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Lady for a Day en
00:01:58	Extra! Read all about it!
00:02:00	Again a fresh election!
00:02:04	Read all about it! Extra!
00:02:12	Apples. Apples.
00:02:14	Where do you think
00:02:17	What do you mean...?
00:02:19	Shut up, you pasty-faced palookas.
00:02:24	Apples, apples.
00:02:28	Apples.
00:02:31	Hey, Annie!
00:02:35	Come round to the house sometime.
00:02:38	I got a lot of silverware
00:02:40	Apples.
00:02:44	Hello, Schultzie, how's business?
00:02:46	Not so good over at the Apollo.
00:02:48	Go over to the Casino.
00:02:51	Is that so?
00:02:53	Yeah.
00:02:56	If you changed your tune,
00:03:06	The Dude wants to see you, Annie.
00:03:09	Yeah, l know.
00:03:11	Terrible. Everybody's broke.
00:03:14	Stop yappin'. Didn't you hear
00:03:18	Get on over to the Casino.
00:03:21	- They have?
00:03:23	Don't forget Missouri Martin's.
00:03:25	Alright, l won't.
00:03:26	Apples.
00:03:27	Apples.
00:04:18	Okay, girls.
00:04:26	What's going on?
00:04:29	- What's the mystery?
00:04:32	- Yeah, what kind of bet?
00:04:34	What fly?
00:04:35	Dude bet the Greek the fly would
00:04:51	- What do you say, Dude? 500 more?
00:04:57	What do you think
00:05:00	I'm decoying him, Dude,
00:05:16	Tough luck, Dude.
00:05:19	I bet the Greek's got
00:05:21	Now that the animal act's over,
00:05:24	- Yeah, we better get going.
00:05:26	Hey, Dude, l give you
00:05:28	- Nothing doing.
00:05:35	This is a lot of hokum,
00:05:38	when a real sucker's
00:05:40	with real dough.
00:05:41	What's the matter, handsome?
00:05:44	I should have know better than
00:05:46	I'm going to find Apple Annie.
00:05:47	You're searching for her now?
00:05:50	Listen, Happy. This is one of the
00:05:53	I'm not taking any chances.
00:05:56	I even lost to the Greek.
00:05:58	Did l tell you about the fella,
00:06:02	He went looking for him one day
00:06:05	A fella told me it was
00:06:08	- Go out and find Apple Annie.
00:06:12	I'm a first class monkey
00:06:15	by buying apples from
00:06:17	Can't find your apple, Dude?
00:06:20	Cut it out. Cut it out.
00:06:21	He wants apples, not lemons.
00:06:24	Happy, in case you break anything,
00:06:31	- Hello, Annie.
00:06:33	- Did l keep you waiting?
00:06:35	You've got a great racket, Annie.
00:06:36	Couple more suckers like the Dude
00:06:39	Pull up your chin, Happy,
00:06:42	- Never mind the change.
00:06:45	- So how'd you do last week?
00:06:48	Where were you Saturday?
00:06:50	Saturday?
00:06:52	I wasn't feeling so good Saturday.
00:06:55	- Drinking again.
00:06:59	I ain't touched a drop in weeks.
00:07:02	Cut it out. Doc Michel says
00:07:05	He's an old fool, doesn't know
00:07:08	If you two are going to
00:07:10	Your car's ready, Mr. Dude.
00:07:12	Mr. Dude,
00:07:14	There you are!
00:07:17	Nice work, Shakespeare.
00:07:20	I bet the cards
00:07:22	They will, l'll tell 'em the Dude
00:07:51	Did you get it?
00:07:53	Don't l always get it?
00:07:56	- The classiest stationary we have.
00:08:00	- Thank you, Oscar.
00:08:03	50 cents? You never charge me
00:08:06	It's conditions. People don't leave
00:08:09	It's got so bad l have to
00:08:12	- That's awful, Oscar.
00:08:16	Remember when she was the
00:08:19	I brought her back so much perfume
00:08:23	- Cheer up. Things will get better.
00:08:26	When are you expecting
00:08:29	There's a mail boat in
00:08:32	Okay, l'll watch out for it.
00:08:34	There's a good soul!
00:08:36	And don't you forget it.
00:08:38	If l'm caught stealing letters,
00:08:41	- No, you mustn't get fired.
00:08:45	Who are you getting
00:08:49	None of your business.
00:08:51	- A new lover, eh?
00:08:54	A new lover.
00:08:55	You old devil, you.
00:09:14	Get out of the way.
00:09:17	That's for getting in the way.
00:10:53	Hey, scat!
00:10:57	The very idea.
00:10:59	Couldn't you find any other place
00:11:45	"My dear...
00:11:48	adorable...
00:11:51	daughter.
00:11:58	The social season...
00:12:03	is over.
00:12:14	And so,
00:12:19	the reception...
00:12:23	l came to...
00:12:28	Lord...
00:12:48	Lord Woodcliff's."
00:12:54	Here's to Lord Woodcliff.
00:13:04	"They say to wish you success."
00:13:14	I just love Annie's music.
00:13:27	"It breaks my heart that l've not
00:13:33	but Doctor Michel, the old crab,
00:13:38	still says it would be fatal
00:13:44	Your stepfather thought
00:13:50	You didn't know you had
00:13:55	Neither did l.
00:13:59	"The young man you write about
00:14:03	sounds perfectly darling.
00:14:07	I hope he loves you as much as
00:14:12	you love him.
00:14:26	As much as l love you, my darling.
00:14:43	Oscar, where have you been?
00:14:45	You shouldn't keep me waiting
00:14:50	Why, Oscar. Where's your uniform?
00:14:54	Oscar, what's happened?
00:14:58	You haven't lost your job?
00:15:01	You shouldn't fool me like this.
00:15:05	They can't fire you!
00:15:07	They can't, eh?
00:15:09	They caught me putting
00:15:11	Where's my letter?
00:15:13	What am l going to tell the wife?
00:15:15	- Where's my letter?
00:15:20	Annie, where you going?
00:15:24	Hey! Hey!
00:15:28	You must be
00:15:30	- Peasants aren't allowed in here.
00:15:32	Let me go, let me go!
00:15:44	I beg your pardon.
00:15:46	Oh, my goodness.
00:15:47	There's some mail here
00:15:50	Mail?
00:15:52	No, but there's a letter.
00:15:56	It's from Barcelona, Spain.
00:15:59	It's very important.
00:16:05	Well, what is your name, please?
00:16:06	Mrs. E. Worthington Manville.
00:16:09	- Mrs. E. Worthington Manville?
00:16:13	Mrs. E. Worthington Manville.
00:16:38	I'm the manager.
00:16:41	Yes, if you please.
00:16:42	There's a letter here for me
00:16:45	Letter?
00:16:47	Yes...
00:16:50	l told that other man
00:16:52	- You're not a guest of the hotel?
00:16:56	Please, no need for shouting.
00:16:59	Then why don't you
00:17:01	What's the use of
00:17:04	I'm afraid l have to ask you
00:17:06	Well, l won't go
00:17:10	I'll be compelled to
00:17:11	Well, call the police.
00:17:14	I'm not a criminal.
00:17:18	Mister, please.
00:17:21	I don't want trouble for the hotel.
00:17:24	All l want is my letter.
00:17:29	It came all the way from Spain.
00:17:34	Just a moment.
00:17:36	- Iloyd.
00:17:38	Do you remember
00:17:40	E. Worthington Manville
00:17:42	Yes, it came in this morning.
00:17:44	There, you see?
00:17:46	Let her have it.
00:17:48	God bless you kindly, sir.
00:17:50	Why are you standing there?
00:17:52	I sent it back.
00:17:54	You sent it back?
00:17:55	Sir, there's no one registered
00:17:57	so l sent it back marked
00:18:00	But you can't. She'll find out
00:18:05	- Don't you see?
00:18:08	Has the mail left yet?
00:18:10	Yes, the boy took it out
00:18:12	It's probably...
00:18:13	There he is now.
00:18:16	- Hey, boy, boy!
00:18:19	Don't put any more in there!
00:18:24	You can't do this here.
00:18:26	She's quite crazy.
00:18:29	There it is.
00:18:34	I'd know it any place.
00:18:36	Leave this hotel at once.
00:18:40	Yes, sir.
00:20:00	She's fainted.
00:20:02	It's an old lady.
00:20:04	Come on, grandma.
00:20:12	You all right now, mother?
00:20:14	I'm...
00:20:18	Where's my letter?
00:20:19	Where's my letter?
00:20:21	- Here.
00:20:26	- Do you feel alright?
00:20:29	I'm all right.
00:20:31	Nothing's the matter with me.
00:20:42	So, if my daughter comes here,
00:20:45	all you gotta do is
00:20:48	That ought to be easy enough?
00:20:50	It won't do the hotel any harm.
00:20:54	"Mrs. E. Worthington Manville
00:20:58	That's simple enough.
00:21:00	Oh, yes. Say there was
00:21:03	and lots of flowers,
00:21:06	and all the
00:21:08	If they ask about Mr. Manville,
00:21:11	just say he was so broken up
00:21:14	he had to take a trip
00:21:17	Make it two years.
00:21:20	Pretty slick, isn't it?
00:21:22	It's Apple Annie.
00:21:24	- Come on, Annie.
00:21:26	- I won't bother you any more.
00:21:28	- Come on, Annie.
00:21:32	- You can't let me...
00:21:35	You've gotta! You've gotta!
00:21:39	Sure, we can talk business
00:21:43	No, we want the whole stable,
00:21:46	Look, three sixes.
00:21:48	Listen, Babcock without
00:21:51	we wouldn't give you counterfeit
00:21:54	Okay, how much you want?
00:21:56	What?
00:21:57	He'd take a hundred grand.
00:22:01	A hundred thousand?
00:22:02	What do you boys expect us
00:22:06	Okay, if l can line up the Dude,
00:22:12	It's a pushover, Dude.
00:22:16	Take it from me, you're lucky.
00:22:18	Which of these vests do you like,
00:22:21	Let's get going. We can knock
00:22:25	I can't find her, Boss.
00:22:27	- Can't find who?
00:22:29	I looked high and low for her.
00:22:32	That's why you were stalling.
00:22:34	What do you mean,
00:22:36	I get a lot of help
00:22:39	I feed you pretty good.
00:22:42	Listen. I know what l'm doing
00:22:45	till l get an apple from Annie.
00:22:49	Listen 'stupe',
00:22:52	was ask any panhandler
00:22:54	That's just it, there ain't no
00:22:58	What?
00:22:59	Listen, l hope my mother croaks
00:23:02	I walked over town for hours.
00:23:05	I suppose they're all
00:23:08	Search me. It's got me scared.
00:23:12	Blind man here.
00:23:15	- Shorty? A blind man?
00:23:17	Bring him in.
00:23:19	None of them around, eh?
00:23:20	Get that dizzy dame off your mind.
00:23:23	I don't think about her
00:23:27	Let 'em in.
00:23:28	- Hello, Dude.
00:23:30	- What do you mugs want?
00:23:33	What about Annie? I've been
00:23:35	She's in an awful jam.
00:23:36	- Been drinkin' again, huh?
00:23:38	Notterhead found her
00:23:40	Yeah, she was in a daze.
00:23:42	She was walking down the
00:23:45	Good thing Notterhead
00:23:46	What is all this?
00:23:48	- She's in an awful jam.
00:23:53	For years she's been swiping
00:23:56	And writing her daughter
00:23:58	- Daughter?
00:24:01	Been in a convent
00:24:02	Sends her money every month.
00:24:04	Now she's gonna marry
00:24:06	What is all this, a racket?
00:24:10	- First Avenue, 314.
00:24:13	Okay, you mugs. Out of here!
00:24:15	Come on, you heard.
00:24:17	Happy, go to Babcock's
00:24:20	Shakespeare, come along with me.
00:24:23	As soon as l get my apple
00:24:41	As l live and breathe,
00:24:44	my old friend, the Dude.
00:24:46	Come in, gentlemen.
00:24:48	I thought so. On the gin again.
00:24:52	Come on in.
00:24:57	You didn't know l had
00:25:00	I've got lots of butlers,
00:25:02	millions of 'em.
00:25:04	Where you been, you old buzzard?
00:25:07	So good of you to come down
00:25:11	Everyone always comes down
00:25:15	Dude, let's get out of here.
00:25:18	she pulls this 'society' stuff.
00:25:21	You trying to kill yourself?
00:25:23	You know what Doc Michel said.
00:25:26	Hey, Boss.
00:25:28	This must be the daughter
00:25:31	You haven't met my daughter,
00:25:35	She's coming over to visit me.
00:25:38	Isn't she lovely?
00:25:41	She's coming over here...
00:25:43	with a Count.
00:25:46	She's gonna marry
00:25:49	That's the kind of people
00:25:54	Funny, isn't it?
00:25:57	She thinks l'm in high society.
00:26:03	Wait till she sees me!
00:26:06	It's going to be funny
00:26:09	her mother is Apple Annie.
00:26:13	Why don't you laugh?
00:26:16	Why don't you laugh?
00:26:19	It's funny, l tell you.
00:26:21	Apple Annie,
00:26:28	Apple Annie...
00:26:31	from Schubert Alley.
00:26:42	Old fool, getting herself
00:26:51	Remind me to send
00:26:57	- What you gonna do, Mr. Dude?
00:26:59	About Annie.
00:27:01	What do you mugs want me to do?
00:27:03	We thought you'd figure it out.
00:27:04	We had a meeting and someone said:
00:27:07	That's all l got to do?
00:27:11	If Annie could get an apartment
00:27:14	- We'd pitch in for some of it.
00:27:17	- Annie at the Marberry?
00:27:20	Go on, get out of here.
00:27:22	- Come one.
00:27:30	The nerve of those guys.
00:27:35	Hey Dude,
00:27:38	Yeah.
00:27:39	This here society friend
00:27:42	he's got an apartment
00:27:44	What about it? What about it?
00:27:46	Can you see me asking Rodney Kent
00:27:49	for Apple Annie?"
00:27:51	He'd throw me out
00:27:53	I was just gonna say that.
00:27:56	- Shut up about it, then.
00:28:16	- Where have l seen you before?
00:28:19	- Is this Rodney Kent's apartment?
00:28:23	What gave you the idea
00:28:26	Well, l assume...
00:28:27	Don't assume so much.
00:28:30	- Yes, sir.
00:28:32	I'll tell you something that will
00:28:36	- I don't care about Rodney Kent.
00:28:39	Toddle in there and tell
00:28:43	- He is in there, isn't he?
00:28:45	Who should l say is calling?
00:28:46	Happy McGuire, apple of his eye,
00:28:49	- You got that straight?
00:28:51	Don't let it upset you.
00:28:57	I promise not to get depressed.
00:29:07	And remember,
00:29:12	Now, here's the layout.
00:29:15	Here's your bedroom, see?
00:29:19	The Count is here, the son here,
00:29:23	Now, you got that straight?
00:29:25	Here, you better keep this.
00:29:30	Fine mess
00:29:32	Everybody worrying about you.
00:29:35	Why didn't you swipe stationary
00:29:38	Then you could've said
00:29:41	- Mr. Happy McGuire.
00:29:45	You know l've been looking
00:29:49	What's this?
00:29:50	Meet the new society lady.
00:29:54	Hotel Marberry, daughter.
00:29:58	Where'd you ever get
00:30:01	Who's the father?
00:30:02	Who's the father?
00:30:04	I suppose you'll tell me
00:30:07	Rodney Kent gave you
00:30:10	Yeah, must be
00:30:13	He must be off his nut.
00:30:15	"The whole thing sounds insane,
00:30:18	My only request is
00:30:21	no one puts mustaches
00:30:25	Say, listen,
00:30:28	I want to talk to you.
00:30:32	Get this, l got the Babcock deal
00:30:36	Now that's our bread and butter.
00:30:39	You're not doing yourself
00:30:41	Yeah, l know.
00:30:43	but l got an idea.
00:30:45	For years Annie's
00:30:48	What luck would l have
00:30:52	Miss Missouri Martin.
00:30:54	- Fetch her in.
00:30:56	Yeah, the old gal herself.
00:30:59	Come on, gang.
00:31:01	Cut it out, cut it out.
00:31:02	Here they are, suckers, the gang
00:31:06	All ready for the slaughter.
00:31:10	There she is.
00:31:11	And what material for
00:31:15	Look at 'em, tongues hanging out.
00:31:17	By the time they're finished,
00:31:19	The idea is to
00:31:23	"Laughing Boy" is in again.
00:31:25	All right, flesh pounders,
00:31:28	- Alright, Annie, let's go.
00:31:31	- Come on.
00:31:33	The hair the biggest problem.
00:31:35	It's all right, Annie.
00:31:39	You won't get to first base.
00:31:42	Take her in that bedroom.
00:31:47	Wait a minute,
00:31:49	It's alright, Dude,
00:32:01	Pierre.
00:32:13	Alright, girls, that's all.
00:32:16	Folks, meet
00:32:42	I'll never forget you for this.
00:32:46	God bless you.
00:32:48	Okay, okay.
00:32:50	Yeah, you look fine.
00:32:53	Nice work, Missouri.
00:32:57	Come on, Happy. Let's get going.
00:33:03	Wait a minute, you guys.
00:33:04	Where do you think you're going?
00:33:06	We're returning to the business
00:33:08	- if it's just the same to you.
00:33:12	- What about the husband?
00:33:14	Worthington Manville,
00:33:17	I forgot all about the husband.
00:33:19	Missouri, go back in and tell her
00:33:22	That's a brilliant idea.
00:33:24	Who's she gonna get,
00:33:26	He got her the apartment
00:33:28	What more do you want?
00:33:30	- You can take care of it.
00:33:32	Very sweet of you.
00:33:35	I'm a kibbutzer in this,
00:33:39	You got another guess coming!
00:33:41	I like Annie
00:33:43	but if you guys are
00:33:47	I'm a sucker if l'm gonna be
00:33:49	You want the Dude
00:33:50	I got a night club
00:33:52	That comical hole in the wall?
00:33:55	If l could make you laugh,
00:33:57	You couldn't make a hyena laugh.
00:33:59	Wait a minute, what do you mean,
00:34:02	Stop arguing
00:34:04	If we gotta dig up a husband,
00:34:07	Now you gotta dig up
00:34:09	Where you gonna get
00:34:14	What about you, Happy?
00:34:16	Me?
00:34:17	That's a swell idea.
00:34:20	Wonderful idea.
00:34:23	I got a wife
00:34:26	She don't like for me to
00:34:30	I know how unreasonable
00:34:33	but she's funny that way.
00:34:49	No.
00:34:54	I got just the one!
00:34:57	Who's he?
00:34:58	For a proposition like this,
00:35:01	Well, judge Blake is
00:35:04	- Shakespeare.
00:35:10	Judge Blake, the guy that
00:35:12	is taking you for a sleigh ride.
00:35:14	Granted, my boy, granted.
00:35:19	In Providence, where l come from,
00:35:21	a cripple like you would be
00:35:24	That's one of the reasons
00:35:27	If you did, you'd come back
00:35:31	How much longer must l toy with
00:35:35	Take it easy, judge.
00:35:37	Any minute now he'll want to
00:35:39	I'm becoming annoyed at
00:35:41	If the sap knew who
00:35:45	If the stakes were higher,
00:35:49	Success at last.
00:35:51	Do better?
00:35:54	Thought you might want to
00:35:57	How about 10 cents a ball?
00:35:58	10 cents? A veritable fortune.
00:36:01	Afraid, huh?
00:36:03	Afraid? Nobody ever said that
00:36:07	Did you know that during the
00:36:10	we were known as
00:36:13	I'll show you how afraid l am!
00:36:15	I'll make it 50 cents a ball!
00:36:17	Okay, come on!
00:36:18	- Boy, rack 'em up!
00:36:21	Come on.
00:36:24	Set 'em up.
00:36:26	Let's get goin'.
00:36:31	Judge.
00:36:32	My old friend,
00:36:35	- Dude wants to see you right away.
00:36:38	I am engaged in
00:36:41	I don't know nothing about that.
00:36:43	In fact, my next month's
00:36:46	Come on, judge.
00:36:48	Wait, the Dude said not to
00:36:51	- You know what that means.
00:36:54	What's the matter, judge?
00:36:56	There he is, the lucky stiff.
00:37:00	- Excuse me.
00:37:03	Guys, you're holding up the game.
00:37:04	I thought you were known as
00:37:07	You were born under
00:37:20	A 6 ball shot, friends, one in
00:37:24	Amazing.
00:37:26	Quiet, boys!
00:37:30	Great shot!
00:37:35	- Collect from Providence.
00:37:36	That was some shot.
00:37:40	And with the left hand.
00:37:43	Thank you, me lad.
00:37:46	It's only for a week, judge.
00:37:48	All you do is be her
00:37:52	The rich and aristocratic
00:37:54	- Ever try being a husband?
00:37:56	- How'd you make out.
00:37:59	They were charming women, too.
00:38:03	I'm sorry you brought that up.
00:38:05	I can't understand why l should
00:38:08	You probably talked them to death.
00:38:14	- What do you say?
00:38:16	- Whose husband?
00:38:18	Now here's the layout.
00:38:23	You're going to be
00:38:26	of Apple Annie.
00:38:29	Preposterous!
00:38:32	Of all people, Apple Annie.
00:38:34	Listen, Dude, this is
00:38:38	A mere apple vendor,
00:38:42	- Good afternoon.
00:38:46	- Here who is?
00:38:49	The judge was saying how glad
00:38:53	Thank you.
00:38:59	Thank you so much.
00:39:01	I am deeply flattered.
00:39:04	The pleasure, l assure you,
00:39:08	is all mine.
00:39:22	19 and a half.
00:39:24	See, Happy?
00:39:25	An apartment, clothes, judge Blake
00:39:29	Just between you and me,
00:39:34	Well, maybe now that that's over,
00:39:36	we can revive the Babcock deal.
00:39:39	'Revive it'?
00:39:44	I let it get away?
00:39:46	You laid down on the job, huh?
00:39:50	Say, listen,
00:39:53	Babcock wore out the seats
00:39:56	sitting on his "El Fideldo".
00:39:59	All right, all right.
00:40:01	Tell him l'm ready.
00:40:04	I let it get away!
00:40:14	Hello, Dude.
00:40:16	- I'm glad l found you in.
00:40:19	I want to see you
00:40:22	Annie's daughter arrives today.
00:40:24	Yeah, l know.
00:40:26	Alright, men, scram.
00:40:28	I shouldn't hurry so.
00:40:32	What's on your mind, judge?
00:40:35	Dude, you played
00:40:37	on that poor old woman.
00:40:39	I what?
00:40:40	My dear Dude,
00:40:42	do you know the number
00:40:45	- that meet the incoming boats?
00:40:48	They'll want to know
00:40:50	why he came to America,
00:40:53	That means me
00:40:55	Sure, a guy named Winchell
00:40:58	for a story like this.
00:41:00	I told you you couldn't
00:41:05	Why didn't you think of that?
00:41:07	Why didn't l think of it?
00:41:08	Yeah. Why tell me now?
00:41:12	What are you gonna do?
00:41:16	Well, l'm leaving it to you.
00:41:18	You better see
00:41:20	- What time's that boat come in?
00:41:23	In about an hour.
00:41:24	I better go with you
00:41:28	- Come on, judge.
00:41:31	Goodbye, Sad Eyes.
00:41:45	Some 'phonus balonus' round here.
00:41:47	Yeah, Dave the Dude
00:41:49	His whole mob ain't.
00:41:59	Tell your mugs to hold the circle
00:42:03	Don't worry, the only way
00:42:08	- Let's see what happens.
00:42:12	- How do l look?
00:42:16	- How does Annie look?
00:42:18	I remember when Annie
00:42:22	Notterhead took me over
00:42:31	I can hardly believe it.
00:42:34	In a little while l'll be
00:42:51	Yes, there she is.
00:42:53	There she is!
00:43:10	Louise! Louise!
00:43:16	Louise, it's your mother.
00:43:20	There's Mother!
00:43:22	She recognizes me.
00:43:26	It's mother! It's mother dear!
00:43:28	Mother!
00:43:31	Louise. Louise.
00:43:46	I can't wait.
00:43:49	She'll be down.
00:44:03	Louise! Louise!
00:44:19	Louise!
00:44:22	My baby.
00:44:31	Let me look at you.
00:44:34	I'm so happy.
00:44:36	I'd know you anywhere.
00:44:39	- What are they doing?
00:44:42	- Is Annie happy?
00:44:46	My sweet!
00:44:50	You're just as
00:44:53	- My baby.
00:44:59	Enough tears around here
00:45:08	This is your stepfather, dear.
00:45:11	Mother's written me
00:45:17	May l present
00:45:20	and his son, Carlos.
00:45:22	How do you do?
00:45:23	It is indeed a pleasure,
00:45:25	We've been looking forward
00:45:27	Thank you.
00:45:29	How stupid of me.
00:45:31	This is...
00:45:35	My uncle?
00:45:36	I didn't know l had an uncle.
00:45:38	You must be Father's brother.
00:45:42	I'm so pleased.
00:45:43	Why, Mother, you didn't write
00:45:45	That's because Brother David
00:45:49	I want you to meet Count Romero
00:45:51	and his son Carlos.
00:45:53	- This is my uncle, David Manville.
00:45:58	- Where do you think you're going?
00:46:01	I ain't talking to your Aunt Tilly.
00:46:03	I'm a news reporter.
00:46:06	You're wrong. He ain't no Count.
00:46:09	No?
00:46:10	Yeah, somebody threw you
00:46:12	Shows you what
00:46:16	What you want to do
00:46:19	There's a boat coming in
00:46:21	Maybe there's a king and queen
00:46:24	Take this man to Pier 48.
00:46:27	- But 48 is down by the Battery.
00:46:35	Wonder what their racket is?
00:46:37	Looks like a couple of
00:46:40	Let's talk to the Dude.
00:46:47	Happy, a couple of cops
00:46:51	Holy smoke! We gotta stop 'em.
00:46:52	Go start a fight.
00:46:54	- The Weasel? He's my brother!
00:47:00	Hey, Weasel.
00:47:07	Fight! Fight!
00:47:11	Fight! Fight!
00:47:14	- Your car is waiting, sir.
00:47:17	Am-scray!
00:47:19	We'd better be going.
00:47:22	You'll enjoy the ride, Count.
00:47:31	- Know where the family went?
00:47:34	- Where did they go yesterday?
00:47:37	- The day before?
00:47:39	That's fine. Here...
00:47:41	that's for your expenses.
00:47:44	- And that's for you.
00:47:47	- Remember your general orders?
00:47:49	"If l'm asked any questions,
00:47:52	As a matter of fact,
00:47:55	Fine.
00:47:57	That should be a cinch.
00:47:58	I beg your pardon, sir?
00:48:00	I said, that should be
00:48:04	If l had a choice of weapons
00:48:16	- Remember, don't flop on this.
00:48:18	If you do, your family
00:48:20	- I have no family, sir.
00:48:24	Nobody...
00:48:30	Come on. I don't wanna be here
00:48:44	Uncle David!
00:48:46	Hello.
00:48:48	There you are.
00:48:52	Hello, Mr. Manville.
00:48:54	Where have you been?
00:48:56	Well, that's something.
00:48:57	Don't be so strange.
00:49:01	Carlos and l are going to
00:49:04	If we're talking about children,
00:49:09	- When does it take place?
00:49:11	Everyone's making a fuss about it.
00:49:13	Mother wants the wedding here,
00:49:16	The Count wants it in Spain
00:49:20	Sorry, Ma...
00:49:21	We don't care where it happens,
00:49:24	That's the way to talk.
00:49:26	- Hello, Brother David.
00:49:28	- Hello, Mr. McGuire.
00:49:33	You've all met David's secretary.
00:49:37	Yeah, my... secretary, everybody.
00:49:40	I'm so glad you came, Mr. McGuire.
00:49:43	You might want to
00:49:46	Sure, good idea.
00:49:53	Reception?
00:49:54	What do you mean 'reception'?
00:49:55	We're having a reception
00:49:58	the night their boat
00:50:00	Isn't that just dandy.
00:50:03	You're surprised,
00:50:06	Yeah.
00:50:07	Thought you would be, knowing me.
00:50:09	I've never known a man to detest
00:50:12	as the judge.
00:50:15	Who's coming, Brother Edward?
00:50:19	Just a few of our friends.
00:50:21	A small affair,
00:50:23	Hardly a handful.
00:50:25	The Count is tired of
00:50:28	He wants to meet our friends.
00:50:30	The Count will love our friends.
00:50:32	Of course, l'll look to you,
00:50:36	Of course, of course.
00:50:38	I'd like to have a talk with you
00:50:42	There's one or two things
00:50:44	By all means, Brother David.
00:50:46	- Yes, john?
00:50:49	What does he want, john?
00:50:51	Perhaps he's heard about the Count
00:50:54	Perhaps you better see him
00:50:58	You're so clever at
00:51:01	I'll handle him.
00:51:09	What can we do for you?
00:51:11	Society reporter, The Star.
00:51:13	I want to get a story on
00:51:15	I can't find mention of her
00:51:18	Imagine that? He couldn't
00:51:22	- I can't understand it.
00:51:25	Just a general biography.
00:51:27	Say, wait a minute.
00:51:30	Dave the Dude?
00:51:31	What's he talking about, Albert?
00:51:33	The house is full of guests.
00:51:36	Alright, but l could swear
00:51:40	There's a room here
00:51:43	Sure we won't
00:51:45	No, not a chance, uncle.
00:51:47	This is for family heirlooms.
00:52:26	Again?
00:52:38	You'll always love me,
00:52:41	You know l will.
00:52:47	Has your father said anything yet?
00:52:50	No.
00:52:52	What will we do if
00:52:55	If he doesn't like Mother and Dad?
00:52:58	- What will we do, Carlos?
00:53:01	He's really fond of them.
00:53:04	He likes to be formal about things.
00:53:07	I'd just die if anything happens.
00:53:13	I'll just die, Carlos.
00:53:19	Mother?
00:53:22	I was in my room,
00:53:24	and l was so lonesome.
00:53:27	You don't mind if l
00:53:31	- Of course not.
00:53:33	I've taken up Louise's time.
00:53:36	No, you haven't.
00:53:39	I'll go in and talk to Dad,
00:53:41	Good night, Mother.
00:53:43	You don't mind my
00:53:45	- I just love it.
00:53:47	- Night, Louise.
00:53:50	He's a lovely boy.
00:53:52	Mother, l'm so happy.
00:53:57	My baby.
00:54:01	Mother?
00:54:03	Yes, my sweet.
00:54:05	You don't think anything can happen?
00:54:08	Happen?
00:54:11	I guess l've just been foolish,
00:54:14	because l've been wishing so hard.
00:54:17	Mother, did you ever wish
00:54:25	Nothing's going to happen.
00:54:28	Nothing's going to happen.
00:54:35	Reception, huh?
00:54:37	You stayed up too late.
00:54:39	You're in a swell apartment
00:54:42	For my dough, you're still
00:54:44	- Now after all, my dear Dude...
00:54:47	- Don't get cross, Brother David.
00:54:50	Listen you...
00:54:53	Hello? Yeah.
00:54:55	I'm sorry to trouble you, Mr. Dude,
00:54:57	but the Count asked me to get
00:55:00	Why is he calling him?
00:55:03	What do you know about that?
00:55:06	Maybe he's checking up on us.
00:55:08	- How's your Spanish, Happy?
00:55:11	And what about you?
00:55:13	I'll tell you,
00:55:15	Never mind that!
00:55:24	- The Spanish Consulate, sir.
00:55:29	Close the door, please.
00:55:37	Consular not home.
00:55:41	No, sir.
00:55:43	He gone away long time.
00:55:46	No, me Japanese boy.
00:55:49	Very good.
00:55:57	Japanese boy.
00:55:59	Very difficult to understand.
00:56:03	I think he said
00:56:07	I'm glad. I think it was
00:56:10	Carlos!
00:56:11	I'm sorry!
00:56:17	- Yeah?
00:56:19	- Send him right in!
00:56:23	Well?
00:56:25	Nothing doing, lnspector.
00:56:26	That's what you told me yesterday
00:56:30	We gotta find
00:56:33	Look what the newspapers
00:56:35	I've done everything,
00:56:36	Nothing but excuses,
00:56:39	You better get going...
00:56:42	- Yeah?
00:56:44	- Who?
00:56:47	There he is again.
00:56:50	Hello, Commissioner.
00:56:52	No. I've got Cap. Moore in
00:56:55	Not a thing? That's all l've been
00:56:58	What have you got there,
00:57:00	Listen, McCreary, l'm not gonna be
00:57:03	Find those reporters or l'll...
00:57:06	Hello?
00:57:07	- Mayor's on the phone, sir.
00:57:09	- Yes, sir.
00:57:11	- No, l didn 't.
00:57:13	Yes, sir.
00:57:14	Hold on a minute.
00:57:18	Hello?
00:57:20	No, l was just talking to
00:57:23	Not a thing yet.
00:57:25	What are you going to do about it?
00:57:27	Sit and wait for those reporters
00:57:29	Yes, yes. I've heard that before.
00:57:32	I'm only interested in one thing.
00:57:35	Every editor in town
00:57:37	You'll get front page editorial
00:57:41	Our reporters can't get news
00:57:44	I want this clear, Commissioner:
00:57:46	for the incompetence of
00:57:49	If City administration can't do
00:57:51	When the Governor gets in town
00:57:54	Find those reporters or l'll be
00:57:57	Now that's final.
00:58:04	Hello, McCreary.
00:58:07	dig up those reporters
00:58:10	And that's that!
00:58:14	Captain,
00:58:16	l'm giving you 24 hours
00:58:20	If you can't, you'd better start
00:58:22	And that's the works!
00:58:23	Yes, sir.
00:58:24	What is it, Murphy?
00:58:26	A young fella with
00:58:28	- Come on, speak up.
00:58:31	I was down at the boats
00:58:34	when a couple of yeggs
00:58:36	- What happened?
00:58:38	- How'd you get away?
00:58:40	- Who were the men?
00:58:43	Maybe l can tell you
00:58:45	When did this happen?
00:58:47	- Last Tuesday.
00:58:50	Ken and l were down
00:58:52	Dave the Dude
00:58:54	Had his whole mob with him.
00:58:56	Dave the Dude, eh?
00:58:58	This is beginning to
00:59:00	Sit down, l want to talk to you.
00:59:04	Get this straight. I ain't having
00:59:07	The reception is tomorrow night.
00:59:09	You don't rehearse now,
00:59:12	You've got your titles, speeches,
00:59:15	First learn your speeches.
00:59:18	to rig up some swell ones
00:59:21	Alright, come on. Let's get going.
00:59:27	No, no. You're too stiff,
00:59:31	Relax, can't you? Relax.
00:59:35	Butch, your legs are buckling.
00:59:39	Harry the Horse...
00:59:41	you don't want to
00:59:44	No, and smile.
00:59:47	Sure, you're supposed to be
00:59:51	Louie the Lug.
00:59:54	You're the Ambassador to Turkey,
00:59:57	Holy mackerel,
01:00:00	Cheesecake. What's the matter?
01:00:04	- No, l can do it. Only...
01:00:08	I'm as good as
01:00:10	If he's Ambassador,
01:00:12	Listen, Secretary of the lnterior
01:00:15	- Yeah?
01:00:17	You can't fool me.
01:00:19	Then you're President of the Board.
01:00:23	President?
01:00:24	Judge, we got a new
01:00:27	Check!
01:00:28	Come here. You too, Micks.
01:00:30	You two do your stuff.
01:00:32	Quiet! The rest of
01:00:36	Micks here's the Count, see?
01:00:39	Now l want to hear your speech.
01:00:41	- Did l knocked onto this guy?
01:00:45	I get ya, l get ya.
01:00:47	Count...
01:00:49	l am...
01:00:51	lt's a rare...
01:00:54	its a rare privy...
01:00:56	privy...
01:00:58	What are you talking about?
01:01:01	It's a rare 'privilege', you dope.
01:01:04	I can't make the grade with
01:01:07	- if the judge...
01:01:12	Well, what's the matter?
01:01:15	Come on. Let's get going.
01:01:18	Charmed to meet you Count.
01:01:21	You stink.
01:01:25	Call it,
01:01:26	- Heads.
01:01:27	That makes me the King of Siam.
01:01:29	Couple more wins and you'll be
01:01:33	Wait a minute, wait a minute.
01:01:36	Quiet.
01:01:39	Look like we'll have to
01:01:42	Forget the speeches right now.
01:01:45	Judge, come and
01:01:49	Now watch this close.
01:01:53	See, his knees don't buckle.
01:01:56	Look where the hand is.
01:01:59	Look at that smile.
01:02:00	See, there ain't
01:02:04	Come on, everybody do it.
01:02:07	Just bow.
01:02:24	I don't believe it.
01:02:28	Where do you think you're going?
01:02:38	About time you showed up.
01:02:41	I beg your...
01:02:43	You got me doing it now.
01:02:45	Don't worry, you could stand
01:02:47	Cut the clowning.
01:02:49	These guys have got me crazy.
01:02:51	You're not doin' them any good.
01:02:53	I'm going through with it, see?
01:02:57	Wait a minute everybody now.
01:03:00	Trouble with a lot of you guys
01:03:03	Well, let me tell you something.
01:03:05	and the guy that don't think it is
01:03:10	Listen fellas, l don't want to
01:03:14	but we gotta go through with it.
01:03:16	It ain't for me.
01:03:18	Nobody's gonna get
01:03:20	Happy here thinks l'm nuts.
01:03:22	Well, maybe l am,
01:03:24	But l started it and
01:03:27	It's for Apple Annie, see?
01:03:29	She's in a tough spot and it's
01:03:32	If anything goes wrong
01:03:35	there's no telling what she'll do.
01:03:37	So let's practice
01:03:39	Now we'll take up
01:03:41	All you girls
01:03:44	Fellas, pick yourself a dame.
01:03:45	You're being introduced to her.
01:03:48	Alright, everybody.
01:03:50	The Apple Annie speech.
01:04:06	- Quiet, everybody.
01:04:08	- Quiet!
01:04:11	The lndians are upon us.
01:04:13	- Hello, Dude.
01:04:16	- What's going on around here?
01:04:19	Funny your whole mob
01:04:22	Anything wrong with a guy
01:04:25	No, nothing wrong in that.
01:04:27	These mugs are classy, ain't they?
01:04:30	Okay, everybody. Go on home.
01:04:34	Putting on a show, Dude?
01:04:36	- Yeah.
01:04:40	Good night, Dude.
01:04:42	So long.
01:04:57	Dude and Fish is what gets me.
01:04:59	The whole mob was up there.
01:05:01	You didn't ask about
01:05:04	That's good.
01:05:07	- Yes, sir?
01:05:10	Listen, you two fellas
01:05:13	Don't let him know he's tailed.
01:05:15	Anything looks phony,
01:05:18	I want a tail on
01:05:21	There names are on file.
01:05:23	Use every man in
01:05:25	I want those yeggs shadowed
01:05:28	So get going!
01:05:42	- Mommy.
01:05:45	There, go to sleep. Good night.
01:05:49	Good night, Mommy.
01:06:06	The music must be
01:06:09	Nothing harsh, nothing raucous.
01:06:11	Our guests have
01:06:14	Play at intervals of 10 minutes.
01:06:18	Let it happen.
01:06:31	- Are these the two men?
01:06:33	- Do they know their requirements?
01:06:36	Excellent, john.
01:06:38	Then put some on me.
01:06:41	Put some there.
01:06:45	You're quite sure
01:06:49	- Don't want it to go wrong.
01:06:52	Come in.
01:06:57	Do my eyes deceive me,
01:06:59	or am l in the presence
01:07:02	Stop it, judge.
01:07:04	Never in all my
01:07:07	have l gazed upon
01:07:10	Stop it, judge.
01:07:12	Exquisite!
01:07:14	- What time are they coming?
01:07:16	- You think they can do it?
01:07:20	Dude's been rehearsing them
01:07:23	- I'm so nervous.
01:07:26	Don't you worry.
01:07:28	If anything happens,
01:07:31	- Leave it to the old judge.
01:07:36	Dude and his whole mob
01:07:38	and there's a sign on
01:07:40	I didn't find out what it's about
01:07:43	There's a line of cars outside
01:07:45	Don't let 'em get away from you.
01:07:47	What's more, don't let Dude
01:07:50	He's a pretty shrew article.
01:07:56	- Hello?
01:07:58	- Yes, sir.
01:07:59	Moore talking.
01:08:01	Moore, better get
01:08:04	Machine guns,
01:08:06	- We may have a job on our hands.
01:08:08	Sometimes, Count, l'm a little
01:08:12	they way they fawn at
01:08:15	- It's rather charming.
01:08:17	You'll notice it tonight.
01:08:20	they'll probably stammer
01:08:22	I beg of you
01:08:25	Of course.
01:08:26	Different countries,
01:08:29	Which reminds me...
01:08:31	there is custom in my country
01:08:36	I was waiting for you to mention it.
01:08:38	- What is that, Count?
01:08:41	Nothing has been said
01:08:44	- The dowry?
01:08:47	The dowry.
01:08:49	I'm aware that in America it is
01:08:52	but in my country...
01:08:54	An old Spanish custom, huh?
01:08:56	A very old, old custom.
01:09:00	I don't know what to say, Count.
01:09:03	What was that you say?
01:09:04	I say l wasn't quite
01:09:07	It's a delicate subject, you know?
01:09:09	Perhaps you do not realize
01:09:13	A Manville, sir!
01:09:14	A descendant of the General
01:09:17	George Washington Manville.
01:09:20	I'm sorry, but l have not.
01:09:22	Well, that's strange.
01:09:25	And on her mother's side
01:09:28	Do you know that, if not for them,
01:09:30	there would be
01:09:32	No doubt, no doubt.
01:09:34	But my son too comes from
01:09:38	yet l am making settlement
01:09:43	You are?
01:09:45	Perhaps you'd make a similar one?
01:09:49	I don't know about that.
01:09:51	If you don't wish to discuss it...
01:09:54	Well, look at this.
01:09:56	Why did you not tell me
01:09:58	Do you play?
01:10:00	Do l play?
01:10:04	Isn't that just... you don't say?
01:10:08	Perhaps, before the guests arrive,
01:10:12	Nothing would give me
01:10:16	Now...
01:10:27	- About the dowry, Count...
01:10:31	...it occurs to me, if the children
01:10:35	l shall give the whole amount.
01:10:37	No, no.
01:10:40	After all,
01:10:42	Yes, that's true, but why should you
01:10:45	No, nothing at all l assure you.
01:10:49	For that matter, so can l.
01:10:51	You're so gracious, l am ashamed.
01:10:54	Nothing would give me greater
01:10:57	- No, that would be unfair.
01:10:59	No, no, no.
01:11:02	- I have that right.
01:11:05	This is silly. We might
01:11:09	In America, we have
01:11:12	We toss coins, or pull straws...
01:11:16	What amuses you, Count?
01:11:18	I was just thinking,
01:11:23	- Yes? How?
01:11:27	- I don't see why not.
01:11:30	It would be most unfair.
01:11:31	Perhaps it won't be.
01:11:34	- Do you play well?
01:11:37	I practically make my living at it.
01:11:46	I warned you.
01:11:55	Everybody on their toes.
01:11:59	It won't last more than 4 hours.
01:12:02	Everybody remember who
01:12:05	Yeah.
01:12:06	What ya got in mind for me, Dave?
01:12:08	A society leader
01:12:11	Tryin' to insult me?
01:12:14	If there's an uncle,
01:12:17	Folks, meet the wife of
01:12:20	Look out, Dude,
01:12:22	Okay, anything you want.
01:12:25	And remember, you palookas,
01:12:29	Come on, Happy.
01:12:31	Dave, l wanna tell ya
01:12:35	And l love you for it!
01:12:36	Wife, huh?
01:12:46	Hello, Smiley.
01:12:49	Look out, Dude. Cops.
01:13:25	What's the matter?
01:13:27	- What's the matter, Dave?
01:13:30	Cops? I thought you said
01:13:33	- If there's anything screwy.
01:13:35	Come on, Nick, take it easy.
01:13:37	We can't go to the Marberry now.
01:13:39	- What are we gonna do?
01:13:42	Call off nothing. Let me figure it.
01:13:54	What luck!
01:13:55	Amazing, isn't it?
01:13:58	You realize, if you
01:14:00	Really?
01:14:04	I'm afraid that shot is
01:14:07	- It can be made.
01:14:11	You shave the white one very fine,
01:14:14	meet the red one down here.
01:14:16	That's too much for me, Count.
01:14:18	Take an expert to do that.
01:14:20	Pardon me, sir. Your brother
01:14:23	- Brother David?
01:14:26	I shall be there directly.
01:14:42	You made it!
01:14:44	Oh, most fortunate.
01:14:55	Hello? Yes, this is he.
01:14:58	Congratulate me, David.
01:15:02	Never mind that stuff.
01:15:05	We're stymied at Missouri Martin's.
01:15:08	Cops?
01:15:09	I don't like that at all,
01:15:12	You suggest l fold my tent
01:15:16	Don't budge outta the place.
01:15:19	Stay there and stall
01:15:21	Just as you say, Dude.
01:15:23	But l hardly relish being left
01:15:32	What is it, judge?
01:15:35	Nothing at all, my dear.
01:15:38	I heard you say
01:15:42	- They're not coming here, are they?
01:15:46	Don't fool me, judge.
01:15:48	Don't get worked up.
01:15:51	Yes, but l'm the one...
01:15:54	Don't fool me.
01:15:56	I'd rather go in there
01:16:11	Stinkin' cops are still out there.
01:16:48	Thank you.
01:16:53	When are the guests
01:16:58	I don't know, sir.
01:17:00	- Could you tell me...?
01:17:10	What are we going to do?
01:17:12	What if the police come here?
01:17:14	What'll l say to the Count?
01:17:17	Quiet now, Annie.
01:17:19	Poor Louise.
01:17:22	Poor sweet and lovely girl.
01:17:25	- Don't you think, judge?
01:17:29	Suppose...
01:17:30	Suppose the Count should
01:17:33	It'd kill Louise.
01:17:37	Now don't be silly, Annie.
01:17:39	What am l gonna tell her?
01:17:41	about her father.
01:17:44	What will l say to her?
01:17:45	What will l tell her?
01:17:48	I never was married, judge.
01:17:51	Now, dear. You don't
01:17:53	All these years
01:17:56	and she must never find out.
01:18:00	- Annie, be quiet.
01:18:04	- Don't let her find out.
01:18:10	Listen, you think l'd come here
01:18:14	You gotta take my word.
01:18:17	What else do you want,
01:18:19	What's all your gang doing
01:18:21	- They're having a clambake.
01:18:25	But l can't tell you about it.
01:18:27	If l could, you'd see how silly
01:18:30	Just lay off me tonight.
01:18:32	I'll help you
01:18:34	- That's what you want, isn't it?
01:18:37	I ain't got them,
01:18:40	those reporters will be back
01:18:44	Just call off your men
01:18:47	Sorry, Dude. Can't do business.
01:18:50	You'll have a police escort
01:18:53	If that's the way you feel,
01:18:56	You're right!
01:18:59	But they're not
01:19:02	They won't show up until
01:19:05	- Now will you do business?
01:19:12	Mac.
01:19:14	So you've got the reporters, huh?
01:19:16	I thought so.
01:19:20	This won't do you any good.
01:19:22	You can always do business
01:19:25	- Yes, sir?
01:19:26	I don't think you can get him.
01:19:29	I'll get him when he finds out
01:19:32	I wouldn't be surprised if
01:19:35	Probably settle for 50 years.
01:19:38	Don't be a sap, Commissioner.
01:19:40	You want those reporters, don't ya?
01:19:43	The newspapers are making
01:19:45	Now you can come out on top.
01:19:47	What? Well, tell him
01:19:49	There ain't anything crooked
01:19:51	You'd laugh your head off
01:19:54	Sure, l'm laughing right now.
01:19:56	- Hello, Chief.
01:19:57	Before you talk to him,
01:20:00	You'll think l'm nuts,
01:20:03	Say, you believe
01:20:06	What?
01:20:08	No, it's no use.
01:20:11	I'll hang before l let you
01:20:13	Talk to the Mayor,
01:20:15	but l'll tell you one thing,
01:20:19	Hello, Chief.
01:20:22	Yes, he admits having
01:20:27	He does, huh?
01:20:29	Governor.
01:20:32	Dave the Dude admits
01:20:35	Good!
01:20:37	Sure they've arrested him,
01:20:39	But what will happen now?
01:20:41	In the morning a bail bond
01:20:44	- That's ridiculous.
01:20:47	He's got a colossal nerve.
01:20:50	He can't make any deals
01:20:52	There's an example for you.
01:20:55	Says if we don't leave him alone
01:20:57	- That's outrageous!
01:20:59	It's the customary procedure.
01:21:01	Bring Dave the Dude up here.
01:21:03	Yes, that's exactly what l said.
01:21:06	Don't worry about my guests.
01:21:10	You gentlemen have freely
01:21:13	Let's see what you can do.
01:21:14	I'll let you spread him
01:21:18	I'd send a criminal like that
01:21:21	Here's your chance, Governor.
01:21:24	It was all going to be so simple.
01:21:49	Ask them if
01:21:53	Look at their skulls.
01:21:56	It's a rare privilege.
01:21:59	- It's a rare...
01:22:02	I don't mind tellin' ya
01:22:04	Why don't ya learn this
01:22:06	- You get worse every time.
01:22:10	How can a guy unlax
01:22:13	Listen, Simon Legree,
01:22:16	The Dude said to
01:22:18	So, we're going to practice.
01:22:21	Now everybody. Up on your feet.
01:22:24	Throw yourself into it!
01:22:26	Do it like l told ya.
01:22:28	Close the door, Stuttgart.
01:22:31	Now, the Apple Annie speech.
01:22:33	Keep on practicing. Don't stop.
01:22:37	Hello, Dude.
01:22:40	But Dude, we're all set.
01:22:43	Everybody looks swell.
01:22:49	Okay, Dude.
01:22:51	- I'll tell 'em.
01:22:53	- Dude says it's all off.
01:22:55	Dude said it was all off.
01:22:59	What a break for Annie.
01:23:00	You try to do something decent
01:23:03	Poor Annie.
01:23:18	Mother...
01:23:21	Mother...
01:23:25	ls there anything wrong?
01:23:27	I heard the Count saying
01:23:30	Isn't anybody coming?
01:23:36	My baby.
01:23:39	- Louise, darling?
01:23:42	If anything should happen,
01:23:47	Don't say things like that.
01:23:51	Please don't say things like that.
01:23:55	Is the Count in the drawing room?
01:23:58	Yes.
01:24:08	Annie, where are you going?
01:24:40	Count Romero,
01:24:42	l want a few moments
01:24:55	There's nothing more in the world
01:24:59	for Louise to marry your son.
01:25:04	Louise loves him,
01:25:09	And l'm quite sure
01:25:17	Ever since she was born,
01:25:20	l've had but one thought
01:25:24	her happiness.
01:25:27	When she wrote and told me
01:25:31	she found someone she loved,
01:25:35	l think l was
01:25:40	Count Romero,
01:25:42	you came over here
01:25:44	to find out something
01:25:48	about her family,
01:25:52	I don't blame you.
01:25:55	You had a perfect right.
01:25:58	You knew nothing about us.
01:26:01	It would be terrible if,
01:26:05	you came to find out that...
01:26:10	her mother was someone
01:26:17	Someone even she
01:26:22	That's silly, Mother. That's silly.
01:26:26	That's why l wanted to have
01:26:32	I wanted to tell you
01:26:37	I want to tell you...
01:27:09	His Honor, the Mayor!
01:27:19	Go ahead, Mayor. Do your stuff.
01:27:35	My dear Mrs. Manville,
01:27:38	The last time was at
01:27:41	at Briarwood.
01:27:44	And this, l assume,
01:27:49	Count Romero and his son, Carlos.
01:27:52	How do you do?
01:27:55	I recognize you at once, Mayor.
01:27:59	- Thank you.
01:28:18	- It's a miracle.
01:28:23	The Governor.
01:28:28	His Excellency, The Governor!
01:28:39	What did you say
01:28:41	Mrs. E. Worthington Manville.
01:28:43	- Goodness sake, don't forget it!
01:28:51	Mrs. Manville,
01:28:53	l can't tell you
01:28:55	what a privilege it is for us,
01:28:57	to be here tonight
01:29:01	Your charming daughter, l presume?
01:29:44	The Governor's taking us
01:29:48	As a kid, they had a tough time
01:29:56	Look, Father. A police escort!
01:29:58	That's more than they do
01:30:01	You are very influential,
01:30:03	This? Nothing at all.
01:30:06	An admirable woman.
01:30:08	Made me feel 10 years younger.
01:30:12	I suppose, Governor,
01:30:14	you'll follow up that
01:30:17	No, l think we've been
01:30:20	I guess l've been a bit impatient
01:30:23	- Sorry about my attitude tonight.
01:30:27	I must remember to call up
01:30:30	I've been making his life miserable.
01:30:32	You boys gotta excuse me
01:30:35	one in a while.
01:30:38	Okay, Commissioner, okay.
01:30:40	That's the way you'll write
01:30:42	What about us being kidnapped?
01:30:44	Who said you were kidnapped?
01:30:48	Drunk?
01:30:49	- You're passing up on this story?
01:31:22	Hold onto it!
01:31:37	Goodbye.
01:31:39	Goodbye. Goodbye, Mother.

Lady for a Day