L
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Come to Los Angeles. |
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The sun shines bright. |
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The beaches are wide and inviting. |
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And the orange groves stretch |
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There are jobs aplenty. Land is cheap. |
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Every workingman |
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And inside every house, |
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You can have all this, and who knows? |
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You could even be discovered... |
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...become a movie star, |
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Life is good in Los Angeles. |
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It's paradise on earth. |
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That's what they tell you, anyway. |
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Because they're selling an image. |
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They're selling it through |
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In the hit show, Badge of Honor, |
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...as they keep the city clean |
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You'd think this place |
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But there's trouble in paradise... |
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...and his name is Meyer Harris Cohen, |
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Local L.A. color to the nth degree. |
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And his number one bodyguard... |
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...Johnny Stompanato. |
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Mickey C's the head of organized crime |
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He runs dope, rackets and prostitution. |
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He kills a dozen people a year. |
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And the dapper little gent |
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And every time his picture's |
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...it's a black eye for the |
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Because how can organized crime exist... |
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...in the city with the best |
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Something has to be done. |
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But nothing too original |
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What worked for Capone |
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Mr. Cohen, you're under arrest. |
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Non-payment of federal income tax. |
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But all is not well. Sending Mickey up |
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And it's only a matter of time... |
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...before someone with balls |
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Remember, dear readers. . . |
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. . .you heard it here first. . . |
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. . .off the record. . . |
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. . .on the q.t. . . |
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. . .and very. . . |
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...Hush-Hush. |
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You're like Santa Claus with that list. |
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Except everyone on it's been naughty. |
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Guy's been out of Q two weeks. |
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Leave it for later. |
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We got to pick up the booze |
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Hollywood, this is 6-Adam-7. |
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Have Central send a prowler |
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Parole violation: assault arising |
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We won't be here but |
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Quit your whining! |
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Quit whining all the time! |
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Shut up! |
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Who the hell are you? |
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The ghost of Christmas past. |
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Dance with a man for a change? |
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You a smart ass? |
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You'll be out in a year and a half. |
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Touch her again, l'll have you |
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You know what they do |
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You got someplace you can go? |
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Go get yourself fixed up. |
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Merry Christmas. |
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-Merry Christmas, ma'am. |
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The guys are waiting. |
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What do you do on Badge of Honor ? |
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l'm the technical advisor. |
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l teach Brett Chase how to |
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Brett Chase doesn't walk |
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That's because he's the |
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America isn't ready for the real me. |
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ls it true you arrested Bob Mitchum? |
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The Badge of Honor guys like to pretend, |
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Why don't we go someplace quiet? |
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Big V. Jack Vincennes. |
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-May l have this dance? |
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This is Sid Hudgens, |
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-Hello, Karen. |
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What that's about? |
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Her name was in a piece we did, |
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My friend just sold reefer |
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He's tripping the light fantastic |
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Sorry, l lost you for a second. |
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Contract players, Metro. Pinch them, |
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-Plus your usual $50 cash. |
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Two 20s for two patrolmen, |
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lt's Christmas. |
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No, it's not. |
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lt's felony possession of marijuana. |
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Actually, it's circulation 36,000 |
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There's no telling where this will go. |
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Once you whet the public's appetite |
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Sgt. Ed Exley, son of the |
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Must be a hard act to follow. |
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Why not make a mark elsewhere? |
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l like to help people. |
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We heard 2 officers |
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-What do you think of that? |
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Luckily, they're okay. |
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Aren't you young to be |
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lt's only tonight. |
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The married men have Christmas Eve off. |
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That's a good lead for the story. |
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Merry Christmas, Captain. |
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-Captain Smith. |
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-lt's Christmas Eve, call me Dudley. |
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l'm calling it |
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That's grand. |
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Remember that's ''Smith'' |
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Thank you, Merry Christmas. |
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Hold on, lads. |
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Merry Christmas. |
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l saw the results |
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First out of 23. |
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What'll it be, then? Patrol Division? |
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Detective Bureau. |
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You're a political animal. |
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You have the eye for human weakness, |
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You're wrong, sir. |
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Would you be willing to plant evidence |
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. . .to insure an indictment? |
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-We've been over this. |
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Would you beat a confession |
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Would you shoot a hardened |
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. . .in order to offset the chance |
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Then for the love of God. . . |
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. . .don't be a detective. |
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Stick to assignments where you don't |
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Dudley, l know you mean well. . . |
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. . .but l don't need to do it |
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At least get rid of the glasses. |
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l can't think of a man |
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lf l ever get held up, |
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Hi, Nick. |
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l need a delivery. |
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A case each of gin, rum, Scotch. |
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Sounds like a hell of a party. |
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Merry Christmas. |
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Merry Christmas, Officer. |
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That obvious? |
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lt's practically stamped |
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There you go. |
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See what he wants, Buzz. |
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Get lost, why don't you? |
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Down! |
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l got a license for that. |
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Cut me some slack. |
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''Leland Meeks''? |
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They call me Buzz. |
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l don't give a rat's ass. |
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And stay there. . .Buzz. |
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You okay? |
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She's fine. |
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l'm not asking you. |
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Who hit you? |
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lt's not what you think. |
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What, then? |
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You got the wrong idea. |
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But it's nice to know you care. |
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Drive safely. |
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What's going on? |
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You know him? |
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Yeah, l've seen him around. |
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He used to be a cop. |
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They're sitting in the dark, |
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Put your camera right there. |
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When l walk out, get the |
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l like it, l like it. |
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l don't want those goddamn |
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Consider it done. |
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Come on. Get down. |
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Go! Pop them! |
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Freeze! Police! |
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Jesus Christ! |
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Come on. |
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My family's coming-- |
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-lt'll be a nice Christmas gift. |
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Over here. |
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-Just turn. |
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-The Movie Premiere Pot Bust! |
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''lt's Christmas Eve |
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And while decent citizens sleep |
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. . .hopheads prowl for marijuana. . . |
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. . .not knowing that a man |
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Celebrity crime-stopper, Jack Vincennes. |
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Scourge of grasshoppers |
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You like it? |
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Yeah, subtle. |
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What took you? |
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My partner stopped |
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His priorities are all screwed up. |
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Up to your old tricks again? |
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Hollywood Jack, what brings you |
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What are you doing here? |
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You know, keeping the streets safe. |
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Get these two dressed |
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-The party's upstairs. |
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What's that for? |
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Aren't you watch commander tonight? |
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Yeah. So? |
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lt's from Hush-Hush magazine. |
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Buy yourself some loafers. |
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No thanks, Jack. |
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l'm not interested. |
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What's this? |
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Six spics. |
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The Mexicans who assaulted |
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l hear Helenowski bled 6 pints, |
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They've got bruises |
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lt's not what l heard. |
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Lock them up. |
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Stens, you guys hear what those taco |
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Helenowski lost an eye, and they're |
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Should make for a very |
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Hey, guys. |
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Guys. |
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They brought the Mexicans in. |
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They're downstairs. |
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-Let's do it. |
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The party's upstairs. |
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This doesn't concern you. |
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Come on, guys. |
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You got work? |
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Go back. |
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-Come on, it's Christmas, help me out. |
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l just got a few more questions. |
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You don't have to be here. |
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Go! |
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You better get your partner |
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Teach him a lesson! |
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This is for ours, Poncho. |
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Let me through! |
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He didn't do nothing! |
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What are you looking at? |
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-Tell that Mexican to shut up! |
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You're sick! |
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Stens! |
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-Come on! |
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Get back! Get back! |
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Fuck your mother! |
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Fuck you! |
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Stop! That's an order! |
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You're all in my report! |
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''Bloody Christmas. '' |
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The press love to label. |
00:15:47 |
This is bigger than the police board. |
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The grand jury's convening. |
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Will you testify? |
00:15:56 |
No, sir. |
00:16:00 |
District Attorney Loew? |
00:16:02 |
You and Officer Stensland |
00:16:06 |
Stensland was already drunk. |
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Appearing as a witness against him |
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l won't testify against him |
00:16:17 |
This man is a disgrace. |
00:16:19 |
Your badge and gun, officer. |
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Dismissed. |
00:16:42 |
We need police witnesses to offset |
00:16:46 |
Justice has to be served. |
00:16:52 |
l'm glad you feel that way. |
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They think silence and integrity |
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Not exactly the image of. . . |
00:17:02 |
. . .the new LAPD we're creating. |
00:17:04 |
Welcome to Los Angeles, |
00:17:07 |
-May l make a suggestion? |
00:17:09 |
The public will expect the Department |
00:17:14 |
Don't. |
00:17:16 |
Shift the guilt to men with |
00:17:19 |
Force them to retire. |
00:17:22 |
But somebody has to swing. |
00:17:24 |
So indict, try and convict |
00:17:29 |
Secure them jail time. |
00:17:31 |
The message will be clear. |
00:17:33 |
The new LAPD will not tolerate officers |
00:17:39 |
Dick Stensland is an embarrassment |
00:17:42 |
He's had rotten fitness reports |
00:17:46 |
But White is a valuable officer. |
00:17:48 |
White's a mindless thug. |
00:17:52 |
He's just a man who can say ''yes'' to the |
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The Department and the public |
00:17:59 |
Clean-cut, forthright men |
00:18:04 |
Sergeant. . . |
00:18:05 |
. . .l'll promote you. . . |
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. . .to Lieutenant. |
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-Effective immediately. |
00:18:14 |
Ed, you're 30. |
00:18:15 |
Your father didn't make lieutenant |
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l know. l also know when he made |
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Before we start polishing our laurels. . . |
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. . .it'd look better if we had |
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That won't be easy to come by. |
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Jack Vincennes. |
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He hit one of the Mexicans. |
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A veteran like Vincennes might |
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. . .but not a fellow officer's. |
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Jack's the technical advisor |
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He lives for it. |
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That's how to get to him. |
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l'd like you to observe, Ed. |
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Call Sergeant Vincennes. |
00:19:01 |
Bright kid. |
00:19:03 |
You may well reap the benefit. . . |
00:19:05 |
. . .but are you prepared to be despised? |
00:19:08 |
Yes, sir, l am. |
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So be it. |
00:19:18 |
Sergeant, we'll get right to it. |
00:19:21 |
Nine civilian witnesses identified |
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But we have a witness who will name |
00:19:31 |
. . .after being hit. |
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You'll testify against 3 officers. . . |
00:19:34 |
. . .who've already earned their pension, |
00:19:39 |
No thanks. l'm not a snitch. |
00:19:41 |
l'll guarantee a slap on the wrist, |
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. . .followed by a temporary transfer |
00:19:49 |
Transfer out of Vice, |
00:19:56 |
The show? |
00:19:57 |
Badge of Honor. |
00:20:01 |
We need to tone down |
00:20:06 |
l doubt you've ever taken |
00:20:10 |
Okay, l'll do it. |
00:20:15 |
The grand jury hears. . . |
00:20:17 |
. . .your testimony tomorrow. |
00:20:30 |
And so it goes. . . |
00:20:32 |
. . .Detective Lieutenant. |
00:20:35 |
Ace them at the |
00:20:38 |
Wear a smart-looking suit |
00:20:42 |
And Ed. . . |
00:20:43 |
. . .lose the glasses. |
00:20:54 |
So you're the stellar witness. |
00:20:57 |
l should have known. |
00:21:01 |
Throwing me? |
00:21:02 |
What's the payoff? |
00:21:04 |
You're the payoff expert. |
00:21:08 |
Come on. You're playing an |
00:21:11 |
. . .so you don't have to hobnob |
00:21:15 |
. . .who'll hate you for snitching. |
00:21:17 |
lf they make you detective, watch out. |
00:21:20 |
Some Bureau guys'll burn in this and |
00:21:24 |
What about you? |
00:21:26 |
l'm snitching 3 old-timers who'll be |
00:21:30 |
Next to you, l'm clean. . . |
00:21:32 |
. . .and smart. |
00:21:33 |
Edmund J. Exley to chambers. |
00:21:38 |
And remember. . . |
00:21:39 |
. . .Bud White will fuck you for this |
00:21:46 |
Captain, what do you want? |
00:21:49 |
Call me Dudley. |
00:21:51 |
Dudley. . . |
00:21:53 |
. . .what do you want? |
00:21:55 |
Look, lad, l admire |
00:21:59 |
. . .and your loyalty to your partner. |
00:22:01 |
l admire you as a policeman. . . |
00:22:03 |
. . .and your adherence to violence |
00:22:07 |
And l'm impressed with your |
00:22:12 |
Do you hate them? |
00:22:15 |
What do you want? |
00:22:21 |
They're yours. |
00:22:23 |
Take them. |
00:22:28 |
There's no bill on me? |
00:22:29 |
-4 witnesses recanted their testimony. |
00:22:32 |
They had a change of heart. |
00:22:33 |
And Stensland? |
00:22:35 |
Your partner's through. |
00:22:36 |
Scapegoat on the Chief's orders. |
00:22:39 |
A year from his pension. |
00:22:43 |
-Exley? |
00:22:47 |
As a politician he exceeds even myself. |
00:22:51 |
The Department needs |
00:22:54 |
. . .and direct men. . . |
00:22:56 |
. . .like you. |
00:22:58 |
Look lad, l need you for |
00:23:03 |
A duty few men are fit for. . . |
00:23:05 |
. . .but you were born for. |
00:23:07 |
You'd be working |
00:23:10 |
Homicide? |
00:23:12 |
Working cases? |
00:23:15 |
Your talents lie elsewhere, Wendell. |
00:23:18 |
lt's a muscle job. |
00:23:20 |
You'll do as l say and ask no questions. |
00:23:26 |
ln Technicolor, sir. |
00:23:30 |
''Meet Tony Brancato |
00:23:33 |
... two rising lieutenants |
00:23:36 |
With the dapper little gent in prison... |
00:23:40 |
... who knows how far they'll go? |
00:23:49 |
Oh, well. '' |
00:24:03 |
''Meet Deuce Perkins, |
00:24:07 |
Could he be behind the hits? |
00:24:09 |
Is he consolidating |
00:24:18 |
I suppose not. |
00:24:25 |
One thing's for sure: |
00:24:26 |
2-man triggers are punching the tickets |
00:24:38 |
''Meanwhile, rumor has it the LAPD... |
00:24:42 |
...has set up a not-so-Welcome Wagon |
00:24:47 |
...from filling the void left by |
00:24:50 |
When I know more, dear readers, |
00:24:54 |
Off the record, on the q. t... |
00:24:56 |
...and very... |
00:24:58 |
...Hush-Hush. '' |
00:25:01 |
With Mickey Cohen in prison, |
00:25:05 |
The Chief wants to keep it that way. |
00:25:08 |
ln Cleveland, you're an |
00:25:11 |
. . .in desperate need of re-education |
00:25:17 |
l hear things. |
00:25:19 |
Like those 2-men shooter teams. |
00:25:21 |
They're 86ing Cohen's lieutenants. |
00:25:23 |
What do you want? |
00:25:26 |
We want you to go home. |
00:25:32 |
Picture-book smut, men. |
00:25:34 |
There's been a bunch of this |
00:25:37 |
Quality ranges from piss-poor. . . |
00:25:41 |
. . .to very well done. |
00:25:43 |
Look who's back from suspension. |
00:25:46 |
We're honored, Sergeant Jack. |
00:25:48 |
Look at that. |
00:25:52 |
ls there someplace you'd rather be? |
00:25:54 |
Yeah, working Narcotics, |
00:25:58 |
Yeah, finding 25 pounds of heroin |
00:26:02 |
You should've thought of that |
00:26:06 |
Make a major case. lt's the only way |
00:26:11 |
Dismissed, gentlemen. |
00:26:20 |
Go get the facts, Jack. |
00:26:22 |
Just the facts. |
00:26:31 |
Whatever you desire. |
00:26:33 |
Hi. l'd like to get a delivery |
00:26:36 |
I don 't know you. |
00:26:37 |
A friend just gave me this number |
00:26:42 |
Would you grab a reverse directory |
00:26:47 |
Crestview-2239. |
00:26:55 |
Hush-Hush, off the record, on the q. t. |
00:26:58 |
Sid, it's Vincennes. |
00:27:00 |
Jackie, you back on narco? |
00:27:03 |
l have something going with Vice. |
00:27:05 |
Something juicy for the Sidster? |
00:27:07 |
Tracking porn. |
00:27:09 |
Know about Fleur-de-Lis ? |
00:27:13 |
No, I've heard bupkes. |
00:27:14 |
Get me some narco skinny. |
00:27:18 |
Shvartze jazz musicians and movie stars. |
00:27:22 |
l'll talk to you later. |
00:27:24 |
-What do you got? |
00:27:26 |
Thanks, Ginger. |
00:27:29 |
A bootleg. |
00:27:39 |
Take it easy. |
00:27:41 |
Tough break, Stens. |
00:27:42 |
We're going to miss you. |
00:27:44 |
Raw deal, Stensland. |
00:27:49 |
Here comes the snitch. |
00:28:02 |
Sorry about that, Lieutenant. |
00:28:19 |
Stay out of trouble, Bud. |
00:28:24 |
l got some time. |
00:28:26 |
Rain check. l got a hot date. |
00:28:30 |
Who is she and |
00:28:32 |
lt's confidential. |
00:28:34 |
Like that magazine that |
00:28:40 |
l'll see you later in the week. |
00:28:42 |
We'll do the town, on me. |
00:28:44 |
Yeah. l'll bring |
00:28:51 |
-See you tomorrow. |
00:28:54 |
l'll walk down with you. |
00:29:04 |
Punk kid. Who is he |
00:29:07 |
Yeah, l wonder. |
00:29:09 |
Got himself a real career going. |
00:29:15 |
Sergeant Williams, pick up, please. |
00:29:18 |
Sergeant Williams? |
00:29:23 |
Is there anybody up there in Homicide? |
00:29:27 |
Anybody there? |
00:29:31 |
Lieutenant Exley. |
00:29:32 |
You've got a homicide downtown. |
00:29:34 |
-The Nite Owl Coffee Shop. |
00:29:37 |
lt's mine. |
00:29:49 |
At least one person's dead. |
00:29:52 |
No one comes through |
00:31:27 |
l want barricades both ends |
00:31:31 |
l took the call. lt's my case. |
00:31:34 |
You don't want it and you can't have it. |
00:31:36 |
l took the call. |
00:31:37 |
lt's mine. |
00:31:39 |
l'll make you my second-in-command. |
00:31:41 |
Captain, over here, please. |
00:31:47 |
The cook drew a gun and set it off. |
00:31:57 |
We got a total of 1 5 spent |
00:32:01 |
l'm betting 3 men, 5-shot capacity |
00:32:05 |
Excuse me, we got an l.D. |
00:32:08 |
lt's Dick Stensland. |
00:32:12 |
At first, l thought |
00:32:15 |
Yeah, me too. |
00:32:26 |
Hell of a way to avoid prison. |
00:32:38 |
What happened? |
00:32:40 |
Appears 3 men held up a coffee shop. |
00:32:42 |
The guy at the register pulled a .38, |
00:32:45 |
Then they killed everyone else. |
00:32:50 |
Lieutenant, we're ready |
00:32:58 |
ls this your daughter? |
00:33:01 |
l don't know. |
00:33:03 |
We know this is difficult. |
00:33:07 |
lt seems like my Susan. |
00:33:10 |
But my Susan was a blonde, |
00:33:13 |
When was the last time you saw her? |
00:33:15 |
Just before Christmas. |
00:33:17 |
We'd fought. |
00:33:21 |
Mrs. Lefferts. . . |
00:33:22 |
. . .does your daughter have |
00:33:26 |
You got the wrong idea, mister. |
00:33:29 |
She has a birthmark on her hip. |
00:33:38 |
lt's her. |
00:33:40 |
My baby. |
00:33:45 |
l'm sorry, Mrs. Lefferts. |
00:33:48 |
Who's in charge of this investigation? |
00:33:51 |
Captain Smith and myself. Why? |
00:33:55 |
''The Nite Owl Massacre. '' |
00:33:56 |
Hyperbole aside. . . |
00:33:58 |
. . .this is a heinous crime |
00:34:03 |
Six victims. |
00:34:04 |
One of them, one of our own. |
00:34:07 |
He was a Nite Owl regular, |
00:34:11 |
Robbery is the likely motive. |
00:34:13 |
We have rubber glove smears |
00:34:18 |
. . .tend toward a trio of shooters. |
00:34:22 |
Three Negro juveniles. . . |
00:34:24 |
. . .were seen discharging shotguns |
00:34:27 |
A park ranger l.D.'d them as driving |
00:34:32 |
. . .maroon in color. |
00:34:33 |
An hour ago a canvassing crew |
00:34:37 |
. . .who saw a maroon Merc coupe |
00:34:41 |
DMV has come up with |
00:34:46 |
48 two-man teams will shake |
00:34:51 |
lnterrogations will be led by |
00:34:57 |
Enough on that! |
00:35:01 |
Gentlemen, just go out and get them. |
00:35:06 |
The people of Los Angeles demand it. |
00:35:08 |
Dismissed. |
00:35:13 |
Why not just put a bounty on them? |
00:35:22 |
-Ready to roll? |
00:35:25 |
What if one of these names--? |
00:35:27 |
Get somebody else. |
00:35:29 |
l got our assignments, Big V. |
00:35:32 |
lf we go by this list, |
00:35:35 |
l got a guy who knows what happens |
00:35:40 |
What are you doing? That's the same |
00:35:44 |
l'll take those odds. |
00:35:49 |
We got it from here. |
00:35:52 |
You should bring along |
00:36:00 |
l need an address on a customer |
00:36:03 |
-That's all l got to go on? |
00:36:05 |
You already know who l mean, |
00:36:08 |
There's a billing address |
00:36:37 |
Are you Pierce Patchett? |
00:36:39 |
l am. |
00:36:43 |
Are you soliciting for police charities? |
00:36:47 |
Go on down to the driveway. |
00:37:00 |
What can l do for you? |
00:37:03 |
-Where were you last night? |
00:37:08 |
Tell me about Dick Stensland. |
00:37:10 |
l don't know him, Mr.--? |
00:37:12 |
Officer White. |
00:37:15 |
You know Sue Lefferts? |
00:37:16 |
You know l do. |
00:37:20 |
How did you find me? |
00:37:22 |
Nick's Liquor. This is where |
00:37:26 |
Of course. |
00:37:31 |
Sue Lefferts died at the Nite Owl. |
00:37:33 |
l'm investigating. |
00:37:37 |
Everything all right? |
00:37:39 |
Fine, Phillip, thank you. |
00:37:45 |
What happened to the other guy? |
00:37:47 |
Buzz Meeks no longer works for me. |
00:37:50 |
Lefferts looked beat-up Christmas Eve |
00:37:52 |
l think she'd been hit in the face |
00:37:57 |
. . .a big doubles fan. |
00:37:59 |
You're a known associate of a woman |
00:38:03 |
-Want to go downtown to discuss it? |
00:38:07 |
Somehow l have the feeling |
00:38:15 |
All right, then. . . |
00:38:17 |
. . .are you concerned about criminal |
00:38:22 |
-Not at the moment. |
00:38:27 |
Why were Lefferts' eyes black? |
00:38:30 |
l needed a Rita Hayworth |
00:38:32 |
What little studio? |
00:38:34 |
Well, there's Gardner, Russell, |
00:38:37 |
Lynn Bracken is my Veronica Lake. |
00:38:40 |
l use girls that look like movie stars. |
00:38:43 |
Sometimes l employ a plastic surgeon. |
00:38:46 |
When the work was done, |
00:38:49 |
lt's why her mom couldn't l.D. her. |
00:38:52 |
Jesus fucking Christ. |
00:38:54 |
No, Pierce Morehouse Patchett. |
00:38:58 |
l sense you're on your best behavior, |
00:39:02 |
lf you persist, |
00:39:05 |
Would you like Lynn Bracken's address? |
00:39:07 |
l got her address. |
00:39:10 |
Find Susan's killer, Mr. White. |
00:39:12 |
l'll give you a handsome reward. |
00:39:19 |
Whatever you desire! |
00:39:29 |
I know you're not asleep. |
00:39:32 |
What do you want? |
00:39:34 |
My 5 bucks. |
00:39:36 |
It was the only one I had. |
00:39:39 |
Right now? |
00:39:40 |
Hey, dollface, |
00:39:43 |
l understand. |
00:39:47 |
Oh, baby. . . |
00:39:49 |
. . .bad news. |
00:39:50 |
You have to go. |
00:39:52 |
Go? |
00:39:53 |
Something very important has come up |
00:39:57 |
l'll make it up to you. |
00:39:59 |
l will, l promise. |
00:40:04 |
ls it the cops? |
00:40:09 |
Miss Bracken. . . |
00:40:11 |
. . .l'm Officer White. |
00:40:12 |
l've been expecting you, |
00:40:15 |
Pierce called. |
00:40:17 |
Everything all right, doll? |
00:40:21 |
Hit the road. |
00:40:24 |
Maybe l will. . . |
00:40:26 |
. . .maybe l won't. |
00:40:28 |
LAPD, shitbird. Get out or |
00:40:47 |
-Officer. |
00:41:06 |
-Would you care for a drink? |
00:41:15 |
l was friendly with Sue Lefferts, |
00:41:19 |
Know what l mean? |
00:41:21 |
You sorry she's dead? |
00:41:24 |
Of course l am. |
00:41:26 |
What kind of question is that? |
00:41:30 |
You know why Pierce |
00:41:32 |
Use words like that, |
00:41:35 |
But do you know? |
00:41:36 |
Yeah, l know. |
00:41:38 |
Patchett's running whores. . . |
00:41:41 |
. . .cut to look like movie stars. |
00:41:43 |
And judging by his address, |
00:41:47 |
He doesn't want any attention. |
00:41:49 |
That's right. Our motives are selfish |
00:41:52 |
So cooperate. Why was |
00:41:56 |
l don't know. l never heard of |
00:41:58 |
How'd she meet Patchett? |
00:41:59 |
Pierce meets people. |
00:42:01 |
Sue had dreams of Hollywood |
00:42:05 |
Thanks to Pierce, |
00:42:10 |
Tell me about Pierce. |
00:42:12 |
He's waiting for you to mention money. |
00:42:15 |
-Want some advice, Miss Bracken? |
00:42:19 |
Miss Bracken. . . |
00:42:21 |
. . .don't ever try to fucking bribe me. . . |
00:42:23 |
. . .or l'll have you and Patchett |
00:42:27 |
l remember you from Christmas Eve. |
00:42:30 |
You have a thing |
00:42:34 |
Maybe l'm just fucking curious. |
00:42:36 |
-You say ''fuck'' a lot. |
00:42:40 |
There's blood on your shirt. |
00:42:43 |
-Yeah. |
00:42:45 |
When they deserve it. |
00:42:46 |
Did they deserve it today? |
00:42:49 |
l'm not sure. |
00:42:51 |
-But you did it anyway. |
00:42:53 |
Like the half dozen guys |
00:42:56 |
Actually, it was only two. |
00:43:00 |
You're different, Officer White. |
00:43:02 |
You're the first man in years who didn't |
00:43:07 |
You look better than Veronica Lake. |
00:43:14 |
Pierce Patchett? |
00:43:17 |
He takes a cut of our earnings |
00:43:19 |
He doesn't let us use narcotics |
00:43:23 |
Can your policeman's mentality |
00:43:29 |
He had you cut |
00:43:31 |
No. |
00:43:32 |
l'm really a brunette, |
00:43:37 |
And that's all the news |
00:43:41 |
lt's nice meeting you. |
00:43:47 |
-l'd like to see you again. |
00:43:49 |
. . .or an appointment? |
00:43:53 |
l don't know. |
00:43:54 |
-lf it's a date, what's your first name? |
00:43:59 |
lt was a mistake. |
00:44:20 |
Leonard Bidwell? |
00:44:22 |
Come down here and talk to us. |
00:44:26 |
How's the left these days? |
00:44:28 |
What's it to you? |
00:44:29 |
l saw you fight Kid Gavilan. |
00:44:31 |
l like your style. |
00:44:35 |
What do you want, Mr. Policeman? |
00:44:38 |
You got a brother in Folsom. |
00:44:40 |
Until 1 970. |
00:44:41 |
How'd you like to make it 1 960? |
00:44:44 |
l know the judge, |
00:44:46 |
. . .is good friends with the D.A. |
00:44:51 |
We're looking for 3 colored guys |
00:44:54 |
One owns a maroon Mercury coupe. |
00:44:57 |
-Want me to snitch? |
00:45:00 |
-lt was 1 0 years? |
00:45:02 |
You don't have to say anything, |
00:45:05 |
. . .and point. |
00:45:09 |
He's bad, so l'll just tell you. |
00:45:11 |
Sugar Ray Collins. |
00:45:13 |
Drives a maroon '49 coupe. |
00:45:15 |
Beautiful ride. |
00:45:18 |
Don't know about shotguns, |
00:45:22 |
He's righteous trash. |
00:45:24 |
Look at that. lt's five minutes |
00:45:29 |
l'll hear from you. . . |
00:45:31 |
. . .about my brother? |
00:45:33 |
Keep it up, Lenny. Up. |
00:45:41 |
There it is. |
00:45:59 |
-One of ours. |
00:46:08 |
Damn it. |
00:46:09 |
My glasses. |
00:46:11 |
You're kidding. |
00:46:14 |
Just don't shoot me. |
00:46:24 |
What are you doing here? |
00:46:27 |
We were in the neighborhood. |
00:46:29 |
-What do you got? |
00:46:32 |
And cash. |
00:46:35 |
So long, Vice. |
00:46:38 |
Fuck you! This is our collar. |
00:46:40 |
Quiet! |
00:46:41 |
l'm ranking officer here. |
00:46:50 |
Right. |
00:46:52 |
How many ways in? |
00:46:53 |
Only one. Up the stairs. |
00:46:57 |
He's very serious. |
00:47:13 |
Police! |
00:47:14 |
Don't shoot! |
00:47:17 |
-Don't move. |
00:47:19 |
Anxious, aren't you? |
00:47:20 |
Don't kill them. |
00:47:24 |
Back, back, back! |
00:47:26 |
Get off me! |
00:47:29 |
Against the wall! |
00:47:30 |
-Put your hands up! |
00:47:33 |
Shut up! |
00:47:36 |
So. . . |
00:47:38 |
. . .how's it feel |
00:47:46 |
This came from forensics. |
00:47:48 |
''Burning clothes. . . |
00:47:51 |
. . .Casitas Youth Camp. . . '' |
00:47:56 |
lt's crowded in here, White. |
00:47:58 |
These guys killed Stensland. |
00:48:16 |
The ejection marks on the shells |
00:48:19 |
. . .are identical to those on the |
00:48:22 |
l want confessions, Edmund. |
00:48:24 |
A night's stewing |
00:48:27 |
l'll break them, sir. |
00:48:48 |
Are you sure golden boy |
00:48:52 |
l think you'd be surprised |
00:48:57 |
You're 22, aren't you, Ray? |
00:49:04 |
Did an officer work you over? |
00:49:08 |
-You're 22, right? |
00:49:11 |
22 makes it a gas chamber bounce. |
00:49:13 |
You should've pulled this 2 years ago. |
00:49:16 |
Get life, do a little |
00:49:19 |
. . .transfer to Folsom a big man. |
00:49:21 |
Get yourself a sissy. |
00:49:24 |
l don't truck with sissies. |
00:49:28 |
Louis. |
00:49:30 |
What? |
00:49:32 |
You did the Casitas |
00:49:35 |
Why you keep asking me about Louis? |
00:49:39 |
Sugar, Louis told me |
00:49:42 |
You couldn't do the time, so you got |
00:49:46 |
Said they called you Sugar. . . |
00:49:49 |
. . .because you gave it out so sweet. |
00:49:52 |
Louis gave it up at Casitas. |
00:49:56 |
He was the sissy! |
00:49:57 |
Louis gave it up for candy bars! |
00:50:02 |
You like to shoot dogs. |
00:50:04 |
Dogs got no reason to live. |
00:50:08 |
What about people? |
00:50:10 |
What you trying to say? |
00:50:12 |
We got the shotguns. |
00:50:13 |
l don't own shotguns. |
00:50:15 |
Why were you throwing clothes |
00:50:17 |
Say what? |
00:50:19 |
A neighbor said she saw you |
00:50:23 |
Doesn't look good. |
00:50:25 |
l ain't talking till l see a judge. |
00:50:27 |
Were you on hop? You were |
00:50:31 |
Ty and Louis fuck |
00:50:33 |
Where do they get their stuff? |
00:50:36 |
Come on. |
00:50:38 |
Give me one to feed the D.A. |
00:50:41 |
. . .and l'll say Sugar Ray's not a punk |
00:50:51 |
Tell me where Jones and Fontaine. . . |
00:50:53 |
. . .get their drugs. |
00:50:58 |
Roland Navarette. |
00:51:01 |
He runs a hole-up on Bunker Hill. |
00:51:03 |
And he sells red devils. |
00:51:06 |
Exley's good, l'll give him that. |
00:51:08 |
l'll take a break. |
00:51:13 |
You know, l'm talking |
00:51:16 |
. . .and you haven't asked me |
00:51:19 |
You got a big ''guilty'' sign |
00:51:27 |
That was masterful. |
00:51:29 |
He's ready to go. |
00:51:37 |
Give Jones the newspaper. |
00:51:40 |
Take the cuffs off so he can read it. |
00:51:43 |
Ray Collins just ratted you off. |
00:51:46 |
l think it was Ray's idea. |
00:51:51 |
6 people are dead, |
00:51:54 |
Now, it can be you, or it can be Ray. |
00:51:59 |
Louis, he called you queer. |
00:52:01 |
-He said you took it up the ass. |
00:52:07 |
Son. . . |
00:52:10 |
. . .you know what'll happen |
00:52:13 |
You'll go to the gas chamber. |
00:52:17 |
l didn't mean to hurt her. |
00:52:19 |
-Maybe she's okay. |
00:52:22 |
They're in the morgue. |
00:52:26 |
l just wanted to lose my cherry. |
00:52:31 |
She don't die, so l don't die. |
00:52:33 |
Louis, who's the girl? |
00:52:36 |
Who are you talking about? |
00:52:38 |
Was she at the Nite Owl? |
00:52:41 |
Listen to me, was she at the Nite Owl? |
00:52:50 |
-This newspaper ain't shit! |
00:52:53 |
You kill her? |
00:52:54 |
Louis lost his cherry, but things |
00:52:59 |
She bled on your clothes, |
00:53:01 |
Who said that?! |
00:53:03 |
Now, listen to me. |
00:53:05 |
lf she's alive, she's your |
00:53:08 |
l think she's alive. |
00:53:09 |
Where is she now? |
00:53:11 |
You leave her someplace? |
00:53:14 |
Tell me where she is! |
00:53:18 |
What're you doing?! |
00:53:19 |
Don't. |
00:53:22 |
White! |
00:53:24 |
1 in 6! Where's the girl? |
00:53:26 |
l have this under control! |
00:53:28 |
Where's the girl? |
00:53:37 |
Sylvester Fitch, 1 09 Avalon. . . |
00:53:41 |
. . .brown corner house, upstairs. |
00:53:55 |
-Just give me one minute. |
00:54:03 |
Nobody moves. |
00:54:05 |
We're going in the front. |
00:54:07 |
...until I give the word. |
00:56:28 |
He went around back! |
00:56:32 |
l'm Lieutenant Exley. l'm sorry, |
00:56:36 |
Get her to the hospital. |
00:56:38 |
Give your career a rest. |
00:56:40 |
Leave her alone. |
00:56:42 |
A naked guy with a gun? |
00:56:45 |
Get the fuck away from me. |
00:56:47 |
-How will that look in your report? |
00:56:51 |
-Justice. |
00:56:55 |
You think it means getting |
00:56:58 |
Go after criminals for a change. |
00:57:01 |
Stensland got what he deserved |
00:57:17 |
lt's best to stay away |
00:57:19 |
His blood's always up. |
00:57:22 |
Perhaps you should |
00:57:25 |
Raymond Collins, Ty Jones |
00:57:28 |
They are considered |
00:57:31 |
Repeat. The Nite Owl |
00:57:34 |
How'd they get out the window? |
00:57:36 |
They jumped from the 2nd floor. |
00:57:38 |
Girl said they left her at 1 2. |
00:57:43 |
The question was, |
00:57:47 |
l haven't gotten that far yet. |
00:57:49 |
''Roland Navarette lives on Bunker Hill. |
00:57:55 |
Anyone seen Jack Vincennes? |
00:57:58 |
ls something up? |
00:58:00 |
l need backup. Come on. |
00:58:18 |
-What? |
00:58:28 |
This should be it. |
00:58:34 |
404. |
00:58:56 |
Nobody moves! |
00:58:58 |
Stay right there! |
00:58:59 |
-You're under arrest. |
00:59:01 |
Please don't shoot! |
00:59:03 |
Don't move! |
00:59:54 |
There he is. |
00:59:56 |
You did good, kid. |
00:59:57 |
You should've seen this place. |
01:00:01 |
Who would have thought? |
01:00:04 |
Somebody get him cleaned up. |
01:00:06 |
Come on. |
01:00:10 |
Edmund J. Exley |
01:00:14 |
. . .in his 7 years with the |
01:00:17 |
Recently, he evinced |
01:00:20 |
lt is our privilege to present him |
01:00:23 |
The Medal of Valor. |
01:00:25 |
-What kind of car was it? |
01:00:27 |
My husband always drove a Ford. |
01:00:30 |
Excuse me, ma'am. |
01:00:33 |
Light. And that's really |
01:00:38 |
Thank you. |
01:00:40 |
Cut! |
01:00:42 |
Big Jack! |
01:00:44 |
He's back! |
01:00:45 |
Jack's back. |
01:01:19 |
Tell Mr. Patchett l have no intention |
01:01:33 |
lt may surprise some that an official |
01:01:39 |
. . .but after due consideration. . . |
01:01:42 |
. . .l am changing my position |
00:00:03 |
Today is that last step westward |
00:00:07 |
. . .no traffic signals, from downtown. . . |
00:00:09 |
. . .to the beach in 20 minutes. |
00:00:41 |
What were you going to start with? |
00:00:45 |
Prostitution? |
00:00:48 |
Gambling? |
00:00:53 |
Go back to Jersey, sonny. |
00:00:57 |
. . .and you haven't got any wings. |
00:01:21 |
Nice to see you again. |
00:01:59 |
l wondered when you'd |
00:02:03 |
lt's Bud. |
00:02:05 |
Bud. |
00:02:34 |
Why me? |
00:02:38 |
l don't know. |
00:03:14 |
This election. . . |
00:03:15 |
. . .is about the future of |
00:03:19 |
City Councilman Rogers |
00:03:22 |
So let's dig deep. . . |
00:03:24 |
. . .and get a moral man re-elected. |
00:03:31 |
Thank you, Brett Chase. |
00:03:36 |
Let me tell you, |
00:03:41 |
Big V. |
00:03:44 |
Good to see you back. |
00:03:46 |
-How they hanging, Sid? |
00:03:49 |
You tight with the D.A., Jackie? |
00:03:52 |
He tried to throw me |
00:03:54 |
How about some payback, big-time? |
00:03:56 |
Plus the usual $50 donation |
00:04:01 |
-Did you know the D.A. was a swish? |
00:04:06 |
Remember Matt Reynolds? Christmas Eve? |
00:04:10 |
-He just got off the honor farm. |
00:04:13 |
Reynolds is acey-deucey, |
00:04:16 |
l'm getting him |
00:04:18 |
That's twice the $50 |
00:04:23 |
-Come here, come here. |
00:04:30 |
That's D.A. Loew right there. |
00:04:36 |
You need a drink? |
00:04:38 |
Yeah. |
00:04:41 |
Look after him. |
00:04:42 |
Matt, this is Jack. |
00:04:51 |
-How you doing? |
00:04:53 |
l'm good. |
00:04:57 |
Have we met before? |
00:05:01 |
Yeah. |
00:05:03 |
Was it at a party? |
00:05:05 |
lt was something like that. |
00:05:08 |
Fleur-de-Lis party, right? |
00:05:11 |
Right. |
00:05:13 |
Fleur-de-Lis. |
00:05:15 |
''Whatever you desire. '' |
00:05:17 |
Dope, hookers that |
00:05:20 |
. . .Pierce Patchett has it all. |
00:05:23 |
You could say that again. |
00:05:25 |
Pierce, he's not like regular guys. |
00:05:29 |
l dig him. . . |
00:05:31 |
. . .but you know. . . |
00:05:33 |
. . .he scares me too. |
00:05:36 |
Really? |
00:05:37 |
How? |
00:05:39 |
When l came out to L.A. this isn't |
00:05:45 |
Yeah, well. . . |
00:05:46 |
. . .get in line. |
00:05:48 |
Dutch courage, kid. Drink up. |
00:05:55 |
l don't think l should do this. |
00:05:57 |
lt's not like you don't know how. |
00:06:00 |
Jack's connected to Badge of Honor. |
00:06:04 |
l smell a comeback, don't you, Jack? |
00:06:10 |
The D.A.'s free. |
00:06:11 |
Go introduce yourself. Go on. |
00:06:14 |
Tell him about the opening on the show. |
00:06:18 |
l'm pretty sure l can get you a part. |
00:06:21 |
But that's later on. Tonight, just |
00:06:27 |
Like show biz. |
00:06:28 |
Acting, that's it. |
00:06:30 |
Right. |
00:06:31 |
No one's going to know about this? |
00:06:33 |
No. |
00:06:35 |
lt'll be our secret. |
00:06:41 |
-Show biz. |
00:06:47 |
Show biz. |
00:06:51 |
lf Reynolds works his charms, |
00:06:53 |
. . .they'll be at the Hollywood |
00:06:56 |
Meet me there at midnight |
00:06:59 |
Maybe we can work in |
00:07:03 |
You know Pierce Patchett? |
00:07:07 |
l know what you know. |
00:07:09 |
He's rich. lnvested in the freeways, |
00:07:14 |
l keep hearing rumors. |
00:07:16 |
High-class porn, drugs, hookers |
00:07:20 |
Patchett's what l call twilight. |
00:07:24 |
He cannot help me in my quest |
00:07:33 |
As though Badge of Honor would |
00:07:37 |
. . .after he's been Hush-Hush |
00:07:41 |
See you soon. |
00:07:42 |
Midnight. l guarantee all kinds |
00:08:18 |
Another, Jack? |
00:09:02 |
Kid? |
00:09:11 |
Come on, you don't have to do this-- |
00:09:44 |
Thank you for what you did for me. . . |
00:09:46 |
. . .for killing those animals |
00:09:49 |
Will you thank Officer White |
00:09:52 |
Sure. |
00:09:54 |
Seeing him come through the door |
00:09:58 |
Thank God. |
00:10:01 |
You remember what time |
00:10:04 |
ln your statement, you said |
00:10:07 |
They might have. |
00:10:13 |
They ''might'' have? |
00:10:15 |
l don't know what time they left me. |
00:10:19 |
Would anyone care that they |
00:10:22 |
. . .if they hadn't killed those |
00:10:26 |
l did what l had to do for justice. |
00:10:29 |
Exley, over here. |
00:10:30 |
Smile, lnez. |
00:10:33 |
ls he your hero? |
00:10:35 |
Fellas, how about this? ''Rape Victim |
00:10:45 |
All they get is Veronica Lake. |
00:10:49 |
l get Lynn Margaret Bracken. |
00:11:02 |
''Bisbee''? |
00:11:05 |
l grew up there. |
00:11:09 |
l'm going back in a couple of years, |
00:11:15 |
The girls in Bisbee |
00:11:24 |
Where'd this come from? |
00:11:27 |
l was 1 2. My dad went after my mother |
00:11:33 |
So you saved her. |
00:11:35 |
Not for long. |
00:11:40 |
-l'm sorry. lt's none of my business. |
00:11:44 |
l watched him beat my mother to death |
00:11:49 |
. . .and he left me there. |
00:11:53 |
Three days before |
00:11:59 |
They never found the old man. |
00:12:10 |
ls that why you became a cop? |
00:12:12 |
To get even? |
00:12:15 |
Maybe. |
00:12:18 |
Do you like it? |
00:12:23 |
l used to. |
00:12:26 |
Now it's all strong-arm, |
00:12:32 |
lf l could get a chance to work |
00:12:38 |
That prick, Exley. |
00:12:41 |
Whoever killed Stensland's still around. |
00:12:46 |
Something's wrong |
00:12:48 |
l just can't prove it, that's all. |
00:12:52 |
l'm not smart enough. |
00:12:55 |
l'm just the guy they bring in |
00:13:02 |
You're wrong. |
00:13:04 |
You found Patchett. You found me. |
00:13:07 |
You're smart enough. |
00:13:20 |
Bud White. What brings you |
00:13:26 |
A couple of Nite Owl questions. |
00:13:28 |
Don't know if you read the papers, |
00:13:33 |
Anything bother you about it? |
00:13:36 |
The fact that the pack-up boys haven't |
00:13:44 |
The suspects' 3 shotguns match |
00:13:49 |
What more do you want? |
00:14:02 |
There's blood on the wall here. |
00:14:04 |
l thought everyone got shot |
00:14:06 |
That is Stensland's blood. |
00:14:11 |
Blow to the head. Probably unconscious |
00:14:16 |
They hit anyone else? |
00:14:18 |
No, but he was a cop. |
00:14:24 |
Grilled cheese, black coffee. |
00:14:32 |
2 of the victims were women? |
00:14:34 |
Yeah, Patti DeLuca, the night shift |
00:14:42 |
Susan Lefferts. |
00:14:45 |
What about her? |
00:14:50 |
You're welcome! |
00:14:57 |
Mrs. Lefferts? |
00:14:58 |
l'm Officer White, LAPD. |
00:15:03 |
Tell me about the boyfriend. |
00:15:06 |
Susie, l told you |
00:15:09 |
He was too old for you. |
00:15:15 |
They came here one day |
00:15:18 |
Mrs. Jensen next door said. . . |
00:15:20 |
. . .she saw Susie's boyfriend |
00:15:23 |
. . .and she heard a ruckus. |
00:15:26 |
What was his name? |
00:15:27 |
We weren't properly introduced. |
00:15:30 |
He had a nickname, Muns or Luns. |
00:15:33 |
Stens? Was it Stens? |
00:15:35 |
Maybe. |
00:15:37 |
-l don't know. |
00:15:42 |
That's him. |
00:15:44 |
That's him. |
00:15:50 |
You said a neighbor heard a ruckus. |
00:15:53 |
Outside? |
00:15:54 |
lnside? |
00:15:56 |
Outside. |
00:15:57 |
And then Mrs. Jensen said |
00:16:05 |
You have to leave now, Officer. |
00:16:09 |
-What's through here? |
00:16:12 |
Don't move that. |
00:16:16 |
Don't mind the smell. |
00:16:21 |
My Susie was a good girl. |
00:16:23 |
She was never in any |
00:17:34 |
''Leland Meeks. '' |
00:17:37 |
They call me Buzz. |
00:17:45 |
Was it a rat? |
00:17:47 |
Yeah, a great big one. |
00:17:51 |
Here. |
00:17:53 |
Compliments of the Police Department. |
00:18:11 |
Stomach of the week |
00:18:14 |
Unemployed actor had frankfurter, |
00:18:18 |
Hell of a last supper, |
00:18:21 |
Anything bothering you |
00:18:24 |
The fact that you guys |
00:18:27 |
-What do you mean? |
00:18:31 |
Bud White? |
00:18:33 |
He's not as dumb as l thought. |
00:18:37 |
Did he say where he was going? |
00:18:52 |
Let my daughter rest in peace! |
00:18:54 |
l just want to ask a few questions. |
00:18:56 |
Officer White already checked |
00:18:59 |
Under the house? |
00:19:01 |
-Where? |
00:19:04 |
All he found was rodents. |
00:19:09 |
l need an l.D. on this as soon as |
00:19:17 |
l need your help. |
00:19:18 |
l'm busy. Why don't you ask |
00:19:24 |
l can't. l need someone |
00:19:27 |
l want you to tail Bud White. |
00:19:31 |
Do me a favor. Leave me alone. |
00:19:35 |
You make the 3 Negroes |
00:19:40 |
What? |
00:19:41 |
lt's a simple question. |
00:19:44 |
Why in the world |
00:19:47 |
. . .into the Nite Owl killings. . . |
00:19:49 |
. . .Lieutenant? |
00:19:54 |
Rollo Tomasi. |
00:19:58 |
ls there more or do l have to guess? |
00:20:03 |
Rollo was a purse snatcher. |
00:20:09 |
My father ran into him off-duty. |
00:20:13 |
He shot my father 6 times |
00:20:17 |
No one knew who he was. |
00:20:20 |
l made the name up |
00:20:24 |
Your point? |
00:20:25 |
Rollo Tomasi's the reason |
00:20:29 |
l wanted to catch the guys who |
00:20:33 |
lt was about justice. |
00:20:36 |
Then somewhere along the way |
00:20:43 |
Why'd you become a cop? |
00:20:54 |
l don't remember. |
00:21:02 |
What do you want? |
00:21:04 |
l want to solve this. |
00:21:06 |
Nite Owl was solved. |
00:21:11 |
l want to do it right. |
00:21:13 |
Even if it means |
00:21:18 |
All right, college boy, l'll help. |
00:21:21 |
But there's a case your boys |
00:21:23 |
They think it's just another |
00:21:28 |
You help me with mine, |
00:21:32 |
Deal? |
00:21:33 |
Deal. |
00:22:05 |
Johnny Stompanato. |
00:22:09 |
Officer Wendell White. |
00:22:12 |
l ain't your paesano. |
00:22:14 |
l ain't in the snitch business anymore. |
00:22:16 |
You know a guy named Buzz Meeks? |
00:22:19 |
Works for Pierce Patchett. |
00:22:22 |
Should l? |
00:22:24 |
You're muscle for hire. |
00:22:27 |
You tell me. |
00:22:30 |
Yeah, l remember now. |
00:22:32 |
Meeks is a run-down ex-cop. |
00:22:36 |
That's all you'll get. |
00:22:38 |
Keep your $20. |
00:22:45 |
What do l get if l give you your |
00:22:53 |
There was a rumor going around. . . |
00:22:55 |
. . .that Meeks had a line |
00:23:00 |
And? |
00:23:02 |
And nothing! |
00:23:03 |
He skipped out. |
00:23:17 |
Bullshit. |
00:23:19 |
How would Meeks get his hands |
00:23:23 |
You're right. |
00:23:24 |
lt's probably bullshit. |
00:23:26 |
Even if he did, |
00:23:29 |
Not without drawing |
00:23:32 |
Maybe that's why he's under a house |
00:23:37 |
...paesano. |
00:24:28 |
Maybe White's |
00:24:44 |
We got Rita Hayworth at the morgue, |
00:24:48 |
l think your case and my case |
00:24:52 |
Fleur-de-Lis? |
00:24:54 |
''Whatever you desire. '' |
00:24:56 |
Porno. |
00:24:57 |
High-class whores |
00:25:00 |
Who knows what else? Reynolds, |
00:25:04 |
So is Pierce Patchett. |
00:25:06 |
The millionaire? |
00:25:08 |
l think we should talk to him. |
00:25:10 |
First l want to brace Stompanato. |
00:25:28 |
Want an autograph? |
00:25:31 |
Since when do two-bit hoods |
00:25:34 |
What? |
00:25:36 |
LAPD. Sit down. |
00:25:37 |
Who the hell do you think you are? |
00:25:39 |
Take a walk, honey. |
00:25:41 |
-You're making a large mistake. |
00:25:44 |
Shut up. |
00:25:47 |
A hooker cut to look like Lana Turner |
00:25:50 |
-She just looks like Lana Turner. |
00:25:54 |
She is Lana Turner. |
00:26:05 |
How was l supposed to know? |
00:26:22 |
l believe the Nite Owl's |
00:26:26 |
l saw you on television |
00:26:30 |
And you're. . . |
00:26:31 |
. . .that other Hollywood |
00:26:36 |
The Veronica Lake look-alike works |
00:26:41 |
-A vulgar term. |
00:26:44 |
Why do men and women |
00:26:51 |
Let's try this on for size: |
00:26:54 |
''Whatever you desire. '' |
00:26:56 |
An actor named. . . |
00:26:58 |
. . .Matt Reynolds. |
00:27:01 |
Nothing? |
00:27:04 |
We want some answers. |
00:27:09 |
We all want something. |
00:27:13 |
The guy's as cool as they come. |
00:27:17 |
Lieutenant Exley, |
00:27:21 |
Exley. |
00:27:22 |
The coroner wants to talk to you. |
00:27:25 |
Tell him Sergeant Vincennes |
00:27:28 |
-l'll drop you at your car. |
00:27:31 |
Lynn Bracken's. |
00:27:32 |
To find out why Patchett has her seeing |
00:27:37 |
Oh, great. You get the girl. |
00:27:50 |
Hush-Hush, off the record |
00:27:57 |
l was just coming to see you. |
00:27:59 |
Thank God for dental records. |
00:28:04 |
Buzz Meeks? |
00:28:05 |
-You knew him? |
00:28:06 |
He was around when l joined the force. |
00:28:11 |
''Just the facts. '' |
00:28:12 |
''Just the facts. '' |
00:28:17 |
Anything else? |
00:28:18 |
Leland Meeks worked Vice '39-'41 . |
00:28:29 |
Miss Bracken. . . |
00:28:30 |
. . .l'm Lieutenant Exley. |
00:28:32 |
l know. |
00:28:33 |
Bud told me all about you. |
00:28:35 |
ls that so? |
00:28:38 |
And what did White have to say? |
00:28:41 |
He said you were smart. |
00:28:43 |
He also said you were a coward, and that |
00:28:48 |
Let's concentrate on my smarts. |
00:28:50 |
Pierce Patchett made you, didn't he? |
00:28:56 |
And l'm impressed with the results. |
00:28:59 |
But l need answers. |
00:29:01 |
And if l don't get them, |
00:29:04 |
Pierce Patchett |
00:29:08 |
And l'm not afraid of you. |
00:29:10 |
And you forget one thing, Lieutenant. . . |
00:29:13 |
. . .Pierce also taught me how to fuck. |
00:29:19 |
And he tells you who to fuck. |
00:29:22 |
Why are you fucking Bud White? |
00:29:24 |
What makes you think |
00:29:28 |
lt would be easier for you |
00:29:32 |
You're afraid of Bud because you can't |
00:29:36 |
He doesn't follow |
00:29:40 |
lt makes him dangerous. |
00:29:42 |
l can handle Bud White. |
00:29:44 |
Can you? |
00:29:49 |
l see Bud because l want to. |
00:29:54 |
l see Bud because |
00:29:59 |
l see Bud because he makes me feel |
00:30:02 |
. . .and not a Veronica Lake |
00:30:07 |
l see Bud because he doesn't |
00:30:13 |
l see Bud for all the ways |
00:30:19 |
Don't underestimate me. |
00:30:21 |
The way you've |
00:30:31 |
Fucking me and fucking Bud |
00:30:34 |
Stop talking about Bud White. |
00:30:59 |
Come on. |
00:31:04 |
Shit. |
00:31:18 |
Jack Vincennes. |
00:31:21 |
lt's going on midnight. |
00:31:22 |
l need 2 minutes, Dudley. |
00:31:25 |
lt's important. |
00:31:26 |
Good thing for you my wife and daughters |
00:31:33 |
Do you remember Buzz Meeks? |
00:31:36 |
A disgrace as a police officer. |
00:31:39 |
Straight D fitness reports from every |
00:31:43 |
1 2 years ago, he was on a vice roust |
00:31:46 |
They questioned Pierce Patchett |
00:31:50 |
Patchett had Sid Hudgens photographing |
00:31:54 |
Anyway, charges were dropped. |
00:31:57 |
You were the supervising officer on |
00:32:03 |
What's this about, boyo? |
00:32:05 |
lt has to do with a murder |
00:32:09 |
You're Narco, Jack, not Homicide. |
00:32:12 |
Since when do you work with Exley? |
00:32:15 |
lt's a private investigation. |
00:32:19 |
l messed something up. |
00:32:22 |
Don't start trying to do the right |
00:32:33 |
Buzz Meeks and Dick Stensland. |
00:32:39 |
So, what does Exley make of this? |
00:32:42 |
l haven't told him yet. |
00:33:09 |
Have you a valediction, boyo? |
00:33:18 |
Rollo. . . |
00:33:20 |
. . .Tomasi. |
00:33:42 |
Sergeant Vincennes was killed |
00:33:45 |
Time of death, approximately 1 a.m. |
00:33:48 |
Although he was found in Echo Park, |
00:33:54 |
l want 2-man teams to scour |
00:33:58 |
Our justice must be swift. . . |
00:34:01 |
. . .and merciless. |
00:34:05 |
That is all. |
00:34:15 |
Might l have a word with you? |
00:34:20 |
We're trying to run down a lead |
00:34:23 |
The records check has led to a dead end. |
00:34:26 |
What's the name? |
00:34:27 |
Rollo Tomasi? |
00:34:31 |
You ever heard Vincennes mention him? |
00:34:35 |
No. No, l haven't. |
00:34:41 |
lt's probably nothing. Still. . . |
00:34:45 |
. . .keep your eyes open, boyo. |
00:34:56 |
l know it's unlikely, but suppose. . . |
00:34:59 |
. . .somebody had a lot of heroin, |
00:35:03 |
White, in my office. |
00:35:05 |
Captain. Look, just give me a name. |
00:35:08 |
Mickey Cohen. |
00:35:15 |
Captain? |
00:35:17 |
l could use your fearsome |
00:35:20 |
When? |
00:35:23 |
Now. |
00:35:26 |
Close the door, lad. |
00:35:35 |
You're a bit of a |
00:35:38 |
You don't seem your old cruel self. |
00:35:41 |
And l had such grand plans |
00:35:44 |
What plans? |
00:35:46 |
You have your extracurricular |
00:35:53 |
We must have a clarification |
00:35:57 |
However. . . |
00:35:59 |
. . .right now. . . |
00:36:01 |
. . .we'll brace a man who may know |
00:36:04 |
So the question is. . . |
00:36:06 |
. . .can l count on you, lad? |
00:36:08 |
-Yes or no? |
00:36:14 |
l want to know everything you and |
00:36:18 |
Start with the l.D. on the corpse. |
00:36:20 |
An ex-cop. |
00:36:22 |
Leland ''Buzz'' Meeks. |
00:36:24 |
An ex-cop? |
00:36:25 |
Did Jack know him? |
00:36:27 |
Only by reputation. |
00:36:35 |
Wendell, this is Sid Hudgens. |
00:36:37 |
l'm willing to cooperate. |
00:36:40 |
lt's for your own safety. |
00:36:43 |
What can you tell us |
00:36:46 |
Hollywood Jack? The Big V? |
00:36:49 |
l can tell you he's on |
00:36:56 |
l had nothing to do with him |
00:36:59 |
-But you were business associates. |
00:37:05 |
Okay, so we worked together. |
00:37:07 |
lt was an information exchange. |
00:37:10 |
l got him first-class collars, he got me |
00:37:14 |
We'll drop that for now. |
00:37:16 |
What about Pierce Patchett? |
00:37:18 |
You think he had something to do |
00:37:23 |
l'd like full and docile |
00:37:26 |
Okay, okay, okay. All right. |
00:37:30 |
Everyone knows Patchett's |
00:37:33 |
But he has hobbies too. |
00:37:35 |
He bankrolls B movies under the table. |
00:37:38 |
And try this one on. |
00:37:40 |
He's rumored to be a heroin sniffer. |
00:37:42 |
All in all, a powerful |
00:37:45 |
-And? |
00:37:51 |
Reciprocity, Mr. Hudgens, |
00:37:58 |
He runs call girls. |
00:38:01 |
Primo tail fixed up |
00:38:07 |
And? |
00:38:08 |
Blackmail shit. |
00:38:11 |
ln my car, in the trunk, |
00:38:13 |
Patchett got me to photograph this cop |
00:38:18 |
She looks just like Veronica Lake. |
00:38:21 |
Leave him! |
00:38:22 |
l said leave him be! |
00:38:24 |
Get him away from me! |
00:38:27 |
Back off! |
00:39:10 |
l wouldn't trade places with Exley right |
00:39:18 |
Dudley, l thought you were going to |
00:39:23 |
Learn to pull your punches |
00:39:25 |
You can uncuff me now, fellas. |
00:39:33 |
Fellas. . . |
00:39:36 |
. . .we had a deal. |
00:39:37 |
You, me, Patchett. We're a team. |
00:39:43 |
Hush-hush. |
00:39:46 |
-Anything? |
00:39:48 |
Meeks never made an arrest |
00:39:51 |
Someone must've pulled the files. |
00:39:55 |
What about the daily report books? |
00:39:57 |
-They'd be buried in the basement. |
00:40:30 |
You talk to Exley? |
00:40:32 |
Come in out of the rain. |
00:40:35 |
What happened with Exley? |
00:40:39 |
Just come in. |
00:40:42 |
Will you tell me |
00:40:45 |
We talked. |
00:40:47 |
Tell me about him. |
00:40:48 |
Later. |
00:40:50 |
Now! |
00:40:54 |
You fucked him. |
00:40:59 |
You fucked him. |
00:41:01 |
l thought l was helping you. |
00:41:52 |
l'm glad you're here. |
00:42:03 |
Wait. |
00:42:30 |
Dudley killed Jack. |
00:42:32 |
He wants you to kill me. |
00:42:37 |
He showed you the photo, didn't he? |
00:42:40 |
Didn't he? |
00:42:43 |
Think! Goddamn you, think! |
00:42:48 |
Get out! |
00:43:05 |
l checked the daily report books. |
00:43:08 |
Dudley, Buzz Meeks and |
00:43:14 |
l knew Stensland lied to me. |
00:43:19 |
Lefferts' mother l.D.'d |
00:43:24 |
Stensland pretended he didn't know |
00:43:29 |
. . .Lynn. |
00:43:32 |
Stensland and Meeks. . . |
00:43:34 |
. . .what were they up to? |
00:43:36 |
l don't know. But l think |
00:43:40 |
What heroin? |
00:43:46 |
Johnny Stompanato told me |
00:43:50 |
Meeks ends up dead. |
00:43:52 |
Stensland dies at the Nite Owl. |
00:43:55 |
lt wasn't the Negroes. |
00:43:58 |
The rape victim lied. |
00:44:00 |
The first guys to the Mercury coupe |
00:44:04 |
Dudley's guys. |
00:44:06 |
They planted the shotguns. |
00:44:08 |
They'd have killed the Negroes too |
00:44:12 |
Dudley framed them because |
00:44:15 |
He knew there'd be no questions asked. . . |
00:44:19 |
. . .if they were killed resisting arrest. |
00:44:22 |
Somehow it's all connected |
00:44:25 |
Sid Hudgens. . . |
00:44:27 |
. . .the pictures to blackmail |
00:44:30 |
A kid got murdered. |
00:44:32 |
To figure it out, |
00:44:40 |
Why are you doing this? |
00:44:44 |
The Nite Owl made you. |
00:44:47 |
You want to tear all that down? |
00:44:50 |
With a wrecking ball. |
00:44:52 |
Want to help me swing it? |
00:45:06 |
Let's go see Ellis Loew. |
00:45:08 |
Find out what |
00:45:19 |
You can't go in there. |
00:45:22 |
-Want me to call the police, Mr. Loew? |
00:45:26 |
Tell him we're discussing an unemployed |
00:45:30 |
These are the police. |
00:45:37 |
What do you want? |
00:45:38 |
l want D.A. bureau men to tail Dudley |
00:45:43 |
l want you to get a judge to authorize |
00:45:46 |
l want authorization |
00:45:49 |
On what evidence? |
00:45:51 |
Call it a hunch. |
00:45:54 |
Absolutely not. |
00:45:56 |
Dudley Smith is a highly-decorated |
00:45:59 |
l won't smear his and |
00:46:01 |
Without what? |
00:46:02 |
Them smearing yours first? |
00:46:04 |
What do they have? Pictures of you |
00:46:10 |
You have proof? |
00:46:12 |
The proof had his throat slit. |
00:46:15 |
So far, you're not denying it. |
00:46:18 |
l won't dignify this with answers. |
00:46:20 |
Now if you gentlemen will excuse me. . . |
00:46:23 |
. . .l have a press conference for Jack |
00:46:37 |
Unless you came to wipe my ass, |
00:46:45 |
Don't pull that good-cop-bad-cop crap. |
00:46:50 |
So what if some homo actor is dead. |
00:46:52 |
Boys, girls. Ten of them |
00:47:03 |
Pull him off me! |
00:47:04 |
l don't know how. |
00:47:09 |
l know you think you're the A-number-one |
00:47:13 |
lf l kill you, 1 0 lawyers |
00:47:15 |
They just won't come on a bus. |
00:47:30 |
Okay! |
00:47:33 |
Dudley and Patchett, they. . . . |
00:47:36 |
Oh, my God! |
00:47:37 |
l wouldn't play ball so they set me up! |
00:47:39 |
l gave in! |
00:47:43 |
. . .so they killed him. |
00:47:44 |
Why? |
00:47:45 |
-What are Dudley and Patchett up to? |
00:47:49 |
Because of those pictures |
00:47:53 |
Oh, Jesus! |
00:47:54 |
Help me up! |
00:48:04 |
ls that how you ran |
00:48:08 |
Patchett? |
00:48:44 |
Looks like his bodyguard |
00:48:52 |
Suicide note. |
00:48:54 |
Says he killed Jack because Jack had |
00:48:58 |
Slicing himself open wasn't his idea. |
00:49:02 |
2 of his fingers are broken. |
00:49:03 |
They held him there. |
00:49:06 |
Or drugged him. |
00:49:10 |
Dudley's tying up his loose ends. |
00:49:13 |
Patchett's dead. |
00:49:14 |
He sent you after me. |
00:49:18 |
Lynn. |
00:49:20 |
West Hollywood Sheriff. |
00:49:21 |
-They're closer than we are. |
00:49:31 |
We took her to the station |
00:49:35 |
Hold her as Joan Smith. |
00:49:39 |
Someone worked her over. |
00:49:41 |
She wouldn't say who. |
00:49:47 |
See you, Exley. |
00:49:52 |
We should talk to Lynn. |
00:49:54 |
You do it. |
00:49:56 |
What will you do? |
00:50:00 |
l'm going to talk to Sid Hudgens. |
00:50:03 |
Compliment him on his |
00:50:06 |
Remember, Bud, we need evidence. |
00:50:09 |
l'll get the evidence. |
00:50:22 |
Are you okay? |
00:50:26 |
You okay? |
00:50:37 |
Bud hates himself for what he did. |
00:50:40 |
l know how he feels. |
00:50:44 |
l need to know what you |
00:50:49 |
He's a police captain |
00:50:52 |
l've never heard of him. |
00:50:57 |
Do you have a place to stay? |
00:51:01 |
l'll be okay. |
00:51:08 |
Nobody goes in without official l.D. |
00:51:15 |
lt's okay. Let him through. |
00:51:20 |
What happened? |
00:51:22 |
Someone beat him to death, |
00:51:25 |
Must have dug up garbage |
00:51:28 |
We got it narrowed down |
00:51:31 |
Sergeant White. . . |
00:51:33 |
. . .dispatch got a call for you. |
00:51:35 |
Lieutenant Exley wants you |
00:52:10 |
You wanted to meet here? |
00:52:14 |
-You called it. l thought Hudgens was-- |
00:52:28 |
Let's get out of here. |
00:52:36 |
lt's too late. |
00:53:25 |
You figured it was a set-up |
00:53:27 |
A lot of bad stuff happened here. |
00:53:30 |
lt's as good a place as any |
00:53:42 |
Clip. |
00:53:48 |
All l ever wanted |
00:53:51 |
Now's your chance. |
00:53:55 |
He died in the line of duty, didn't he? |
00:55:51 |
Goddamn it! |
00:56:50 |
You okay? |
00:56:52 |
Yeah. |
00:57:11 |
Come on. Easy. |
00:57:19 |
Move! |
00:57:42 |
Rollo Tomasi. |
00:57:46 |
Who is he? |
00:57:48 |
You are. |
00:57:52 |
You're the guy who gets away with it. |
00:57:57 |
Jack knew it. |
00:57:59 |
And so do l. |
00:58:25 |
Are you going to shoot me. . . |
00:58:27 |
. . .or arrest me? |
00:58:35 |
Good lad. |
00:58:37 |
Always the politician. |
00:58:39 |
Let me do the talking. |
00:58:41 |
After l'm done, they'll make you |
00:59:11 |
Hold up your badge. . . |
00:59:13 |
. . .so they'll know you're a policeman. |
01:00:03 |
You think you can talk |
01:00:08 |
No. . . |
01:00:10 |
. . .but l can tell the truth. |
01:00:12 |
During our investigation. . . |
01:00:15 |
. . .of events surrounding |
01:00:19 |
. . .Jack Vincennes, Bud White |
01:00:23 |
Your golden boy's |
01:00:26 |
The 3 Nite Owl suspects. . . |
01:00:28 |
. . .while guilty of |
01:00:31 |
. . .were innocent of the |
01:00:35 |
The gunmen were most likely. . . |
01:00:38 |
. . .Los Angeles police officers |
01:00:42 |
. . .and a third man. . . |
01:00:44 |
. . .who may or may not have been |
01:00:49 |
The objective: |
01:00:51 |
The elimination of |
01:00:54 |
. . .Richard Stensland. . . |
01:00:57 |
. . .who, along with former LAPD officer |
01:01:02 |
. . .also committed multiple homicides |
01:01:07 |
. . .and then betrayed him. . . |
01:01:08 |
. . .over 25 pounds of heroin. . . |
01:01:12 |
. . .the retrieval of which. . . |
01:01:14 |
. . .was the ultimate motivation |
01:01:20 |
Beginning with the incarceration |
01:01:23 |
. . .Capt. Smith has been assuming control |
01:01:30 |
This includes the assassinations |
01:01:34 |
. . .the systematic blackmail |
01:01:38 |
. . .and the murders of Susan Lefferts, |
01:01:44 |
. . .and Sergeant Jack Vincennes. |
01:01:49 |
Captain Smith admitted as much to me. . . |
01:01:53 |
. . .before l shot him. . . |
01:01:55 |
. . .at the Victory Motel. |
01:01:59 |
That's it. |
01:02:04 |
The press will have a field day. |
01:02:08 |
Christ! |
01:02:10 |
lt'll stain the Department for years. |
01:02:12 |
Decades. |
01:02:14 |
lf we can get the kid to play ball. . . |
01:02:18 |
. . .who's to say what happened? |
01:02:20 |
Maybe Dudley Smith died a hero. |
01:02:23 |
-Good idea. |
01:02:33 |
Want to tell me what |
01:02:41 |
A hero. |
01:02:43 |
How'd he know what we said? |
01:02:44 |
He couldn't have heard us. |
01:02:50 |
ln this situation. . . |
01:02:52 |
. . .you'll need more than one. |
01:03:00 |
It is my pleasure to present this award |
01:03:06 |
... two-time Medal of Valor recipient. |
01:03:17 |
Next year the LAPD |
01:03:22 |
With leaders like Edmund Exley. . . |
01:03:23 |
. . .the image of fat cops stealing apples |
01:03:27 |
. . .and Los Angeles will finally |
01:03:44 |
You just couldn't resist. |
01:03:46 |
They're using me. |
01:03:50 |
Come on. |
01:04:25 |
Thanks for the push. |
01:04:47 |
Congratulations, Lieutenant Exley. |
01:04:52 |
Some men get the world. . . |
01:04:55 |
. . .others get ex-hookers |
01:10:22 |
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