Knight And Day
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Welcome to Wichita |
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Convenient, friendly, affordable. |
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Please note, the Kansas Clean Air Act has |
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Your attention, please. |
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on the east side of the terminal. |
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Hotel and ground transportation |
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and public telephones are located |
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Ladies and gentlemen, |
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with your personal property at all times. |
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Please do not leave your baggage |
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Thank you for your cooperation. |
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- Excuse me. |
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So, I'm gonna make it |
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Are you gonna check that? |
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No, I'm gonna carry it on. |
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- Here you are. |
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- God, excuse me. |
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That bag is wicked heavy, anyhow. |
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I was looking at my phone. |
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You have a little |
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smudge. |
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What are these? |
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Those are two barrel carburetors |
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Those are exhaust tips for a '74 Z-28. |
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I restore old cars, so... |
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Hair-dryer. |
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Oh, my God, I'm so sorry. |
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- This is getting to be a habit. |
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Sorry about that. |
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- Thank you. |
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- Thank you. |
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- Boston? |
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Gate 1 2. |
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- Enjoy your flight, Mr. Garcia. |
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Hi. |
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I'm sorry. You're not on this flight. |
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Well, I just checked in |
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That must be some sort of mistake. |
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I'm sorry, |
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Listen, Sharry. |
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Tomorrow my little sister's |
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I'm sorry, we are completely sold out. |
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Listen, can you help me out for a second? |
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She's April, I'm June, |
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she's counting on me |
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That's very sweet, |
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but the 1 1 :50 will get you there |
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Your boarding pass, sir? |
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Sometimes things happen for a reason. |
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- Enjoy your flight, Mr. Miller. |
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This is the final boarding call |
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non-stop service to Boston 's |
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Would all passengers holding |
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I should've seen it coming, boss. |
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Coming undone in our business |
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It doesn't mean capping a dozen people |
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It doesn't mean stealing an object |
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- Does he have the Zephyr or not? |
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You believe so. |
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- Check it out. |
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- I need you to clean your mess up. |
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I want the Zephyr. |
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We'll have it in hand |
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Find out who and what she is. |
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Should I have the field office pick her up |
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I got a better idea. |
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Miss Havens? We did find a seat for you. |
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I'd like to have your attention, please. |
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We will be departing |
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Thanks for your patience. |
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I know it's pol icy or whatever |
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- but it's kind of lame. |
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Fitz. What did you do? |
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It's no wonder these airlines |
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We have been cleared onto the runway. |
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There's nobody on the plane. |
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The captain has turned on |
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Please remain seated |
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and it's safe to move about the cabin. |
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I'm J une, by the way. |
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I'm Roy Miller. |
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- Nice to meet you. |
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T equila on the rocks? |
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Yeah. Just in time, thanks. |
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So, your sister's |
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- Excuse me? |
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She's getting married tomorrow. |
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Yeah, thanks. |
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You know, Roy, I'm a bad liar. |
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I'm sorry, how's that? |
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April is getting married, |
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You had me fooled. |
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Well, I do have a fitting tomorrow. |
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I hope this isn't gonna be a rough flight. |
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It might be. |
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Wichita is a long way to go |
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It's not just any carburetor. |
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I'm restoring a '66 GTO. |
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And Kansas has the best scrap. |
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Really? |
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My dad had a garage, |
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and when I was a kid, |
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He used to take us to yards, |
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He died in '98, |
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and now that April's getting married, |
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give it to her sort of as a wedding present? |
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Kind of like a present |
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That's nice. |
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- Yeah. |
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I used to think that |
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someday, when the last part went in, |
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I would just climb into that GTO |
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Just drive and drive and drive, |
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until I got to the tip of South America. |
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- Cape Horn. |
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- There's beautiful islands down there. |
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Pirate islands. |
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Yeah, "someday." |
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Dangerous? |
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It's really just code for "never." |
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I think a lot about things I haven't done. |
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Dive in the Great Barrier Reef. |
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Live on the Amalfi Coast with nothing |
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Kiss a stranger on the balcony |
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Where is that? |
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South of France. |
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What about you? What's your list? |
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Well, yours sounds pretty good. |
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Wow. |
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Thanks. |
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It's no problem. |
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I'll just put this up here, if that's all right. |
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You know what? |
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I'm gonna go back and use the restroom. |
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- I'll help you. |
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Lots of turbulence, huh? |
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- I'll be out in a minute. |
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"Kiss a stranger on the balcony |
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I mean, what kind of a line is that? |
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I mean, it's, like, a really good line. |
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Ma'am? Ma'am? |
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Did you see his hands, by any chance? |
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They just, like, snatched that bag |
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Lightning-fast reflexes. |
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Not cool. |
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Okay. |
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This will help. |
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Enough. It's over, Roy. |
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Yeah, I agree. Enough. |
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Where's the Zephyr? |
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Why is the girl on the plane? Tell me. |
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Why did Fitz put her on the plane? |
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Don't move, Miller. |
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So what are you gonna do? |
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You're just gonna |
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No, of course you're not. |
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You're gonna walk right through that door, |
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It's not your first rodeo, woman. |
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Hey. |
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I decided to join you. |
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I'm sorry. I... |
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- No, no, don't... It's great. |
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It's just, like, the tequila and the altitude |
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There's something I've gotta tell you. |
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What? Oh, my God, |
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No, no, no. That's not it. |
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Okay, I'm all ears. What is it? |
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Are we landing? |
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No, not yet. |
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No? |
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Listen, there's no need to panic. I have |
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contained the situation. |
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Situation? |
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Yeah. We've lost the pilots. |
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- Where did they go? |
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- The pilots are dead. |
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Shot? |
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By who? |
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Well, me. |
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Actually, I shot the first pilot. |
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He shot the second pilot accidentally. |
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one of those things. |
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Seriously, this is great! |
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Really, I'm relieved |
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Where are you going? |
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I'm just gonna go check on things |
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Would you mind |
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- That would be great. |
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This is weird. |
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Mayday. Mayday. |
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What's happening? |
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Come on in. Sit down. |
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- Everybody's dead in here. |
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- Oh, my God! Are we going down? |
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Are we going down? |
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No, June, it's just a rapid descent. |
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Please state your emergency, Midland 77. |
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I'm sorry, |
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Are you a pilot? Who are you? |
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The shoulder straps. |
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You can put those over, |
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You wanna click it right there, that's it. |
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Okay, I got it, I got it. Okay... |
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Gear down, showdown. |
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Why can't we just land in an airport? |
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No, no, that wouldn't be a good idea. |
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- They'll be waiting for us. |
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- Who? |
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What? |
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Okay, we're gonna touch down here. |
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Oh, God. Oh, my God! |
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- That's a truck. That's a truck! |
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- That's a truck! |
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That's a truck! |
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Oh, my God! Oh, my God! |
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- That's a curve. That's a curve! |
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Oh, my God! |
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Oh, God! |
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Okay, this is good. |
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What's good? |
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Take a sip of that. |
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It'll take the edge off. |
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- Are you shot? |
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It's just a scrape. That's good news. |
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June, we have to |
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discuss what's gonna happen next. |
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You need to go to the hospital. |
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Some people are gonna come |
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You know, I feel a little weird. |
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Yeah, that'll pass once you fall asleep, |
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- What? |
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Did you drug me? |
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Yes. |
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- You drugged me. |
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Now, look. These bad people |
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who are going to come and see you, |
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And you need to tell them |
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- June? June? |
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You need to tell them |
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And you need to avoid getting in |
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Okay, who are "them"? |
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Well, they're serious people, June. |
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They'll probably identify themselves |
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Dip me? In what? |
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Dis-Information Protocol. |
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About how I'm mentally unstable, |
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How I'm violent and dangerous, |
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I'm already convinced. |
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There's a few common DIP keywords |
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Reassuring words. |
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If they say these words, |
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Okay. |
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... it means they're going to kill you. |
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Oh, God! |
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Or intern you somewhere offshore |
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- Okay? |
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Now, stay with me. |
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If they tell me I'm safe, |
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they're gonna kill me. |
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- Don't get in what? |
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- Any vehicles. |
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- Just run. |
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- Run. |
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And if they ask you about me... |
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I don't know you. I don't know you at all. |
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Who are you, Roy? |
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...a mixing of rain and snow, |
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- Thanks, Andrea. |
00:20:57 |
Now, back to our top news story |
00:20:59 |
Here 's Bradley Moss, |
00:21:02 |
According to FAA sources, |
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all contact was lost with a |
00:21:10 |
The plane was apparently passing through |
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and may have met up with wind shear |
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or a lightning storm |
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Now, this is all conjecture at this point, |
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as all that's left is a crater |
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Com i ng! |
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Rod ney? |
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Than k God. |
00:21:34 |
Y eah, why? |
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You were on that flight from Kansas, right? |
00:21:37 |
- Yeah. |
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What news? What crash? |
00:21:41 |
- Anyway, you're alive. |
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Sure, that's cool. |
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I told myself that if I found you alive, |
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that I was gonna ask you to dinner. |
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How about I call you later, okay? |
00:22:04 |
It's just another day. |
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She's moving. |
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Wow! |
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And gotta love the boots. |
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Yeah, you know. |
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I promise I'll wear heels on the day. |
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- Hey. Can I talk to you for a second? |
00:22:30 |
So, this weekend, |
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- Really? |
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And I was wondering how you would feel |
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You wanna sell Dad's GTO? |
00:22:44 |
Ben and I, we really want our own place. |
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Excuse me? |
00:22:48 |
Excuse me. Anyone here belong |
00:22:52 |
- Yeah, why? |
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- Thought I put enough quarters in there. |
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I hate getting tickets. |
00:23:00 |
Excuse me. |
00:23:07 |
Please step inside, miss. |
00:23:11 |
Let me just go grab a few things. |
00:23:13 |
Miss Havens, good afternoon. |
00:23:16 |
Will you join us inside the car |
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We know you were on the flight |
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The one that crashed. |
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Who are you again? |
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FBI. You do know Mr. Miller. |
00:23:33 |
No, I don't. |
00:23:40 |
Well, we chatted a little bit |
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I see. And once you were on the flight, |
00:23:51 |
- Is this funny to you? |
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He's dangerous, Miss Havens, |
00:23:57 |
He said that you'd say he was crazy. |
00:24:01 |
So, you did talk to him. |
00:24:04 |
No. No, not you, specifically. |
00:24:07 |
About whom, then? |
00:24:10 |
Simon Feck? |
00:24:11 |
I don't know who that is. |
00:24:14 |
Look, this is getting really twisted around, |
00:24:26 |
We're gonna take you to a secure location, |
00:24:31 |
Someplace safe. |
00:24:34 |
- With you? |
00:24:48 |
You wanna tell me where we're going? |
00:24:51 |
- Fellas? |
00:24:54 |
Excuse me? |
00:24:56 |
You're safe with us. |
00:24:57 |
I wanna know where we're going. |
00:24:59 |
Just a shortcut |
00:25:02 |
We'll keep you safe. |
00:25:04 |
You said that already. |
00:25:07 |
Because I meant it. |
00:25:09 |
What is Jackson doing? |
00:25:15 |
Shooter! Shooter! Evade! Evade! |
00:25:19 |
The dot's on your back! |
00:25:24 |
Follow me, now! |
00:25:25 |
Are you insane? |
00:25:36 |
Oh, my God! |
00:25:39 |
Get your foot off... |
00:25:56 |
- Oh, my God! |
00:25:58 |
- I can't see! |
00:26:00 |
- I can't see! Get out of the way! |
00:26:03 |
- I can't get his foot off the gas. |
00:26:04 |
Open the door, June. |
00:26:10 |
One second. |
00:26:13 |
Oh, my God! |
00:26:25 |
I totally know what you're talking about. |
00:26:31 |
Thank you. |
00:26:38 |
Who are you? |
00:26:41 |
Oh, God! |
00:26:43 |
What are you doing? |
00:26:50 |
- Hi, June. |
00:26:52 |
Please unlock the door, June. |
00:26:56 |
Unlock the door. That way, I can help you. |
00:26:59 |
- I can't let go! |
00:27:10 |
- June, door! |
00:27:32 |
Just pull over! Oh, my God! |
00:27:45 |
Come on. Come on. Come on. |
00:27:50 |
Right over here. |
00:27:52 |
Here, hold this. Well, well, well. |
00:27:54 |
Check this out. |
00:27:57 |
Nice. |
00:27:58 |
These guys are loaded for bear. |
00:28:00 |
You're doing well, June. |
00:28:01 |
Excellent driving. |
00:28:04 |
You're a natural. |
00:28:07 |
That's a beautiful dress. |
00:28:09 |
Is that for April's wedding? |
00:28:10 |
- Saturday? |
00:28:12 |
- Yeah, that will be nice. |
00:28:17 |
Please, stop shooting people, okay? |
00:28:21 |
- Just stop shooting people. |
00:28:24 |
You're in shock. |
00:28:26 |
How about you stay here |
00:28:28 |
while I go have a word |
00:28:31 |
- Okay? |
00:28:35 |
Actually, I'm just gonna go shoot them. |
00:28:40 |
By the way, |
00:28:42 |
- Okay. |
00:28:44 |
You saved us, I hope you know that. |
00:28:46 |
- You saved us. |
00:29:15 |
Hey! Hey! |
00:29:17 |
Oh, shoot. |
00:29:23 |
Hey, wait! |
00:29:30 |
Wait! Wait! Wait! |
00:30:05 |
Oh, no. |
00:30:07 |
Excuse me, sorry. |
00:30:11 |
There you are. |
00:30:13 |
June? |
00:30:15 |
June? |
00:30:25 |
- Rodney? |
00:30:30 |
- Hey! |
00:30:32 |
What are you doing here? |
00:30:33 |
Whoa! That's a... |
00:30:37 |
- That's a dress. |
00:30:39 |
- Everything all right? |
00:30:41 |
No, it's... |
00:30:44 |
It's complicated. |
00:30:45 |
You know what? |
00:30:48 |
You wanna talk? |
00:30:50 |
Maybe over some pie? |
00:30:54 |
My point is... |
00:30:55 |
My point is, |
00:30:58 |
about our break-up. |
00:31:00 |
You know, this bulb went off, bing! |
00:31:02 |
"Rodney, why are you giving up? |
00:31:04 |
"Getting back at her |
00:31:06 |
"So June didn't want |
00:31:09 |
"and that freaks your mom out. Big deal! |
00:31:10 |
"What about all the things you |
00:31:13 |
Our list, you know? |
00:31:14 |
Like camping in vermont with my brother |
00:31:17 |
Tickets to Blue Man Group, |
00:31:19 |
I wanna talk about the plane crash. Okay? |
00:31:24 |
Sure, what about it? |
00:31:25 |
I was on it. I mean, in it. |
00:31:28 |
I mean, I was in it. |
00:31:29 |
So you were in the plane crash? |
00:31:31 |
I wasn't supposed to be on that plane, |
00:31:32 |
and there was this guy who was some sort |
00:31:39 |
He killed everybody on board. |
00:31:42 |
And then he landed the plane. |
00:31:45 |
I wake up, I'm in my room. |
00:31:48 |
He must've drugged me or something. |
00:31:50 |
because I have to wear |
00:31:52 |
These other guys, these other agents |
00:31:55 |
Next thing you know, |
00:31:58 |
- Why are you touching my hand? |
00:32:00 |
- Jeez, you are so stressed out! |
00:32:03 |
- And I get it. |
00:32:05 |
I completely understand. I mean... |
00:32:07 |
- Wow, June. |
00:32:08 |
- Your little sister's getting married... |
00:32:11 |
- ...and that is stressful. |
00:32:13 |
You didn't even listen |
00:32:15 |
No, I did. Look, I would probably be |
00:32:18 |
What can I do to help? Setting up? |
00:32:20 |
No, no, no. Okay. |
00:32:23 |
Oh, Christ. |
00:32:25 |
Hi, June. Look, I... |
00:32:28 |
I'm sorry if I'm interrupting anything, but... |
00:32:31 |
I'm Roy Miller. |
00:32:33 |
Rodney Burris. |
00:32:34 |
Rodney, hi. How are you? |
00:32:37 |
We're running out of time, |
00:32:41 |
but we're gonna have to stick together |
00:32:45 |
You know, our situation. |
00:32:48 |
In case you didn't notice, |
00:32:51 |
So he's perfectly capable of handling |
00:32:54 |
Thank you very much, |
00:32:56 |
I have no doubt. |
00:32:57 |
Ever since I was a little kid, |
00:33:01 |
- I appreciate it. |
00:33:03 |
- I don't think you guys get paid enough. |
00:33:05 |
You're in Engine 1 0. |
00:33:07 |
Yeah, Engine 1 0. |
00:33:08 |
Yeah. Have you taken |
00:33:11 |
- I'm working on it. |
00:33:14 |
It's a bitch. |
00:33:15 |
Did you ever do a tour in that hall, |
00:33:17 |
Grove Hall, that's where the action is. |
00:33:21 |
- Rodney! |
00:33:24 |
I often thought I... |
00:33:28 |
I should have been a fireman. |
00:33:32 |
Rodney, this is the guy. |
00:33:36 |
What? |
00:33:38 |
- This is the guy. |
00:33:41 |
I'm sorry, who are you? |
00:33:45 |
I'm the guy? |
00:33:48 |
- I'm the guy. This is the guy. |
00:33:49 |
- This is the guy. |
00:33:51 |
- I'm the guy. |
00:33:52 |
- I'm a guy. |
00:33:55 |
- Rodney, whatever happens... |
00:33:58 |
- Please, for your own safety... |
00:34:00 |
- you should know... |
00:34:02 |
What are you talking about? |
00:34:05 |
Wait! |
00:34:06 |
Everybody! Everybody get down. |
00:34:08 |
Get down, down, down! Everybody down. |
00:34:11 |
Rodney, get down, |
00:34:14 |
I'll blow her head off. |
00:34:16 |
What did I say? |
00:34:18 |
Rodney, what did I say? |
00:34:19 |
- Just calm down, buddy. |
00:34:24 |
Sorry, I thought you were making a move. |
00:34:26 |
Sorry. It's all right, |
00:34:29 |
Making a little pie. |
00:34:32 |
Everybody gets pies, okay? |
00:34:34 |
Weakens the legs, people. Lincoln knew it. |
00:34:38 |
No one follows us, |
00:34:50 |
- Get in the car. Please. |
00:34:52 |
Watch your head. |
00:34:56 |
We're at 560 Harris. |
00:34:59 |
- Rodney! Rodney! |
00:35:08 |
Oh, my God! Rodney! |
00:35:11 |
It's okay. Look at me. |
00:35:13 |
- Okay. Look at me, it's okay. |
00:35:15 |
I shot you through and through. No bone, |
00:35:18 |
All right? |
00:35:19 |
This is gonna be better for you |
00:35:22 |
Okay? You good? |
00:35:24 |
- Good? |
00:35:25 |
Good? |
00:35:46 |
There were four security cameras |
00:35:50 |
Now there is proof you're my hostage. |
00:35:52 |
So we've cleared your name, |
00:35:55 |
You know? It's a start. |
00:35:58 |
- You shot Rodney! |
00:36:01 |
But I asked him to stay in the booth. |
00:36:04 |
You shot Rodney! |
00:36:06 |
It might be the best thing |
00:36:08 |
Yeah, right, because we all should |
00:36:11 |
Rodney... Rodney is a good guy, June. |
00:36:14 |
But not really right for you. |
00:36:17 |
I mean, you know, in my opinion. |
00:36:20 |
Took a bullet, he's gonna be a hero. |
00:36:23 |
- Stop the car. Stop the car. |
00:36:25 |
Stop the car. Stop the car. |
00:36:28 |
June, I understand |
00:36:30 |
I do, I wanna get off the carousel. |
00:36:32 |
Can you stop the car, please? Right now! |
00:36:34 |
I'm not one of those |
00:36:36 |
but I did warn you |
00:36:40 |
When? |
00:36:41 |
Well, when I said, |
00:36:46 |
That's not a warning. |
00:36:50 |
That's like a needlepoint expression |
00:36:54 |
Next time, try, "June, if you get |
00:36:59 |
You know, Roy, maybe they meant it |
00:37:03 |
- You really mean that, June? |
00:37:07 |
- Did you feel safe with them? |
00:37:12 |
Okay, okay. All right. |
00:37:39 |
Just so you understand, |
00:37:41 |
right now, out there, on your own, |
00:37:45 |
With me, it's here. Without me, here. |
00:37:48 |
With me, without me. |
00:37:51 |
So... |
00:37:53 |
I wouldn't advise going home. |
00:37:57 |
So right now I need another car, |
00:37:59 |
Someone else is depending on me. |
00:38:02 |
Someone who trusts me. |
00:38:06 |
I'm letting him down. |
00:38:55 |
Rodney, why did you make this brave call |
00:38:59 |
Well, I didn 't think. |
00:39:00 |
I just did what any man would do |
00:39:02 |
- I leapt into action. |
00:39:04 |
- Like you said, it's really the job. |
00:39:07 |
- Thanks. |
00:39:08 |
It really didn 't even hurt. |
00:39:11 |
What a brave firefighter. |
00:39:12 |
The doctors tell me Rodney is going |
00:39:16 |
A true blue Boston hero. Back to you, Don. |
00:39:36 |
Th is is what it's al I about. |
00:39:38 |
That, right there, |
00:39:43 |
A Burger King toy? |
00:39:47 |
Open it up. |
00:39:56 |
It's warm. What is it? |
00:39:59 |
A battery. |
00:40:01 |
A battery? |
00:40:03 |
It's code-named Zephyr. |
00:40:07 |
It's high output. Never runs out. |
00:40:10 |
What do you mean, "never"? |
00:40:12 |
That little thing there is the first |
00:40:17 |
So, what, your flashlight |
00:40:21 |
It can power a lot more |
00:40:24 |
Really? How much more? |
00:40:26 |
Small city. |
00:40:29 |
Large submarine. |
00:40:33 |
It's big. |
00:40:35 |
The guy who invented it |
00:40:37 |
is barely out of high school. |
00:40:39 |
Simon Feck. |
00:40:42 |
I was assigned with another agent to |
00:40:46 |
And the other guy, the agent, is the guy |
00:40:51 |
Fitzgerald. |
00:40:55 |
A couple of weeks ago, I found out |
00:41:00 |
and kill Simon. |
00:41:03 |
So I got Simon out of there, |
00:41:05 |
put him someplace safe |
00:41:09 |
And Fitz set me up. |
00:41:18 |
That's when I met you. |
00:41:29 |
So... |
00:41:33 |
So, what's next? I mean, what's the plan? |
00:41:37 |
I think we get some rest, |
00:41:38 |
pick up Simon, and get you back |
00:41:45 |
I'm pretty' good at what I do, June. |
00:41:48 |
And tonight, we're safe. |
00:41:52 |
Scout's honor. |
00:41:55 |
Safe and secure? |
00:42:05 |
Good night, Roy. |
00:42:10 |
Were you really a Boy Scout? |
00:42:15 |
Eagle Scout. |
00:42:19 |
I was a Brownie. |
00:42:21 |
That's cool. |
00:42:27 |
Good night, Roy. |
00:42:46 |
Pies for everybody. Everybody. |
00:42:48 |
Everybody gets pies, okay? |
00:42:52 |
So, what do you think? |
00:42:55 |
We're looking at a pawn. |
00:42:59 |
She owns a garage, no passport, |
00:43:03 |
She's a nobody. |
00:43:04 |
You've been two steps behind |
00:43:08 |
Are you sure someone |
00:43:11 |
Clean this shit up. |
00:43:32 |
This is a safe-house? |
00:43:36 |
Simon! |
00:43:45 |
Simon? |
00:43:51 |
Stay close. |
00:43:55 |
Hey, Simon, this is no time to play. |
00:44:12 |
What is all this? |
00:44:15 |
Simon. It's what he does. |
00:44:19 |
I'm late, and he's gone. |
00:45:12 |
Simon. |
00:45:34 |
"Made in Austria." |
00:45:52 |
Who are these people? |
00:45:54 |
No, it's other guys. |
00:45:57 |
Other bad guys? |
00:45:59 |
Worse guys. Hold my mags. |
00:46:03 |
Worse guys? |
00:46:04 |
Now, I need you to listen carefully. |
00:46:08 |
On three, I'm gonna lay down cover, |
00:46:11 |
then we're gonna run |
00:46:13 |
Okay. |
00:46:14 |
- Okay? |
00:46:15 |
- You ready? |
00:46:16 |
One... |
00:46:22 |
Oh, my God! |
00:46:24 |
Sorry. I panicked. |
00:46:28 |
- What number would you like? |
00:46:31 |
Okay. One... Two... |
00:46:33 |
Three. |
00:46:46 |
These guys are fancy. Mags. |
00:46:49 |
Could be Antonio Quintana's men. |
00:46:55 |
He also wants the battery. |
00:46:58 |
Ready? |
00:46:59 |
- Let's move. |
00:47:02 |
June. June! |
00:47:05 |
How the hell are we gonna get out of here? |
00:47:09 |
And where the hell is Simon? |
00:47:11 |
I don't know yet, but he left a message. |
00:47:12 |
- A message? |
00:47:21 |
What I need you to do right now |
00:47:24 |
- What? |
00:47:26 |
- I can't wait here! |
00:47:28 |
Wait! Roy! |
00:47:30 |
Just take this. |
00:47:43 |
Roy? |
00:47:46 |
Shit. |
00:47:49 |
June? |
00:47:52 |
June! June! June! June! |
00:47:56 |
June! June! June! June! |
00:48:02 |
June! |
00:48:03 |
Please stop saying my name. |
00:48:04 |
You keep saying my name, |
00:48:07 |
- Okay. I understand. |
00:48:13 |
- Drink this. |
00:48:14 |
Brotine-zero. |
00:48:16 |
Oh, yeah. |
00:48:19 |
Where's yours? |
00:48:24 |
Oh, shit. |
00:48:26 |
- I'm sorry. |
00:48:27 |
They're coming. |
00:48:46 |
June. |
00:48:50 |
I know this looks bad, |
00:48:53 |
but we'll be out of here |
00:48:55 |
in a couple of minutes. |
00:48:58 |
I got this. |
00:49:05 |
We gotta go, June. Here, I'll help you. |
00:49:18 |
We've been hit! |
00:49:20 |
But it's okay! |
00:49:22 |
We get through this, we're home free! |
00:49:25 |
Ready, set, go! |
00:49:39 |
We're almost there. |
00:50:27 |
Hey, there, sleepy head. |
00:50:38 |
How long have I been out? |
00:50:40 |
Eighteen hours. |
00:50:44 |
Where am I? |
00:50:47 |
My place. |
00:50:50 |
We're off-grid. |
00:50:53 |
No one's ever found me here. |
00:50:55 |
Shame we can't stay longer. |
00:50:58 |
He's fine. I figured out his code. |
00:51:01 |
He's crazy about trains. |
00:51:03 |
He used the passport I gave him |
00:51:06 |
You drugged me again, Roy. |
00:51:08 |
Yeah. |
00:51:10 |
You can't do that. |
00:51:13 |
Well, you weren't coping well. |
00:51:16 |
I'm not sure, if you were awake, |
00:51:21 |
What am I wearing? |
00:51:26 |
A bikini. We're in the tropics. |
00:51:29 |
How did I get in the bikini? |
00:51:35 |
June, I've been trained |
00:51:39 |
with nothing but a safety pin |
00:51:43 |
I think I can get you in and out |
00:51:47 |
Iooking. |
00:51:52 |
I'm not saying that's what I did, but... |
00:51:55 |
Okay. Sorry. Reflex. |
00:51:59 |
I deserved that. Hit me again. |
00:52:01 |
I won't stop you. |
00:52:05 |
June. |
00:52:09 |
June? |
00:52:12 |
June! |
00:52:15 |
...paper clips and Junior Mints... |
00:52:20 |
"Not that I'm saying that's what I did." |
00:52:25 |
Shit! |
00:52:32 |
Is this his phone? |
00:52:38 |
Movement alert. |
00:52:44 |
Amapola. |
00:52:47 |
That's a '67 Grand Prix. |
00:52:58 |
I thought we were off the grid. |
00:53:01 |
April. |
00:53:02 |
April? |
00:53:04 |
April! I know! No, I'm okay! |
00:53:09 |
April, can you hear me? April! |
00:53:13 |
April, can you... |
00:53:23 |
I know! No, I'm okay! |
00:53:26 |
April, can you hear me? April! |
00:53:30 |
We don't know, Antonio. |
00:53:31 |
We traced her phone to the Azores. |
00:53:37 |
Get to them before the agency. |
00:53:46 |
Perfect timing. Lunch is ready. |
00:53:51 |
You must be thirsty. |
00:53:57 |
It's coconut. It's loaded with electrolytes. |
00:54:03 |
Just... Whoa. Okay? |
00:54:10 |
Okay. Just... Whoa. |
00:54:12 |
Yeah? |
00:54:14 |
Yeah! |
00:54:16 |
Hey. You got skills. |
00:54:20 |
- My dad wanted boys. |
00:54:23 |
- Let me go. |
00:54:26 |
I'll show you. |
00:54:29 |
Hands like Houdini. |
00:54:31 |
Turn your palms down, |
00:54:33 |
and all at once, |
00:54:35 |
throw your hands to the ground |
00:54:42 |
Nice. |
00:54:44 |
That was good. |
00:55:02 |
Who are you? |
00:55:05 |
Really. |
00:55:21 |
I don't understand. |
00:55:25 |
Follow me. |
00:55:41 |
I don't understand. I came in clean. |
00:55:46 |
My phone is secure. It's secure. |
00:55:50 |
- And you didn't make a call. |
00:55:53 |
I took a call. |
00:55:57 |
You took a call? |
00:55:59 |
It was a quick one. |
00:56:00 |
You... |
00:56:04 |
Come on. |
00:56:06 |
I thought we were off the grid, |
00:56:07 |
- and then the phone rang. |
00:56:09 |
It was my sister and I had to take the call. |
00:56:10 |
- You know? I didn't want her to worry. |
00:56:17 |
No, no, no... |
00:56:19 |
I can't get into that. |
00:56:21 |
I can't get into that. |
00:56:24 |
- June. |
00:56:25 |
Just, please, knock me out. |
00:56:29 |
- It's okay. |
00:56:31 |
You asked me not to drug you. |
00:56:33 |
Okay, good. |
00:56:45 |
Hands like Houdini. Hands... |
00:57:10 |
Roy? |
00:57:18 |
- I can't feel my face! |
00:57:21 |
Okay, Simon... |
00:57:24 |
Roy, the pull on this thing... |
00:57:26 |
- We said 10 minutes. |
00:57:28 |
- It can pull up to 50,000 metric tons! |
00:57:33 |
It's a diesel hydraulic! |
00:57:34 |
Don't you wanna see your Zephyr? |
00:57:37 |
Yes. |
00:57:54 |
- Excuse me. |
00:57:56 |
Can you tell me where we are? |
00:57:57 |
Right now, miss? We are in Austria. |
00:57:59 |
Austria, huh? |
00:58:01 |
Would you like some breakfast, miss? |
00:58:04 |
Yeah, that would be great. Thanks. |
00:58:08 |
Okay, I'm gonna have some pancakes, |
00:58:10 |
scrambled eggs... |
00:58:11 |
- Scrambled eggs. |
00:58:13 |
With a glass of milk. |
00:58:14 |
And a glass of milk. |
00:58:15 |
- Can I get a Harvey Wallbanger, please? |
00:58:23 |
You know, statistically, you're a lot |
00:58:26 |
than any other form of transportation. |
00:58:31 |
1 0.3 times more likely |
00:58:35 |
Simon? |
00:58:39 |
Simon Feck? |
00:58:40 |
Yes. |
00:58:43 |
My name is June. |
00:58:47 |
Have you found him yet? |
00:58:49 |
No, not yet. |
00:58:51 |
- Don't you wanna answer that? |
00:58:54 |
But I can't. |
00:58:55 |
I'm not supposed to. |
00:58:57 |
It might be Roy. |
00:58:58 |
Yeah, but he told me not to answer the |
00:59:03 |
That's right. Of course. |
00:59:13 |
Did Roy happen to tell you |
00:59:16 |
Are we supposed to meet him here, or... |
00:59:19 |
What did you say that drink was? |
00:59:20 |
- A Harvey... |
00:59:23 |
Do you mind just |
00:59:25 |
Because it looks great. |
00:59:27 |
I'll just be right back. |
00:59:29 |
I'll be right back. |
00:59:31 |
Something is wrong. |
00:59:34 |
She didn't answer her phone. |
00:59:36 |
- I told her not to. That's... |
00:59:38 |
- That's good news. |
00:59:41 |
- I left a note posted right there. |
00:59:44 |
- The temperature... |
00:59:47 |
It's getting too hot. |
00:59:50 |
Yeah, she went to get something to eat. |
00:59:52 |
Good. Come on, Simon. |
01:00:19 |
- May I help you? |
01:00:22 |
I'm feeling a little bit train-sick. |
01:00:23 |
Is it okay if I hang out here for a while? |
01:00:24 |
Of course, I will get you some water. |
01:00:29 |
Here you go. |
01:00:39 |
Antonio Quintana wants to know |
01:00:41 |
where is the battery? |
01:00:53 |
Where is the battery? |
01:01:08 |
I'm sorry, I'm looking for ice. |
01:01:11 |
- Roy. |
01:01:12 |
Miller. |
01:01:13 |
- Wrong room. |
01:01:16 |
- You know him? |
01:01:18 |
He's an assassin, platinum grade. |
01:01:22 |
Oh, my God. |
01:01:23 |
- And to kill you. |
01:01:26 |
- Yeah, June, Simon. Simon, June. |
01:01:33 |
Jeez! I'm okay. I got this. |
01:01:44 |
Simon, please move. |
01:01:59 |
You have quite some balls, Fraulein. |
01:02:04 |
Hands like Houdini. |
01:02:14 |
I'm so sorry. |
01:02:18 |
But you were trying to kill me. |
01:02:33 |
That's disgusting. |
01:02:42 |
Oh, my God. Just die! |
01:02:48 |
Oh, shit. |
01:02:51 |
I got to get you guys someplace safe. |
01:03:03 |
- They're not on the train. |
01:03:06 |
Cameras at the last station show nothing. |
01:03:08 |
They must have gotten off |
01:03:10 |
Locals haven't found anything. |
01:03:42 |
Always the classics, Roy. |
01:03:58 |
Salzburg, Austria. very nice. |
01:04:15 |
Yes. |
01:04:19 |
No, we just got in. |
01:04:22 |
Well, we're talking now. No, I understand. |
01:04:26 |
Well, it's good to hear your voice, |
01:04:28 |
I'll meet you at the caprice. |
01:04:40 |
It's a beautiful city, huh? |
01:04:43 |
Yeah. |
01:04:45 |
Never seen anything quite like it. |
01:04:54 |
Neither have I. |
01:04:58 |
I got to go out for a bit. |
01:05:02 |
Okay. |
01:05:04 |
I was thinking about ordering |
01:05:08 |
And I thought maybe we could |
01:05:12 |
That sounds great. |
01:05:15 |
9:00? |
01:05:18 |
9:00 sounds great. |
01:05:23 |
June? |
01:05:26 |
Could you do me a favor |
01:05:30 |
Oh, yeah, of course. |
01:05:34 |
See you in a bit. |
01:05:40 |
They're not gonna hurt you. |
01:05:44 |
Now, just breathe, listen to your music. |
01:05:46 |
Here, as a matter of fact, |
01:05:49 |
I know you like them. |
01:05:50 |
Cool, thanks. |
01:05:52 |
Listen, order as much room service |
01:05:57 |
Okay. |
01:05:59 |
- We need to talk about the Zephyr later. |
01:07:29 |
You seem different. |
01:07:32 |
Do I? |
01:07:36 |
So, who's your companion? |
01:07:39 |
She's beautiful. The blonde. |
01:07:42 |
She seems capable. |
01:07:45 |
I just met her. |
01:07:47 |
She's a nobody. |
01:07:49 |
Just someone I picked up along the way. |
01:07:54 |
That's a shame. |
01:07:57 |
This is getting boring. |
01:08:03 |
Don't speak to me like that. |
01:08:07 |
I will speak to you any way I please, Tony. |
01:08:10 |
We both know you're lucky I'm here. |
01:08:15 |
I have the battery. I'm on a schedule. |
01:08:18 |
The world is full of bad guys |
01:08:26 |
I understand. |
01:08:28 |
What's your price? |
01:08:32 |
I have a figure in mind. |
01:08:34 |
What's it worth to you? |
01:08:36 |
Are you angry about your island, Roy? |
01:08:39 |
Tick, tick, tick, tick, tick, Tony. |
01:08:55 |
I'm Isabel George, Director |
01:09:00 |
I'm sure you are. |
01:09:03 |
Forgive me, I just... |
01:09:07 |
I just don't know exactly what to believe. |
01:09:12 |
Well, that's understandable, |
01:09:15 |
you've been fed a steady diet |
01:09:19 |
by an agent of ours |
01:09:22 |
Well, he said that Fitzgerald was the |
01:09:26 |
Well, let's examine the facts. |
01:09:28 |
Miller told you that he was protecting the |
01:09:33 |
But now he's trying to sell it |
01:09:36 |
Antonio Quintana. |
01:09:38 |
One of Europe's leading |
01:09:42 |
Ask yourself, Miss Havens, |
01:09:46 |
has Roy Miller said anything to you |
01:09:52 |
- God, excuse me. |
01:09:58 |
Sorry, I was looking at my phone. |
01:10:04 |
Oh, my God, I'm so sorry. |
01:10:08 |
- This is getting to be a habit. |
01:10:12 |
He used you as a mule to carry the battery |
01:10:17 |
He's been playing you. |
01:10:19 |
He's a spy, that's what he does. |
01:10:22 |
Any love, empathy, |
01:10:26 |
What did you imagine? |
01:10:27 |
The two of you would move |
01:10:31 |
You can't have a life with him. |
01:10:35 |
But you can have yours back. |
01:10:37 |
She's been gone eight minutes. |
01:10:38 |
We need you to get back to the hotel |
01:10:43 |
- What am I supposed to do? |
01:10:49 |
This pen is a transmitter. |
01:10:51 |
Once you have confirmation |
01:10:54 |
that it's somewhere nearby, |
01:10:58 |
you can confirm this |
01:11:11 |
I'm sorry I'm late. |
01:11:14 |
Everything go okay? |
01:11:18 |
Well enough. |
01:11:24 |
It's getting hotter. |
01:11:37 |
So, did you get your price? |
01:11:43 |
I followed you tonight. |
01:11:50 |
You have nothing to say? |
01:11:52 |
Here's to Wichita |
01:11:58 |
where we first... |
01:12:00 |
Bumped into each other. |
01:12:05 |
Do you think that was fate, Roy? |
01:12:09 |
I don't believe in fate. |
01:12:12 |
But I believe in luck. |
01:12:16 |
I don't know what to believe. |
01:12:30 |
That hurt more than I thought it would. |
01:12:38 |
I'm going home. |
01:12:50 |
They promised that if you turned |
01:12:57 |
I love your optimism. |
01:13:00 |
Never lose it. |
01:13:09 |
Get her out of here. |
01:13:26 |
He's not here, sir. |
01:13:29 |
Did they tell you you're going home? |
01:13:32 |
You've seen the inside |
01:13:34 |
You can't go home. |
01:13:36 |
The suspect is on the roof. |
01:13:42 |
Oh, shit. |
01:14:02 |
Director George! |
01:14:04 |
Get her in the car. |
01:14:56 |
He's heading toward the river. |
01:15:12 |
Stand down! He has the battery! |
01:15:23 |
Hey! Hey! Hold it! |
01:15:25 |
Hold your fire! |
01:15:26 |
Stand down! |
01:15:27 |
He has the battery! |
01:15:47 |
Did you secure the kid? |
01:15:50 |
Yeah. |
01:16:00 |
Did they find Roy? |
01:16:01 |
We'll find the body. We have to. |
01:16:04 |
He went down with the Zephyr. |
01:16:42 |
Thank you, guys. |
01:17:11 |
Fitz? |
01:17:12 |
Fitz, I think we just made a wrong turn. |
01:17:16 |
I think we're going south. |
01:17:18 |
You know what? You're right. |
01:17:29 |
Tell him we're back on track. |
01:17:31 |
I don't have the battery, |
01:17:34 |
Yeah, I've got the next best thing. |
01:17:36 |
I'll see you in Spain in two days. |
01:17:49 |
Hey, Wilmer. |
01:17:52 |
- How was the party? |
01:17:54 |
- I see the goat is still out there. |
01:17:57 |
I thought it was a wedding present. |
01:17:58 |
It was, but, |
01:18:02 |
I think I wanted her to want it |
01:18:05 |
Okay. |
01:18:07 |
...Boston's classic rock station. |
01:18:11 |
This just come in? |
01:18:12 |
G-body Grand Prix. |
01:18:16 |
Gonna be a real beaut. |
01:18:27 |
Ru-pa... Fee-pa... No, it's... |
01:18:31 |
5826 Amapola. |
01:18:36 |
That's like an hour from here. |
01:18:39 |
Maybe it's a safe-house. |
01:19:16 |
Here we go. |
01:20:10 |
Shit! |
01:20:14 |
Who's out there? |
01:20:17 |
Oh, Frank, look at her! |
01:20:19 |
I want to know what she's doing |
01:20:22 |
I... I have the pistons you ordered. |
01:20:23 |
Pistons? |
01:20:25 |
For the '67 Grand Prix. |
01:20:27 |
Molly, I didn't... |
01:20:29 |
You are all wet. Please, come inside. |
01:20:39 |
That Pontiac you have out there, Frank, |
01:20:43 |
I really love pre-'70s Grand Prixs. |
01:20:47 |
So, you two lived here long? |
01:20:50 |
This old place? |
01:20:54 |
Sit down, honey. Have a cookie. |
01:20:57 |
Frank thinks we should move, |
01:21:01 |
And we can afford to stay, |
01:21:07 |
You won Publishers Clearing House? |
01:21:09 |
- Twice. |
01:21:13 |
- Frank doesn't even remember buying. |
01:21:15 |
Oh, yeah, like you didn't order pistons |
01:21:19 |
You don't know what you're typing |
01:21:23 |
Another couple of minutes |
01:21:27 |
So, |
01:21:31 |
Roy Miller. |
01:21:34 |
This was one of his safe-houses, |
01:21:40 |
What in the hell are you talking about? |
01:21:43 |
Honey, what's this all about? |
01:21:48 |
I'm sorry, I just thought, maybe... |
01:21:51 |
I must've had this all wrong. |
01:21:53 |
I was just looking for some information |
01:21:59 |
If you'd like to change, |
01:22:14 |
That's our son, Matthew. |
01:22:16 |
We lost him in Kuwait. |
01:22:19 |
He saved the lives |
01:22:24 |
He just always took care of everyone. |
01:22:25 |
He was an Eagle Scout. |
01:22:27 |
This was taken the day |
01:22:31 |
He could swim clear across Lake Sunapee |
01:22:34 |
with practically one breath. |
01:22:38 |
I just... |
01:22:41 |
I've been terribly rude. |
01:22:44 |
I'm June Havens. |
01:22:46 |
Molly Knight. |
01:22:49 |
This is June Havens, and I'm leaving |
01:22:51 |
for whoever is listening to this phone call. |
01:22:54 |
I have the Zephyr. |
01:22:56 |
I have the Zephyr, |
01:23:01 |
I'm sitting on Route 28, |
01:23:06 |
And if you want the Zephyr, |
01:23:08 |
you better come and get it. |
01:23:45 |
Hey, fellas. |
01:23:52 |
So, |
01:23:54 |
you want the Zephyr? |
01:23:56 |
I got the Zephyr. It's right here. |
01:23:59 |
Come and get it. |
01:24:17 |
Come on. Let's go! |
01:24:21 |
Welcome to Espana. |
01:24:34 |
Today is the festival of San Fermin. |
01:24:39 |
Have you ever seen a bullfight, |
01:24:48 |
My name is Antonio Quintana. |
01:24:51 |
I know who you are. |
01:24:55 |
What did he give me? |
01:24:57 |
It's something we're developing |
01:25:00 |
A new kind of truth serum. |
01:25:02 |
Really? |
01:25:05 |
I have a few questions for you |
01:25:08 |
since we both know |
01:25:15 |
I don't like you very much. |
01:25:19 |
The truth! |
01:25:23 |
Good! |
01:25:27 |
You know, I really like Miller, though. |
01:25:30 |
'Cause, you know, I was totally wrong |
01:25:33 |
He wanted me to hear that phone call |
01:25:36 |
I'd turn him in, |
01:25:38 |
He was trying to protect me. |
01:25:40 |
Shut up. |
01:25:41 |
It's crazy that I could feel |
01:25:45 |
- Shut up. |
01:25:49 |
Shut up! Where is the battery? |
01:25:53 |
I bet you've never made a girl |
01:25:59 |
Don't test me, June. |
01:26:00 |
Or got her to her sister's wedding |
01:26:03 |
It's really the little things, honestly. |
01:26:05 |
- But they count so much. |
01:26:08 |
Okay! |
01:26:09 |
Miller is dead! |
01:26:13 |
No. |
01:26:14 |
No, he's not. He can hold his breath |
01:26:19 |
He is dead! |
01:26:57 |
I'm not gonna ask you again. But if |
01:27:03 |
- you're gonna die! |
01:27:06 |
Then why did you tell everyone |
01:27:07 |
Because I was trying to find Roy. |
01:27:12 |
Well, Antonio, whenever there's bad guys |
01:27:21 |
You're gonna die. |
01:27:34 |
Finally! |
01:27:37 |
Nice to meet you, John. |
01:27:40 |
Antonio. |
01:27:41 |
Too bad you couldn't get the battery. |
01:27:45 |
Where is the boy? |
01:27:50 |
You didn't think |
01:27:53 |
Come on. |
01:27:55 |
Why don't you follow me down |
01:27:58 |
Okay. |
01:28:32 |
Is this thatching in here? Because I've |
01:28:36 |
We have really old architecture |
01:28:40 |
You're really lucky, because this place is... |
01:28:42 |
Let me tell you. |
01:28:46 |
My thoughts are so clear. |
01:28:49 |
Is this all weapons money, |
01:28:53 |
Gardens! He likes gardens, huh? |
01:28:56 |
Do you guys ever do any gardening? |
01:28:58 |
It's really relaxing. |
01:29:01 |
This really is a happy place. |
01:29:05 |
Okay, Eduardo, |
01:29:07 |
You can just tell me |
01:29:09 |
- This way, blondie. |
01:29:13 |
I bet you're taking me someplace |
01:29:16 |
Someplace special. |
01:29:18 |
Antonio has a special place? |
01:29:20 |
Everyone should have a special place. |
01:29:31 |
- Luis? |
01:29:40 |
- Hi, Roy. |
01:29:44 |
- You're supposed to be dead. |
01:29:46 |
- You don't have to. |
01:29:48 |
- I just, you know, caught up with him. |
01:29:56 |
His name is Eduardo. Eduardo. |
01:30:01 |
I need you to listen, |
01:30:03 |
you're gonna call your boss |
01:30:05 |
that Roy Miller, that's me, |
01:30:08 |
- You have the battery? |
01:30:10 |
You tell him I'm coming for him. |
01:30:13 |
- Yes. |
01:30:15 |
Let's go. |
01:30:17 |
I'm worried about Simon. |
01:30:20 |
My tracker has been spotty. |
01:30:22 |
Life with you is so exciting. |
01:30:25 |
I took too long to get here. |
01:30:26 |
- 7:00. |
01:30:28 |
7:00. |
01:30:38 |
I think I feel like having sex. |
01:30:42 |
I think we'd have really great sex. |
01:30:45 |
Did they give you something? |
01:30:48 |
You should hydrate. |
01:30:51 |
Roy? |
01:30:58 |
Roy. |
01:31:04 |
Roy? |
01:31:06 |
June. |
01:31:13 |
June? |
01:31:16 |
You don't seem |
01:31:20 |
What? |
01:31:22 |
Not really. |
01:31:43 |
I am happy. |
01:31:53 |
- So the red dot is us? |
01:31:55 |
The red dot is Simon. |
01:31:57 |
Go! Go! Go! Go! Go! |
01:32:14 |
- Air time. |
01:32:35 |
He says his name is Roy Miller. |
01:32:44 |
Miller is here. |
01:32:49 |
There he is! |
01:32:50 |
There he is! |
01:32:53 |
This way. Follow me! |
01:33:07 |
Bulls? |
01:33:25 |
- There's Fitz! |
01:34:18 |
- Take the guns. |
01:34:22 |
Here. |
01:34:24 |
- What next? |
01:34:50 |
June Havens, you've got skills. |
01:34:55 |
Let's go! |
01:35:10 |
Go. |
01:35:35 |
- See you down there. |
01:35:37 |
No. |
01:35:43 |
Sorry. |
01:35:47 |
- Get up. |
01:35:58 |
Freeze right there, Roy! |
01:36:00 |
Hey, Simon. |
01:36:01 |
Get down on your knees, now! |
01:36:02 |
- Roy! |
01:36:05 |
Put them in the water. In the water. |
01:36:07 |
I just want the kid, Fitz. |
01:36:10 |
Okay. |
01:36:11 |
Well, I hope you brought what I want, |
01:36:14 |
And I swear to you, I'll do it. |
01:36:16 |
I believe you. Just like Wichita. |
01:36:20 |
- I understand. |
01:36:22 |
I'm just gonna get the battery. |
01:36:23 |
- It's right here. |
01:36:25 |
Please don't give it to him. No, no. |
01:36:27 |
Roy, Roy, please don't give it to him. |
01:36:29 |
Put it on the deck. |
01:36:31 |
- Roy, Roy, please don't give it to him! |
01:36:33 |
Simon, it's okay. |
01:36:34 |
Roy, don't give it to him! |
01:36:35 |
- Shut it! Stop it! Shut it! |
01:36:45 |
Okay. Okay, I'll make another one. |
01:36:47 |
- You don't understand. |
01:36:49 |
- I'll just make another one. |
01:37:09 |
Am I dying? |
01:37:12 |
No, you fainted. |
01:37:15 |
- I'm sorry. |
01:37:17 |
No, no. I've been trying to tell you... |
01:37:24 |
Why is it hot? |
01:37:26 |
Because it's filled with power. |
01:37:28 |
The battery... I messed up. |
01:37:31 |
I know. It's unstable. |
01:37:45 |
You're a smart guy, Simon. |
01:37:53 |
Oh, my glasses. Thank you. |
01:37:56 |
Roy, |
01:37:57 |
you're shot. |
01:38:01 |
Get help. |
01:38:11 |
Roy. |
01:38:17 |
You're beautiful, June Havens. |
01:38:32 |
Stay with me. Roy, look at me. |
01:38:36 |
Stay with me. |
01:38:41 |
We're here now, Miller. |
01:38:47 |
- Charge at 360. |
01:38:48 |
Clear! |
01:39:14 |
It's been a spectacular |
01:39:20 |
It's good to see you, Isabel. |
01:39:25 |
Hi, guys. |
01:39:28 |
You cleaned house, Roy. |
01:39:31 |
I have to thank you for that. |
01:39:35 |
I trusted the wrong man. |
01:39:37 |
It happens. |
01:39:41 |
Simon's happy. He's got a new lab. |
01:39:47 |
Where is June? |
01:39:49 |
I sent her home. |
01:39:54 |
She gets it. |
01:39:57 |
She knows you two lead different lives |
01:40:00 |
As should you. |
01:40:04 |
You gave up those things. |
01:40:06 |
You let go of who you were. |
01:40:11 |
Why are we still talking about this? |
01:40:14 |
Because the agency invested a lot in you. |
01:40:16 |
And you're an asset |
01:40:28 |
You look good. |
01:40:31 |
Get some rest. |
01:40:32 |
We got to transfer you to a secure facility |
01:41:04 |
Nurse? What... What did you give me? |
01:41:09 |
Brotine-zero. |
01:41:23 |
Stay under there, Roy. |
01:41:26 |
You're dead. |
01:41:30 |
Make way, please. |
01:41:32 |
Going to the mortuary. |
01:41:39 |
Don't worry, Roy. I got this. |
01:41:43 |
It's time for a vacation. |
01:41:49 |
Ride like the wind |
01:41:53 |
And I've got |
01:41:56 |
Such a long way to go |
01:42:44 |
Hey, there, sleepy head. |
01:42:49 |
What day is it? |
01:42:51 |
Someday. |
01:42:54 |
Someday, Roy. |
01:43:05 |
What am I wearing? |
01:43:09 |
A pair of shorts. |
01:43:12 |
How did I get into shorts? |
01:43:16 |
Roy, I've been trained to rebuild |
01:43:19 |
with nothing but a pair of pliers |
01:43:23 |
I think I can get you into a pair |
01:43:27 |
I'm not saying that's what I did. |
01:43:30 |
You're both the navigator and the DJ. |
01:43:33 |
And we have a long way to go |
01:43:37 |
With me, without me. With me, |
01:43:42 |
without me. |
01:43:45 |
With you. |
01:43:46 |
Put some tunes on the radio, Mr. DJ. |
01:43:49 |
Yes, ma'am. |
01:44:16 |
Oh, my God, Frank. |
01:44:18 |
What is this envelope |
01:44:20 |
What are you talking about? |
01:44:22 |
Did you order tickets to South America? |
01:44:24 |
Molly, I didn't order tickets to anywhere. |
01:44:27 |
You don't know what you're typing |
01:44:29 |
- Molly... |
01:44:31 |
- Molly... |