King Kong
|
00:01:12 |
# I'm sittin' on top |
00:01:17 |
# I'm rollin' along # |
00:01:20 |
# Yes, rollin' along # |
00:01:23 |
# And I'm quittin' |
00:01:28 |
# I'm singin' a song # |
00:01:30 |
# Yes, singin' a song # |
00:01:33 |
# Glory hallelujah! |
00:01:36 |
# "Hey, Par, |
00:01:39 |
# Just like Humpty Dumpty # |
00:01:42 |
# I'm gonna fall # |
00:01:44 |
# And I'm sittin' |
00:01:48 |
# I'm rollin' along # |
00:01:51 |
# Rollin' along # |
00:01:53 |
# Don't want any millions # |
00:01:56 |
# I'm gettin' my share # |
00:01:59 |
# I've only got one suit |
00:02:01 |
Move along. |
00:02:02 |
# That's all I can wear # |
00:02:04 |
# A bundle of money # |
00:02:06 |
# Don't make me feel gay # |
00:02:09 |
# A sweet little honey # |
00:02:11 |
# Is making me say # |
00:02:15 |
# And I'm sittin', sittin' |
00:02:19 |
# I'm rollin' along # |
00:02:22 |
# Rollin' along # |
00:02:25 |
# And I'm quittin' |
00:02:30 |
# I'm singin' a song # |
00:02:32 |
# Yes, singin' a song # |
00:02:35 |
# Glory hallelujah! |
00:02:38 |
# "Hey, Par, |
00:02:41 |
# Just like Humpty Dumpty # |
00:02:44 |
# I'm gonna fall # |
00:02:45 |
# Yeah! I'm sittin' |
00:02:51 |
Oh! |
00:02:52 |
# I'm rollin' along # |
00:02:53 |
# Rollin' along ## |
00:03:07 |
That's a funny one. |
00:03:10 |
It's hysterical, Manny. |
00:03:11 |
As long as we're laughing... |
00:03:12 |
we won't cry |
00:03:14 |
Talk about depressing. |
00:03:15 |
Twenty girls in feather boas |
00:03:19 |
That's depressing. |
00:03:21 |
I love a good chorus line. |
00:03:25 |
What's this? |
00:03:28 |
Who wrote it, Annie? |
00:03:29 |
Some guy. Driscoll. |
00:03:32 |
Driscoll. |
00:03:33 |
From the Federal Theatre. |
00:03:35 |
Don't knock it, honey. |
00:03:39 |
It'll pick up. |
00:03:45 |
It always does. |
00:03:48 |
See you tomorrow. |
00:03:49 |
The trick is to |
00:03:55 |
Works well |
00:03:57 |
Have you eaten today? |
00:03:59 |
Oh... |
00:04:00 |
I'm not hungry. |
00:04:02 |
Hey. |
00:04:05 |
You're all I've got. |
00:04:08 |
Come on, take me to dinner. |
00:04:11 |
Okay. |
00:04:13 |
You think the kitchen |
00:04:16 |
Soup and biscuits. |
00:04:25 |
Harry, what's going on? |
00:04:28 |
Hey, open up! We work here. |
00:04:32 |
It's all right for you. |
00:04:35 |
How we gonna eat? |
00:04:37 |
They're not getting away |
00:04:40 |
Ann, it's no use. |
00:04:43 |
The show, it's over. |
00:04:47 |
I'm done. |
00:04:50 |
I'm leaving, Annie. |
00:04:54 |
I'm going back to Chicago. |
00:04:57 |
I'm sorry. |
00:04:59 |
I'm sorry, Annie. |
00:05:03 |
Ever since you were small, |
00:05:08 |
You gotta |
00:05:11 |
You should try out |
00:05:16 |
Oh, I know |
00:05:19 |
Every time you reach out |
00:05:22 |
fate comes along |
00:05:26 |
But not this time, Annie. |
00:05:28 |
Not this time. |
00:05:35 |
Oh, hello, Mr. Weston. |
00:05:37 |
Look, miss, |
00:05:40 |
Leave your résumé |
00:05:42 |
Now, why would I want to |
00:05:46 |
Because that's what |
00:05:47 |
But I already |
00:05:50 |
What can I say? Jack |
00:05:53 |
Please, just an audition. |
00:05:55 |
Jesus, you don't give up, |
00:05:56 |
Mr. Weston, |
00:05:57 |
Well, that's too bad, |
00:06:01 |
I'm sorry, kid. |
00:06:07 |
I know times are tough. |
00:06:09 |
You want my advice? |
00:06:11 |
Use what you got. |
00:06:14 |
A girl like you |
00:06:19 |
There's a new place. |
00:06:26 |
Now listen, princess, |
00:06:30 |
Ask for Kenny K. |
00:06:34 |
Just play the date, |
00:06:38 |
forget you was ever there. |
00:07:10 |
How much more is there? |
00:07:12 |
Another five reels. |
00:07:14 |
Lights up. |
00:07:23 |
This is it? |
00:07:25 |
This is what we get |
00:07:28 |
Another one of your |
00:07:29 |
You promised us romantic |
00:07:33 |
Come on, fellows, |
00:07:34 |
We agreed to push |
00:07:36 |
so she could |
00:07:38 |
It's not the principle |
00:07:41 |
Carl, |
00:07:43 |
Trust me, Bruce and Maureen |
00:07:46 |
once we get them on the ship. |
00:07:49 |
What ship? |
00:07:50 |
The one that we hired |
00:07:53 |
What location? Carl! |
00:07:57 |
Yes, I understand that. |
00:07:58 |
But, fellows, we're not |
00:08:01 |
and I'll tell you why. |
00:08:02 |
The story has changed. |
00:08:05 |
Life intervened. |
00:08:08 |
I've come into possession |
00:08:12 |
The sole surviving record |
00:08:15 |
A place that was |
00:08:19 |
Until now. |
00:08:20 |
Whoa, Carl, slow down. |
00:08:22 |
Is he asking for more money? |
00:08:23 |
He's asking us |
00:08:26 |
I'm talking about |
00:08:32 |
The ruins |
00:08:36 |
The most spectacular thing |
00:08:40 |
That's where |
00:08:45 |
Will there be boobies? |
00:08:48 |
Boobies? |
00:08:50 |
Jigglies. Jiblonkas. |
00:08:52 |
In my experience, |
00:08:55 |
to observe the undraped form |
00:08:59 |
What are you, an idiot? |
00:09:00 |
You think they asked De Mille |
00:09:04 |
No! They respected |
00:09:07 |
Not that you'd know |
00:09:15 |
Would you step out |
00:09:29 |
Zelman and Associates. |
00:09:31 |
Give me that, quick. |
00:09:35 |
You won't like it. |
00:09:37 |
Preston, you have |
00:09:44 |
Don't write him off, fellows. |
00:09:47 |
but Carl Denham's made |
00:09:50 |
He's had a lot of |
00:09:52 |
He's a preening self-promoter. |
00:09:54 |
An ambitious no-talent. |
00:09:58 |
I understand |
00:09:59 |
He can't direct. |
00:10:02 |
He's washed up. |
00:10:05 |
This jumped-up little turd's |
00:10:08 |
The animal footage has value. |
00:10:10 |
Sure. Universal are |
00:10:12 |
Then sell it! |
00:10:18 |
We got to retrieve something |
00:10:22 |
Get him back in. |
00:10:25 |
Mr. Denham. |
00:10:29 |
I want the cast and crew |
00:10:32 |
No, Carl, |
00:10:33 |
Tell them the studio |
00:10:35 |
It's not ethical! |
00:10:37 |
They can get in line. |
00:10:38 |
I'm not gonna let them |
00:10:40 |
You realize that none of |
00:10:43 |
We have no permits, |
00:10:46 |
That's why I have you, |
00:10:48 |
We have no insurance, |
00:10:50 |
In fact, we have |
00:10:52 |
He's there. |
00:10:53 |
Get in there. |
00:10:55 |
Get in. |
00:10:59 |
You get out of there! |
00:11:03 |
Get out! |
00:11:09 |
Don't worry, Preston. |
00:11:13 |
I'm real good |
00:11:17 |
Red Label, 80% proof... |
00:11:19 |
to be packed in a crate |
00:11:21 |
You got it. |
00:11:22 |
Tell Maureen |
00:11:25 |
If she wants to be |
00:11:27 |
She doesn't wanna be |
00:11:31 |
Maureen pulled out. |
00:11:33 |
Yesterday. I told you. |
00:11:36 |
You said we were shooting |
00:11:38 |
That's what you told her. |
00:11:41 |
Yeah, but we're not |
00:11:43 |
God damn it, Preston, |
00:11:48 |
I got to get to a phone, |
00:11:51 |
She's unavailable. |
00:11:52 |
Myrna Loy? Clara Bow? |
00:11:55 |
You'll never get her |
00:11:57 |
You gotta get a girl |
00:12:03 |
Fay's a size four. |
00:12:05 |
Yes, she is, but she's |
00:12:10 |
Cooper, huh? |
00:12:13 |
I might have known. |
00:12:15 |
You're not listening. |
00:12:18 |
Shut production down. |
00:12:20 |
Not an option. |
00:12:22 |
I said I'd find a girl. |
00:12:23 |
For God's sake, Preston, |
00:12:25 |
Call Jack. I need that |
00:12:30 |
Defeat is always momentary. |
00:13:06 |
What? |
00:14:02 |
Hey! You gonna pay for this? |
00:14:06 |
Excuse me. |
00:14:10 |
Ma'am, |
00:14:22 |
Vaudeville, huh? |
00:14:23 |
I worked vaudeville once. |
00:14:26 |
If you don't kill them fast, |
00:14:28 |
Mr. Denham... |
00:14:31 |
I want you to know... |
00:14:32 |
that I'm not in the habit |
00:14:35 |
Or, for that matter... |
00:14:37 |
taking things |
00:14:39 |
It was obviously |
00:14:41 |
It's just that |
00:14:43 |
That's awful. Anyway, Ann... |
00:14:50 |
You wouldn't happen to be |
00:14:56 |
No, no. Oh, God, no. |
00:14:58 |
You've got me all wrong. |
00:15:00 |
I'm not that type |
00:15:03 |
What type of person are you? |
00:15:04 |
I'm someone |
00:15:07 |
Believe me, I am on |
00:15:12 |
Please. Please. |
00:15:18 |
Okay. |
00:15:21 |
Ann, I want you to imagine... |
00:15:23 |
a handsome explorer |
00:15:25 |
You're filming |
00:15:28 |
Singapore. |
00:15:31 |
On board ship, |
00:15:34 |
She's beautiful, |
00:15:39 |
And she can't |
00:15:42 |
are compelling her |
00:15:46 |
It's as if her whole life |
00:15:52 |
this fateful meeting |
00:15:57 |
And sure enough, against |
00:16:01 |
She falls in love. |
00:16:03 |
Yes. |
00:16:04 |
But she doesn't trust it. |
00:16:06 |
She's not even sure |
00:16:11 |
Uh... |
00:16:12 |
really? |
00:16:13 |
If she loves someone, |
00:16:16 |
Why is that? |
00:16:17 |
Good things never last, |
00:16:26 |
So you're interested. Good. |
00:16:28 |
Now, I don't wanna rush you, |
00:16:31 |
Well, I really... |
00:16:33 |
you're perfect. Look at you. |
00:16:35 |
You're the saddest girl |
00:16:37 |
You're gonna make them weep, |
00:16:42 |
See, that's where |
00:16:44 |
I make people laugh, |
00:16:47 |
Good luck with your picture. |
00:16:53 |
Ann? Miss Darrow, please! |
00:16:55 |
I'm offering you money. |
00:16:56 |
Adventure, fame, |
00:17:00 |
You want to read a script? |
00:17:01 |
Jack Driscoll's turning in |
00:17:06 |
Jack Driscoll? |
00:17:08 |
Sure. Why? |
00:17:09 |
Wait. You know him? |
00:17:12 |
No, not personally. |
00:17:16 |
What a writer, huh? |
00:17:18 |
Jack Driscoll does not |
00:17:21 |
He said to me, "Carl... |
00:17:23 |
"somewhere out there |
00:17:26 |
And as soon as I saw you, |
00:17:31 |
Knew what? |
00:17:34 |
It was always |
00:17:48 |
How much do I owe you? |
00:17:51 |
Keep the change. |
00:17:54 |
Is this |
00:17:58 |
Not exactly. |
00:17:59 |
It's actually |
00:18:11 |
Don't let appearances |
00:18:17 |
Is this all of the equipment? |
00:18:18 |
This is all of it? |
00:18:20 |
We're taking |
00:18:21 |
Good. You got all the lenses? |
00:18:24 |
Carl! |
00:18:26 |
Get it on board, fellows, |
00:18:32 |
It's bad, it's bad. |
00:18:33 |
They're on their way. |
00:18:35 |
Who? |
00:18:37 |
The studio called the cops. |
00:18:42 |
Englehorn! Cast off! |
00:18:44 |
Hoist up the mainsail, |
00:18:46 |
whatever the hell it is |
00:18:48 |
I cannot do that. |
00:18:50 |
We are waiting |
00:18:52 |
What? Who? English, please. |
00:18:55 |
Paperwork, Mr. Denham. |
00:18:58 |
I'll give you another $1,000 |
00:19:00 |
You haven't given me |
00:19:04 |
Can we talk about this later? |
00:19:05 |
Can't you see |
00:19:14 |
Ma'am. |
00:19:16 |
Ann Darrow. |
00:19:18 |
So you are ready |
00:19:22 |
Sure. |
00:19:25 |
Nervous? |
00:19:29 |
Nervous? No. |
00:19:31 |
Why? Should I be? |
00:19:34 |
It isn't every woman |
00:19:40 |
Why don't I show |
00:19:44 |
Wonderful idea. |
00:19:46 |
Miss Darrow, |
00:19:50 |
Hi. My name is Preston. |
00:19:54 |
$2,000. It's a deal. |
00:19:58 |
Do I have a choice? |
00:20:00 |
Please follow me. |
00:20:02 |
If there's anything |
00:20:04 |
If there's anything |
00:20:27 |
Oh, Jesus! |
00:20:29 |
Listen. If anyone comes |
00:20:34 |
Say I got depressed |
00:20:36 |
Say I stuck my head |
00:20:39 |
You want one? |
00:20:41 |
I got a rehearsal for which |
00:20:45 |
What's this? |
00:20:51 |
This is a script? |
00:20:53 |
Jack, this is 15 pages. |
00:20:55 |
I know, but they're good. |
00:20:58 |
I'm supposed to be making |
00:21:00 |
You told me I had more time. |
00:21:03 |
No, Jack, you can't |
00:21:05 |
but I need a middle |
00:21:07 |
Look, you got my notes. |
00:21:15 |
All right, fine. |
00:21:19 |
You're gonna pay me? |
00:21:21 |
I'm not gonna stiff a friend. |
00:21:25 |
I've never known you |
00:21:28 |
How's $2,000 sound? |
00:21:31 |
Sounds great. |
00:21:33 |
I thought it might. |
00:21:34 |
Sounds great. |
00:21:38 |
Raise the spring line! |
00:21:40 |
Watch the aft! |
00:21:50 |
And "voilà". |
00:21:52 |
Thanks. |
00:21:56 |
You've written "two grand." |
00:22:01 |
So I did. Sorry about that. |
00:22:05 |
"Two thousand dollars." |
00:22:15 |
It is the 29th, isn't it? |
00:22:17 |
Oh, come on, it's the 25th. |
00:22:20 |
God, I'm sorry. |
00:22:22 |
Never mind, Carl. |
00:22:24 |
All right. |
00:22:39 |
Your cabin is the last |
00:22:42 |
And may I just say how |
00:22:47 |
Be a sport |
00:22:49 |
Excuse me. I'm trying to... |
00:22:54 |
Christ! |
00:22:56 |
Appreciate the help, fellow. |
00:22:58 |
Let me get the door for you. |
00:23:01 |
Welcome to your |
00:23:09 |
Dead slow ahead both, |
00:23:11 |
Dead slow ahead both, |
00:23:21 |
Oh, Christ! |
00:23:31 |
God damn it! |
00:23:41 |
I keep telling you, Jack, |
00:23:48 |
Oh, no! No! |
00:23:51 |
You're much better off |
00:23:54 |
I don't do it |
00:23:58 |
I happen to love the theater. |
00:24:00 |
No, you don't. |
00:24:03 |
If you really loved it... |
00:24:05 |
you would have jumped. |
00:24:11 |
You! This is your fault! |
00:24:27 |
This room very comfortable. |
00:24:30 |
Jesus. What do you keep |
00:24:32 |
Lion, tiger, hippo, |
00:24:36 |
You sell them to zoos? |
00:24:38 |
Zoo, circus. |
00:24:39 |
Skipper get big money |
00:24:42 |
Careful. Camel have |
00:24:46 |
Stain unremovable. |
00:24:50 |
Skipper catch |
00:24:53 |
He'll do you real good price |
00:24:55 |
Choy. |
00:24:58 |
My apologies for not being |
00:25:02 |
Have you found an enclosure |
00:25:06 |
Spoiled for choice. |
00:25:07 |
What are you, Mr. Driscoll? |
00:25:11 |
Or a chimpanzee? |
00:25:14 |
I'll take this one. |
00:25:29 |
I told you to lock it up. |
00:25:30 |
Sorry, Skipper. Lumpy said... |
00:25:34 |
What are you trying to do? |
00:25:40 |
Get them out of here. |
00:26:17 |
Compliments of the chef. |
00:26:26 |
Oh, Christ. Oh, God. |
00:26:28 |
Lamb's brains |
00:26:36 |
Jimmy. |
00:26:38 |
You run those ropes |
00:26:40 |
Doing it now, Mr. Hayes. |
00:26:42 |
How about you return |
00:26:54 |
He don't mean no harm. |
00:26:56 |
Thanks. |
00:26:58 |
I'll keep him |
00:26:59 |
It's just that |
00:27:02 |
It's where I found him |
00:27:05 |
Stowed away |
00:27:09 |
His arm was broken |
00:27:12 |
He was wilder than |
00:27:16 |
Still won't tell me |
00:27:20 |
But it wasn't anyplace good. |
00:27:25 |
You got to straighten up. |
00:27:27 |
Jimmy. |
00:27:29 |
You don't want to |
00:27:32 |
Yes, I do. |
00:27:35 |
You got to be smart. |
00:27:37 |
Give yourself some options. |
00:27:39 |
I do, Mr. Hayes, I do. Look. |
00:27:41 |
I've been reading. |
00:27:46 |
Where'd you get this? |
00:27:48 |
I borrowed it. |
00:27:52 |
On long-term loan. |
00:27:55 |
Look at this. Look, look. |
00:27:56 |
"Adventures on |
00:28:07 |
It's so nice to meet you, |
00:28:10 |
I'm actually quite familiar |
00:28:17 |
Hello, Mr. Driscoll. |
00:28:20 |
Actually, I'm quite familiar |
00:28:24 |
I'm a huge fan. |
00:28:25 |
I've read everything |
00:28:27 |
No, too much. |
00:28:30 |
Gonna have the ship's engines |
00:28:34 |
Seagulls. |
00:28:36 |
Camera noise. Wind. |
00:28:38 |
I don't care, Mike. |
00:28:39 |
You're the sound recordist. |
00:28:43 |
Ann! Come on in. |
00:28:46 |
This is Herb, the cameraman. |
00:28:49 |
Delighted to meet you, ma'am. |
00:28:52 |
May I say |
00:28:54 |
Oh, this old thing? |
00:28:57 |
Isn't that |
00:29:00 |
Now, what does a girl |
00:29:04 |
Lumpy, you heard the lady. |
00:29:06 |
Fancy my porridge |
00:29:14 |
Oh, Ann, I don't believe |
00:29:19 |
Ann? |
00:29:20 |
That's all right, Mr. Denham. |
00:29:29 |
Thrilled to meet you. |
00:29:34 |
Gee, thanks. |
00:29:36 |
Actually, I'm quite familiar |
00:29:39 |
Really? |
00:29:41 |
Yes, |
00:29:43 |
is the way |
00:29:48 |
Well, that's my job. |
00:29:53 |
I'm sure you've heard |
00:29:55 |
if you don't mind me |
00:29:56 |
but you don't look at all |
00:30:05 |
Excuse me. |
00:30:06 |
He's so much |
00:30:09 |
Ann, stop. Stop right there. |
00:30:11 |
You see, I was just afraid |
00:30:13 |
one of those |
00:30:17 |
I'm sorry, I'm not... |
00:30:18 |
the tweedy twerp |
00:30:26 |
It's nice to meet you, too, |
00:30:43 |
Good Christ! |
00:31:10 |
She's standing |
00:31:13 |
She doesn't know it yet... |
00:31:15 |
But they are sailing |
00:31:19 |
Okay, so she turns... |
00:31:22 |
the first mate |
00:31:25 |
There's a knife |
00:31:28 |
Wait a sec. We're killing off |
00:31:31 |
That's assuming she knows |
00:31:34 |
Come on, Jack. |
00:31:37 |
Ann is nearsighted. |
00:31:39 |
I was joking, Carl. |
00:31:41 |
The point is, |
00:31:47 |
And that's when she sees it. |
00:31:51 |
Sees what? |
00:31:54 |
What? |
00:32:00 |
The island. |
00:32:05 |
We're filming on an island |
00:32:11 |
Jack, keep your voice down. |
00:32:14 |
I don't want the crew |
00:32:17 |
Why would they get spooked? |
00:32:20 |
All right. |
00:32:22 |
but I'm warning you, Jack, |
00:32:25 |
They call it Skull Island. |
00:32:27 |
Did you get that? |
00:32:30 |
What's wrong |
00:32:31 |
There's nothing |
00:32:34 |
Because, technically, |
00:32:40 |
Okay. All right. |
00:32:44 |
So we arrive at this place. |
00:32:47 |
S... |
00:32:49 |
K... |
00:32:51 |
U... |
00:32:53 |
L... |
00:32:56 |
L... |
00:33:03 |
Island. |
00:33:09 |
All right, everyone, |
00:33:13 |
I think this is |
00:33:17 |
And I've never been on one |
00:33:20 |
I guess you don't think |
00:33:23 |
No, they're a nuisance. |
00:33:25 |
Well, I'll try not to be. |
00:33:37 |
Cut! |
00:33:39 |
It's great. |
00:33:41 |
Bruce, wonderful performance. |
00:33:45 |
That was very natural. |
00:33:48 |
What do you think, Driscoll? |
00:33:52 |
It was pure effluence. |
00:33:54 |
I beefed up the banter. |
00:33:55 |
Try to resist that impulse. |
00:33:58 |
It's just a little bit |
00:34:00 |
What are you, |
00:34:02 |
Actors. |
00:34:05 |
Travel the worid, |
00:34:21 |
Good legs. |
00:34:24 |
Sea legs. |
00:34:29 |
Yeah. |
00:34:30 |
Not that you don't |
00:34:34 |
Jesus. Miss Darrow! |
00:34:38 |
About the scene today |
00:34:40 |
I know it wasn't |
00:34:42 |
but Mr. Baxter |
00:34:47 |
he must ignore her. |
00:34:49 |
And if things turn |
00:34:52 |
No? |
00:34:54 |
Interesting theory. |
00:34:56 |
I know. I should have... |
00:34:58 |
It wasn't |
00:35:01 |
I'm sorry. I was... |
00:35:02 |
And you made it your own. |
00:35:05 |
I was nervous. |
00:35:07 |
It was funny, actually. |
00:35:11 |
Please don't say |
00:35:13 |
Miss Darrow. |
00:35:20 |
You don't have to be nervous. |
00:36:33 |
Thank you. |
00:36:35 |
Let's take it... |
00:36:37 |
Would you please... |
00:36:39 |
Okay. |
00:36:41 |
Okay, again. |
00:36:57 |
We're close. Turn southwest. |
00:36:59 |
There's no land southwest |
00:37:04 |
It takes us way outside |
00:37:07 |
I won't sail blind |
00:37:11 |
I'll make it |
00:37:14 |
There's nothing out there. |
00:37:17 |
Well, |
00:37:31 |
If someone were to tell you |
00:37:37 |
what would you say? |
00:37:39 |
I would say they're |
00:37:43 |
Well, we turned southwest |
00:37:46 |
Gentlemen, please. |
00:37:49 |
We're not looking |
00:37:53 |
You're looking |
00:37:59 |
Yes, we are. |
00:38:02 |
We're going to find |
00:38:05 |
Find it, film it, |
00:38:09 |
For 25 cents, |
00:38:13 |
I wouldn't be |
00:38:17 |
What do you mean? |
00:38:20 |
Seven years ago, |
00:38:22 |
on a Norwegian bark. |
00:38:24 |
We picked up a castaway. |
00:38:27 |
He'd been drifting for days. |
00:38:29 |
His ship had run aground |
00:38:33 |
An island hidden in fog. |
00:38:38 |
He spoke of a huge wall... |
00:38:41 |
built so long ago... |
00:38:44 |
no one knew who'd made it. |
00:38:46 |
A wall 100 foot high... |
00:38:49 |
as strong today |
00:38:54 |
Why'd they build the wall? |
00:39:00 |
Well, the castaway, |
00:39:04 |
neither beast nor man... |
00:39:07 |
but something monstrous, |
00:39:11 |
A lion or a tiger. |
00:39:13 |
A man-eater. That's how |
00:39:16 |
What else did he say? |
00:39:18 |
Nothing. |
00:39:19 |
We found him |
00:39:22 |
Mmm-hmm. |
00:39:23 |
Sorry, fellows. |
00:39:28 |
Monsters belong in B movies. |
00:39:30 |
If you find this place... |
00:39:33 |
if you go ashore |
00:39:37 |
you won't come back. |
00:39:40 |
Just as long as |
00:41:02 |
How long do you expect us |
00:41:11 |
You're writing a stage comedy? |
00:41:13 |
I'm writing it for you. |
00:41:17 |
Why would you do that? |
00:41:20 |
Why would I write |
00:41:24 |
Isn't it obvious? |
00:41:29 |
Not to me. |
00:41:34 |
Well... |
00:41:37 |
it's in the subtext. |
00:41:41 |
I guess |
00:41:49 |
It's not about words. |
00:42:34 |
Message for you, Captain. |
00:42:54 |
What's going on? |
00:42:56 |
Hayes, |
00:43:01 |
Englehorn, you can't just... |
00:43:07 |
There's a warrant out |
00:43:10 |
Did you know that? |
00:43:14 |
I've been ordered |
00:43:21 |
Another week. |
00:43:26 |
Please. I have risked |
00:43:28 |
No, Denham. |
00:43:34 |
What do you want? |
00:43:35 |
Tell me what you want. |
00:43:37 |
I want you off my ship. |
00:43:42 |
Set a course for Rangoon, |
00:43:51 |
I'm finished. |
00:43:54 |
It's over for me, Jack. |
00:43:57 |
How'd you think |
00:44:16 |
Check our position. |
00:44:33 |
There are no stars, Captain. |
00:44:37 |
What is that? |
00:44:41 |
What? |
00:44:47 |
That right there. |
00:44:49 |
I don't know. |
00:46:30 |
Station the forward lookout |
00:46:35 |
Aye, Captain. |
00:46:47 |
30 fathoms, no bottom! |
00:46:51 |
Reduce speed, |
00:46:55 |
Dead slow ahead, both. |
00:47:00 |
You should stop the ship. |
00:47:03 |
15 degrees port. |
00:47:08 |
We're getting out of here, |
00:47:10 |
We'll find clear conditions. |
00:47:13 |
We have seabed! |
00:47:20 |
25 fathoms! |
00:47:23 |
We're shallowing! |
00:47:25 |
20 degrees starboard! |
00:47:26 |
Captain, you don't know |
00:47:28 |
Get me another reading! |
00:47:33 |
Another reading! |
00:47:37 |
22 fathoms! |
00:47:41 |
Douse the lights. |
00:47:55 |
10 fathoms! |
00:48:08 |
Wall! There's a wall ahead! |
00:48:28 |
Stop engines! |
00:49:33 |
Give me some power! |
00:49:34 |
Half astern both, Captain! |
00:49:41 |
Rocks! |
00:49:45 |
Rocks! |
00:49:51 |
Rocks to starboard, Captain! |
00:49:54 |
To port! Rocks everywhere! |
00:49:56 |
Take the wheel, Hayes. |
00:50:15 |
Hang on! |
00:50:40 |
Full ahead! |
00:50:47 |
Rocks to port, Captain! |
00:50:50 |
Turn, Captain! |
00:51:12 |
Ah! |
00:52:20 |
Shore up that breach! |
00:52:22 |
Get me more men |
00:52:27 |
Hayes! |
00:52:32 |
What about the prop? |
00:52:33 |
The shaft's not bent, |
00:52:35 |
But she struck hard |
00:52:39 |
Captain! |
00:52:40 |
Better come up quick! |
00:52:44 |
Right there! |
00:53:00 |
Want me to bring them back? |
00:53:03 |
I don't give a damn |
00:53:05 |
I want this ship fixed |
00:53:08 |
Come on, move it. |
00:53:11 |
We're leaving, Mr. Hayes. |
00:53:21 |
Can you believe this, Jack? |
00:53:26 |
We've got our picture. |
00:54:26 |
Why does Marlow |
00:54:30 |
Why doesn't he turn back? |
00:54:34 |
There's a part of him |
00:54:38 |
A part deep inside himself |
00:54:43 |
But there's another part... |
00:54:46 |
that needs to know. |
00:54:51 |
To defeat the thing |
00:54:56 |
"We could not understand |
00:55:00 |
"and could not remember... |
00:55:02 |
"because we were traveling |
00:55:06 |
"of those ages |
00:55:09 |
"leaving hardly a sign, |
00:55:15 |
"We are accustomed to look... |
00:55:16 |
"upon the shackled form |
00:55:22 |
"but there... |
00:55:25 |
"there you could look |
00:55:39 |
It's not |
00:55:41 |
is it, Mr. Hayes? |
00:55:45 |
No, Jimmy. |
00:55:47 |
It's not. |
00:56:11 |
It's deserted. |
00:56:14 |
Use your eyes, Preston. |
00:56:19 |
Nobody's lived here |
00:57:35 |
Mr. Denham, |
00:57:38 |
I will handle this. |
00:57:45 |
Look. Chocolate. |
00:57:48 |
You like chocolate? |
00:57:53 |
It's good to eat. |
00:57:57 |
You want? |
00:58:04 |
Take it. |
00:58:13 |
Here, put it in your hand |
00:58:21 |
For God's sakes, Denham, |
00:58:24 |
She doesn't want |
00:58:28 |
Aah! |
00:58:51 |
All right! |
00:58:53 |
Just a bunch of women |
00:58:57 |
They're harmless! |
01:00:21 |
Ann! |
01:01:49 |
Jack. |
01:02:04 |
Seen enough? |
01:02:14 |
Lighten the ship! |
01:02:16 |
Anything that's not |
01:02:22 |
Just heave it! |
01:02:24 |
We got away. |
01:02:25 |
We gotta be grateful |
01:02:27 |
What about Mike? |
01:02:32 |
Mike died doing |
01:02:35 |
And I'll tell you |
01:02:45 |
I'll finish it... |
01:02:49 |
and I'll donate |
01:02:52 |
to his wife and kids. |
01:02:54 |
Because that man is a hero, |
01:02:59 |
Hear, hear! |
01:03:38 |
Chuck everything |
01:03:46 |
What's wrong now? |
01:03:50 |
Come on, men! Come on, hurry! |
01:04:03 |
Drop those |
01:04:25 |
Where's Ann? |
01:04:26 |
Where's Ann? |
01:04:33 |
Ann! |
01:04:54 |
She's free! |
01:05:01 |
Full ahead, both engines! |
01:05:11 |
Ann! |
01:05:35 |
No! Stop! Turn back! |
01:05:40 |
Stop! |
01:05:43 |
We have to turn back. |
01:05:45 |
They've taken Ann. |
01:05:59 |
Kong! Kong! Kong! |
01:06:44 |
All hands going ashore! |
01:06:49 |
Jump to it! |
01:06:55 |
We're doing it, Mr. Hayes! |
01:07:04 |
Come on, move it! |
01:07:23 |
Pull harder! |
01:07:26 |
Row! Row! |
01:07:28 |
Come on! |
01:08:16 |
Kong. |
01:10:40 |
Spread out! Find her! |
01:10:50 |
Miss Darrow! |
01:10:52 |
Check up there, Jimmy! |
01:10:58 |
Ann! |
01:11:01 |
She's here somewhere! |
01:11:08 |
What in God's name was that? |
01:11:16 |
Behind the wall! |
01:11:18 |
Behind the wall! |
01:12:12 |
She's gone! |
01:12:24 |
Carl, what is it? |
01:12:32 |
You saw something. |
01:12:41 |
You can take Hayes |
01:12:45 |
I'll put a guard on the gate |
01:12:48 |
The rest of you |
01:12:50 |
Choy! |
01:12:53 |
Not you, Jimmy. |
01:12:55 |
Come on, Mr. Hayes. |
01:12:57 |
None of them knows |
01:12:59 |
Stay here. |
01:13:01 |
Miss Darrow needs me! |
01:13:08 |
Bring the tripod |
01:13:10 |
You wanna go |
01:13:13 |
The wide-angle |
01:13:22 |
You got guns. You got food. |
01:13:25 |
And you got 24 hours! |
01:13:27 |
24 hours? |
01:13:29 |
This time tomorrow, |
01:13:55 |
Miss Darrow! |
01:13:59 |
Ann! |
01:14:03 |
Miss Darrow! |
01:14:13 |
Miss Darrow! |
01:14:20 |
Miss Darrow! |
01:14:26 |
Ann! |
01:15:43 |
No! |
01:16:01 |
Ann! |
01:16:12 |
Ann! |
01:17:01 |
Christ, |
01:17:04 |
They've been ripped |
01:17:09 |
Ann! Ann! |
01:17:24 |
Just keep walking, Mr. Hayes. |
01:17:27 |
Jesus, Jimmy. |
01:17:29 |
I'm not giving you a gun! |
01:17:30 |
You were younger than me |
01:17:32 |
I was in the army. |
01:17:37 |
I wanna help bring her back. |
01:17:47 |
Don't make me regret it. |
01:18:17 |
Conserve your ammunition! |
01:18:28 |
I'm knackered. |
01:18:32 |
I can't breathe. |
01:18:34 |
Fellows, we don't have |
01:18:35 |
We've lost too much ground |
01:18:38 |
They're not about to |
01:18:41 |
All right, |
01:18:44 |
Everybody stay in sight. |
01:18:50 |
Over here. I'm gonna get |
01:19:24 |
Bloody Nora! |
01:19:32 |
Is that |
01:19:38 |
There's only one creature |
01:19:49 |
The abominable snowman. |
01:19:52 |
Yeah, a snowman. |
01:19:55 |
It's got to be what, |
01:20:00 |
Carl saw it. |
01:20:03 |
Let's ask him. |
01:20:06 |
Denham! |
01:20:10 |
Where'd he go? |
01:20:32 |
Walk forward, Bruce. |
01:20:34 |
What? |
01:20:36 |
Get into character |
01:20:45 |
What the hell |
01:20:58 |
Are you sure about this, |
01:21:01 |
Don't we have a stand-in |
01:21:03 |
I need you in the shot, |
01:21:06 |
Nobody's gonna think |
01:21:17 |
You're making them nervous. |
01:21:19 |
I'm not moving. |
01:21:26 |
Mother of God. |
01:21:50 |
What's this? |
01:22:18 |
What is it? What is it? |
01:22:19 |
Carl? |
01:22:32 |
Bugger this! |
01:22:41 |
Run, Jack! |
01:22:46 |
Holy Christ. |
01:22:49 |
Run, run, run! |
01:22:58 |
Let go! |
01:22:59 |
Let go, you idiot! |
01:23:01 |
Carl, run! |
01:23:16 |
Get down. |
01:23:18 |
Look out! |
01:24:09 |
Coming through! |
01:25:15 |
No! |
01:25:59 |
Carl! Carl! |
01:26:05 |
Get up! Come on. Come on. |
01:26:23 |
Mr. Denham! Mr. Denham! |
01:26:26 |
Herb! Herb, come on! |
01:26:29 |
Take the tripod! |
01:26:31 |
Come on! |
01:26:33 |
I'm pulling you up! |
01:26:36 |
Go! |
01:26:37 |
No, I'm not going anywhere |
01:26:39 |
You gotta leave me! |
01:27:50 |
Jimmy, do a head count. |
01:27:51 |
I want to know how many |
01:27:54 |
Injured? |
01:27:57 |
Four of us are dead! |
01:28:05 |
It's not your fault. |
01:28:07 |
What happened to Herb |
01:28:11 |
You're absolutely right, |
01:28:13 |
And I'll tell you |
01:28:16 |
Herbert didn't die |
01:28:19 |
He died for |
01:28:21 |
He died believing |
01:28:26 |
And we could all |
01:28:29 |
for the price |
01:28:32 |
God damn it, Preston, |
01:28:36 |
We'll finish it... |
01:28:37 |
and donate the proceeds |
01:28:42 |
All right, we gotta |
01:28:44 |
Englehorn sails |
01:28:48 |
Hey, do you hear me? |
01:28:50 |
Look, fellows, |
01:28:54 |
And she was |
01:28:56 |
It's a terrible loss |
01:28:59 |
I always knew you were |
01:29:03 |
I just never figured you |
01:29:05 |
Hey, pal! Hey, wake up. |
01:29:08 |
Heroes don't look like me, |
01:29:10 |
In the real world, |
01:29:14 |
I'm just an actor with a gun, |
01:29:19 |
Be seeing you. |
01:29:21 |
Anyone else? |
01:29:24 |
Well, see you. |
01:34:23 |
No! |
01:34:25 |
I said no! |
01:34:34 |
That's all there is. |
01:36:34 |
What is it? |
01:36:40 |
Mr. Hayes? |
01:36:45 |
If anything happens, |
01:36:48 |
You understand? |
01:36:50 |
I'm not a coward. |
01:36:55 |
It's not about |
01:37:25 |
Go back! |
01:37:28 |
Back across the log! |
01:37:30 |
I ain't gonna run! |
01:37:33 |
No! |
01:37:39 |
Move back! |
01:37:53 |
No! No! |
01:37:58 |
No! |
01:38:05 |
Look at me. |
01:38:08 |
Let him go! |
01:38:15 |
Do as I say. |
01:38:17 |
Go with Jack. |
01:38:21 |
Run! |
01:38:26 |
No! |
01:38:30 |
No! |
01:38:46 |
Here! Over here! |
01:39:07 |
Hold on! Hold on! |
01:39:13 |
Lumpy! Help me! |
01:39:17 |
Bloody hell, Choy! |
01:44:41 |
No! |
01:44:46 |
Oh, my! |
01:51:23 |
Wait! |
01:52:13 |
Carl. |
01:52:20 |
Jimmy. Jimmy. |
01:52:22 |
Jimmy. |
01:52:24 |
You all right? |
01:53:15 |
No. |
01:54:09 |
Get off! Get it off! |
01:54:18 |
Get off! |
01:54:33 |
Get it off! |
01:55:40 |
Kill it! |
01:55:54 |
Stop moving! |
01:56:15 |
Get it off my face! |
01:56:18 |
Stay still. |
01:56:23 |
Hold on. |
01:56:59 |
Don't move! |
01:57:03 |
Coming through! |
01:57:13 |
Get out of there now! Climb! |
02:00:06 |
It's beautiful. |
02:00:29 |
Beautiful. |
02:00:42 |
Beautiful. |
02:01:31 |
There. |
02:01:35 |
Thank God. |
02:01:36 |
Don't thank God. |
02:01:38 |
He insisted on |
02:01:42 |
Me? I knew you'd be okay. |
02:01:46 |
That's the thing |
02:01:49 |
No matter how many times |
02:01:52 |
they always crawl |
02:01:56 |
Hey, buddy? |
02:01:59 |
I'm dryin' off my wings |
02:02:10 |
Driscoll! |
02:02:13 |
Don't be a fool! |
02:02:18 |
She's dead. |
02:02:22 |
She's not dead. |
02:02:27 |
Jack's gonna bring her back... |
02:02:30 |
and the ape will be |
02:02:34 |
We can still |
02:02:39 |
More than okay. |
02:02:42 |
Think about it. |
02:02:43 |
You got a boat |
02:02:47 |
You wanna trap the ape? |
02:02:56 |
I don't think so. |
02:02:58 |
Isn't that what you do? |
02:03:03 |
I heard you were the best. |
02:03:13 |
Jack! |
02:03:17 |
Look after yourself! |
02:03:19 |
Keep the gate open, will you? |
02:03:21 |
Sure thing, buddy. |
02:03:24 |
Good luck! |
02:03:39 |
I'm sorry. |
02:06:19 |
Ann. |
02:07:28 |
Jack! |
02:07:30 |
Run! |
02:08:02 |
Jack, Jack! |
02:08:11 |
Jack. |
02:08:21 |
Ann, it's okay. |
02:08:24 |
Ann, let's go. |
02:08:40 |
Let's go. Come on. |
02:08:42 |
Come on! |
02:10:15 |
Carl! |
02:10:17 |
Please! Somebody help us! |
02:10:21 |
They've gone. |
02:10:25 |
Carl. Christ. |
02:10:27 |
Carl! |
02:10:29 |
Drop the bridge. |
02:10:31 |
Not yet. |
02:10:34 |
Wait. |
02:10:36 |
Wait. |
02:10:41 |
Wait! |
02:10:53 |
Come on! |
02:12:07 |
Now! |
02:12:08 |
Throw! |
02:12:10 |
No! |
02:12:14 |
Hold him! |
02:12:15 |
Are you out of your mind? |
02:12:25 |
Stop! |
02:12:28 |
Keep him down! |
02:12:35 |
Heave! |
02:12:37 |
Please! |
02:12:39 |
No! Stop! |
02:12:41 |
Jack. |
02:12:43 |
No. |
02:12:44 |
They'll kill him! |
02:12:46 |
No! |
02:12:48 |
It's too late. |
02:12:53 |
Look out! |
02:12:56 |
Let go of me. |
02:13:02 |
We gotta go. Come on. |
02:13:04 |
Come on. |
02:13:05 |
Leave me alone! |
02:13:08 |
Ann, please come on. |
02:13:17 |
Kill it! |
02:13:19 |
It's over, |
02:13:23 |
All of you, run! |
02:13:25 |
Come on. Come on! |
02:13:34 |
Move it! Move it! |
02:13:38 |
Come on, come on! |
02:13:49 |
Stay there! |
02:13:50 |
Please stop this! |
02:13:53 |
Ann, go. |
02:13:55 |
No! |
02:13:59 |
Get it out! |
02:14:03 |
Get the hell out of here! |
02:14:05 |
Come on! |
02:14:07 |
Don't be crazy. |
02:14:10 |
Let me go! |
02:14:12 |
Cast off! |
02:14:16 |
Come on, Carl! |
02:14:19 |
Row! |
02:14:21 |
Row, God damn it! |
02:14:33 |
Go back. |
02:14:41 |
Jimmy, no! |
02:14:49 |
No! |
02:15:08 |
No! Don't! Leave him alone! |
02:15:09 |
Hide out in the back! |
02:15:34 |
Wait! |
02:15:36 |
No! No! Please don't! |
02:17:37 |
The whole world |
02:17:42 |
We're millionaires, boys! |
02:17:44 |
I'll share it with all of you! |
02:17:47 |
In a few months |
02:17:54 |
Kong! |
02:19:01 |
What can I say? |
02:19:03 |
Any comments, sir? |
02:19:06 |
The Mayor, thank you. |
02:19:09 |
Ready. |
02:19:10 |
What am I? |
02:19:12 |
Thank you very much. |
02:19:17 |
Get used to it. |
02:19:19 |
Listen, great to see you. |
02:19:21 |
I'm really |
02:19:22 |
Look at you! |
02:19:24 |
You're a lucky guy, Denham. |
02:19:27 |
Maybe you're the lucky guy. |
02:19:42 |
Carl! |
02:19:45 |
Zelman! |
02:19:47 |
I know you did |
02:19:48 |
Let's get a shot of this. |
02:19:51 |
Come on. |
02:19:53 |
Big smile. |
02:19:57 |
Look at yourself. |
02:20:01 |
No woman is worth this. |
02:20:04 |
I don't care what it takes, |
02:20:06 |
Oh, really? |
02:20:07 |
She's not gonna buy this |
02:20:09 |
Shut up and hand me |
02:20:13 |
You're writing a comedy? |
02:20:16 |
I'm writing it for you. |
02:20:20 |
Why would you do that? |
02:20:23 |
Why would I write |
02:20:29 |
Isn't it obvious? |
02:20:31 |
Oh, I'm sorry. |
02:20:34 |
I couldn't help but overhear. |
02:20:39 |
So, he took me to this |
02:20:42 |
and halfway through |
02:20:45 |
And that's when he told you |
02:20:47 |
No. He never said it. |
02:20:50 |
He probably thought |
02:20:52 |
Well, then how does she know |
02:20:54 |
He said it was |
02:20:58 |
If you feel it, you say it. |
02:21:02 |
He said we'd talk |
02:21:08 |
It never happened. |
02:21:11 |
That's how it ended. |
02:21:13 |
He just let you walk away? |
02:21:18 |
I honestly believed |
02:21:23 |
which was really very... |
02:21:28 |
foolish. |
02:21:29 |
Men. |
02:21:32 |
but they let the one thing |
02:21:35 |
slip through their fingers. |
02:21:37 |
Typical. |
02:21:38 |
They're so busy being brave, |
02:21:43 |
Romance. Who needs it? |
02:22:10 |
Thank you. |
02:22:12 |
Thank you. |
02:22:16 |
Thank you. |
02:22:19 |
Thank you. |
02:22:22 |
Ladies and gentlemen... |
02:22:26 |
I'm here to tell you |
02:22:29 |
The story of our adventure... |
02:22:31 |
in which 17 of our party |
02:22:35 |
their lives lost... |
02:22:38 |
in pursuit of |
02:22:41 |
a monstrous aberration |
02:22:45 |
But even the meanest brute |
02:22:48 |
Yes, ladies and gentlemen, |
02:22:50 |
the beast was no match... |
02:22:53 |
for the charms of a girl. |
02:22:58 |
A girl from New York... |
02:23:02 |
Who melted his heart... |
02:23:05 |
bringing to mind |
02:23:09 |
"And lo, the beast looked |
02:23:14 |
"and beauty stayed his hand. |
02:23:17 |
"And from that day forward, |
02:23:29 |
And now, ladies and gentlemen, |
02:23:32 |
the greatest thing |
02:23:36 |
He was a king in the world |
02:23:42 |
Ladies and gentlemen... |
02:23:44 |
I give you Kong, |
02:23:58 |
Don't be alarmed. |
02:24:01 |
These chains are made |
02:24:25 |
Observe, if you will... |
02:24:30 |
I am touching the beast. |
02:24:33 |
I am actually laying my hand |
02:24:44 |
Crank 'em up, fellas. |
02:25:05 |
And now, we have |
02:25:07 |
a surprise guest. |
02:25:10 |
The real-life hero |
02:25:12 |
The man who hunted down |
02:25:16 |
The man who risked all |
02:25:22 |
A big hand for |
02:25:31 |
Thank you. Thank you. |
02:25:33 |
Thank you. |
02:26:02 |
He was right. |
02:26:05 |
About there still being some |
02:26:09 |
and we can all have |
02:26:12 |
for the price |
02:26:16 |
That's the thing you come |
02:26:20 |
His unfailing ability |
02:26:38 |
Please remain calm, |
02:26:41 |
for we now come |
02:26:44 |
The sacrifice |
02:26:47 |
Behold her terror as she is |
02:26:52 |
A big hand, folks, |
02:26:57 |
Miss Ann Darrow. |
02:27:46 |
Save me from the beast! |
02:27:57 |
Help me! |
02:28:02 |
Where is she? |
02:28:05 |
Where's Ann? |
02:28:06 |
I heard he offered her |
02:28:10 |
# Pack up all |
02:28:16 |
# Here I go # |
02:28:19 |
# Singing low # |
02:28:23 |
# Bye bye # |
02:28:27 |
# Blackbird # |
02:28:34 |
# Where somebody |
02:28:40 |
# Sugar's sweet # |
02:28:43 |
# So is he # |
02:28:47 |
# Bye bye # |
02:28:51 |
# Blackbird ## |
02:28:56 |
Here's your story, boys. |
02:28:57 |
"Beauty and the man |
02:29:06 |
No. |
02:29:15 |
We have to get these people |
02:29:17 |
Everyone needs to leave, okay? |
02:29:21 |
Let him roar. |
02:29:25 |
Head for the exits. |
02:29:26 |
Get your own seat, buddy. |
02:29:37 |
Excuse me, fellows. |
02:29:39 |
Coming through. |
02:29:45 |
Get me down! Help me, please! |
02:29:50 |
Somebody! Somebody help me! |
02:29:57 |
Go! Go! Get out! |
02:30:03 |
Go! Go! |
02:31:40 |
There they are. |
02:31:55 |
Go! |
02:31:58 |
Go back! |
02:32:06 |
This way! |
02:32:15 |
Help! |
02:32:25 |
No! |
02:33:06 |
Taxi! Follow that ape. |
02:33:08 |
Come on, pal, |
02:33:10 |
It's all yours, buddy. |
02:33:28 |
Hey, get out of here, lady! |
02:33:51 |
Come on. |
02:34:01 |
Buddy! |
02:34:03 |
Come on. Come on. |
02:34:19 |
Look out. |
02:34:43 |
Jesus Christ. |
02:40:07 |
Fire! |
02:40:11 |
Stop! |
02:40:38 |
No. No. |
02:43:11 |
Beautiful. |
02:43:19 |
Yes. |
02:43:23 |
Yes, it is. |
02:48:21 |
Hey! Hey! |
02:48:22 |
Nobody past this point. |
02:48:25 |
You can't go in there! |
02:48:28 |
Hey! |
02:48:31 |
Stop him! |
02:48:35 |
Hey! Get back. |
02:48:38 |
What's going on? |
02:52:21 |
No! |
02:52:24 |
No! |
02:52:33 |
Please! No! |
02:52:36 |
No! |
02:55:34 |
Ann. Ann. |
02:56:25 |
Move along. |
02:56:27 |
Just one shot! One shot! |
02:56:30 |
Come, come! |
02:56:32 |
Look at me. |
02:56:33 |
Come on, watch the camera. |
02:56:37 |
Come a little closer. |
02:56:40 |
That's it, folks. |
02:56:42 |
Clear the area. That's it. |
02:56:45 |
Why'd he do that? |
02:56:47 |
Climb up there |
02:56:49 |
The ape must have known |
02:56:52 |
He's just a dumb animal. |
02:57:01 |
What does it matter? |
02:57:06 |
It wasn't the airplanes. |
02:57:12 |
It was beauty |
02:57:22 |
Corrected for joined |