La mala educaci n Bad Education

en
00:00:39 BAD EDUCATION
00:01:48 Enrique Goded
00:01:49 "The current spell of icy weather
00:01:53 A motorcyclist froze to death
00:01:57 and drove for a further 90 km
00:02:02 Two patrolmen flagged him down
00:02:05 and as he didn't react
00:02:08 They drove alongside
00:02:10 and rebuked him for his attitude.
00:02:12 As he didn't move
00:02:15 It seems incredible.
00:02:17 It's a wonderful image.
00:02:19 A dead young man drives
00:02:23 escorted by two patrolmen.
00:02:25 Where was he going
00:02:29 To see someone who couldn't wait
00:02:32 There's a story here!
00:02:35 I'll cut it out and keep it,
00:02:41 I'll get it.
00:02:48 - Hello.
00:02:49 I'm an actor.
00:02:52 He isn't here.
00:02:55 But I can see him, man.
00:02:58 In any case,
00:03:00 I'd like to speak to him.
00:03:03 I'm Ignacio Rodriguez.
00:03:06 - All right, come in.
00:03:08 - I don't think he'll see you.
00:03:12 Wait a minute.
00:03:15 He's an actor, a nuisance!
00:03:17 I told him
00:03:21 - Tell him I'm not in.
00:03:23 And I can see him.
00:03:24 He said he was
00:03:28 - Who can he be?
00:03:31 Ignacio?
00:03:33 - It can't be!
00:03:39 Ignacio, is it really you?
00:03:42 Of course, Enrique.
00:03:43 - I'm delighted you remember me!
00:03:47 Well, it's been sixteen years.
00:03:50 - That long?
00:03:52 I wouldn't recognize you
00:03:55 You'd look better without it.
00:03:58 - You want a coffee?
00:04:00 - I'm having one.
00:04:03 - Martin, will you make some coffee?
00:04:07 Sit down.
00:04:09 What brings you here?
00:04:12 I came to ask for work.
00:04:15 I've brought my resume.
00:04:21 - Bumblebee Group.
00:04:27 "El Retablillo de San Christobal"
00:04:33 "The Diary of Adam and Eve",
00:04:36 Mark Twain, Garcia Lorca...
00:04:38 Only the best
00:04:41 Don't you write anymore?
00:04:43 No, I stopped ages ago.
00:04:44 But I've brought my last story.
00:04:50 "THE VISIT"
00:04:52 "The Visit"...
00:04:54 By the way, when are you starting
00:04:58 - Well...
00:05:01 We're eyeing tabloids
00:05:05 You've caught me
00:05:07 That's a bummer!
00:05:09 Read my story,
00:05:12 What's it about?
00:05:13 Our school.
00:05:15 One part is based
00:05:18 and the other part isn't,
00:05:22 That's fiction.
00:05:23 I haven't introduced you.
00:05:26 Pleased to meet you.
00:05:28 - Sugar and milk?
00:05:31 By the way,
00:05:33 I'm Angel.
00:05:35 Why's that?
00:05:36 It's my stage name.
00:05:38 An actor can't be called
00:05:40 - He can't?
00:05:42 Angel Andrade.
00:05:44 Everyone calls me that,
00:05:47 That's great.
00:05:49 Thank you.
00:05:50 - Ignacio was...
00:05:54 - Ignacio...
00:05:57 Well, Ignacio,
00:05:59 was..
00:06:02 Martin is my production director.
00:06:04 And maid of all work.
00:06:06 - Well, Ignacio...
00:06:08 Right!
00:06:10 I'm delighted to see you.
00:06:12 As soon as I've got anything...
00:06:14 Give me your number,
00:06:16 I don't have a phone.
00:06:18 But I'll call you.
00:06:19 Shold I leave you another photo?
00:06:24 Well, Angel,
00:06:27 - So should I go?
00:06:31 Can't I help you cut out...?
00:06:36 - So long.
00:06:41 You look great!
00:06:43 So do you.
00:06:45 - Do read "The Visit".
00:06:47 - I'm dying of curiosity.
00:06:52 I thought he'd never leave!
00:06:55 - Is he really a friend of yours?
00:06:59 I haven't seen him
00:07:01 We were reall close.
00:07:03 Well, he was my first love.
00:07:06 But he's changed a lot.
00:07:08 I didn't recognize him.
00:07:10 Will you see him again?
00:07:16 It seemed that you liked him.
00:07:17 No. there's nothing less erotic
00:07:23 "The Visit".
00:07:27 Ever since we started touring
00:07:31 I've been waiting
00:07:33 Today we're playing in the town
00:07:37 I won't mention its name
00:07:41 I owe my best memories
00:07:44 which is now in ruins.
00:08:01 "THE BOMB"
00:08:10 Card.
00:08:15 - I'm fucking sick of losing!
00:08:18 Take a break.
00:08:58 Thank you.
00:09:02 She defines herself as
00:09:05 a mix of desert, hazard,
00:09:08 and cafeteria.
00:09:10 She's a great artiste
00:09:12 and a great friend of mine.
00:09:15 With all of you,
00:09:17 our next act,
00:09:18 the mystery
00:09:19 and the fascination
00:09:22 of the one and only,
00:09:23 the inimitable,
00:09:24 Zahara!
00:09:26 A bit of applause,
00:10:51 - So...
00:10:54 - Listen...
00:10:57 - Yeah, but...
00:11:02 You've got time
00:11:06 Monda!
00:11:07 Wait for me, love!
00:11:13 Hello.
00:11:16 - What's wrong?
00:11:20 May I help you?
00:11:22 Sure.
00:11:30 No, they're not here.
00:11:33 Let's see.
00:11:40 Not here either.
00:11:49 Here they are!
00:12:04 My lips are wearing out!
00:12:06 I drank too much.
00:12:09 You're telling me.
00:12:25 Hey!
00:12:34 He's out cold!
00:12:50 A kid.
00:12:59 Not a cent.
00:13:01 A lottery ticket.
00:13:06 Don't start the engine
00:13:08 But he passed out!
00:13:11 He's not bad.
00:13:12 And look, he's still hard!
00:13:16 Love...
00:13:17 - Let me suck him off a bit.
00:13:20 You've been at him for hours.
00:13:23 Come on
00:13:25 Shut up!
00:13:27 Hurry back, I'll see you
00:13:30 Sure, I get all the dirty work
00:13:38 Now you got a hard-on,
00:13:41 It's not fair!
00:13:46 Enrique Serrano.
00:13:52 Enrique!
00:14:01 Paquito!
00:14:05 Come up here!
00:14:06 What about the bike?
00:14:08 Leave it there.
00:14:13 There's nothing like
00:14:16 and on hormones
00:14:18 to end up
00:14:34 The keys!
00:14:36 Why not?
00:14:38 I'll explain later.
00:14:41 - So we're going to the school?
00:14:44 I'm flipped out, bitch!
00:15:31 Dear Enrique.
00:15:34 I've dreamed so much
00:15:38 Years have gone by,
00:15:40 We have to meet again,
00:15:44 I want to tell you about my life
00:15:46 While we eat cream cake
00:15:49 like when we got out of school
00:15:52 I'm not going
00:15:54 I know you're married
00:15:57 I know that
00:15:59 that you're broke
00:16:03 Right now
00:16:07 But I'll explain it all
00:16:10 I'll wait for you from 6:00 to 7:00.
00:16:12 Do come!
00:16:14 I adore you.
00:16:16 Ignacio.
00:17:12 Yes?
00:17:14 Have you unpacked
00:17:18 Not even half of them.
00:17:21 Do you need a hand?
00:17:24 It's best if you don't. Martin.
00:17:27 Can I call you later?
00:17:28 I'm reading.
00:17:30 Don't be so fucking touchy!
00:17:32 I'll call you in a while.
00:17:44 We saw Sara's first films here.
00:17:47 And "Breakfast at Tiffany's"
00:17:50 Enrique and I groped each other
00:17:55 My knees are trembling
00:18:03 I'm meeting him at 6:00
00:18:05 Don't get your hopes up.
00:18:08 If Fr. Manolo
00:18:10 What's he got to do with it?
00:18:12 A lot, everything!
00:18:14 That priest owes me a lot
00:18:18 I hate seeing you like this.
00:18:20 You got anyhing left?
00:18:23 What?
00:18:24 Speedball.
00:18:25 C'mon, let's have some!
00:18:27 - Here?
00:18:29 They haven't
00:18:32 Oh, fag !
00:18:34 Come on.
00:18:35 A nailful for my gal Paca.
00:18:42 One more
00:18:45 Two fucks, two bumps,
00:18:50 "Two rode together",
00:18:54 You're such a pig!
00:18:57 Right, let's go to school!
00:18:59 *Gee up, girl!
00:19:04 Come on, best foot forward.
00:19:09 This was my school.
00:19:13 I'm worn out.
00:19:15 Be quiet.
00:19:19 It's started.
00:19:22 The God of hope who,
00:19:26 fills us with His joy and peace...
00:19:28 That's Fr. Manolo.
00:19:29 - He looks so old!
00:19:32 I guess.
00:19:33 Zahara, this is crazy!
00:19:35 Are you backing out, bitch?
00:19:39 But the chapel is tiny,
00:19:42 When he sees us appear,
00:19:44 he'll do what Christ did
00:19:46 He drovee them out with a whip,
00:19:49 So this man who, according
00:19:57 I confess to god,
00:19:59 and to you, my brethren,
00:20:01 that I have sinned
00:20:05 deed and omission.
00:20:06 Through my fault.
00:20:07 - Through my fault.
00:20:10 Through your fault.
00:20:11 Through my most grievious fault.
00:20:13 So I beseech
00:20:16 the angels, the saints,
00:20:18 and you, my brethren,
00:20:20 to intercede for me
00:20:24 Almighty God,
00:20:27 forgive us our sins
00:20:31 Through Jesus Christ Our Lord.
00:20:33 We'll see.
00:20:34 The Lord be with you.
00:20:35 I could use Him.
00:20:37 May the blessing
00:20:39 Father, Son and Holy Spirit
00:20:43 descend upon you.
00:20:44 You may go in peace.
00:20:47 I hope so!
00:21:16 Go back to the dormitory
00:21:19 Thank you, Father.
00:21:31 If I'm in the sacristy
00:21:33 We'll meet at the hostel
00:21:37 sweetheart.
00:21:43 Cute.
00:21:47 Divine!
00:21:53 Good morning, Fr. Manolo.
00:21:56 What do you want?
00:22:00 I'm the sister of an ex-pupil,
00:22:02 You still can't come in here
00:22:05 Don't you remember him?
00:22:06 We've had a lot of pupils.
00:22:09 But no one like Ignacio,
00:22:12 I've brought
00:22:14 He can give it to me himself.
00:22:17 He can't.
00:22:19 He died in an accident.
00:22:23 I'm sorry.
00:22:25 Now, please go.
00:22:29 Go away!
00:22:38 - Hide!
00:22:39 Hide, he's coming!
00:23:44 Ignacio...
00:23:51 I told you to leave!
00:23:54 The same as you,
00:23:57 Get out!
00:24:00 We have to talk, Father.
00:24:02 It'll only take a minute.
00:24:04 Say what you have to say
00:24:08 Are we going to talk in the dark?
00:24:11 I don't mind.
00:24:13 I'm used to working
00:24:15 What do you want?
00:24:18 A better life
00:24:21 and a better body.
00:24:23 What do I have to do
00:24:27 You could help me
00:24:30 I don't believe
00:24:32 or that you're his sister.
00:24:34 I don't even believe
00:24:42 Are you locking me in?
00:24:44 I don't want anyone
00:24:49 And now,
00:24:51 OK. I'll get to the point.
00:24:57 It's a story by Ignacio.
00:25:00 Yes, he took your advice
00:25:03 I've got a friend,
00:25:05 who works at "Diario 16".
00:25:07 He is very interested
00:25:10 But first I'd like our opinion.
00:25:12 Apart from being
00:25:15 you're one of the main characters
00:25:21 Read this.
00:25:24 Each month the boys
00:25:27 that is, the ones who got
00:25:29 were rewarded
00:25:32 We were always accompanied
00:25:36 Fr. Manolo.
00:25:45 Moon River,
00:25:49 always on my mind.
00:25:53 I won't be swept away
00:26:02 by the water,
00:26:08 the muddy water
00:26:12 of that Moon River
00:26:17 as it flows along.
00:26:22 River and moon,
00:26:26 tell me where to find
00:26:31 my God,
00:26:35 Tell me.
00:26:40 I'm longing to know
00:26:48 what is hidden
00:26:53 in the dark
00:26:57 and you'll find it...
00:27:01 No!
00:27:15 A trickle of blood
00:27:18 I had a feeling the same thing
00:27:21 It would always be divided
00:27:33 Open the door, Father.
00:27:45 What is it?
00:27:47 - Where?
00:27:49 I think it was
00:27:53 Were you missing anything?
00:27:55 The chalice, the paten,
00:27:59 They must be found!
00:28:01 - The boys mustn't hear about it.
00:28:04 And no one is to bother me,
00:28:19 Was that Fr. Jos,?
00:28:22 Ignacio hated him.
00:28:24 - Does he still hit the pupils?
00:28:28 That was
00:28:32 To sum up,
00:28:35 Or else "Diario 16"
00:28:39 I don't have a million pesetas,
00:28:42 But you can get it.
00:28:45 Now, if you don't mind,
00:28:47 I've said all I had to say.
00:28:50 But keep reading,
00:28:54 - The key.
00:28:57 Wait until after break time.
00:28:59 It'll just be a minute.
00:29:02 So you came to blackmail me.
00:29:05 Tell Ignacio he's overrating
00:29:10 Garbage is hot!
00:29:12 You and I make
00:29:15 And the editor of "Diario 16"
00:29:18 You're in no position
00:29:21 People will believe me,
00:29:24 No, people have changed.
00:29:28 The society puts my freedom
00:29:32 If we treated Ignacio so badly,
00:29:36 Why didn't he report us
00:29:42 He came back
00:29:44 with a classmate.
00:29:47 Enrique Serrano.
00:29:49 Remember him?
00:29:51 Yes.
00:29:55 Do you mind if I keep reading?
00:30:01 There were lots of celebrations
00:30:04 The most important one
00:30:07 That day, there were
00:30:10 and religious acts,
00:32:11 Come with me, Ignacio.
00:32:13 Come along!
00:32:16 - I haven't finished.
00:32:28 Do you know the new words?
00:32:30 Yes, I've got the crib
00:32:33 Call him Reverend Principal.
00:32:36 He's the school principal
00:32:38 - I know.
00:32:42 When you're singing,
00:32:45 as if there were no one else
00:32:47 - You understand?
00:32:49 - Yes.
00:32:52 Fr. Jos placed me
00:32:55 I felt odd in front of
00:32:58 and I was a bit scared,
00:33:00 but they all looked at me kindly,
00:33:03 who looked ready to cry.
00:33:05 And now,
00:33:07 Fr. Jos, Manuel,
00:33:09 as a birthday gift,
00:33:11 Ignacio is going to sing
00:33:13 one of your favorite songs.
00:33:15 "Torna A Sorrento".
00:33:18 The new words, "Gardener",
00:33:20 were written by Fr. Manolo,
00:33:23 helped by my humble self.
00:33:26 When you're ready, Ignacio.
00:33:36 Gardener, gardener,
00:33:40 night and day
00:33:45 setting fire to their colors
00:33:50 with the flame of our love.
00:33:56 And you place in every calyx
00:34:00 the smile of your yearning,
00:34:05 with your eyes
00:34:10 where all your hopes reside.
00:34:15 And your flowers, gardener,
00:34:19 with their corollas
00:34:24 join together in gratitude
00:34:30 and embalm you
00:34:36 Continue with your labor,
00:34:40 cultivating all the flowers
00:34:45 entrusted to your love
00:34:51 by the Lord.
00:35:10 - I thought you didn't like me.
00:35:14 But every time I looked at you,
00:35:18 Because you made me nervous.
00:35:21 - And now I don't?
00:35:24 "THAT WOMAN"
00:35:31 Come in.
00:35:39 May I help you?
00:35:42 Don't you recognize me, Mother?
00:35:47 Has the world
00:35:51 Mother Soledad!
00:35:56 What are you doing here?
00:35:58 - I've come to stay.
00:36:01 Sara is so beautiful!
00:36:10 In this house?
00:36:16 No.
00:36:18 Never.
00:36:20 It's been a long time.
00:36:22 who can remember if I did something
00:36:27 It's impossible.
00:36:28 It is not God
00:36:32 It is I,
00:36:34 in the name of my Order.
00:37:22 What's wrong?
00:37:26 Neither can I.
00:37:27 What we did in the cinema
00:37:30 - I liked it.
00:37:32 But I think it was a sin,
00:37:36 God?
00:37:37 I don't believe in God.
00:37:39 - What do you believe in?
00:37:42 - What's that?
00:37:45 I read it in an encyclopedia.
00:37:49 What's the matter?
00:37:58 You hear that?
00:38:00 Fr. Manolo!
00:38:54 Open the door!
00:38:57 and let the whole school
00:39:01 Ignacio!
00:39:04 I know you're in there!
00:39:05 I've seen your feet.
00:39:08 I can hear you breathing.
00:39:11 Ignacio!
00:39:15 We're not doing anything!
00:39:22 Get out!
00:39:23 I'll deal with you later!
00:39:24 I'm not leaving Ignacio
00:39:27 How dare you!
00:39:29 Get out of here immediately!
00:39:33 Enrique, please.
00:39:35 Do as he says.
00:39:50 Come here.
00:39:58 What were you doing in there?
00:40:00 Nothing.
00:40:03 Nothing?
00:40:06 I swear, Father.
00:40:08 Then why was the door locked?
00:40:14 Come along.
00:40:17 Come with me to the chapel.
00:40:29 The bell!
00:40:31 What are you thinking of?
00:40:37 I think I've just lost my faith
00:40:40 so I no longer believe
00:40:43 As I don't believe in hell
00:40:47 and without fear
00:41:32 We'll forget this, Ignacio.
00:41:35 Even if I wanted to,
00:41:38 But I promise what happened
00:41:42 And Enrique?
00:41:45 What about him?
00:41:47 Will he be punished?
00:41:49 I should expel him!
00:41:52 I'm sure he was
00:41:55 No, I was.
00:42:00 Don't cry.
00:42:03 He's a very bad influence on you.
00:42:06 I want what's best for you.
00:42:12 If you don't expel him
00:42:16 Hush.
00:42:21 I sold myself for the first time
00:42:23 to avoid Enrique
00:42:26 But Fr. Manolo tricked me.
00:42:28 I swore that one day
00:42:36 On your feet!
00:42:40 Hands behind our head!
00:42:43 And, one!
00:42:45 Change!
00:42:58 Hurry up, Enrique!
00:43:21 I'm happy you came!
00:43:23 - You're better withoutthe beard.
00:43:26 What are you doing?
00:43:27 I'm re-reading your story.
00:43:30 - Didn't you like it the first time?
00:43:33 Just look at it.
00:43:35 I couldn't help making notes.
00:43:39 That's OK-
00:43:41 Thanks.
00:43:42 Right, well...
00:43:46 I think there's a good film
00:43:49 and I'd like to direct it.
00:43:53 Really?
00:43:55 You're not kidding me?
00:43:57 I never joke about work.
00:43:59 But firs, tell me how much
00:44:04 What rights?
00:44:05 The story is yours!
00:44:06 Do what you fucking want
00:44:09 So you really liked it?
00:44:11 I admit that when you said
00:44:14 I felt...
00:44:16 a bit apprehensive.
00:44:19 But I was very touched.
00:44:21 I'm so happy, man.
00:44:23 Remember I'm an actor
00:44:27 Yes, I know that.
00:44:28 You'd be perfect
00:44:30 Naked on the bed,
00:44:31 with Zahara's letter
00:44:33 Enrique Serrano?
00:44:36 I think I'd rather play Zahara.
00:44:39 Zahara, you?
00:44:40 You're crazy!
00:44:41 - Why?
00:44:45 You're too well-built.
00:44:48 Martin, we've got our story!
00:44:51 I can slim down!
00:44:54 I'm used to that in the theater.
00:44:57 Make a photocopy.
00:45:01 "The Visit"?
00:45:02 Yes.
00:45:03 Ignacio and I are starting
00:45:05 If you're going to direct it,
00:45:09 All right, Ignacio.
00:45:11 Angel!
00:45:13 or you'll never get used to it.
00:45:28 Do you mind driving?
00:45:30 I'm a bit shaky.
00:45:32 I'm surprised you can even walk,
00:45:35 - We had to celebrate, right?
00:45:37 I thought we'd be talking
00:45:39 We'll talk later.
00:45:41 We've got time.
00:45:56 Remember?
00:46:00 Remember what?
00:46:04 Nothing.
00:46:08 You're really high.
00:46:11 What should I remember?
00:46:13 Nothing.
00:46:18 Turn off here.
00:46:40 Is all this ours?
00:46:42 No, no way.
00:46:45 Don't be too impressed,
00:46:54 How about a swim?
00:46:55 It would do you good.
00:47:43 How's the water?
00:47:45 It's waiting for you.
00:48:25 "THE PEARL"
00:49:13 Will you pass me a cigarette?
00:49:24 You weren't serious about
00:49:28 Totally.
00:49:30 I don't joke about work either.
00:49:32 Then let's not talk about work.
00:49:35 What are you doing?
00:49:36 Sleeping here
00:49:39 If you want, I'll stay.
00:49:42 But, talking about bodies,
00:49:45 if I look too manly
00:49:48 I'm very flexible,
00:49:51 You disconcert me, Angel.
00:49:54 You told me that already.
00:49:56 And you told me
00:49:59 Why don't we just talk clearly?
00:50:02 I can't say it
00:50:04 I'm an actor.
00:50:06 I spent three fucking years
00:50:09 This is my first chance
00:50:12 and I won't let it slip away.
00:50:15 You can't do Zahara.
00:50:16 Not at first sight,
00:50:20 You're a good director,
00:50:21 and I'll do anything!
00:50:23 You just have
00:50:27 I've tried.
00:50:29 But I can't trust you.
00:50:32 Why?
00:50:36 I just can't recognize
00:50:40 The one who loved "Cuore Matto",
00:50:44 My tastes have changed.
00:50:47 Is that what bothers you?
00:50:51 People change with time.
00:50:53 Not you.
00:50:55 Simply, you're not Ignacio.
00:50:58 Who the fuck are you to decide
00:51:02 How dare you?
00:51:05 Why am I not Ignacio?
00:51:07 Because I don't remember
00:51:10 - Apart from that.
00:51:15 If I'd stayed the kid you knew,
00:51:19 I already am.
00:51:21 Dead tired.
00:51:24 I'm going to bed.
00:51:26 What are you doing?
00:51:28 I don't know.
00:51:30 You tell me.
00:51:32 Tell you what?
00:51:35 If I'm going to play Zahara.
00:51:39 Does your staying
00:51:41 No.
00:51:43 But if I don't play Zahara
00:51:47 Then I don't know
00:51:51 Get out!
00:51:57 Why the hell did I decide
00:52:26 "A woman threw herself
00:52:29 in a zoo that was crowded
00:52:33 When the first crocodile attacked,
00:52:36 according to witnesses.
00:52:38 The crocodiles devoured
00:52:41 who never complained,
00:52:43 in a few minutes."
00:52:45 What a horrible death!
00:52:47 Well...
00:52:49 She didn't even open her mouth.
00:52:57 What's on your mind?
00:53:01 Hungry crocodiles.
00:54:15 Hello, come in.
00:54:17 It's the journalist.
00:54:19 Why are you here?
00:54:21 To interview me?
00:54:23 No.
00:54:25 Which is it, cutie?
00:54:26 I'm not a journalist,
00:54:30 And I'd like you to help me
00:54:34 What character?
00:54:37 A tranny who imitates
00:54:40 That's me!
00:54:43 Well, you're not an actor,
00:54:48 What you have to learn
00:54:51 because that's no way
00:54:54 I'm sorry.
00:54:55 So will you teach me?
00:54:58 And how will you pay me,
00:55:01 That's what I'm looking for!
00:55:05 Two minutes!
00:55:06 We'll talk later.
00:55:07 I'm on now.
00:55:09 Everything you do
00:55:12 I'm delighted.
00:55:14 See you later.
00:55:30 "THE PEARL"
00:55:34 Ortigueira, 6 miles.
00:55:45 "THE PEARL HOSTEL"
00:56:03 - What can I get you?
00:56:11 Forgive me for asking,
00:56:15 - You're not from here.
00:56:18 His family lives here.
00:56:20 Maybe you know him.
00:56:23 Yes.
00:56:23 - That's his stage name.
00:56:26 - You do?
00:56:28 That's great.
00:56:57 Who is it?
00:56:59 Enrique.
00:57:03 Go away
00:57:15 Excuse me.
00:57:17 Are you Enrique Goded?
00:57:19 Yes.
00:57:23 I'm Ignacio's mother.
00:57:25 I'm delighted to meet you.
00:57:27 - Come in.
00:57:29 Forgive my sister-in-law.
00:57:31 I've got the heart problem
00:57:35 It doesn't matter.
00:57:37 Ignacio talked a lot about you.
00:57:40 - We were very good friends.
00:57:43 The last time he came to see me
00:57:46 A letter?
00:57:48 I never got it.
00:57:49 It was three years ago.
00:57:53 He didn't know your address.
00:57:57 Then I'm not surprised.
00:57:59 By the time it was returned,
00:58:03 Let's go into the dining room.
00:58:10 That's my son Juan.
00:58:12 The younger boy.
00:58:14 He's in the theater.
00:58:15 He's changed his name.
00:58:17 He says
00:58:19 He wants even me
00:58:27 I'd like to see Ignacio's room.
00:58:30 To be honest,
00:58:34 But when he came,
00:58:37 Would you like to see it?
00:58:43 We're going upstairs!
00:59:01 Juan burned everything.
00:59:02 The notebooks, the clothes...
00:59:05 All except those magazines.
00:59:10 There's nothing left
00:59:15 What a pity!
00:59:17 Are you from a publisher too?
00:59:21 What publisher?
00:59:23 Soon after Ignacio died,
00:59:26 a man came who was in charge
00:59:30 or so he said.
00:59:31 He was desparate to get
00:59:36 Do you remember his name,
00:59:39 No, but he was very insistent.
00:59:42 So I told the truth,
00:59:44 and he even asked
00:59:47 I gave him a false one,
00:59:50 I think the man
01:00:11 This is Ignacio's letter.
01:00:15 It didn't get burned
01:00:16 because I never told Juan
01:00:21 Thank you, ma'am.
01:00:24 Don't judge my Juan.
01:00:27 He's a good son
01:00:29 but his brother's death
01:00:32 He was the one who found him.
01:00:46 Dear Enrique,
01:00:48 At last I've got news of you.
01:00:50 I read it in the papers.
01:00:52 You've directed
01:00:54 Even if it was underground.
01:00:59 You'll be pleased to hear
01:01:02 I'm enclosing a story
01:01:05 Fr. Manolo inspired it.
01:01:07 It's incredible, but I ran into him
01:01:10 I'm visiting my mother now,
01:01:14 I've checked up,
01:01:17 He calls himself
01:01:20 He works in a publisher's,
01:01:24 I thought: He's crying out
01:01:27 So I wrote "The Visit",
01:01:30 Read it, please.
01:01:33 At this point in my life,
01:01:36 and I'm going to get it
01:01:39 He owes me a lot,
01:01:41 and it's time for him to pay.
01:01:45 Writ to me and I'll tell you
01:01:48 All I'm asking
01:01:51 I can only share this story
01:01:54 I love you.
01:01:56 Your Ignacio.
01:02:12 I'll get it.
01:02:23 What do you want?
01:02:26 I've come to apologize.
01:02:34 I'll give you your shorts.
01:02:38 Thank you.
01:02:41 I'm very sorry
01:02:43 I take it all back.
01:02:45 If you're still interested.
01:02:48 Do it with whoever
01:02:53 Have you lost weight?
01:02:55 Yes.
01:02:58 I want to lose even more.
01:03:02 - Classes in what?
01:03:07 I'm working with the best
01:03:10 She performs at "Bambola",
01:03:12 I'm working as a waiter there
01:03:13 so I can study the queens
01:03:17 Then you're still
01:03:20 Yes.
01:03:20 Just let me do an audition.
01:03:23 Thank you.
01:03:27 - You had it!
01:03:32 Ignacio,
01:03:33 Until you call me Angel, I wont
01:03:38 Angel,
01:03:42 now more than ever.
01:03:44 So you'll let me audition?
01:03:56 The audition worked
01:03:59 long enough for me to throw myself
01:04:03 like the woman who
01:04:06 and hugged them
01:04:25 You've changed the ending.
01:04:28 Yes.
01:04:29 "The Visit" cant end happily,
01:04:33 Why?
01:04:35 Zahara can't just
01:04:37 She's a danger to the priests.
01:04:40 And we know
01:04:42 But this ending
01:04:45 For you, as an actor,
01:04:48 - You think so?
01:04:52 I shot "The Visit"
01:04:54 In his letter, he said
01:04:57 And also to discover
01:05:01 He allowed me
01:05:03 but only physically.
01:05:05 We were about to finish shooting
01:05:11 But on the last day
01:05:13 we had a visit.
01:05:15 Silence!
01:05:17 And... roll camera!
01:05:19 Rolling!
01:05:21 "The Visit"
01:05:24 Zahara, darling!
01:05:26 Action!
01:05:30 The boys are in class
01:05:33 Let me out!
01:05:36 Do you want to kidnap me?
01:05:38 Open the door!
01:05:40 I have to take a piss,
01:05:43 Even if I got the money,
01:05:45 how can I be sure
01:05:49 You'll never be sure.
01:05:50 That's my revenge.
01:06:00 Let me out or I'll scream.
01:06:02 I loved Ignacio.
01:06:04 You don't love a boy of ten.
01:06:09 I loved him.
01:06:15 Please, let me out!
01:06:16 I'm locked in!
01:06:43 She's threatening
01:06:44 She wants a million pesetas
01:06:46 If you give her a single peseta,
01:06:53 I knew we'd meet again,
01:06:57 You know her?
01:06:59 You knew him
01:07:01 It's Ignacio Rodriguez.
01:07:05 Ignacio!
01:07:09 It can't be!
01:07:11 We have to finish him off.
01:07:14 He's a danger to the
01:07:18 He wants to say something.
01:07:20 Yes, that we let him go.
01:07:33 If you're going to kill me,
01:07:36 I'd like to confess first.
01:07:38 Confess what?
01:07:40 Thanks to you
01:07:54 You have to stay calm.
01:07:56 I'll get rid of the body.
01:07:58 How?
01:08:00 It's best if you know nothing.
01:08:02 It was self-defense.
01:08:04 He'd have made
01:08:07 Yes,
01:08:08 I guess so.
01:08:11 And there are no witnesses.
01:08:14 God.
01:08:17 Yes,
01:08:17 But He's on our side.
01:08:27 Cut!
01:08:29 We've cut, guys!
01:08:34 This one's good.
01:08:39 Give me No. 1 as well.
01:08:41 Well done, guys.
01:08:43 No, it was great.
01:08:50 Is anything wrong?
01:08:56 I'll see you later.
01:09:07 It went really well.
01:09:54 Put that down!
01:09:56 The villain in your film.
01:09:58 Fr. Manolo!
01:10:00 Mr. Berenguer.
01:10:05 I'm even a father
01:10:12 Get out!
01:10:14 I read in a magazine
01:10:21 Go and drink some hot milk
01:10:24 and leave me alone.
01:10:26 I've got a lot to do,
01:10:30 Not even to find out
01:10:36 Or who killed him?
01:10:38 And if it coincides
01:10:44 Say what you have to say
01:10:50 I was living in Valencia.
01:10:53 I worked for a publisher
01:10:58 Three years ago, I received
01:11:02 signed by Ignacio Rodriguez.
01:11:04 Ignacio Rodriguez is calling
01:11:07 Didn't you tell him
01:11:09 Yes, but he insists
01:11:12 He's on your line.
01:11:19 - Mr. Jos, Manuel Berenguer?
01:11:21 - I preferred Fr. Manolo.
01:11:24 - Are you the author of "The Visit"?
01:11:27 We decided not to include it
01:11:30 - I'm sorry.
01:11:34 I think not.
01:11:37 But I do.
01:11:39 I went to St. John's School.
01:11:41 You were my literature teacher,
01:11:44 and you were
01:11:47 I remember how
01:11:49 while you declared your love.
01:11:52 I can't believe you've forgotten.
01:11:56 I remember the buttons
01:11:58 digging into my backbone.
01:12:01 Have you realy forgotten?
01:12:04 I'll expect you
01:12:06 My address is on the back
01:12:27 Push the door.
01:12:28 It's just stuck.
01:12:46 That wasn't the Ignacio
01:12:49 Hello, Mr. Berenguer.
01:12:51 I'm Ignacio.
01:12:53 Please, come in.
01:13:04 Yes I'm a junkie
01:13:06 but I want to quit
01:13:10 Well, I know a clinic.
01:13:12 So do I, but first I want
01:13:15 I know I've got divine tits,
01:13:19 Anyway, I won't get into that.
01:13:21 Looking pretty
01:13:25 I think a million would do it.
01:13:28 A million?
01:13:29 Yes, in cash, and my lips
01:13:33 You're out of our mind!
01:13:35 Sexual harassment
01:13:38 What would your wife think,
01:13:42 You're in no position
01:13:44 I could have you
01:13:48 Very well.
01:13:49 You call the police,
01:13:53 A blackmailer can't be
01:13:56 Believe me,
01:14:02 Juan, go back to your room.
01:14:04 I want to watch TV.
01:14:06 Watch it later,
01:14:09 I don't mind if he stays.
01:14:11 I'm sure you don't.
01:14:13 He's my brother,
01:14:15 Or that's my mother's idea.
01:14:17 I'm Mr. Berenguer.
01:14:21 One million, end of story.
01:14:25 Do you want me
01:14:28 or Angel?
01:14:32 The blackmail
01:14:43 I visited the brothers frequently
01:14:51 Remember Don Narciso,
01:14:53 He loved my illustrations.
01:14:56 And there's another one...
01:15:00 And this one...
01:15:03 - "Children of Spain".
01:15:05 I kept Ignacio happy
01:15:10 And I kept stalling him.
01:15:27 I desired Juan,
01:15:30 more and more everyday.
01:15:38 Hello.
01:15:38 You brought the dough?
01:15:41 I can only give you 50,000.
01:15:43 You said
01:15:46 I said they'd tell me today
01:15:49 They said yes,
01:15:50 but they have
01:15:54 I need another three weeks.
01:15:56 Another three weeks!
01:15:58 I'm a junkie.
01:16:00 I could be dead in three weeks.
01:16:03 - Are you going away?
01:16:06 I want to see my mother
01:16:09 She has to see me with these teeth
01:16:12 Don't be unfair, Ignacio,
01:16:16 Then do more!
01:16:19 I'll be gone for a week.
01:16:20 When I come back
01:16:22 If you don't have it, you'll be sorry.
01:16:26 I'll try to hurry them up, but...
01:16:43 Father!
01:16:47 Come along.
01:16:49 Shall I help you?
01:16:51 Sure, take the Olivetti,
01:17:03 While you're at it,
01:17:26 Stop that taxi.
01:17:34 - Bye, Father.
01:17:36 Open the trunk, please.
01:17:51 My scarf!
01:18:07 Excuse me.
01:18:08 I've come for my scarf.
01:18:24 - Fuck, it's really soft!
01:18:28 It's yours.
01:18:30 To be honest,
01:18:33 Cut it out,
01:18:36 Fortunately.
01:18:40 What time is it?
01:18:42 12:30.
01:18:45 Did he give you anything
01:18:47 Ignacio? No.
01:18:49 Fuck!
01:18:50 I had to pay
01:18:52 Are you studying?
01:18:54 Yes. Drama.
01:18:56 I'm an actor.
01:18:58 Selfish bastard!
01:19:00 He knew I had to pay today
01:19:04 Obviously, I paid his fees.
01:19:07 I hadn't told Ignacio,
01:19:10 but the bank granted me
01:19:14 I withdrew the first million.
01:19:18 I told my wife I was going
01:19:23 She didn't believe me.
01:19:29 I guess
01:19:36 Not in the least.
01:19:41 How did Ignacio die?
01:19:43 The week Juan and I
01:19:46 was the happiest in my life.
01:19:48 Every day
01:19:50 Clothes, a walkman,
01:19:53 I enjoyed the gifts
01:19:57 Take off your shirt.
01:19:59 Take it off.
01:20:21 Now it's my turn!
01:20:30 Now take that off.
01:20:31 Show me your cock.
01:20:34 If you're going to shoot my dick,
01:20:36 don't show my face!
01:20:38 Too late.
01:20:41 I can't...!
01:21:10 You!
01:21:11 I've got the fucking sweats.
01:21:13 - How's mom?
01:21:16 But she's all right now.
01:21:26 The dough!
01:21:29 - More!
01:21:31 I want that million now!
01:21:35 No more stalling
01:21:39 Mom!
01:21:40 How are you, Juan?
01:21:43 Yes.
01:21:43 What happened this time?
01:21:45 The usual thing, son, but...
01:21:47 He stole my pension,
01:21:50 - Is that true?
01:21:54 Tell auntie
01:21:57 He promised me
01:22:01 And you believed him?
01:22:02 Yes, this time he really means it
01:22:06 - You have to help him.
01:22:09 By being with him.
01:22:11 Promise me.
01:22:13 I promise.
01:22:15 Listen, did he give you
01:22:17 the cheese and the chorizos?
01:22:18 Delicious!
01:22:19 Why did you bother?
01:22:21 There's food in Valencia.
01:22:24 They're your favorites.
01:22:27 You can't get them in Valencia
01:22:30 - Lots of love, son.
01:22:33 Don't worry, I will.
01:22:35 Bye.
01:22:40 Where's Ignacio?
01:22:43 I'm going to kill him!
01:22:45 It was Juan's idea.
01:22:47 Or mine, I don't know.
01:22:50 Thhe only solution
01:22:54 More or less
01:22:57 But not as violent.
01:22:59 How did you think of it?
01:23:02 Ignacio's story
01:23:07 While I was adapting it,
01:23:13 Did Juan tell you?
01:23:17 I found out my self.
01:23:20 Willl you just tell me
01:23:23 I arranged to meet Juan
01:23:26 He had it all planned out.
01:23:29 Much more than
01:23:35 I'll buy the junk
01:23:38 Why me?
01:23:40 Fuck, he's my brother!
01:23:42 I'm not a monster.
01:23:45 Do you think
01:23:49 But he's ruining all our lives.
01:23:53 What will we do afterwards?
01:23:55 We won't meet for a while.
01:23:58 Why?
01:23:59 You said
01:24:02 Just in case.
01:24:03 It's best
01:24:06 I'll go and look after my mother,
01:24:09 When things calm down,
01:24:14 - Have you got the money?
01:24:17 What will I do
01:24:19 Work, earn money.
01:24:23 The situation at home
01:24:25 Apologize to your wife
01:24:29 - Tell her the truth,
01:24:31 Say you've been
01:24:34 a woman.
01:24:36 Give me your mother's address.
01:24:38 It's best if I don't.
01:24:41 Then you won't be tempted
01:24:46 What are they laughing at?
01:24:50 They're laughing at us.
01:24:55 At me, at least.
01:24:57 Juan bought deadly pure heroin.
01:25:00 He gave it to me
01:25:02 and I went to Ignacio's.
01:25:04 Alone.
01:25:13 Dear Enrique:
01:25:17 I think I've succeeded...
01:25:29 This is my last fix.
01:25:32 What do you mean?
01:25:34 I'm quitting.
01:25:36 This time I really am.
01:25:38 Before I get my face
01:25:41 I'm checking
01:25:44 I've already applied.
01:25:46 Good.
01:25:48 You'll have the money tomorrow.
01:25:50 I hope so.
01:25:52 Before noon, OK?
01:25:54 Just in case,
01:25:56 one for the publisher
01:25:59 telling all you've hidden from them
01:26:04 - That's unnecessary. Give them to me!
01:26:08 Before noon.
01:26:23 Pretty, aren't they?
01:26:24 What?
01:26:26 My tits.
01:26:29 Yes, they're wonderful.
01:26:31 Thank you.
01:26:40 Shall I help you?
01:26:44 Go away.
01:26:46 I don't like fixing
01:27:48 It's done.
01:27:55 Pull in here.
01:27:57 We'll go to the cinema
01:27:59 "FILM NOIR WEEK"
01:28:19 It's as if all films
01:28:26 Now what?
01:28:29 I'm going home.
01:28:31 - You want me to go with you?
01:28:35 Remember to get
01:28:40 If you don't
01:28:42 I'll get everything,
01:28:51 If we won't be seeing
01:28:56 give me some of the Super-8s.
01:29:00 It would console me
01:29:04 You're nuts!
01:29:05 What if your wife saw them?
01:29:08 We have to burn them.
01:29:12 Let's go.
01:29:23 Get in for a minute.
01:29:25 No, I'm going to take a taxi
01:29:30 Then,
01:29:32 I won't see you again...
01:29:34 It's just for a few days.
01:29:47 Call me as soon as you can.
01:29:49 Yes.
01:30:57 What's wrong?
01:31:02 You!
01:31:03 At last!
01:31:05 I read in this film magazine
01:31:07 What did you tell him?
01:31:09 Everything.
01:31:12 - Now you only have me, darling.
01:31:15 Remember I've got
01:31:18 accusing you of his death.
01:31:19 - We both did it, my love.
01:31:24 Wait.
01:31:42 - Are you all right?
01:31:45 If I ever see you again,
01:31:49 Now that I've found you,
01:31:52 Get used to the idea.
01:31:59 Monica!
01:32:01 - Can you give me a lift?
01:32:05 Get in the front.
01:32:08 - Who was that?
01:32:35 Who is it?
01:32:36 It's me.
01:32:55 Give me back the keys.
01:33:01 Your things are in the hall.
01:33:17 The taxi's gone.
01:33:19 You'll have to lend me the car
01:33:33 I want to order a taxi.
01:33:36 11, Avenida del Agua.
01:33:39 Enrique Goded, yes.
01:33:43 Thank you.
01:33:47 I was going to tell you
01:33:50 Tell me what?
01:33:52 That my name is Juan.
01:33:55 That I'm Ignacio's brother
01:33:59 I knew that already.
01:34:01 I know that you knew.
01:34:03 What do you mean?
01:34:05 My mother rang to tell me
01:34:09 I guessed
01:34:11 When you asked for the audition,
01:34:15 Yes.
01:34:16 And you still kept pretending?
01:34:18 What else could I do?
01:34:19 I didn't lie,
01:34:21 No, I didn't, far from it.
01:34:23 I knew that you'd taken Ignacio's place
01:34:27 but I never imagined
01:34:30 That's the taxi.
01:34:31 I didn't kill him, Berenguer did!
01:34:34 And you were hustling him!
01:34:37 The taxi's waiting.
01:34:41 You don't know what it is
01:34:43 and live in a small town.
01:34:46 Juan,
01:34:48 the taxi is waiting.
01:35:15 Why did you choose me?
01:35:18 You still don't see me
01:35:21 Was it just to fuck me?
01:35:23 It was curiosity.
01:35:25 I wanted to see
01:35:28 and how much I could take.
01:35:32 I would go a lot further.
01:35:34 I bet you would.
01:35:41 You needn't explain anymore.
01:35:43 It's not mine.
01:36:04 Dear Enrique:
01:36:16 "After the release of "The Visit"
01:36:19 Angel Andrade
01:36:21 His reign
01:36:22 In the '90s, his career
01:36:25 He married Monica,
01:36:27 At present,
01:36:30 "Mr. Berenguer
01:36:32 didn't vanish from the life
01:36:34 He started asking for money
01:36:36 One night, he was run down
01:36:39 The car was driven
01:36:48 "Enrique Goded is still making films