|
Kentucky Fried Movie The
|
| 00:01:00 |
One peed in the pop corn |
| 00:01:04 |
With Argon, we know that a |
| 00:01:08 |
Has not the means of some to lack. |
| 00:01:10 |
But classical drilling |
| 00:01:13 |
It is necessary to find again |
| 00:01:17 |
In this refinery of Fairbanks |
| 00:01:20 |
one extracts more than 2, 5 billions |
| 00:01:25 |
From the skin of adolescent ones. |
| 00:01:27 |
The crude oil is |
| 00:01:30 |
in order more better |
| 00:01:33 |
again exploited nos In our country. |
| 00:01:37 |
At Milan, in Italy, |
| 00:01:38 |
an argon affiliate found |
| 00:01:43 |
the oil on the well-worn combs |
| 00:01:46 |
a tanker of 300 m And |
| 00:01:51 |
To the United States, |
| 00:01:52 |
we know how to extract now |
| 00:01:57 |
Sufficiently to provide to the |
| 00:02:00 |
in California. To deal |
| 00:02:02 |
the farmers collect more of |
| 00:02:07 |
as here in Beaumont, to Texas, |
| 00:02:12 |
At Argon, we work to |
| 00:02:28 |
Welcome in A.M. Today." |
| 00:02:31 |
Frank Bowman. |
| 00:02:33 |
We are going to see why the pupils |
| 00:02:36 |
Why the trains are slower in Vermont. |
| 00:02:39 |
We will see an adorable |
| 00:02:41 |
And we will examine a |
| 00:02:44 |
The detectors of |
| 00:02:46 |
in New York, the teachers vote |
| 00:02:50 |
Ron Butler is with local delegates |
| 00:02:52 |
at the scene of the |
| 00:02:56 |
Ron, that he happens? |
| 00:03:04 |
Did the teachers finish to vote? |
| 00:03:09 |
We have a technical problem, |
| 00:03:13 |
While waiting, here is A.M. Today." |
| 00:03:15 |
He/it is the hour passed of 18 |
| 00:03:19 |
"Not |
| 00:03:24 |
Sheila, one would say that even |
| 00:03:28 |
see light to the tip of the |
| 00:03:31 |
of our dear President. |
| 00:03:34 |
The intellectuals unleashed themselves, |
| 00:03:37 |
and now that they have the power |
| 00:03:42 |
that they have themselves created, |
| 00:03:44 |
the President makes all to revive |
| 00:03:49 |
Sheila, you and your strip |
| 00:03:53 |
won't know yourselves therefore |
| 00:03:56 |
only makes aggravate the inflation |
| 00:03:59 |
who especially affects |
| 00:04:05 |
My poor John! Species of old chnoque. |
| 00:04:09 |
I listen to your |
| 00:04:13 |
You can keep them and to |
| 00:04:17 |
And to crown the all, sit |
| 00:04:23 |
The professors finished to |
| 00:04:28 |
Ron Butler, have yourselves a |
| 00:04:37 |
II is the hour passed of 19 |
| 00:04:40 |
"The astrological news." |
| 00:04:42 |
We don't try to reinforce |
| 00:04:47 |
but to help the incapable |
| 00:04:52 |
If you are Balance and hesitate |
| 00:04:56 |
wait for even some days. |
| 00:04:58 |
Don't forget that your |
| 00:05:01 |
It is not the moment |
| 00:05:04 |
The Virgin must expect |
| 00:05:07 |
or to the tragic |
| 00:05:12 |
Let's pitch, it is the moment |
| 00:05:15 |
who maintains your daughter |
| 00:05:19 |
If you are Taurus, go to the zoo. |
| 00:05:21 |
And if you are Gemini as me, wait |
| 00:05:26 |
Joyce Wilson, your astro... |
| 00:05:31 |
Thank you, Joyce. |
| 00:05:32 |
Judy Morton is with us since |
| 00:05:36 |
We often received Judy, |
| 00:05:40 |
Welcome, Judy. |
| 00:05:42 |
What of nine? |
| 00:05:43 |
I brought you an Australian gerbille, |
| 00:05:45 |
one of the rare to have |
| 00:05:48 |
She/it is raised, doesn't she/it bite? |
| 00:05:50 |
No, she/it is very cute. |
| 00:05:52 |
They are very endearing. |
| 00:05:57 |
I am going to take one |
| 00:05:59 |
They would make adorable |
| 00:06:01 |
but they have indeed |
| 00:06:03 |
Hey well... Oscar? |
| 00:06:05 |
II is absolutely irresistible. |
| 00:06:07 |
You have another surprise for us. |
| 00:06:10 |
Quite. |
| 00:06:11 |
This one is not small, |
| 00:06:15 |
In any case, it is my opinion. |
| 00:06:18 |
Go there. |
| 00:06:20 |
It is the moment that I prefer |
| 00:06:23 |
I never know what they |
| 00:06:27 |
Look at what one brings to me! |
| 00:06:29 |
I present you Dino. |
| 00:06:33 |
He/it is enormous! |
| 00:06:35 |
But you don't deceive there, |
| 00:06:37 |
he/it is soft like a lamb because |
| 00:06:41 |
It is for that that |
| 00:06:43 |
Is it a rare animal? |
| 00:06:44 |
Yes, and besides we have |
| 00:06:48 |
You don't manage to |
| 00:06:51 |
Not indeed, we have him |
| 00:06:56 |
but all attempts of mating failed. |
| 00:07:00 |
It is surprising. Dino is |
| 00:07:04 |
that I saw, but a big gorilla as him... |
| 00:07:07 |
We don't know very well |
| 00:07:11 |
He/it is maybe shy, |
| 00:07:12 |
carried naturally little |
| 00:07:16 |
Impotent? |
| 00:07:27 |
II is the hour passed of 24 min., |
| 00:07:30 |
here is the main information |
| 00:07:34 |
Thank you, Barbara. |
| 00:07:35 |
We are going to speak of the meeting |
| 00:07:39 |
As foreseen, the rise of |
| 00:07:47 |
We could finally |
| 00:07:50 |
and one tells to me that the |
| 00:07:54 |
The vote lasts since 3 hours. |
| 00:07:57 |
The result now depends of |
| 00:08:00 |
Already have yourselves an |
| 00:08:04 |
I thought that the teachers |
| 00:08:07 |
but as Gemini, I am |
| 00:08:49 |
WE ARE PROUD TO PRESENT YOU |
| 00:08:52 |
OF THE TRAILERS OF |
| 00:09:01 |
Plus that "Mandingo", |
| 00:09:04 |
plus that
|
| 00:09:08 |
plus |
| 00:09:12 |
vous is going to be juicy |
| 00:09:14 |
dans your frock while seeing |
| 00:09:17 |
"The pupils cathos |
| 00:09:21 |
Samuel present Bronkowitz |
| 00:09:26 |
dans a remake of his/her/its |
| 00:09:29 |
Et for the 1 era time to the screen,
|
| 00:09:32 |
Susan, here is Nancy. |
| 00:09:35 |
Nancy, here is Susan. |
| 00:09:38 |
Jamais of the stages as daring |
| 00:09:42 |
Show me your puppet. |
| 00:09:54 |
Mrs. Burke! I took you for Dale. |
| 00:09:58 |
People often confound me with |
| 00:10:09 |
Jamais the beauty of |
| 00:10:12 |
n'avait been shown
|
| 00:10:17 |
Cette strange history tells ce |
| 00:10:21 |
sont authorized to leave |
| 00:10:25 |
Un movie for adults finally has |
| 00:10:29 |
la truth on the masturbation. |
| 00:10:36 |
Sauvage! |
| 00:10:39 |
Pervers to souhait! |
| 00:10:42 |
Ne doesn't miss |
| 00:10:44 |
"The pupils cathos |
| 00:10:58 |
Does the ticket cost how much? |
| 00:11:00 |
3 dollars. |
| 00:11:10 |
Thank you. |
| 00:11:20 |
You know that the movie is |
| 00:11:32 |
Do you want? |
| 00:11:33 |
Of the popcorn, please. |
| 00:11:41 |
A dollar. |
| 00:11:46 |
Thank you. |
| 00:12:34 |
Entrez. I am in my office. |
| 00:12:36 |
Devine that this est. |
| 00:12:38 |
Zsa Zsa Gabor. |
| 00:12:40 |
Donald, you always joke. |
| 00:12:45 |
Tu restarted to smoke. |
| 00:12:49 |
Je makes a new régime. |
| 00:12:54 |
Tu doesn't even have |
| 00:13:05 |
Je prepares you a verre? |
| 00:13:07 |
Je proposes a toast to you, |
| 00:13:16 |
Chéri, I am distressed. |
| 00:13:18 |
Je is going to look |
| 00:13:26 |
Carol, attention |
| 00:13:33 |
Je is going to put |
| 00:13:35 |
Mon poor baby. |
| 00:13:39 |
J'adore to pass you the |
| 00:13:45 |
Tes shoulders are so powerful, |
| 00:13:51 |
Et this white hair |
| 00:13:57 |
Toi only account. |
| 00:14:11 |
C'est what, ça? |
| 00:14:13 |
Tu ace of the lipstick |
| 00:14:15 |
Fais me to see. |
| 00:14:18 |
C'est a lot of lipstick. |
| 00:14:20 |
Espèce of dirty... |
| 00:14:23 |
Je goes you tuer! |
| 00:14:27 |
Arracher hair de your |
| 00:14:31 |
Carol, put this couteau! |
| 00:14:35 |
D'accord, Donald. |
| 00:14:37 |
Dis me that you like me |
| 00:14:40 |
Je would not tell you that |
| 00:14:46 |
Tu wants to see your blood |
| 00:14:49 |
Tu doesn't frighten me. Je |
| 00:14:57 |
Je is not able to. |
| 00:15:07 |
Je knew that you would |
| 00:15:10 |
C'est for that que I |
| 00:15:25 |
Mesdames and gentlemen le |
| 00:15:29 |
à to look at our next |
| 00:15:33 |
qui is going to begin |
| 00:15:43 |
Comment to believe that you had
|
| 00:15:46 |
alors that you wake up
|
| 00:15:49 |
Remerciez Nytex P.M. |
| 00:15:52 |
L'antalgique that acts
|
| 00:15:55 |
Nytex loosens you. |
| 00:15:57 |
Soulage the due pains aux |
| 00:16:00 |
Vous you wake up |
| 00:16:03 |
reposé, et ready |
| 00:16:07 |
Comment to believe that you had
|
| 00:16:09 |
alors that you wake |
| 00:16:13 |
Nytex., it is incredible. |
| 00:16:24 |
Hello and welcome to |
| 00:16:28 |
I am Paul Burmaster. |
| 00:16:30 |
With us today, the big |
| 00:16:33 |
Claude Lamont. |
| 00:16:35 |
Claude, we are delighted to receive you. |
| 00:16:37 |
I am delighted to be here. |
| 00:16:39 |
It is great to meet a man |
| 00:16:42 |
who lives such adventures. |
| 00:16:44 |
I live the unknown, |
| 00:16:46 |
I like the unknown, I am the unknown. |
| 00:16:49 |
Claude... Where do you live, currently? |
| 00:16:52 |
That is a matter for the |
| 00:16:55 |
Speak to us the movie that |
| 00:16:59 |
He/it appears that you |
| 00:17:03 |
Yes, I faced full of dangers. |
| 00:17:07 |
The most dangerous thing, |
| 00:17:11 |
The venomous fish? |
| 00:17:14 |
Pursue, it is your broadcast. |
| 00:17:16 |
No, you are my guest. |
| 00:17:20 |
The venomous fish kill |
| 00:17:23 |
In what ocean one finds it? |
| 00:17:26 |
The Atlantic and the Pacific. |
| 00:17:29 |
Are they big how? |
| 00:17:32 |
Some are very big, of very small others. |
| 00:17:36 |
It is fascinating. |
| 00:17:38 |
Tell us, Claude, |
| 00:17:41 |
how many men take yourselves with you? |
| 00:17:45 |
Sometimes, we take until 45 or 50 men |
| 00:17:49 |
during only one journey. |
| 00:17:51 |
- So much as that? |
| 00:17:53 |
You imagine the problems |
| 00:17:57 |
Often, we must carry |
| 00:18:00 |
or 4 months in a row. |
| 00:18:02 |
The important, it is to eat well |
| 00:18:04 |
and in a regular way. |
| 00:18:08 |
Because if you don't make |
| 00:18:11 |
of numerous things can occur. |
| 00:18:25 |
To the fact, you don't |
| 00:18:28 |
but Claude Lamont made a |
| 00:18:32 |
He/it is monitor of diving and |
| 00:18:38 |
You studied a lot the big white shark. |
| 00:18:42 |
Have noted you that he/it exists |
| 00:18:46 |
Not only this idea has very |
| 00:18:51 |
but we have the proof |
| 00:18:55 |
don't change a territory. |
| 00:18:59 |
I received the famous tonight |
| 00:19:03 |
I am Paul Burmaster and I |
| 00:19:07 |
"The Big Adventure." |
| 00:19:18 |
Moscow in fire. Of the |
| 00:19:21 |
Movie at 23 o'clock. |
| 00:19:24 |
L'acteur and director, |
| 00:19:28 |
To make to best, it is necessary |
| 00:19:32 |
When I am on a plateau and |
| 00:19:37 |
I take the Sanhedrin. |
| 00:19:39 |
Here, to the biggest |
| 00:19:44 |
some tests proved that the new Sanhedrin |
| 00:19:46 |
relieve the pains quickly |
| 00:19:49 |
due to the migraines, to the colds, or |
| 00:19:54 |
It is sure... |
| 00:19:55 |
and efficient. To |
| 00:19:58 |
make like Bill Bixby, |
| 00:20:00 |
take the Sanhedrin. The |
| 00:20:10 |
Je remembers when the girlfriends
|
| 00:20:14 |
J'étais to reason |
| 00:20:26 |
Of fish to the menu, last night? |
| 00:20:32 |
Does Harvey always smoke these cigars? |
| 00:20:39 |
Name of God! Did a |
| 00:20:54 |
It was a delicious to dine. |
| 00:20:55 |
I made to best. |
| 00:21:36 |
Bienvenue in the world |
| 00:21:40 |
où we go vous to make reach |
| 00:21:42 |
une new intensity dans |
| 00:21:46 |
Tamisez lights et with |
| 00:21:50 |
embrassez tenderly
|
| 00:21:56 |
Puis goes to the other tip de |
| 00:22:06 |
L'exposition of the |
| 00:22:08 |
est an inviting prelude |
| 00:22:13 |
Prenez conscience of your body |
| 00:22:15 |
tandis that he/it gets ready |
| 00:22:18 |
révélation. |
| 00:22:22 |
Il is now time d'aller |
| 00:22:26 |
et to embrace his/her/its size. |
| 00:22:29 |
N'oubliez not... |
| 00:22:32 |
Remontez |
| 00:22:36 |
en massaging finely, |
| 00:22:39 |
et while exploring mildly |
| 00:22:41 |
de his/her/its bust. |
| 00:22:44 |
Comme that... |
| 00:22:47 |
Vous now can vous to direct |
| 00:22:51 |
et to relax you while que your |
| 00:22:54 |
de this new reality. |
| 00:22:57 |
A this instant, the male |
| 00:23:01 |
A: "I like you. " |
| 00:23:04 |
B: "I need you". |
| 00:23:07 |
C: "I want you". |
| 00:23:10 |
B |
| 00:23:11 |
La can répondre: |
| 00:23:15 |
"I now" want you. |
| 00:23:20 |
Recuerdos has todos. |
| 00:23:29 |
C'est now the moment de |
| 00:24:24 |
Et us revoilà. |
| 00:24:30 |
Le moment came to pass |
| 00:24:34 |
Le will be able to caress
|
| 00:24:38 |
La, if she/it wishes it, |
| 00:24:41 |
peut to seize his/her/its horn. |
| 00:24:44 |
Il can kiss it mildly |
| 00:24:47 |
à searches for it of the |
| 00:24:54 |
Les kissings must become |
| 00:24:57 |
tandis that the partners are |
| 00:25:05 |
Un of the most current problems
|
| 00:25:09 |
est the one of the |
| 00:25:14 |
En case of precocious ejaculation, |
| 00:25:17 |
le delivers "The joys of the |
| 00:25:20 |
"Big Jim Slade". |
| 00:25:26 |
Big, former footballer, |
| 00:25:30 |
et of a sexual appetite
|
| 00:25:33 |
Big satisfied some women |
| 00:25:35 |
et the capital of Nebraska |
| 00:25:44 |
WE ARE PROUD TO PRESENT YOU |
| 00:25:47 |
OUR MOVIE |
| 00:25:52 |
LUC'S ISLAND OF IT, APRIL 9 11 HS 42 |
| 00:26:03 |
II has three days there, |
| 00:26:05 |
les Russian secret services
|
| 00:26:08 |
représentant an explosion |
| 00:26:13 |
The CIA first of all made |
| 00:26:18 |
but Radio Peking denied the allegation. |
| 00:26:23 |
Here are the Hartz mounts, in Asia. |
| 00:26:25 |
A so rough and so traitorous |
| 00:26:30 |
Worse than Detroit? |
| 00:26:31 |
I am afraid of it. |
| 00:26:34 |
It is there, |
| 00:26:35 |
that doctor Klahn constructed |
| 00:26:38 |
Klahn? |
| 00:26:39 |
Klahn exercised |
| 00:26:41 |
of numerous infamous activities: |
| 00:26:45 |
Opium, gunrunning, murders, |
| 00:26:48 |
distribution of movies... |
| 00:26:50 |
And generalized racket. |
| 00:26:52 |
Precisely. Klahn kidnapped |
| 00:26:55 |
the famous nuclear physicist |
| 00:27:00 |
And he/it has the intention |
| 00:27:01 |
to use his/her/its knowledge |
| 00:27:04 |
to create a manageable detonator, |
| 00:27:07 |
with which he/it will |
| 00:27:11 |
Here is Butkus. The bodyguard of Klahn. |
| 00:27:15 |
He/it is strong and useless. |
| 00:27:19 |
Here is Kwong, the driver of Klahn. |
| 00:27:22 |
He/it is strong and toothless. |
| 00:27:25 |
We need someone who finds |
| 00:27:28 |
beats an army of killers |
| 00:27:30 |
and comes back with Ada Gronick. |
| 00:27:33 |
I have the man that we need. |
| 00:27:44 |
A HANDFUL OF YEN |
| 00:28:46 |
I hope that you observe well. |
| 00:28:56 |
Hit me. |
| 00:29:06 |
What is that that? |
| 00:29:08 |
It is not a game. |
| 00:29:11 |
It is necessary to be |
| 00:29:16 |
One restarts. |
| 00:29:18 |
This time, with the feeling. |
| 00:29:28 |
It is better. |
| 00:29:39 |
My government is ready |
| 00:29:42 |
so that you infiltrated |
| 00:29:48 |
I fear than you me |
| 00:29:51 |
Your people and mine, |
| 00:29:55 |
Mr. Loo, |
| 00:29:56 |
know that the survival |
| 00:30:00 |
Know, Mr. Pennington, |
| 00:30:03 |
that the geographical borders |
| 00:30:07 |
I obey a superior process. |
| 00:30:12 |
But you will be able |
| 00:30:38 |
Hello, I am called Miong Chow. |
| 00:30:42 |
You join a noble chief. |
| 00:32:34 |
Gentlemen, be the welcome. |
| 00:32:37 |
We are honored very |
| 00:32:40 |
We construct a strength of fight |
| 00:32:42 |
of an extraordinary power. |
| 00:32:46 |
We draw our courage |
| 00:32:48 |
in the tradition of our forebears. |
| 00:32:51 |
You have our gratitude. |
| 00:33:18 |
ADA, I CAME TO SAVE YOU |
| 00:33:28 |
Bring me the prisoners! |
| 00:33:49 |
Take it and torture it. |
| 00:33:58 |
As for my American friend, |
| 00:34:00 |
the CIA thinks that |
| 00:34:03 |
the mountains of doctor Klahn? |
| 00:34:06 |
You don't frighten me, |
| 00:34:11 |
Take it in Detroit. |
| 00:34:14 |
No! Not Detroit! |
| 00:34:16 |
Mercy! All safe that! |
| 00:34:21 |
That way, gentlemen. I |
| 00:34:32 |
Allô, here doctor Klahn. |
| 00:34:37 |
laissez me a message
|
| 00:34:40 |
Vous has all my gratitude. |
| 00:35:03 |
Enter. |
| 00:35:09 |
I am here to save you. |
| 00:35:12 |
From where do you come? |
| 00:35:14 |
Pennington... |
| 00:35:17 |
How spent your journey |
| 00:35:21 |
It was a very pleasant journey. |
| 00:35:25 |
You have luck. The sea can |
| 00:35:29 |
I hope that you are satisfied |
| 00:35:31 |
of your room. |
| 00:35:35 |
Doctor Klahn has a big |
| 00:35:39 |
You already joined an army |
| 00:35:44 |
Not since a very long time. |
| 00:35:47 |
I am sure that our men |
| 00:35:51 |
of the world. |
| 00:35:53 |
We construct a strength |
| 00:35:57 |
You honor our mountains. |
| 00:35:59 |
We draw our courage in the |
| 00:36:05 |
It is necessary to bribe |
| 00:36:08 |
One will find money without problem. |
| 00:36:15 |
But it would be badly! |
| 00:37:05 |
What is that that? |
| 00:37:08 |
It is not a game. It is necessary |
| 00:37:12 |
to concentrate in depth. |
| 00:37:16 |
Restart. |
| 00:38:17 |
I brought you a gift. Make your choice. |
| 00:38:27 |
If you don't find your happiness... |
| 00:39:22 |
If you want to follow me, |
| 00:39:27 |
where the treatment of the opium end |
| 00:39:29 |
before being wrapped and |
| 00:39:33 |
We manufacture sufficiently of heroine |
| 00:39:35 |
to satisfy one quarter of |
| 00:39:38 |
These vats contain the |
| 00:39:43 |
Their capacity is of 4000 liters cube. |
| 00:39:47 |
To my right, the atomic detonator, |
| 00:39:49 |
with which the Dr Kahn counts |
| 00:39:54 |
Do you have some questions? |
| 00:39:56 |
No? Very well. Follow me. |
| 00:39:59 |
of the white line, |
| 00:40:52 |
A robot! |
| 00:41:02 |
A robot? |
| 00:41:04 |
Zigouillez this salopard! |
| 00:41:15 |
ATOMIC DETONATOR RESPONSIBLE, ADA GRONIK |
| 00:42:43 |
I follow you very thankful. |
| 00:42:45 |
You are a man of an extraordinary power. |
| 00:43:17 |
Enter. |
| 00:44:39 |
Your technique is not surpassed |
| 00:44:45 |
A magnificent demonstration of agility. |
| 00:44:48 |
Your curiosity flatters me. |
| 00:44:51 |
You are surely impatient |
| 00:45:06 |
Who are they? |
| 00:45:08 |
Of the useless. Collected in bars. |
| 00:45:13 |
Done kidnap? |
| 00:45:15 |
Of the drunkards who don't know |
| 00:45:21 |
Where are we? |
| 00:45:23 |
Me me in madmen. |
| 00:45:27 |
And them? |
| 00:45:29 |
Of the drunkards who ignore where |
| 00:45:34 |
They know where they are, himself |
| 00:45:38 |
I don't know where I follow. |
| 00:45:41 |
I don't drink. |
| 00:45:43 |
Guard! |
| 00:45:51 |
- You you foutez of all? |
| 00:45:53 |
Put it in the cell n° |
| 00:45:57 |
- What do you drink? |
| 00:46:06 |
Gentlemen. |
| 00:46:08 |
We discovered alas among us |
| 00:46:11 |
a hostile visitor. |
| 00:46:14 |
Mr. Loo is going to be punished |
| 00:46:18 |
But it is not important at present. |
| 00:46:21 |
The important, it is that my |
| 00:46:25 |
and missed to their duty. |
| 00:46:29 |
They must now prove that they deserve |
| 00:46:32 |
to remain among us. |
| 00:46:35 |
Present us our guards. |
| 00:46:42 |
The guard n° 1 is a veteran of |
| 00:46:46 |
Please applaud Gone up Well! |
| 00:46:52 |
The guard n° 2 is a bitten |
| 00:46:54 |
of skating. An applause |
| 00:47:02 |
The guard n° 3 often travels |
| 00:47:06 |
Please applaud Gigantic Parts. |
| 00:47:15 |
Guard n° 1, it is your |
| 00:47:18 |
he/it is too late to go to |
| 00:47:22 |
Hey well... |
| 00:47:23 |
we walk on the beach to the moonlight. |
| 00:47:27 |
Then I play of the songs |
| 00:47:31 |
And the following day morning... |
| 00:47:32 |
Butkus! |
| 00:47:37 |
Guard n° 2, |
| 00:47:39 |
if I slept, and that |
| 00:47:44 |
how would you wake me up? |
| 00:47:46 |
I would not wake you |
| 00:47:54 |
And you, n° 3? |
| 00:47:56 |
What would you make? |
| 00:47:58 |
We construct an armed strength |
| 00:48:03 |
We draw our courage in the |
| 00:48:06 |
The Dr Klahn is an admirable |
| 00:48:11 |
A helping hand in the Dr Klahn! |
| 00:48:31 |
Are you ready for your early exercises? |
| 00:54:19 |
No water! |
| 00:54:28 |
I melt! |
| 00:54:31 |
What world! |
| 00:54:34 |
II had a power of matchless fight. |
| 00:54:42 |
Congratulations, Mr. Loo. |
| 00:54:44 |
Your mission is a big success. |
| 00:54:47 |
Since you provoked the |
| 00:54:50 |
you have the enjoyment of his/her/its |
| 00:54:56 |
Thank you, Mr. Pennington. |
| 00:54:59 |
But I only want a thing, |
| 00:55:03 |
To the Kansas. |
| 00:55:05 |
But my dear, you have the |
| 00:55:10 |
Indeed? |
| 00:55:11 |
You only have to slap |
| 00:55:15 |
while saying: "One is |
| 00:55:26 |
One is never as well that at home. |
| 00:55:47 |
Loo... |
| 00:55:48 |
Wake you up. |
| 00:55:54 |
Aunt Em! |
| 00:55:57 |
Toto! |
| 00:56:00 |
I finally went back. |
| 00:56:02 |
You should have made a nightmare. |
| 00:56:06 |
I was of it. |
| 00:56:08 |
Where that? |
| 00:56:10 |
On this awful mountain |
| 00:56:11 |
governed by the abominable Dr Klahn. |
| 00:56:13 |
There were some prisoners, |
| 00:56:15 |
Jake was there and... |
| 00:56:18 |
Slim, and Ben. |
| 00:56:24 |
It was maybe a dream. |
| 00:56:26 |
And nasty, with that! |
| 00:56:28 |
A dream of an extraordinary power. |
| 00:56:33 |
- It was real. |
| 00:56:36 |
But that you did learn of all that? |
| 00:56:39 |
Hey well, |
| 00:56:41 |
one can look everywhere for happiness, |
| 00:56:45 |
but it is not the pain to look |
| 00:56:49 |
One can make full of things |
| 00:56:54 |
To go in a dairy |
| 00:56:56 |
to see how milk is |
| 00:57:00 |
To make an expo on |
| 00:57:04 |
Or to finance a library. |
| 00:57:06 |
To ask your dentist how |
| 00:57:29 |
Vous sold tout your |
| 00:57:33 |
plus of about sixty pedestrians. |
| 00:57:35 |
Après an exhausting day, you |
| 00:57:39 |
Maintenant, c'est |
| 00:57:42 |
Déchaussez your sandals |
| 00:57:44 |
et clears a Willer. |
| 00:57:47 |
La better beer depuis 1892. |
| 00:57:52 |
C'est the moment to relax
|
| 00:57:54 |
Vous deserves la |
| 00:57:59 |
Elle descends easily. |
| 00:58:01 |
Elle is pleasant, |
| 00:58:07 |
On is not reincarnated
|
| 00:58:11 |
alors it is necessary to search for |
| 00:58:18 |
Aries asphyxiated in |
| 00:58:21 |
Movie at 23 o'clock. |
| 00:58:24 |
Une novelty of Barker Brothers,
|
| 00:58:28 |
"Scot Free." Your team comes
|
| 00:58:32 |
Vous is going to succeed |
| 00:58:34 |
Lancez the dice to see. |
| 00:58:36 |
Super! You found |
| 00:58:43 |
Un bonus. |
| 00:58:45 |
Jack is going to can |
| 00:58:47 |
C'est well, parce that |
| 00:58:51 |
Abraham
|
| 00:58:53 |
Coup! But you leave. |
| 00:58:56 |
Quelle luck, |
| 00:58:57 |
22 witnesses |
| 00:58:58 |
meurent. |
| 00:59:03 |
"Life Magazine" achète |
| 00:59:06 |
mais you buy "Life Magazine" |
| 00:59:08 |
et shows the pictures
|
| 00:59:10 |
Vous is there nearly, |
| 00:59:12 |
l'Opinion. |
| 00:59:15 |
Vous has réussi!
|
| 00:59:17 |
Vous is "Scot Free"! En |
| 00:59:22 |
Si "The Tower Infernale" |
| 00:59:26 |
si "Tremor of terre" |
| 00:59:32 |
alors you go |
| 00:59:33 |
chier in your frock |
| 00:59:35 |
en seeing the movie de |
| 00:59:39 |
"Strongly the apocalypse"! |
| 00:59:43 |
Une realistic representation de the |
| 00:59:47 |
comme you never saw it au |
| 00:59:51 |
dans "The architect's role. |
| 00:59:52 |
This building is not sure. |
| 00:59:57 |
Barbara in the |
| 01:00:04 |
Jack dans |
| 01:00:07 |
Governor, the city is in fire, |
| 01:00:08 |
the national care is |
| 01:00:11 |
The dam threat to give up! |
| 01:00:13 |
Of the terrorists control the airport |
| 01:00:15 |
and the nuclear plant |
| 01:00:18 |
Governor, that one goes to make? |
| 01:00:25 |
Donald in the role |
| 01:00:35 |
Larry, don't go there! |
| 01:00:37 |
I must go there. For Helen! |
| 01:00:44 |
Let it. |
| 01:00:45 |
Come in Montana with me. |
| 01:00:47 |
I cannot escape him. |
| 01:00:49 |
I don't ask you to escape you, |
| 01:00:51 |
but to face the reality. |
| 01:00:53 |
What reality? Her yours or mine? |
| 01:00:55 |
Mine and her yours. |
| 01:00:57 |
What do you say? |
| 01:00:59 |
Let it, come in Montana with me. |
| 01:01:01 |
I cannot escape him, as |
| 01:01:04 |
II is not about escaping, |
| 01:01:07 |
My reality or her yours? |
| 01:01:08 |
My reality and her yours, here is! |
| 01:01:11 |
What do you say? |
| 01:01:16 |
One leaves, Larry! |
| 01:01:19 |
What do you play? |
| 01:01:20 |
You know it very well. |
| 01:01:25 |
Larry, one is going |
| 01:01:29 |
Vous will never forget |
| 01:01:32 |
"Strongly the apocalypse! " |
| 01:01:35 |
You understood me very well! |
| 01:01:39 |
To the course of the last years, |
| 01:01:41 |
more than 800000 Americans died. |
| 01:01:43 |
In spite of the sums |
| 01:01:46 |
the death always makes the |
| 01:01:49 |
Hello, I am Henry Gibson. |
| 01:01:51 |
I speak you to the name of |
| 01:01:55 |
There is not a treatment again |
| 01:01:57 |
against the paralyzing |
| 01:01:59 |
but each can get ready to |
| 01:02:04 |
1: Deathly stiffness. |
| 01:02:06 |
2: Odor of decomposition. |
| 01:02:09 |
3: Occasional somnolence. |
| 01:02:11 |
It is important to know |
| 01:02:15 |
1: Don't drive of car. |
| 01:02:18 |
2: Don't manipulate of big contraptions. |
| 01:02:21 |
3: Don't speak. |
| 01:02:23 |
Your grants for this reason |
| 01:02:27 |
Of numerous families |
| 01:02:30 |
I would like to present |
| 01:02:34 |
3 years ago, our small Johnny died. |
| 01:02:36 |
One believed that it was |
| 01:02:39 |
the Fund United for the Deaths. |
| 01:02:41 |
They showed us that in spite |
| 01:02:44 |
Johnny could be even useful to |
| 01:02:47 |
Notre interlocutor du "Fund Uni" |
| 01:02:50 |
nous showed que the body |
| 01:02:53 |
n'était not necessarily |
| 01:02:59 |
Nous achieved to what point |
| 01:03:02 |
de power to make participate it
|
| 01:03:07 |
Le United Fund for the Deaths a |
| 01:03:11 |
Nous their soaps will to have |
| 01:03:16 |
Henry Gibson asks you |
| 01:03:17 |
to be generous when the |
| 01:03:23 |
No photos, please. |
| 01:03:27 |
I nor said photos nor commentaries. |
| 01:03:29 |
COURT |
| 01:03:31 |
No photos. |
| 01:03:46 |
September 22, 1957, |
| 01:03:49 |
took place a collision |
| 01:03:51 |
causing more 55000 $ of damages. |
| 01:03:55 |
We attend the suit here |
| 01:03:59 |
The plaintiffs that you are going to |
| 01:04:04 |
While we join the court, |
| 01:04:07 |
go ask M. Hornung to make |
| 01:04:11 |
Mr. Hornung, make your |
| 01:04:16 |
If the court allows it to me, |
| 01:04:20 |
I would like to prove today |
| 01:04:22 |
that to the evening |
| 01:04:26 |
Sheldon Grunwald drove his/her/its car |
| 01:04:28 |
on the freeway 30, in |
| 01:04:32 |
when the rear of his/her/its |
| 01:04:35 |
by the conducted car by the defendant, |
| 01:04:37 |
Mile Rita Filagree. |
| 01:04:39 |
In conclusion, your Honor, |
| 01:04:43 |
listen to a strip. |
| 01:04:51 |
Hey, Wally, it is terrific |
| 01:04:54 |
The farm! One is going to make |
| 01:04:58 |
Mr., is the defense it lends? |
| 01:05:01 |
Quite, your Honor. |
| 01:05:02 |
Call your first witness then. |
| 01:05:12 |
The number of Sheldon Gunwald. |
| 01:05:15 |
It is I! |
| 01:05:17 |
It is not anymore the pain, I found it. |
| 01:05:21 |
You swear to say the truth, |
| 01:05:22 |
the whole truth, nothing that the truth? |
| 01:05:25 |
I swear it. |
| 01:05:27 |
You made me so happy! |
| 01:05:33 |
We will say rightly that M. |
| 01:05:36 |
We are going to begin the |
| 01:05:40 |
I have more reasons to |
| 01:05:43 |
that... my wife, for example? |
| 01:05:47 |
You lose 5 points. |
| 01:05:48 |
You have 45 of them. |
| 01:05:52 |
I yield my tower to Arlene. |
| 01:05:54 |
Sorry, the time is |
| 01:05:58 |
I inform you that M. Gunwald |
| 01:06:12 |
Mr. Gunwald, |
| 01:06:13 |
in addition to your activity |
| 01:06:17 |
No, spoon! |
| 01:06:19 |
Ah yes, spoon. |
| 01:06:22 |
Evidently. Picker doesn't |
| 01:06:25 |
Therefore Mr. Grunwald, in |
| 01:06:31 |
he/it is not exact that |
| 01:06:34 |
No. |
| 01:06:36 |
- Is it then exact? |
| 01:06:39 |
You are not monitor of conduct? |
| 01:06:41 |
No. |
| 01:06:43 |
I contest these questions. |
| 01:06:45 |
Objection rejected. |
| 01:06:46 |
Then I would like to examine |
| 01:06:49 |
Please. |
| 01:06:54 |
All is in place. |
| 01:06:56 |
Your witness, master. |
| 01:06:58 |
Please tell us your first name. |
| 01:07:05 |
Sheldon. |
| 01:07:07 |
Hey well, Mr. Grunwald, |
| 01:07:09 |
that wants to say... this gesture? |
| 01:07:12 |
Joyeux... |
| 01:07:15 |
Joyeux, Sheldon. |
| 01:07:22 |
Mr. Grunwald, |
| 01:07:24 |
please tell us in what |
| 01:07:28 |
Objection! This shirt goes from silk. |
| 01:07:31 |
Retained objection. |
| 01:07:33 |
Very well. |
| 01:07:34 |
Mr. Grunwald, please follow |
| 01:07:42 |
Objection! The lawyer |
| 01:07:44 |
Retained objection. |
| 01:07:45 |
Mr. Hornung, Mr. Taylor, |
| 01:07:52 |
While the judge converses |
| 01:07:55 |
let's mark one pause with this message. |
| 01:08:02 |
That makes our small skeptic, today? |
| 01:08:04 |
She/it has the cat in the Nesson oil. |
| 01:08:13 |
The judge is going to ask in M. Hornung |
| 01:08:15 |
to prove the applicability of the law. |
| 01:08:17 |
Mr. Hornung, you must prove |
| 01:08:22 |
I not only go to prove it, |
| 01:08:25 |
but to show how these facts |
| 01:08:33 |
I call to the rod |
| 01:08:36 |
Mile Rita Filagree. |
| 01:08:40 |
As everybody waited for itself |
| 01:08:44 |
Filagree mile was in |
| 01:08:47 |
but had been declared |
| 01:08:52 |
I swear it. |
| 01:08:54 |
Filagree mile, as passenger, |
| 01:08:58 |
can identify the driver |
| 01:09:01 |
Yes. |
| 01:09:04 |
Is he/it in this court? |
| 01:09:07 |
Yes! |
| 01:09:10 |
Can you show it to me? |
| 01:09:12 |
I am not able to. |
| 01:09:14 |
I am not able to really. |
| 01:09:16 |
Know yourselves the code |
| 01:09:20 |
You would not cry, if one |
| 01:09:24 |
Ben no! But the girls, |
| 01:09:26 |
When a type cries, one |
| 01:09:29 |
That then, Wally. Is necessary |
| 01:09:33 |
Dear Madam, |
| 01:09:34 |
to hide relative proofs |
| 01:09:37 |
to a crime as hateful... |
| 01:09:42 |
"Hêneux?" |
| 01:09:43 |
"Aineux?" |
| 01:09:45 |
II is necessary to say "Héneux." |
| 01:09:47 |
One doesn't say "your Héneur." |
| 01:09:49 |
No! Ladies and gentlemen, |
| 01:09:53 |
"Hyenas": |
| 01:09:54 |
Carnivorous animals and |
| 01:10:04 |
Watch, Wally. |
| 01:10:06 |
Stop! |
| 01:10:11 |
Do you see? I knew that |
| 01:10:14 |
We don't want any pain to your planet. |
| 01:10:20 |
The accusation mocks of this court! |
| 01:10:24 |
Very well. |
| 01:10:26 |
He/it is over there seated. |
| 01:10:33 |
Oh, no. Him! |
| 01:10:37 |
The bailiff tried to identify |
| 01:10:42 |
Everybody waits with impatience |
| 01:10:45 |
to know the mysterious driver. |
| 01:10:47 |
He/it could have a truth |
| 01:10:50 |
The next person... |
| 01:10:53 |
It is he! |
| 01:10:56 |
Le broadcaster Steven McCrosky |
| 01:10:58 |
et condemned to 20 years of reclusion |
| 01:11:03 |
Le sténotypiste Cord Simley |
| 01:11:07 |
et plays veil and steam-powered
|
| 01:11:10 |
Wallace and Theodore Cleaver ont |
| 01:11:13 |
et messengers in bed |
| 01:11:18 |
WE ARE PROUD TO PRESENT YOU |
| 01:11:21 |
THE TRAILERS OF OUR FUTURE PROGRAMS |
| 01:11:27 |
Elle, a stick of black |
| 01:11:31 |
Lui, a small Jew hassidim. |
| 01:11:34 |
Elle leads a fierce fight |
| 01:11:36 |
dans the ghetto. |
| 01:11:37 |
Il studies the Talmud |
| 01:11:48 |
Tandis that she/it fires |
| 01:11:51 |
il lights the candles |
| 01:12:04 |
C'est a love passionnel! |
| 01:12:06 |
Une torrid ardor |
| 01:12:17 |
Seuls, they dared to triumph |
| 01:12:21 |
fureur of the desire. |
| 01:12:23 |
Jamais such a violence |
| 01:12:27 |
Jamais more, a man |
| 01:12:29 |
et a woman won't face
|
| 01:12:33 |
Ensemble, |
| 01:12:34 |
rien won't be able to stop them. |
| 01:12:43 |
THE EDUCATIONAL MOVIES PRESENT |
| 01:12:45 |
LESSON OF SCIENCE N°5 |
| 01:12:47 |
On often ignores, |
| 01:12:49 |
que the chemicals |
| 01:12:52 |
dans our daily life. |
| 01:12:54 |
Un of the most current products |
| 01:12:58 |
est oxidizes it of zinc. |
| 01:13:02 |
ce farmer |
| 01:13:03 |
et this housewife |
| 01:13:06 |
mais oxidizes it of zinc
|
| 01:13:09 |
I use the oxide of |
| 01:13:12 |
Sans oxidizes it of zinc, |
| 01:13:16 |
Les cloths that you use. |
| 01:13:20 |
Votre> |
| 01:13:22 |
Le bra that you wear. |
| 01:13:26 |
L'évier of the kitchen. |
| 01:13:30 |
Ces rods to curtains. |
| 01:13:32 |
Les shelves of your refrigerator. |
| 01:13:38 |
Les hooks made of metal. |
| 01:13:40 |
Le burner of the stove. |
| 01:13:44 |
Le safety catch
|
| 01:13:55 |
Le handbrake de your car. |
| 01:14:02 |
Tous the brakes. |
| 01:14:09 |
Cette cover. |
| 01:14:11 |
Et the sable? |
| 01:14:16 |
Tout to fact. |
| 01:14:19 |
My God! |
| 01:14:20 |
Le pacemaker of your husband. |
| 01:14:25 |
Votre prosthesis. |
| 01:14:29 |
Oui, the oxide of zinc
|
| 01:14:33 |
Ne doesn't miss |
| 01:14:36 |
to "Rebuild his/her/its house". |
| 01:14:41 |
THE MAD OF THE DANGER |
| 01:14:44 |
One says that courage of a man tackles |
| 01:14:47 |
to the way of which |
| 01:14:51 |
You are going to discover |
| 01:14:55 |
Man's kind that ignores what |
| 01:14:58 |
Rex Kramer, mechanic to |
| 01:15:03 |
Un man ready to risk his/her/its life |
| 01:15:07 |
Il searches for it, it faces |
| 01:15:11 |
Rex. The mad |
| 01:15:32 |
Negroes! |
| 01:15:58 |
Light the television, |
| 01:16:01 |
Do you joke? |
| 01:16:05 |
Go, light it. |
| 01:16:22 |
Le governor Billingsley est |
| 01:16:26 |
C'est the 4th governor
|
| 01:16:30 |
pendant his/her/its mandate. |
| 01:16:33 |
au to say Billingsley, |
| 01:16:37 |
pour to "choose the neighbor |
| 01:16:40 |
Le senator Hammond |
| 01:16:42 |
que the report that is going to leave
|
| 01:16:46 |
ainsi that the FBI. |
| 01:16:48 |
Le report won't harm
|
| 01:16:51 |
mais will suggest the resignation |
| 01:16:53 |
qui transmits des |
| 01:16:57 |
A, the Union |
| 01:17:00 |
concentre the negotiations |
| 01:17:03 |
sur the 3 main manufacturers
|
| 01:17:06 |
En reason of the frost of the wages
|
| 01:17:09 |
le union didn't get
|
| 01:17:12 |
et this time, he/it asks |
| 01:17:14 |
une clause for une |
| 01:17:17 |
Les business are disrupted |
| 01:17:21 |
tandis that more of 500000
|
| 01:17:24 |
ont announced a strike of 3 days |
| 01:17:27 |
La strike would have disrupted |
| 01:17:29 |
la life of... |
| 01:17:35 |
17 millions of Japanese |
| 01:17:38 |
qui takes the train |
| 01:17:41 |
ou to the école. |
| 01:17:43 |
Les commuters look for
|
| 01:17:47 |
pour to surrender to their work
|
| 01:17:51 |
Des score of thousand |
| 01:17:55 |
ont been forced de to |
| 01:17:57 |
Ils camps in their office and... |
| 01:18:00 |
parce that... the stores
|
| 01:18:04 |
La strike... |
| 01:18:06 |
... there is what happens |
| 01:18:09 |
au with these Japanese. |
| 01:18:14 |
Les course of the Stock market |
| 01:18:17 |
d'après the announcements |
| 01:18:20 |
les exchanges slowed down. |
| 01:18:24 |
Les assigns
|
| 01:18:26 |
à the recent deregulation |
| 01:18:31 |
Une tragedy hit le yard |
| 01:18:34 |
Une explosion of gas destroyed |
| 01:18:37 |
le centers recreational. |
| 01:18:39 |
L'explosion cost life |
| 01:18:43 |
des places, Mr. James Hitchcock... |
| 01:18:47 |
et to his/her/its family's |
| 01:18:50 |
Trois other people
|
| 01:18:53 |
et two is carried extinct. |
| 01:19:14 |
Nous has the proof that... |
| 01:19:16 |
mercredi evening, the Libyan colonel |
| 01:19:19 |
essaie to bargain some fruits, |
| 01:19:25 |
avec Uganda to help |
| 01:20:00 |
Bonsoir and thank you |
| 01:20:03 |
d'avoir |
| 01:20:06 |
les information de |
| 01:20:15 |
I don't wear a trousers. |
| 01:23:18 |
Subtitling video: C.M.C. |
