|
La science des r ves The Science Of Sleep
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Hi, and welcome back to |
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Tonight, I will show you |
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People think it's a very simple |
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...but it's a bit more |
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As you can see, a very delicate combination |
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First, we put in some random thoughts. |
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And then we add a little bit |
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...mixed with some memories |
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That's for two people. |
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Love, friendships, relationships, |
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...together with songs you heard |
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...things you saw and also... personal. |
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Okay. Okay, I think it's one. |
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There it goes. Yes. Yes. |
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Okay, we have to run. |
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I'm talking quietly to not |
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I'm with my dad. |
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Yes, Dad. I remember. |
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It's nice to see him healthy |
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I almost forgot how he looked. |
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Handsome, no? |
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Oh, yeah, oh yeah, we're in a concert. |
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A Duke Ellington concert. |
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And the band starts to play. |
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It's amazing, they got this super swing. |
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And the Duke enters the stage. |
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He's radiant, in a glowing white tuxedo. |
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Dad, this is not Duke Ellington, |
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This is a dream. |
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I'm sorry, Dad, but you're dead. |
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You've lost the battle to cancer. |
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No, no. I cried so hard. |
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I could feel my tears forming |
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In dreams, emotions are overwhelming. |
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Come in, action two. |
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Ski? |
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- English very well. |
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- Yes, picture one is a duck. |
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Am I not supposed to design |
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No, no, I'm afraid not. |
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Because my mother, |
| 00:10:12 |
This doesn't look creative at all. |
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You know, |
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Can I see? |
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- Sure. |
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This is nice. |
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Yeah, not bad, eh? |
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I'll tell you what. |
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Take the portfolio and |
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The collection is crap anyway. |
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Welcome in this palace, Stéphane. |
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Stéphane is a great artist |
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He'd like to suggest something. |
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What about the ski weekend? |
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You see, Stéphane, it's very, very important |
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Martine. |
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You should show him your work, okay? |
| 00:11:08 |
Well, it's still a bit of a work in progress. |
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I've done 12 paintings for a calendar. |
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Hello, ladies and gentlemen, |
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We will be reaching Paris' Charles de Gaulle |
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Please enjoy the flight, |
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...and if you have any questions, |
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The pilot will never finish the sentence. |
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Flight 800, on July 17th, 1996... |
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...disappears from the sky. |
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Spraying its 230 passengers |
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The whole world is in shock. |
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Quiet morning, |
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A huge earthquake |
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Each month has its own |
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...engraved in the collective memory. |
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It's a concept I've been trying to |
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It's called disasterology. |
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Stéphane, you are not serious. |
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Oh, I am very serious. |
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It's the customer that needs |
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My customers don't have |
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They want puppies, trucks, |
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Come on, Guy, show him his work. |
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Come on, Stéphane, let's go. |
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You shave with a cracker? |
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Oh, you little asshole! |
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Sorry, no. No, no, no. |
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No, no, I need a little break. |
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Guy, just a tiny one. |
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La pampa is in Argentina, you idiot! |
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What about Yucatân, Palenque, Kerala? |
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Get out. |
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Come in, action two. |
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Come in, action two. |
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Come in, action two. |
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Come in, action two. |
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Come in, action two. |
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Come in, action two. |
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It's 7:30. |
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Hello? |
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Are you trying to mock me on the air? |
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A creative job, |
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No, Mam... Mama. Mama! |
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Excuse me for this interruption. |
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Yeah, that's my father. |
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P.S. R: |
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Parallel synchronized randomness. |
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An interesting brain rarity |
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Two people walk in opposite directions |
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...and then they make the same decision |
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Then they correct it, |
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...and then they correct it |
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Basically, in a mathematical world... |
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...these two little guys will |
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The brain is the most complex thing |
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...and it's right behind the nose. |
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Fascinating! |
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I'm sorry, I'm sorry. |
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Stay calm. |
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I think that's just that they are |
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- You are Spanish, no? |
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- No? |
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But my mother is French. |
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Yeah, I just came here because |
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Okay. You know, |
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You think I have to go |
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Because it's not looking that good... |
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Good stuff for you. |
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Okay? |
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- It's strong. |
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- Yeah, I feel it working already. |
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- So, what's your name? |
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Stéphane? Stéphanie. |
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Stéphane, Stéphanie. |
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Click-clack, catch, match. |
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- And you? You? |
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You know, |
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- You should hear what she makes. |
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You know, a pretty girl with talent, |
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Yeah. |
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And what's your job? |
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I'm a promotional calendar |
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That's typical from Sylvain. |
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He asks you to help and then |
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I am sorry. |
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So what does it mean exactly, |
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Maquettiste. It's... |
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I don't know. It's really boring, actually. |
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But I mean, there's one profession |
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...which is inventor. |
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- Inventing what? |
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I have some glasses... |
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...where you can see real life in 3-D. |
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Isn't life already in 3-D? |
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No... Yeah, but... |
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Come on, I mean, |
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This, for example: |
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Look, look, look. |
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- It works, no? |
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You know Pulfrich, the guy who |
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He had only one eye. |
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And that makes him, like, the Beethoven |
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And what do you girls do? |
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- No, we're... |
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We're going to concerts |
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To sign what? |
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Oh, she means that we're working |
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What company? |
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Aristotle. |
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Like, as the turtle, no? |
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No, no, no. |
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I'm gonna go. |
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How do you know Sylvain? |
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- Sylvain? |
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- From Mexico. Yeah. |
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He never said anything about it. |
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No? I don't know why. Bye-bye. |
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- You want us to drive you back? |
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To screw. Maybe yes, maybe no. |
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Maybe rain, maybe snow. |
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Okay, baby. |
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It's three times this week |
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- We're not gonna wait for them? |
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I can't believe that my mother lied |
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It's completely unethical to do that |
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It's the worst job I've ever had |
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Your predecessor... |
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He committed suicide |
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No. |
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No. I'm joking. |
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No, he left after two weeks. |
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Come on, man, just get along with |
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Do you think Martine is pretty? |
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Martine? From work? |
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No, Martin Scorsese. Yeah. |
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I don't... I don't think about that. |
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Well, imagine... |
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...if she comes and gives you a blowjob |
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You know, I can arrange this for you. |
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So getting laid is all that matters? |
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You see, I'm not a creative person, |
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I don't feel the need to leave a trace |
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...except a fart sometimes. |
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Sorry. It escaped me. Come on. |
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You know, the other day, I saw |
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He was smiling, you know, really happy. |
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You know what he was thinking of? |
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His grandchildren? |
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Not at all. |
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No, he was thinking about all the dirty |
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...he did with the girls |
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How do you know that? |
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I know that because... |
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...this man was me in the future. |
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I simply want to be like him |
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You know, I have this neighbor |
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...that is very pretty, actually. |
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Oh, good reason to stay, my man. |
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Be careful, you know, |
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That's the problem, that I think |
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...not her friend. |
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- Yeah. |
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I never get the one I like, anyways. |
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Maybe she's a good cook. |
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- Stéphane? Did you forget something? |
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No, no. I was just... I was just... |
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You know, my hand? Because I can... |
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Are you looking for Zoé? |
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- She doesn't live here, you know? |
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How's your dad...? Your hand. |
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My dad? My dad's still dead. |
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I'm sorry. |
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You want Zoé's number? |
| 00:28:30 |
No. No, I think I'm fine. |
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- So I guess I'll be on my way now. |
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Bye. |
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I'll do my laundry later. Maybe I should |
| 00:28:48 |
Okay, well, yeah, |
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Sorry, it's not funny. |
| 00:29:01 |
I think it's funny. |
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I mean, it's not funny, |
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Come in. |
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It's still chaos. |
| 00:29:19 |
I'm going to put my bed up there, |
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How do you call it? A "mezzanine"? |
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Mezzanine, oui, mezzanine. |
| 00:29:31 |
Do you make those? |
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Some I made and others I adopted. |
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You have to find who. |
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- You made this one. |
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What's his name? |
| 00:29:46 |
His name is... |
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...Golden the Pony Boy. |
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When I found him, he was so sad |
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- He's never going to leave me now. |
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I understand that you're the mother... |
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...but you also have to think |
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Yeah, it's possible. |
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I can't take any chances. |
| 00:30:09 |
Let me see your hand. |
| 00:30:14 |
You know, it started to smell like a foot. |
| 00:30:19 |
It's a good sign. |
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Can you move it? |
| 00:30:30 |
Yeah. Well, it hurts a little bit, |
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- I have too big hands. |
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That means you have a large penis. |
| 00:30:42 |
I'm sorry, that was a bit inappropriate. |
| 00:30:44 |
Look, I'll show you a trick. |
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You have to... You have to do this: |
| 00:30:50 |
Okay. |
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It feels so weird. It feels like if it |
| 00:31:00 |
I know one that you have to... |
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You have to put your two fingers |
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...and then you look into the distance, |
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- All you can see is a little... |
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I know it. It's a good one. |
| 00:31:12 |
Oh, you know it? |
| 00:31:20 |
I made this boat in fabric. |
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I have to put it |
| 00:31:27 |
The boat is looking for its mer, |
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It sounds like both "mother" |
| 00:31:35 |
So the forest inside the boat? |
| 00:31:38 |
That's genius. |
| 00:31:41 |
No, no, no, the boat is in the forest, |
| 00:31:44 |
But I need to make the trees, though. |
| 00:31:47 |
Okay, but you know, the forest |
| 00:31:50 |
...that's a really good idea. |
| 00:31:52 |
I think that maybe |
| 00:31:55 |
Yeah, yeah. Okay, I'll do it. |
| 00:31:59 |
Okay, so I'll go get my dad's |
| 00:32:01 |
...and we can make an animated film |
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...looking for its mother. |
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And the leaves grow and the wind |
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...then the boat takes off. |
| 00:32:13 |
Okay, yeah. Well, we can do it with |
| 00:32:19 |
You know, like this and they move |
| 00:32:24 |
Yeah. Yeah, but we have to find |
| 00:32:29 |
Kind of retarded in a way. |
| 00:32:40 |
- Cellophane. |
| 00:32:42 |
Yeah. Yeah, like a Russian |
| 00:32:45 |
My mother, she collects thousands |
| 00:32:48 |
...and also cardboard tubes. |
| 00:32:51 |
What for? |
| 00:32:53 |
She used to do this arts and crafts |
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...but she never finished them. |
| 00:32:57 |
I actually can't stand it, |
| 00:33:00 |
- And look, for the clouds. |
| 00:33:05 |
Oh, no, no, no. No, try it again. |
| 00:33:09 |
No, wrong chord, try it again. |
| 00:33:13 |
I knew it. I knew it! |
| 00:33:16 |
Each structure has its own resonant |
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You just have to hit the right chord |
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Okay, I'll go get the camera |
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Whoa, whoa, whoa, by the time |
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And I need to finish the boat, anyway. |
| 00:33:32 |
You bring the camera next time, okay? |
| 00:33:35 |
Okay. Well, you tell me when to bring |
| 00:33:41 |
Well, I'm leaving. |
| 00:33:44 |
I'll start the forest tomorrow. |
| 00:33:46 |
All right. |
| 00:33:50 |
Bye. |
| 00:34:00 |
- Okay, bye. |
| 00:35:00 |
No, no, Martine. |
| 00:35:04 |
I'm sorry, I can't. |
| 00:35:06 |
It's... It's not you, it's me. |
| 00:35:08 |
What is it, Stéphanou? |
| 00:35:10 |
I can't live all my life |
| 00:35:13 |
- I need to come clean. |
| 00:35:16 |
Aristurtle? Okay, okay. |
| 00:35:20 |
Dear Stéphanie: |
| 00:35:21 |
- "Dear Stéph..." Who is she? |
| 00:35:24 |
Forget about it, I need to write it |
| 00:35:27 |
Okay. |
| 00:35:56 |
By the way, do you have Zoé's |
| 00:36:00 |
Thanks, Stéphane. |
| 00:36:05 |
Where are you going now? |
| 00:36:09 |
Stéphanou? |
| 00:36:36 |
No, no, no. |
| 00:37:04 |
"Do you have Zoé's phone number?" |
| 00:37:08 |
Dear Stéphanie, comma. |
| 00:37:11 |
I am just your neighbor, |
| 00:37:16 |
This is the reason why I am writing |
| 00:37:19 |
... because I feel really bad inside |
| 00:37:24 |
It's a mix between... |
| 00:37:25 |
I don't know if what I feel is a bit |
| 00:37:28 |
...or wanting to go to the bathroom. |
| 00:37:31 |
I am just a new liar in your life. |
| 00:37:35 |
A new liar that has come |
| 00:37:40 |
...and maybe by doing that destroy |
| 00:37:43 |
I want us to start a new start |
| 00:37:47 |
A new blank page of friendship. |
| 00:37:51 |
And if you can embrace that the same |
| 00:37:55 |
...that I am feeling it right now, |
| 00:37:58 |
...once we go above that threshold |
| 00:38:03 |
...and matters that succumb |
| 00:38:06 |
...into this little pond |
| 00:38:10 |
Full stop. The end. |
| 00:39:49 |
Stéphanie? |
| 00:39:53 |
Stéphanie? |
| 00:39:58 |
- Stéphanie. |
| 00:40:23 |
Stéphanie and Zoé lied to me. |
| 00:40:25 |
They are not |
| 00:40:28 |
Aristotle, my ass. |
| 00:40:30 |
They think I'm stupid, but no. |
| 00:40:32 |
You guys are gonna |
| 00:40:35 |
- Stéphane needs you. |
| 00:40:38 |
- We've gotta find a way of... |
| 00:40:40 |
Oh, no. To work? No, no, no. |
| 00:40:42 |
It's only a dream. |
| 00:40:45 |
- No! Nothing is for real. |
| 00:40:49 |
- You write! |
| 00:40:51 |
...of a chemical flux in my brain, |
| 00:40:54 |
Do you mean we don't really exist? |
| 00:40:56 |
Flux? |
| 00:41:59 |
By the way, |
| 00:43:24 |
Hello? |
| 00:43:26 |
Hello? |
| 00:43:27 |
Stéphane Miroux? |
| 00:43:30 |
- Stéphanie? |
| 00:43:32 |
Hey. |
| 00:43:35 |
Did you finish the boat already? |
| 00:43:39 |
No, no, of course not. |
| 00:43:41 |
I still have some stuff to buy. |
| 00:44:00 |
Optical tricks. |
| 00:44:05 |
Yeah. |
| 00:44:06 |
Yeah, I could show you one. |
| 00:44:14 |
Now? |
| 00:44:16 |
Okay. |
| 00:44:19 |
It'll take me, like, |
| 00:44:25 |
Maybe... I mean, |
| 00:44:29 |
- Yeah, okay. |
| 00:44:32 |
- Okay. |
| 00:45:20 |
- Hi. |
| 00:45:21 |
- You were quick. |
| 00:45:24 |
I brought you this. |
| 00:45:26 |
So basically, with cards, what we do, |
| 00:45:30 |
...it's kind of difficult. The cards |
| 00:45:34 |
It cannot change. |
| 00:45:36 |
So if you grab the cards |
| 00:45:39 |
...and you name one card |
| 00:45:43 |
But remember to send it to me, you know, |
| 00:45:46 |
Send it to me, name it, send, name, |
| 00:45:49 |
- Okay. |
| 00:45:57 |
Okay. Yeah, I received it. It's there. |
| 00:46:00 |
Yup. |
| 00:46:03 |
- You saw that? Did you see that? |
| 00:46:06 |
Try another one. |
| 00:46:09 |
Ace of spades is there. |
| 00:46:14 |
Yeah. |
| 00:46:30 |
What are you doing? |
| 00:46:32 |
- What? |
| 00:46:34 |
It's punk. |
| 00:46:47 |
He's Guy. I work with him. |
| 00:46:49 |
- We work together. |
| 00:46:51 |
- Guy. |
| 00:46:52 |
He's punk. |
| 00:46:55 |
So? What? |
| 00:47:06 |
Does she always dance like that? |
| 00:47:09 |
Yes. Always. |
| 00:47:13 |
Yeah? Is it only when she gets a bit drunk |
| 00:47:19 |
- Do you mind? |
| 00:47:22 |
I mean, I can't imagine how anyone would |
| 00:47:28 |
Hey, I composed this piece of music |
| 00:47:33 |
You could play it all night. |
| 00:47:36 |
Try it. |
| 00:47:37 |
- It's called, "My Dear Neighbors." |
| 00:47:41 |
- It's sweet. |
| 00:47:45 |
- Hey. |
| 00:47:48 |
What are you doing? What are you doing? |
| 00:47:50 |
What am I doing? You confuse me. |
| 00:47:52 |
So you like her or you like Zoé? |
| 00:47:54 |
Man, I'm just talking to her. |
| 00:47:56 |
We're just friends. Don't you believe |
| 00:48:00 |
No. She likes you, it's obvious. |
| 00:48:04 |
I mean, she's great, you know. |
| 00:48:07 |
...but she reminds me of my father. |
| 00:48:09 |
- What? |
| 00:48:17 |
Hey, we're going now. |
| 00:48:18 |
Bye-bye, bye-bye. |
| 00:48:20 |
Bye-bye. |
| 00:48:24 |
Hey, don't forget |
| 00:48:29 |
Okay, I won't. |
| 00:48:30 |
- Okay. |
| 00:48:32 |
Yeah, yeah, yeah. Okay, good, okay. |
| 00:48:34 |
Bye. |
| 00:49:07 |
Stéphanie? |
| 00:49:10 |
Stéphanie. |
| 00:49:12 |
Stéph... |
| 00:49:14 |
You're fired. Guy, you're fired. |
| 00:49:16 |
You're fired. Do you hear me? |
| 00:49:19 |
You're dogs. You're like the... |
| 00:49:21 |
The dogs that bite the hand |
| 00:49:25 |
Serge, you betrayed me. |
| 00:49:27 |
Guy, are you betraying me? |
| 00:49:50 |
Television Educative is back for you |
| 00:49:54 |
Love after 50. |
| 00:49:56 |
We have two very special guests |
| 00:49:59 |
Gérard and Mom. |
| 00:50:01 |
Gérard, you are a professional magician. |
| 00:50:04 |
You look old and you live |
| 00:50:07 |
Why do you think Mom chose you? |
| 00:50:09 |
Oh, yes, you're funny. Yes. |
| 00:50:25 |
I wouldn't like to be |
| 00:50:30 |
But hold on. |
| 00:50:35 |
Okay, then. |
| 00:51:13 |
Gérard, you're just a bullshit guru. |
| 00:51:16 |
Mom, why do you |
| 00:51:19 |
You think you will learn |
| 00:51:22 |
My dad was not a guru. |
| 00:51:26 |
Are you in love, Stéphane? |
| 00:51:33 |
Stéphane? Stéphane? |
| 00:51:37 |
No, no. No. |
| 00:51:43 |
Do you know what REM means? |
| 00:51:46 |
Rapid Eye Monitronics. |
| 00:52:02 |
The eyes. |
| 00:52:05 |
I can control my eyes in my sleep. |
| 00:52:07 |
No more sleeping slavery. |
| 00:52:18 |
Ladies and gentlemen, |
| 00:52:21 |
The moon, yeah. |
| 00:52:26 |
Scary, huh? |
| 00:52:28 |
It's very scary, huh? |
| 00:52:31 |
No gravitation pull. |
| 00:52:42 |
Earthquake and fire! |
| 00:52:54 |
Okay, that's enough. That's enough. |
| 00:52:56 |
Please, give us our... |
| 00:53:00 |
Tell us what to do. |
| 00:53:02 |
Just don't make me work |
| 00:53:05 |
- Okay. |
| 00:53:07 |
- Master. |
| 00:53:10 |
- Peace. |
| 00:53:31 |
- Hallelujah! |
| 00:53:53 |
- Praise to you and to the new world. |
| 00:53:55 |
Hey, no, no. Guys, no. |
| 00:53:58 |
It's getting a bit creepy. |
| 00:53:59 |
Are we still making calendars? |
| 00:54:01 |
We are here to serve you. |
| 00:54:03 |
Basically, I wanna |
| 00:54:05 |
I know. I will make your novel, |
| 00:54:09 |
- That will attract her. |
| 00:54:13 |
Madame Stéphanie Stéphane. |
| 00:54:20 |
Stéphane Miroux, your novel |
| 00:54:24 |
By the Way, Do You Have Zoé's Number? |
| 00:54:27 |
- Yeah. |
| 00:54:29 |
Painting, sculpturing, |
| 00:54:34 |
Today, building has began on the |
| 00:54:37 |
A museum dedicated to your work. |
| 00:54:39 |
So, Stéphane Miroux, |
| 00:54:43 |
Well... |
| 00:54:45 |
Well, I think people empathize |
| 00:54:50 |
...because it comes from here. |
| 00:54:52 |
Oh, you are talking about Stéphanie? |
| 00:54:54 |
Oh, I don't like to talk |
| 00:54:57 |
So, Stéphane Miroux, |
| 00:55:01 |
No. |
| 00:55:02 |
- A song for her. |
| 00:55:18 |
If you rescue me |
| 00:55:23 |
I'll be your friend forever |
| 00:55:27 |
Let me in your bed |
| 00:55:32 |
I'll keep you warm in winter |
| 00:55:37 |
All the kitties are playing |
| 00:55:42 |
I wish it could happen to me |
| 00:55:46 |
But if you rescue me |
| 00:55:56 |
All the cars drive so fast |
| 00:55:58 |
Stéphane Miroux. Stéphane Miroux. |
| 00:56:02 |
Stéphane Miroux. |
| 00:56:05 |
Let me into your world |
| 00:56:06 |
Go now. |
| 00:56:08 |
I'll keep you warm and amused |
| 00:56:10 |
All the things we can do in the rain |
| 00:56:14 |
It's not working because you messed up |
| 00:56:17 |
You better be here |
| 00:56:20 |
Okay, I'm exhausted. |
| 00:56:23 |
Hey. |
| 00:56:25 |
Stéphanie. |
| 00:56:27 |
What a coincidence. I almost thought |
| 00:56:30 |
Would you like to marry me? |
| 00:56:33 |
Come. Come with me. |
| 00:56:36 |
Hey, guys? Guys, |
| 00:56:45 |
One, I don't believe in marriage, |
| 00:56:50 |
And three, are you out of your mind? |
| 00:56:53 |
No, I'm sorry. I'm sorry, |
| 00:56:56 |
You thought what? |
| 00:56:58 |
I thought that I was here. |
| 00:57:00 |
And that I was working here, |
| 00:57:04 |
And then I came here, and then |
| 00:57:08 |
There were more people there. |
| 00:57:12 |
Where exactly are you living? |
| 00:57:17 |
I live... I'm staying |
| 00:57:21 |
So you're my landlord's son? |
| 00:57:25 |
Yeah. |
| 00:57:27 |
Are you sure you're okay, Stéphane? |
| 00:57:29 |
Yeah, why? |
| 00:57:31 |
So you were not asking me for real then? |
| 00:57:34 |
No. To marry you, no. |
| 00:57:38 |
But... |
| 00:57:41 |
...I think I like you. |
| 00:57:44 |
You mean in a romantic way? |
| 00:57:47 |
Yeah, if you want to call it like that. |
| 00:57:53 |
Come on, Stéphane. |
| 00:58:00 |
Okay. |
| 00:58:02 |
So now you'll act all weird around me |
| 00:58:05 |
No. It's not my fault, you know, |
| 00:58:07 |
You don't have to humiliate me. |
| 00:58:09 |
Oh, come on, Stéphane. |
| 00:58:16 |
Stéphane? |
| 00:58:44 |
Working is the best remedy then. |
| 00:58:46 |
Keeps your brain busy. |
| 00:58:48 |
How can you work? Love is too powerful. |
| 00:58:55 |
Listen. Tell her right away. |
| 00:58:57 |
If it's from your heart, |
| 00:59:07 |
She's with somebody, Stéphane? |
| 00:59:17 |
What? I don't understand you, Guy. |
| 00:59:19 |
I'm sorry, I don't understand. |
| 00:59:21 |
I don't understand you either. |
| 00:59:23 |
I can't understand you when you |
| 00:59:26 |
It makes me feel schizometric. |
| 00:59:36 |
Schizophrenic. |
| 00:59:40 |
- Yeah. |
| 00:59:43 |
Try to be more on time |
| 00:59:46 |
No, no, no. |
| 00:59:49 |
NPC's for film. |
| 00:59:51 |
CPN goes with CPP. |
| 01:00:04 |
CPP. |
| 01:00:06 |
CPP, NPC, CP... I get confused. |
| 01:00:11 |
You know the... |
| 01:00:13 |
The goat on the cliff? |
| 01:00:16 |
- The goat on the cliff? |
| 01:00:18 |
- It's a sex position. |
| 01:00:21 |
...but not every man is |
| 01:00:24 |
- Oh, yeah? |
| 01:00:25 |
Like every woman is romantic? |
| 01:00:27 |
I don't know, but... |
| 01:00:44 |
I am collecting beautiful objects. |
| 01:00:48 |
A pair of shoes. |
| 01:00:53 |
Some glasses. |
| 01:00:57 |
Telephone. |
| 01:01:00 |
Typewriter. |
| 01:01:02 |
They are made from wood and felt. |
| 01:01:04 |
With apparent stitches. |
| 01:01:07 |
Their delicate and finished |
| 01:01:10 |
And they are quiet. |
| 01:01:13 |
Stéphanie made them, and I will |
| 01:01:16 |
Stéphanie, do you think I could |
| 01:01:19 |
Of course, Stéphane. Are you kidding? |
| 01:01:21 |
There's this amazing blanket. |
| 01:01:23 |
It's thick, red felt |
| 01:01:27 |
Wild animals are running on it. |
| 01:01:40 |
She smiles. |
| 01:01:43 |
I bend over a rock to try to reach her. |
| 01:01:46 |
My stomach, compressed, hurts. |
| 01:01:55 |
Stéphanie? |
| 01:01:59 |
Can you hold my hand? |
| 01:02:03 |
I cannot sleep. |
| 01:02:09 |
She takes it. I fall asleep. |
| 01:02:33 |
The sea. |
| 01:02:41 |
And the forest. |
| 01:02:52 |
You should put more whites in. |
| 01:02:55 |
You should put more whites. |
| 01:02:57 |
Yeah? |
| 01:03:06 |
No, a bit... |
| 01:03:10 |
- Oh, yeah. |
| 01:03:14 |
Organization always merges back |
| 01:03:18 |
Death to organization. |
| 01:03:23 |
Hey, what's this? |
| 01:03:25 |
- It's the... |
| 01:03:27 |
No. That's the one-second time travel |
| 01:03:32 |
I finished it. For you. |
| 01:03:35 |
You wanna try it? |
| 01:03:38 |
What are you going to do |
| 01:03:40 |
Well, it just adds up. |
| 01:03:42 |
And life is too precious. |
| 01:03:46 |
So, basically, you put this here. |
| 01:03:48 |
- Can you hear me? |
| 01:03:52 |
Oh, can you... okay. |
| 01:03:54 |
So... |
| 01:03:56 |
Just one second. |
| 01:03:58 |
This is for the past. |
| 01:04:02 |
So let's try some for the past. |
| 01:04:04 |
You have to press |
| 01:04:09 |
Let's try some for the past. |
| 01:04:11 |
Let's try some for the past. |
| 01:04:13 |
Hey, it's working. |
| 01:04:15 |
Amazing scientific breakthrough. |
| 01:04:17 |
...scientific breakthrough. |
| 01:04:20 |
Yeah. No, wait, wait. |
| 01:04:27 |
Wait, wait, wait. |
| 01:04:31 |
Hey, what are you...? |
| 01:04:33 |
Let me just... |
| 01:04:34 |
Why did you do it twice? |
| 01:04:37 |
The first time was the future... |
| 01:04:39 |
...and the second one |
| 01:04:42 |
Well, maybe we have different |
| 01:04:45 |
No, no, no. This is just a machine. |
| 01:04:49 |
Yeah, okay. |
| 01:04:51 |
I'm not sure I should accept this gift. |
| 01:04:54 |
Why do I deserve a present, anyway? |
| 01:04:58 |
Because for the occasion |
| 01:05:01 |
Oh, shut up. |
| 01:05:03 |
You're sweet. |
| 01:05:06 |
So you think I'm only pretty. |
| 01:05:08 |
Like, I'm pretty and stupid. |
| 01:05:10 |
- Well, no, maybe you shouldn't have this. |
| 01:05:16 |
Okay, let's go back to work. |
| 01:05:17 |
The ocean's drying. |
| 01:05:22 |
- What...? |
| 01:05:23 |
You have one thing. |
| 01:05:25 |
- Do you have something to say? |
| 01:05:29 |
Focus and concentration. |
| 01:05:32 |
Distraction is an obstruction |
| 01:05:35 |
Distraction is an obstruction |
| 01:05:39 |
Distraction is an obstruction |
| 01:06:05 |
- Oh, look. |
| 01:06:07 |
Skiers. |
| 01:06:13 |
Oh, look, look! |
| 01:06:17 |
A lake what? |
| 01:06:21 |
- Weird. That's really weird. |
| 01:06:25 |
- Yeah, be gentle. |
| 01:06:29 |
No, no. Don't rush. |
| 01:06:32 |
- The goat on the cliff, remember? |
| 01:06:36 |
What's the goat on the cliff? |
| 01:06:38 |
It's a little children's story. |
| 01:06:40 |
It's, it's silly, don't listen to that. |
| 01:06:43 |
Don't listen. Don't listen. |
| 01:06:53 |
- On the cliff. |
| 01:06:55 |
Martine, the goat on the cliff. |
| 01:06:58 |
Serge. |
| 01:07:28 |
- I'll go first. |
| 01:07:29 |
- I don't know how to ski. |
| 01:07:31 |
- I don't wanna go. |
| 01:09:08 |
Wait, wait, wait. |
| 01:09:10 |
It's not gonna hurt. |
| 01:09:20 |
Okay. |
| 01:09:22 |
Okay, good. |
| 01:09:27 |
- Good. |
| 01:09:30 |
No, no, no. |
| 01:09:32 |
Why don't we, |
| 01:09:34 |
...when you walk |
| 01:09:36 |
...and you discover the pony, yeah? |
| 01:09:39 |
- Yeah. Okay. |
| 01:09:40 |
Okay. So come, come, come. |
| 01:09:43 |
You must be... okay. Yeah, there. |
| 01:09:47 |
- Oh, wait. |
| 01:09:49 |
So basically you're just |
| 01:09:52 |
...and you discover |
| 01:09:55 |
...and you feel very excited, and... |
| 01:09:58 |
Ready? And action. |
| 01:10:01 |
Damn it, Stéphane, |
| 01:10:04 |
- Why did you do that? |
| 01:10:08 |
What are you doing? |
| 01:10:10 |
No, you should be ecstatic about me. |
| 01:10:12 |
You should be, like, |
| 01:10:16 |
Of course, my handsome. |
| 01:10:18 |
No, don't play with me. |
| 01:10:21 |
- How do you know? |
| 01:10:23 |
Why are you trying |
| 01:10:26 |
Hope? Maybe you should try. |
| 01:10:29 |
Try. |
| 01:10:30 |
Well, next time I'll see you, |
| 01:10:33 |
- Is that what you're asking me? |
| 01:10:35 |
- Really? |
| 01:10:37 |
I should just |
| 01:10:40 |
Yeah. |
| 01:10:42 |
Okay. |
| 01:10:44 |
- Yeah. |
| 01:10:59 |
What are you doing? |
| 01:11:01 |
I'm sorry. I'm sorry. I'm sorry. |
| 01:11:03 |
Can you pretend that I, |
| 01:11:06 |
- I was just leaving, right now. |
| 01:11:09 |
- You broke into my place? |
| 01:11:11 |
- What are you looking for? |
| 01:11:13 |
That's creepy. No, this way. |
| 01:11:17 |
- Good night. |
| 01:11:37 |
- Hello? |
| 01:11:40 |
Are you okay? |
| 01:11:43 |
I love my pony. |
| 01:11:45 |
I can't believe you did that. |
| 01:11:48 |
How did you do it? |
| 01:11:53 |
I'm sorry about what I said. |
| 01:11:55 |
I didn't mean one word. |
| 01:11:57 |
- No... |
| 01:11:59 |
No, I'm a creep. |
| 01:12:00 |
Just like you said. |
| 01:12:02 |
Listen, Stéphane. |
| 01:12:07 |
It's not attractive for a girl |
| 01:12:10 |
I know, it sucks. |
| 01:12:13 |
You know I named |
| 01:12:17 |
No, come on. Come on. |
| 01:12:20 |
It's not true. You had him |
| 01:12:23 |
No, no, it is true. |
| 01:12:25 |
I improvised his name when |
| 01:12:29 |
He didn't have a name. |
| 01:12:31 |
Now, tell me how you did it. |
| 01:12:33 |
Golden is galloping for real. |
| 01:12:35 |
It's unreal. |
| 01:12:39 |
Well... |
| 01:12:41 |
It's just an application |
| 01:12:47 |
Random control. |
| 01:12:48 |
Each leg has one engine... |
| 01:12:50 |
...and it moves backwards |
| 01:12:52 |
...the movement on the other leg. |
| 01:12:57 |
But in a simplified version. |
| 01:13:01 |
And it doesn't reproduce. |
| 01:13:06 |
I'm glad we live |
| 01:13:11 |
Will you... |
| 01:13:13 |
Would you marry me when we're 70? |
| 01:13:17 |
You've got nothing to lose. |
| 01:13:24 |
Okay. |
| 01:13:26 |
Would you mind... |
| 01:13:29 |
...keep on talking to me |
| 01:13:32 |
Because I always thought |
| 01:13:36 |
I feel that I'm falling down |
| 01:13:40 |
You know that you could never see |
| 01:13:44 |
Because the image of the traveler |
| 01:13:47 |
... would slow down till it would remain |
| 01:13:52 |
The state he was |
| 01:13:54 |
Only it's getting redder. |
| 01:13:57 |
The traveler gets crushed into spaghetti. |
| 01:14:02 |
I don't wanna be a spaghetti, |
| 01:14:05 |
No, you won't be a spaghetti. |
| 01:14:07 |
I don't wanna be a spaghetti. |
| 01:14:08 |
Stéphane? |
| 01:14:12 |
- Are you here? |
| 01:14:15 |
It worked! I'm not a spaghetti! |
| 01:14:18 |
Tell me, tell me. Describe all you can see. |
| 01:14:22 |
I feel some grass under my feet. |
| 01:14:24 |
And it's a bit windy. |
| 01:14:26 |
And cold. And damp. |
| 01:14:29 |
And there's forest all around me. |
| 01:14:33 |
And I can see Golden the Pony Boy. |
| 01:14:37 |
And I can hear some water. |
| 01:14:42 |
Oh, here it is. The river. |
| 01:14:44 |
Is the water made of millions |
| 01:14:48 |
No, it's real water. |
| 01:14:50 |
Oh, look. I just found the time machine. |
| 01:14:53 |
The time machine is here. |
| 01:15:01 |
And it works. |
| 01:15:09 |
Stéphane, are you asleep? |
| 01:15:14 |
Stéphanie, you know my mom, Christine. |
| 01:15:16 |
Two months later |
| 01:15:21 |
Yeah, I cannot talk French |
| 01:15:24 |
...I feel that my moustache grows |
| 01:15:27 |
Stéphanie. |
| 01:16:36 |
I... |
| 01:16:40 |
I wanna dedicate this |
| 01:16:43 |
okay, thank you, Mr. Miroux. |
| 01:16:45 |
Without them, without them, |
| 01:17:37 |
I'm sorry. Are you upset? |
| 01:18:11 |
This girl is at once all the women |
| 01:18:15 |
She's so beautiful and generous |
| 01:18:19 |
Because she's dumping me. |
| 01:18:22 |
She's dumping me because |
| 01:18:25 |
And I am a drug dealer |
| 01:18:29 |
The police are going to get me now. |
| 01:18:32 |
This is all my fault. |
| 01:19:33 |
He is my opposite. |
| 01:19:36 |
She feels safe around him. |
| 01:19:40 |
She's in love with him. |
| 01:20:09 |
Things will turn out the way you want. |
| 01:20:14 |
If you could just stop doubting |
| 01:20:18 |
Call me home. Next door. |
| 01:21:44 |
It's not fair. |
| 01:21:46 |
She changed exactly the second |
| 01:21:49 |
It's like a big bang. |
| 01:21:52 |
...and then the next nano instant: |
| 01:21:55 |
Huge. Infinite. |
| 01:21:59 |
I wish I could travel back to the time |
| 01:22:02 |
You should have asked me. |
| 01:22:05 |
Shut up, Guy. I thought she was lonely, |
| 01:22:09 |
But no. She doesn't need me at all. |
| 01:22:13 |
You know, I don't know |
| 01:22:15 |
But maybe she has a pattern. |
| 01:22:17 |
She doesn't wanna get hurt, |
| 01:22:21 |
And by hurting people, she thinks |
| 01:22:25 |
I don't know. I love her |
| 01:22:29 |
You know? She makes things |
| 01:22:33 |
It's as if her synapses |
| 01:22:38 |
Like this. In this way. |
| 01:22:41 |
Yeah, yeah. |
| 01:22:44 |
Man, I wish I could talk to my dad. |
| 01:22:49 |
I miss my father. I cannot talk |
| 01:23:17 |
You know, you can't let things |
| 01:23:21 |
A man has to take matters |
| 01:23:23 |
This TV is brainwashing my weekends. |
| 01:23:27 |
I should be... |
| 01:23:39 |
I'm sorry, I wasn't sure I was awake. |
| 01:23:42 |
Awake? I will awake you for sure |
| 01:23:47 |
Here, help me, |
| 01:24:12 |
It floats, yeah. |
| 01:24:30 |
Stéphane? |
| 01:24:34 |
Stéphane. Wait. |
| 01:24:37 |
Do you feel better? |
| 01:24:39 |
I'm going to work. |
| 01:24:41 |
I just want to know if you're okay. |
| 01:24:43 |
Yeah, I'm super-fine. Thanks. |
| 01:24:46 |
So I get it. So you don't want |
| 01:24:49 |
No, I don't wanna be your friend anymore. |
| 01:24:53 |
Do I have to nail it on your door? |
| 01:24:57 |
No, you... You can't. |
| 01:25:01 |
- It's not something people can decide. |
| 01:25:04 |
People have an argument and then |
| 01:25:07 |
Okay, then let's have a date or something |
| 01:25:11 |
- If that's what you want. |
| 01:25:13 |
You'll want me as a friend. You'll have |
| 01:25:17 |
By the way, where's the boat? |
| 01:25:20 |
Where's everything? Let's face it. |
| 01:25:23 |
Like the mezzanine and everything else? |
| 01:25:25 |
That's not true. |
| 01:25:29 |
I'll show you. |
| 01:25:30 |
You're manipulating me or... |
| 01:25:36 |
Look, here it is. |
| 01:25:39 |
Here, here it is. Zoé's number. |
| 01:25:42 |
That's what you want. |
| 01:25:45 |
Screw her. |
| 01:25:49 |
"By the way, do you have Zoé's number?" |
| 01:25:53 |
How did you get that? |
| 01:25:55 |
Wait, wait. Wait, I'm sorry. |
| 01:26:04 |
No, no, no. Stop crying. |
| 01:26:06 |
Stop crying. |
| 01:26:13 |
I'm sorry. |
| 01:26:17 |
I'm sorry. |
| 01:26:21 |
- Guy, Guy. |
| 01:26:23 |
Did you see the red on? |
| 01:26:26 |
I'm sorry. I'm sorry. |
| 01:26:27 |
Something amazing happened |
| 01:26:30 |
- Come on, shut up, now. |
| 01:26:32 |
Stop bullshitting. I'm sick |
| 01:26:34 |
- I'm doing your work. Know why? |
| 01:26:37 |
Because you're virtually fired, |
| 01:26:39 |
And mother or not mother |
| 01:26:48 |
Okay, you don't know |
| 01:26:51 |
Nobody has a clue what happens... |
| 01:26:52 |
...and everybody has an opinion. |
| 01:26:55 |
I wrote her a letter in my dream |
| 01:27:00 |
And she read it. I don't know how, |
| 01:27:03 |
And she just recited it to me just now. |
| 01:27:06 |
Word by word. She knows it. |
| 01:27:07 |
And you know why? |
| 01:27:10 |
...are creating this loop |
| 01:27:12 |
It's not as if our brains are communicating |
| 01:27:16 |
It's as if we were evolving |
| 01:27:19 |
It's called PSR. |
| 01:27:22 |
It's incredibly rare. It's as if |
| 01:27:25 |
- And we're falling to, into the... |
| 01:27:30 |
- She will drive you crazy, believe me. |
| 01:27:35 |
In 20 minutes at the Bar de l'Oreille. |
| 01:27:37 |
Minutes at the Bar de l'Oreille. |
| 01:27:41 |
It's my travel, time travel machine. |
| 01:27:45 |
You just walk in, Pouchet didn't |
| 01:27:48 |
Oh, come on. Guy, Guy, come on! |
| 01:28:38 |
You will never date her, okay? |
| 01:28:41 |
- She will drive you crazy. |
| 01:28:44 |
I refuse to believe only friendship |
| 01:28:47 |
There are signs that can't be mistaken. |
| 01:28:49 |
Can't be mistaken. Look, look. |
| 01:28:53 |
She kisses me at less than |
| 01:28:57 |
It is a sign, the most evident, |
| 01:29:01 |
Where should she kiss to her friendly |
| 01:29:04 |
No, halfway between the ear and the lips. |
| 01:29:09 |
Besides, if I don't move my head back, |
| 01:29:13 |
Why did you move away |
| 01:29:15 |
Maybe I tried to kiss her, who cares? |
| 01:29:18 |
The point is that she will torture, |
| 01:29:23 |
She simply doesn't care about me. |
| 01:29:24 |
No, this is not true. She cares a lot. |
| 01:29:28 |
She feels sorry for me. |
| 01:29:31 |
Exactly. My feeling has reached |
| 01:29:34 |
... and I can't seduce anyone |
| 01:29:42 |
You believe you can seduce her with |
| 01:29:46 |
They all ended up in the trash, |
| 01:29:50 |
- No. |
| 01:29:52 |
Stéphanie never came. |
| 01:29:56 |
- It's too late. Stéphanie moved on. |
| 01:29:58 |
- Stéphanie moved on. Moved on. |
| 01:30:01 |
Will never change her mind. |
| 01:30:03 |
Girls never change their mind |
| 01:30:12 |
Open the door. I know you are there. |
| 01:30:15 |
Open the door. |
| 01:30:17 |
You forgot about me. |
| 01:30:22 |
Stop playing with me. |
| 01:30:30 |
I never want to see you again. |
| 01:31:44 |
Say it. |
| 01:31:47 |
Say it, you have to say it. |
| 01:31:50 |
- Listen to me. Listen to me, say it. |
| 01:31:53 |
- Say it. |
| 01:31:56 |
- It won't happen. You have to say it. |
| 01:32:01 |
- Go on, say it. |
| 01:32:03 |
Just... okay. Right there. |
| 01:32:07 |
- Will you marry me? |
| 01:33:08 |
I've changed my mind. |
| 01:33:43 |
- Hey, Stéphane. |
| 01:33:44 |
What's going on? |
| 01:33:47 |
Nothing's going on. I'm just leaving. |
| 01:33:50 |
Yeah, I know. |
| 01:33:53 |
Are you still upset with me? |
| 01:33:56 |
Well, let's just say that |
| 01:34:00 |
Yeah. |
| 01:34:02 |
You're not gonna let me in? |
| 01:34:04 |
Install a toilet paper dispenser |
| 01:34:07 |
...their dirty Sanchez here |
| 01:34:09 |
Oh, shut up. |
| 01:34:12 |
How is your head? |
| 01:34:14 |
It's okay. |
| 01:34:16 |
It's not normal, though. |
| 01:34:18 |
Oh, well, of course it's not. |
| 01:34:20 |
- It's never going to be. |
| 01:34:25 |
I'm glad I made it |
| 01:34:28 |
Don't be glad. |
| 01:34:30 |
Be sad. |
| 01:34:33 |
Your English is very good. |
| 01:34:35 |
What about your French? |
| 01:34:36 |
No, I can't speak French with you. |
| 01:34:40 |
The only thing I can say is: |
| 01:34:47 |
Oh, damn it, Stéphane. |
| 01:34:49 |
What if someone catches fire? |
| 01:34:55 |
We've got to help him. Quick. |
| 01:35:06 |
Go, go, go! |
| 01:35:18 |
Anarchy in the cellophane! |
| 01:35:26 |
You've been crying? |
| 01:35:29 |
I like it when you cry |
| 01:35:35 |
I actually don't like it when you cry. |
| 01:35:38 |
I find it horrible. |
| 01:35:40 |
Especially when it's not for me. |
| 01:35:43 |
Will you cry a little when I'm dead? |
| 01:35:45 |
I hate people that pretend that they want |
| 01:35:49 |
...you know, and everyone is having |
| 01:35:53 |
...and nobody gives a shit |
| 01:35:55 |
That's horrible. That's bullshit. |
| 01:35:58 |
It's like, "Hey, sleep with my girlfriend |
| 01:36:03 |
You know? Well, my problem is that |
| 01:36:06 |
And I'm not dead. |
| 01:36:13 |
Look. Put your finger here. |
| 01:36:16 |
Touch here. |
| 01:36:18 |
At the back of the ear and the glasses. |
| 01:36:21 |
It feels like the glasses were |
| 01:36:25 |
Oh, true. That's weird. |
| 01:36:28 |
- I always liked that. |
| 01:36:32 |
It's like if you were touching |
| 01:36:37 |
I don't have a penis. |
| 01:36:38 |
You have a left hand. |
| 01:36:42 |
Why do you always have to be a pig? |
| 01:36:48 |
I'm teasing you. |
| 01:36:53 |
Will you fix your teeth one day? |
| 01:36:58 |
- You're mean. |
| 01:37:03 |
I mean, it's gonna be 40 years |
| 01:37:05 |
And I might as well take care |
| 01:37:08 |
Well, actually, you know? |
| 01:37:10 |
Don't do anything. |
| 01:37:12 |
Maybe no teeth is good |
| 01:37:16 |
Okay. I think you should leave now. |
| 01:37:20 |
You gonna be late. |
| 01:37:22 |
You know, sometimes I wear my jeans |
| 01:37:25 |
...until they're really bad. And it |
| 01:37:29 |
- What do you want me to say to that? |
| 01:37:32 |
So how is your boyfriend? |
| 01:37:34 |
You have a new boyfriend? |
| 01:37:37 |
A new boyfriend with long hair... |
| 01:37:38 |
...and goes bungee jumping and surfing. |
| 01:37:41 |
Does he take you surfing? |
| 01:37:43 |
Invite me, I'll go with you. |
| 01:37:45 |
I mean, if you want me to. |
| 01:37:48 |
I don't have a boyfriend. |
| 01:37:50 |
And you have a serious problem |
| 01:37:53 |
You could sleep with the entire planet |
| 01:37:58 |
- Please, I'd like you to go now. |
| 01:38:01 |
I like your boobs. They are very friendly |
| 01:38:04 |
I'll appreciate if, one day, |
| 01:38:07 |
- Not much to see. Now, go. |
| 01:38:09 |
You finished the mezzanine. |
| 01:38:11 |
I thought you were never gonna finish it. |
| 01:38:13 |
Like the boat and everything else. |
| 01:38:16 |
Is it solid? |
| 01:38:19 |
Can it hold a boy? A couple? |
| 01:38:22 |
What are you doing...? Get out. |
| 01:38:25 |
- Get out of here. |
| 01:38:26 |
- Get out or I'll call your mother. |
| 01:38:29 |
Not my mother. |
| 01:38:31 |
- You're gonna miss your plane. |
| 01:38:35 |
Why do you do this to me? |
| 01:38:38 |
What have I done to you? |
| 01:38:40 |
Tell me what do you want me to do? |
| 01:38:44 |
I don't know. |
| 01:38:47 |
Maybe touch my hair or something? |
| 01:38:49 |
I can't do that. |
| 01:38:53 |
Why me? |
| 01:38:54 |
Because everyone else is boring. |
| 01:38:57 |
And because you're different. |
| 01:39:01 |
You don't like me, Stéphanie. |
| 01:40:07 |
Stéphane? |
