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Klute en
00:01:04	We've got two tons of potatoes.
00:01:11	Tom!
00:01:13	I'll drink to that.
00:01:31	Did you know the subject,
00:01:34	- Yes.
00:01:37	He was my best friend.
00:01:40	We grew up together.
00:01:42	Can you account for his
00:01:46	- Mrs. Grunemann?
00:01:49	Did he recently appear to be agitated
00:01:54	No.
00:01:58	Mr. Cable, at the plant...
00:02:01	...did he voice any grievance
00:02:05	Not at all.
00:02:06	As a matter of fact, Tom operated best
00:02:10	Please forgive me, Mrs. Grunemann,
00:02:12	Did your husband ever show...
00:02:16	...any moral or sexual problems
00:02:20	No.
00:02:21	Any marital problems in general, that is?
00:02:25	We were very happy.
00:02:26	Did he ever mention specifically,
00:02:32	No.
00:02:34	- No.
00:02:36	We recovered in his desk at the plant...
00:02:39	...in one of the drawers...
00:02:42	...a typewritten letter
00:02:45	...on the Friday before he disappeared.
00:02:49	It was written to a girl in New York City...
00:02:53	...and we contacted the police.
00:02:55	They brought her in, questioned her...
00:02:57	...and she said that she had received
00:03:01	Can I see it?
00:03:03	Well, it's an obscene letter,
00:03:09	I would like to see it.
00:03:17	I would like you to remember that
00:03:22	I don't believe it.
00:03:33	I'd like you to know that situations
00:03:38	A man will lead a double life.
00:03:41	A Jekyll-and-Hyde existence
00:04:13	Has anybody...
00:04:15	... talked to you about
00:04:18	Well, that depends, naturally,
00:04:23	... and what you want to do.
00:04:29	I know you.
00:04:31	It will be very nice.
00:04:33	I'd like to spend the evening
00:04:38	If you'd like that.
00:04:40	Have you ever been with a woman before?
00:04:45	Do you like it?
00:04:46	I mean, I have the feeling that
00:04:51	What turns me on is because I have...
00:04:54	... a good imagination and I like...
00:04:57	... pleasing.
00:04:59	Do you mind if I take my sweater off?
00:05:02	I think in the confines of one's house,
00:05:05	... free of clothing and inhibitions.
00:05:09	Inhibitions are always nice
00:05:15	Don't be afraid. I'm not.
00:05:19	As long as you don't hurt me
00:05:25	... I will do anything you ask.
00:05:27	You should never be ashamed
00:05:31	You know, there's nothing wrong.
00:05:35	I think the only way
00:05:38	... is to let it all hang out.
00:05:41	You know, do it all and fuck it!
00:05:49	All right.
00:05:51	Would you stand up, please?
00:05:58	- Hello.
00:06:00	Hi, can I see your eyes?
00:06:03	- Take your hat off.
00:06:06	Yeah. Okay.
00:06:08	- Too pretty.
00:06:11	Now, that's the color.
00:06:13	The coloring is great. I don't know.
00:06:16	- It's not quite it though.
00:06:18	Hello. Can I see your hands?
00:06:22	- Thank you.
00:06:28	- Hi.
00:06:30	- Beautiful eyes.
00:06:31	- All right. That's the coloring.
00:06:34	- I think she has that cross between...
00:06:38	- I think so.
00:06:40	- Yes, I have.
00:06:42	- How do they send people with a conflict?
00:06:45	Call that agency.
00:06:47	- Irene Dunne would've had it.
00:06:50	- C minus.
00:06:52	- Got to find her today.
00:06:56	- Thank you.
00:07:08	I'm exhausted.
00:07:10	One more day of this and I'll plop.
00:07:13	- Hello.
00:07:16	Just have a seat, please.
00:07:19	It's been six months. Tom Grunemann
00:07:25	And all the FBI has to offer is
00:07:30	There are thousands of honest, decent men
00:07:35	Neither Mrs. Grunemann
00:07:41	And therefore we feel entitled
00:07:44	You're entitled.
00:07:47	John Klute offered us his services,
00:07:50	Klute knew Tom,
00:07:54	Have you ever done
00:07:57	No.
00:07:59	- Have you spent any time in the city?
00:08:02	Well, speaking frankly...
00:08:04	You're wondering why
00:08:07	Frankly...
00:08:09	...he's interested.
00:08:11	And he cares.
00:08:14	Why didn't you ever find out
00:08:18	We held her under surveillance...
00:08:20	...expecting your boy Grunemann
00:08:24	He didn't.
00:08:25	We arrested her
00:08:28	Two months women's city prison.
00:08:30	Offered to reduce sentence.
00:08:33	She thought she remembered him
00:08:37	She made that connection.
00:08:38	But she hadn't seen him since then
00:08:42	A good call girl,
00:08:47	Faces get blurred.
00:08:49	And since then,
00:08:52	... like breather calls,
00:08:55	Also, somebody may be following her,
00:08:58	Things like that.
00:09:00	So I guess it's conceivable
00:09:03	Still bugging her.
00:09:05	Hey, Trina! Bree.
00:09:09	Listen, I could use a quick $50.
00:09:13	Terrific.
00:09:19	Right.
00:09:22	Terrific. Yeah. 'Bye.
00:09:50	Hi. I'm Bree.
00:09:52	Yeah. Come in, please.
00:09:54	I'm glad to know you, Bree.
00:09:58	I'm glad you could come. Sit down, please.
00:10:06	Where are you from?
00:10:08	Can I get you a drink?
00:10:10	Yeah, I'd like a ginger ale. Thank you.
00:10:12	I'm from Chicago.
00:10:15	You come to New York often?
00:10:17	No, I don't come to New York too often.
00:10:22	- Too bad.
00:10:36	What kind of party did you have in mind?
00:10:44	We could have
00:10:49	We could have a good time for $50.
00:10:51	Or if you wanted something extra,
00:11:01	- Maybe a nice...
00:11:08	Tell me what you want.
00:11:11	Tell me what you want.
00:11:19	That sounds fantastic.
00:11:23	That's so exciting.
00:11:25	But it's going to cost you more.
00:11:28	That's fantastic.
00:11:31	That's going to be $100.
00:11:35	- Sure, fine.
00:11:37	- Yes, very good.
00:11:40	Very good.
00:11:42	I like to get business done
00:11:44	That way we don't have to think about it,
00:11:48	...just have a good time.
00:11:52	I like your mind.
00:11:54	Yes.
00:11:55	So.
00:12:00	Chicago.
00:12:17	This is the bed?
00:12:20	This is the bed.
00:12:23	Very nice.
00:12:49	There's the bed in operating position.
00:13:03	You're so nice.
00:13:13	Come here.
00:13:20	Angel. My angel!
00:15:30	"We gather together
00:15:34	"to ask the Lord's blessing
00:15:37	"He hastens
00:15:39	"and chastens his wisdom divine
00:15:44	"and from the beginning
00:15:47	"the fight we were winning
00:15:53	"Lord, be at our side...
00:15:58	"divine"
00:16:13	It's 12:00 a.m.
00:16:16	Con Edison has again resorted to a cutback
00:16:21	At three percent...
00:16:43	Hello?
00:16:47	Hello?
00:18:46	- Who is it?
00:18:49	John Klute. And I'd like to talk to you.
00:18:52	- What do you want?
00:18:56	You said that.
00:18:58	I'm an investigator. I'd like to ask you
00:19:03	- Who?
00:19:04	He wrote you some letters.
00:19:07	Wow.
00:19:08	He was a research engineer at
00:19:12	He disappeared from there last December.
00:19:15	- I've been hired to look for him.
00:19:19	You know what I'm talking about,
00:19:22	Honest.
00:19:24	Can I ask you some questions please?
00:19:27	Do you have any identification?
00:19:39	You're not a cop? You're not FBI?
00:19:43	You're a private detective?
00:19:45	And you just want
00:20:21	- They're not very recent. That's last year.
00:20:29	What have you done that I might have seen
00:20:33	- Well, I study with George Tainter.
00:20:38	He's a good man to begin with.
00:20:40	I've been in two of his productions.
00:20:42	- Two of his workshop productions.
00:20:46	Well, they're very nice.
00:20:47	How do you feel about being an actress?
00:20:51	- I like it very much.
00:20:56	- As much as anybody.
00:20:59	- No.
00:21:01	- I forget myself when I act.
00:21:04	You have to know yourself
00:21:07	You have to relate. Relate to people.
00:21:10	I had an identity crisis
00:21:12	...I've been working to know myself.
00:21:15	That's very important.
00:21:16	Don't hide your face.
00:21:18	You have a nice face, you shouldn't hide it.
00:21:27	Julian? Yes, okay, send her in.
00:21:29	Well, I'm very busy.
00:21:31	Thank you for stopping by.
00:21:37	How are you today?
00:21:41	I won't be able to come back anymore.
00:21:43	I'm sorry.
00:21:45	Because I just can't afford it.
00:21:49	Did I fail you, Bree?
00:21:51	I come here all the time,
00:21:54	...and why do I still want to trick?
00:21:57	...walk by a phone
00:22:01	Did you think I had some magic potion?
00:22:04	You'd come in and tell me your problem
00:22:08	What's the difference
00:22:11	...as a model or an actress, as a call girl?
00:22:13	You're successful as a call girl...
00:22:15	Because when you're a call girl
00:22:18	Because someone wants you.
00:22:23	Not me.
00:22:25	I mean, there are some johns that I have
00:22:28	...and that's terrific.
00:22:30	But they want a woman...
00:22:33	...and I know I'm good.
00:22:36	I arrive at their hotel or their apartment...
00:22:43	...and they're usually nervous,
00:22:46	I know what I'm doing.
00:22:50	For an hour...
00:22:54	...I'm the best actress in the world.
00:22:56	I'm the best fuck in the world. And...
00:22:59	Why did you say
00:23:02	- At that time?
00:23:04	That's what's nice about it.
00:23:05	You don't have to feel anything.
00:23:10	...care about anything.
00:23:17	You just...
00:23:19	...lead them by the ring in their nose
00:23:24	You get a lot of money out of them
00:23:30	You control it and you call the shots...
00:23:33	...and I always feel just great afterwards.
00:23:37	- And you enjoyed it?
00:23:40	Why not?
00:23:42	You say there's nothing wrong.
00:23:44	There's a difference. I don't think
00:23:48	...morally. I didn't enjoy it physically.
00:23:52	I came to enjoy it
00:23:58	It made me feel like I wasn't alone.
00:24:00	It made me feel...
00:24:06	...that I had some control over myself,
00:24:11	That I could determine things for myself.
00:24:15	I don't know.
00:24:17	I don't know why I'm here.
00:24:18	It's just so silly to think that
00:24:30	I could come over tonight. Are you alone?
00:24:34	In about an hour.
00:24:37	Okay. See you in an hour.
00:25:43	Bree.
00:25:54	You look beautiful.
00:25:56	Thank you.
00:26:04	Enjoy.
00:26:09	- It's good to see you again.
00:26:13	I've just got back from Cannes, you know.
00:26:16	And I...
00:26:21	Well...
00:26:22	...I have something
00:26:26	Yes?
00:26:29	Cannes was very amusing.
00:26:31	We played baccarat and chemin de fer.
00:26:34	A very nice little Italian marquis
00:26:42	But a young man can be so silly.
00:26:48	Then one night...
00:26:52	...at the gambling tables...
00:26:55	...I saw him.
00:26:57	A stranger, he was looking at me.
00:27:01	He was standing very still
00:27:06	...and his eyes were looking right into me.
00:27:10	And I knew that
00:27:17	Please.
00:27:22	Not young. He wasn't young.
00:27:25	He had gray sideburns.
00:27:28	- Actually, he looked rather like you.
00:27:36	No one could tell me who he was.
00:27:39	Was he an exiled prince or a mercenary?
00:27:45	But there was a feeling stirring inside me,
00:27:53	The next day on the beach
00:27:58	It was so warm on the sand...
00:28:01	...and I saw him again.
00:28:05	He was staring at me.
00:28:10	His eyes were burning into me.
00:28:14	I was helpless.
00:28:17	He didn't even have to say anything,
00:28:22	I knew that somehow...
00:28:30	You know, I've never liked young men.
00:28:36	And I knew...
00:28:38	...that he would awaken something in me...
00:28:43	...that no young man had ever awakened.
00:28:49	He was so wise...
00:28:54	...and he taught me so many things...
00:28:58	...with his hands.
00:29:01	In his eyes I felt so beautiful.
00:29:19	Miss Daniel.
00:29:21	Can I come upstairs
00:29:36	You bastard!
00:29:39	Is this the shakedown, hon?
00:29:42	You picked a loser. I don't have it!
00:29:44	I'm looking for Tom...
00:29:45	You think I'd live in this kip
00:29:48	- I'd be back on Park Avenue.
00:29:53	Or you'll get me thrown back in the brig,
00:30:24	Have a seat.
00:30:31	Would you like some wine?
00:30:33	- Or some beer?
00:30:37	There isn't any beer anyway.
00:30:45	I've already told the police
00:30:48	I don't even remember the schlub!
00:30:56	They showed me that already.
00:30:58	I understand this is Grunemann.
00:31:05	Family-type man. It figures.
00:31:13	Look...
00:31:15	...will you please just try
00:31:20	A year ago...
00:31:22	...I was in the life full-time.
00:31:25	Living on Park Avenue.
00:31:28	This very nice apartment, leather furniture.
00:31:33	And then the cops dropped on me.
00:31:35	Started asking me about a guy
00:31:38	...a year before that! Two years ago!
00:31:42	He could be in Yemen!
00:31:46	Grunemann, what does that mean?
00:31:49	And they start showing me these pictures,
00:31:53	Then they started asking me
00:31:56	...from some guy out in Cabbageville.
00:31:58	Tuscarora.
00:32:02	Yeah, all right, I had been.
00:32:04	Very sick letters.
00:32:08	So they said, "Well, that's, Grunemann.
00:32:11	"So would you please
00:32:16	Well, there was a guy once. A freak.
00:32:20	Could've been him.
00:32:22	Apparently Grunemann liked
00:32:26	Well, this guy hired me
00:32:29	...and that was about two years ago.
00:32:31	Tommy, allie allie in free, kid.
00:32:41	You remind me of my uncle.
00:32:44	What else do you remember
00:32:48	Nothing.
00:32:51	Except that he wasn't kidding, that's all.
00:32:53	See, usually it's a fake out.
00:32:56	You probably know about that.
00:32:59	They pretend to tie you up and whip you
00:33:04	Hell, it's their money, I don't care.
00:33:06	I'll swing from a shower rod
00:33:08	Except this guy really freaked out on it.
00:33:13	But you cannot identify this man
00:33:15	I can't identify him as anybody!
00:33:22	So, is that it?
00:33:29	Listen...
00:33:34	...why don't you go downstairs...
00:33:36	You have such a nice mouth.
00:33:40	Bring them back up here
00:33:45	...you and I.
00:33:51	What about afterwards,
00:33:55	Just phone calls, right?
00:33:58	What is it? The phone rings,
00:34:01	Kids having fun,
00:34:03	It happens all the time.
00:34:06	But you reported
00:34:09	Look, I'm sorry.
00:34:11	I've been...
00:34:13	...leading everybody astray. It doesn't...
00:34:16	Okay, I get these feelings,
00:34:23	I'm sure you'll find this amusing,
00:34:32	Sometimes I get spooked.
00:34:35	I go out in the morning and
00:34:39	If there's trash in front of my door
00:34:45	It's just nerves. I'm a nervous broad.
00:34:55	Bree Daniel.
00:35:02	How is Ted? Yes.
00:35:10	Thank you. Thank you very much.
00:35:15	I'd love to.
00:35:19	I'd like to meet you very much.
00:35:27	I'm having a conversation
00:35:32	He's not a cop actually, he's a private...
00:35:41	Is that how you get most of your dates?
00:35:45	Most of them, yes.
00:35:47	And that's how you met
00:35:50	I don't remember.
00:35:53	How else do you get dates then, pimps?
00:35:57	You're very square, cookie.
00:35:59	No, pimps don't get dates for you,
00:36:04	The police have given me a list of names.
00:36:08	I'd like to ask you about them.
00:36:13	I'm sure this is going to amuse you, too.
00:36:15	But I'm really trying
00:36:18	What about this evening, the old man?
00:36:22	You saw that?
00:36:23	Goddamn you!
00:36:26	He's 70 years old!
00:36:29	His wife's dead.
00:36:33	He's maybe in his whole life
00:36:36	He never lays a hand on me!
00:36:39	What harm is there in that?
00:36:42	What's your bag, Klute?
00:36:44	What do you like? You a talker?
00:36:48	Like to have your chest walked around
00:36:51	- You like to have us watch you tinkle?
00:36:54	Or do you get it off
00:36:57	- Goddamn hypocrite squares!
00:37:02	I hope this isn't going
00:37:07	- Now tell me about Frank Ligourin.
00:37:12	When?
00:37:14	- When did you break up?
00:37:17	Would you mind not doing that?
00:37:21	What?
00:37:24	Okay?
00:37:29	Well, I thought I could trade you
00:37:33	Doesn't it get Ionely down there
00:37:38	Maybe I could bring some friends.
00:37:41	No, thank you.
00:37:43	Men have paid $200 for me
00:37:47	You could get
00:38:05	What are you doing with my keys?
00:38:07	Give me your hand.
00:38:18	I knew it.
00:38:27	Don't be afraid.
00:38:30	I'm going to sit you down on the bed.
00:38:33	There's someone on the roof.
00:38:38	Sit.
00:38:41	Sit!
00:40:54	Tom?
00:41:02	Tom?
00:41:35	- You didn't get him?
00:41:39	Was it Grunemann?
00:41:41	I didn't see him.
00:41:47	Who sent you on that date?
00:41:54	Frankie Ligourin.
00:41:58	You and I will go talk
00:42:37	Don't be afraid. I'm not.
00:42:44	Would you like me to hold you?
00:42:49	I'm just trying to figure you out.
00:42:52	I may say not many people
00:42:57	That's all right. I'll figure you out
00:43:02	I hope you do,
00:43:08	The only responsibility you have to me
00:43:13	Inhibitions are always nice
00:43:17	- Because I'm very bad, you know.
00:43:20	In my head. I have very wicked ideas.
00:43:26	Lots of them.
00:43:27	I'm sure that as you're sitting
00:43:29	... you've all kinds of strange things
00:43:33	You should never be ashamed
00:43:36	Nothing is wrong.
00:43:38	You know that I will do anything you ask.
00:43:43	I think the only way
00:43:48	... is to let it all hang out.
00:44:03	I was just finishing up some work.
00:44:07	I used to be a photographer.
00:44:11	Before I got into publishing.
00:44:13	He knows you're a pimp, Frankie.
00:44:17	Excuse me.
00:44:27	I always respected Bree.
00:44:30	I'd like to make something clear.
00:44:31	- I just got a couple of questions.
00:44:36	I don't go after a girl.
00:44:39	Girl comes to me. Her choice. Right?
00:44:43	I'm looking for a man, Tom Grunemann.
00:44:46	Miss Daniel tells me that the date
00:44:49	...might've been that man,
00:44:52	Two years ago? Sorry.
00:44:56	I understand you use narcotics.
00:44:58	Maybe I could have someone come over
00:45:02	...arms.
00:45:04	You know, I may stand better
00:45:08	Why don't you sit down and relax?
00:45:18	It was a family matter.
00:45:19	Between the girls.
00:45:23	Two other girls besides Bree.
00:45:26	One of them, Jane McKenna...
00:45:29	...she blows a little jealous of Bree.
00:45:33	Bree comes first.
00:45:35	Evidently she knew this freak
00:45:40	She cons me into passing him on to Bree...
00:45:43	...so Bree would get hurt.
00:45:46	I didn't know until afterwards.
00:45:49	You can't tell them one of
00:45:53	Peace in the family.
00:45:56	Beyond that...
00:45:58	...I don't know. That's all she wrote.
00:46:04	Did you see the man?
00:46:07	No.
00:46:10	How can I get hold of Jane McKenna?
00:46:15	Baby, would I be telling you all this?
00:46:17	She copped out long ago.
00:46:20	She committed suicide, Baxter.
00:46:26	And the other girl, what's her name?
00:46:29	- Arlyn?
00:46:31	How do I find her?
00:46:34	I don't know. She's a junkie.
00:46:37	Make that scene, you could be anywhere.
00:46:44	Anything else?
00:46:51	Did you like my friend Frankie?
00:46:55	Not very much.
00:46:56	- Didn't he tell you what you wanted?
00:47:00	You're not going to find Arlyn Page,
00:47:04	Didn't he tell you
00:47:07	Jane McKenna sent you that guy.
00:47:15	Well, she's dead.
00:47:23	Your tapes.
00:47:25	Golly gee, just what I've always wanted.
00:47:31	What for?
00:47:34	I'm through with your part of it.
00:47:39	Tell me, Klute...
00:47:41	...did we get you a little?
00:47:45	The sin, the glitter, the wickedness?
00:47:50	All that's so pathetic.
00:47:55	Fuck off!
00:48:10	I'll tell you something, Jack.
00:48:13	It is in the bells that I hear my voices.
00:48:17	Not today when they all rang,
00:48:20	But here, in this corner...
00:48:23	...where the bells come down
00:48:28	...or in the fields where they come across
00:48:33	...my voices are in them.
00:48:36	Hark!
00:48:41	Do you hear?
00:48:43	"Dear child of God."
00:48:45	That's just what you said.
00:48:47	At the half-hour they will say,
00:48:54	At the three-quarters they will say,
00:49:00	When is it the hour.
00:49:02	When the great bell goes after:
00:49:05	"God will save France."
00:49:09	- It is then that St. Margaret...
00:49:14	The script please.
00:49:16	Very interesting accent.
00:49:18	Booth!
00:49:24	Thank you.
00:49:40	All right, so what do you want, cop?
00:49:43	- I can't find Arlyn Page without your help.
00:49:47	If I can't find her, I can't find him,
00:49:51	...then you're in trouble.
00:49:56	Okay?
00:50:03	It's going to cost. Time is money.
00:50:07	Okay. Well, I can pay you $100.
00:50:10	- I can make $100 in a lunch break.
00:50:15	You were very good upstairs.
00:50:22	Kid, will you buy me a coffee?
00:50:25	Buy you lunch. Do you want lunch?
00:50:29	Whenever it suits you.
00:50:31	No, make it...
00:50:33	...Monday at 8:00 p.m.
00:50:37	I said Monday, 8:00 p.m.
00:50:45	He's a lovely man.
00:50:49	Comes here...
00:50:50	...spends a bundle of money,
00:50:54	Comes from Grosse Pointe,
00:50:58	...but all he wants to do is come here
00:51:03	8:00 p.m., Monday...
00:51:05	...Mr. Clean.
00:51:11	Arlyn Page...
00:51:13	...I had let her go.
00:51:16	With the kind of people I get...
00:51:18	...I couldn't have a gal
00:51:21	You know, I get the crème de la crème.
00:51:24	No, she was trouble...
00:51:26	...and I don't allow any trouble here.
00:51:31	Che si può fare?
00:51:33	Honni soit qui mal y pense.
00:51:37	Do you have any idea
00:51:41	Try Mama Reese's.
00:51:44	Bree...
00:51:46	...if you get Ionely or have no place to go,
00:51:50	You'll always have a home here.
00:52:04	Why?
00:52:06	She's a junkie.
00:52:08	She was with you after she left Frankie,
00:52:12	Well, she's not now.
00:52:16	I tried to do everything for her.
00:52:19	I took her into my own place,
00:52:22	You know that sweet place?
00:52:28	Then the bitch sold my mink!
00:52:32	- Do you know anybody that's seen her?
00:54:01	Who is it?
00:54:04	Bree Daniel.
00:54:11	I couldn't sleep.
00:54:14	I keep thinking I hear noises.
00:54:21	Can I come in?
00:54:23	Come in.
00:54:39	It was probably just my imagination.
00:54:42	Sit down.
00:54:51	I'm sorry I woke you up.
00:54:53	I just...
00:54:56	I don't think
00:55:00	I just don't want to be alone right now.
00:55:05	Do you mind if I stay here a while?
00:55:10	- Lf you'd like to go back upstairs, I'd come...
00:55:34	Why don't you lie down here? Sleep here.
00:55:39	- Where are you going to sleep?
00:55:49	Lie down.
00:56:33	Thank you.
00:56:39	Good night.
00:56:43	Good night.
00:01:42	You were terrific.
00:01:46	A real tiger.
00:01:58	Are you upset
00:02:02	I never come with a john.
00:02:09	Don't feel bad about losing your virtue,
00:02:14	Everybody always does.
00:02:29	Arlyn Page?
00:02:32	She was lucky I kept her that long.
00:02:34	She was out of it.
00:02:37	Somebody said she was streetwalking
00:02:41	Or was it Eighth? You might take a look.
00:02:45	Or try Bill Azure, if you can find him.
00:02:51	Yes, she used to dress the way you do.
00:02:55	The whore? Yes, I threw her out.
00:02:59	Do you know where she went from here?
00:03:02	Live like animals, her and the man.
00:03:05	Out!
00:03:06	She was living with a man?
00:03:08	He was worse than the whore!
00:03:43	Cappy!
00:03:45	- Arlyn Page?
00:03:47	Cappy, is that you?
00:03:49	- It's all right.
00:03:53	Arlyn, it's okay.
00:03:58	Bree, honey...
00:04:01	...I'm waiting for someone.
00:04:04	You've got to help us.
00:04:08	Can't you see I'm strung out?
00:04:11	It'll only take you a couple of minutes.
00:04:13	A couple years ago,
00:04:16	If he sees you, he won't come.
00:04:18	Was she seeing a freak,
00:04:22	Yes. What about it?
00:04:25	Did he come around a lot?
00:04:37	No, he was an older guy.
00:04:39	It's very important.
00:04:40	- Arlyn, get them out of here!
00:04:43	It's very important, please.
00:04:45	- Can you give me a description of him?
00:04:49	- Cappy, listen. No!
00:04:53	Cappy, don't run! I've got a radio, Cappy!
00:09:19	She wouldn't be reliable anyhow.
00:09:23	I believed her. I believed her absolutely.
00:09:26	The man who did those beatings
00:09:28	Suppose it wasn't Tom.
00:09:31	Tom is still connected because of
00:09:36	The only way that I'm going to find him
00:09:40	The only way I'm going to find him
00:09:43	...and try to secure
00:09:49	I'll be flying back to Pennsylvania on Friday
00:09:53	How is it back there?
00:09:55	I think you're homesick.
00:10:00	John, I want to tell you how much
00:10:23	Because I'm very bad, you know.
00:10:27	As you're sitting at your desk you have
00:10:32	You should never be ashamed
00:10:35	Nothing is wrong.
00:10:38	Do you mind if I take my sweater off?
00:10:41	I like to sort of walk around here
00:10:45	I think people wear clothes much too often,
00:10:48	I think in the confines of one's house,
00:10:50	... free of clothing and inhibitions.
00:10:55	I think the only way
00:11:00	... is to let it all hang out.
00:13:51	I was trying to get away from...
00:13:55	...a world...
00:13:58	...that I had known, because I don't think
00:14:03	...I found myself...
00:14:08	...Iooking up its ass...
00:14:13	...and seeing people that I used to know...
00:14:23	...and that I liked a lot...
00:14:31	...that were my friends.
00:14:37	Sort of.
00:14:39	Girls...
00:14:42	...and...
00:14:51	...that could have been me.
00:14:57	I mean, I know I'm not stupid.
00:15:05	I guess I just realized...
00:15:14	...that I don't really give a damn.
00:15:20	What I would really like to do
00:15:29	... and be...
00:15:30	... left alone.
00:15:35	You're lucky they're still here.
00:15:37	We don't keep unclaimed possessions
00:15:47	Number 497.
00:15:56	Jane McKenna.
00:16:48	I thought there would be more.
00:17:10	Well, there's this man, this detective...
00:17:16	... and I don't know exactly what is...
00:17:21	... happening or what he wants out of me,
00:17:25	But he took care of me.
00:17:27	Did you feel threatened by it?
00:17:33	I don't know. When you're used
00:17:36	... and moves that around,
00:17:49	How do you feel when you feel scared?
00:17:55	- Angry.
00:17:58	- Whoever is making me feel that way.
00:18:04	Half of the time, yes.
00:18:05	How do you feel angry?
00:18:09	I want to...
00:18:20	... manipulate him.
00:18:22	How?
00:18:26	In all the ways
00:18:29	I mean, it's easy
00:19:01	They were bringing
00:19:04	Propellers washed it up on top.
00:19:09	Arlyn Page was probably an alias.
00:19:30	- Sorry.
00:19:35	Yes. What?
00:19:40	I mean, can you help me out?
00:19:46	I mean...
00:19:49	...that's my baby, dead.
00:19:55	I have to get up.
00:20:02	- You know what it means, my baby dead.
00:20:11	Okay?
00:20:33	Lt. Trask, please. John Klute.
00:20:39	I think we should run down and check on
00:20:43	I don't think the man
00:20:46	Just run down and check on everything.
00:20:49	Talk to you.
00:21:11	You're up, are you?
00:21:19	How are you?
00:21:22	Trask wants you to call him.
00:21:27	He told me about Arlyn.
00:21:40	It probably doesn't have anything
00:21:46	...but just as a precaution...
00:21:48	...when you go out,
00:21:52	...a phone number where I can find you.
00:21:54	Just so I can always
00:21:58	Okay?
00:22:00	Sure.
00:22:10	I'm all right.
00:22:11	I know.
00:22:16	I feel physically, that's what's different.
00:22:19	I mean, I feel. My body feels. I enjoy...
00:22:25	...making love with him.
00:22:30	Which...
00:22:32	...is a very baffling and bewildering thing,
00:22:38	I wish that I could let things happen and...
00:22:42	...enjoy it, you know...
00:22:44	...for what it is and while it lasts...
00:22:48	...and relax about it.
00:22:51	But all the time,
00:22:57	To break it off.
00:22:59	To...
00:23:02	...go back to...
00:23:05	...the comfort of being numb again.
00:23:10	I keep hoping, in a way,
00:23:14	Because...
00:23:16	...I had more control before,
00:23:18	I knew what I was doing
00:23:24	And that's what's so strange:
00:23:28	That...
00:23:30	...something is...
00:23:32	You know what this is like,
00:23:35	It's a new thing and it's so strange.
00:23:39	The sensation that something...
00:23:42	...that is flowing from me naturally
00:23:48	...without it's being prettied up or...
00:23:53	He's seen me ugly!
00:23:56	He's seen me...
00:23:58	...mean. He's seen me whorey...
00:24:02	...and it doesn't seem to matter.
00:24:05	He seems to accept me.
00:24:11	I guess...
00:24:13	...having sex with somebody and feeling
00:24:18	...is very new to me.
00:24:22	I wish that I didn't keep wanting
00:24:31	You know, I'm trying to stay out of it.
00:24:37	Yes.
00:24:44	I'd love to party with you, but l...
00:24:46	Yes.
00:24:50	Marta, try to get somebody else...
00:24:52	...and if I change my mind
00:25:21	You're not going to get hung up on me,
00:25:25	- Yes, sir, can I help you?
00:25:28	- Yes.
00:25:34	Well, let me see how much those weigh.
00:25:36	- A pound and a quarter.
00:25:41	- No mushy ones.
00:25:51	- What do you have in your bag?
00:25:53	What have you got in your bag?
00:26:27	Can I have a cantaloupe, please?
00:27:31	Wait.
00:28:01	He cut up my clothes...
00:28:04	Oh, my God!
00:28:07	Oh, my God!
00:28:26	Hello?
00:28:27	I can be a very bad girl, you know.
00:28:33	I have very wicked ideas.
00:28:36	I will do anything you ask.
00:28:38	You should never be ashamed
00:28:41	You know, there's nothing wrong.
00:28:43	I think the only way
00:28:48	... is to let it all hang out.
00:28:53	The only responsibility you have to me
00:29:02	She can't remember.
00:29:04	Well, it could have been...
00:29:07	...it could have been hidden in his pocket,
00:29:14	All right. I'll wait for you here.
00:29:34	Bree?
00:29:39	Trask and some officers are coming
00:29:44	I want you to stay here today and...
00:29:47	...tomorrow.
00:29:50	You'll be safe here.
00:29:52	I'll only be gone
00:30:13	Bree?
00:30:20	Bree?
00:30:27	Well, you look like you've been
00:30:30	... if you'd ever paid for a woman before.
00:30:34	So if you do, it's obviously
00:30:37	Because you're not a man
00:30:40	You could have any woman you wanted.
00:30:42	The only responsibility you have to me
00:30:49	I will do anything you ask or want.
00:30:53	Since you know that there are
00:30:57	I place no moral judgments on anything.
00:31:07	We checked out 42 letters
00:31:11	And we only came up with one
00:31:16	All right, there's Tom Grunemann.
00:31:19	Different margins, different spacings.
00:31:28	That's mine.
00:31:29	You said to check out everybody.
00:31:33	Same margins, top and sides.
00:31:35	He does best with his middle fingers.
00:31:39	We get fainter registrations
00:31:42	Notice how he invariably does that
00:32:01	Who is it?
00:32:04	Peter Cable.
00:32:12	But you have no case.
00:32:18	I'm sorry we have to meet here,
00:32:21	I have a business meeting
00:32:23	Any developments?
00:32:26	I think I can close the case.
00:32:30	I think I can close the case...
00:32:32	...if I can have $500
00:32:38	I don't understand what you mean.
00:32:40	Well, I've found a contact
00:32:42	A little black book containing the name
00:32:48	He is also the man
00:32:51	...apartment yesterday and wrecked it.
00:32:54	We know that now because
00:32:58	The blood type is AB,
00:33:08	I think this man killed Jane McKenna
00:33:14	I you should prepare yourself
00:33:20	The only way I'll find out is to find him.
00:33:24	- You're meeting him tomorrow night?
00:33:26	- He's bringing the book to my apartment.
00:33:30	8:30.
00:33:32	I'll notify the board
00:33:36	...and have them wire you
00:33:40	Thank you, John.
00:33:41	I certainly hope you're wrong about Tom.
00:33:45	- Thank you, sir.
00:35:13	I don't want you to do this.
00:35:16	Bree.
00:35:18	I'm just going to a girlfriend's apartment.
00:35:22	I can't stay here, obviously.
00:35:32	Please.
00:35:36	Not with him.
00:35:38	This other girl has a very big apartment,
00:35:43	But it's not necessarily how it looks.
00:35:47	Look...
00:35:49	...we all respect each other, right?
00:35:52	I respect you.
00:35:55	Bree respects you.
00:35:58	But you have to respect her, too.
00:36:02	Her best interests.
00:37:50	Mrs. Daniel, I have to close up now.
00:37:52	Leave your name and number
00:37:57	I can't.
00:37:59	Well, I have to close up now.
00:38:06	I almost killed somebody.
00:38:07	Well, I'm certain the doctor would like
00:38:11	As a matter of fact, I'll have her call you
00:38:17	- Can I use your phone?
00:38:26	Is Mr. Goldfarb there? Mr. Goldfarb Sr.
00:38:34	I have to talk to somebody.
00:38:36	I'm just a little way across town.
00:38:40	About half an hour?
00:38:51	Detective Trask, please.
00:38:55	Hi, John Klute.
00:38:58	He didn't take the plane, he cancelled out.
00:39:02	I'm at home in my apartment.
00:39:04	I don't know where she is. I'll find her.
00:39:08	Okay. I'll leave word if I go out.
00:39:10	Okay.
00:39:36	I have an appointment with Mr. Goldfarb.
00:39:40	Mr. Goldfarb!
00:39:43	Mr. Goldfarb!
00:39:48	Hello. What can I do for you?
00:39:51	I'm sorry. I mean Mr. Goldfarb Sr.
00:39:54	My father left about 15 minutes ago.
00:39:57	- Can I help you?
00:40:01	- You sure I can't help you?
00:40:03	No, really. I don't mind.
00:40:05	You're going to miss your train,
00:40:09	Excuse me.
00:40:11	Did he leave a message for me?
00:40:14	I thought that was for tomorrow!
00:40:31	Mr. Goldfarb's wire.
00:40:35	Yes, Mama, I'm coming right now.
00:40:38	I know you don't like to get in
00:40:41	Yes, right away. Bye-bye.
00:40:50	We're closing now, Miss.
00:40:52	May I leave Mr. Goldfarb a message?
00:40:54	Poor man, everybody's friend.
00:42:26	Hello?
00:42:28	Hello?
00:42:30	This is Bree Daniel.
00:42:34	When she does, tell her I'm at 246-1383.
00:42:39	I'll wait five minutes.
00:44:12	How I can reach the doctor?
00:44:14	The doctor hasn't checked in yet.
00:44:16	I'm trying to locate a Miss Bree Daniel.
00:44:19	I'm sorry sir,
00:44:23	Has she called in or anything?
00:44:24	Has she called the doctor at all today?
00:44:27	- She left a forwarding number.
00:44:30	I'm not allowed to give that out.
00:44:31	I'm a police officer.
00:44:34	You must understand my position.
00:44:38	I understand all that.
00:44:52	Can we talk about this reasonably?
00:44:55	I know you're expecting some kind
00:45:01	...do you believe me?
00:45:03	Yes.
00:45:05	We can talk?
00:45:14	Well, it's just an ordinary matter.
00:45:17	I'm a very well-off man.
00:45:24	...I would feel personally,
00:45:29	...connected with...
00:45:31	...a certain kind of woman.
00:45:39	Look, John Klute works for me.
00:45:44	I know you're his contact.
00:45:47	I know he's trying to acquire...
00:45:51	...Jane McKenna's book.
00:45:56	I'm in a position
00:46:06	You don't understand
00:46:09	Yes. Jane McKenna's book.
00:46:11	- And I'll try to get it for you.
00:46:15	Obviously you're frightened
00:46:19	No, I'm not. I will, I'll try to get it for you.
00:46:24	Is this...
00:46:26	...something Klute's invented.
00:46:30	Is this a trap for me?
00:46:33	- Klute knows about me, doesn't he?
00:46:40	Then everybody knows about me.
00:46:44	So, it doesn't make any difference
00:47:22	I've no idea what I'm going to do...
00:47:26	...and I'm so deeply puzzled.
00:47:31	I've done terrible things.
00:47:37	And yet, I don't consider myself
00:47:41	No more than others.
00:47:46	See, Tom Grunemann discovered me.
00:47:50	...and he found me and Jane McKenna
00:47:57	She had become hysterical
00:48:00	...screaming...
00:48:03	...and I guess I hit her.
00:48:05	I don't actually recall
00:48:09	Anyway, she fell and hit her head,
00:48:12	...came in the room.
00:48:19	But I never understood...
00:48:21	...why she did that.
00:48:28	It was the...
00:48:30	...revulsion and the...
00:48:32	...contempt that I saw on his face...
00:48:36	...and the certainty that sooner or later
00:48:40	...within the company.
00:48:44	I tried to endure that
00:48:56	You just want me to keep on talking,
00:48:59	No, I don't. I do understand. I really do.
00:49:02	Well, that's what you all do.
00:49:06	You make a man think that he's accepted.
00:49:11	It's all just a great big game to you.
00:49:16	You're all obviously too lazy and
00:49:21	...with your life, so you...
00:49:23	...prey upon the sexual fantasies of others.
00:49:28	I'm sure it comes as no great surprise
00:49:33	...there are...
00:49:34	...little corners in everyone...
00:49:38	...which were better off left alone.
00:49:41	Little sicknesses, weaknesses, which...
00:49:45	...should never be exposed.
00:49:51	That's your stock in trade, isn't it,
00:49:57	I was never really fully aware of mine...
00:50:01	...until you brought them out.
00:50:28	How far out of town are we?
00:50:33	- Five miles outside of New York.
00:50:37	... the lights down?
00:50:39	No, it's up to you.
00:50:45	My name is Peter Cable.
00:50:48	I work for the Tole American Corporation...
00:50:51	... which is situated in Pennsylvania
00:50:56	I would not be telling you these things...
00:50:59	... if my intentions weren't honorable.
00:51:05	- You look familiar to me.
00:51:09	I don't know.
00:51:14	I guess I have a confession to make.
00:51:16	We did meet before. About two years ago.
00:51:21	I often wondered
00:51:24	... and here you are.
00:51:27	Yeah, I remember.
00:51:31	Listen...
00:51:34	... l've got get out of here. I mean I can't...
00:51:38	I remember you.
00:51:40	- Well, what do you remember?
00:51:45	It's okay.
00:51:47	Just freaked me out for a minute, that's all.
00:51:50	I promise to drive you back afterwards.
00:51:54	Okay.
00:51:56	Why don't you just tell me
00:51:59	- ... after you tell me what you'd like...
00:52:03	- I have been looking for you for two years.
00:52:09	That's my business.
00:52:14	I will say that you gave me
00:52:17	I saw in you things that I had not seen
00:52:23	I will not harm you at all physically.
00:52:27	It's all right.
00:52:28	No, it's not all right,
00:52:31	No, it is all right. If that's what you...
00:52:36	If that's what you want...
00:52:38	- ... that's fine.
00:52:40	... why don't you lie down on the bed
00:52:44	I'll not strap you in, I'll not tie you down.
00:52:52	Be comfortable.
00:53:01	Nothing's going to happen.
00:53:05	Okay.
00:53:09	- Why don't you make yourself comfortable?
00:53:14	Just put your head down.
00:53:18	You have such lovely long blonde hair.
00:53:24	Turn your head.
00:53:27	Like that.
00:53:31	Don't!
00:53:34	Don't!
00:55:00	I've explained to him what I have to do...
00:55:02	... and I think he understands.
00:55:06	What could ever happen for us?
00:55:10	I know enough about myself
00:55:12	... lies in store for me it's not going to be...
00:55:15	... setting up housekeeping
00:55:18	... and darning socks and doing all that.
00:55:37	Well, I don't know.
00:55:41	It's so hard for me to say it! God!
00:55:44	- To say what?
00:56:02	Bree Daniel.
00:56:09	How is Roy?
00:56:17	Well, I'm leaving town right now
00:56:22	You're very nice.
00:56:25	Thank you. Goodbye.
00:56:42	I have no idea what's going to happen.
00:56:45	I just can't stay in the city, you know?
00:56:50	Maybe I'll come back.
00:56:54	You'll probably see me next week.
00:56:57	>> Napisy pobrane z http://napisy.org <<

Klute