 Hey, he's got a gun! He's got a gun!
01:06:39 -Give it up!
01:06:40 I got it!
01:06:41 -Look this way. Look this way.
01:06:43 What do you want to do with him?
01:06:45 We can't take him to the police station.
01:06:48 Why don't we just keep him captive
01:06:51 Hezbollah?
01:06:53 Where could we put him?
01:06:54 Can't keep him at my place.
01:06:57 I guess I can keep him
01:06:59 I mean, it's safe.
01:07:01 Come on, let's go.
01:07:22 What the fuck was that
01:07:25 Listen to me clearly.
01:07:26 You have been sentenced to five years
01:07:30 -You will be chained to a bed.
01:07:33 I ain't with no freaky stuff man.
01:07:36 You saw the way
01:07:39 You will be treated in the same fashion,
01:07:42 -as an enemy of the people.
01:07:45 I got a few character flaws,
01:07:46 but I ain't no enemy of the people.
01:07:48 I just like nice things.
01:07:49 S.O.S. Save our souls.
01:08:13 That's my parking.
01:08:52 I miss you, Jimmy.
01:08:55 I miss you, too.
01:08:57 I hate myself for coming back,
01:09:00 but what am I going to do?
01:09:02 I don't want to be out of your Oscar speech.
01:09:06 You're not going to be
01:09:12 Wait, wait, wait.
01:09:15 I have to go to the bathroom.
01:09:42 He's gone crazy.
01:09:44 Jimmy!
01:09:48 -What?
01:09:50 Listen. Let's go in the other room.
01:09:55 Okay, okay.
01:10:02 What the hell is this guy doing
01:10:06 -I didn't know you were coming home.
01:10:09 There's a fantastic answer.
01:10:11 See, what we're doing is,
01:10:14 -You say Hezbollah?
01:10:16 You know, the Lebanese stuff.
01:10:19 -Yeah.
01:10:20 -Yeah.
01:10:23 See, I just didn't want
01:10:26 A drug-dealing thing.
01:10:29 So what we're doing is, we're setting up,
01:10:33 you know?
01:10:35 Hey, listen, do you know how many tourists
01:10:39 -No, no.
01:10:41 Zip. Nada.
01:10:42 Do you know how many visit LA?
01:10:44 Millions. And there's more killings in LA
01:10:48 There's more crime
01:10:51 -and you know why?
01:10:52 Hezbollah, Hezbollah.
01:10:55 They're scared shitless about
01:10:59 What the hell
01:11:01 What are you talking about?
01:11:04 Intimidating a criminal.
01:11:06 That's what I’m talking about.
01:11:07 The police don't intimidate them.
01:11:10 So, big deal, they get arrested.
01:11:12 They do six months to a year.
01:11:14 They go into the cells.
01:11:16 They watch television.
01:11:17 They do exercises. Big deal.
01:11:20 The S.O.S.,
01:11:23 The S.O.S. intimidates the criminal element.
01:11:26 Tie him to a bed for five years.
01:11:30 So, you want me to actually live
01:11:33 Is that the next step, Jimmy?
01:11:35 I get up a little earlier in the morning
01:11:38 -Is that it?
01:11:40 This is a one-day thing.
01:11:43 I want him to go back into the community
01:11:48 To think, a couple of days' work
01:11:51 might have prevented this.
01:11:55 Jimmy, where are we
01:11:59 Well, listen,
01:12:00 I’m going to get rid of this scumbag
01:12:03 but I don't know
01:12:05 You're becoming
01:12:08 those people
01:12:11 This is not about celebrityism.
01:12:13 This is about the craft of acting.
01:12:15 It’s not a vigilante who's popular,
01:12:17 it's an actor portraying a vigilante.
01:12:21 The people believe Jericho.
01:12:24 That's like the true tribute
01:12:26 to my acting ability.
01:12:31 Lorraine, look...
01:12:33 I love you, but...
01:12:37 Let me at least enjoy the fame a little.
01:13:05 You stay down for five minutes.
01:13:08 -Yeah, man.
01:13:47 This was supposed to have been
01:14:01 Can you imagine overlooking Hollywood?
01:14:04 Looking right down on it.
01:14:08 Warner Brothers right over the hill.
01:14:11 You finish Captain Blood, you come home,
01:14:14 you got a nice living room, you sit down,
01:14:17 the butler gives you
01:14:21 go dancing at Ciro's,
01:14:23 all those things.
01:14:27 Imagine me coming home
01:14:30 We get ready to go out.
01:14:33 You put on a gown,
01:14:35 I put on a tuxedo.
01:14:38 Dancing with the big dance bands.
01:14:42 Going to some grand premiere
01:14:51 Imagine if I was here back then?
01:14:54 I’d be as big as Cagney,
01:14:56 as big as Edward G. Robinson.
01:14:58 I’d have been right there with them at Ciro's
01:15:04 "Hey, Eddie G., how you doing?"
01:15:06 "Who's that? Oh, it's Jimmy Alto!
01:15:09 "Sit down. You know Cagney."
01:15:13 I’d have been right there with them.
01:15:15 Rubbing shoulders with the best of them.
01:15:22 But there's nothing there anymore.
01:15:24 It’s over.
01:15:27 There's nothing down there now
01:15:33 In Madrid,
01:15:37 This is not the Hollywood
01:15:41 It’s not.
01:15:52 Salud.
01:16:00 Hear that music?
01:16:03 You don't hear that dance band?
01:16:05 -Oh, yeah.
01:16:44 Do you have any idea
01:16:47 was parked in your parking space
01:16:51 No.
01:16:53 In fact, I haven't even been back there
01:16:56 -Do you have a car?
01:16:58 Well, why don't you park your car there?
01:17:01 Because it's... It’s a new one.
01:17:04 I mean, I just picked it up today,
01:17:07 So, until today,
01:17:10 you didn't have a car?
01:17:12 That's... Exactly. l had a car.
01:17:14 I mean, it burned. It caught fire.
01:17:17 -Burned?
01:17:20 Deader than a doornail.
01:17:21 Remember that?
01:17:23 No.
01:17:24 The Postman Always Rings Twice.
01:17:27 Remember he said that to the cop?
01:17:30 I said to you. He said it to the cop.
01:17:33 "Deader than a doornail." Remember?
01:17:35 Don't you remember in Body and Soul
01:17:38 "What are you going to do, kill me?
01:17:43 A lot of people say
01:17:46 Yeah, well, you're pretty good.
01:17:48 Yeah.
01:17:49 What you do,
01:17:52 Hey, who knows, maybe we'll work
01:17:54 Bang, bang.
01:17:57 Yeah.
01:18:00 Well, they're obviously on to us.
01:18:02 They must have a little bit more
01:18:05 What do we do? What's the next step?
01:18:07 I don't know. I’m not sure.
01:18:09 I’ve never been in a spot like this before.
01:18:11 Sure gets your adrenaline going, doesn't it?
01:18:13 Gets you all pumped up?
01:18:15 I feel like we're making
01:18:16 I mean, they're snooping. We're moving.
01:18:19 I’d like to try something new,
01:18:20 rather than just
01:18:23 A monologue, a soliloquy,
01:18:27 Maybe I just got
01:18:29 Reinvent yourself?
01:18:31 That's deep acting stuff.
01:18:33 It’s past Strasberg and...
01:18:35 What's the Russian, the Russian...
01:18:38 -The other method...
01:18:40 Gretzky? That's hockey.
01:18:42 Stanislavsky. That's it.
01:18:44 Hockey. Gretzky.
01:18:46 It’s not your fault.
01:18:49 It’s my backyard. I’m supposed to know.
01:18:52 The name slipped my mind.
01:18:54 Stanislavsky. Yeah, it's deep.
01:18:56 Worry about the camera.
01:18:58 Just get that camera right when I nail it,
01:18:59 'cause I got them right now. I know I do.
01:19:06 Fuck.
01:19:08 I think those detectives are following me.
01:19:11 Don't turn around.
01:19:15 They're following me around now.
01:19:18 So, I think the time has come.
01:19:20 Yeah, what we're figuring is
01:19:24 All right, look, meet me at
01:19:28 Errol Flynn. Okay.
01:19:32 Hey, William.
01:19:34 You want a hot dog? I’ll treat you.
01:19:39 Let me have two dogs
01:19:42 I don't want a... I don't want a lemonade.
01:19:44 You don't want lemonade?
01:19:45 No, no. My father, he gave me a lemonade
01:19:48 when I was a little kid. He let me
01:19:54 You know, this might be
01:19:57 You and Lorraine?
01:20:00 No, me and you.
01:20:04 You see, if I get in the car and drive away,
01:20:08 You can just walk away, home free.
01:20:11 No.
01:20:13 They'll never find you.
01:20:16 No.
01:20:18 I feel responsible.
01:20:22 You shouldn't have to go through this.
01:20:26 I started the S.O.S.
01:20:34 That's right.
01:20:36 I forgot. You're the founder.
01:20:42 You sure?
01:20:45 Yeah, I want to stay with you.
01:20:50 Thanks.
01:20:55 Hey, where'd you go for those dogs,
01:20:58 Let's go. We got cops chasing us over here.
01:21:01 Shake them up a little.
01:21:04 They still there?
01:21:08 These guys must know more
01:21:11 They must not have enough, though.
01:21:14 Are you going to try and lose them?
01:21:16 Yeah. We got to lose them.
01:21:20 How do they lose those cops
01:21:22 They always lose them.
01:21:24 Wait, fuck. We just did. We just lost them.
01:21:26 They're at the light.
01:21:28 If I was a cop, I’d go through it.
01:22:06 So this is for the best, don't you think?
01:22:12 I could've been good for this town.
01:22:15 I think I could've been a hell of an actor.
01:22:17 It takes more than talent, Jimmy.
01:22:21 I’m sorry I didn't take you dancing to Ciro's.
01:22:26 I would've liked to have seen you
01:22:30 It would've been fantastic.
01:22:36 It’s just a little too overwhelming.
01:22:40 I don't know what I should do.
01:22:43 Kiss you, hug you,
01:22:45 or slap the shit out of you.
01:22:49 I got to go.
01:22:54 Go.
01:23:18 I can't believe I didn't make it.
01:23:21 I used to visualize
01:23:23 "Remember Jimmy Alto?
01:23:26 "Went out to California and made it big."
01:23:30 I just can't believe it.
01:23:32 I really feel bad for Lorraine, you know.
01:23:35 She had her heart set
01:23:39 With my contacts,
01:23:40 she could've became
01:23:44 She could've been as big as
01:23:48 She had a great name for it, too,
01:23:51 Lorraine De la Pena.
01:23:54 Like Oscar De La Renta.
01:23:59 At least Hollywood's
01:24:04 I just wish they knew
01:24:11 -What do you make of this shit?
01:24:14 Hey, you think
01:24:19 I can't tell from here.
01:24:21 I can't tell.
01:24:24 What the fuck
01:24:28 There might be other guys, other lowlifes.
01:24:46 I knew I should've worn my seat belt.
01:24:51 Motherfuckers!
01:24:56 These guys are playing games.
01:24:59 I hate guys who give me the high beams.
01:25:38 What the hell was that all about, huh?
01:25:41 You think it was that drug guy
01:25:44 I don't know. I don't know.
01:25:46 I mean, they obviously didn't know
01:25:49 Imagine if we were just average citizens
01:25:52 We could've got hurt.
01:25:54 Why us? Out of the clear blue sky?
01:25:56 It just goes to show you, I mean, you know,
01:26:00 It’s crazy.
01:26:03 I don't think we can leave town just yet.
01:26:07 First Jimmy Alto's got to go public.
01:26:10 Before I leave town, I go public.
01:26:13 One last hurrah.
01:26:14 You think that's a good idea?
01:26:17 Yeah.
01:26:18 I mean, if you're going to take
01:26:20 you got to go out in style.
01:26:22 You got to leave them
01:26:28 Reveal the identity of Jericho.
01:26:30 Jimmy Alto is Jericho.
01:26:36 You know, if I’m going to
01:26:38 I’ll need an appropriate setting.
01:26:40 Something, someplace
01:26:45 The Hollywood Bowl, that's it.
01:26:47 "Jimmy Alto at the Hollywood Bowl.
01:26:49 What do you think?
01:26:51 The Hollywood Bowl.
01:26:55 I mean, look at this. This is great.
01:26:57 What are you gonna do?
01:27:00 What the hell am I going to say?
01:27:02 You know, let's face it, Will.
01:27:04 You know, we actually did some good.
01:27:07 You know? I mean, that was not
01:27:12 Crime is down.
01:27:14 I forget how much, but it is down.
01:27:16 Why was I going public?
01:27:20 You think it was those drug guys
01:27:22 I don't know. I don't know.
01:27:23 It’s hard to tell the lunatics
01:27:26 It’s insanity. What do you want, motives?
01:27:29 It’s not like this is
01:27:31 I mean, there are no motives anymore.
01:27:33 They could've just been playing games.
01:27:36 I mean, it's total insanity.
01:27:37 You want to make logic out of insanity?
01:27:39 What am I gonna say here?
01:27:42 Is today the 17th?
01:27:44 I don't know. Why?
01:27:45 'Cause I got my MRI
01:27:49 That's wonderful, Will.
01:27:51 We have police closing in on us,
01:27:54 lowlifes smashing into the car,
01:27:57 And you're wondering
01:27:59 You'll probably get a bullet
01:28:01 before you get a chance to do your MRI.
01:28:05 What am I going to say?
01:28:07 What a time not to know what to say.
01:28:09 I mean, I have a chance to say it right
01:28:12 and I can't think of anything to say. Shit.
01:28:15 Wait a minute. This is the 17th.
01:28:17 Jimmy, this is the 17th!
01:28:19 I got my appointment with the doctor
01:28:23 William, we are leaving town!
01:28:26 You understand
01:28:28 I know, but it's going to take forever
01:28:31 Can't I just go do my MR thing right now,
01:28:33 then we could both
01:28:37 The sun's coming up.
01:28:41 I want this speech to work
01:28:45 like Easter Sunday services,
01:29:02 What do you think? Are you sure?
01:29:16 The vigilante Jericho
01:29:19 in the following videotape.
01:29:22 Hello, Mr. and Mrs. Hollywood.
01:29:24 This is Jimmy Alto,
01:29:26 better known to you as Jericho.
01:29:29 It’s a very sad time for the S.O.S.
01:29:31 The police are forcing us to leave town.
01:29:33 I’ll come back and pick you up.
01:29:37 I don't know. It could be.
01:29:38 l got the Sony Watchman and the
01:29:42 I’ll just watch that. Okay? They're in here.
01:29:43 -Be careful. Don't lose my tapes.
01:29:52 It’s just a matter of time
01:29:56 Look at the time and energy
01:29:58 to find me and the members
01:30:01 But are we a threat
01:30:05 Has the S.O.S. ever robbed or raped
01:30:10 Is this same police energy
01:30:13 also applied to the criminal element
01:30:17 People are afraid to go out at night
01:30:21 Women are terrified
01:30:24 for fear of being attacked.
01:30:26 We're guaranteed,
01:30:29 life, liberty, and the pursuit of happiness.
01:30:32 No, the police just left.
01:30:33 The shit's really going to hit the fan now.
01:30:35 -What are you talking about?
01:30:39 I made a video saying that
01:30:42 No, don't tell me that.
01:30:45 I can't talk now but I’m bigger than ever.
01:30:47 I’m defying them to come and get me.
01:30:50 Jimmy, listen to me. Listen to me.
01:30:53 I can't. I can't. I got to run.
01:30:56 I’ll call you
01:30:59 Look what's happening
01:31:02 What kind of liberty is it
01:31:04 have to live behind bars
01:31:06 How can we pursue
01:31:09 l think we could sue
01:31:11 because our civil rights are being violated.
01:31:14 This is a society that is being strangled
01:31:18 And what's being done?
01:31:19 What is being done is
01:31:21 They're trying to get the S.O.S.
01:31:23 He's very convincing.
01:31:25 Yeah, he's a good actor,
01:31:27 but he's not a vigilante. That's the problem.
01:31:30 He's not a vigilante?
01:31:31 No.
01:31:33 Police Chief Cummings had this to say
01:31:37 I think this man Jimmy Alto
01:31:40 The reason we're trying to get him
01:31:42 is we can't allow anarchy on our streets.
01:31:45 Anarchy? You got anarchy up the ass, pal.
01:31:48 Anarchy with cappuccino.
01:31:50 We cannot sanction that type of behavior.
01:31:52 What the hell's going on?
01:31:55 At the present time,
01:31:57 assigned to track down
01:32:00 Detectives on the special task force
01:32:02 estimate there are
01:32:06 and we believe them
01:32:09 Excuse me. I must be a mirage.
01:32:15 Excuse me.
01:32:17 Do you know where I might find William?
01:32:18 William who?
01:32:19 William. Little guy. Got a hat on.
01:32:22 He's here to see... He's getting an MRI.
01:32:24 I must have a last name, sir.
01:32:26 William, William. I don't know.
01:32:29 I’m sorry. I must have a last name.
01:32:33 William!
01:32:35 William?
01:32:40 Aren't you Jimmy Alto?
01:32:42 I just saw
01:32:44 Oh, yeah?
01:32:46 l think it's a wonderful thing you're doing.
01:32:48 -Thank you.
01:32:50 -I don't have a pen.
01:32:54 l agree 1 00%.
01:32:56 -What channel did you see it on?
01:33:05 Jimmy.
01:33:06 Where the hell you been?
01:33:09 When?
01:33:11 -What do you mean "when"?
01:33:19 Oh, shit. Look at this.
01:34:56 It’s really dark in here.
01:35:00 Where'd you get that?
01:35:02 The car radio guy.
01:35:03 Let me see that.
01:35:06 What the hell building is this?
01:35:08 Looks like a pyramid, don't it?
01:35:11 Those look like Egyptian hieroglyphics.
01:35:14 Isn't that where they bury mummies?
01:35:16 Don't worry, Will.
01:35:18 He's not even in Philadelphia yet.
01:35:31 What do we do now?
01:35:32 I don't know.
01:35:34 The best thing to do is to wait till dark
01:35:38 Good afternoon.
01:35:41 Hollywood police
01:35:42 -Ten minutes. Ten minutes.
01:35:45 the man who calls himself Jericho,
01:35:47 who we now know is Jimmy Alto...
01:35:52 -Did you bring my Hollywood tapes?
01:35:54 Get them out.
01:35:56 The Egyptian theater
01:35:58 so it's conceivable
01:36:01 We intend to cordon off the area and
01:36:04 Do you think
01:36:06 ...and there's been absolutely no movement,
01:36:08 but so far no shots have been fired.
01:36:10 But we still don't know from police
01:36:12 how many people there are inside...
01:36:15 Police have the situation
01:36:17 It’s basically wait and see.
01:36:20 As you can see
01:36:23 For the hopefuls who have flocked
01:36:26 the studios were citadels to be conquered.
01:36:30 Because there were so many who came
01:36:32 hoping to succeed in pictures,
01:36:34 the producers
01:36:38 behind their bars and walls.
01:36:42 From the outside,
01:36:44 the studios can seem as bleak
01:36:52 I think it takes a great deal
01:36:54 to withhold and withstand
01:36:58 the mad competition that you do have
01:37:01 and to not give up,
01:37:04 because it's very easy to give up.
01:37:07 There are roles that you think
01:37:11 and then it turns out
01:37:15 They still come,
01:37:17 the young aspirants to Hollywood success.
01:37:20 One sees them like moths
01:37:22 fluttering in the glare of neon lights.
01:37:25 Hollywood is a town in transition.
01:37:28 Hollywood promises to become
01:37:32 like a lot of supercities in America.
01:37:36 But the dream persists
01:37:39 that there is still magic here.
01:37:41 At night from a high building or hilltop,
01:37:44 when the lights of the city
01:37:47 the dream persists.
01:37:57 Can the police estimate
01:37:58 just how many members of the S.O.S.
01:38:00 may be inside the theater at this point?
01:38:03 Well, Hal, if they can, they're certainly
01:38:07 But judging
01:38:09 and the weapons they're carrying,
01:38:12 Well, are they speculating,
01:38:16 on just how long
01:38:19 Are the police considering
01:38:29 Great documentary, huh?
01:38:31 Great documentary.
01:38:40 Think I’m just gonna
01:38:44 Rather quickly, since earlier today,
01:38:47 when this station received
01:38:48 -Jimmy. Jimmy!
01:38:50 You don't have to go take a look around.
01:38:52 -What?
01:38:54 -What are you talking about?
01:38:56 Jimmy Alto, an unemployed actor
01:38:59 Holy shit! All those people are out there?
01:39:02 Yeah.
01:39:04 So much for sneaking out
01:39:07 ...have secured the building.
01:39:09 -We've also received word...
01:39:11 Fans. They're our fans.
01:39:13 ...covering all possible exits
01:39:14 One thing I want to point out to you
01:39:16 all these people out here,
01:39:20 They're a fan club.
01:39:21 The police want Jericho,
01:39:24 These people want to applaud him.
01:39:27 In Hollywood,
01:39:30 producer/director.
01:39:32 Well, now we have a new hyphenate,
01:39:34 actor/vigilante.
01:39:36 Jimmy Alto, we know him as Jericho...
01:39:39 Well, there's still a tremendous amount
01:39:42 Special weapons
01:39:45 I want to ask about this new information,
01:39:47 that Jericho may actually be an actor.
01:39:49 Well, as far as I’m concerned,
01:39:52 If he's an actor,
01:39:55 We've managed to obtain a video
01:39:59 Look, look, look.
01:40:01 -Apparently, he did not get the part.
01:40:04 -They're showing it on television?
01:40:08 What are you saying, I can't?
01:40:10 Because I’ll kill him.
01:40:11 This one I did better in another scene.
01:40:13 Why'd they put that take in there?
01:40:15 -He's not dangerous.
01:40:17 He's just an actor.
01:40:18 Police have apparently persuaded
01:40:20 Lorraine De la Pena, to negotiate with Alto,
01:40:25 -out of the theater peacefully.
01:40:27 -Jimmy! This is the police.
01:40:30 We have Lorraine out here, out in front.
01:40:34 She wants to talk to you.
01:40:37 I’d better get out there. Watch on this.
01:40:39 Stay here, just in case.
01:40:41 She is now walking up
01:40:43 Hey, Lorraine.
01:40:56 I think it would be good if we talked.
01:40:57 Come on in. The show's about to begin.
01:41:06 Look what happened?
01:41:10 Well, William's MR took a little
01:41:14 and, I don't know,
01:41:16 Yes, one thing leads to another,
01:41:22 This building is surrounded.
01:41:24 -Yeah?
01:41:30 Hollywood Boulevard's
01:41:34 You have to come out.
01:41:37 Hey, did you see
01:41:39 -on television from Urban Nomad?
01:41:42 I thought it was pretty good.
01:41:44 Yes, Jimmy. Very good.
01:41:46 You know, they used to show
01:41:50 Let's get William, and we'll go out together.
01:41:52 Okay?
01:41:54 I’m not going to give up, Lorraine.
01:41:57 Not now. This is the greatest role of my life.
01:42:00 You've got to know how crazy this is.
01:42:02 Jimmy, they will kill you.
01:42:05 They ready.
01:42:08 I’ll never get another role
01:42:11 Nothing this good.
01:42:13 You never know.
01:42:16 I do know.
01:42:19 I’m a one-role actor.
01:42:21 Brando...
01:42:23 He's an actor.
01:42:25 Stanley Kowalski, Street car Named Desire.
01:42:29 Terry Malloy, On the Waterfront.
01:42:33 The Godfather.
01:42:38 I don't have that in me.
01:42:41 Think of it this way, Jimmy.
01:42:43 Look at all the attention you're getting.
01:42:45 And the charges against you
01:42:48 You'll be out in a couple of years,
01:42:51 and you'll be acting for sure.
01:42:53 This is the role. I’m going to play it out.
01:42:55 You've played it out, Jimmy.
01:42:57 It’s over.
01:42:59 No, it's not over.
01:43:01 Every great role has a great ending.
01:43:03 I am not going to cheat that.
01:43:08 l want you to take William out with you.
01:43:10 -William!
01:43:12 Come here.
01:43:16 -What happened?
01:43:18 Lorraine, we saw you on the little TV here.
01:43:21 You look very photogenic.
01:43:24 Will, I want you to leave with Lorraine.
01:43:27 You think that's a good idea?
01:43:29 Yeah, I do. I want you to leave.
01:43:31 Okay.
01:43:46 Whatever happened to those
01:43:54 I don't know.
01:44:02 -Will, you got to leave me these guns.
01:44:04 I need this. This, too.
01:44:16 Hey.
01:44:18 Hey, it's okay.
01:44:21 The mummy's going to stay with me.
01:44:29 Okay?
01:44:31 Okay.
01:44:52 Hey, Jimmy, can you see me?
01:44:54 I’m on TV!
01:45:03 We're not sure, though, who the man is,
01:45:07 There appears to be
01:45:10 They're apparently getting demands
01:45:21 Apparently, Jimmy Alto
01:45:24 from the New Jersey area
01:45:27 He was an aluminum siding salesman,
01:45:29 as well as being involved
01:45:31 but decided
01:45:35 It’s a very interesting situation
01:45:38 because he's acting out this part.
01:45:39 And we're not exactly sure
01:45:41 because he's writing the script.
01:45:58 What are you going to do, kill me?
01:46:00 Everybody dies.
01:46:04 What are you going to do, kill me?
01:46:05 Everybody dies.
01:46:11 What are you going to do, kill me?
01:46:15 Everybody dies.
01:46:17 Fuck!
01:46:19 What are you going to do, kill me?
01:46:22 Fuck!
01:46:24 Kill me?
01:46:27 Shit!
01:46:29 What are you going to do...
01:46:31 What are you going to do, kill me?
01:46:33 Everybody dies.
01:46:36 Fuck!
01:46:38 What are you going to do, kill me?
01:46:40 Everybody dies.
01:46:44 Everybody dies.
01:46:53 Everybody dies. Everybody dies.
01:47:08 I’m coming out!
01:47:11 Keep your hands above your head
01:47:15 I don't have any guns. See?
01:47:17 Nothing in the front of me.
01:47:21 Take him down!
01:47:53 Jericho is dead.
01:47:55 Perhaps the most infamous vigilante
01:47:59 And a mighty fine actor, I might add.
01:48:02 I was just a lost kid on the boulevard
01:48:06 He truly is a genius,
01:48:09 He's a genius in a town
01:48:13 To you, you may have killed a vigilante,
01:48:16 but for me, you kill
01:48:18 the love of my life.
01:48:20 You may have cut short potentially one
01:48:24 I think we can all mourn that loss.
01:48:26 Jericho! Jericho! Jericho!
01:49:39 What are they going to do, kill me?
01:50:04 I’m coming out!
01:50:06 Keep your hands above your head
01:50:10 I don't have any guns. See?
01:50:12 Nothing in the front of me,
01:50:13 -Everybody down!
01:51:03 Who was that, James Cagney?
01:51:07 I had to tell them.
01:51:08 I forgot I told you I had blanks.
01:51:12 Some vigilante, huh?
01:51:14 Think of it this way.
01:51:16 In Hollywood, they always use blanks.
01:51:19 Yeah, yeah. Sure.
01:51:21 Blanks.
01:51:23 Hollywood.
01:51:36 We now go to Paul Jackson
01:51:39 Paul, has Jimmy Alto
01:51:43 Well, Hal, we've done some checking.
01:51:44 We've found no information to indicate
01:51:48 No motion pictures,
01:51:51 What about commercials?
01:51:55 No commercials, no industrial films,
01:51:57 no movies, no television shows.
01:51:59 We've checked the gamut
01:52:01 that he's ever acted, Hal.
01:52:03 Bye, Jimmy.
01:52:05 Jimmy, we love you!
01:52:26 I could never have appreciated this
01:52:31 Beautiful work. Wow! Beautiful.
01:52:35 Steve McQueen.
01:52:36 Clint Eastwood.
01:52:37 Even James Cagney.
01:52:40 I don't think so. None of them.
01:53:10 Is this a principal role?
01:53:11 I mean, 'cause I came here
01:53:13 -They said it was a principal role.
01:53:16 Just two lines? I’m not doing two lines.
01:53:19 -I was told it was a principal role.
01:53:23 Now, wait a second. I’m...
01:53:26 -or somebody else I can talk to...
01:53:29 This is bullshit.
01:53:31 All right. Cut, cut!
01:53:32 Okay, everybody, take five.
01:53:34 Jimmy you're not suppose to speak
01:53:36 Yeah, but... I’m sorry. This is nonsense.
01:53:39 I don't buy it for a minute.
01:53:42 -I can't have talking on the set, Jimmy.
01:53:45 He got excited. It’s his life.
01:53:48 Yeah. Yeah. It’s okay.
01:53:49 Yeah, but his life didn't happen like that.
01:53:52 That's not what was going...
01:53:54 I’m sorry. Sorry.
01:53:57 Well, what's the problem?
01:53:58 Harrison, let me deal with this.
01:54:00 No, no. Let him talk.
01:54:03 Go ahead.
01:54:05 Hope you don't mind.
01:54:06 I don't mean to step on your toes
01:54:09 You see, Harrison,
01:54:11 when I came into this casting office,
01:54:13 let me tell you what I was thinking,
01:54:15 let me tell you what I was feeling.
01:54:18 I believed I was entitled
01:54:22 All right, William, let me see the playback.
01:54:23 I knew that I was made for that.
01:54:26 You see, I wasn't going to waste my time
01:54:31 I had confidence.
01:54:33 -Yeah, I understand.
01:54:36 No.
01:54:37 I felt in my soul
01:54:41 -Okay.