KM 31 Kilometro 31
|
00:01:40 |
BASED ON REAL EVENTS |
00:01:46 |
Everythinh I loved was over... |
00:01:49 |
And then... life itself. |
00:04:23 |
Omar? |
00:04:26 |
Please come. |
00:04:27 |
I'm on the highway. |
00:04:31 |
He's not moving. |
00:04:57 |
What's your name? |
00:05:31 |
Catalina, don't even think |
00:05:33 |
- A mechanic should see it first. |
00:05:37 |
With all the things |
00:05:41 |
By the way, it's almost midnight. |
00:05:44 |
You sister should be here. |
00:05:51 |
What is it? |
00:05:55 |
What's the matter? |
00:06:04 |
Where are you going? |
00:06:29 |
Agata! |
00:06:36 |
No! My sister! |
00:06:38 |
- Let me go! |
00:06:40 |
Let me go! |
00:06:43 |
She got hit... |
00:07:10 |
She's arresting. |
00:07:13 |
No... No, Agata, don't! |
00:07:19 |
Please, don't! |
00:07:20 |
Emergency room! |
00:07:24 |
You can't go in! |
00:07:25 |
You can't go in! |
00:07:44 |
- Vital signs? |
00:07:46 |
- Done. |
00:07:48 |
Impossible, |
00:07:56 |
Saw. |
00:08:43 |
Are you Miss Hameran's relatives? |
00:08:47 |
I'm her sister, doctor. |
00:08:50 |
I'm Dr. Morales. |
00:08:52 |
- Would you like to sit down? |
00:08:55 |
- How's my sister? |
00:08:57 |
Thank God she's out of danger. |
00:09:00 |
Unfortunately we had to amputate |
00:09:07 |
I'm sorry. |
00:09:10 |
There's something else. |
00:09:12 |
Your sister has gone into a coma. |
00:09:15 |
She's not reacting to anything. |
00:09:19 |
May I see her? |
00:09:22 |
Of course, ma'am. |
00:09:24 |
But... your sister's face is very |
00:09:30 |
Well, I just want you |
00:09:38 |
I'm sorry, sir. |
00:11:39 |
Sis... |
00:11:47 |
Help me. |
00:11:54 |
Help me. |
00:11:59 |
Ma'am? |
00:12:07 |
Ma'am? |
00:12:29 |
Ma'am? |
00:12:41 |
And the kid? |
00:12:43 |
What kid? |
00:12:44 |
The one my sister hit |
00:12:46 |
We didn't get any children tonight. |
00:12:49 |
I suggest you go home. We'll let |
00:12:53 |
Here. They're sleeping pills. |
00:13:04 |
Never leave me. |
00:13:08 |
Always wait for me. |
00:13:11 |
Forgive me, dauhhter. |
00:13:17 |
I never thouhht you could, never. |
00:13:22 |
Don't cry, I'm okay. |
00:13:33 |
How's she doing? |
00:13:36 |
Badly. |
00:13:38 |
Any news? |
00:13:39 |
No. We just have to wait. |
00:13:43 |
- I want to see her. |
00:13:46 |
I'll stay. I'll call you |
00:13:49 |
I have to see her. |
00:13:52 |
I called the office, told them |
00:13:57 |
You can stay at my house |
00:14:01 |
I mean, it's closer. So you won't |
00:14:06 |
Thanks. |
00:14:20 |
It'll be all right. |
00:14:26 |
I'm gonna stay at Omar's |
00:14:29 |
It's closer. |
00:14:56 |
Yes. I heard that. |
00:14:58 |
Thanks. |
00:15:13 |
Omar, I want you to know |
00:15:18 |
Agata's always been very nice to |
00:15:23 |
Thanks, Nuño. |
00:15:28 |
Catalina has been very important |
00:15:33 |
- Ever since college. |
00:15:36 |
Agata told me. |
00:15:38 |
She's a good friend. |
00:15:41 |
I care for her. |
00:15:43 |
I can see that. |
00:15:46 |
It's obvious you do. |
00:15:49 |
Have you told her that? |
00:15:52 |
That I care for her? |
00:15:54 |
I show her. |
00:15:59 |
I did tell her. |
00:16:03 |
What the fuck are you |
00:16:06 |
One day I argued with Agata... |
00:16:08 |
...so I went to her house |
00:16:11 |
...I confused them. |
00:16:15 |
What do you want? |
00:16:17 |
Wrong. |
00:16:38 |
I want to take a look at the |
00:16:41 |
Okay. |
00:17:22 |
DRY FIREWOOD FOR SALE |
00:17:24 |
ENTRYWAY TO "EL ENCANTO" |
00:18:18 |
Hello? |
00:18:38 |
Hey, you! |
00:18:52 |
You didn't hear me? |
00:18:55 |
Son of a bitch... |
00:18:57 |
Coming! |
00:19:06 |
Lose anything? |
00:19:08 |
No. |
00:19:10 |
My girlfriend had an accident here |
00:19:12 |
I was looking around, |
00:19:15 |
- You sure? |
00:19:17 |
Are you sure you weren't |
00:19:19 |
How do you know? |
00:19:21 |
Don't look. |
00:19:24 |
I'm in charge of |
00:19:28 |
You're investigating? |
00:19:30 |
You could call it that. |
00:19:32 |
You could call it that? |
00:19:34 |
Don't go looking for trouble. |
00:19:36 |
Don't investigate |
00:19:38 |
Trouble? |
00:19:39 |
- Trouble, why? |
00:19:41 |
I just heard someone |
00:19:50 |
- Just now? |
00:19:53 |
What's your name? |
00:19:55 |
- Omar. |
00:19:57 |
Better focus on helping |
00:20:00 |
I heard something, I tell you. |
00:20:01 |
- No. |
00:20:04 |
See, let me explain. |
00:20:06 |
- Don't. |
00:20:10 |
You know what? Give me your name |
00:20:17 |
Martin Ugalde, 02034. |
00:20:19 |
- Martin who? |
00:20:21 |
...for your own good, |
00:20:25 |
Is that a threat? |
00:21:14 |
Action! |
00:21:16 |
Ahata and Catalina's birthday. |
00:21:19 |
Here's sister number 1. |
00:21:25 |
Here... |
00:21:31 |
Look... |
00:21:33 |
They're identical. |
00:21:35 |
She's talkinh to her |
00:21:38 |
Very funny. |
00:21:41 |
After a few hours we're |
00:21:44 |
...and people are drinking |
00:21:48 |
The sisters are drinking as well. |
00:21:52 |
And fightinh. |
00:21:57 |
They fight. |
00:22:46 |
Mom! |
00:25:20 |
Sister! |
00:26:49 |
Sister! |
00:26:53 |
Help me! |
00:26:57 |
Help me! |
00:27:30 |
You left the door... |
00:27:31 |
Sorry, sorry. |
00:27:36 |
Where were you? |
00:27:43 |
What are those? |
00:27:47 |
Pills. |
00:27:49 |
Why? |
00:27:51 |
No. |
00:27:58 |
- Why? |
00:28:00 |
Nothing. Take it easy. |
00:28:02 |
Here. I brought your things... |
00:28:04 |
...and I got you something |
00:28:07 |
I'm off. |
00:28:10 |
Nuño... |
00:28:14 |
...thanks. |
00:28:17 |
I know you're trying to help, |
00:28:20 |
...I have to figure this out |
00:28:24 |
Yeah. |
00:28:26 |
I get it. |
00:28:39 |
I understand you, |
00:28:43 |
All right? |
00:29:07 |
The doctor said |
00:29:11 |
That it might do you good. |
00:29:16 |
The truth, I have so many things |
00:29:26 |
I dreamed of mother. |
00:29:38 |
She and dad... |
00:29:41 |
...got along better with you. |
00:29:48 |
We're alike, but... |
00:29:51 |
...you're better at everything. |
00:29:54 |
They like you better. |
00:30:00 |
And I hate to |
00:30:04 |
...it made me angry |
00:30:08 |
It made me angry that dad |
00:30:14 |
But I love you. |
00:30:19 |
I love you more than |
00:30:45 |
Agata! |
00:30:47 |
Agata! |
00:30:50 |
Agata, it's me, Catalina! |
00:30:55 |
Somebody help me, please. |
00:30:58 |
Calm down, ma'am. |
00:30:59 |
Nurses, the equipment. |
00:31:04 |
She twitched one finger |
00:31:15 |
Sorry I didn't warn you before... |
00:31:16 |
...but these things are normal |
00:31:20 |
The nervous system sends |
00:31:24 |
No. She looked at me. |
00:31:25 |
Please believe me, ma'am. |
00:31:27 |
We haven't registered any |
00:31:46 |
- How're you? |
00:31:49 |
They stopped the bleeding. |
00:31:51 |
She's still in a coma. |
00:31:53 |
Wait a few days. |
00:31:56 |
Nuño, can you take me to |
00:31:59 |
Yeah, sure. |
00:32:01 |
No, where the accident happened. |
00:32:04 |
What for? |
00:32:05 |
Agata hit a kid with the car. |
00:32:07 |
There's no such kid, Catalina. |
00:32:10 |
And there's nothing there. |
00:32:11 |
I need to go. |
00:32:13 |
I need to go there. |
00:32:22 |
Go eat something. |
00:32:24 |
I'll catch up with you, |
00:32:35 |
Omar... |
00:32:39 |
...aren't you getting |
00:32:43 |
Why are you telling me this? |
00:32:44 |
You know. |
00:32:49 |
Are you serious? |
00:33:09 |
You all right? |
00:33:14 |
- What is it? |
00:33:19 |
You know? |
00:33:22 |
It's incredible that after |
00:33:24 |
...I know nothing about you. |
00:33:26 |
- What do you mean? |
00:33:30 |
...when I ask you about |
00:33:33 |
...important things... |
00:33:35 |
...you shut me out. |
00:33:37 |
Like, for instance, about your |
00:33:39 |
- I have no family. |
00:33:44 |
Why don't you just let it go? |
00:33:47 |
Because I don't like to |
00:33:51 |
I don't get you. |
00:33:53 |
No matter how hard I try, |
00:33:59 |
I cant take it anymore. |
00:34:16 |
My dad died in an accident. |
00:34:23 |
An accident... |
00:34:26 |
In a construction site. |
00:34:30 |
And my mom... |
00:34:33 |
She was sick. |
00:34:36 |
She was a schizophrenic. |
00:34:43 |
She never remembered the |
00:34:47 |
...and dad always told Agata |
00:34:49 |
He always trusted her more. |
00:34:52 |
I don't know why. |
00:34:59 |
I got jealous. |
00:35:04 |
I gave mom the bottle of pills. |
00:35:07 |
It was my fault she took |
00:35:11 |
She drowned. |
00:35:14 |
Me and Agata got her out. |
00:35:17 |
We tried to revive her. |
00:35:24 |
We were seven! |
00:35:28 |
Sorry, I didn't know. |
00:35:30 |
I'm all right. |
00:35:37 |
Don't tell Omar. |
00:35:40 |
Omar, wouldn't you rather let Nuño |
00:36:03 |
What's the matter with you two? |
00:36:04 |
- Nothing. |
00:36:16 |
We're close. |
00:36:19 |
I know. |
00:36:21 |
Around Km 30, ease off a bit. |
00:36:23 |
I said I know. |
00:36:25 |
It's just a suggestion, Nuño. |
00:36:28 |
Suggestion. |
00:36:31 |
- Why are you doing that? |
00:36:34 |
Don't talk to me like that. |
00:36:35 |
Don't start with your bullshit, |
00:36:37 |
What are you talking about? |
00:36:39 |
Sorry, this fog makes me nervous. |
00:36:41 |
Little Spaniard gets nervous. |
00:36:43 |
What? |
00:36:44 |
I said, little Spaniard |
00:36:46 |
I heard you. |
00:36:49 |
Nuño, watch out! |
00:37:37 |
Hello? Yes, ma'am, |
00:37:41 |
A dead person in the |
00:37:45 |
Yes. Who? What? |
00:38:06 |
Hello? |
00:38:14 |
Yes. Omar... Omar Cantu. |
00:38:19 |
Who's there? |
00:38:24 |
Who's there? |
00:38:29 |
- I'm okay. |
00:38:32 |
I'm talking to you. |
00:38:34 |
I saw the kid, Omar. |
00:38:35 |
He's there, I swear. |
00:39:20 |
- Nuño. |
00:39:24 |
It's okay. |
00:39:27 |
It's not my fault. |
00:39:29 |
Nuño, calm down. |
00:39:30 |
Calm down, |
00:39:32 |
I'll be right over. |
00:39:33 |
We'll straighten out this mess |
00:39:35 |
- Yes, but take your hands off me. |
00:39:38 |
Come with me. |
00:40:19 |
Are you going to tell me |
00:40:22 |
I heard... a woman |
00:40:27 |
Last night, too. |
00:40:29 |
I thought she was Agata. |
00:40:32 |
Then she was screaming and crying |
00:40:37 |
Inside the sewer system. |
00:40:39 |
- What are those pills for? |
00:40:41 |
They're doing something |
00:40:42 |
No, it's the other way around. |
00:40:44 |
- Are they prescription? |
00:40:45 |
I won't take them anymore |
00:40:47 |
I'd be happy if you didn't go back |
00:40:54 |
Sorry. |
00:40:56 |
I need to talk to you. |
00:41:03 |
What about? |
00:41:10 |
What's wrong with you? |
00:41:15 |
It's that... |
00:41:22 |
...I can't get it out of my head. |
00:41:26 |
Her voice asking for help. |
00:41:31 |
When she called, |
00:41:36 |
The sound of the horn... |
00:41:38 |
...the screeching tires, |
00:41:43 |
We argued that night. |
00:41:46 |
It wasn't your fault. |
00:41:48 |
I told her I wasn't sure |
00:41:52 |
I felt she was putting |
00:42:01 |
Remember when I started |
00:42:06 |
I went to your house, |
00:42:09 |
...I begged for ten minutes. |
00:42:11 |
And you... didn't say a word. |
00:42:16 |
You just played along. |
00:42:19 |
I could never tell her |
00:42:23 |
I could never tell her |
00:42:27 |
That I need her, |
00:42:33 |
She knows, Omar. |
00:42:36 |
She knows. |
00:42:40 |
I'm sure |
00:42:44 |
And you'll tell her so |
00:43:00 |
You're identical. |
00:43:06 |
Sometimes... |
00:43:50 |
Nuño was right. |
00:43:54 |
We can get confused. |
00:44:03 |
Look. |
00:44:06 |
Nuño and I don't get along. |
00:44:09 |
But that guy has |
00:44:12 |
And he loves you. |
00:44:36 |
Garcia Castro, Maria Concepcion. |
00:44:38 |
She had ID on her. |
00:44:40 |
Here's the forensic report |
00:44:43 |
She's been dead for |
00:44:47 |
She died almost one day ago. |
00:44:51 |
The guy didn't kill her. |
00:44:53 |
He went by there six or seven |
00:44:57 |
He hit a dead woman. |
00:44:58 |
Poor boy. |
00:45:01 |
Let the "poor boy" go then. |
00:45:20 |
Did you denounce me? |
00:45:24 |
I knew it. |
00:45:27 |
What are you doing here? |
00:45:36 |
"An accident on Km 31 of the |
00:45:40 |
Again? Didn't I tell you |
00:45:47 |
How's your friend? |
00:45:49 |
Still in a coma. |
00:45:53 |
Oh, man! |
00:45:56 |
- Remember what I told you up there? |
00:45:59 |
We're looking for that kid. |
00:46:00 |
I've been looking for him |
00:46:06 |
There have been accidents. |
00:46:08 |
Mostly, with young women. |
00:46:12 |
They call in scared, badly hurt... |
00:46:14 |
Sometimes they're reported dead. |
00:46:16 |
They try to keep it under tabs. |
00:46:19 |
They call us inept... you know. |
00:46:21 |
That's why I keep |
00:46:23 |
Well, that... |
00:46:25 |
...and because it's hard to believe. |
00:46:28 |
Why are there so many accidents |
00:46:30 |
Do you believe in ghosts? |
00:46:35 |
Ghosts? |
00:46:40 |
I can only offer you proof. |
00:46:43 |
You draw your own conclusions. |
00:46:47 |
You wanna know or not? |
00:46:58 |
Sign here, please. |
00:47:01 |
I need a... pen. |
00:47:02 |
Here you go. |
00:47:23 |
- Catalina? |
00:47:26 |
Better. They're about |
00:47:30 |
It appears that |
00:47:33 |
She'd been dead |
00:47:35 |
But she was on her feet. |
00:47:39 |
Yes, I know. |
00:47:42 |
I can't get it out of my |
00:47:44 |
I have to find out |
00:47:49 |
What do you want to do? |
00:47:50 |
Let's go to that place. |
00:47:55 |
Catalina, I don't think |
00:47:57 |
Make somethinh up, |
00:48:00 |
...but don't tell him |
00:48:08 |
Catalina, do you remember the sign? |
00:48:12 |
Which one? |
00:48:13 |
Back there. |
00:48:15 |
- The dry firewood one? |
00:48:17 |
You think "El Encanto" |
00:48:19 |
Don't know. Why? |
00:48:22 |
Because it's that way. |
00:48:27 |
Let's go. |
00:48:48 |
What now? |
00:48:57 |
Do we knock? |
00:49:09 |
Come in, child. |
00:49:17 |
Who is it? |
00:49:18 |
Omar. |
00:49:27 |
Hello. |
00:49:29 |
Come in. |
00:49:31 |
How're you, officer? |
00:49:34 |
Martin. Or Ugalde, |
00:49:40 |
Ugalde. |
00:49:50 |
My beloved pets. |
00:49:53 |
You like fish? |
00:49:58 |
You're right. |
00:50:02 |
Come in. |
00:50:08 |
You've met my pets. |
00:50:15 |
Now I'll introduce you |
00:50:38 |
SUPER CRASH |
00:50:40 |
MORE WOMEN IN CRASHES |
00:50:45 |
PHANTOM GIRL |
00:50:47 |
Coffee? |
00:50:52 |
Why did you say |
00:50:54 |
I know who you are. |
00:50:56 |
I know you have many questions. |
00:51:00 |
I also know why you |
00:51:03 |
Your answers are in a tragedy |
00:51:07 |
It has to do with you |
00:51:12 |
My sister? |
00:51:14 |
I already told you: Your being here |
00:51:27 |
Those are the only cases |
00:51:31 |
But when I began investigating... |
00:51:33 |
...twenty-five cases. |
00:51:37 |
But... you spoke of a tragedy. |
00:51:41 |
This happened many, |
00:51:43 |
During the colonization, |
00:51:47 |
In that village lived |
00:51:51 |
...a Spaniard soldier |
00:51:56 |
...by using her to have the children |
00:52:01 |
When she realised, |
00:52:05 |
...and threw herself and |
00:52:08 |
...along with her, to die. |
00:52:13 |
Since then, the souls of the women |
00:52:16 |
...are condemned to |
00:52:21 |
Mostly, the children encounter |
00:52:26 |
The mother's hrief is |
00:52:28 |
...crying out for her dead children. |
00:52:31 |
Some live to tell. |
00:52:37 |
If this were true, there'd be... |
00:52:40 |
There'd be ghosts |
00:52:42 |
Perhaps not all over |
00:52:46 |
...take a look at this. |
00:52:51 |
I heard that woman. |
00:52:53 |
- Where? |
00:52:55 |
Screaming, grieving just |
00:52:57 |
Did you see the baby as well? |
00:53:01 |
Do you have anything else |
00:53:03 |
Yes, plenty of cases. |
00:53:09 |
"February 19, 1999, |
00:53:13 |
"Agroup of high school kids |
00:53:15 |
reported hearing a woman |
00:53:19 |
Why are you so interested |
00:53:21 |
I live close by. My sister- in-law |
00:53:26 |
I didn't know what she was |
00:53:28 |
Now you believe me, right? |
00:53:32 |
I've got a map around here. |
00:53:36 |
Look. Your sister is burdened with |
00:53:40 |
...and nobody can help |
00:53:42 |
Not praying, nor sacrifices. |
00:53:49 |
Although... |
00:53:52 |
...perhaps your sister can help. |
00:53:56 |
She's trapped between two worlds. |
00:53:59 |
But you have a bond |
00:54:02 |
That is why |
00:54:06 |
...and you can bring it to you |
00:54:09 |
What worlds? |
00:54:10 |
The world of the living... |
00:54:14 |
...and that of the dead. |
00:54:15 |
Sorry, but... |
00:54:18 |
...that I know of, the existence |
00:54:20 |
But there are people who claim |
00:54:25 |
D'you think they lie? |
00:54:29 |
No. |
00:54:31 |
Not necessarily. |
00:54:32 |
A noble, sensitive spirit |
00:54:39 |
But be careful. |
00:54:41 |
There are spirits who can transform |
00:54:45 |
They can help you... |
00:54:48 |
...but they can also deceive you, |
00:54:53 |
It's dark and I don't want you |
00:54:57 |
Catalina, you can stay in the room. |
00:55:00 |
Nuño, you can make yourself |
00:55:08 |
We're not staying, are we? |
00:55:12 |
I trust her. |
00:55:13 |
The bedtime story was fine, but... |
00:55:16 |
...do you actually believe |
00:55:18 |
I heard that woman, Nuño. |
00:55:19 |
- Catalina... |
00:55:22 |
Agata is trapped in that place. |
00:55:24 |
I can feel it. |
00:55:25 |
She tells me so. |
00:55:27 |
I dream about it. |
00:55:33 |
Catalina? |
00:55:40 |
Catalina! |
00:56:07 |
Impossible. |
00:56:09 |
Impossible. |
00:56:14 |
Catalina, this is Omar. |
00:56:16 |
I've met this person... |
00:56:21 |
We have to find that woman... |
00:56:24 |
...in the sewer of Rio Mixcoac. |
00:56:27 |
Call me back. |
00:56:28 |
I'm sorry I didn't believe you. |
00:56:39 |
Catalina! |
00:56:43 |
Nuño! |
00:56:45 |
Hey! |
00:56:48 |
It's dangerous out here. |
00:56:55 |
Here. |
00:56:56 |
I'll get back on my own. |
00:57:09 |
Catalina! |
00:58:51 |
Hail, Mary, full of grace, |
00:58:54 |
Blessed are you among women and |
00:58:58 |
Holy Mary, Mother of God, |
01:00:25 |
Mystic rose, pray for them. |
01:00:28 |
Tower of David, pray for them. |
01:00:29 |
Ivory tower, pray for them. |
01:00:32 |
House of gold, pray for them |
01:00:34 |
Ark of the Covenant, pray for them. |
01:00:36 |
Gates of heaven, pray for them. |
01:01:12 |
Nuño. |
01:01:13 |
What? |
01:01:15 |
It's day. |
01:01:17 |
You haven't slept, have you? |
01:01:19 |
I'll sleep later. |
01:01:36 |
Good morning, children. |
01:01:39 |
I'll make coffee. |
01:01:40 |
Thanks, but we'll be on our way. |
01:01:42 |
It's no bother. |
01:01:45 |
- Here, you dropped it. |
01:01:48 |
I didn't hear you go out. |
01:01:49 |
You were awake all night, |
01:01:51 |
You're right not to want to sleep. |
01:01:55 |
When you sleep, you're sensitive, |
01:01:58 |
Maybe it'll help you get closer |
01:02:02 |
Ask her for advice. |
01:02:03 |
Sleep. |
01:02:05 |
She'll guide us. |
01:02:07 |
You'll probably have to go back |
01:02:11 |
With her spirit. |
01:02:13 |
Look beyond what your eyes can see. |
01:02:17 |
Forgive me, ma'am, |
01:02:19 |
I will only ask you |
01:02:22 |
Help us, even when |
01:02:25 |
Take care. Fight. |
01:02:37 |
What are you doing? |
01:02:38 |
Seeing some things Omar left. |
01:02:46 |
- Where did he get all this? |
01:02:49 |
But I think I'm beginning |
01:02:51 |
Need any help? |
01:02:53 |
Weren't you going to see |
01:03:01 |
Nuño... |
01:03:04 |
...thanks for everything. |
01:03:07 |
I've been thinking |
01:03:10 |
...and I thought about all |
01:03:15 |
...and... |
01:03:17 |
...I don't know... |
01:03:19 |
- No. |
01:03:21 |
Catalina. |
01:03:23 |
Not now. |
01:03:26 |
It's not a good moment. You're... |
01:03:29 |
...under a lot of pressure. |
01:03:34 |
It's not a good moment. |
01:03:37 |
All right. |
01:03:41 |
Look. |
01:03:43 |
Look at this old map. |
01:03:45 |
The old lady said all this |
01:03:49 |
I compared it to a modern map. |
01:03:56 |
The city was very small. |
01:04:00 |
Here is the old village of Coyoacan. |
01:04:02 |
Presently, the neighborhood |
01:04:04 |
You know that. |
01:04:06 |
There was a river here. |
01:04:08 |
Look at the modern map. |
01:04:10 |
It's right underneath this avenue: |
01:04:14 |
Of course! |
01:04:17 |
The same river that crosses |
01:04:20 |
It goes over all the same points. |
01:04:25 |
Maybe the old lady was right |
01:04:28 |
...looking beyond the eyes... |
01:04:30 |
OLD WOMAN |
01:04:32 |
I don't know. |
01:04:38 |
What is it? |
01:04:40 |
No, no. |
01:04:41 |
I'll go see my sister. |
01:04:43 |
Shall I go with you? |
01:04:45 |
Catalina! |
01:05:10 |
Omar? |
01:05:26 |
Omar, what happened to you? |
01:05:28 |
What's wrong with you? |
01:05:30 |
You're scaring me! |
01:05:38 |
Omar. |
01:05:42 |
What is it? |
01:05:44 |
What's the matter with you? |
01:05:58 |
Where are we going? |
01:06:03 |
Omar. |
01:06:05 |
Omar, damn it, answer me! |
01:06:16 |
Where are we going? |
01:06:30 |
Omar, what are we doing here? |
01:07:35 |
Hello? I'm calling to report a... |
01:07:39 |
...dead person. |
01:07:42 |
Km 31, on the |
01:07:45 |
No, I won't leave my name. |
01:08:12 |
Message received today. |
01:08:15 |
Catalina, this is Omar. |
01:08:18 |
I've met a person who... |
01:08:20 |
You're right... |
01:08:22 |
At the Rio Mixcoac sewer. |
01:08:24 |
There's an entrance by my house. |
01:08:26 |
I'm going to the road |
01:08:28 |
Call me back please. |
01:09:09 |
They won't beat me. |
01:09:11 |
You won't beat me, |
01:09:14 |
I can't! |
01:09:17 |
I can't do it anymore. |
01:09:20 |
I'm not scared. |
01:09:22 |
I'm not scared. |
01:09:25 |
I'm not, I'm not, I'm not in |
01:09:29 |
I'll help her. |
01:09:32 |
She needs me. |
01:09:33 |
We're not different. |
01:09:37 |
We're one. |
01:09:39 |
Horrifyingly identical. |
01:09:43 |
In my mind... |
01:09:46 |
I'm not. |
01:09:51 |
Shit! |
01:09:53 |
Taxi! |
01:09:56 |
To the Desierto de los |
01:10:03 |
Affirmative. Km 31, |
01:10:23 |
What happened? |
01:10:24 |
He was hit by a car last night. |
01:10:26 |
Last night? |
01:10:29 |
There, on the side of the road. |
01:10:32 |
Wasn't there a woman here? |
01:10:34 |
Awoman? No. |
01:10:37 |
Excuse me, officer, |
01:10:41 |
Omar Cantu. |
01:10:42 |
Excuse me! |
01:10:45 |
You knew Omar? |
01:10:47 |
Yes, I knew him. Who are you? |
01:10:49 |
I'm... |
01:10:55 |
Yes, we met downtown. |
01:11:00 |
I'm Martin Ugalde. I saw Omar |
01:11:04 |
Files? |
01:11:07 |
There's something very weird. |
01:11:10 |
The river still exists. |
01:11:12 |
What are you talking about? |
01:11:14 |
An old lady that lives close by, |
01:11:16 |
- Show me. |
01:11:19 |
One thing at a time. |
01:11:50 |
It can't be. |
01:11:53 |
It's here, right? |
01:12:36 |
An old lady used to live here... |
01:12:39 |
...but she commited suicide |
01:12:42 |
It happened in the forties. |
01:12:51 |
She told Catalina to look here. |
01:12:56 |
Help me find her, please. |
01:13:05 |
Catalina is sure she can |
01:13:08 |
They've done it forever. |
01:13:09 |
The old lady said she's asking |
01:13:12 |
Do you know exactly |
01:13:15 |
Yeah, well... more or less. |
01:13:17 |
It's near his place. |
01:13:19 |
Of course, I made those marks. |
01:13:41 |
Sleep. |
01:13:48 |
Sleep. |
01:13:58 |
Sleep. |
01:14:00 |
Why did you do this to me? |
01:14:04 |
- I'm not crazy... |
01:14:08 |
- Easy. |
01:14:16 |
Honey don't. |
01:15:21 |
Must be around here. |
01:15:25 |
Look! The car. |
01:15:28 |
Don't move. |
01:16:02 |
Ma'am! |
01:16:28 |
Officer! |
01:16:31 |
Catalina! |
01:19:23 |
Hello, child. |
01:19:27 |
I came to help, my child. |
01:19:30 |
It's the only way to put |
01:19:33 |
To help your sister. |
01:19:35 |
Are you ready to sacrifice yourself |
01:19:38 |
I already tried. |
01:19:42 |
...but it didn't do any good. |
01:19:45 |
Because the children didn't die |
01:19:50 |
The river dragged them there... |
01:19:54 |
...but they died here. |
01:19:56 |
The sacrifice |
01:19:59 |
Now I know it... |
01:20:04 |
And your sister. |
01:21:23 |
Who are you? |
01:21:33 |
Let Agata go. |
01:21:43 |
I know where you are, |
01:22:31 |
Don't leave me here, darling. |
01:22:35 |
Don't be afraid. |
01:22:37 |
I've been expecting you. |
01:22:43 |
Forgive me, mother! |
01:22:45 |
There's nothing to forgive. |
01:22:48 |
Come, child. |
01:22:50 |
Come with us. |
01:22:54 |
Calm down. |
01:22:57 |
Don't fear. |
01:22:58 |
Calm down. |
01:23:04 |
My dear... |
01:23:06 |
...it will be over soon. |
01:23:19 |
Catalina! |
01:23:21 |
Catalina! |
01:23:28 |
Catalina! |
01:23:29 |
It's me, Nuño! |
01:23:40 |
I won't leave you. |
01:23:42 |
Never, never. |
01:23:44 |
There, there. |
01:24:17 |
What is it? |
01:24:18 |
Where are we? |
01:24:20 |
In the sewer. |
01:24:30 |
What is it? |
01:24:32 |
What's wrong? |
01:24:35 |
My love, |
01:24:39 |
- Who are you? |
01:24:43 |
You're not Catalina! |
01:24:54 |
Catalina? |
01:25:17 |
Drop the gun! |
01:25:18 |
Drop it! Now! |
01:25:21 |
Nuño, what's wrong? |
01:25:31 |
You have to do it. |
01:25:32 |
Nuño! |
01:25:34 |
It's the only way. |
01:25:37 |
You must end this. |
01:25:46 |
Nuño, drop the gun! |
01:25:54 |
I'm Catalina. |
01:27:27 |
Everythinh I loved was over... |
01:27:31 |
And then... life itself. |
01:27:49 |
What happened? |
01:27:58 |
Hey. |
01:28:01 |
Hey. |
01:28:05 |
Hey! |
01:28:09 |
Where am I? |
01:28:11 |
Take it easy. |
01:28:16 |
What happened? |
01:28:21 |
Where is Catalina? |
01:28:30 |
I'm glad you're here, doctor. |
01:28:31 |
She woke up this morning |
01:28:34 |
I gave her 15 mg of Diazepam |
01:28:36 |
- She calmed down? |
01:28:38 |
Where is Catalina? |
01:28:41 |
Catalina is dead. |
01:28:46 |
You killed her. |
01:28:49 |
Don't you remember? |
01:28:51 |
What are you talking about? |
01:28:54 |
What did you see? |
01:28:57 |
I must see her! |
01:28:59 |
What is this? |
01:29:00 |
It's for your own safety |
01:29:04 |
You're gonna need help! |
01:29:05 |
I have to see Catalina. |
01:29:09 |
Untie me, I said! |
01:29:11 |
Where is Catalina? |
01:29:13 |
Untie me! |
01:29:28 |
Thank you. |
01:29:36 |
Agata. |
01:29:39 |
Miss Hameran. |
01:29:44 |
Hello, Agata. |
01:29:47 |
Where am I? |
01:29:48 |
In a hospital. |
01:29:50 |
Don't make any effort. |
01:29:57 |
Where is he? |
01:30:00 |
Where is my child? |
01:30:02 |
- What child? |
01:30:03 |
My child! |
01:30:05 |
You don't have any children. |
01:30:07 |
Where is my child? |
01:30:08 |
Don't get upset, please. |
01:30:10 |
Where is my child? |
01:30:12 |
Nurse! |
01:30:13 |
- Stay calm, please. |
01:30:16 |
Where is my child? |