|
L important C est D aimer
|
| 00:00:23 |
Back up. |
| 00:00:33 |
Turn around. |
| 00:00:38 |
"The important thing is to love" |
| 00:00:53 |
Move in. |
| 00:01:03 |
Slowly... |
| 00:01:07 |
Go lower. |
| 00:01:11 |
Close in on her. |
| 00:01:13 |
Hold still Nadine! |
| 00:01:23 |
- Cut! |
| 00:01:27 |
Yeah yeah, that was a good one. |
| 00:01:28 |
So now the 3, the 5, the 6... |
| 00:01:33 |
OK, now with the camera in the middle. |
| 00:01:37 |
Now the camera to the other side... |
| 00:01:39 |
What are you doing here? |
| 00:01:41 |
Right, now you hold it. |
| 00:01:42 |
Easy, easy! |
| 00:01:44 |
You pull it, there. |
| 00:01:46 |
You go in front of the camera, there. |
| 00:01:50 |
That's good... |
| 00:01:52 |
You put your head... there! |
| 00:01:54 |
No, it's very important. |
| 00:01:56 |
He is almost death, but it's life. |
| 00:01:59 |
You hold his head and say |
| 00:02:01 |
"But I love you!" |
| 00:02:03 |
We'll just rehearse the close-up. |
| 00:02:05 |
Then you will kiss him, screw him. |
| 00:02:09 |
He'll keep his trousers on now... |
| 00:02:11 |
It'll be much easier |
| 00:02:13 |
Go ahead, tell him you love him. |
| 00:02:16 |
Come on, tell him. |
| 00:02:21 |
Say it! |
| 00:02:26 |
I... I love you. I love you. |
| 00:02:28 |
Again! |
| 00:02:32 |
I love you. |
| 00:02:35 |
Again! |
| 00:02:37 |
I love you. |
| 00:02:39 |
You feel him. It turns you on. |
| 00:02:42 |
That's when you say: "I love you!" |
| 00:02:44 |
Come on, try! Go on! |
| 00:02:47 |
Feel him and tell him "I love you..." |
| 00:02:49 |
Again. |
| 00:02:52 |
I love you. |
| 00:02:54 |
I cannot do it, it's... |
| 00:02:55 |
Yes you can! |
| 00:02:56 |
No, I cannot do that. |
| 00:02:57 |
...but it's too... |
| 00:02:59 |
You have a contract, |
| 00:03:03 |
- But... |
| 00:03:07 |
Feel him! |
| 00:03:12 |
Put life into it, you love him. |
| 00:03:15 |
More! |
| 00:03:19 |
More, come on! |
| 00:03:22 |
I love you. |
| 00:03:24 |
Again... |
| 00:03:42 |
No photos please. |
| 00:03:49 |
I'm an actress, I do good stuff. |
| 00:03:52 |
I only do this to... eat. |
| 00:03:56 |
Who's this guy? |
| 00:03:59 |
Cut! |
| 00:04:01 |
No photographs... |
| 00:04:04 |
Get off the set! |
| 00:04:06 |
No photos on the set! |
| 00:04:09 |
Confiscate the film! |
| 00:04:18 |
Give us the film. |
| 00:04:20 |
Make it quick! |
| 00:04:28 |
And the camera. |
| 00:05:21 |
What the hell are you doing? |
| 00:05:40 |
We said 10 o'clock! |
| 00:05:41 |
The kid was busy. |
| 00:05:42 |
Or getting too proud? |
| 00:05:44 |
Why say that? |
| 00:05:48 |
You know what you are? |
| 00:05:51 |
A nasty bitch! |
| 00:05:55 |
You exaggerate. |
| 00:05:58 |
Without us kid, |
| 00:06:03 |
what would've become of you? |
| 00:06:10 |
The receipt please. |
| 00:06:12 |
He not talk? |
| 00:06:17 |
He's a limey. |
| 00:06:19 |
With the 40 bucks |
| 00:06:25 |
Tell Mr. Mazelli, |
| 00:06:27 |
I fulfilled my contract. |
| 00:06:30 |
Do we get going? |
| 00:06:32 |
Does he have to finish his book? |
| 00:06:43 |
If it weren't for Mazelli... |
| 00:06:46 |
Yes I know. I'd be... |
| 00:06:48 |
there. |
| 00:07:16 |
Did I wake you? |
| 00:07:18 |
Yes, we were shooting the whole night. |
| 00:07:21 |
I am sorry. |
| 00:07:24 |
Do you remember me? |
| 00:07:39 |
I took some shots |
| 00:07:43 |
I sold them for |
| 00:07:46 |
I should take more. |
| 00:07:49 |
You should? |
| 00:07:51 |
Yes. To hit a cover... |
| 00:07:53 |
a very important magazine. |
| 00:07:56 |
Photos without yesterday's shit. |
| 00:07:59 |
I haven't hit a cover in a long time, |
| 00:08:05 |
That's a good reason. |
| 00:08:08 |
It's nice here, is it yours? |
| 00:08:10 |
A crazy old Austrian saw me |
| 00:08:15 |
As long as she's alive. |
| 00:08:18 |
It's great! |
| 00:08:22 |
A fantastic place to shoot photographs. |
| 00:08:36 |
It's time. |
| 00:08:38 |
Time? What time? |
| 00:08:40 |
No idea. |
| 00:08:42 |
That changes everything! |
| 00:08:56 |
Sorry to barge in like this but |
| 00:08:59 |
your telephone is out of order. |
| 00:09:01 |
No, it's been cut off. |
| 00:09:08 |
Coffee everyone? |
| 00:09:10 |
My husband makes very good coffee. |
| 00:09:15 |
Coffee? |
| 00:09:17 |
Coffee? |
| 00:09:50 |
I'm at your disposal, sir. |
| 00:09:52 |
No make-up? Won't you comb your hair? |
| 00:09:54 |
- Get prepared. |
| 00:09:57 |
Why? I have the face I have I'm 30. |
| 00:09:59 |
You don t like it? |
| 00:10:01 |
It's not that... |
| 00:10:03 |
I just want to hit a cover. |
| 00:10:05 |
To sell a cover, one needs... |
| 00:10:09 |
Ah, something more... |
| 00:10:10 |
catchy. |
| 00:10:13 |
Wait a minute. |
| 00:10:17 |
Like this? |
| 00:10:19 |
More? |
| 00:10:21 |
Like this? Some ass? |
| 00:10:26 |
That's it. Let's use the light. |
| 00:10:28 |
Come here, yes, lift your head. |
| 00:10:32 |
Tilt your head back... |
| 00:10:43 |
Hold it. Yes, that way. |
| 00:10:45 |
Give me more profile. |
| 00:10:49 |
Excellent... |
| 00:11:00 |
Jacques Chevalier. |
| 00:11:02 |
Servais Mont. |
| 00:11:03 |
Do you work for an agency? |
| 00:11:05 |
Several. I free-lance. |
| 00:11:08 |
I'm interested... |
| 00:11:10 |
Of agencies? |
| 00:11:11 |
Photos... Louise Brooks, Baclanova. |
| 00:11:14 |
Marilyn, Marlene Dietrich... |
| 00:11:25 |
Excuse me. |
| 00:11:29 |
Vitruve, the architect, |
| 00:11:35 |
from chin to cranium, |
| 00:11:39 |
the width of the shoulders |
| 00:11:43 |
and from the nipples to the head, |
| 00:11:46 |
1/4 of a woman. |
| 00:11:49 |
Leonardo da Vinci. |
| 00:11:50 |
Be gentle with my wife, she's pregnant. |
| 00:11:54 |
He says any old thing. |
| 00:11:55 |
What was your last film? |
| 00:11:57 |
In Italy... nothing good |
| 00:11:59 |
I don't agree. |
| 00:12:02 |
What was the name? |
| 00:12:03 |
It was first called |
| 00:12:06 |
"Nymphocula" which is a lot better. |
| 00:12:10 |
Tell me... |
| 00:12:12 |
I dreamt |
| 00:12:15 |
A nasty death! |
| 00:12:16 |
Stop it Jack, we have to work. |
| 00:12:18 |
Work, go ahead. |
| 00:12:21 |
Anyway, |
| 00:12:24 |
having coffee |
| 00:12:27 |
in my bath is a must. |
| 00:12:41 |
What's the matter? |
| 00:12:51 |
Nothing. |
| 00:13:03 |
Let's stop if you want. |
| 00:13:12 |
Do you have the photos you wanted? |
| 00:13:19 |
If I ask to see you again, |
| 00:13:25 |
Immediately. |
| 00:13:31 |
When? |
| 00:13:37 |
Tomorrow St Germain at 4? |
| 00:13:41 |
Here at 3. |
| 00:13:45 |
Okay? |
| 00:13:59 |
It's you? |
| 00:14:00 |
My elevator is out of order for 10 days. |
| 00:14:05 |
Seven flights was nothing |
| 00:14:09 |
So you want to stay? |
| 00:14:10 |
I don't want to be in your way! |
| 00:14:15 |
Just say a word and... |
| 00:14:17 |
I'll climb my 7 flights! |
| 00:14:20 |
Drop it. |
| 00:14:22 |
I'm really tired today. |
| 00:14:24 |
I had a call from Mr. Mazelli. |
| 00:14:35 |
So it's Mazelli, not your elevator. |
| 00:14:37 |
You see, you get mad already. |
| 00:14:39 |
He just talked to me. He's hurt. |
| 00:14:42 |
He's got reasons. |
| 00:14:45 |
I paid him back, didn't I? |
| 00:14:50 |
Mr. Mazelli can leave me alone. |
| 00:14:53 |
Money's not everything. |
| 00:14:56 |
You prefer to see me work in shit |
| 00:14:58 |
as long as Mazelli buys you drinks. |
| 00:15:01 |
Is that what you want? |
| 00:15:03 |
I have no lessons to take from you! |
| 00:15:09 |
Me neither! |
| 00:15:17 |
Take the couch. |
| 00:15:18 |
There are sheets in the closet. |
| 00:15:21 |
I have to unpack my shirts. |
| 00:15:30 |
I don't owe you anything anymore. |
| 00:15:37 |
I m saying... |
| 00:15:41 |
Shit! |
| 00:15:44 |
You're here? |
| 00:15:46 |
Yes. |
| 00:15:47 |
No, I'm not here anymore. |
| 00:15:49 |
I'm leaving. |
| 00:15:51 |
Good night. |
| 00:15:52 |
Just slam the door when you leave. |
| 00:16:49 |
I met a girl. |
| 00:16:52 |
She works next door. |
| 00:16:55 |
at Wimpy's. |
| 00:16:58 |
She makes french fries. |
| 00:16:59 |
She's a negro, well... she's a mix. |
| 00:17:03 |
She's nice. |
| 00:17:05 |
She has a little boy. |
| 00:17:07 |
The father left. |
| 00:17:11 |
The kid's name is Gerard, like me. |
| 00:17:20 |
Well? |
| 00:17:24 |
What was your part? |
| 00:17:26 |
3 days. |
| 00:17:30 |
I'm bitter. |
| 00:17:32 |
It must be my age. |
| 00:17:34 |
A wild guess: |
| 00:17:37 |
I'm 30. |
| 00:17:39 |
It's the second time you told me. |
| 00:17:42 |
The photos didn't turn out because |
| 00:17:45 |
you're much more beautiful. |
| 00:17:49 |
Really. |
| 00:18:00 |
I've made myself up, |
| 00:18:05 |
I've dusted the room |
| 00:18:11 |
and my husband is at the movies. |
| 00:18:16 |
That's it. |
| 00:18:21 |
Since we're here, |
| 00:18:25 |
Traditionally? |
| 00:18:26 |
Aren't you going to bring out |
| 00:18:30 |
Tell me where the bar is, |
| 00:18:34 |
Why? You're not comfortable? |
| 00:18:37 |
Yes I'm fine. |
| 00:18:40 |
I don't have much time |
| 00:18:45 |
We're here for what? |
| 00:18:47 |
To be together, isn't it? |
| 00:18:52 |
So? |
| 00:18:54 |
Now you're wondering |
| 00:18:57 |
Yes, and... |
| 00:18:59 |
you're not making things easy. |
| 00:19:03 |
On the contrary. |
| 00:19:05 |
Isn't it now you drag me to bed? |
| 00:19:07 |
Yes. |
| 00:19:09 |
More or less. |
| 00:19:12 |
It's rather less than more, right? |
| 00:19:16 |
You're used |
| 00:19:21 |
You too. |
| 00:19:27 |
You've been married long? |
| 00:19:30 |
6 years. |
| 00:19:31 |
What does he do? |
| 00:19:33 |
You really want me to talk about him? |
| 00:19:39 |
No, but it's better |
| 00:19:42 |
while thinking about him, isn't it? |
| 00:19:47 |
I wonder. |
| 00:19:52 |
Well, what do we do? |
| 00:19:57 |
I wouldn't know. |
| 00:19:59 |
If we don't make love |
| 00:20:02 |
we have to do something, right? |
| 00:20:06 |
Such as? |
| 00:20:09 |
Talk. |
| 00:20:19 |
About what? |
| 00:20:23 |
About ourselves. |
| 00:20:26 |
And you think it'll help us? |
| 00:20:33 |
How? |
| 00:20:36 |
To be together |
| 00:20:39 |
since we're here for that. |
| 00:20:47 |
You start. |
| 00:20:52 |
Well. |
| 00:20:56 |
I can talk |
| 00:21:03 |
about myself. |
| 00:21:08 |
Shall I talk about |
| 00:21:14 |
Are you really interested? |
| 00:21:20 |
You see! |
| 00:21:27 |
Too bad! |
| 00:21:44 |
You know what time it is? |
| 00:21:46 |
I'm sorry but I must see Nadine. |
| 00:21:51 |
- You're mad, it's 5 a.m. |
| 00:21:53 |
- Call her tomorrow. She's asleep. |
| 00:22:11 |
Get out. |
| 00:22:16 |
Get out! |
| 00:23:09 |
How's life? |
| 00:23:11 |
Life's shit. |
| 00:23:15 |
Kind of early, right? |
| 00:23:17 |
It's 8 o'clock. |
| 00:23:20 |
Then you did right. |
| 00:23:23 |
I usually wake up around noon. |
| 00:23:31 |
I don't feel great! |
| 00:23:34 |
It's 8 a.m., not p.m. |
| 00:23:37 |
Is Luce sick? |
| 00:23:38 |
It's not about her. |
| 00:23:46 |
Another woman? |
| 00:23:55 |
And you come to me? |
| 00:23:58 |
You're the only person I can talk to. |
| 00:24:03 |
Silly, isn't it? |
| 00:24:09 |
Not at all. |
| 00:24:11 |
It's even very interesting. |
| 00:24:14 |
Is she an intellectual, a nerd? |
| 00:24:18 |
No. An actress. |
| 00:24:27 |
If she's an actress, |
| 00:24:34 |
you've done the right thing. |
| 00:24:38 |
And I should help you betray my wife? |
| 00:24:42 |
I never loved your wife. |
| 00:24:43 |
That's not my fault. |
| 00:24:46 |
Shit, everything's my fault! |
| 00:24:49 |
Okay, let's not be fussy. |
| 00:24:54 |
Where's the problem |
| 00:24:56 |
The problem? Shit... |
| 00:24:58 |
I wake you up at 8, act like a jerk, |
| 00:25:01 |
where's the problem? |
| 00:25:02 |
I don't know how, |
| 00:25:08 |
What have I got to do with it? |
| 00:25:14 |
It's because |
| 00:25:17 |
We're in the Western world, |
| 00:25:22 |
How much do you love her? |
| 00:25:24 |
What? |
| 00:25:26 |
When l was small, a century ago, |
| 00:25:29 |
my mother used to say: |
| 00:25:32 |
"You love Mom a lot?" |
| 00:25:33 |
I'd answer: "Oh I love Mom a lot." |
| 00:25:37 |
But that wasn't enough for her. |
| 00:25:40 |
So she'd ask: |
| 00:25:43 |
"10 cents... 20 cents?" |
| 00:25:46 |
Now, I am asking you: |
| 00:25:48 |
- I don't get you. |
| 00:25:50 |
or don't you? |
| 00:25:51 |
And it's not for free. |
| 00:25:52 |
That's the way |
| 00:25:56 |
I've got a solution for you. |
| 00:26:00 |
I know a sick guy |
| 00:26:04 |
and he's broke. |
| 00:26:07 |
A play, get it? |
| 00:26:10 |
Theatre! |
| 00:26:14 |
The Curtain! |
| 00:26:15 |
"O despair! O cursed race!" |
| 00:26:18 |
So? |
| 00:26:20 |
You buy it? |
| 00:26:21 |
Are you still drunk or mad? |
| 00:26:23 |
She's an actress, right? |
| 00:26:26 |
Actors have to act. |
| 00:26:29 |
Since you |
| 00:26:33 |
I'll call the guy for an appointment. |
| 00:26:36 |
You're not taking me for a ride? |
| 00:26:38 |
I'm not sure |
| 00:26:52 |
Excuse me. |
| 00:26:55 |
It's beautiful. |
| 00:26:56 |
Lapade didn't tell you? |
| 00:26:58 |
Ah yes, he did. Karl Heinz Zimmer. |
| 00:27:01 |
May I dry my hair while listening? |
| 00:27:06 |
- You're an actor, right? |
| 00:27:08 |
Too bad. |
| 00:27:11 |
It's about an actress... |
| 00:27:14 |
her name is Nadine Chevalier. |
| 00:27:16 |
Isn't she beautiful? |
| 00:27:17 |
Yes, very. |
| 00:27:19 |
I brought photographs of her. |
| 00:27:23 |
Superb! |
| 00:27:25 |
Beautiful! |
| 00:27:27 |
Lapade told me... |
| 00:27:29 |
He will soon die like my brother. |
| 00:27:32 |
You know what he died of? |
| 00:27:34 |
Of disgust. |
| 00:27:37 |
People have problems. |
| 00:27:40 |
I know. |
| 00:27:41 |
He knows. |
| 00:27:43 |
I invested in the play. |
| 00:27:45 |
The director got a city subvention. |
| 00:27:48 |
What do you want. You see... |
| 00:27:50 |
we are reduced to |
| 00:27:51 |
the exigencies of cinema. |
| 00:27:53 |
No stars, no money. |
| 00:27:55 |
And the little fame I had in Germany |
| 00:27:57 |
didn't follow me here. |
| 00:28:00 |
Karl Heinz Zimmer! |
| 00:28:03 |
Does my name mean anything to you? Shit! |
| 00:28:07 |
You brute. |
| 00:28:13 |
Isn't he a shit? |
| 00:28:16 |
You'll have to talk |
| 00:28:21 |
I'm only an actor. |
| 00:28:24 |
Where can I see him? |
| 00:28:26 |
Why, right here! |
| 00:28:29 |
He moved here. |
| 00:28:33 |
It's not a question of ambition, |
| 00:28:36 |
it's the mechanism of power. |
| 00:28:39 |
Shakespeare's |
| 00:28:43 |
But his plays |
| 00:28:46 |
Is there a part for Nadine Chevalier? |
| 00:28:51 |
The only important part |
| 00:28:56 |
Lady Ann, |
| 00:29:03 |
Is she skilled? |
| 00:29:04 |
What does that mean? |
| 00:29:05 |
Well, has she played anywhere? |
| 00:29:09 |
Is she classical? |
| 00:29:11 |
She was in a film named Nymphocula. |
| 00:29:14 |
Nymphocula? |
| 00:29:15 |
But of course, |
| 00:29:19 |
That was a Pontini. |
| 00:29:21 |
Superb! |
| 00:29:22 |
How was she? |
| 00:29:23 |
She was good... I mean great. |
| 00:29:27 |
That changes everything. |
| 00:29:31 |
Except for the financial problem. |
| 00:29:33 |
- How much is missing? |
| 00:29:38 |
What's the production cost? |
| 00:29:40 |
Including us? $100,000. |
| 00:29:46 |
Okay, but on one condition: |
| 00:29:49 |
She must never know |
| 00:29:53 |
Is that clear? |
| 00:29:59 |
Don't judge him now, |
| 00:30:04 |
Ask in Paris. He's the best. |
| 00:30:15 |
Here you are, my boy! |
| 00:30:20 |
How goes? |
| 00:30:21 |
I've been looking for you everywhere. |
| 00:30:24 |
My boy! |
| 00:30:26 |
We'll take care of that problem! |
| 00:30:29 |
Hector called. |
| 00:30:31 |
He says you've turned proud. |
| 00:30:35 |
When he says proud, |
| 00:30:38 |
I said: "No Hector, |
| 00:30:42 |
he's a nice kid, |
| 00:30:47 |
You need me? |
| 00:30:48 |
A little party at my place on the 31th. |
| 00:30:51 |
A few important friends. |
| 00:30:54 |
Okay, I need money. |
| 00:30:59 |
All l want is to be generous. |
| 00:31:02 |
No problem, boy. |
| 00:31:04 |
The girls can't come before Friday. |
| 00:31:06 |
I said Wednesday. |
| 00:31:08 |
They're stuck in Munich. Customs. |
| 00:31:11 |
Serious? |
| 00:31:12 |
Kiss the kid and take off. |
| 00:31:18 |
You've lost weight, you don't eat. |
| 00:31:21 |
I eat. |
| 00:31:23 |
Come to eat when you want. |
| 00:31:26 |
Okay. |
| 00:31:31 |
You won't come. |
| 00:31:35 |
How much? |
| 00:31:38 |
$20,000. |
| 00:31:39 |
That's a lot of dough. |
| 00:31:43 |
I'm sick. |
| 00:31:44 |
You'll have to work well, |
| 00:31:47 |
not like before. |
| 00:31:49 |
Money is expensive nowadays, |
| 00:31:52 |
you'll have to take more risks |
| 00:31:54 |
You'll have to put your 'pride' aside. |
| 00:31:59 |
You accept? |
| 00:32:00 |
Don't bug me. |
| 00:32:04 |
By the way, your dad |
| 00:32:07 |
cheated me out of... |
| 00:32:09 |
Does he know you saved his life? |
| 00:32:14 |
Let's open a new account. |
| 00:32:16 |
- How much did you say? |
| 00:32:19 |
Alright, for $20,000. |
| 00:32:21 |
And your dad, how is he? |
| 00:32:29 |
"...and her father, |
| 00:32:33 |
"As for another |
| 00:32:36 |
"which I must reach unto. |
| 00:32:41 |
"Clarence still breathes. |
| 00:32:45 |
"When they are gone, |
| 00:32:53 |
"Set down, |
| 00:32:56 |
"set down your honourable load, |
| 00:33:00 |
"If honour may be... |
| 00:33:04 |
"shrouded in a hearse, |
| 00:33:10 |
"poor key-cold figure |
| 00:33:14 |
"of a holy king! |
| 00:33:16 |
"Thou bloodiest remnant |
| 00:33:22 |
"Be it lawful |
| 00:33:26 |
Just a minute! Excuse me! |
| 00:33:29 |
Would you mind, darling children, |
| 00:33:32 |
if I said we're going |
| 00:33:34 |
I say that |
| 00:33:37 |
What we'll do will be good. |
| 00:33:40 |
We'll be |
| 00:33:43 |
One day we'll face the audience. |
| 00:33:46 |
The audience! |
| 00:33:47 |
And we'll say: we worked for them. |
| 00:33:51 |
We'll ask ourselves: |
| 00:33:55 |
Will they like us? |
| 00:33:58 |
I want to warn you as of now... |
| 00:34:02 |
Don't give them |
| 00:34:06 |
Don go to them, you'll get lost. |
| 00:34:11 |
I expect you to be never, never |
| 00:34:17 |
satisfied with yourselves. |
| 00:34:22 |
Reach for the most demanding depth |
| 00:34:25 |
you can find in yourselves. |
| 00:34:29 |
You will then have a chance |
| 00:34:32 |
to be accepted. |
| 00:34:35 |
Let's continue. |
| 00:34:47 |
"More direful hap |
| 00:34:51 |
"That makes us |
| 00:34:54 |
"Than l can wish to adders, |
| 00:35:00 |
"spiders, toads, or any creeping |
| 00:35:06 |
"If ever he have child, |
| 00:35:10 |
"abortive be it. Prodigious, |
| 00:35:14 |
"and untimely brought to light |
| 00:35:16 |
"Whose ugly and unnatural aspect |
| 00:35:26 |
"If ever he have wife, |
| 00:35:32 |
"let her be made |
| 00:35:42 |
"As miserable |
| 00:35:54 |
I can't... |
| 00:36:02 |
Stay here! I'll go. |
| 00:36:08 |
Keep calm. |
| 00:36:10 |
Gentlemen, please! |
| 00:36:19 |
Let's take scene III. |
| 00:36:21 |
Calm down! |
| 00:36:23 |
It's happened to all of us. |
| 00:36:26 |
He wasn't talking about you. |
| 00:36:27 |
We're all puppets |
| 00:36:32 |
What do you think we're all here for? |
| 00:36:34 |
All waiting for the good break. |
| 00:36:38 |
Come now! |
| 00:36:43 |
I'm washed up! |
| 00:36:46 |
Do you understand? |
| 00:36:48 |
No, I don't. |
| 00:36:51 |
I feel old... I'm tired. |
| 00:36:55 |
No one tried harder. |
| 00:37:03 |
No one tried to give more... |
| 00:37:12 |
That's all I can do for you. |
| 00:37:17 |
I'm not joking. |
| 00:37:21 |
I don't choose. |
| 00:37:24 |
I don't try to understand. |
| 00:37:27 |
I don't follow any direction. |
| 00:37:30 |
I accept myself. |
| 00:37:32 |
Look at yourself. You're beautiful. |
| 00:37:35 |
I'd give anything to be like you. |
| 00:37:38 |
Understand? |
| 00:37:45 |
Come. |
| 00:37:54 |
Come on... |
| 00:39:00 |
The fat one on the right. |
| 00:39:04 |
See her? Go ahead. |
| 00:39:06 |
Now the old one with the two guys. |
| 00:39:10 |
Wait, wait... it's coming. |
| 00:39:27 |
Look at the brunette |
| 00:39:31 |
Make sure you get her! |
| 00:39:34 |
- Don't get upset. |
| 00:39:38 |
Calm down, |
| 00:39:41 |
Can't help it. It makes me sick. |
| 00:39:45 |
It's dough... but it's disgusting. |
| 00:39:49 |
Oh, look at that bitch. |
| 00:41:15 |
Is the music keeping you awake? |
| 00:41:18 |
I'm out of sleeping pills. |
| 00:41:20 |
I have to go near my place, |
| 00:41:24 |
There's some chicken in the fridge. |
| 00:41:28 |
I'm not hungry at all. |
| 00:41:31 |
I'm glad it's okay with Mazelli. |
| 00:41:35 |
One never has too many friends. |
| 00:41:39 |
What happened with your Wimpy girl? |
| 00:41:43 |
Down the drain. |
| 00:41:46 |
She's with the cook. A fat Italian. |
| 00:41:50 |
I take her kid out sometimes. |
| 00:41:52 |
I took him to the park |
| 00:41:58 |
He's in love with a bitch his age. |
| 00:42:03 |
She refuses to play with him. |
| 00:42:05 |
He just stares at her like an idiot. |
| 00:42:09 |
He's miserable and he's 5 ears old. |
| 00:42:13 |
You know |
| 00:42:15 |
with your mother... |
| 00:42:20 |
To hell with her! |
| 00:42:27 |
Sorry. |
| 00:42:30 |
At the start, |
| 00:42:34 |
before you were born, |
| 00:42:37 |
we were happy... it didn't last. |
| 00:42:43 |
She was beautiful. |
| 00:42:46 |
Time fucked up everything. |
| 00:42:49 |
It's when |
| 00:42:55 |
Time goes fast... |
| 00:42:59 |
Don't become an old schmuck like me. |
| 00:43:03 |
"Sweet saint, |
| 00:43:10 |
"Fare devil, for God's sake. |
| 00:43:15 |
"Get out of here, |
| 00:43:18 |
and trouble us not. |
| 00:43:21 |
"For thou hast made |
| 00:43:25 |
"Filled with |
| 00:43:29 |
"If thou delight |
| 00:43:32 |
"Behold this pattern of thy butcheries. |
| 00:43:37 |
- "Oh gentlemen, see, see!" |
| 00:43:41 |
Excuse me. |
| 00:43:49 |
Would you mind stepping into the coffin? |
| 00:43:52 |
It would help your wife in this scene. |
| 00:44:15 |
Well, what are you |
| 00:44:25 |
"Thou lump of foul deformity, |
| 00:44:29 |
"For 'tis thy presence |
| 00:44:31 |
"that exhales this blood |
| 00:44:52 |
"Oh God, who this blood mad'st, |
| 00:44:57 |
"Lady, you know no rules of mercy, |
| 00:45:01 |
"Blessings for curses. |
| 00:45:02 |
"Villain, thou knowest no law, |
| 00:45:06 |
"Fouler than heart can thin thee, |
| 00:45:26 |
Very good! |
| 00:45:28 |
But mind you, |
| 00:45:31 |
you don't carry it enough. |
| 00:45:34 |
Oh shit, what more do you need? |
| 00:45:36 |
But there will be men |
| 00:45:41 |
They'll be using a blow-torch. |
| 00:45:44 |
A what? |
| 00:45:45 |
A blow-torch. |
| 00:45:46 |
He's sick. |
| 00:45:48 |
I'm working for a sick man. |
| 00:45:50 |
Let's continue. |
| 00:45:52 |
I need to recuperate! |
| 00:45:54 |
I'm recuperating! |
| 00:45:55 |
Take 5 minutes. |
| 00:46:01 |
I have to go now. |
| 00:46:03 |
I was good no? |
| 00:46:09 |
I said: 5 minutes. |
| 00:46:12 |
Go to hell. |
| 00:46:19 |
The ghost has returned. |
| 00:46:23 |
This time I'll talk to him. |
| 00:46:39 |
Hello mister, did you like it? |
| 00:46:50 |
It's you, every day? |
| 00:46:52 |
Yes, I'm a friend |
| 00:46:58 |
I see... |
| 00:47:01 |
another army buddy. |
| 00:47:06 |
So, you came for him? |
| 00:47:09 |
Yes. Well, no... it's... |
| 00:47:12 |
It's what? |
| 00:47:26 |
I'm cold. |
| 00:47:46 |
In all my plays, |
| 00:47:47 |
there was a ghost. |
| 00:47:50 |
A man who sits in the last row, |
| 00:47:53 |
who watches... |
| 00:47:56 |
And no one knows why he's there. |
| 00:48:00 |
This time I know the ghost. |
| 00:48:06 |
Do you like theatre? |
| 00:48:20 |
Listen to me. |
| 00:48:22 |
I'm neither a victim nor a prisoner. |
| 00:48:27 |
My life is what it is, |
| 00:48:29 |
even if you don't think it's a success. |
| 00:48:32 |
About the ghost in my last play, |
| 00:48:36 |
6 years ago. |
| 00:48:37 |
I married him and I love him. |
| 00:48:59 |
Look, here's our 5 a.m. door breaker. |
| 00:49:12 |
You read "Le Figaro", right? |
| 00:49:14 |
It's the only paper |
| 00:49:18 |
He's a friend of Messala's. |
| 00:49:21 |
A friend of Messala's, |
| 00:49:25 |
it's obvious... |
| 00:49:28 |
just look at him. |
| 00:49:31 |
Look at what I found... |
| 00:49:34 |
A South American record. |
| 00:49:35 |
Georgio Cassati... fantastic! |
| 00:49:42 |
I have to go. |
| 00:49:43 |
Nice, isn't it? |
| 00:49:46 |
Tell me, |
| 00:49:48 |
why don't you come and eat at our place. |
| 00:49:52 |
No thank you. |
| 00:49:53 |
But I'm doing the cooking. |
| 00:49:55 |
Wait, Nadine... |
| 00:49:57 |
Come here. |
| 00:50:01 |
Tell him to come. |
| 00:50:06 |
He's right. |
| 00:50:09 |
Come tomorrow evening, please. |
| 00:50:16 |
Why not? |
| 00:50:51 |
Fuck me. |
| 00:50:54 |
Fuck me, fuck me, fuck me! |
| 00:51:06 |
Please. |
| 00:51:08 |
You're nuts, I haven't taken the pill. |
| 00:51:18 |
Love me. |
| 00:51:23 |
What's the matter? |
| 00:51:27 |
We've eaten cat food, |
| 00:51:31 |
and it hasn't agreed with us. |
| 00:51:34 |
I read on the can |
| 00:51:38 |
What's that? |
| 00:51:40 |
2 old bats... |
| 00:51:42 |
They're going to croak soon. |
| 00:51:47 |
They snore all night |
| 00:51:48 |
and stare all day. |
| 00:51:50 |
How can I sleep under such conditions? |
| 00:51:54 |
Could you |
| 00:51:58 |
That's nice of you. |
| 00:52:02 |
Can you walk? |
| 00:52:03 |
Yes, I'm alright |
| 00:52:05 |
Solitude is the food of the soul. |
| 00:52:08 |
How are things with your stage girl? |
| 00:52:14 |
We're together. |
| 00:52:19 |
I really missed everything. |
| 00:52:23 |
Luce will never forgive me. |
| 00:52:27 |
Delirium tremens. |
| 00:52:31 |
His liver is enormous. |
| 00:52:33 |
He must have known how it would end. |
| 00:52:37 |
I came as soon as you called. |
| 00:52:41 |
Can l see him? |
| 00:52:43 |
He's just out of coma. |
| 00:52:58 |
I've had it! |
| 00:53:03 |
Parasites end up together. |
| 00:53:07 |
Look at that. |
| 00:53:10 |
I don't want the hospital. |
| 00:53:12 |
They give you shit to eat. |
| 00:53:15 |
Tell them! |
| 00:53:18 |
You're not sorry for me. |
| 00:53:22 |
You're perfectly right. |
| 00:53:25 |
People have no more destiny |
| 00:53:29 |
And they have no morals |
| 00:53:33 |
And my best time was this! |
| 00:53:42 |
And you... |
| 00:53:45 |
you don't exist. |
| 00:53:47 |
You think you're the king of the earth. |
| 00:53:50 |
but you're nothing |
| 00:53:59 |
You'll take care of Doriot? |
| 00:54:04 |
Yes, don't worry. |
| 00:54:06 |
I could've left her with Luce, |
| 00:54:10 |
but I don't want my 2 wives together. |
| 00:54:16 |
And since you got the first one, |
| 00:54:21 |
I can croak in peace. |
| 00:54:28 |
It's long. |
| 00:54:33 |
I hate to tell you this, |
| 00:54:38 |
but I think I'm gonna barf. |
| 00:54:43 |
Be careful, |
| 00:54:45 |
We started a film magazine last year. |
| 00:54:47 |
Just four issues, but they were good. |
| 00:54:50 |
Then, I was switchboard operator |
| 00:54:54 |
I studied medicine before |
| 00:54:58 |
who's an ambulance driver. |
| 00:55:01 |
I met Nadine and took care of her. |
| 00:55:05 |
Actresses |
| 00:55:10 |
She was |
| 00:55:14 |
You know... drugs and the rest. |
| 00:55:17 |
And then, Zorro came to the rescue. |
| 00:55:25 |
You see. |
| 00:55:27 |
She was sure you wouldn't come. |
| 00:55:31 |
Clear the table for dinner. |
| 00:55:33 |
What is this... America? |
| 00:55:36 |
Let's finish our exchanging session. |
| 00:55:38 |
Servais Mont, this is Roger Beninge. |
| 00:55:42 |
Raymond Manuel Rosenthal. |
| 00:55:44 |
He's dreaming. |
| 00:55:48 |
against lousy re-prints. |
| 00:55:51 |
You call these re-prints. |
| 00:55:53 |
They're crap! |
| 00:55:55 |
That's a re-print? |
| 00:55:59 |
Look closer. |
| 00:56:01 |
Be careful |
| 00:56:06 |
This is Miriam Hopkins. |
| 00:56:09 |
In what film? |
| 00:56:12 |
Who with? |
| 00:56:13 |
With... Bing Crosby. |
| 00:56:16 |
And Kitty Carlisle. |
| 00:56:20 |
OK, I got it... |
| 00:56:23 |
It'll cost a lot, right? |
| 00:56:27 |
Yvonne de Carlo? |
| 00:56:29 |
All of them? |
| 00:56:31 |
What did you think? |
| 00:56:33 |
Seen anything more beautiful? |
| 00:56:36 |
It's beautiful, isn't it? |
| 00:56:41 |
Beautiful... sepia print. |
| 00:56:44 |
This goes directly into the safe. |
| 00:56:47 |
He's the only one |
| 00:56:52 |
Bastard. All Yvonne de Carlo. |
| 00:56:56 |
Salome is enough for him... |
| 00:57:03 |
Forgive me Yvonne. |
| 00:57:05 |
Shit, the food is burning! |
| 00:57:08 |
Do you remember? |
| 00:57:09 |
- What? |
| 00:57:12 |
A tiny room |
| 00:57:15 |
Everything was tiny. |
| 00:57:17 |
The bed was so narrow, |
| 00:57:21 |
Now we have a large one |
| 00:57:25 |
That's marriage. |
| 00:57:27 |
Right, darling? |
| 00:57:29 |
Fritzy has her little habits now. |
| 00:57:32 |
Don't you find her provincial? |
| 00:57:36 |
You don't know her |
| 00:57:38 |
Help yourselves. |
| 00:57:40 |
Take some of this. |
| 00:57:43 |
- I don't feel like it. |
| 00:57:45 |
No wonder your |
| 00:57:55 |
When I met her it was 3 packs a day. |
| 00:57:59 |
Nicotine was coming out her ears. |
| 00:58:02 |
But then Zorro came |
| 00:58:11 |
Do you think Messala wants to lay her? |
| 00:58:15 |
Who? |
| 00:58:16 |
Nadine. |
| 00:58:19 |
He had all his actors... |
| 00:58:21 |
Suddenly he fires the girl for Nadine. |
| 00:58:24 |
Don't you think that's strange? |
| 00:58:26 |
He's gay. |
| 00:58:28 |
So what? I'm gay too |
| 00:58:31 |
with your little boy's ass. |
| 00:58:33 |
Small, round and juvenile. |
| 00:58:37 |
I saw Nymphocula 6 times. |
| 00:58:39 |
A few good shots... |
| 00:58:40 |
Did you see Nymphocula? |
| 00:58:43 |
You don't like porn films? |
| 00:58:46 |
I like them. |
| 00:58:48 |
Nadine does them |
| 00:58:52 |
She's done everything |
| 00:58:57 |
She discovered she had principles. |
| 00:58:59 |
Now, you can take her panties off, |
| 00:59:02 |
but not her principles. |
| 00:59:07 |
She couldn't explain her principles. |
| 00:59:12 |
They're just there... like rails |
| 00:59:17 |
and she sticks to them, |
| 00:59:20 |
even if they burn her feet. |
| 00:59:24 |
Like right now. |
| 00:59:26 |
Why do you talk like this? |
| 00:59:28 |
It is embarrassing and useless. |
| 00:59:44 |
I forgot l had an appointment |
| 00:59:49 |
I'm sorry but I have to go. |
| 01:00:10 |
Did you speak to him? |
| 01:00:14 |
Can I buy you a coffee? |
| 01:00:15 |
No, I'll stay here. |
| 01:00:20 |
I didn't leave him for you. |
| 01:00:23 |
I know that. |
| 01:00:26 |
Tell me something. |
| 01:00:28 |
Are we through? |
| 01:00:34 |
What is it? |
| 01:00:37 |
I don't know. |
| 01:00:43 |
Something has happened. |
| 01:00:49 |
I can't explain but... |
| 01:00:55 |
I fear to harm someone. |
| 01:01:01 |
I am trapped, |
| 01:01:03 |
because l feel that... |
| 01:01:06 |
if I go further, |
| 01:01:09 |
I'll do harm. |
| 01:01:11 |
And if I stop, |
| 01:01:14 |
I'll do even more harm. |
| 01:02:00 |
"Now is the winter |
| 01:02:02 |
"Glorious summer by this sun of York |
| 01:02:05 |
"Now are our brows |
| 01:02:10 |
"Our bruised arms |
| 01:02:13 |
"Our stern alarms |
| 01:02:16 |
"Our marches to delightful measures. |
| 01:02:20 |
"Grim-visaged war |
| 01:02:24 |
"hath smoothed this front |
| 01:02:27 |
"And now, |
| 01:02:31 |
"He capers nimbly |
| 01:02:35 |
"in a lady's chamber |
| 01:02:38 |
"To the lascivious charm of a lute. |
| 01:02:45 |
"But I, |
| 01:02:47 |
"that am not shaped for sportive tricks, |
| 01:02:52 |
"I... |
| 01:02:54 |
"cheated of feature |
| 01:02:59 |
"Sent into this breathing world |
| 01:03:02 |
"Scarce, half made up |
| 01:03:06 |
"And that so lamely and unfashionable |
| 01:03:10 |
"That dogs bark |
| 01:03:17 |
And then, |
| 01:03:20 |
As usual Antoine shouts: "Terrible!" |
| 01:03:24 |
The stage manager runs to him |
| 01:03:25 |
holding a real rooster by the neck. |
| 01:03:27 |
"This is a real one Mr. Antoine." |
| 01:03:30 |
And Antoine answers: |
| 01:03:32 |
"He's terrible, we must replace him." |
| 01:03:37 |
What is she doing? |
| 01:03:38 |
She should be here. |
| 01:03:40 |
I'm in no hurry. |
| 01:03:46 |
- I had to wait, it came late. |
| 01:03:50 |
Do you know everyone here? |
| 01:03:52 |
My wife. Sit down. |
| 01:04:04 |
"What can one say about such a fiasco? |
| 01:04:06 |
"That others did well |
| 01:04:11 |
"Excessive, dark. |
| 01:04:13 |
"Expressionistic without reason, |
| 01:04:17 |
"his directing is a mixture |
| 01:04:20 |
"of contradicting |
| 01:04:22 |
"The only evidence is that of chaos. |
| 01:04:28 |
"I first discard Nadine Chevalier |
| 01:04:30 |
"who deserted a certain type of films |
| 01:04:32 |
"about which I'd rather remain silent. |
| 01:04:36 |
"As for Zimmer: |
| 01:04:38 |
"he gave the poorest performance |
| 01:04:42 |
"I have ever been given to see. |
| 01:04:44 |
Stop directing, Messala. You like it... |
| 01:04:47 |
"but it doesn't like you." |
| 01:04:50 |
Crappy newspaper! |
| 01:04:52 |
The verdict of he Oracle! |
| 01:04:55 |
That's Bilimert. |
| 01:04:59 |
Shut up! |
| 01:05:00 |
Back to the "Help Wanted" ads. |
| 01:05:05 |
My overcoat, sir. |
| 01:05:08 |
Pardon? |
| 01:05:10 |
My overcoat sir, you touched it. |
| 01:05:13 |
So what? |
| 01:05:15 |
So what? |
| 01:05:18 |
I paid a lot for this overcoat! |
| 01:05:22 |
Since I'm a well-bred homosexual, |
| 01:05:26 |
I care a lot about my things. |
| 01:05:30 |
Silence. |
| 01:05:33 |
I don't like your kind. |
| 01:05:35 |
You touched me |
| 01:05:38 |
If that's what you want. |
| 01:05:39 |
You touched me again. |
| 01:05:40 |
So what? |
| 01:05:48 |
Let go of me. |
| 01:05:55 |
Watch out! |
| 01:06:17 |
If you're as vulgar as he... |
| 01:06:19 |
it will be perfect. |
| 01:06:37 |
Poor Karl, he never could take bad news. |
| 01:06:40 |
I really liked it. |
| 01:06:45 |
You couldn't care less, right? |
| 01:06:48 |
Of course I mostly looked at my wife. |
| 01:06:51 |
It's amazing all you got out of her. |
| 01:06:54 |
Those screams, howls... all that. |
| 01:06:58 |
It must be what you people call life. |
| 01:07:01 |
I'd always wondered, |
| 01:07:04 |
now I know. |
| 01:07:10 |
And him... the photographer. |
| 01:07:12 |
What's he doing here anyway? |
| 01:07:17 |
All I can say |
| 01:07:20 |
is that all of you are really |
| 01:07:23 |
starting to piss me off. |
| 01:07:28 |
Darlings... |
| 01:07:31 |
I might as well say it now: it's a flop. |
| 01:07:35 |
All the reviews will be like this one. |
| 01:07:40 |
With luck we'll do |
| 01:07:43 |
Maybe we won't. |
| 01:07:46 |
Selling the costumes, |
| 01:07:48 |
I may manage to pay something |
| 01:07:50 |
to the people who trusted me. |
| 01:07:55 |
That's all I had to tell you. |
| 01:07:59 |
I'm sorry. |
| 01:08:17 |
Did he say anything before dying? |
| 01:08:18 |
Yes, a few verses from Rimbaud. |
| 01:08:21 |
"Turmoil originated your Poetry |
| 01:08:22 |
"Immense forces served you" |
| 01:08:24 |
"Your entrails burst, death menaces" |
| 01:08:26 |
"Chosen City!" |
| 01:08:28 |
"Consume |
| 01:08:31 |
Weird, isn't it? |
| 01:08:38 |
Where's Raymond Lapade? |
| 01:08:40 |
In the elevator. |
| 01:08:48 |
And his wife? |
| 01:08:49 |
She left immediately. |
| 01:08:55 |
There he is. |
| 01:09:34 |
A man opened the door for me. |
| 01:09:37 |
He told me to wait inside. |
| 01:09:41 |
I preferred waiting here. |
| 01:09:47 |
He said he wouldn't be back, |
| 01:09:51 |
and that he had |
| 01:10:05 |
This is Doriot, |
| 01:10:08 |
I'll give her to animal lovers. |
| 01:10:11 |
She deserves better than me. |
| 01:10:14 |
Coffee? |
| 01:10:15 |
That's all I have. |
| 01:10:20 |
I came to pay my debt. |
| 01:10:26 |
I have one toward Jacques, |
| 01:10:29 |
a big one. |
| 01:10:33 |
I'd be |
| 01:10:37 |
I'd be... I don't know. |
| 01:10:40 |
A whore. |
| 01:10:44 |
Do you understand? |
| 01:11:15 |
You see, |
| 01:11:16 |
you were right. |
| 01:11:19 |
A woman can always be bought. |
| 01:11:23 |
And then you'll leave, right? |
| 01:11:29 |
Does he know you're here? |
| 01:11:33 |
You'll never tell him? |
| 01:11:42 |
Then, it's better you leave now. |
| 01:12:54 |
I went to Servais, |
| 01:12:58 |
to sleep with him. He refused. |
| 01:13:03 |
How's his place? |
| 01:13:06 |
Empty, sinister. |
| 01:13:33 |
You must give me a respite. |
| 01:13:38 |
We've had |
| 01:13:40 |
so you must give me a chance. |
| 01:13:43 |
A little time, a month or two. |
| 01:13:49 |
You see, |
| 01:13:54 |
I stopped to breathe. |
| 01:13:58 |
One mustn't breathe. |
| 01:14:01 |
So, you agree? |
| 01:15:10 |
Nadine told me everything. |
| 01:15:15 |
Why are you here then? |
| 01:15:19 |
Are you a complete blockhead? |
| 01:15:21 |
I'm giving you the "good friend one". |
| 01:15:24 |
I'll tell you |
| 01:15:28 |
The more I cry, the more you pity me, |
| 01:15:31 |
and the less tricks you pull. |
| 01:15:33 |
Don't build pity into a monument. |
| 01:15:36 |
And I don't want to pull tricks. |
| 01:15:39 |
This is just lousy for me. |
| 01:15:44 |
Nadine promised |
| 01:15:49 |
Well then, |
| 01:15:56 |
there's no problem. |
| 01:15:57 |
What do you mean, no problem? |
| 01:15:59 |
Congratulations! |
| 01:16:03 |
Refusing to go to bed with my wife, |
| 01:16:06 |
you call that nothing? |
| 01:16:08 |
Your want to know? I love it. |
| 01:16:10 |
I love it... honest I do. |
| 01:16:13 |
I become like a beast. |
| 01:16:17 |
Okay, tit for tat. |
| 01:16:20 |
I'll ask you a favour. |
| 01:16:21 |
Go to hell! |
| 01:16:27 |
Help me. |
| 01:16:29 |
Help me, shit! Do something. |
| 01:16:34 |
You know how to make things happen, |
| 01:16:40 |
and I don't. |
| 01:16:43 |
You see, Nadine owes me a respite. |
| 01:16:49 |
Do I owe you anything? |
| 01:16:56 |
Yes, because you didn't sleep with her. |
| 01:17:24 |
I'm bushed. |
| 01:17:28 |
I went to see |
| 01:17:33 |
Any good? |
| 01:17:34 |
Some interesting things. |
| 01:17:38 |
Special effects mostly. |
| 01:17:40 |
Did you get a crowd? |
| 01:17:42 |
45 persons, 20 paid. |
| 01:17:46 |
The big success! |
| 01:17:48 |
Yes, |
| 01:17:49 |
the big success. |
| 01:17:56 |
You should've seen those Cyclops |
| 01:18:00 |
fighting Titans. |
| 01:18:02 |
throwing whole mountains at them! |
| 01:18:06 |
The Titans were throwing |
| 01:18:10 |
The whole thing nicely blended |
| 01:18:13 |
in juicy music. |
| 01:18:17 |
You see what I mean. |
| 01:18:21 |
Strange, I'm tired. |
| 01:18:26 |
I work and I'm tired. |
| 01:18:37 |
Do you understand that? |
| 01:18:42 |
I still have my respite? |
| 01:18:46 |
Don't forget to say your prayers. |
| 01:18:52 |
My God, |
| 01:18:56 |
I'm fed up. |
| 01:20:03 |
Thanks for coming. |
| 01:20:06 |
How are you doing? |
| 01:20:08 |
What's the matter? |
| 01:20:10 |
Nothing. |
| 01:20:12 |
- Why you hide your breasts? |
| 01:20:19 |
She was getting on his nerves. |
| 01:20:22 |
He got her under control. |
| 01:20:24 |
But why hide her breasts? |
| 01:20:27 |
He must've cut some off |
| 01:20:29 |
to be more convincing. |
| 01:20:31 |
Interesting. |
| 01:20:34 |
I came to say goodbye. |
| 01:20:38 |
I'm leaving for Manaos. |
| 01:20:40 |
The Sarah Bernhardt theatre. |
| 01:20:43 |
I'm playing Vladimir in Godot. |
| 01:20:45 |
It's all over? |
| 01:20:48 |
A kir, please. |
| 01:20:50 |
Listen, I'm rich. Family money. |
| 01:20:54 |
Please accept this. |
| 01:20:56 |
For me it's nothing. |
| 01:20:58 |
I think it's a lot for you. |
| 01:21:03 |
I don't want your money. |
| 01:21:08 |
I'm very fond of Nadine. |
| 01:21:11 |
You're mad. |
| 01:21:13 |
No, |
| 01:21:14 |
rich. |
| 01:21:25 |
Philosophically speaking, |
| 01:21:29 |
the middle ages were a catastrophe, |
| 01:21:31 |
but we owe it a special conception |
| 01:21:36 |
of woman's dignity. |
| 01:21:43 |
Let's drink to that. |
| 01:21:47 |
Get lost! |
| 01:22:03 |
It's taken care of. |
| 01:22:05 |
You should've called, |
| 01:22:10 |
I tried, your phone is still cut off. |
| 01:22:14 |
Shit! No wonder it doesn't ring much. |
| 01:22:17 |
Can I talk to you? |
| 01:22:49 |
Are you OK? |
| 01:22:53 |
I'm here for Jacques. |
| 01:22:56 |
Coffee, tea, wine, cognac, whisky? |
| 01:22:59 |
Fernet, ham, butter, my briefcase? |
| 01:23:01 |
No, thank you Jacques. |
| 01:23:07 |
We're listening. |
| 01:23:15 |
Watch what you're doing. |
| 01:23:24 |
You didn't get it. |
| 01:23:27 |
He's doing this for me. |
| 01:23:30 |
For me, right? |
| 01:23:35 |
It's for me. |
| 01:23:45 |
That's him! |
| 01:23:49 |
Saint Francis of Assisi in person! |
| 01:23:53 |
Strong... |
| 01:23:57 |
and handsome. |
| 01:23:59 |
I'll be able |
| 01:24:02 |
Louise Brooks. |
| 01:24:07 |
You must thank the man, Nadine. |
| 01:24:10 |
You have to thank him. |
| 01:24:13 |
Thank him, go ahead! |
| 01:24:17 |
Go on! |
| 01:24:20 |
Don't you kiss me? |
| 01:25:01 |
I'm here! |
| 01:25:15 |
Can't you be at |
| 01:25:18 |
Where? |
| 01:25:20 |
Of course, she forgot. |
| 01:25:22 |
The café, rue de Verneuil. |
| 01:25:27 |
You remember? |
| 01:25:29 |
I remember. |
| 01:25:31 |
I'll have things to tell you. |
| 01:25:50 |
I nearly called the fire brigade. |
| 01:25:52 |
I'm late. |
| 01:25:54 |
A guy committed suicide in the subway, |
| 01:25:59 |
Nothing's changed here. |
| 01:26:06 |
What have you done? |
| 01:26:07 |
I've managed to get a dubbing. |
| 01:26:10 |
I'm dubbing Jane Fonda. |
| 01:26:12 |
Fantastic! |
| 01:26:20 |
When do you start? |
| 01:26:22 |
On the 14th. |
| 01:26:25 |
- Coffee with... |
| 01:26:27 |
Yes and with... you don't have it. |
| 01:26:46 |
Do you know what's the lousiest thing? |
| 01:26:49 |
The most disgusting? |
| 01:26:58 |
Pity. |
| 01:27:02 |
Why? |
| 01:27:04 |
Because it's final. |
| 01:27:09 |
I know what you think of me. |
| 01:27:14 |
Of all my bullshit. |
| 01:27:19 |
There's a word for it, |
| 01:27:22 |
I found it in the dictionary. |
| 01:27:28 |
Contempt. |
| 01:27:30 |
I don't despise you. |
| 01:27:57 |
What's happening to us? |
| 01:28:00 |
I don't know anymore. |
| 01:28:04 |
I'm always there... |
| 01:28:07 |
waiting. |
| 01:28:14 |
I want you so much. |
| 01:28:16 |
I need you so much. |
| 01:28:19 |
There's no one |
| 01:28:27 |
So, you mustn't leave me alone. |
| 01:28:30 |
You mustn't... |
| 01:28:33 |
I can't be alone. |
| 01:28:37 |
Where are you? Where? Here? |
| 01:28:42 |
I don't know where you are. |
| 01:28:45 |
I can still give you a lot. Everything. |
| 01:28:49 |
But I don't want to feel... |
| 01:28:52 |
to feel that life is elsewhere. |
| 01:28:56 |
I can't. |
| 01:28:58 |
I could do anything for you. |
| 01:29:01 |
Anything. |
| 01:29:04 |
Anything except... |
| 01:29:07 |
Except what? |
| 01:29:09 |
Live. |
| 01:29:12 |
I can say I love you. |
| 01:29:17 |
"I love you" means nothing! |
| 01:29:20 |
Nothing! |
| 01:29:22 |
It means nothing! |
| 01:29:25 |
You understood everything. |
| 01:29:32 |
Is that all? |
| 01:29:33 |
What? |
| 01:29:36 |
Many women would find it a lot. |
| 01:29:37 |
Especially in Yemen. |
| 01:29:42 |
May the gods |
| 01:29:45 |
scatter roses on your path. |
| 01:29:56 |
I have to make a call. |
| 01:29:59 |
See you at home? |
| 01:30:02 |
Where do you think you are? |
| 01:30:04 |
Look at all that shit! |
| 01:30:08 |
Unbelievable! |
| 01:30:32 |
Is this the agency? |
| 01:30:34 |
May l speak to Servais Mont. |
| 01:32:59 |
That's it. |
| 01:33:02 |
Come with me. |
| 01:34:11 |
What a fool! |
| 01:34:13 |
What a fool! |
| 01:34:33 |
Why did he do it? |
| 01:34:38 |
He should've done it before! |
| 01:34:40 |
Before he met you! |
| 01:34:42 |
Why did he do it? |
| 01:34:45 |
He should've done it before! |
| 01:34:48 |
Do you understand? |
| 01:36:32 |
Help me. |
| 01:36:59 |
Come. |
| 01:37:18 |
He sold all his photographs |
| 01:37:21 |
except these. |
| 01:37:23 |
No one wanted them. |
| 01:37:29 |
He put the money in the bank on my name. |
| 01:37:43 |
They gave me a shot |
| 01:37:45 |
to make me sleep. |
| 01:38:02 |
Leave me alone. |
| 01:38:11 |
I'll go when you sleep. |
| 01:38:24 |
Nothing is possible |
| 01:38:48 |
It's the shot, it won't last. |
| 01:38:50 |
I hope so, it gets on my nerves. |
| 01:38:54 |
My face must not be seen. |
| 01:39:02 |
Oh shit! |
| 01:39:03 |
It's nothing, we'll start soon. |
| 01:39:13 |
She'll be alright. |
| 01:39:28 |
He'll do a good job? |
| 01:39:30 |
You can trust him, he's a specialist. |
| 01:39:35 |
We haven't talked |
| 01:39:38 |
I've arranged something for Friday. |
| 01:39:41 |
I'm through. Do without me. |
| 01:39:43 |
Your grandma dyke disgusted me. |
| 01:39:45 |
Don't you think it disgusts me too? |
| 01:39:48 |
But they're all alike. |
| 01:39:50 |
Do you know what man is like? |
| 01:39:52 |
He's like |
| 01:39:55 |
He's like "when he sits in the can". |
| 01:39:58 |
Force yourself |
| 01:40:01 |
When you see yourself in a mirror, |
| 01:40:03 |
do like me: |
| 01:40:06 |
I'm through! |
| 01:40:08 |
I've had enough. |
| 01:40:09 |
Not so fast... |
| 01:40:11 |
When I met you, you were that small. |
| 01:40:14 |
I could've crushed you like a tadpole. |
| 01:40:16 |
Too bad you didn't. |
| 01:40:20 |
Maybe, but since your father, |
| 01:40:23 |
to say the least, |
| 01:40:26 |
therefore if you're now |
| 01:40:27 |
big an strong, it's thanks to me. |
| 01:40:32 |
I'm a bit |
| 01:40:34 |
your father somehow. |
| 01:40:39 |
Think of it. |
| 01:40:42 |
I'm a bit the father to all of them. |
| 01:40:45 |
They tell me their troubles. |
| 01:40:50 |
I listen. |
| 01:40:52 |
They disgust me but I like them. |
| 01:40:56 |
So, like God, I'll say: |
| 01:40:59 |
you're free. |
| 01:41:01 |
No one |
| 01:41:05 |
You forgot to talk about the day |
| 01:41:10 |
and risked yours |
| 01:41:16 |
Go to hell! |
| 01:41:18 |
You owe me a lot of dough kid. |
| 01:41:20 |
If you quit working for me |
| 01:41:25 |
I'll give you |
| 01:41:27 |
You know, God |
| 01:41:29 |
only took 6 days to create the world. |
| 01:41:31 |
As you see, I'm lenient! |
| 01:41:51 |
It's us. |
| 01:41:54 |
So kid, |
| 01:41:56 |
playing hide and seek with Mazelli? |
| 01:42:00 |
I had said 10 days. |
| 01:42:02 |
It's been 11 days, kid. |
| 01:42:06 |
11 days |
| 01:42:11 |
I can pay you back. |
| 01:42:14 |
It's on the mantelpiece. |
| 01:42:17 |
What did l say? |
| 01:42:19 |
Look at his face. |
| 01:42:22 |
I knew you were not eating. |
| 01:42:24 |
Do you sleep at least? |
| 01:42:26 |
When you don't eat, you must sleep. |
| 01:42:30 |
We always have a bed for you. |
| 01:42:35 |
You'll never learn. |
| 01:42:37 |
It's not |
| 01:42:41 |
I was wrong about you |
| 01:42:43 |
and Hector was right. |
| 01:42:45 |
You've become proud. |
| 01:42:50 |
You know what's coming to you? |
| 01:42:51 |
What was due to your dad 3 years ago. |
| 01:44:07 |
Normally people like us don't exist. |
| 01:44:11 |
I know it, but I'm the only one. |
| 01:44:13 |
Each morning when I see myself |
| 01:44:18 |
So, since we don't exist |
| 01:44:22 |
we must find a way |
| 01:44:33 |
That's what you're doing now, |
| 01:44:37 |
you're accepting. |
| 01:44:52 |
Goodbye kid, |
| 01:44:56 |
I really liked you. |
| 01:47:03 |
I love you. |
| 01:47:29 |
I love you. |
