American Gangster
|
00:01:49 |
Happy Thanksgiving! |
00:01:54 |
Come here! |
00:01:59 |
- Yeah! |
00:02:00 |
Toss me a bird, Bumpy! |
00:02:02 |
Bumpy! |
00:02:05 |
- Yeah! |
00:02:07 |
There you go, darling. |
00:02:10 |
Over here! Over here! |
00:02:15 |
Frank! Come on! |
00:02:18 |
Come here. |
00:02:32 |
This is the problem. |
00:02:37 |
It's gotten so big, |
00:02:41 |
The grocery store |
00:02:45 |
The candy store is a McDonald's. |
00:02:50 |
And this place, |
00:02:54 |
Where's the pride of ownership, huh? |
00:02:58 |
Where's the personal service? |
00:03:07 |
You see what I mean? Shit. |
00:03:12 |
I mean, what right do they have, |
00:03:17 |
pushing out all the middlemen, |
00:03:20 |
buying direct from the manufacturer? |
00:03:25 |
Sony this, Toshiba that. |
00:03:29 |
All them Chinks |
00:03:40 |
That's the way it is now. |
00:03:45 |
You all right? |
00:03:47 |
You can't find the heart of anything |
00:03:52 |
to stick the knife. |
00:03:56 |
Hey! |
00:03:58 |
Anybody here? |
00:04:00 |
Can I help you? |
00:04:01 |
Call an ambulance. |
00:04:03 |
Forget it, Frank. |
00:04:06 |
There's no one in charge. |
00:04:13 |
Call an ambulance! |
00:04:16 |
Some say |
00:04:19 |
according to the eulogies, a giving man, |
00:04:22 |
No one chose to use in their remembrances |
00:04:24 |
the word most often associated with |
00:04:28 |
whose passing has brought a who's who |
00:04:32 |
Lucchese mob boss Dominic Cattano, |
00:04:36 |
Nicky! Nicky! |
00:04:37 |
From the political arena, |
00:04:39 |
the Governor has come down, |
00:04:41 |
and Chief of Police and Commissioner, |
00:04:46 |
Bumpy Johnson, |
00:04:49 |
was a folk hero among |
00:04:53 |
Regarded by some |
00:04:55 |
by others as a ruthless criminal::: |
00:04:57 |
I don't understand, you know. |
00:04:59 |
I would've thought that Bumpy would |
00:05:03 |
- You want something? |
00:05:05 |
I want chicken wings at my funeral. |
00:05:07 |
All right, Nicky Barnes. |
00:05:10 |
He didn't know what hit him, |
00:05:11 |
I just kept popping him |
00:05:16 |
Mmm. |
00:05:20 |
I don't have a lighter. You have a light? |
00:05:26 |
Oh. |
00:05:33 |
Okay? |
00:05:35 |
That's very good. |
00:05:37 |
Hey, Frank. |
00:05:41 |
Go get me a light while you're at it. |
00:05:45 |
Appreciate it. |
00:05:47 |
Don Cattano. |
00:05:49 |
Hey, how you doing, Rossi? |
00:05:51 |
Good. |
00:05:52 |
Would you like a drink, sir? |
00:05:54 |
Give him a scotch on the rocks. |
00:06:02 |
Come on. Come on. |
00:06:13 |
I know you're hurting, Frank. |
00:06:16 |
So am I. |
00:06:17 |
I'm all right. |
00:06:19 |
- You gonna be all right? |
00:06:21 |
I'm sure Bumpy didn't say |
00:06:24 |
that if anything ever happened to him, |
00:06:26 |
that I should make sure |
00:06:31 |
I appreciate that. |
00:06:33 |
You know, half the people in this room |
00:06:37 |
They think I'm gonna forget to collect, |
00:06:40 |
Well, that's the spirit. Go get 'em. |
00:06:46 |
Mr Roberts, |
00:06:49 |
Mr Roberts, |
00:06:50 |
give us US v: Mead, |
00:06:55 |
and what it means to us today. |
00:06:57 |
Class, you'll be critiquing Mr Roberts, |
00:07:04 |
I hate hearing my name called, |
00:07:07 |
It means I gotta get up in front of the class, |
00:07:10 |
and I know every one of those people there, |
00:07:14 |
The number one fear of people, |
00:07:18 |
I get physically ill, I wanna throw up. |
00:07:19 |
And that's what you wanna do for a living. |
00:07:21 |
No, I don't wanna be like that, man, |
00:07:24 |
So, should I do this? |
00:07:25 |
No, he'll take it from me, he knows me. |
00:07:27 |
- From high school? |
00:07:30 |
He doesn't take it, just throw it in. |
00:07:32 |
- Throw it in? All right. |
00:07:36 |
What's up, Susie? |
00:07:37 |
- How you doing, baby? |
00:07:40 |
All right. Ready? |
00:07:58 |
Hey! That's his head! |
00:08:07 |
You're supposed to be my friend, |
00:08:12 |
CAMPIZl: I swear to God, Richie, |
00:08:14 |
I would never slam a door |
00:08:18 |
You bit my fucking hand. |
00:08:19 |
What are you doing |
00:08:21 |
We're on loan to County. |
00:08:23 |
- How's that working out for you? |
00:08:25 |
Hey, I'm sorry. Consider me served. |
00:08:30 |
Assault on a police officer? I don't think so. |
00:08:33 |
Hey, for old times' sake. What can we do? |
00:08:36 |
What do you get for assault |
00:08:39 |
- Five years minimum. |
00:08:41 |
Guys, come on. No, guys. |
00:08:45 |
Who do you got? |
00:08:47 |
You want Big Al's bookie? You want |
00:09:00 |
CAMPIZl: Stop, stop, stop. |
00:09:02 |
There he is. |
00:09:07 |
That's him. That's the bookie. |
00:09:09 |
All right, Carlo, get lost. |
00:09:11 |
- Right here? |
00:09:12 |
CAMPIZl: This is... I'd rather not. |
00:09:16 |
Take it ease. |
00:09:38 |
Want to stay with him or the car? |
00:09:40 |
Let's see who comes for the car. |
00:09:57 |
Think he made us? |
00:09:59 |
You called in the warrants, right? |
00:10:01 |
I just called, man. |
00:10:03 |
I called and walked back here |
00:10:09 |
I saw him with the slips, Jay. |
00:10:11 |
You saw policy slips? You saw |
00:10:15 |
Yes, I do and so do you. |
00:10:18 |
What's the rush, Richie? |
00:10:21 |
- I got night school, all right? |
00:10:32 |
Fuck this. Come on. |
00:10:34 |
Yeah, I'm sure. Let's go. |
00:11:29 |
Fuck. |
00:11:32 |
- Jay. |
00:11:40 |
Fuck. |
00:11:46 |
WBZ, honey bunch, |
00:11:48 |
It's the groovy sound |
00:11:50 |
Dig, honey, it's coming up time for news: |
00:11:53 |
Jumping on the ceiling, |
00:11:55 |
Stick around, the Jace-man's got 10: |
00:12:05 |
It's not just a couple of bucks, all right? |
00:12:07 |
It's the same thing in principle. |
00:12:10 |
Oh, are we talking principles? |
00:12:11 |
Richie, a cop who turns |
00:12:15 |
He turns in cops who take money. |
00:12:19 |
Yeah, well, then we're fucked both ways. |
00:12:20 |
Not if we keep it. Only if we don't, |
00:12:23 |
But not if we keep it. |
00:12:26 |
God damn it, man! Did we ask for this? |
00:12:28 |
Did we put a gun to someone's head |
00:12:31 |
Cops kill cops they can't trust. |
00:12:39 |
We can't turn it in, man. |
00:12:50 |
Can you believe that? |
00:13:01 |
How much is it? |
00:13:03 |
$987,000. |
00:13:07 |
Well, what happened to the rest of it? |
00:13:12 |
What the hell are you doing |
00:13:15 |
Are you nuts? |
00:13:17 |
Get it back in the bags, seal them up |
00:13:31 |
You fucking Boy Scout. |
00:13:57 |
What? What? |
00:14:24 |
Detective Trupo, sign here. |
00:14:30 |
You guys ready to make |
00:14:32 |
Always. |
00:14:34 |
Fucking A. |
00:14:37 |
Oh, look at this. |
00:14:39 |
There you go. |
00:14:40 |
All right, look at this. |
00:14:43 |
There's three more boats. |
00:14:53 |
Hey, don't lose any of that shit. |
00:14:55 |
I know. |
00:15:01 |
Hey! Just enough for the reagent test. |
00:15:05 |
A little less. |
00:15:12 |
ROSSl: This is the French Connection dope: |
00:15:15 |
Kilos of the same dope |
00:15:19 |
The cops seize it, arrest everyone, |
00:15:21 |
then they start taking it out |
00:15:24 |
whacking it down to nothing |
00:15:27 |
They basically control the market with it: |
00:15:30 |
Mr Rossi, I have a surprise for you. |
00:15:33 |
ROSSl: They've been doing it for years now: |
00:15:36 |
What do you think? |
00:15:37 |
What the fuck is happening |
00:15:39 |
Those fucking crooks. |
00:15:41 |
Yeah. Sad about Bumpy. |
00:15:46 |
Things are never gonna |
00:15:48 |
You walk down the street, nobody bothers |
00:15:53 |
Half a key. |
00:15:55 |
How is your day now? |
00:15:58 |
It's chaos. Every gorilla for hisself. |
00:16:03 |
Motherfucker! |
00:16:07 |
Who can live like that? |
00:16:11 |
That would never happen with Italians. |
00:16:13 |
More important than any one man's life, |
00:16:25 |
Frank. |
00:16:27 |
Hey. Come on in, Claude. Sit down. |
00:16:35 |
How y'all doing, huh? |
00:16:37 |
So, you see Nate over there? Yeah? |
00:16:39 |
Yeah, all the time. |
00:16:40 |
- Nate is everywhere. He's good. |
00:16:42 |
- He's still over there? |
00:16:44 |
- Okay. Whereabouts, Saigon? |
00:16:47 |
- Bangkok? |
00:16:54 |
Come on. |
00:17:22 |
On the house, for our boys in uniform. |
00:17:25 |
Thank you, sugar. That's very kind. |
00:17:28 |
Thank Frank. |
00:17:30 |
Thanks, Frank. |
00:17:33 |
Just relax. |
00:17:35 |
You have to boot this shit a couple of times. |
00:17:39 |
The cops keep cutting it, selling the shit. |
00:17:45 |
I don't want to say anything, |
00:17:48 |
but that shit in Nam is way, |
00:17:52 |
way heavy. |
00:18:20 |
Did you ain't seen the jar, Frank? |
00:18:23 |
I think you walked right past it. |
00:18:26 |
The money jar, Frank. |
00:18:30 |
Hmm? |
00:18:34 |
Look at this nigger right here. |
00:18:36 |
Bumpy don't own 116th no more. |
00:18:39 |
Bumpy don't own |
00:18:41 |
I'm the landlord and the lease is 20%. |
00:18:45 |
Look, don't sell dope then, Frank. |
00:18:48 |
You need a fucking job, Frank? |
00:18:52 |
Well, you can come work for me. |
00:18:53 |
Okay? You can drive me around, huh? |
00:18:56 |
Huh? "Yes, sir", "No, sir", "Right away, sir", |
00:19:04 |
Twenty percent. |
00:19:12 |
Twenty percent is my profit, Tango. |
00:19:17 |
If I give you that, then what do I got left? |
00:19:19 |
Twenty percent puts me out of business, |
00:19:21 |
and every somebody |
00:19:23 |
There's legitimate ways of doing things, |
00:19:26 |
Not even Bumpy took 20%. |
00:19:28 |
Bumpy's fucking dead. |
00:19:34 |
My man. |
00:19:36 |
Twenty percent? |
00:19:46 |
Twenty percent. |
00:19:47 |
Doc, let's go. |
00:20:06 |
Out: Good job: Sit: |
00:20:11 |
A leader, like a shepherd, |
00:20:15 |
he sends his fastest nimble sheep, |
00:20:18 |
And the others will follow. |
00:20:20 |
While the shepherd, |
00:20:23 |
Here, boy! Here we go. Right here. |
00:20:27 |
Now he's got the stick, and the cane, |
00:20:32 |
If he has to. |
00:20:34 |
But most times he doesn't have to. |
00:20:36 |
He moves the whole herd quietly. |
00:20:43 |
What right do they have |
00:20:48 |
The middleman. Buying direct. |
00:20:52 |
Putting Americans out of work. |
00:20:56 |
That's the way it is now, Frank. |
00:21:00 |
That's the way it is. |
00:21:19 |
The drug problem |
00:21:23 |
At this point, it is estimated that one third |
00:21:26 |
with opium and heroin: |
00:21:31 |
The authorities say |
00:21:32 |
large quantities of marijuana, |
00:21:36 |
Every person and every vehicle |
00:21:39 |
is subject to a thorough shakedown: |
00:21:41 |
Soldiers have access to |
00:21:45 |
in Bangkok, Saigon and other areas |
00:21:49 |
Officials say the easy availability, |
00:21:53 |
and high purity of heroin |
00:21:57 |
is leading to an epidemic |
00:22:05 |
- Operator: |
00:22:07 |
- What city? |
00:22:09 |
- You know the country code? |
00:22:12 |
- For the first three minutes, it'll be::: |
00:22:21 |
Hello? |
00:22:23 |
Soul Brothers: Hey, can I help you? |
00:22:24 |
Nate. |
00:22:26 |
- Do I know you? |
00:22:28 |
- Who? |
00:22:35 |
Go on, get yourself a new suit. |
00:23:13 |
Look, I'm sorry. |
00:23:15 |
Oh, please, Richie. |
00:23:17 |
It couldn't be avoided. |
00:23:20 |
We're moving. |
00:23:22 |
What? Where? |
00:23:26 |
The St Regis. What do you care? |
00:23:30 |
To my sister's. |
00:23:32 |
- Your sister's? In Vegas? |
00:23:34 |
You are not moving to Las Vegas. |
00:23:38 |
What am I supposed to do with him, |
00:23:43 |
Hey, guys! Be cool. |
00:23:47 |
Laurie, Las Vegas is not |
00:23:51 |
Like this is a good environment? |
00:23:54 |
When am I supposed to see my boy? |
00:23:56 |
This weekend. Last weekend. |
00:24:00 |
God damn it. |
00:24:01 |
Hey! I asked you nice to shut up, right? |
00:24:04 |
Now I'm gonna have to kill you. |
00:24:05 |
I swear I will pull out my gun |
00:24:09 |
Now stop what you're doing |
00:24:11 |
Calm down, man. Okay, be cool. |
00:24:16 |
Fucking crazy, man. |
00:24:19 |
You don't have a gun. |
00:24:23 |
You sure? |
00:24:33 |
You are crazy, Richie. |
00:24:39 |
You don't have room for us. |
00:24:43 |
I'll see you in court. |
00:24:46 |
Come on, Michael. |
00:24:48 |
Say bye to your dad. |
00:24:51 |
- Get over here. |
00:24:55 |
I'll see you next week, all right? |
00:24:59 |
Let's get you an ice cream. |
00:25:26 |
You have 10 minutes remaining. |
00:26:36 |
Shake it, baby. |
00:26:43 |
Oh, come on, girl. Don't tell me $5 |
00:26:46 |
Can you dig that it costs money |
00:26:49 |
Oh, come on, girl. |
00:27:24 |
How much you want, Frank? |
00:27:27 |
Tell him I want 100 keys. |
00:27:31 |
Frank, ain't nobody I know |
00:27:34 |
You're gonna have to |
00:27:36 |
and it's not gonna be 100% pure. |
00:27:38 |
I don't want that. |
00:27:40 |
I know what you don't want, Frank, |
00:27:42 |
but look, what you're gonna need is to get |
00:27:47 |
Cholon, Saigon. |
00:27:49 |
I understand that, |
00:27:52 |
It'll be already chopped up. |
00:27:54 |
I wanna go to the source. |
00:27:56 |
- So, you're gonna go get it yourself? |
00:27:59 |
Huh? I came this far. |
00:28:02 |
You're gonna go |
00:28:03 |
I'm in the jungle. Look around. |
00:28:05 |
They're eating these roaches |
00:28:07 |
Nigga, I'm talking about snakes, all right? |
00:28:09 |
I'm talking about tigers, |
00:28:11 |
I'm talking about mosquitoes |
00:28:15 |
You wanna go into the jungle? |
00:28:17 |
We're going. |
00:28:20 |
- Fuck it. Let's go. |
00:28:22 |
Why not? Let's go. |
00:29:06 |
Hey, Frank. |
00:29:08 |
This whole spot's locked down |
00:29:13 |
General Chiang Kai-shek's defeated army. |
00:29:54 |
How would you get it into the States? |
00:29:56 |
You ain't got to worry about that. |
00:29:58 |
Who do you work for in there? |
00:30:00 |
You ain't got to worry about that, either. |
00:30:02 |
Who are you, really? |
00:30:05 |
Frank Lucas, |
00:30:07 |
I mean, who you represent? |
00:30:09 |
Me. |
00:30:12 |
You think you're going |
00:30:16 |
and you don't work for anyone? |
00:30:20 |
That's right. |
00:30:28 |
After this first purchase, |
00:30:34 |
or their people in the States, then what? |
00:30:40 |
Then there will be more, |
00:30:44 |
And if it's all the same to you, |
00:30:45 |
I don't wanna have to drag my ass up here |
00:30:48 |
Of course not. |
00:30:53 |
My man. |
00:30:55 |
- Soul brother, huh? |
00:31:39 |
Fifty grand. It's gonna cover them |
00:31:44 |
Give them a hundred. |
00:31:47 |
Fifty is gonna cover it, Frank. |
00:31:49 |
Give them a hundred, |
00:31:52 |
And look, |
00:31:54 |
that's all I got. |
00:32:02 |
Hey, listen, cousin or no cousin, |
00:32:06 |
I ain't got no time |
00:32:09 |
I'll let you know when it's in the air. |
00:32:12 |
My man. |
00:32:27 |
Fuck. |
00:32:37 |
Richie? |
00:32:38 |
This fucking guy made me: |
00:32:40 |
I don't know how he did, but he did. |
00:32:42 |
He went for his gun: |
00:32:44 |
I had to do it, man. |
00:32:45 |
There's 100 people |
00:32:47 |
You gotta help me. You gotta do something. |
00:32:50 |
Baby. |
00:32:51 |
Where are you, Jay? |
00:32:54 |
That's the problem. |
00:32:59 |
Dispatch, I got a 10-13. I got a 10-13. |
00:33:02 |
Copy that: What's your 20? |
00:33:05 |
Tower two. |
00:33:08 |
Apartment 1G. |
00:33:10 |
Kent and West in the projects. |
00:33:12 |
Identify yourself, please: |
00:33:14 |
Detective Richie Roberts. |
00:33:15 |
That's a negative: I got no units in that area: |
00:33:18 |
Bullshit. |
00:33:20 |
Please put the call out again. |
00:33:22 |
Detective Roberts, |
00:33:25 |
- Fuck you. |
00:33:37 |
I didn't mention no cops. |
00:33:39 |
You know what I'm saying? |
00:33:40 |
I'll get the motherfucker! |
00:33:42 |
Yo, cracker, |
00:33:48 |
Where the fuck you going? |
00:33:53 |
What you gonna do, motherfucker? |
00:33:56 |
Hey, hey, be cool. Be cool, all right? |
00:34:00 |
I'll find out what's going on in here. |
00:34:11 |
Richie. |
00:34:18 |
Open the door! |
00:34:19 |
Open the motherfucking door! |
00:34:21 |
Where's your backup? |
00:34:22 |
You motherfucking cracker! |
00:34:24 |
You got no backup? Why is that? |
00:34:26 |
You gotta come |
00:34:29 |
Bandage his neck. |
00:34:31 |
Richie, he's dead. |
00:34:32 |
I know he's fucking dead, right. |
00:34:34 |
Bandage his neck, clean up his head, |
00:34:35 |
prop him up on the gurney |
00:34:38 |
Open this fucking door! |
00:34:39 |
All right? Let's go. |
00:34:40 |
Fuck. |
00:34:45 |
All right, clean him up. |
00:34:47 |
Okay. Where's the solution? |
00:34:52 |
Hey. |
00:34:55 |
God damn it, open this fucking door! |
00:34:58 |
- Give me your gun. |
00:34:59 |
Give me your gun. |
00:35:01 |
Get your punk ass out here, man! |
00:35:04 |
- You have your badge? |
00:35:06 |
I'm gonna kill that son of a bitch! |
00:35:08 |
- You guys ready? |
00:35:09 |
Okay. Just keep moving forward. |
00:35:12 |
- You all right? |
00:35:15 |
It's okay! It's okay! |
00:35:18 |
We're taking him to the hospital. |
00:35:19 |
Everybody, step back! Step back! |
00:35:23 |
He's all right. |
00:35:25 |
He's okay. We're taking care of him. |
00:35:27 |
Step back. Step back. |
00:35:31 |
Everything's fine. Just stand back. |
00:35:34 |
He's all right. |
00:35:35 |
He's alive. |
00:35:37 |
What happened inside? |
00:35:39 |
We're taking him to the hospital. |
00:35:50 |
Thanks, man. |
00:35:52 |
Fuck. |
00:35:54 |
That asshole pulled a piece on me, man. |
00:35:57 |
He pulls a piece on a cop? |
00:35:59 |
I had to do it, man. Kill or be killed. |
00:36:02 |
Fucking crazy world, right? |
00:36:07 |
What the fuck were you |
00:36:09 |
Investigating stuff, man, you know, |
00:36:12 |
just like you taught me. Checking on guys, |
00:36:16 |
following things up, |
00:36:19 |
That guy was a dealer. |
00:36:24 |
That guy didn't pull a gun on a cop, Jay. |
00:36:27 |
That guy pulled a gun on a junkie, |
00:36:31 |
What the fuck you say? |
00:36:34 |
What the fuck, man? |
00:36:36 |
- What the fuck is that? |
00:36:39 |
I earned this shit. That's mine! |
00:36:41 |
- I earned it doing good cop work! |
00:36:43 |
- What the fuck is that? |
00:36:44 |
- You murdered a guy! |
00:36:46 |
You murdered a guy! |
00:36:49 |
You murdered him, you robbed his money, |
00:36:52 |
That makes me an accessory |
00:36:54 |
I'll tell you the facts, man. Just write |
00:36:58 |
and then that's the way it is, |
00:37:03 |
I can't do that. |
00:37:06 |
I'm a leper because I listened to you |
00:37:10 |
No one will work with me after that. |
00:37:12 |
I can get off this shit, Richie. That's easy. |
00:37:17 |
Just write the report between us, |
00:37:23 |
I can't do that. |
00:37:27 |
Hey! |
00:37:30 |
Stop! Stop! |
00:37:32 |
Fuck it. |
00:38:12 |
Open the trunk. |
00:38:28 |
Peace now! Peace now! Peace now! |
00:38:32 |
LBJ, how many kids did you kill today? |
00:38:36 |
Get out, get out, get out of Vietnam! |
00:38:39 |
Get out, get out, get out of Vietnam! |
00:38:42 |
:: As loud as we can |
00:38:45 |
and that the best way |
00:38:49 |
to simply pack up |
00:38:57 |
How we looking? |
00:39:02 |
Typically, what I see is 25% to 45% pure. |
00:39:05 |
I mean, there's no adulterants, |
00:39:09 |
It's 100%. |
00:39:16 |
May I? |
00:39:17 |
Take it with you. |
00:39:20 |
Thank you, Frank. |
00:41:18 |
I'll take it. |
00:41:23 |
Cash. |
00:41:25 |
Fabulous. |
00:41:31 |
I'm not talking about your proclivities, |
00:41:36 |
I'm talking about being a cop. |
00:41:38 |
You're talking about taking money? |
00:41:40 |
I don't do that. It's not my thing. |
00:41:42 |
What about your friends |
00:41:43 |
- Do you still hang out with them? |
00:41:46 |
Play baseball on the weekends. |
00:41:47 |
Wise guys? That's gonna look good. |
00:41:50 |
Guys I went to high school with. So what? |
00:41:52 |
What about Joseph Sodano? |
00:41:56 |
What about him? |
00:41:57 |
Richie, I'm just trying |
00:42:00 |
If they're not true, tell me. |
00:42:01 |
Yeah, he's one of them. |
00:42:03 |
- Is he also your son's godfather? |
00:42:05 |
He's definitely fucking her. |
00:42:07 |
Do you really care about this? |
00:42:16 |
You know, there's an interview room |
00:42:19 |
- That's what I thought. |
00:42:21 |
All rise. |
00:42:29 |
Oh, God, Richie. |
00:42:43 |
Don't answer it! |
00:42:50 |
Yeah? |
00:43:05 |
- Richie Roberts. |
00:43:10 |
Hey. Richie Roberts. |
00:43:11 |
Hi. Detective Norman Reily. |
00:43:13 |
- Hey, Norm. How are you? |
00:43:15 |
- So, is that him? |
00:43:25 |
Picked a nice night to come out, huh? |
00:43:29 |
It's been like this. |
00:43:31 |
I'm lucky if I get home by midnight. |
00:43:40 |
Something I gotta sign? |
00:43:42 |
Yeah. It's right here. |
00:43:44 |
I'm taking this with me. |
00:43:47 |
All right. |
00:43:50 |
America's public enemy number one |
00:43:57 |
In order to fight and defeat this enemy, |
00:43:59 |
it is necessary to wage a new, |
00:44:04 |
Federal authorities |
00:44:07 |
to establish special narcotics bureaus |
00:44:10 |
in Washington, New York, |
00:44:13 |
A detective without |
00:44:16 |
really can't do much. |
00:44:19 |
You know why I don't have it. |
00:44:22 |
Doesn't matter. You did what you had to do. |
00:44:25 |
Greatest city in the world! |
00:44:29 |
Everybody's stealing, dealing. |
00:44:34 |
Look at you. |
00:44:37 |
Good news is, |
00:44:41 |
The special narcotics bureau |
00:44:46 |
They are sincere. I know this |
00:44:49 |
And I want you to |
00:44:52 |
If it's federal, |
00:44:54 |
No, you answer to me, |
00:44:55 |
me and the US Attorney, nobody else. |
00:44:59 |
You never step foot |
00:45:04 |
You work out of your own place, |
00:45:06 |
guys that you know |
00:45:32 |
Well, we got the lovely transit. |
00:45:38 |
600-year-old mahogany doors. |
00:45:43 |
Now, look at that. Can't you just feel it? |
00:45:47 |
I think it's lovely. |
00:45:50 |
Watch your step. |
00:45:56 |
Look at these beautiful floors. |
00:45:58 |
At least, I don't know, 200 years old. |
00:46:02 |
Now this was one of my favourite rooms but |
00:46:07 |
I even fixed it. I know it works. |
00:46:13 |
Here it is. |
00:46:22 |
You know, I used to be a really good |
00:46:25 |
but then, I don't know why I forgot. |
00:46:29 |
Life goes on. Well... |
00:46:33 |
How long are you gonna be? |
00:46:38 |
Oh, and do me a favour, please. |
00:46:40 |
Those are beautiful, ornate glass doors, |
00:46:52 |
Here we go, Jimmy. Come on. |
00:46:53 |
Oh, yeah. Give it back. |
00:47:00 |
Huey's. |
00:47:01 |
Huey: What up, boy? |
00:47:03 |
Yeah, who this? |
00:47:04 |
Who you think it is, boy? |
00:47:05 |
- Frank: |
00:47:07 |
- Frank your brother, negro: |
00:47:13 |
That's right. |
00:47:14 |
Hey, Melvin! Melvin, where's Ma? |
00:47:16 |
- What? |
00:47:19 |
Hey, Ma! |
00:47:20 |
Frank's on the phone! |
00:47:23 |
- Say what? |
00:47:25 |
Frank? Oh, my Lord! |
00:47:27 |
Yeah, when? |
00:47:29 |
Listen, I'm gonna call y'all back |
00:47:31 |
at 6:00. I want you to get |
00:47:33 |
Get Mama, get everybody. |
00:47:34 |
- All right? |
00:47:52 |
Hey, Frank! |
00:47:53 |
What's happening, Frank? |
00:47:55 |
- Hey, Frankie. |
00:47:57 |
Get out the car. |
00:48:01 |
Look at this, baby. |
00:48:03 |
Oh, my Lord! |
00:48:07 |
Oh, I'm telling you, |
00:48:13 |
I wonder what |
00:48:14 |
And whose house is that, |
00:48:16 |
That is your house, Mama. |
00:48:19 |
- Mine? |
00:48:22 |
And who else? |
00:48:25 |
Now, there, that's my room |
00:48:35 |
Anybody want some more collard greens? |
00:48:39 |
I wanna tell you how happy |
00:48:43 |
and the grandchildren at the same time. |
00:48:46 |
My heart's so happy. |
00:48:48 |
- Enjoy yourselves. |
00:48:50 |
I hope you got a job, boy, |
00:48:53 |
That boy right there, he got a arm on him. |
00:48:57 |
Oh, yeah? |
00:48:58 |
Ain't that right? |
00:48:59 |
Right on, Pop. |
00:49:00 |
Well, we'll see after dinner. |
00:49:03 |
No, no, you can't catch him, man. |
00:49:05 |
I'm talking about... I'm talking about... |
00:49:06 |
This guy throw harder than Gibson. |
00:49:08 |
We're talking 95 miles an hour. |
00:49:11 |
- Can you catch him? |
00:49:13 |
He gonna catch the ground. |
00:49:15 |
We might've played catch, |
00:49:17 |
Since then, he ain't been able to keep up. |
00:49:23 |
- This is your room. |
00:49:26 |
Oh. Why, it's... |
00:49:28 |
Will you look at this? |
00:49:31 |
Oh! |
00:49:33 |
It's beautiful. It's beautiful. It's just... |
00:49:37 |
I... |
00:49:44 |
How did you... |
00:49:46 |
I had it made. |
00:49:49 |
From memory. |
00:49:51 |
You were five when they took it away on me. |
00:49:52 |
- That's right. |
00:49:54 |
How could I forget, Mama? |
00:50:00 |
I'll just tell you it is perfect. |
00:50:04 |
It's all perfect. |
00:50:12 |
I can't tell you how much I love you. |
00:50:14 |
I love you, too, Mama. |
00:50:17 |
It's okay. |
00:50:27 |
Both these guys, |
00:50:31 |
and they're honest and they're fearless. |
00:50:34 |
They're insane, Richie, like you. |
00:50:37 |
Where are they? |
00:50:41 |
That's Jones with the skinny white broad. |
00:50:44 |
Best I ever seen on the street. |
00:50:46 |
He knows dope, but he's together, all right? |
00:50:50 |
He's a stand-up guy all round. |
00:50:52 |
And that's Abruzzo |
00:50:57 |
He loves a big ass, man. |
00:51:00 |
He's a bulldog. He don't fuck around, |
00:51:04 |
yeah, but you can trust |
00:51:08 |
Listen, Richie. We work together. |
00:51:24 |
When do we start? |
00:51:29 |
The man I worked for, |
00:51:30 |
he had one of the biggest companies |
00:51:32 |
He ran it for more than 50 years. |
00:51:35 |
Fifteen years, eight months and nine days, |
00:51:39 |
I was with him every day. I worked for him, |
00:51:40 |
I protected him, |
00:51:45 |
Bumpy was rich, |
00:51:47 |
He wasn't wealthy. |
00:51:49 |
He didn't own his own company. |
00:51:51 |
he just managed it. |
00:51:53 |
The white man owned it, so they owned him. |
00:51:56 |
- Nobody owns me, though. |
00:51:57 |
- How you doing, babe? |
00:51:59 |
That's 'cause I own my own company, |
00:52:02 |
that's better than the competition, |
00:52:05 |
at a price that's lower than the competition. |
00:52:09 |
Well, what are we selling here, Frank? |
00:52:26 |
How you doing, Red? |
00:52:28 |
These are my brothers, |
00:52:30 |
Everybody, this is Redtop. |
00:52:31 |
- Hello. |
00:52:33 |
And the ladies. |
00:52:35 |
What wrong? Y'all niggas |
00:52:39 |
Why are they all naked? |
00:52:40 |
So they can't steal nothing. |
00:52:42 |
Right. |
00:52:44 |
The most important thing in business |
00:52:50 |
family, |
00:52:52 |
never forgetting where we came from. |
00:52:55 |
Thank you, Charlene. |
00:53:01 |
See, you are what you are in this world, |
00:53:08 |
Either you're somebody, |
00:53:11 |
or you're nobody. Be right back. |
00:53:29 |
I need these fresh. 'Cause |
00:53:32 |
- you know what it is. |
00:53:33 |
- Don't y'all play that. |
00:53:35 |
You won't have to come back. |
00:53:37 |
What about you, Frank? |
00:53:38 |
Where's my money? |
00:53:41 |
You're supposed to be |
00:53:42 |
Here's a jar right here. Twenty percent. |
00:53:44 |
- You got the jar? |
00:53:48 |
Get the fuck out of here... |
00:53:50 |
What the fuck you gonna do, Frank? |
00:53:53 |
You gonna shoot me in front of everybody? |
00:54:00 |
Shit. |
00:54:13 |
There you go. Twenty percent. |
00:54:40 |
So, what was I saying? |
00:54:51 |
Jones. |
00:54:54 |
Jonesy. |
00:54:57 |
That was nice, man. |
00:55:00 |
- Just doing my melodious thing, baby. |
00:55:10 |
This is the newly formed |
00:55:14 |
Our mandate is to make major arrests. |
00:55:19 |
We're looking for |
00:55:22 |
Heroin, cocaine, amphetamines. |
00:55:26 |
No powder under 40 kilograms. |
00:55:27 |
Any less than that, |
00:55:30 |
We gonna be handling the big shipments, |
00:55:33 |
I heard a story about you. |
00:55:35 |
That you found a million dollars |
00:55:38 |
and gave that shit back. Is that true? |
00:55:41 |
Yeah, I did. |
00:55:48 |
So do I, you know? |
00:55:50 |
I should be down in South Florida |
00:55:53 |
You and me, both. |
00:55:55 |
But you know, I didn't, so here I am, |
00:55:58 |
and we'll be looking to land |
00:56:28 |
- All right? |
00:56:53 |
See that, Richie? |
00:56:55 |
And this stuff is your everyday stuff. |
00:56:58 |
But this Blue Magic, twice the potency. |
00:57:01 |
I mean, it's the purest thing I ever seen |
00:57:06 |
And that's for those white suburban kids |
00:57:09 |
I paid 10 bucks for that. |
00:57:11 |
And it's everywhere. |
00:57:14 |
So, how is that possible? |
00:57:16 |
Who can afford to sell |
00:57:27 |
Hey, man. Frankie, baby, good to see you! |
00:57:30 |
Everything's good? |
00:57:31 |
Yeah, man, just got back from Europe, |
00:57:32 |
over there for two months, |
00:57:37 |
Look right, look right. |
00:57:43 |
Nicky! |
00:57:46 |
Give us a smile, Nicky. |
00:57:48 |
Show us the cover. |
00:57:49 |
You know what I'm saying, man? |
00:57:50 |
Hey, Nicky, over here. |
00:57:52 |
There you go. |
00:57:55 |
Nicky! |
00:57:58 |
Who is that? Look at you, my man. |
00:58:10 |
All right. |
00:58:11 |
Ladies and gentlemen, |
00:58:12 |
the Brown Bomber! The champ! |
00:58:15 |
Mr Joe Louis! |
00:58:26 |
Who's that with Joe? |
00:58:28 |
Miss Puerto Rico. |
00:58:30 |
- Puerto Rico? Is she a beauty queen? |
00:58:33 |
For real. The beauty queen. |
00:58:59 |
- Welcome. |
00:59:08 |
Can you all excuse us for a minute, please? |
00:59:09 |
Yeah, sure, Frank. |
00:59:10 |
Yes, sir. |
00:59:13 |
Thank you. |
00:59:18 |
What's going on, man? |
00:59:20 |
- What you smiling about? |
00:59:22 |
- What is this? Huh? |
00:59:24 |
- What's what? |
00:59:28 |
What is that you got on? |
00:59:29 |
What's what, man? |
00:59:31 |
Yeah, that! What you got on. |
00:59:33 |
This is a very, very, very nice suit. |
00:59:34 |
That's a very, very, very nice suit, huh? |
00:59:36 |
- That's a clown suit. That's a costume... |
00:59:38 |
...with a big sign on it that says "Arrest Me." |
00:59:41 |
You understand? You're too loud. |
00:59:44 |
The loudest one in the room is |
00:59:49 |
All right? What, |
00:59:51 |
What's your problem with Nicky, man? |
00:59:53 |
I ain't got no problem with Nicky. |
00:59:55 |
- Yeah! |
00:59:56 |
You want to be superfly? |
00:59:59 |
Share a jail cell with him? |
01:00:01 |
He wants to talk to you. |
01:00:02 |
- Oh, so now you talking to him about me? |
01:00:05 |
- About what? What is it about? |
01:00:06 |
- Then what is it like? |
01:00:08 |
- your name came up. |
01:00:10 |
I don't know, man. I told him I'd tell you. |
01:00:15 |
You know... Boy, you... |
01:00:18 |
You know, if you wasn't my brother, |
01:00:21 |
I'd blow your motherfucking brains out. |
01:00:23 |
Come on, man. Don't be like that. |
01:00:24 |
I'm taking you shopping this week. |
01:00:25 |
- I went shopping. |
01:00:27 |
See deep into you |
01:00:30 |
And know what you're thinking now |
01:00:36 |
And if I'm what you're needing |
01:00:40 |
I need some kind of sign |
01:00:44 |
Let me know, 'cause I can't read your mind |
01:00:51 |
Are you in or am I in this on my own? |
01:00:55 |
I need some clue from you |
01:00:58 |
It's a tax thing. |
01:01:00 |
It's a mistake my lawyers |
01:01:02 |
- but for the time being... |
01:01:06 |
It's nothing. It's like... |
01:01:09 |
Fifty grand. |
01:01:12 |
You got it. |
01:01:15 |
Thank you, man. |
01:01:18 |
Joe, this ain't no loan. It's a gift. All right? |
01:01:21 |
All you did for Bumpy, we owe you. |
01:01:24 |
Keep your chin up. All right? Okay? |
01:01:27 |
All you have which is down there. Down. |
01:01:30 |
All right. Doc, will see you, okay? |
01:01:35 |
You play it so cool |
01:01:36 |
Hey! |
01:01:39 |
You still owe me that dance, right? |
01:01:40 |
Doc, come on. |
01:01:46 |
Frank, check this. |
01:01:56 |
- How you doing? |
01:01:57 |
- Frank Lucas. |
01:02:00 |
Nice to meet you, Eva. |
01:02:01 |
Nice to meet you, Frank. |
01:02:04 |
You're Frank and this is your place? |
01:02:06 |
That's right. I'm Frank and this is my place. |
01:02:10 |
Why is it called Small's? |
01:02:16 |
When you own something, |
01:02:19 |
Small's. |
01:02:21 |
Or Frank's. Frankie Small's. |
01:02:24 |
Small's Frankie. |
01:02:27 |
That's right. |
01:02:29 |
You want to let my hand go? |
01:02:33 |
Okay. |
01:02:35 |
You leaving? |
01:02:36 |
No, I was going to my table. |
01:02:38 |
Okay. Need somebody to go with you? |
01:02:42 |
- Yes? |
01:02:47 |
All the cheesies. |
01:02:48 |
Right here, here we go. |
01:02:50 |
Wash your hands? |
01:02:53 |
Yeah. |
01:02:57 |
Hey, Spearman, what about him? |
01:02:58 |
Joey Sodano. Don Cattano's nephew. |
01:03:00 |
Yeah, yeah. |
01:03:02 |
He looks like your uncle, Abruzzo. |
01:03:03 |
Yeah, but he's not as handsome. |
01:03:05 |
He looks more like your sister. |
01:03:07 |
Yeah, that's funny. |
01:03:08 |
Maybe you guys |
01:03:09 |
So we need Ice Pick Paul. |
01:03:12 |
Ice Pick Paul? |
01:03:13 |
There you go. Get him up. |
01:03:15 |
Ice Pick Paul, |
01:03:18 |
No, Ice Pick Paul, he's a fucking soldier. |
01:03:21 |
How's that even fucking possible? |
01:03:22 |
That's Benny the Bishop. |
01:03:25 |
That guy is a soldier. This guy's |
01:03:29 |
You thinking of Benny the Bishop. |
01:03:30 |
Vinnie Two Socks is fucking |
01:03:33 |
Jonesy's right. |
01:03:35 |
Hey, which one of you guys has ever |
01:03:37 |
Actually seen it go down? |
01:03:41 |
Yeah, seen it go down. |
01:03:44 |
That rat, Ricky, has told us... |
01:03:46 |
He's fucking dead. About four weeks ago. |
01:03:50 |
He's dead. |
01:03:52 |
All right, well, |
01:03:54 |
I don't think we got any |
01:03:59 |
What you saying, Richie? |
01:04:02 |
I'm saying, take it down. |
01:07:20 |
Hi, who's this? |
01:07:22 |
- Hello? Gabe? Yeah, it's Scott: |
01:07:25 |
Scotty! What's going down, brother? |
01:07:28 |
Those snow tyres you gave me last night: |
01:07:31 |
- Oh, the snow tyres? |
01:07:35 |
- Give me one-and-a-half more: |
01:07:37 |
- that's a pretty big order. |
01:07:41 |
they better get at least 100,000 miles: |
01:07:43 |
All right, I'll tell you what. |
01:07:47 |
I'm gonna set you up real nice |
01:07:51 |
- Thanks, bro: |
01:07:55 |
That's considerably more than |
01:08:00 |
If it disappears, |
01:08:05 |
That's yours. |
01:08:07 |
Signing my life away again, |
01:08:14 |
- It has to be Blue Magic, right? |
01:08:18 |
You can pick it up here tomorrow. |
01:08:19 |
$20,000. |
01:08:20 |
Just leave it there. |
01:08:36 |
- How'd you do? |
01:08:40 |
Here he comes. |
01:08:42 |
- That's him? |
01:08:44 |
That was quick. |
01:08:57 |
Richie, if he goes in the city, |
01:08:59 |
Stay with the fucking money, |
01:09:01 |
We stay with the money, all right? |
01:09:02 |
We can't go in the fucking city. |
01:09:03 |
Yes, we can. |
01:09:05 |
that I'm responsible for. I ain't losing it. |
01:09:07 |
It's out of our jurisdiction! |
01:09:09 |
Follow the money! |
01:09:26 |
He's pulling over. |
01:09:28 |
All right, here we go. |
01:09:30 |
Let me out here. |
01:09:34 |
Don't disappear, all right? |
01:09:35 |
I'll circle the block. |
01:09:38 |
Move! |
01:09:57 |
Hey! Who's the fuck? |
01:10:12 |
Police Officer. I'm commandeering |
01:10:15 |
Who the fuck cares about you? |
01:10:17 |
- Get someone else's car! |
01:10:20 |
Come on, man. Can't we live in peace... |
01:12:30 |
Frankie, Frankie! Sit down. |
01:12:32 |
What? |
01:12:34 |
Happy birthday, gentlemen. |
01:12:37 |
He's about to do something, huh? |
01:12:41 |
Look at that. Strike. |
01:12:43 |
Hey, what's between your legs? |
01:12:44 |
Nothing. |
01:12:46 |
Knock it off. |
01:12:47 |
Shut the fuck up! What did I tell you? |
01:12:49 |
Keep your fucking head down. |
01:12:50 |
Shut up! Whose bag is this? |
01:12:51 |
What're you doing? |
01:12:52 |
Don't you move! |
01:13:06 |
Hey, guys? Guys! Officers! |
01:13:09 |
Hey, I'm Richie Roberts, from Newark. |
01:13:14 |
That's my money. |
01:13:16 |
What the fuck? |
01:13:20 |
The bills are sequenced, right? |
01:13:22 |
They're registered with the Essex County |
01:13:25 |
They all start with CF3500. Have a look. |
01:13:34 |
Fucking registers. |
01:13:35 |
I thought I had a fucking Chris-Craft |
01:13:38 |
Honest mistake. I'll just get the money. |
01:13:43 |
- This time. |
01:13:46 |
- There it is. |
01:13:48 |
When was the last time I was in Jersey? |
01:13:53 |
Never. |
01:13:56 |
What're you doing, |
01:13:58 |
You don't think you could |
01:14:02 |
You got your fucking money, Richie. |
01:14:06 |
And never, ever come into |
01:14:10 |
You come in to see |
01:14:13 |
you call ahead first, see if it's okay with me. |
01:14:17 |
No problem. All right. |
01:14:23 |
Let's go, hit some balls. |
01:14:28 |
Is that your car? |
01:14:30 |
That's a fucking great car. |
01:14:33 |
Have a nice fucking trip back to Jersey. |
01:14:35 |
All right. |
01:14:36 |
Come on, I got a tee time. Let's go. |
01:14:43 |
What were you doin' there? |
01:14:44 |
Well, that's where this dope is coming from. |
01:14:48 |
What do you expect me to do, ignore it? |
01:14:50 |
The cab driver has filed aggravated assault |
01:14:53 |
which he may reconsider |
01:14:55 |
depending on how much |
01:14:59 |
I showed him my ID. I told him I was a cop. |
01:15:03 |
You stole his cab |
01:15:06 |
I was chasing the twenty grand, all right? |
01:15:09 |
Next time, knock him out |
01:15:13 |
Look, I don't want to hear |
01:15:18 |
- Well, then this investigation's over. |
01:15:21 |
I said, "I don't want to hear |
01:15:24 |
You do whatever you have to do. |
01:15:26 |
to figure out |
01:15:29 |
Just don't tell me about it. |
01:15:30 |
Just don't tell me about it. |
01:15:36 |
There's your girl, right there. |
01:15:42 |
- Hey, how'd you do? |
01:15:44 |
- I didn't keep you waiting long, did I? |
01:15:46 |
Good. A woman as beautiful as you |
01:15:50 |
For anything. |
01:15:57 |
Thank you, ma'am. You as pretty as ever. |
01:16:05 |
- Hey, Doc. |
01:16:07 |
Heard your boy scored |
01:16:10 |
- Sure. Sure do make father proud. |
01:16:24 |
This is your father? |
01:16:26 |
That's Martin Luther King. |
01:16:29 |
- It is not. |
01:16:31 |
You know, "I have a dream"? |
01:16:33 |
Of course. |
01:16:34 |
No, that's... |
01:16:36 |
He was just as important |
01:16:40 |
What did he do? |
01:16:42 |
Did a lot of things. He was a friend |
01:16:49 |
He was my boss. |
01:16:51 |
My teacher. |
01:16:52 |
What did he teach you? |
01:16:54 |
He taught me a lot of things. He |
01:16:58 |
taught me how to take my time. |
01:17:02 |
Taught me that if I was going to |
01:17:07 |
Anything else? |
01:17:13 |
He taught me to be a gentleman. |
01:17:15 |
That's what you are? |
01:17:16 |
That's what I try to be. Come here. |
01:17:20 |
Come here. Sit right here. |
01:17:24 |
Look at me. |
01:17:26 |
I own about five apartments in Manhattan. |
01:17:31 |
Homes all over the East Coast, |
01:17:32 |
I could have taken you to any one of them, |
01:17:35 |
I brought you here. |
01:17:36 |
Frank, I was looking for you, boy. |
01:17:37 |
Because I wanted you to meet my mother. |
01:17:40 |
How you doing, Ma? |
01:17:41 |
Is this her? |
01:17:42 |
- Eva, this is my mother. |
01:17:44 |
Oh! |
01:17:45 |
Nice to meet you. |
01:17:47 |
- She's beautiful! |
01:17:49 |
Look at her, Frank. |
01:17:54 |
Thank you. |
01:18:03 |
Mr Roberts? I'm here for our appointment. |
01:18:11 |
- Morning. |
01:18:15 |
Sorry. Our appointment? |
01:18:17 |
Child Social Services. |
01:18:33 |
She did mention your name, though. |
01:18:36 |
The stewardess? |
01:18:37 |
No, not the stewardess. |
01:18:40 |
The lady from Child Services. |
01:18:44 |
Right after she asked me |
01:18:48 |
All right, go! Go, go! |
01:18:49 |
Yeah! You wanna see this? |
01:18:50 |
Hey, boys. |
01:18:52 |
Joey. Hey, Joey! |
01:18:54 |
Get in the pool. Go on. |
01:18:57 |
Come on. Come on. |
01:19:03 |
So, how'd she get my name? |
01:19:05 |
- Laurie. |
01:19:07 |
She's been saying a lot lately. |
01:19:10 |
A lot. |
01:19:15 |
You know, when you asked me |
01:19:18 |
I took it very seriously. |
01:19:19 |
I know. I know and I appreciate that. |
01:19:21 |
And I said yes, |
01:19:24 |
Take care of your son, |
01:19:27 |
Joe, the kind of things |
01:19:30 |
made me look really bad, all right. |
01:19:33 |
out at all kinds of hours at night time, |
01:19:37 |
Old friends like me. |
01:19:40 |
Old friends like you, yeah. |
01:19:44 |
Uncle Joey, watch me, okay? |
01:19:49 |
Okay, I understand. |
01:19:51 |
They ask me, I'll tell them what you want me |
01:19:55 |
No, don't lie. You don't have to lie. |
01:19:58 |
Just, omit certain details. |
01:20:01 |
Sure. All right. |
01:20:05 |
You know, there's something else |
01:20:08 |
- Something else. |
01:20:13 |
Blue Magic. Anything? |
01:20:17 |
Just a lot of sorrow, misery from guys |
01:20:23 |
What, your guys? |
01:20:24 |
Just guys. |
01:20:27 |
You thinking about where it's coming from? |
01:20:30 |
Guys down south. That's all I heard. |
01:20:33 |
- Cubans? |
01:20:36 |
Not Mexico. |
01:20:38 |
I don't know. |
01:20:40 |
You're telling me, |
01:20:41 |
I don't know. |
01:20:44 |
All I can tell you is whoever it is, |
01:20:50 |
And that's all there is. |
01:21:07 |
What's up? |
01:21:08 |
My man, how we looking? |
01:22:38 |
Frank, I want you to meet Mike Sobota. |
01:22:41 |
- How are you doing, Mr Sobota? |
01:22:43 |
What can I get you? |
01:22:44 |
How about a left-hander? |
01:22:46 |
- Oh, this is the... Yankees, yeah. Hey, Steve! |
01:22:49 |
- Steve! Come here. |
01:22:51 |
This boy's good, okay? |
01:22:53 |
'Cause you good enough, ain't you? |
01:22:54 |
I'm a Lucas. |
01:22:56 |
He's good enough on a bad day, |
01:22:58 |
make it a good day, you understand? |
01:23:00 |
NYPD, excuse me, Police Department. |
01:23:04 |
- Whoa! |
01:23:07 |
- Taking your ass in, Jimmy. |
01:23:09 |
- Taking your ass in. |
01:23:11 |
I got a licence for that, motherfucker. |
01:23:13 |
You got a licence for this? |
01:23:19 |
Shit. All right! Yeah! |
01:23:21 |
Now, you know what? |
01:23:23 |
That shit's too good to be on the street. |
01:23:24 |
Wait a minute, I got this for you. |
01:23:28 |
Are you bribing me now? |
01:23:30 |
I'll tell you what, I'm arresting everybody! |
01:23:32 |
Now, all you're under arrest! You first! |
01:23:34 |
That's my family. That's my... |
01:23:36 |
Excuse me, excuse me. |
01:23:40 |
Back it up, baby. |
01:23:41 |
What was that? |
01:23:43 |
- Come on, guys. |
01:23:44 |
- I said, what the hell was that? |
01:23:46 |
- I said what the hell are you doing, man? |
01:23:48 |
What's your fucking problem? |
01:23:49 |
What the hell's wrong with you? |
01:23:51 |
Goddamn! |
01:23:53 |
He's all right. |
01:23:56 |
Damn, Jimmy! |
01:23:59 |
Get up. |
01:24:14 |
All right, everybody, get out! Get out! |
01:24:17 |
Come on, Frank, it was an accident. |
01:24:19 |
It wasn't no goddamn accident. |
01:24:21 |
He don't feel shit, 'cause |
01:24:24 |
He's your driver. Get rid of him. |
01:24:27 |
Come on, man, that's your cousin! |
01:24:28 |
That ain't shit to me! |
01:24:30 |
- What's he gonna do, go back home? |
01:24:33 |
Send his ass home! Hey! Hey! Hey! |
01:24:35 |
Hey! Don't rub on that! You blot that! |
01:24:38 |
That's $25,000 alpaca! You blot that shit! |
01:24:42 |
You don't rub it! Put the club soda on there. |
01:24:44 |
Simple Simon-ass motherfuckers. |
01:24:46 |
Listen, from now on, don't nobody |
01:24:50 |
You got business with me, you talk to Huey! |
01:24:53 |
- All right. |
01:24:56 |
- I got it. |
01:24:57 |
And take them goddamn sunglasses off. |
01:25:00 |
Take the goddamn sunglasses off! |
01:25:01 |
Damn it, man. |
01:25:05 |
Simple Simon-ass motherfuckers. |
01:25:23 |
The whole place was imported. |
01:25:26 |
Brick by brick. |
01:25:29 |
Gloucestershire. |
01:25:31 |
- Who? |
01:25:34 |
Yours. |
01:25:40 |
Here you go. |
01:25:46 |
Pull! |
01:25:53 |
Come, Eva. |
01:25:55 |
I'm sure you're dying |
01:26:02 |
Of course. Excuse me. |
01:26:06 |
Thank you for a wonderful lunch. |
01:26:13 |
What do you think of monopolies? |
01:26:16 |
You mean like the game? |
01:26:17 |
No, I just think monopolies |
01:26:21 |
'cause nobody wants to compete, you know. |
01:26:24 |
Nobody wants to compete, |
01:26:27 |
I mean, you let the dairy farmers do that, |
01:26:29 |
half of them would be |
01:26:31 |
Just trying to make a living. |
01:26:33 |
That's your right, I mean, |
01:26:38 |
We just can't do it |
01:26:42 |
'Cause then it becomes un-American. |
01:26:45 |
That's why the price |
01:26:47 |
could never represent |
01:26:49 |
'cause it's got to be controlled. |
01:26:53 |
Gotta be controlled by who? |
01:26:56 |
- I don't think it's fair. |
01:26:57 |
- I don't think it's fair. |
01:26:59 |
I mean, I know |
01:27:01 |
bunch of fucking junkies that they are. |
01:27:04 |
But we fellow dairy farmers out here, Frank, |
01:27:09 |
You thinking of them? |
01:27:11 |
- The dairy farmers? |
01:27:13 |
I'm thinking of them, Dominic, about |
01:27:18 |
I'm just thinking out loud now. |
01:27:21 |
If you took some of your inventory, Frank, |
01:27:27 |
Sit. |
01:27:29 |
We could work. |
01:27:34 |
I don't know. I'm pretty good, Dominic. |
01:27:35 |
You know, I got 110th, 155th, river to river. |
01:27:39 |
That's kind of a mom and pop store |
01:27:42 |
I mean, let's go at least bigger than Kmart. |
01:27:44 |
I'm talking about LA, Chicago, Detroit, |
01:27:49 |
I'm gonna guarantee you your peace |
01:27:55 |
You're going to need it. |
01:27:57 |
I don't know how you view me, you know. |
01:27:59 |
I'm kind of a Renaissance man, Frank. |
01:28:01 |
You know, |
01:28:03 |
you know, they're not enlightened, Frank. |
01:28:05 |
You talk to them about civil rights, |
01:28:08 |
They're not open to change. |
01:28:10 |
Not from the way things |
01:28:13 |
I talk to them, |
01:28:18 |
And that's what I mean |
01:28:26 |
You're paying, what, $75,000, $80,000 a kilo? |
01:28:31 |
I'm a Renaissance man, too. |
01:28:34 |
I'll consider $50,000. |
01:28:45 |
Why would you trust these people? |
01:28:48 |
They look at me like |
01:28:51 |
They look at us like we're the help. |
01:28:54 |
They work for me now. |
01:29:01 |
I predict that |
01:29:01 |
I predict that |
01:29:03 |
this will be like a good amateur |
01:29:08 |
This will be like a kid out of the Olympics::: |
01:29:11 |
That's gonna be Ali in like three. |
01:29:13 |
You're not fighting Oscar Bonavena, |
01:29:15 |
you're not fighting Sonny Liston: |
01:29:17 |
You're fighting Joe Frazier: |
01:29:18 |
ALl: Everybody knows that: |
01:29:19 |
He's all talk, man. |
01:29:21 |
Look at Frazier! |
01:29:23 |
ALl: I'll stop him: |
01:29:24 |
Stop me? You? |
01:29:26 |
How soon? What round? |
01:29:27 |
Don't let him obligate you: |
01:29:31 |
Tonight, March 8, 1971: |
01:29:36 |
for the Fight of the Century: |
01:29:37 |
And by anybody's definition, |
01:29:41 |
There are handshakes and, |
01:29:45 |
But behind the smiles |
01:29:47 |
you can feel the atmosphere is so heavy |
01:29:52 |
Everybody who is anybody is here: |
01:29:55 |
Like Sinatra: Like Graziano, |
01:29:59 |
And Woody Allen and Diane Keaton: |
01:30:03 |
ALl: The way you all build it up, |
01:30:07 |
everybody gives their opinion: |
01:30:11 |
And when Joe Louis said I'm gonna lose, |
01:30:15 |
Joe Louis always picks the wrong man! |
01:30:18 |
Always picks the wrong man: |
01:30:20 |
Joe Louis is here tonight: |
01:30:23 |
The official weight of Joe Frazier |
01:30:27 |
Oh. |
01:30:30 |
ALl: Float like a butterfly, sting like a bee: |
01:30:33 |
You're not watching the fight, Bob? |
01:30:36 |
I'm not into boxing. |
01:30:38 |
This ain't boxing, kid. |
01:30:41 |
It's politics. |
01:30:46 |
I got something for you, too. |
01:30:48 |
Yeah? |
01:30:52 |
The coat? For me? |
01:30:53 |
Mmm-hmm. |
01:30:55 |
Do you like it? |
01:30:57 |
The coat? Yeah, yeah, it's nice. |
01:31:02 |
- What do you think? |
01:31:04 |
- You sure? |
01:31:13 |
Over here, Sammy. |
01:31:15 |
Hey, Sammy! Give a look. |
01:31:20 |
Joe Louis! Over here! |
01:31:21 |
How's it going, Frank? |
01:31:23 |
How are you, Joe? |
01:31:33 |
Now, ladies and gentlemen, |
01:31:38 |
We are now going to introduce people |
01:31:44 |
And not just show people: |
01:31:46 |
Because everyone is here tonight! |
01:32:01 |
Main event! |
01:32:05 |
Fifteen rounds: |
01:32:07 |
For the undisputed |
01:32:12 |
There we go, Ali! |
01:32:14 |
From Louisville, Kentucky, |
01:32:17 |
Champ! This is Frank Lucas. |
01:32:19 |
He weighs 215 pounds: |
01:32:22 |
Here is Muhammad Ali! |
01:32:27 |
His opponent, |
01:32:31 |
he's wearing green trunks: |
01:32:34 |
Who's that laughing with Cattano? |
01:32:37 |
How'd he get so fucking close to the ring? |
01:32:39 |
The Heavyweight Champion of the World, |
01:32:42 |
Joe Frazier! |
01:32:47 |
Hey, Frank. |
01:32:51 |
I'm gonna miss the fight. |
01:32:52 |
You paid for it. |
01:32:57 |
Joe, over here! |
01:33:39 |
This guy, he's a supplier |
01:33:41 |
Otherwise we'd know his name: |
01:33:42 |
His tickets were phenomenal. |
01:33:47 |
Joe Louis shook his hand. |
01:33:50 |
Who the fuck is this guy? |
01:33:56 |
What's this? |
01:33:57 |
That's the plate off the limo. |
01:33:59 |
Check with the company who rented it. |
01:34:05 |
Right there, Mr Lucas. Right there. Good. |
01:34:09 |
Can I get a shot here, Frank? Right here. |
01:34:12 |
Looking good, Frank. |
01:34:14 |
Beautiful. |
01:34:17 |
Right on, Frank! |
01:34:19 |
Congratulations! |
01:34:26 |
She's the most beautiful bride |
01:34:28 |
That's my sunshine right there, Mr Williams. |
01:34:32 |
Throw it to me! |
01:34:38 |
Get a picture. |
01:34:50 |
Come here, baby. |
01:35:16 |
- What's happening? |
01:35:20 |
Congratulations, Frank. |
01:35:22 |
Detective. |
01:35:24 |
So, you sure you done the right thing? |
01:35:27 |
Hey, hey, listen, listen. |
01:35:30 |
Before you say anything |
01:35:32 |
understand this is the most important day |
01:35:35 |
Oh, I understand. I understand. |
01:35:37 |
You know, a man who |
01:35:39 |
and never even bought me a cup of coffee. |
01:35:42 |
There's something wrong there. |
01:35:46 |
I don't know what you're talking about. |
01:35:47 |
Do you pay your bills, I asked you? |
01:35:49 |
If you're not getting your share, |
01:35:50 |
maybe you need |
01:35:51 |
What's my share? |
01:35:55 |
Maybe I'm special. |
01:35:57 |
You are special. |
01:35:59 |
You see that right there? |
01:36:00 |
Special Investigations Unit. |
01:36:04 |
Special. |
01:36:06 |
Get it? |
01:36:08 |
Ten grand. First of each month. |
01:36:13 |
- Are you done? |
01:36:19 |
Don't forget your card. |
01:36:22 |
Let's go. |
01:37:23 |
His name is Frank Lucas: |
01:37:25 |
Originally from Greensboro, North Carolina: |
01:37:28 |
A couple of arrests years ago. |
01:37:33 |
For 15 years, he was Bumpy Johnson's |
01:37:39 |
He was with him when he died. |
01:37:41 |
He's got five brothers. |
01:37:47 |
They all living up here now, |
01:37:48 |
spread throughout the five boroughs |
01:37:51 |
The brothers are Dexter, |
01:37:53 |
- in Brooklyn: He's a dry cleaner: |
01:37:56 |
- I'm picking up. |
01:37:58 |
Melvin in Queens has got |
01:38:04 |
- That's it right here? |
01:38:05 |
Terrence in Newark, |
01:38:09 |
Turner in the Bronx has got a tyre shop: |
01:38:14 |
And Huey Lucas in Bergen County |
01:38:16 |
- Is your manager here? |
01:38:18 |
Oh, man, I'm gonna take it |
01:38:20 |
These businesses are |
01:38:23 |
for Frank's dope and Frank's money: |
01:38:26 |
Everything about Frank's life seems |
01:38:33 |
He starts early, gets up at 5:00 a: M: |
01:38:35 |
Has breakfast in a diner |
01:38:39 |
Then he starts work: |
01:38:40 |
Takes a meeting with the accountant |
01:38:44 |
At nights, he usually stays at home: |
01:38:47 |
it's to one of two clubs or |
01:38:51 |
- Some ball players: |
01:38:53 |
Friends, musicians: |
01:38:58 |
Sundays, he takes his mother to church: |
01:39:01 |
Then he drives out and he changes |
01:39:03 |
the flowers on Bumpy's grave. |
01:39:07 |
Not the typical day |
01:39:10 |
No: |
01:39:12 |
Bumpy Johnson's life wasn't typical either, |
01:39:16 |
So you're saying |
01:39:19 |
Yeah: |
01:39:21 |
Yeah: |
01:39:23 |
But is it? Is it? |
01:39:26 |
He's handing out turkeys, man. |
01:39:27 |
:: He does the same as |
01:39:30 |
And who was Bumpy most likely to teach? |
01:39:33 |
The guy he sees every day. |
01:39:35 |
It's like a Sicilian family: |
01:39:38 |
He's structured his organisation |
01:39:42 |
And if he was with Bumpy for so long, |
01:39:43 |
that means he would have |
01:39:46 |
Definitely long enough to learn that much. |
01:39:49 |
But here's the thing. I don't think |
01:39:53 |
Who we want is whoever Frank Lucas |
01:39:56 |
It's whoever's actually |
01:39:58 |
Okay. So what do you have on him |
01:40:07 |
Without powder, without informants, |
01:40:11 |
That's understood, sir. |
01:40:12 |
And I don't think we're gonna |
01:40:15 |
And I don't think we're gonna |
01:40:17 |
you know, unless we get very, very lucky. |
01:40:22 |
Straight up lab tests suggesting |
01:40:28 |
The Italians, we know, |
01:40:31 |
or with the Turks. |
01:40:34 |
We got small blue packets turning up in |
01:40:40 |
From Chinatown, to Harlem, |
01:40:42 |
Richmond Avenue and Staten Island. |
01:40:44 |
They got North Orange, Princeton, Bayonne, |
01:40:48 |
Syracuse, Rochester, Buffalo, |
01:40:52 |
The same dope. |
01:41:02 |
That's it, down there. |
01:41:23 |
And it's Three Counts |
01:41:48 |
Okay, let's all join hands. |
01:41:55 |
Lord, we thank You for this |
01:41:58 |
the nourishments of our bodies. |
01:42:00 |
Feed our souls with heavenly grace, |
01:42:05 |
- Amen. |
01:42:25 |
Shh. Shh. |
01:42:27 |
Hey, it's okay. It's okay. Come on, now. |
01:42:31 |
It's okay. |
01:42:34 |
- You better get yourself ready, old man. |
01:42:38 |
Get yourself ready, old man. All right! |
01:42:40 |
Come on, now. Your pop said |
01:42:43 |
I'm gonna set your ass |
01:42:46 |
Hey! Watch your mouth, boy. |
01:42:49 |
Damn, Uncle Melvin, |
01:42:52 |
Steve. Steve, come here. |
01:42:55 |
Come, sit down. |
01:42:56 |
Uncle Frank. What's happening? |
01:42:59 |
How you doing? |
01:43:01 |
Cool. |
01:43:02 |
You want a drink? |
01:43:03 |
You know better than that. |
01:43:05 |
Just checking. |
01:43:09 |
Why didn't you show up |
01:43:13 |
I set it up with the Yankees and Billy Martin. |
01:43:18 |
Why didn't you show up? |
01:43:22 |
Don't lie to me. |
01:43:24 |
I don't want to play ball no more. |
01:43:27 |
- I decided. |
01:43:29 |
You decided? Decided what? |
01:43:31 |
- That ain't what I want. |
01:43:33 |
You've been playing |
01:43:34 |
You were ready to go into the pros. |
01:43:36 |
Frank! We got a problem, man. |
01:43:42 |
What do you want? |
01:43:45 |
I want what you got, Uncle Frank. |
01:43:47 |
I want to be you. |
01:44:09 |
He's been diluting it so much. |
01:44:12 |
And you tested it? You're sure? |
01:44:15 |
Yeah. |
01:44:21 |
Fuck you looking at? |
01:45:15 |
My man. |
01:45:18 |
- Welcome, Frank. |
01:45:21 |
It's all great. Welcome. |
01:45:23 |
- I need to talk to you. |
01:45:25 |
Hey, you all, everybody get out! Let's go. |
01:45:31 |
Sit, my brother. |
01:45:35 |
I take it you talked to Charlie. |
01:45:38 |
Guess you wanna hear more |
01:45:41 |
- Let me explain to you... |
01:45:43 |
I'm all right. |
01:45:47 |
Yeah, everybody's good, Nick. |
01:45:48 |
You know, everybody's happy. |
01:45:52 |
you know, Johnny Law. |
01:45:54 |
- I'm happy, Frank. |
01:45:56 |
Well, maybe I'm the one with the problem. |
01:46:00 |
All right. |
01:46:01 |
I gotta problem 'cause |
01:46:03 |
I don't understand why you gotta take |
01:46:07 |
and mess it up. |
01:46:09 |
See, brand names. |
01:46:13 |
Shut the fuck up! |
01:46:15 |
Go ahead, Frank. |
01:46:18 |
Blue Magic. |
01:46:20 |
That's a brand name. |
01:46:24 |
I stand behind it. I guarantee it. |
01:46:27 |
They know that, even if they don't know me |
01:46:29 |
they know the chairman of General Mills. |
01:46:32 |
What the fuck are you talking about, Frank? |
01:46:33 |
What I'm talking about is |
01:46:36 |
to one, two, three, four, five percent |
01:46:41 |
that is trademark infringement. |
01:46:44 |
With all due respect, Frank, |
01:46:47 |
No, that ain't true. That ain't true. |
01:46:48 |
If I buy a car, and I wanna paint it, |
01:46:51 |
Yeah, but you don't have to. |
01:46:52 |
This is what I'm saying to you, Nick, you |
01:46:55 |
You can make enough money off it |
01:46:58 |
Anything more than that is greed, son. |
01:47:00 |
What you want, Frank? |
01:47:02 |
I would have to insist |
01:47:04 |
Fine by me, Frank. I'll call it Red Magic, |
01:47:08 |
I don't give a fuck what you call it. |
01:47:11 |
and call it Blue Dog Shit, |
01:47:14 |
I don't care, just don't let me catch you |
01:47:18 |
Catch me? Infringement? Insist? |
01:47:21 |
I don't like these words as much as, |
01:47:23 |
"Please, thank you, |
01:47:25 |
These are better words you use to come |
01:47:28 |
without an invitation! You hear me? |
01:47:31 |
My man. |
01:47:41 |
Oh, shit. Fuck, is that the cops there, man? |
01:47:53 |
It's all right. |
01:47:56 |
The hell they're gonna do, give us a ticket? |
01:47:59 |
Stuff's in the car, Frank. |
01:48:03 |
What? |
01:48:04 |
Some of it's in the trunk. |
01:48:08 |
- How you doing, Frank? |
01:48:10 |
How was your Thanksgiving? |
01:48:12 |
Not so good, as a matter of fact. |
01:48:20 |
Come on, give me the fucking keys. |
01:48:21 |
- Where's the Shelby at? |
01:48:23 |
- The Shelby's gone? |
01:48:25 |
Yes, sir. Right here. |
01:48:27 |
You got anything |
01:48:29 |
Hey, that's that Trupo guy. |
01:48:31 |
Is that him? |
01:48:33 |
Fucking prick. |
01:48:37 |
- Come over here a minute, Frank. |
01:48:42 |
What are we gonna do about this? |
01:48:43 |
We don't do shit about it. |
01:48:46 |
everybody go home, |
01:48:49 |
I got a better idea. |
01:48:51 |
Or would you rather me throw you |
01:48:55 |
Would you rather your house |
01:49:02 |
- I loved that car. |
01:49:08 |
What's he doing? Shakedown! |
01:49:12 |
Somebody's getting some money |
01:49:14 |
Look at that shit. |
01:49:16 |
Sorry, Frank. |
01:49:17 |
It's all right. Go and get in the car. |
01:49:43 |
All right, you call me back. |
01:49:46 |
INS, IRS, FBI. |
01:49:50 |
Because they all think you're on the take. |
01:49:58 |
You know, |
01:49:59 |
I think it employs too many people. |
01:50:01 |
Judges, lawyers, cops, politicians, |
01:50:08 |
They stop bringing dope into this country, |
01:50:09 |
about 100,000 people |
01:50:15 |
Spearman. |
01:50:18 |
FBI. Here to see Detective Roberts. |
01:50:26 |
So who took it out? Somebody I know? |
01:50:31 |
Come on, if somebody's taking a contract |
01:50:35 |
I can't say without compromising |
01:50:39 |
No. Not when it's my life, |
01:50:41 |
- If you want we can assign someone to you. |
01:50:45 |
You know what? My life |
01:50:50 |
Well, we'll let you get back |
01:50:52 |
Okay. Larry, Bob. |
01:50:56 |
Take care. |
01:50:58 |
Hey, what do you know |
01:51:00 |
We know that you keep calling about him. |
01:51:13 |
We believe that peace is at hand: |
01:51:20 |
We believe that an agreement |
01:51:27 |
As I said earlier::: |
01:51:35 |
Yeah. |
01:51:37 |
Hey, Joey. Hi. |
01:51:41 |
All right. Yeah, tomorrow. Why? |
01:52:04 |
What the fuck is a microwave? |
01:52:05 |
It's a scientific force, |
01:52:08 |
- Yeah? |
01:52:10 |
It rearranges the molecules. |
01:52:12 |
Of what? |
01:52:17 |
Of your head. Stick it in. Go on. |
01:52:23 |
I can get you one of those. |
01:52:26 |
Brand new, just like this. |
01:52:29 |
No, thank you. |
01:52:40 |
Hey. Where is that? |
01:52:43 |
Aspen. We just got back. |
01:52:47 |
Who? |
01:52:49 |
Burt Reynolds. |
01:52:51 |
- Yeah? Yeah? |
01:52:55 |
A lot people from Hollywood go up |
01:52:59 |
- This is your place? |
01:53:00 |
You know what that's worth? |
01:53:04 |
Sauna. Everything. We were guests. |
01:53:12 |
It's your place. |
01:53:29 |
Isn't there something we can do, |
01:53:33 |
about leaving the big guy alone? |
01:53:36 |
You know who I mean. |
01:53:38 |
I don't report what you just said, |
01:53:42 |
I do report it, then the trouble is yours. |
01:53:47 |
I'm hoping you won't do that. |
01:53:50 |
Richie, come on. I'm not taping it. |
01:53:53 |
How do you know? Because we're friends. |
01:53:56 |
And I'm telling you, this is a real offer. |
01:53:59 |
From who? Your uncle? |
01:54:04 |
Why would you do this? |
01:54:07 |
Because |
01:54:10 |
I care what happens to you. |
01:54:15 |
You shouldn't have done this. |
01:54:17 |
I had to, I had no choice. |
01:54:21 |
You don't have a choice. |
01:54:26 |
Frank Lucas? |
01:54:29 |
Yeah. |
01:54:33 |
You tell Marie I had to leave. I'm sorry. |
01:54:36 |
Tell her why. |
01:55:21 |
- Talk! Talk! |
01:55:22 |
- Are you Richie Roberts? |
01:55:25 |
You've been served. I'm sorry. |
01:55:42 |
All right. |
01:55:47 |
Laurie. |
01:55:50 |
Look, I'm sorry I never gave you |
01:55:54 |
I'm sorry it was never enough. |
01:56:00 |
Don't punish me for being honest. |
01:56:02 |
Don't take my boy away. |
01:56:07 |
What are you saying? |
01:56:10 |
and you didn't take money |
01:56:13 |
No, you don't take money for one reason. |
01:56:16 |
To buy being dishonest |
01:56:19 |
And that's worse than taking money |
01:56:21 |
Drug money, gambling money |
01:56:25 |
You know, I'd rather you took it |
01:56:28 |
Or don't take it. I don't care. |
01:56:31 |
Don't cheat on your kid |
01:56:33 |
Don't go out and get laid by your snitches |
01:56:38 |
I can tell by just looking, she's one of them. |
01:56:40 |
You... |
01:56:42 |
You think you're going to heaven |
01:56:46 |
You're going to the same hell |
01:56:50 |
All rise. |
01:56:56 |
Please be seated. |
01:56:59 |
Miss Dickerson, |
01:57:04 |
is there anything else |
01:57:07 |
Yes, Your Honour. |
01:57:08 |
Your Honour, a lot has been said here today |
01:57:12 |
Mr Roberts' environment is for a child. |
01:57:16 |
We tell him to protect us. |
01:57:20 |
but then say, "Oh, we don't trust you |
01:57:22 |
"We don't think you're fit for that." |
01:57:24 |
I'm not. |
01:57:26 |
You're right. |
01:57:29 |
Being around me is no place for a kid. |
01:57:32 |
You take him to Vegas. |
01:57:38 |
Your Honour, I want to apologise |
01:57:53 |
Doc. |
01:57:55 |
I see them. |
01:57:57 |
There he is. |
01:58:17 |
The fuck is this guy doing? |
01:58:19 |
Hey! |
01:58:20 |
Merry Christmas, Detectives. |
01:58:23 |
Yeah. Enjoy that. |
01:58:25 |
- You fellas have a good time. |
01:58:28 |
It's Cristal. |
01:58:34 |
South Vietnamese troops |
01:58:37 |
on Communist positions inside the city: |
01:58:41 |
Paying off Johnny Law, that's one thing. |
01:58:44 |
There ain't no problem with that. |
01:58:45 |
I've been paying off the police |
01:58:48 |
Put more of their kids through college |
01:58:51 |
Give me one of them round one... Yeah. |
01:58:53 |
This is different, though. These... |
01:58:55 |
Special Investigative Unit. That's |
01:58:59 |
Fucking crooks. No code of ethics. |
01:59:02 |
What do you think? |
01:59:03 |
Looks great. It's beautiful. |
01:59:05 |
Good. |
01:59:07 |
The police, that ain't the only somebody |
01:59:09 |
I seeing cars where I ain't never seen them |
01:59:12 |
Yeah, me, too. |
01:59:14 |
Ho, ho, ho. |
01:59:15 |
- Merry Christmas, Charlie. |
01:59:19 |
- Merry Christmas, Charlie. |
01:59:22 |
- I love you. |
01:59:24 |
Here, take this. |
01:59:26 |
A quick toast, and then I'll be off. |
01:59:28 |
What happened here was an |
01:59:34 |
Bumpy ain't hardly ever go out no more. |
01:59:41 |
Watch TV. |
01:59:45 |
Play chess. Read the newspaper. |
01:59:48 |
I thought he was just trying to lead the |
01:59:53 |
- Not without something happening. |
01:59:56 |
- We can still go out. |
01:59:59 |
- Well, with... |
02:00:04 |
Ain't gonna be no Christmas time |
02:00:08 |
Why don't you just pay |
02:00:11 |
I do pay them. I pay thousands and millions |
02:00:16 |
I pay everybody. |
02:00:18 |
I can't satisfy nobody! |
02:00:20 |
It's like dope! Everybody's strung out! |
02:00:25 |
They expect more. |
02:00:28 |
Give more and they want more. |
02:00:35 |
Do you want to go out? |
02:00:38 |
All right, baby. |
02:00:40 |
- Should I? |
02:00:41 |
That's Christmas spirit. |
02:00:43 |
That's what I'm talking about. Feliz Navidad: |
02:00:45 |
- Something nice? |
02:00:54 |
We're going to have a great time. |
02:00:56 |
That's right, chica: |
02:00:57 |
Mr Lucas. Enjoy your evening. |
02:01:00 |
It's all clear. |
02:01:06 |
Nicky! |
02:01:07 |
Who is that? |
02:01:09 |
Know what I'm saying? |
02:01:10 |
Yeah, I see him. Let's keep going. |
02:01:14 |
Around back? |
02:01:15 |
Hell, no. |
02:01:18 |
- Incredible. |
02:01:43 |
Come on. |
02:01:47 |
Hold on. Hold on. |
02:01:56 |
What? |
02:01:58 |
I want to wait in the car. |
02:01:59 |
Frank, I got it. I got it. I'll wait for it. I got it. |
02:02:03 |
- Get that yellow sauce. |
02:02:05 |
And the chicken. The Kung Pao chicken. |
02:02:13 |
Can you turn the heater on? |
02:02:21 |
Shit. I'm gonna go get the keys. |
02:02:38 |
- Doc, give me the keys. |
02:02:46 |
Doc! |
02:02:51 |
Get out of the car. |
02:03:00 |
You okay? |
02:03:02 |
Shit. |
02:03:03 |
Come on. |
02:03:04 |
Come on, baby. You all right? |
02:03:07 |
Let's go. |
02:03:29 |
Was it Nicky? |
02:03:32 |
We'll go right now and fucking kill him |
02:03:35 |
you say the word, Frankie. |
02:03:38 |
We got to do something, Frank. |
02:03:41 |
We can't just sit here. |
02:03:42 |
We're leaving. |
02:03:46 |
- All right, everybody get out. |
02:03:48 |
Go on home. It's Christmas time. |
02:03:51 |
I'm all right. |
02:03:52 |
Go on. Go ahead. Be with your kids. |
02:03:55 |
Go ahead. |
02:04:09 |
Where are we gonna go, huh? |
02:04:10 |
We're gonna go to Spain, somewhere? |
02:04:11 |
Huh? Come on, sit down. |
02:04:16 |
Frank, we can go anywhere we want. |
02:04:19 |
- No, we can't. |
02:04:20 |
Where? And do what? Run? Hide? |
02:04:22 |
Frank Lucas don't run from nobody, baby. |
02:04:26 |
We ain't going nowhere. |
02:04:27 |
We're gonna stay right here. |
02:04:30 |
This is where my business is, |
02:04:33 |
My country. I ain't going nowhere. |
02:04:36 |
I ain't running from nobody! |
02:04:40 |
This is America. |
02:04:48 |
And you ain't going nowhere, either! |
02:04:53 |
Huh? |
02:04:56 |
A ceasefire, internationally supervised, |
02:04:59 |
will begin at 7:00 p: M: This Saturday, |
02:05:01 |
Will begin at 7:00 p: M: This Saturday, |
02:05:04 |
I'll call you back. |
02:05:06 |
Hey! What are you doing? |
02:05:10 |
Richie. |
02:05:15 |
Wow. |
02:05:19 |
So, what I hear it was the Corsican mob |
02:05:24 |
You know, French Connection, |
02:05:26 |
the exporters that Frank |
02:05:29 |
Look, I can take care of him in New York. |
02:05:32 |
I just don't want to have |
02:05:33 |
he drives across the bridge to Jersey, |
02:05:35 |
someone's gonna take another shot at him. |
02:05:38 |
Richie, you and I gotta |
02:05:42 |
We need to step up our efforts. |
02:05:44 |
Next time, their aim could be better. |
02:05:48 |
We need to keep this cash cow alive. |
02:05:56 |
What the fuck are you doing here? |
02:05:59 |
Whoa! |
02:06:03 |
Were you actually gonna arrest |
02:06:06 |
What's the matter with you? |
02:06:08 |
- What, you don't know? |
02:06:10 |
Everybody in New Jersey's crazy. |
02:06:14 |
You know what we do here? |
02:06:19 |
Before you get on that bridge again, |
02:06:21 |
you should call me first, |
02:06:28 |
"I'm more enlightened |
02:06:30 |
"I can guarantee you peace of mind." |
02:06:32 |
That's what you told me, Dominic. |
02:06:35 |
"I can guarantee you peace of mind!" |
02:06:38 |
I don't feel so peaceful! |
02:06:41 |
Huh? |
02:06:45 |
They tried to kill my wife! |
02:06:52 |
Who was that? Huh? |
02:06:55 |
Maybe it was one of your peoples. |
02:06:58 |
- I don't know yet. No. |
02:07:00 |
You don't know. |
02:07:03 |
I'll tell you what I know. |
02:07:06 |
out there on the street |
02:07:08 |
just to make a point. |
02:07:10 |
Frank, it was a junkie. It was a rival. |
02:07:13 |
trying to make a name for himself. |
02:07:17 |
Someone you slighted |
02:07:20 |
Could be someone you put out of business |
02:07:25 |
Success, it's got enemies, Frank. |
02:07:30 |
So your success took a shot at you. |
02:07:33 |
How you gonna kill it? |
02:07:37 |
Frank, we can be successful |
02:07:41 |
Or we can be unsuccessful, too, you know, |
02:07:45 |
That's the choice we make. |
02:07:48 |
The final evacuation of military |
02:07:52 |
continued throughout the night, |
02:07:54 |
as North Vietnamese troops |
02:07:57 |
The imminent fall of the city has brought |
02:08:11 |
- Operator: |
02:08:14 |
One moment, please: |
02:08:24 |
Yeah, Nate: |
02:08:26 |
Hey, Frank. What's up, baby? |
02:08:28 |
What's going on over there? |
02:08:29 |
It's all over: |
02:08:30 |
Yeah, I'm watching the news. |
02:08:32 |
The game's over, Frank: |
02:08:34 |
- Huh? |
02:08:36 |
Everybody going home, baby. |
02:08:38 |
Well, look, I'm not::: Listen to me: |
02:08:39 |
I want two... |
02:08:42 |
I want 2,000 keys in the air. |
02:08:45 |
It's impossible, Frank: |
02:08:48 |
I'll tell you what. I'm on my way over there. |
02:08:50 |
- Right now? Oh, come::: |
02:08:59 |
You stole my shit? |
02:09:02 |
- Spearman, wake the fuck up, man. |
02:09:06 |
Where's my shit, Darlynn? |
02:09:07 |
Don't hurt me, Jimmy! |
02:09:11 |
Jesus! What the... Police! |
02:09:13 |
Drop the gun, Jimmy! |
02:09:15 |
Let me see your hands! |
02:09:17 |
I'm not playing with you, Jimmy! |
02:09:20 |
Don't shoot! Don't shoot! |
02:09:23 |
I got your gun and I got your prints. |
02:09:28 |
You know what you got? |
02:09:32 |
Fifteen fucking years! |
02:09:35 |
Attempted murder is the |
02:09:38 |
Now, a grand jury could |
02:09:40 |
It could be reduced to manslaughter. |
02:09:44 |
All right? Maybe even self-defence. |
02:09:46 |
It all just depends |
02:09:48 |
See where this is fucking going, Jimmy? |
02:09:50 |
Let's say you beat it. |
02:09:51 |
What you think your cousin Frank |
02:09:54 |
Right, he is gonna know, |
02:09:56 |
we sat you down, |
02:09:59 |
And then you go to court |
02:10:01 |
What's he gonna think? |
02:10:05 |
Answer him! |
02:10:07 |
No. He's going to assume that you talked. |
02:10:13 |
But right now, Frank doesn't know. |
02:10:15 |
You want Frank to read |
02:10:18 |
Or do you just want to walk out of here? |
02:10:20 |
No bail, no trial, no jail, |
02:10:25 |
Your choice: |
02:10:36 |
Opium plants are hard enough |
02:10:42 |
They'll still be here |
02:10:47 |
What are you going to do for transportation |
02:10:52 |
I'll figure something out. |
02:10:56 |
You will see me again, that's for sure. |
02:11:00 |
It is not in my best interest |
02:11:04 |
but quitting while you're ahead |
02:11:07 |
is not the same as quitting. |
02:11:51 |
- Yeah. |
02:11:52 |
Go get him. |
02:11:56 |
- Whatever you want to do, baby. |
02:11:59 |
- It's Frank. |
02:12:03 |
Yeah. |
02:12:04 |
Newark. |
02:12:06 |
Short term, |
02:12:09 |
parking lot three. |
02:12:11 |
Short term, lot three. |
02:12:13 |
That's the Mustang we talking about, right? |
02:12:16 |
- K-A... |
02:12:19 |
:: 760: |
02:12:21 |
Zero: All right: |
02:12:24 |
There's no short term lot three at Newark. |
02:12:26 |
- They got letters. A-B-C-D. |
02:12:29 |
Maybe he means a time. 3:00? |
02:12:31 |
This isn't no Jersey licence plate, |
02:12:36 |
- K-A-7-6-0? |
02:12:40 |
Kilo Alpha? |
02:12:42 |
A plane tail number? |
02:12:44 |
Kilo Alpha 760. |
02:12:47 |
You check commercial planes. |
02:12:50 |
Everything, from a little fucking Cessna |
02:12:53 |
All right? |
02:12:54 |
I'll check military planes. |
02:12:56 |
You're not going anywhere. Sit... Sit down. |
02:13:21 |
- Captain? |
02:13:23 |
Richie Roberts. Essex County. |
02:13:27 |
Here's our warrant. |
02:13:30 |
Wait! Wait! |
02:13:31 |
Scotty, stop all these soldiers! |
02:13:45 |
No-knock warrant. |
02:13:47 |
- All right. Start upstairs. |
02:13:50 |
Step in, sweetie. |
02:13:52 |
Ma'am, please sit down. |
02:13:54 |
What is this? |
02:13:56 |
Whoa, whoa, whoa! |
02:13:59 |
Nothing leaves this area, all right? |
02:14:03 |
- All right. Stop these trucks. |
02:14:05 |
Everything off the walls! |
02:14:07 |
Damn thing's a monster, Rich. |
02:14:08 |
What is this? |
02:14:09 |
Nothing leaves this area |
02:14:10 |
All right, Captain. Nothing. |
02:14:12 |
We got to take the plane down, |
02:14:14 |
Every man here gets searched. |
02:14:15 |
Read the warrant, sir. |
02:14:18 |
Your husband's illustrious career is over. |
02:14:21 |
The Feds are gonna come in, |
02:14:25 |
And then they're gonna take it all. |
02:14:30 |
So where's the money? |
02:14:31 |
What are you talking about? What money? |
02:14:33 |
What am I talking about? What money? |
02:14:35 |
The getaway money that Frank and |
02:14:39 |
If you leave now, |
02:14:44 |
Shut up! Sit down! |
02:14:46 |
Sit down! |
02:15:28 |
Defence today |
02:15:30 |
of all remaining US |
02:15:33 |
news that comes too late for some, |
02:15:36 |
as here, on a solemn tarmac |
02:15:40 |
This C-130, |
02:15:43 |
a cargo of America's bravest and best, |
02:16:03 |
You guys. Take this coffin down. |
02:16:13 |
- Open it. |
02:16:22 |
Great fucking dog, huh? |
02:16:32 |
You stop this, right now. |
02:16:34 |
My warrant gives me permission |
02:16:38 |
the plane and its cargo. |
02:16:40 |
Well, you don't have my permission. |
02:16:43 |
I don't need it, Captain. |
02:16:46 |
Easy! Easy, boy. Come on. Hey! Easy! |
02:16:50 |
Frank, move out of the way. |
02:16:59 |
Damn. |
02:17:05 |
That's enough! |
02:17:14 |
Stay with these coffins. |
02:17:16 |
Got it. Okay. |
02:17:19 |
Hey. Help me out with this. |
02:17:46 |
That was a military transport plane. |
02:17:48 |
If there was heroin onboard, |
02:17:49 |
then someone in the military |
02:17:51 |
Which means that even as it fights a war |
02:17:56 |
the military is smuggling narcotics. |
02:17:58 |
That is how this event today |
02:18:01 |
That someone employed by this office |
02:18:03 |
believes that the United States Army |
02:18:06 |
and is trying to prove it |
02:18:10 |
who have given their lives |
02:18:13 |
- There is dope on that plane. |
02:18:17 |
Is it any wonder, then, |
02:18:20 |
the entire federal narcotics programme |
02:18:23 |
of being dismantled as completely |
02:18:26 |
as that fucking transport plane? |
02:18:28 |
That is what you've accomplished, |
02:18:30 |
I had good information. |
02:18:33 |
That the target of my investigation |
02:18:36 |
- And that target is? |
02:18:38 |
- Who? |
02:18:40 |
Who is Frank Lucas? |
02:18:43 |
He's not Italian. He's black. |
02:18:48 |
Is that supposed to be some kind of a joke? |
02:18:51 |
You're this close to the end of your career |
02:18:54 |
and you're making fucking jokes? |
02:18:56 |
My investigation indicates |
02:18:59 |
that Frank Lucas is above the Mafia |
02:19:02 |
My investigations also indicate |
02:19:04 |
that Frank Lucas buys direct |
02:19:08 |
He cuts out the middlemen |
02:19:12 |
and personnel to transport |
02:19:15 |
and he's been doing so |
02:19:20 |
I have cases against |
02:19:23 |
Frank's organisation? |
02:19:24 |
No fucking nigger has ever accomplished |
02:19:28 |
And you would know that how? Why? |
02:19:29 |
'Cause your head is stuck up |
02:19:31 |
Hey, Lou, do me a favour. |
02:19:33 |
Kike? Kike? |
02:19:35 |
Richie, no. |
02:19:40 |
Hey, Richie! |
02:19:42 |
Make it stick. |
02:19:44 |
Spearman's with the coffins. |
02:20:18 |
Doctor. |
02:20:21 |
What? |
02:20:22 |
Fucking Trupo came by the house, man. |
02:20:40 |
Frankie, I need to speak with you a minute. |
02:20:44 |
- I got to go, Ma. |
02:20:46 |
Would you please come back a little later? |
02:20:49 |
Thank you. |
02:20:50 |
- Ma, I got to go. All right? |
02:20:52 |
Listen to me. I got... |
02:20:54 |
Please, sit down. Just a few words. |
02:20:56 |
I've been thinking about some things. |
02:20:58 |
You know, if you'd been a preacher, |
02:21:02 |
Right. |
02:21:03 |
If you'd been a soldier, they'd be soldiers. |
02:21:07 |
They came here because of you. |
02:21:11 |
Right. |
02:21:12 |
That's because they look up to you. |
02:21:15 |
They always expect you |
02:21:20 |
But even they know |
02:21:22 |
you don't shoot cops. |
02:21:26 |
Even I know that. |
02:21:29 |
- Eva knows it. |
02:21:30 |
The only one who doesn't seem to know |
02:21:33 |
All right, Ma. I got to go. |
02:21:36 |
I never asked you where all this came from |
02:21:40 |
I didn't want you to worry about it. |
02:21:42 |
Don't lie to me! |
02:21:49 |
Don't do that. |
02:21:51 |
Do you want to make things so bad |
02:21:55 |
for your family that they'll leave you? |
02:21:58 |
They'll understand. |
02:21:59 |
She will leave you. |
02:22:01 |
All right, Mama. |
02:22:06 |
I will leave you! |
02:22:35 |
Got coffins on the move, Richie. |
02:22:36 |
We want the transport coffins, |
02:22:41 |
Who are these guys? |
02:22:45 |
What does it say? |
02:22:49 |
Bayonne Custodial Services? |
02:22:52 |
Bayonne Cleaning Services? |
02:22:54 |
Bayonne? What the fuck is that? |
02:22:55 |
Give me the camera, Al. |
02:22:59 |
Bingo. |
02:23:01 |
Holy shit. That's the baseball kid. |
02:23:03 |
Oh, yeah. That's Stevie Lucas. |
02:23:06 |
So what you want to do, Richie? |
02:23:08 |
No. No. |
02:23:11 |
We'll follow that van. |
02:23:13 |
You guys better eat up. |
02:23:27 |
Come on, more precious than gold, |
02:23:31 |
We got a couple more. |
02:23:35 |
Take it. Take it. |
02:23:37 |
Give me a second, man, |
02:23:41 |
Hey. Yo. We got four caskets left, man. |
02:23:47 |
What are they loading in there? |
02:23:48 |
What the fuck |
02:23:49 |
That's the dope. |
02:23:51 |
That's got to be the dope! It's got to be. |
02:23:54 |
Let's go. |
02:23:56 |
Let's move. |
02:24:50 |
Lou, it's Richie. |
02:24:52 |
We got everybody in place. Everybody. |
02:24:55 |
Are you sure this is it? |
02:24:56 |
I'm positive, man. Okay? |
02:24:58 |
All right, they're cutting and bagging |
02:25:00 |
in the South Tower |
02:25:03 |
Are you sure this is it? |
02:25:05 |
I'm positive, Lou: I'm positive: Okay? |
02:25:08 |
Everything is ready to go: |
02:25:10 |
Just push the button, |
02:25:13 |
Okay. You got it. |
02:25:22 |
You all right? |
02:26:16 |
- Got the warrant. |
02:26:22 |
Let's go! |
02:26:40 |
Move! |
02:26:44 |
- Hi, ma'am. What's your name? |
02:26:48 |
Get down! Get down, motherfucker! |
02:26:51 |
- Go. |
02:26:54 |
Move it, come on. |
02:26:56 |
Come on, move it. Move it! |
02:27:41 |
All set. |
02:27:43 |
Roger. |
02:27:45 |
Get ready. |
02:27:47 |
There you go! |
02:27:51 |
Come on. |
02:28:00 |
At target. |
02:28:02 |
Spearman, stand by. |
02:28:04 |
I got civilians on the target floor: |
02:28:09 |
What? Oh... |
02:28:11 |
Come on, there you go. |
02:28:13 |
Hey, Tim. |
02:28:15 |
Girl, why don't you get |
02:28:21 |
Let's go. |
02:28:29 |
You think you bad, huh? |
02:28:35 |
Hold on. Where you going? |
02:28:38 |
Come on! |
02:28:41 |
I'll get it! |
02:28:45 |
Where's Tim? |
02:28:47 |
Quiet, kid! |
02:28:55 |
I got some sandwiches for you boys, man. |
02:29:00 |
But where's Tim? |
02:29:02 |
Shit. Man, Tim always playing around. |
02:29:06 |
Hey, man! |
02:29:07 |
You got some Blue Magic, baby? |
02:29:11 |
Fucking junkie! |
02:29:13 |
Yo, handle that! |
02:29:15 |
I'm sick! Come on! I got money, man! |
02:29:16 |
Come on, man, you know me, baby! |
02:29:18 |
Come on! |
02:29:21 |
It's me, Boogaloo, baby. |
02:29:23 |
Hey, man, you know I got |
02:29:26 |
- And one, two, three! |
02:29:30 |
Police! Police! |
02:29:32 |
- Drop it! |
02:29:34 |
- Drop the gun! |
02:29:35 |
- Drop the gun, drop it! |
02:29:39 |
Scotty! |
02:29:44 |
Police! Everybody down! |
02:29:48 |
You motherfucker! |
02:29:52 |
Police! Nobody move! |
02:30:02 |
Don't fucking move! |
02:30:14 |
I want to see your hands! |
02:30:15 |
I want to see your hands! |
02:30:17 |
Police! |
02:30:21 |
Down! Down! Get down! |
02:30:24 |
Stay the fuck down! |
02:31:17 |
Hey, man, what's going on? |
02:31:25 |
What the hell... |
02:31:39 |
Stay down! Down, motherfucker! Stay down! |
02:31:41 |
Hands! Hands! |
02:31:48 |
Out at home, baby. |
02:32:01 |
- Thank you very much. |
02:32:03 |
Y'all wait right here. Wait right here. |
02:32:30 |
- Mrs Lucas, please step back inside. |
02:32:33 |
Please, Mother Lucas, step inside, please. |
02:32:34 |
Respectfully, ma'am, please step inside. |
02:32:49 |
Hands up against the wall. Stay back. |
02:32:54 |
Oh, man. |
02:32:55 |
Don't you owe me money? |
02:33:00 |
Yo, yo! Pigs! Look out! |
02:33:02 |
NYPD! Everybody stand still! |
02:33:07 |
Turner! Go! |
02:33:10 |
Down on the ground, motherfucker! |
02:33:46 |
...dead servicemen returning |
02:33:54 |
Over there. Okay. |
02:34:02 |
Ladies and gentlemen, |
02:34:05 |
the counsels are ready |
02:34:09 |
For the prosecution, |
02:34:12 |
with his opening statement first. |
02:34:14 |
Mr Roberts, are you ready to proceed? |
02:34:20 |
Yes, Your Honour. |
02:34:26 |
Ladies and gentlemen of the jury, |
02:34:33 |
the State will show and you will hear |
02:34:37 |
that Frank Lucas is the most dangerous man |
02:34:41 |
walking the streets of our city. |
02:34:46 |
All right, y'all, get on out. |
02:34:53 |
Come on, come on, come on. |
02:34:59 |
Thank you. |
02:35:05 |
You ain't wearing a wire, are you? |
02:35:08 |
No. |
02:35:10 |
All right. I was talking to my lawyers. |
02:35:13 |
They said something to me, |
02:35:17 |
Did you really find a million dollars |
02:35:20 |
- and then turn it in? Did you do that? |
02:35:22 |
You did that for real, huh? |
02:35:24 |
My man. Good for you. Shit. |
02:35:27 |
You know Johnny Law got it though, right? |
02:35:29 |
- Maybe. |
02:35:31 |
You know he got it. |
02:35:34 |
he took it and you ain't get nothing for it. |
02:35:37 |
Why did you do that? |
02:35:38 |
- It was the right thing to do. |
02:35:41 |
That's a good answer. |
02:35:43 |
The question I have, |
02:35:45 |
would you do it again? |
02:35:48 |
I mean, that's a lot of money, |
02:35:52 |
Many car payments ago, |
02:35:57 |
So I said to myself, |
02:36:02 |
Bribery, extortion, murder, |
02:36:10 |
Now, you give me an address, |
02:36:12 |
I'll make sure the car's there, |
02:36:15 |
No, thanks. |
02:36:17 |
You sure? |
02:36:20 |
Come on, now, Richie. |
02:36:23 |
You think that you're better than them? |
02:36:26 |
In fact, you're the same as them. |
02:36:30 |
Let me ask you this. |
02:36:31 |
Do you really think that |
02:36:34 |
is going to change anything |
02:36:36 |
Them dope fiends is gonna shoot it, |
02:36:38 |
they're gonna steal for it, |
02:36:40 |
Putting me in or out |
02:36:43 |
Then that's the way it is. |
02:36:44 |
That's just the way it is. |
02:36:47 |
We got me and you sitting here. |
02:36:49 |
We got that little snitch-ass driver |
02:36:52 |
You got a little bit of powder: |
02:36:54 |
You're going to need more than that, Richie: |
02:36:55 |
I got possession, supply, |
02:36:59 |
bribing a law officer: I got people who'll |
02:37:03 |
I got your offshore bank accounts, |
02:37:07 |
all bought with money from heroin. |
02:37:10 |
And I got hundreds of parents of dead kids. |
02:37:13 |
Addicts who OD'ed on your product. |
02:37:16 |
And that's how I make it all stick. |
02:37:20 |
"And he did it from a penthouse, |
02:37:22 |
Aside from that, |
02:37:24 |
That's pretty good. But that's why |
02:37:27 |
'Cause I got witnesses, too. |
02:37:28 |
I got celebrities. |
02:37:33 |
I took care of Harlem, so Harlem's |
02:37:37 |
- I got more than that, Frank. |
02:37:39 |
I've got a line of people |
02:37:42 |
it stretches out the door |
02:37:45 |
You damaged a lot of lives, Frank: |
02:37:48 |
Remember those boys? |
02:37:50 |
I ain't got nothing to do with no Mazzanos. |
02:37:52 |
Mazzanos ain't got nothing to do with me. |
02:37:53 |
- They got everything to do with you. |
02:37:55 |
- You know why? |
02:37:56 |
Because apart from the fact |
02:37:59 |
they hate what you represent. |
02:38:00 |
- I don't represent nothing but Frank Lucas. |
02:38:04 |
A black businessman like you? |
02:38:06 |
You represent progress. |
02:38:08 |
The kind of progress |
02:38:12 |
With you out of the way, |
02:38:17 |
My man. |
02:38:23 |
You know what normal is to me, Richie? |
02:38:25 |
I ain't seen normal since I was six years old. |
02:38:29 |
Normal is seeing the police |
02:38:32 |
dragging my little 12-year-old cousin out, |
02:38:35 |
shoving a shotgun in his mouth |
02:38:39 |
Then they bust two shotgun shells |
02:38:42 |
That's what normal is to me. |
02:38:43 |
I didn't give a fuck about no police then. |
02:38:46 |
I don't give a fuck about |
02:38:50 |
You know what, |
02:38:52 |
So, it don't mean nothing to me |
02:38:55 |
with your head blown off. |
02:38:58 |
Yeah, Frank. Get in line. |
02:39:06 |
All right. |
02:39:12 |
What do you want to do? |
02:39:20 |
You know what you got to do. |
02:39:21 |
What do you want me to do? Snitch, huh? |
02:39:23 |
I know you don't want me |
02:39:25 |
What do you want? You want gangsters? |
02:39:27 |
Pick one. Jew gangsters? |
02:39:31 |
They've been bleeding Harlem dry |
02:39:34 |
I don't give a fuck about no crime figures. |
02:39:39 |
I'll take them, too. |
02:39:41 |
You'll take them, too? |
02:39:48 |
No, you didn't. You're talking about police. |
02:39:52 |
You want your own kind? |
02:39:53 |
They're not my kind. |
02:39:55 |
They're in business with you, Frank. |
02:39:58 |
They ain't my kind |
02:40:05 |
Huh. |
02:40:16 |
What can you promise me, Richie? |
02:40:21 |
I can promise you, you lie about one name, |
02:40:25 |
you'll never get out of prison. |
02:40:27 |
You lie about one dollar, |
02:40:29 |
you'll never get out of prison. |
02:40:33 |
Now you can live life rich in jail |
02:40:37 |
or be poor outside for some of them. |
02:40:41 |
That's what I can promise you. |
02:40:46 |
I want them cops, Richie. |
02:40:54 |
that took that money out of my pockets. |
02:41:00 |
Him, too. |
02:41:01 |
All right. Okay. |
02:41:05 |
Hey, Spearman? Spearman. |
02:41:08 |
So these guys are all connected up |
02:41:11 |
See this guy here, he's in uniform... |
02:41:14 |
Four police officers were arrested today |
02:41:17 |
on charges of taking bribes |
02:41:19 |
Well done, Jimmy. |
02:41:20 |
The investigation into police corruption |
02:41:23 |
has swept through New York's |
02:41:26 |
broadened today with |
02:41:30 |
In what is being called |
02:41:34 |
32 more officers were indicted |
02:41:39 |
These police officers |
02:41:42 |
say federal prosecutors, if found guilty: |
02:41:45 |
A report |
02:41:47 |
ever widening police corruption scandal |
02:41:50 |
claims that more than |
02:41:52 |
assigned to drug enforcement |
02:41:58 |
Allegations of widespread corruption within |
02:42:01 |
the elite narcotics squad SIU |
02:42:04 |
have led to the arrest of |
02:42:07 |
Convicted of extortion, |
02:42:09 |
members of New York City's |
02:42:12 |
will face sentencing today in federal court: |
02:42:17 |
MacNamara. Vendazzo. |
02:42:21 |
Trupo. |
02:42:26 |
You are special. |
02:43:11 |
It's good work, Frank. |
02:43:14 |
You know... |
02:43:15 |
You don't want a drink or something? |
02:43:20 |
You got any holy water? |
02:44:16 |
Check your property. Sign, please. |
02:45:11 |
Smell better out here? |
02:45:32 |
Frank. There you are. |
02:45:36 |
- Caffe latte. Yeah. |
02:45:38 |
- Oh, shit. Yeah. |
02:45:41 |
That's a fancy way of saying |
02:45:44 |
- Yeah. |
02:45:49 |
So you been talking to your brothers? |
02:45:52 |
No, no, I ain't talked to them in years. |
02:45:59 |
What the hell am I going to do out here, |
02:46:06 |
Hey, I told ya, I ain't gonna let you starve, |
02:46:09 |
Obviously, you ain't starving. |
02:46:12 |
Bagels and blinches. They will catch up |
02:46:19 |
Who's this? |
02:46:21 |
Expensive sneakers. About $100 a pair. |
02:46:33 |
Frederick Douglass Boulevard. |
02:46:36 |
This used to be Eighth Avenue, why do they |
02:46:45 |
This was me Richie, right here. |
02:46:50 |
In my day there were so many niggers |
02:46:52 |
you could've made a Tarzan movie. |
02:46:56 |
You know, one phone call, I'll be right back |
02:46:59 |
You don't do that, Frank. |
02:47:14 |
Why'd you come and get me, huh? |
02:47:16 |
You're a superstar, Frank. |
02:47:18 |
A superstar? |
02:47:21 |
Your evidence alone |
02:47:25 |
Thought the least we could do |
02:47:29 |
Yeah, you sure did that. |
02:47:33 |
Coming to gangsters. |
02:47:39 |
What? |
02:47:43 |
Ain't nothin', man. Ain't nothin', man. |
02:47:46 |
That's life right there. That's life right there. |
02:47:49 |
Even a fool gets to be young once. |