King Of California
|
00:00:26 |
[Foot steps running] |
00:00:37 |
[Girl narrating] |
00:00:40 |
I'm a minor. |
00:00:41 |
I'm not responsible |
00:00:49 |
[Alarm sounding] |
00:00:51 |
- Where are you going? |
00:00:52 |
- We gotta stick with the plan. |
00:00:54 |
But these things should be taken |
00:00:58 |
In our case, I've always |
00:01:01 |
- We gotta get out of here. |
00:01:04 |
Oh, God. |
00:01:08 |
[Girl narrating] |
00:01:15 |
[Girl] |
00:01:17 |
Can I have a Number 1? |
00:01:20 |
Actually, can I have |
00:01:22 |
Um, but instead of the Coke |
00:01:24 |
I want a McFlurry |
00:01:27 |
and make sure |
00:01:28 |
And then a Number 1 with mustard, ketchup... |
00:01:32 |
Pickles and lettuce only. |
00:01:34 |
[Girl narrating] |
00:01:37 |
Which was not exactly normal, |
00:01:46 |
Before, when he was home, |
00:01:50 |
because it always felt like |
00:02:50 |
- [Chuckling] |
00:02:52 |
Oh, yeah, |
00:02:54 |
I don't know whether |
00:02:56 |
or heard it on the news. |
00:02:59 |
Naked Chinese men |
00:03:03 |
up and down |
00:03:07 |
at sunrise. |
00:03:11 |
Boat people, you know? |
00:03:13 |
The boat stops outside |
00:03:16 |
they put their clothes |
00:03:18 |
and they swim ashore. |
00:03:22 |
Naked Chinese guys. |
00:03:25 |
Fuckin' amazing. |
00:03:30 |
[Girl narrating] |
00:03:33 |
Jesus Christ. |
00:03:35 |
Don't people go to hospitals |
00:03:42 |
[Men chattering] |
00:03:58 |
[Jack hammer rattling] |
00:04:01 |
It would've been easier |
00:04:05 |
because the way |
00:04:06 |
we would've cleaned up. |
00:04:08 |
But Charlie grew up |
00:04:11 |
he refused to leave. |
00:04:13 |
Even though we were |
00:04:20 |
Before I was born, he had |
00:04:23 |
and managed to avoid |
00:04:27 |
I'm pretty sure my arrival |
00:04:39 |
Once, when things went south |
00:04:42 |
he had to pawn that bass. |
00:04:44 |
He said that everything |
00:04:48 |
And they didn't start going right again |
00:04:51 |
in a pawn shop in Atlanta. |
00:04:53 |
He said things were |
00:04:56 |
all evidence to the contrary. |
00:05:05 |
[Charlie speaking |
00:05:11 |
[Recorded female voice |
00:05:15 |
[Charlie repeating phrase] |
00:05:25 |
Oh, shit! |
00:05:26 |
[Speaking foreign language] |
00:05:42 |
What's going on? |
00:05:43 |
Great things. |
00:05:46 |
[Girl narrating] |
00:05:48 |
on that ol' bipolar |
00:05:51 |
Naked Chinese guys. |
00:05:54 |
[Record static] |
00:05:55 |
## [Jazz] |
00:06:08 |
[Girl narrating] |
00:06:10 |
with a five-piece jazz combo. |
00:06:13 |
Once, after a club date |
00:06:17 |
Pepper ate so many pancakes |
00:06:20 |
had to unbolt the table |
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Hey-hey, |
00:06:29 |
Lost some weight. |
00:06:31 |
It's the chemo. |
00:06:32 |
Oh. |
00:06:35 |
Hey, might as well |
00:06:37 |
I'm not playing anymore. |
00:06:39 |
Some other time. |
00:06:41 |
I'm not doing that, |
00:06:43 |
Oh, it's a whole new |
00:06:48 |
- Hello, Miranda. |
00:06:51 |
How are you, sweetie? |
00:06:59 |
What the hell is that? |
00:07:01 |
[Snickers] |
00:07:04 |
You got a job? |
00:07:08 |
Aren't you supposed |
00:07:09 |
No, wait. Wait a minute. |
00:07:11 |
Is this Christmastime? |
00:07:15 |
It's March. |
00:07:17 |
Oh. |
00:07:19 |
Well, then, why aren't |
00:07:22 |
I had to give |
00:07:24 |
I had to make money, |
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while you were gone |
00:07:28 |
Huh. |
00:07:29 |
I'll be back around 10. |
00:07:32 |
You working at night? |
00:07:33 |
Yeah. |
00:07:35 |
Wait, wait, |
00:07:37 |
I mean, that's not good. |
00:07:40 |
It's not the old McDonald's |
00:07:41 |
It's a new one |
00:07:43 |
Crest Parkway. |
00:07:45 |
Some new neighborhood, |
00:07:48 |
I don't know. |
00:07:49 |
Where the fuck is that? |
00:07:52 |
Hey, can I get a ride |
00:07:54 |
I gotta see a man about a job. |
00:07:56 |
No way. |
00:07:58 |
I got an interview. |
00:08:02 |
Yeah, sure, |
00:08:10 |
You make me laugh. |
00:08:14 |
[Miranda narrating] |
00:08:16 |
Social Services thought |
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And Child Welfare thought |
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My father thought |
00:08:24 |
My mother thought |
00:08:27 |
Somewhere, some foster family |
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Welcome to McDonald's. |
00:08:33 |
By working double shifts |
00:08:35 |
I was able to buy |
00:08:39 |
They didn't know |
00:08:41 |
An unlicensed 15-year-old |
00:08:44 |
as everyone else on Ebay. |
00:08:46 |
It's like the Social Services thing, |
00:08:48 |
nobody sees anybody. |
00:08:50 |
[Engine ignition falters] |
00:08:52 |
I admit, it's a beater... |
00:08:54 |
[engine sputters to life] |
00:08:56 |
...but a safe beater. |
00:08:58 |
[Tires screeching] |
00:09:03 |
Things were a lot different |
00:09:07 |
Easier. |
00:09:09 |
In some ways, |
00:09:12 |
[Bass string snaps] |
00:09:21 |
[Charlie] |
00:09:24 |
It's none of your |
00:09:26 |
Why don't you try |
00:09:48 |
[Low growling] |
00:10:12 |
[Window creaking] |
00:10:14 |
[Miranda] |
00:10:19 |
Someone from work |
00:10:21 |
in the cosmetics aisle at Target. |
00:10:33 |
You have an interview here? |
00:10:39 |
I'm having a hard time |
00:10:51 |
I thought you said |
00:10:53 |
[Train whistle blaring] |
00:11:07 |
[Miranda] |
00:11:15 |
After Mom left, |
00:11:19 |
with my class projects. |
00:11:21 |
He did his best, but things |
00:11:27 |
He had his own ideas |
00:11:31 |
When the teachers |
00:11:33 |
he always told them |
00:11:35 |
You think they're |
00:11:37 |
They're going to love it. |
00:11:39 |
- Think so? |
00:11:43 |
You have a good day, |
00:11:44 |
- Okay. |
00:11:47 |
Good, very nice, Ron. |
00:11:49 |
That's fine. |
00:11:54 |
Who are the little people, Miranda? |
00:11:57 |
Those are the bodies |
00:12:00 |
who died of syphilis |
00:12:02 |
infected by the missionaries. |
00:12:06 |
Uh, Miranda, |
00:12:09 |
and wait for me |
00:12:11 |
Go on. |
00:12:17 |
[Woman] |
00:12:18 |
We're not having |
00:12:21 |
We're not hiring now. |
00:12:24 |
Okay, sorry. |
00:12:27 |
[Automated female voice] |
00:12:30 |
- Left turn in two miles. |
00:12:35 |
- Goodbye. |
00:12:36 |
Hey, Miranda. Hi. |
00:12:38 |
Where did you go? |
00:12:39 |
Just, you know, |
00:12:41 |
checking |
00:12:42 |
What about the job? |
00:12:45 |
You know why people |
00:12:49 |
Fear of the unknown. |
00:12:51 |
Nothing in there |
00:12:54 |
Why do you feel like |
00:12:56 |
I mean, so you're not |
00:12:58 |
You just want to go, |
00:13:00 |
explore or something. |
00:13:02 |
That's fine, whatever. |
00:13:03 |
I mean, it would be great |
00:13:05 |
I was barely scraping by |
00:13:07 |
Pull over there. |
00:13:08 |
[Automated female voice] |
00:13:10 |
You know what, no. |
00:13:12 |
Please, just pull in right over there. |
00:13:14 |
No, I'm not letting you |
00:13:17 |
Miranda, I gotta go. |
00:13:18 |
What are you talking about? |
00:13:20 |
- Just tell me what you're doing. |
00:13:22 |
I take these medications. |
00:13:27 |
Yeah. I'm sorry. |
00:13:34 |
Can you back up to the bushes? |
00:13:40 |
[Beeps] |
00:13:47 |
[Automated female voice] |
00:14:02 |
[Man choking, struggling] |
00:14:09 |
[Gasps] |
00:14:10 |
[Guttural cries] |
00:14:26 |
Charlie? |
00:14:48 |
[Scraping, tapping] |
00:15:20 |
[Car ignition faltering] |
00:15:27 |
[Car engine starts] |
00:15:39 |
Ow! Shit! |
00:15:42 |
Charlie? You okay? |
00:15:45 |
I'm fine. |
00:15:47 |
Stop! Stop! |
00:15:48 |
God... |
00:15:50 |
What are you doing? |
00:15:53 |
The stars are |
00:15:55 |
They won't be like this |
00:15:59 |
I can't stop you, can I? |
00:16:05 |
Work your magic. |
00:16:17 |
Oh, yeah, that's it, |
00:16:20 |
from Sirius the Dog Star. |
00:16:21 |
That's my baby! |
00:16:35 |
This is it. |
00:16:38 |
This is what? |
00:16:42 |
What're you doing? |
00:16:43 |
Come on, let's go. |
00:16:44 |
Come on. |
00:16:56 |
Oh, come on. |
00:17:00 |
[Truck horn blaring] |
00:17:08 |
Come on, |
00:17:10 |
Come here. |
00:17:23 |
Just so you know, |
00:17:25 |
in, like, seven hours. |
00:17:27 |
Relax. |
00:17:33 |
Miranda... |
00:17:35 |
meet the Excalibur 1000. |
00:17:38 |
[Machine powers up] |
00:17:40 |
Is that a metal detector? |
00:17:42 |
[High-frequency whine, |
00:17:50 |
[Beeping faster] |
00:17:51 |
Now you hear that? |
00:17:53 |
That's maybe tin foil or nickel. |
00:17:56 |
Nickels and tin foil |
00:17:59 |
We call that the fool's gold |
00:18:04 |
Prospecting? |
00:18:05 |
Yeah. |
00:18:07 |
[Beeping faster] |
00:18:08 |
[Tone changes] |
00:18:10 |
High tone, |
00:18:12 |
Silver is a great conductor. |
00:18:22 |
Must be one |
00:18:25 |
The new ones, |
00:18:29 |
We are well on our way |
00:18:32 |
[Chuckling] |
00:18:36 |
You know, Charlie, |
00:18:37 |
you can plug headphones |
00:18:38 |
so why don't you do that |
00:18:41 |
No, then you wouldn't |
00:18:43 |
when it makes a noise. |
00:18:44 |
- [Sighs] |
00:18:48 |
Huh! |
00:18:52 |
[Dog barking] |
00:18:55 |
[Whispering] |
00:18:57 |
- We have a shovel? |
00:18:59 |
I'm am out of here. |
00:19:02 |
We're not doing |
00:19:03 |
This is public land. |
00:19:04 |
There's gotta be |
00:19:06 |
You are so lame, |
00:19:07 |
I can't believe I raised |
00:19:10 |
Oh, you raised me? |
00:19:11 |
Of course, |
00:19:15 |
is for the best conductor of them all. |
00:19:32 |
[Spits] |
00:19:33 |
[Laughing] |
00:19:42 |
[Crying] |
00:19:44 |
Eureka. |
00:19:48 |
Can we go now? |
00:19:50 |
Don't you want to |
00:19:55 |
Okay. |
00:19:57 |
What is it? |
00:20:00 |
This is a doubloon. |
00:20:03 |
A what? |
00:20:05 |
A doubloon |
00:20:14 |
The diary of Father |
00:20:18 |
1651. |
00:20:21 |
So, I picked up this book |
00:20:26 |
and it got me thinking. |
00:20:27 |
I thought the whole idea |
00:20:29 |
was for you |
00:20:31 |
And I got some other books. |
00:20:33 |
More books, eh? |
00:20:36 |
Along with a gold crucifix |
00:20:42 |
Father Torres' expedition |
00:20:47 |
Now, these doubloons were dated. |
00:20:54 |
This one... |
00:20:58 |
Something... |
00:21:01 |
Let me see. |
00:21:06 |
That's 24 carats. |
00:21:14 |
Records that I obtained from |
00:21:18 |
Okay. Wait, wait, wait. |
00:21:19 |
How the hell |
00:21:21 |
from the Spanish Treasury |
00:21:23 |
The internet. |
00:21:24 |
- Perfect. |
00:21:26 |
Here. |
00:21:33 |
[Paper shuffling] |
00:21:36 |
See for yourself. |
00:21:38 |
Father Torres' doubloons |
00:21:42 |
Now, coins minted in 1624 |
00:21:45 |
for what we call now, |
00:21:48 |
which Torres lost sooner. |
00:21:50 |
Nobody else was around back then, |
00:21:53 |
Now based upon |
00:21:55 |
and the reports of |
00:21:57 |
- Cave system? |
00:21:59 |
So all we gotta do |
00:22:01 |
and it's going to lead us |
00:22:05 |
It's just... |
00:22:09 |
You're serious. |
00:22:12 |
Yeah. |
00:22:13 |
Look, a lot of people |
00:22:16 |
How come nobody ever found |
00:22:18 |
They've tried! |
00:22:20 |
It's been well documented, |
00:22:22 |
I've read all of them. |
00:22:23 |
- I marked chapters for you. |
00:22:26 |
The thing is that nobody realized how special |
00:22:28 |
this Father Torres was. |
00:22:30 |
Nobody ever went and looked |
00:22:35 |
Charlie, these people |
00:22:44 |
[Sighs] |
00:22:45 |
I'm going to go to bed. |
00:22:46 |
- Miranda... |
00:22:49 |
Okay? |
00:22:58 |
[Foot steps] |
00:23:01 |
[Knocking] |
00:23:04 |
[Sighs] |
00:23:05 |
I'm not decent. |
00:23:06 |
Come on, Miranda. |
00:23:14 |
Sometimes I wake up and... |
00:23:17 |
That's why you take |
00:23:20 |
No, it's not that. |
00:23:21 |
What I'm saying is that... |
00:23:26 |
- Oh. |
00:23:28 |
No, l... I'm listening. |
00:23:30 |
- And? |
00:23:32 |
But maybe I haven't |
00:23:34 |
And if I do this, |
00:23:38 |
Exist? |
00:23:40 |
Yeah. |
00:23:43 |
You're shaking. |
00:23:46 |
Read the book. |
00:23:48 |
This is so stupid. |
00:23:50 |
Please? |
00:23:55 |
All right, I'll read it |
00:24:01 |
- [Knocking] |
00:24:06 |
This is for you. |
00:24:21 |
[Miranda narrating] |
00:24:24 |
We want to believe in them. |
00:24:27 |
And when we don't |
00:24:29 |
we still just want |
00:24:37 |
[Bell tolling] |
00:24:42 |
[Man speaking |
00:24:49 |
Hey, Padre! |
00:24:51 |
[Charlie] |
00:24:52 |
Torres was a mathematics scholar in Seville. |
00:24:54 |
[Man screaming] |
00:24:56 |
In fact, it looks like he might've |
00:24:58 |
because certain of his ideas |
00:25:01 |
[Screaming continues] |
00:25:06 |
But that's not |
00:25:08 |
The thing that matters here |
00:25:11 |
to communicating |
00:25:15 |
So then, it dawned |
00:25:17 |
while the other patients |
00:25:19 |
They like that in there? |
00:25:20 |
- They love it. |
00:25:22 |
Anyway, I noticed that some |
00:25:25 |
I read the book again, |
00:25:27 |
So I began to wonder, why would |
00:25:31 |
presumably with a limited |
00:25:34 |
repeat themselves like that? |
00:25:35 |
Senility? |
00:25:37 |
He was writing in code. |
00:25:40 |
Took me a long time, |
00:25:46 |
I gotta go. |
00:25:55 |
[Charlie muttering] |
00:26:17 |
[Charlie] |
00:26:20 |
and found the area he was |
00:26:23 |
to the north of where |
00:26:24 |
It's simple, really. |
00:26:46 |
[Miranda narrating] |
00:26:49 |
when Father Torres' |
00:26:51 |
and half of his party |
00:26:53 |
He thought that Torres |
00:26:56 |
and that we were following |
00:27:01 |
"Journal of Father |
00:27:04 |
"18th of October, |
00:27:10 |
"As we reached the summit and look |
00:27:14 |
"there unfolded before us |
00:27:17 |
"as one ever looked upon. |
00:27:19 |
"We saw a large green meadow |
00:27:24 |
"its north side bounded |
00:27:26 |
"which oak trees |
00:27:29 |
"It was like a grand old park, |
00:27:32 |
"such as we read of |
00:27:35 |
"We passed that night |
00:27:37 |
"whose branches |
00:27:39 |
"as beautifully |
00:27:40 |
"in our finest cathedrals. |
00:27:43 |
"Upon our safe arrival, we offered |
00:27:47 |
"that seemed almost to have |
00:27:51 |
"I bade the smith |
00:27:53 |
"to carve the three crosses |
00:27:57 |
[Beeping] |
00:28:01 |
[Automated female voice] |
00:28:05 |
This is it. |
00:28:07 |
- It might be. |
00:28:09 |
Look how old these trees are. |
00:28:14 |
All right. |
00:28:15 |
So obviously, it's going |
00:28:18 |
I mean, you know, |
00:28:21 |
Uh! |
00:28:23 |
[Golfer] |
00:28:26 |
C-Come here, come here. |
00:28:27 |
- See this? |
00:28:29 |
This is it. |
00:28:31 |
Look at that. |
00:28:33 |
Look! Look! |
00:28:34 |
[Laughing] |
00:28:36 |
I don't know. |
00:28:37 |
It is! |
00:28:39 |
The rock must've moved. |
00:28:42 |
Well, it could be |
00:28:49 |
Wait a minute. |
00:28:51 |
Wait a minute. |
00:28:52 |
I think I see it, right there! |
00:28:54 |
I see it. Look! |
00:28:56 |
That's why I didn't |
00:28:58 |
[Car door closes] |
00:28:59 |
Can I help you? |
00:29:02 |
I think it's time to go. |
00:29:03 |
Why do they always say, |
00:29:05 |
When it's the last thing |
00:29:07 |
Sir? |
00:29:08 |
And they say "sir" |
00:29:09 |
like they want |
00:29:10 |
- It's monstrous. |
00:29:12 |
- Sir! |
00:29:13 |
Are you a member |
00:29:16 |
[Guffawing] |
00:29:18 |
Are you shitting me? |
00:29:19 |
Then I'll have to |
00:29:21 |
- Are you happy? |
00:29:23 |
- Charlie. |
00:29:25 |
Sir. |
00:29:27 |
- Is this man your father? |
00:29:29 |
Just wanted to see |
00:29:32 |
I couldn't tell |
00:29:36 |
A first, I thought |
00:29:38 |
Now they're looking |
00:29:42 |
Must be the foliage. |
00:29:44 |
They are so beautiful. |
00:29:50 |
They're hazel. |
00:29:54 |
Hazel. |
00:29:59 |
Well, I'm so sorry that I |
00:30:04 |
[Scribbling] |
00:30:05 |
But... I'll be on my way. |
00:30:14 |
I can't believe you just gave |
00:30:16 |
I hope she calls me. |
00:30:18 |
Once you get |
00:30:20 |
she'd be something else. |
00:30:21 |
- [Laughs] |
00:30:26 |
[Miranda] |
00:30:28 |
What are you going to do |
00:30:30 |
Wouldn't we have to give it |
00:30:32 |
[Charlie, over phone] |
00:30:34 |
I know a lot of people who want |
00:30:37 |
but you're missing the point. |
00:30:39 |
[Miranda] |
00:30:40 |
[Charlie] |
00:30:42 |
[Miranda] |
00:30:45 |
[Charlie] |
00:30:51 |
[No audible dialogue] |
00:31:26 |
[Miranda narrating] |
00:31:27 |
sure that they're going |
00:31:30 |
I've always thought |
00:31:32 |
Ten more minutes, Randy. |
00:31:34 |
[Sotto voce] |
00:31:36 |
At least Charlie had a plan. |
00:31:40 |
I mean, who doesn't |
00:31:44 |
## [Hip hop] |
00:32:00 |
Still, maybe I shouldn't |
00:32:35 |
"From the journal |
00:32:38 |
"November 21st, 1624. |
00:32:41 |
"The natives appear to be |
00:32:44 |
"stupid race of people, |
00:32:46 |
"and in most respects |
00:32:49 |
"in other newly-discovered countries. |
00:32:52 |
"There was no sign |
00:32:55 |
"until one of the soldiers |
00:32:57 |
"was inspired to the act |
00:32:59 |
"the object being |
00:33:02 |
"An action |
00:33:04 |
"as the females are uniformly |
00:33:08 |
"Considerable uproar ensued |
00:33:10 |
to retreat inland, |
00:33:17 |
After they carved |
00:33:19 |
Father Torres' expedition |
00:33:21 |
the Santa Clarita River. |
00:33:23 |
The thing was there wasn't |
00:33:27 |
It had been dammed |
00:33:30 |
But Charlie thought |
00:33:32 |
would lead us to where |
00:33:35 |
He said I can look it up |
00:33:42 |
What do I say? |
00:33:47 |
You don't have to say anything. |
00:33:49 |
We've got every right |
00:33:52 |
Thanks for the tip! |
00:34:00 |
You got a 302 in there? |
00:34:01 |
What? |
00:34:03 |
Does that have a 302 in it? |
00:34:05 |
What? |
00:34:06 |
The backhoe. |
00:34:07 |
Oh, that. |
00:34:10 |
It's a power plant, |
00:34:13 |
It sure is. |
00:34:17 |
[Backhoe shuts off] |
00:34:19 |
[Charlie] |
00:34:21 |
Ah! Jesus Christ! |
00:34:23 |
Pottery shards! |
00:34:25 |
Will you excuse me? |
00:34:28 |
Right on. |
00:34:34 |
Broken water jugs, |
00:34:35 |
exactly the same kind |
00:34:37 |
And look, it's even got |
00:34:40 |
Okay, well, shouldn't |
00:34:42 |
like an archeologist |
00:34:43 |
What, have them |
00:34:45 |
No, they can do that... |
00:34:47 |
- Radio carbon dating, yeah. |
00:34:48 |
[Spits] |
00:34:49 |
That's been discredited |
00:34:51 |
"In questions of science |
00:34:55 |
is not worth the humble reasoning |
00:34:58 |
Galileo! |
00:35:01 |
Miranda, just feel this. |
00:35:04 |
Put that in your hands. |
00:35:07 |
Feel how old that is. |
00:35:14 |
[Miranda narrating] |
00:35:15 |
the original riverbed, |
00:35:18 |
where Father Torres |
00:35:19 |
had been forced |
00:35:23 |
But there was one obstacle. |
00:35:34 |
49.2 degrees north. |
00:35:37 |
This is the way. |
00:35:39 |
Hi. Uh, do you have |
00:35:41 |
Oh, we're just browsing. |
00:35:50 |
What I need you to do... |
00:35:52 |
I want you to take |
00:35:58 |
Please? |
00:36:20 |
Don't touch that! |
00:36:22 |
Don't... |
00:36:24 |
I'm so close. |
00:36:26 |
- Excuse me, sir. |
00:36:28 |
Pardon me, but I didn't know |
00:36:30 |
These? You guys |
00:36:33 |
Yeah, we sure do. |
00:36:35 |
- It's working out fine. It's fine. |
00:36:38 |
All right, well... |
00:36:50 |
Okay. |
00:36:52 |
All right. |
00:36:53 |
I'll just get this... |
00:36:56 |
- Okay. |
00:36:58 |
Can you hold this, please? |
00:37:02 |
[Muttering] |
00:37:04 |
This over here. |
00:37:05 |
24 degrees. |
00:37:08 |
And that's it. |
00:37:17 |
X marks the spot. |
00:37:21 |
This is so wild. |
00:37:23 |
Doubloons from |
00:37:25 |
lost more than |
00:37:27 |
and they're buried |
00:37:30 |
Well, I guess you know |
00:37:33 |
It's only 6 feet down. |
00:37:36 |
Only 6 feet? |
00:37:38 |
M-Maybe 7. |
00:37:39 |
It'll take two |
00:37:42 |
maybe fours hours |
00:37:43 |
Are you nuts? |
00:37:46 |
I'm sorry, but can we be realistic here? |
00:37:49 |
I'm being realistic. |
00:37:50 |
- I'll lay it out. |
00:37:53 |
No way. |
00:37:54 |
- You did your best. |
00:37:56 |
I'm not going to be beaten |
00:37:59 |
No, sir! |
00:38:01 |
Hey, take it easy. |
00:38:03 |
[Growls, sighs] |
00:38:56 |
[Miranda narrating] |
00:38:59 |
a job held by adult women |
00:39:03 |
Which you don't |
00:39:05 |
so they get paid pretty well. |
00:39:07 |
[Man] |
00:39:09 |
[Miranda narrating] |
00:39:11 |
She had to be. |
00:39:13 |
Her hands were the only income |
00:39:16 |
- [Yelling] |
00:39:22 |
[Miranda narrating] |
00:39:27 |
Things were a lot more |
00:39:32 |
Like an adventure. |
00:39:36 |
But the supply of toys dwindled. |
00:39:41 |
We managed, though. |
00:39:55 |
I don't know why anybody would |
00:40:01 |
It's not as if it's so hard |
00:40:06 |
the old-fashioned way. |
00:40:10 |
[Men speaking foreign language] |
00:40:24 |
[Door slams] |
00:40:26 |
[Woman laughing] |
00:40:40 |
Ooh! |
00:40:51 |
[Record stops] |
00:40:57 |
Morning. |
00:40:59 |
You... |
00:41:02 |
Uh, Miranda? |
00:41:19 |
What happened to my car? |
00:41:20 |
Miranda... |
00:41:21 |
Did you wreck it? |
00:41:24 |
I couldn't pay the rental |
00:41:26 |
No way. |
00:41:27 |
So, your car |
00:41:30 |
But we're almost there, |
00:41:32 |
We are so close. |
00:41:34 |
Jesus Christ. |
00:41:38 |
I'm sorry, l... |
00:41:41 |
I'm really sorry. |
00:41:44 |
You never do. |
00:41:45 |
Well, I'll get it back. |
00:41:47 |
- How are you going to do that? |
00:41:49 |
But I will. |
00:41:50 |
Well, I guess I'd better |
00:41:52 |
since I'm going |
00:41:54 |
Can't you get a friend |
00:41:56 |
I don't have any friends. |
00:41:59 |
What about that skinny one |
00:42:02 |
Carrots-and-Mountain Dew-Julia? |
00:42:04 |
Right, Julia, |
00:42:05 |
She had an eating disorder. |
00:42:06 |
She went to the hospital |
00:42:09 |
Oh. |
00:42:11 |
Well, in that case, maybe I can |
00:42:13 |
I'm sure he hasn't |
00:42:15 |
It wasn't that the car |
00:42:17 |
- I'm sure the car... |
00:42:19 |
I loved that car. |
00:42:21 |
I know you did. |
00:42:22 |
No, you didn't |
00:42:24 |
Why? Because you never listen. |
00:42:26 |
All right, I'm an asshole. |
00:42:29 |
Not to the extent that |
00:42:32 |
You make fun of everything |
00:42:35 |
No, I'm proud of you working. |
00:42:37 |
Don't... Yeah, right. |
00:42:38 |
You know, I'm the one |
00:42:40 |
No, it's wild. |
00:42:43 |
You don't take anything seriously, do you? |
00:42:46 |
You think the world |
00:42:49 |
- Look at the world. |
00:42:51 |
But unlike you, |
00:42:54 |
I just... |
00:42:57 |
You're a really smart guy. |
00:42:58 |
How can you keep |
00:43:02 |
What do you mean? |
00:43:04 |
The treasure is just like |
00:43:08 |
Just like the tour boat |
00:43:10 |
just like the Mexican |
00:43:13 |
just like your marriage. |
00:43:15 |
How come you can't |
00:43:17 |
Everybody else can. |
00:43:21 |
There's something |
00:00:07 |
## [Mariachi] |
00:00:10 |
I can't believe |
00:00:13 |
[Woman over P.A.] |
00:00:14 |
[Electronic feedback] |
00:00:16 |
And now, I give you |
00:00:21 |
Let's give them a hand. |
00:00:36 |
[Children giggling] |
00:00:53 |
[Child laughing] |
00:01:26 |
[Chattering, |
00:01:43 |
[Woman] |
00:01:48 |
# Is just floating all away # |
00:01:52 |
# My dreams # |
00:01:55 |
# Take to the road # |
00:01:58 |
# As I try to stay afloat # |
00:02:03 |
# In this flood # |
00:02:05 |
# And this flood of dreams # |
00:02:11 |
Welcome to McDonald's. |
00:02:13 |
# When you were mine # |
00:02:15 |
# The sky was so high # |
00:02:18 |
# The forests were green # |
00:02:22 |
# And the stars were bright # |
00:02:27 |
# Now I've got the road # |
00:02:30 |
# Leading me off |
00:02:36 |
Have a good day, sweetie |
00:02:37 |
- Okay. |
00:02:40 |
# Oh, my home # |
00:02:45 |
# Is floating all away # |
00:02:49 |
# My dreams # |
00:03:20 |
## ["Hail to the Chief"] |
00:03:55 |
[Miranda narrating] |
00:03:59 |
Charlie swore |
00:04:04 |
He swore he'd pawn |
00:04:06 |
before he'd pawn that bass. |
00:04:10 |
[Snoring] |
00:04:43 |
- [Whispering] Charlie. |
00:04:46 |
- Charlie. |
00:05:04 |
Have you eaten anything? |
00:05:06 |
Uh... |
00:05:09 |
No. |
00:05:10 |
- I'll go make something. |
00:05:15 |
Why don't you sit down? |
00:05:21 |
Used to look out here, |
00:05:24 |
maybe two lights. |
00:05:27 |
Your mom, she used to complain |
00:05:32 |
in the middle of nowhere. |
00:05:38 |
It's still the middle of nowhere. |
00:05:39 |
There's just a lot more people in it now. |
00:05:50 |
You didn't have to sell |
00:05:54 |
You just have to know |
00:05:58 |
Dad, don't. |
00:06:03 |
I told you, |
00:06:10 |
That's not what |
00:06:24 |
Um, excuse me. |
00:06:26 |
- Hi. |
00:06:28 |
Would you like to try |
00:06:33 |
[Charlie] |
00:06:36 |
[Miranda] |
00:06:37 |
claim to be alarmed |
00:06:40 |
[Charlie] |
00:06:43 |
[Miranda] |
00:06:44 |
[Charlie] |
00:06:45 |
We'll make a good scofflaw |
00:07:04 |
[Miranda] |
00:07:09 |
Everyone says I could be looking at a raise |
00:07:10 |
within six months, |
00:07:12 |
[Charlie] |
00:07:14 |
Tell me about |
00:07:16 |
[Miranda] |
00:07:18 |
They only work in the daytime. |
00:07:19 |
Come on, come on! |
00:07:21 |
[Miranda] |
00:07:23 |
And the other one |
00:07:26 |
Security guards |
00:07:28 |
but the manager, |
00:07:31 |
who has the great |
00:07:33 |
It opens every single door. |
00:07:36 |
He calls it the "God" key. |
00:07:37 |
[Man] |
00:07:39 |
[Miranda] |
00:07:41 |
Kelly and I sometimes head |
00:07:45 |
We have a little barbecue, |
00:07:47 |
Nah, you play volleyball. |
00:07:49 |
I just listen to Jimmy Buffet |
00:07:52 |
I'm a total parrothead. |
00:07:55 |
Do you like the beach, |
00:07:58 |
I can't even remember |
00:08:00 |
I bet you'd look great |
00:08:02 |
[Charlie] |
00:08:04 |
[Miranda] |
00:08:06 |
Did you... |
00:08:08 |
Did you get sort of |
00:08:11 |
from these people? |
00:08:14 |
- Kind of. |
00:08:16 |
That's because they're swingers. |
00:08:18 |
What? |
00:08:21 |
Do I gotta draw you |
00:08:23 |
What are you |
00:08:25 |
- You don't know, do you? |
00:08:27 |
So nice that you don't |
00:08:31 |
Swingers, um... |
00:08:34 |
Well, they're, you know, |
00:08:37 |
to spice up their life |
00:08:42 |
Oh! |
00:08:43 |
Oh, my God. |
00:08:45 |
They were talking |
00:08:48 |
Oh, God, |
00:08:51 |
What am I going to do? |
00:08:53 |
Why? Wh-What's the matter? |
00:08:54 |
- They invited me to a barbecue. |
00:08:57 |
You were the one that told me |
00:09:00 |
so that I can get to know |
00:09:02 |
But I didn't mean that |
00:09:04 |
I didn't know that |
00:09:05 |
It's cool, all right? |
00:09:08 |
Y-You just... |
00:09:10 |
I told them that I would, |
00:09:11 |
I thought I could maybe |
00:09:13 |
The God key. |
00:09:15 |
- Yeah. |
00:09:17 |
No, no. We... |
00:09:19 |
I think I can take care of myself, Charlie; |
00:09:22 |
You know, sometimes |
00:09:26 |
Okay, I can take care |
00:09:28 |
Thank you. I mean, you're what, |
00:09:31 |
I'll be 17 in 3 weeks. |
00:09:35 |
You're gonna be 17? |
00:09:39 |
You are so young. |
00:09:41 |
But, you know, |
00:09:42 |
Sometimes you're very, um... |
00:09:43 |
- Precocious? |
00:09:45 |
Now, I forbid you |
00:09:48 |
You hear me? |
00:09:49 |
Okay, I won't. |
00:09:50 |
Are you going |
00:09:52 |
Okay. God. |
00:10:04 |
[No audible dialogue] |
00:10:13 |
# See the curtains |
00:10:16 |
# In the evening |
00:10:21 |
# A little light shining |
00:10:24 |
# Lets me know |
00:10:30 |
# Summer breeze |
00:10:35 |
# Blowing through |
00:10:40 |
[Doug] |
00:10:43 |
Half price on all seafood. |
00:10:46 |
Have some before |
00:10:50 |
It's a virgin, |
00:10:52 |
Berry flavored. |
00:10:56 |
Miranda, did you bring |
00:10:57 |
No. Why? |
00:11:00 |
You don't have |
00:11:02 |
Hot tub. |
00:11:04 |
[Chuckling] |
00:11:05 |
- Huh. Um... |
00:11:09 |
We need some more chairs! |
00:11:10 |
Okay, Leonid. |
00:11:13 |
Excuse me, ladies. |
00:11:15 |
Hey, so do you want to go |
00:11:18 |
I've got a major selection. |
00:11:19 |
Huh? |
00:11:21 |
I mean, we look |
00:11:23 |
Uh, I think I'm... |
00:11:25 |
I'm sorry, I think I'm going |
00:11:28 |
Are you sure? |
00:11:30 |
Lt'd be really nice. |
00:11:31 |
That water's, like, |
00:11:34 |
It's pineapple... |
00:11:38 |
# Summer breeze |
00:11:43 |
# Blowing through |
00:11:53 |
Actually, I changed my mind. |
00:11:55 |
It does, doesn't it? |
00:12:02 |
So, I'm guessing |
00:12:06 |
What? |
00:12:08 |
[Gasps] |
00:12:11 |
[Humming] |
00:12:14 |
- A thong? |
00:12:17 |
- Look at this. |
00:12:19 |
All right. |
00:12:21 |
- I got it! |
00:12:29 |
- Parrots? |
00:12:31 |
Check it out. |
00:12:33 |
No? Okay. |
00:12:38 |
[Expels breath] |
00:12:40 |
Okay, I hope you dig this. |
00:12:44 |
- Dude! |
00:12:46 |
Check it out. |
00:12:49 |
Oh, hey, it's all right. |
00:12:53 |
Are you sure |
00:12:55 |
[Sniffs] |
00:12:57 |
Oh, boy. |
00:13:04 |
You know, um, |
00:13:07 |
- [puking] |
00:13:08 |
- Oh, okay. |
00:13:11 |
[Men speaking foreign language] |
00:13:15 |
## [Jazz] |
00:13:22 |
[Pepper laughing] |
00:13:26 |
[Coughing] |
00:13:32 |
- Hi. |
00:13:34 |
- What's happening? |
00:13:38 |
So, um... look |
00:13:44 |
One with your own name on it. |
00:13:47 |
Good. Great. |
00:13:49 |
No. |
00:13:51 |
Come on, your credit rating is great. |
00:13:52 |
No, Charlie. No. |
00:13:55 |
You all right? |
00:13:57 |
Yeah, I'm fine. |
00:13:59 |
So, Pepper here, |
00:14:01 |
for an alarm service |
00:14:05 |
Was that before or after |
00:14:07 |
Before. |
00:14:09 |
And Pepper, he knows |
00:14:18 |
Wait, Charlie, |
00:14:19 |
What did he tell you? |
00:14:21 |
[Chuckling] |
00:14:41 |
[Loud clatter] |
00:14:44 |
[Men shouting] |
00:14:54 |
- [Gasps] |
00:14:59 |
[Banging] |
00:15:05 |
Charlie? |
00:15:08 |
[Police radio chatter] |
00:15:09 |
Charlie! |
00:15:12 |
[Flustered utterances] |
00:15:15 |
Is this what I think it is? |
00:15:18 |
Charlie, what did you do? |
00:15:22 |
Uh, I got behind |
00:15:24 |
- I didn't even know there was a second. |
00:15:25 |
There's a third |
00:15:27 |
a second to pay |
00:15:28 |
- How'd you get this? |
00:15:31 |
They're taking everything. |
00:15:35 |
Miranda, did you go |
00:15:40 |
L... It was a barbecue. |
00:15:43 |
[Knocking] |
00:15:46 |
Are you sure nothing happened? |
00:15:50 |
Something happened, didn't it? |
00:15:52 |
The swingers, they |
00:15:55 |
Goddamnit! |
00:15:57 |
I'm supposed to be |
00:15:59 |
And here I am, throwing you |
00:16:01 |
You didn't. |
00:16:03 |
Just tell me. |
00:16:05 |
When you went |
00:16:06 |
what was the reason |
00:16:08 |
for why we needed |
00:16:09 |
Home improvement. |
00:16:11 |
Okay. |
00:16:13 |
What about the second time? |
00:16:16 |
Swimming pool. |
00:16:18 |
Ah. |
00:16:19 |
You know, |
00:16:21 |
When is the timing ever good |
00:16:23 |
for getting kicked out |
00:16:27 |
Think about it. |
00:16:29 |
Yeah. |
00:16:31 |
It's the Chinese thing. |
00:16:35 |
Catastrophe |
00:16:41 |
[Man] |
00:16:42 |
It's time for you to go. |
00:16:46 |
[Miranda] |
00:16:48 |
"November 30, 1624. |
00:16:51 |
"When the savages |
00:16:54 |
"that was when the company |
00:16:57 |
"Evidently, |
00:16:59 |
"around the entrance |
00:17:00 |
"awaiting such time |
00:17:02 |
"might overwhelm good sense |
00:17:04 |
"and force us |
00:17:10 |
"Ofttimes perforce, |
00:17:13 |
"to use their muskets, |
00:17:15 |
firing over |
00:17:19 |
I'm getting |
00:17:24 |
[Whispering] |
00:17:31 |
[Alarm sounding] |
00:17:34 |
- Where are you going? |
00:17:36 |
We gotta stick |
00:17:38 |
- Come on! |
00:17:40 |
Oh, God! Oh, God! |
00:17:43 |
It's over here! |
00:17:47 |
[Clang] |
00:17:57 |
Up here! |
00:18:15 |
Where's my glasses? |
00:18:18 |
On your head! |
00:18:26 |
[System dialing] |
00:18:28 |
It's done. |
00:18:31 |
[Pepper] |
00:18:32 |
[Miranda] |
00:18:34 |
[Police sirens blaring] |
00:18:38 |
[Alarm sounding] |
00:18:40 |
Right here! |
00:19:01 |
That ought to do it. |
00:19:03 |
Where are you going? |
00:19:04 |
Outside, remember? |
00:19:16 |
L... |
00:19:18 |
What are you doing? |
00:19:27 |
You really sure |
00:19:30 |
Yeah, yeah, yeah. |
00:19:32 |
Pepper, he fixed |
00:19:36 |
so it would read |
00:19:38 |
- And if that's the case we don't... |
00:19:40 |
[Alarm stops] |
00:19:42 |
[Police radio chatter] |
00:19:50 |
[Man] |
00:19:51 |
Smell anything? |
00:19:54 |
Yeah, I found it. |
00:19:56 |
Propane bottles leaked. |
00:19:58 |
[Canisters clanging] |
00:20:05 |
Perfect. |
00:20:11 |
[Whispering] |
00:20:13 |
I think we should |
00:20:28 |
Breaking and entering |
00:20:31 |
taste... different. |
00:20:34 |
Makes it taste, |
00:20:46 |
In those days they would've |
00:21:30 |
It's got to be here |
00:21:38 |
[Sniffing] |
00:21:41 |
- [Charlie grunting] |
00:21:42 |
What? |
00:21:48 |
Ammonia. |
00:21:50 |
They must've cleaned |
00:21:51 |
They cleaned your X off. |
00:21:54 |
That does it, then. |
00:21:57 |
Oh, no, I-I know |
00:21:59 |
No, it's... |
00:22:04 |
- Here? |
00:22:06 |
No, it's... it's... |
00:22:11 |
It's here. |
00:22:12 |
Charlie. |
00:22:14 |
Miranda, we're going |
00:22:16 |
Are you sure? |
00:22:18 |
[Sighs] |
00:22:20 |
[Chuckling] |
00:22:26 |
You got the walkie talkie? |
00:22:28 |
Yeah. |
00:22:29 |
Pepper, is it all clear? |
00:22:32 |
Yeah. |
00:23:20 |
Come in, Charlie. |
00:23:21 |
Charlie, come in. |
00:23:24 |
[Jackhammer rattling |
00:23:33 |
[Hammering stops] |
00:23:37 |
[Police radio chatter] |
00:23:38 |
Evening, sir. |
00:23:40 |
What seems to be |
00:23:42 |
Motorcycle's not working? |
00:23:45 |
We hit rebar. |
00:23:47 |
Well, I think |
00:23:54 |
[Muted buzzing] |
00:23:55 |
There's the throttle |
00:23:57 |
I know. I know. |
00:24:06 |
[Buzzing stops] |
00:24:10 |
Hey, let me try. |
00:24:13 |
[Engine starts] |
00:24:16 |
Hey! |
00:24:26 |
[Siren chirps] |
00:24:31 |
[Metal clangs] |
00:24:41 |
[Siren chirps] |
00:24:54 |
[Beep] |
00:25:15 |
[Beep] |
00:25:26 |
Miranda. |
00:25:28 |
Hey. |
00:25:33 |
[Siren chirps] |
00:25:36 |
[Siren chirps] |
00:25:38 |
[Siren chirps] |
00:25:40 |
Don't step on that. |
00:25:48 |
[Thud] |
00:25:51 |
Hello. |
00:26:02 |
[Hollow thump] |
00:26:22 |
- Ugh! |
00:26:24 |
What is that smell? |
00:26:26 |
- Ugh. |
00:26:30 |
No, the sewer's all the way |
00:26:33 |
under pet care. |
00:26:39 |
Current is stronger |
00:26:43 |
That looks a lot |
00:26:48 |
It's the underground river. |
00:26:51 |
Just like the journal |
00:26:57 |
Where are you going? |
00:26:59 |
[Officer, P.A.] |
00:27:01 |
Come on, sir, |
00:27:16 |
[Miranda] |
00:27:22 |
- Come in, Pepper. |
00:27:27 |
Charlie? |
00:27:28 |
This store is great. |
00:27:31 |
What are you doing? |
00:27:33 |
That should |
00:27:35 |
The journal says the passageway's |
00:27:40 |
That's Spanish for "yards". |
00:27:42 |
So it should be |
00:27:44 |
People get killed all the time |
00:27:47 |
I need you to hold |
00:27:49 |
Stop! You're jumping |
00:27:52 |
This is not sewage, okay? |
00:27:56 |
I noticed before |
00:27:58 |
it's warmer than |
00:28:01 |
And this brown color indicates |
00:28:05 |
There's no reasoning with you. |
00:28:06 |
You have an answer |
00:28:08 |
That really bothers you. |
00:28:10 |
I was hoping that I wasn't |
00:28:12 |
- What? |
00:28:14 |
[Muffled] |
00:28:18 |
There's no gold, okay? |
00:28:19 |
There's no treasure. |
00:28:21 |
You're about to jump |
00:28:23 |
This whole thing |
00:28:36 |
Sir, put your arms |
00:28:40 |
Sir... put your arms |
00:28:43 |
like Jesus on the cross. |
00:28:45 |
Straight out. |
00:28:56 |
Pepper. |
00:29:00 |
I need some help in here. |
00:29:03 |
- Pepper, are you there? |
00:29:06 |
Pepper, the button's |
00:29:09 |
Pepper, push the button |
00:29:13 |
Ventura 105 to all units, |
00:29:16 |
We believe we've got |
00:29:18 |
inside the Costco. |
00:29:20 |
Any available unit |
00:29:23 |
[Pepper] |
00:29:25 |
# Here are you # |
00:29:26 |
# Here am I # |
00:29:28 |
# No moon in view # |
00:29:30 |
# No star on high # |
00:29:33 |
# But it's a lovely |
00:29:37 |
# Let's pretend |
00:29:39 |
Pepper, where are you? |
00:29:41 |
# Nights like this |
00:29:44 |
# Regardless of the moon above # |
00:29:48 |
# The time and place |
00:29:53 |
- # Let's pretend that there's a moon # |
00:29:55 |
[Bubbling] |
00:30:05 |
Pepper, please come in. |
00:30:07 |
Where are you, Pepper? |
00:30:59 |
[Muffled cry] |
00:31:06 |
[Grunts] |
00:31:16 |
## [Woman singing |
00:31:37 |
Uh! |
00:31:40 |
[Miranda] |
00:31:46 |
"Final entry. |
00:31:48 |
"We were trapped in a cavern |
00:31:50 |
"with their |
00:31:52 |
"A cavern sometimes used |
00:31:56 |
"which these lost people |
00:31:59 |
Miranda. |
00:32:01 |
[Miranda] |
00:32:02 |
and wish to leave this land |
00:32:05 |
I found it! L... |
00:32:10 |
Miranda. |
00:32:14 |
[Police radio chatter] |
00:32:20 |
[Foot steps squeaking] |
00:32:23 |
Come on, my little |
00:33:02 |
[Breathes deeply] |
00:33:13 |
You smell awful. |
00:33:20 |
I found it. |
00:33:23 |
Didn't get all of it. |
00:33:25 |
Still a lot more |
00:33:28 |
I gotta go back. |
00:33:30 |
Huh? |
00:33:35 |
Do you believe me? |
00:33:42 |
[Police sirens approaching] |
00:33:46 |
[Police radio chatter] |
00:33:58 |
What are you going to do? |
00:33:59 |
You're staying right there. |
00:34:01 |
What about you? |
00:34:05 |
You know, when I was |
00:34:07 |
I used read a lot |
00:34:09 |
about these great men. |
00:34:11 |
The thing was that their dads... |
00:34:14 |
- They were screw-ups. |
00:34:16 |
Then, I started to see |
00:34:19 |
I've been trying |
00:34:22 |
But then I realized |
00:34:25 |
the groundwork for you. |
00:34:30 |
You know, to do something... |
00:34:32 |
great or whatever. |
00:34:37 |
But your dad |
00:34:41 |
Well, it was just a theory. |
00:34:43 |
[Police sirens approaching] |
00:34:47 |
What are we going to do? |
00:34:51 |
Wait. Wait, wait. |
00:34:52 |
This is very important. |
00:34:56 |
Don't lose it. |
00:34:59 |
Wait, where are you going? |
00:35:00 |
Just tell them that |
00:35:02 |
- What? |
00:35:04 |
Charlie. |
00:35:05 |
Charlie, come on. |
00:35:08 |
I don't think... |
00:35:11 |
that I've thanked you, ever, |
00:35:21 |
Thank you. |
00:35:24 |
Thank you. |
00:35:33 |
Wait. Charlie. |
00:35:36 |
Charlie! |
00:35:37 |
And don't let them push you around. |
00:35:42 |
Charlie, come on, please. |
00:35:45 |
Charlie! |
00:35:47 |
Charlie. |
00:35:48 |
[Sobbing] |
00:35:49 |
Charlie, wait, wait! |
00:35:54 |
Dad! |
00:36:22 |
[Rattling] |
00:36:58 |
Hey, you! |
00:37:01 |
[Shouting] |
00:37:07 |
[Splash] |
00:37:09 |
Follow me! |
00:37:19 |
[Crying] |
00:37:23 |
Shit! |
00:37:30 |
[Police sirens blaring] |
00:38:06 |
[Miranda narrating] |
00:38:08 |
but they never did |
00:38:22 |
One of the cops asked me |
00:38:24 |
why Charlie jumped back |
00:38:27 |
I told him it was where |
00:38:31 |
It was where he wanted |
00:38:34 |
The cop looked at me |
00:38:36 |
and stopped asking me questions. |
00:38:48 |
What I didn't tell them |
00:38:53 |
I probably would've |
00:40:16 |
[Bubbling] |
00:41:07 |
[Miranda narrating] |
00:41:11 |
It's not named after |
00:41:15 |
Nope. |
00:41:17 |
Someone made the name up. |
00:41:19 |
A writer. |
00:41:21 |
He just pulled it |
00:41:24 |
in the 16th century in Spain. |
00:41:28 |
He made up this place where |
00:41:33 |
and beautiful, fierce women who |
00:41:38 |
and he called it "California." |
00:41:42 |
It's true. |
00:41:44 |
It was a bestseller back then. |
00:41:47 |
- Oh, yeah! |
00:41:55 |
[Miranda narrating] |
00:41:58 |
He said I could look it up |
00:42:04 |
But I didn't need to. |
00:42:06 |
[Men speaking foreign language] |
00:42:18 |
[Speaking foreign language] |
00:42:22 |
Excuse me? |
00:42:24 |
Beautiful place. |
00:42:29 |
Oh. |
00:42:34 |
Yeah. |
00:42:36 |
[Laughs] |
00:42:37 |
[Speaking foreign language] |
00:42:47 |
Welcome. |
00:43:05 |
[Ignition falters] |
00:43:08 |
[Engine starts] |
00:43:11 |
# I'd like to rest |
00:43:15 |
# On a bed |
00:43:20 |
# I'd like to lay |
00:43:24 |
# On a bed |
00:43:28 |
# I'd love to feel |
00:43:33 |
# And tell me why |
00:43:37 |
# Yes, I'd give my life |
00:43:41 |
# On a bed |
00:44:03 |
# I'd like to dream |
00:44:08 |
# On a bed |
00:44:12 |
# Jump up from my starbed |
00:44:16 |
# Underneath |
00:44:21 |
# They hang like grapes |
00:44:25 |
# And warm the lover's glass |
00:44:29 |
# So, I'd give this world |
00:44:33 |
# A dream with you # |
00:44:34 |
# On our bed |
00:44:39 |
## [alt country] |
00:44:56 |
# I'd love to feel |
00:45:00 |
# And tell me why |
00:45:04 |
# Yes, I'd give my life |
00:45:09 |
# On a bed |
00:45:31 |
## [folk] |
00:45:44 |
# Oh... # |
00:45:45 |
# How can I stand aside # |
00:45:51 |
# And watch all these |
00:45:56 |
# Out of this world |
00:46:02 |
# My heart is on fire # |
00:46:05 |
# And I'm getting |
00:46:13 |
# Though the dream # |
00:46:17 |
# Is slipping |
00:46:22 |
# They're not mine to hold # |
00:46:26 |
# This flood of dreams # |
00:46:29 |
# Is taking control # |
00:46:38 |
# When you were mine # |
00:46:41 |
# The sky was so high # |
00:46:44 |
# The forests were green # |
00:46:47 |
# And the stars were bright # |
00:46:52 |
# Now I've got the road # |
00:46:55 |
# Leading me off # |
00:46:58 |
# Gravity dissolves # |
00:47:04 |
# Oh, my home |
00:47:13 |
# My dreams take to the road # |
00:47:19 |
# As I try to stay afloat |
00:47:25 |
# In this flood of dreams # |
00:47:31 |
# Oh... # |
00:47:34 |
# In this flood # |
00:47:39 |
# Oh... # |
00:47:51 |
## [folk fiddle] |