|
Lagerfeld Confidential
|
| 00:00:33 |
Can I come in, Karl? |
| 00:00:37 |
Can I? |
| 00:01:43 |
What accessories should I take |
| 00:01:54 |
Obviously, I can't find them. |
| 00:02:05 |
I'll take a few rings I might need. |
| 00:03:03 |
Let's go. |
| 00:03:27 |
See you tomorrow, Sir. |
| 00:03:30 |
Good to see you like that. |
| 00:03:32 |
Our filmmaker thinks |
| 00:03:35 |
A defrocked one perhaps. |
| 00:03:48 |
A priest for non-believers. |
| 00:03:49 |
told my mum I'd be a priest. |
| 00:03:52 |
Quite rightly, she didn't want that. |
| 00:03:54 |
They suffered a rather extreme |
| 00:03:56 |
I wasn't allowed to go to church. |
| 00:03:59 |
My mother said, |
| 00:04:34 |
LAGERFELD CONFIDENTIEL |
| 00:06:50 |
Who's that singing? |
| 00:06:51 |
Arielle Dombasle. |
| 00:07:24 |
I've been at it for 19 years now. |
| 00:07:27 |
Photography? |
| 00:07:28 |
I began in January 1987. |
| 00:07:32 |
What was the occasion? |
| 00:07:33 |
A press kit. |
| 00:07:35 |
Proper photographers didn't do that. |
| 00:07:37 |
It was a job for old squares |
| 00:07:42 |
Back then, a press kit was done |
| 00:07:46 |
They did a kit for the couture |
| 00:07:50 |
Chanel's artistic director, |
| 00:07:54 |
"If you're going to be difficult, |
| 00:07:57 |
So I hired an assistant, rented |
| 00:08:01 |
6 months later we did the editorial, |
| 00:08:05 |
I loved photography |
| 00:08:09 |
As it turned out... |
| 00:08:12 |
I wasn't so bad. |
| 00:08:15 |
What I like about photographs |
| 00:08:19 |
is that they capture a moment |
| 00:08:22 |
that's gone forever, |
| 00:08:26 |
There's an almost melancholic, |
| 00:08:28 |
ephemeral, fixed aspect to it. |
| 00:08:30 |
It's what makes photography |
| 00:08:34 |
But that's for a certain kind of photograph. |
| 00:08:35 |
Otherwise it's a commercial image. |
| 00:08:38 |
I like advertising. |
| 00:08:41 |
and delighted to be so. |
| 00:08:45 |
If I wasn't in fashion, |
| 00:08:59 |
I love the smell of building sites. |
| 00:09:04 |
Marie-Louise de Clermont-Tonnerre |
| 00:09:10 |
It's Sebastien. |
| 00:09:13 |
Marie-Louise, it's me again. |
| 00:09:15 |
We can't ensure her presence. |
| 00:09:18 |
I can't plan 6 months ahead. |
| 00:09:20 |
We might be dead by then. |
| 00:09:27 |
I can't deal with everyone |
| 00:09:30 |
It's a bit too early for Nicole. |
| 00:09:36 |
People with turbulent lives |
| 00:09:41 |
are sexual freelancers. |
| 00:09:55 |
I'm being watched, |
| 00:09:58 |
I don't want to be filmed |
| 00:10:02 |
I read without glasses |
| 00:10:11 |
Aren't you tired of it all now? |
| 00:10:13 |
Not at all. |
| 00:10:15 |
Haven't you covered the issue? |
| 00:10:18 |
There's no definitive answer. |
| 00:10:20 |
It isn't an issue you can ever cover. |
| 00:10:23 |
The question keeps changing. |
| 00:10:26 |
I do the job. |
| 00:10:32 |
I like it to go well for all the people |
| 00:10:35 |
who have worked so hard. |
| 00:10:38 |
I don't spend 100 hours on a dress. |
| 00:10:43 |
But making them takes lots of work, |
| 00:10:45 |
know-how, physical effort and patience... |
| 00:10:50 |
I have no patience. |
| 00:10:53 |
I admire what they do, |
| 00:10:55 |
what I have them do. |
| 00:10:58 |
I just have the ideas. |
| 00:11:27 |
I love being in a crowd, |
| 00:11:30 |
But I need time to myself, |
| 00:11:35 |
I can't be with people 24 hours a day. |
| 00:11:38 |
I'm not cut out for conjugal life. |
| 00:11:41 |
At some point I need to be alone, |
| 00:11:45 |
I hate people who can't be alone. |
| 00:11:49 |
We'll do two pinch marks |
| 00:11:56 |
That's it. |
| 00:11:57 |
Was Karl pleased? |
| 00:11:58 |
That's good. |
| 00:12:00 |
It's the skirts... |
| 00:12:14 |
The one in the show must be done first. |
| 00:12:24 |
The best things I've ever done |
| 00:12:27 |
have come from dreams. |
| 00:12:30 |
Unfortunately, you can't rely on it. |
| 00:12:33 |
Sometimes it's a whole show, |
| 00:12:38 |
Remember the July collection, |
| 00:12:43 |
I dreamed it all, |
| 00:12:45 |
I filled in the details |
| 00:12:49 |
Unfortunately, you can't rely on it. |
| 00:13:27 |
It's rather surprising |
| 00:13:29 |
because I don't fall asleep |
| 00:13:36 |
my head teeming with ideas. |
| 00:13:39 |
I'm not that obsessive. |
| 00:13:42 |
I love the job |
| 00:13:44 |
but it's no more important to me |
| 00:13:48 |
It's part of my life. |
| 00:13:51 |
Two hundred percent apparently, |
| 00:13:53 |
But it isn't something I ponder. |
| 00:16:33 |
They aren't jobs that fit |
| 00:16:36 |
It's like cinema. |
| 00:16:38 |
Lots of boys and girls want to do it |
| 00:16:42 |
but very few make it. |
| 00:16:43 |
Sadly, Nicole Kidmans are |
| 00:16:47 |
To do this job, you must be able |
| 00:16:52 |
Same goes for fashion. |
| 00:16:56 |
You can work for social security, |
| 00:16:59 |
get promoted, work behind a counter... |
| 00:17:02 |
It's a safe bet. |
| 00:17:03 |
If you want social justice, |
| 00:17:07 |
Fashion is ephemeral, |
| 00:17:44 |
There's a German proverb that says, |
| 00:17:49 |
Each collection is the first and so, |
| 00:17:52 |
I can make up for |
| 00:17:56 |
I love the futurism aspect of the job. |
| 00:17:58 |
One thing I hate... |
| 00:18:02 |
We saw it in the 60s |
| 00:18:04 |
with their vision of the year 2000: |
| 00:18:06 |
everyone dressed in white, |
| 00:18:12 |
We're not, and we don't need to go there. |
| 00:18:16 |
That's all crap. |
| 00:18:19 |
The briefness of the cycle must mean |
| 00:18:21 |
something to me because I love change, |
| 00:18:23 |
It's just keeping the machine oiled. |
| 00:18:30 |
The other's coming. |
| 00:18:31 |
She has to run. |
| 00:18:33 |
She'll go out with you... |
| 00:19:04 |
People like to think fashion |
| 00:19:06 |
is about being a star. |
| 00:19:09 |
But it isn't. |
| 00:19:11 |
It's work, not the high life. |
| 00:19:14 |
I don't do it for the travel, |
| 00:19:17 |
It's all secondary to me. |
| 00:19:55 |
What were you like as a child? |
| 00:19:57 |
Quick-tempered? Capricious? |
| 00:20:02 |
Pretty spoiled. |
| 00:20:05 |
I thought the world revolved round me. |
| 00:20:08 |
I lived in the country on the Danish |
| 00:20:13 |
where nothing ever happened, |
| 00:20:18 |
The few people I know |
| 00:20:22 |
say I was like a male Shirley Temple: |
| 00:20:28 |
I always felt hard done by! |
| 00:20:32 |
I never considered it was enough. |
| 00:20:39 |
Were you a dreamer? |
| 00:20:41 |
A dreamer? |
| 00:20:43 |
No, that's not the word. |
| 00:20:45 |
I had a vision of what I wanted |
| 00:20:48 |
An idea, a vision |
| 00:20:52 |
for which I was prepared |
| 00:20:55 |
but not any compromise. |
| 00:21:00 |
I was born determined. |
| 00:21:05 |
When you were a child, |
| 00:21:10 |
No. She was perfect: |
| 00:21:15 |
I've never met anyone with as much front. |
| 00:21:18 |
She might seem nasty at first |
| 00:21:21 |
get round people. |
| 00:21:23 |
She could also be unspeakably nasty. |
| 00:21:26 |
She made slaves of everyone: |
| 00:21:28 |
She could get her way with people |
| 00:21:30 |
and she never thanked anyone. |
| 00:21:32 |
She must have had a gift for it! |
| 00:21:34 |
She was comical, |
| 00:21:37 |
Everything was taken lightly, |
| 00:21:40 |
It's a good attitude to have in life. |
| 00:21:45 |
Deep down, she may have been anxious |
| 00:21:51 |
but she always exuded frivolity, |
| 00:21:55 |
not taking anything seriously, |
| 00:22:00 |
no birds of ill omen or anything. |
| 00:22:03 |
The polar opposite |
| 00:22:06 |
In German literature, |
| 00:22:12 |
She'd tell me to make an effort. |
| 00:22:15 |
"You're 6 years old. |
| 00:22:19 |
Was she loving? |
| 00:22:20 |
Most likely. |
| 00:22:22 |
She wasn't an abusive mother. |
| 00:22:25 |
She was relatively distant, |
| 00:22:29 |
Not the abusive type |
| 00:22:34 |
I'd have hated that. |
| 00:22:37 |
I thought she was great. |
| 00:24:52 |
It's time. |
| 00:25:12 |
Are you a loyal friend? |
| 00:25:14 |
Yes. Although my friendship |
| 00:25:17 |
I don't remain friends come what may. |
| 00:25:22 |
I have a view of things. |
| 00:25:25 |
Friendship is like love. |
| 00:25:28 |
You can't take things for granted. |
| 00:25:30 |
You need a sword of Damocles |
| 00:25:34 |
That shows how good it is. |
| 00:25:36 |
Both of us have to make an effort. |
| 00:25:39 |
Because indifference is just... |
| 00:25:43 |
Friendship is often used to describe |
| 00:25:48 |
You mustn't trivialise these things. |
| 00:25:50 |
With people you really care about, |
| 00:25:52 |
you need a certain tension |
| 00:25:57 |
otherwise it becomes trivial |
| 00:26:16 |
Thanks for your help. |
| 00:26:37 |
The ballet with the dresses is good. |
| 00:26:40 |
I've seen it 3 times. |
| 00:26:42 |
As I was telling someone. |
| 00:26:45 |
I could dance the thing. |
| 00:26:47 |
We've seen you do it 3 times. |
| 00:26:51 |
I like the choreographer a lot. |
| 00:26:56 |
I know him. |
| 00:26:59 |
Cherkaoui? |
| 00:27:00 |
Yes. |
| 00:27:18 |
Le Millefiori. |
| 00:28:36 |
Do you want to eat |
| 00:28:42 |
All right. |
| 00:28:48 |
Goodnight, Sir. |
| 00:28:52 |
See you later... |
| 00:28:58 |
After a while, you have to stop |
| 00:28:59 |
I'd hate to die in perfect health! |
| 00:29:51 |
You're lucky. |
| 00:29:52 |
Goodbye, Karl. |
| 00:30:07 |
I'll be able to lunch outside. |
| 00:30:09 |
Would you like fruit? |
| 00:30:39 |
This one, you can open... |
| 00:30:42 |
I don't know what that's like. |
| 00:30:44 |
This is for Madame Gallico. |
| 00:30:55 |
These two we'll take back to Paris. |
| 00:30:59 |
We'll put these two away... |
| 00:31:01 |
That's for Madame Clotilde, |
| 00:31:05 |
Madame Gallico... |
| 00:31:06 |
Princess Antoinette and her daughter. |
| 00:31:09 |
I'll write a card for this and this. |
| 00:31:41 |
Your cushion... |
| 00:31:42 |
It's so old and worn, |
| 00:31:45 |
My nanny made it for me. |
| 00:31:49 |
I've always had a nervous stomach, |
| 00:31:52 |
Even as a child. |
| 00:31:56 |
Weird, isn't it? |
| 00:31:59 |
It had "bon voyage" on it. |
| 00:32:02 |
Not any more. |
| 00:32:05 |
Why is it in a case? |
| 00:32:07 |
There's hardly any of it left. |
| 00:32:10 |
Look, there are marks but nothing there. |
| 00:32:15 |
You can see the train... |
| 00:32:18 |
You've had it since you were ten? |
| 00:32:23 |
That's what's so funny. |
| 00:32:27 |
I hate travelling without it. |
| 00:32:30 |
You put it on your stomach... |
| 00:32:32 |
I can't stand air conditioning. |
| 00:32:35 |
Even if it's 40°C, I have to sleep |
| 00:32:39 |
It must be hereditary because |
| 00:32:50 |
Weird, isn't it? |
| 00:32:54 |
If I sleep without something |
| 00:32:56 |
I feel dreadfully sick. |
| 00:33:01 |
Check. |
| 00:33:03 |
Anti-ice. |
| 00:33:04 |
Check. |
| 00:33:07 |
Rotation... |
| 00:33:19 |
Activate lift. |
| 00:33:34 |
At what age |
| 00:33:35 |
did you begin to feel... |
| 00:33:37 |
You were still in Germany |
| 00:33:41 |
let's say, the beginnings |
| 00:33:44 |
Spit it out or change the subject. |
| 00:33:47 |
I don't know. |
| 00:33:48 |
There again, you see, |
| 00:33:51 |
When I was 11 and I heard |
| 00:33:54 |
which is what you mean, judging |
| 00:33:57 |
when you asked the question. |
| 00:34:03 |
My mother said it wasn't an issue, |
| 00:34:08 |
So where's the problem? |
| 00:34:10 |
But I didn't exactly live |
| 00:34:16 |
I was active quite young. |
| 00:34:20 |
A lot of people say when you reach 20... |
| 00:34:25 |
No, that's hypocritical. |
| 00:34:29 |
No, I was practising |
| 00:34:32 |
I knew earlier. |
| 00:34:35 |
I didn't see the issue. |
| 00:34:38 |
It was accepted. |
| 00:34:40 |
My half-sister was a lesbian |
| 00:34:43 |
She was expelled from schools |
| 00:34:47 |
It was common knowledge, |
| 00:34:53 |
I don't know anything about |
| 00:34:56 |
They'd been through the mill a bit |
| 00:35:00 |
my father in Vladivostok |
| 00:35:03 |
They were no angels. |
| 00:35:05 |
It wasn't discussed. |
| 00:35:09 |
It wasn't a family of bigots |
| 00:35:14 |
No, but it was an age when people... |
| 00:35:17 |
Well-oriented desires? |
| 00:35:23 |
I told them. And I remember |
| 00:35:26 |
I was assaulted by |
| 00:35:29 |
The Germans are rather like that. |
| 00:35:32 |
The first thing I did was tell my mother. |
| 00:35:36 |
"It's your own fault. |
| 00:35:40 |
"Be more discreet and it won't |
| 00:35:44 |
Nowadays there would be court cases, |
| 00:35:49 |
sexual harassment, |
| 00:35:52 |
It's your own fault. |
| 00:35:56 |
Which is much better. |
| 00:35:58 |
When you see kids parading around brashly, |
| 00:36:01 |
talking beyond their years, |
| 00:36:04 |
people are bound to feel at liberty, |
| 00:36:09 |
if it's their inclination... |
| 00:36:11 |
I remember, we had a literature teacher... |
| 00:36:14 |
He said, |
| 00:36:18 |
I replied, |
| 00:36:22 |
Do you want me to tell my father |
| 00:36:25 |
the kind of literature |
| 00:36:29 |
He went bright red! |
| 00:37:37 |
It happens, right? |
| 00:37:39 |
I had a relatively ideal childhood |
| 00:37:42 |
in times that were less than ideal. |
| 00:37:47 |
People forget that now. |
| 00:37:49 |
My impression is that, |
| 00:37:53 |
maybe you were lucky |
| 00:37:57 |
If anyone has been lucky, it's me. |
| 00:38:01 |
I never studied or |
| 00:38:04 |
I'm a complete improvisation. |
| 00:38:08 |
I'm not even reliable. |
| 00:38:11 |
You do work hard. |
| 00:38:12 |
But I hate hard workers. |
| 00:38:19 |
You have to be serious |
| 00:38:22 |
Like being politically correct: |
| 00:38:36 |
Pissing everywhere isn't very Chanel |
| 00:39:14 |
The bag has to be stuffed, |
| 00:39:20 |
I need to see it. |
| 00:39:28 |
The chain looks nice, Laetitia. |
| 00:39:32 |
Only they put it on the wrong side. |
| 00:39:35 |
It's not in the collection, |
| 00:39:38 |
Can't they alter it? |
| 00:39:40 |
They'd better. |
| 00:39:43 |
They might not have the leather. |
| 00:39:44 |
They can do it all again. |
| 00:39:58 |
I started with Chanel |
| 00:40:00 |
haute couture collection. |
| 00:40:03 |
January 1983. |
| 00:40:06 |
It's so long ago |
| 00:40:50 |
When I took on Chanel, |
| 00:40:54 |
Not even a beautiful one. |
| 00:40:58 |
But the owners knew that. |
| 00:41:01 |
They saw that respect doesn't sell. |
| 00:41:05 |
So I was to revive a dead woman |
| 00:41:09 |
who most people believed |
| 00:41:13 |
I was told, |
| 00:41:16 |
Because the notion of revitalizing |
| 00:41:19 |
brand names didn't exist in 1983. |
| 00:41:24 |
What I'm saying isn't arrogant, |
| 00:41:30 |
There was no glory in it. |
| 00:41:32 |
Also, when this happened in the |
| 00:41:35 |
"Chanel will turn in her grave." |
| 00:41:37 |
A good thing too. |
| 00:41:39 |
It proved she wasn't dead. |
| 00:41:42 |
A violent reaction is a reaction. |
| 00:43:36 |
The floating ribbon is tulle, |
| 00:43:55 |
Funny how you always frame them. |
| 00:43:57 |
It's my Vienna Secession side. |
| 00:44:01 |
The Nabi side of things. |
| 00:44:03 |
I find it sits better on the page. |
| 00:44:10 |
One of my favourite art materials |
| 00:44:14 |
For satin and other things. |
| 00:44:16 |
You use Tipp-Ex? |
| 00:44:19 |
Pastel on Tipp-Ex |
| 00:44:23 |
only without the disadvantage |
| 00:44:29 |
which I hate. |
| 00:44:33 |
I'm rather pernickety |
| 00:44:36 |
but I like disorder at work. |
| 00:44:42 |
I'd freeze at a tidy desk. |
| 00:44:46 |
Not that it's likely to happen... |
| 00:44:50 |
A satin ribbon fastened to a tulle skirt. |
| 00:45:22 |
How are you doing? |
| 00:45:24 |
Is the problem solved? |
| 00:45:25 |
Is there any choke point? |
| 00:45:46 |
Look, the podium starts here. |
| 00:45:48 |
Here are the stairs. |
| 00:45:51 |
and there are stairs to the side |
| 00:45:55 |
She has to be close to the stairs. |
| 00:45:56 |
We'll tell them to slide them. |
| 00:45:59 |
Wouldn't Nicole be better here? |
| 00:46:01 |
The photographers are here. |
| 00:46:03 |
The girls enter here... |
| 00:46:05 |
The first bunch of five brats, |
| 00:46:12 |
They come in. |
| 00:46:14 |
Then a certain distance behind, |
| 00:46:18 |
She stops here a second, carries on. |
| 00:46:21 |
When Daria is here, I move here, |
| 00:46:26 |
the others fill the gap. |
| 00:46:28 |
But won't they need a telephoto lens |
| 00:46:30 |
They'll rush forward. |
| 00:46:33 |
You'll let them sully the red carpet? |
| 00:46:35 |
It's May 68 all over again! |
| 00:46:41 |
They do it every time. |
| 00:46:43 |
Once they're on the carpet, |
| 00:46:45 |
Yes, because there are always |
| 00:46:48 |
They take photos and... |
| 00:46:51 |
No, wait, Francoise... |
| 00:47:00 |
Until I get there... |
| 00:47:02 |
We keep them here |
| 00:47:06 |
Someone has to act as guard. |
| 00:47:15 |
Can you run it by me again? |
| 00:47:17 |
I'll tell you once we're there. |
| 00:47:21 |
He's hitting me with his rings. |
| 00:47:24 |
Give someone a hand and it hurts. |
| 00:47:27 |
Like the song, |
| 00:47:28 |
He used to be able to pat you. |
| 00:47:32 |
It used to be nice... |
| 00:47:35 |
Oh, it's nice anyway. |
| 00:47:48 |
We can't take the stairs. |
| 00:47:51 |
Walking on the collection. |
| 00:48:00 |
You're obviously loyal... |
| 00:48:04 |
With your collaborators. |
| 00:48:07 |
What surprises me, though, |
| 00:48:09 |
is that you can split with someone |
| 00:48:12 |
you've worked with for 30 years |
| 00:48:15 |
It has to be that way. |
| 00:48:17 |
The sword of Damocles |
| 00:48:18 |
As soon as evolution ceases, |
| 00:48:20 |
as soon there's an unforgivable act... |
| 00:48:24 |
Forgiveness isn't something |
| 00:48:28 |
I didn't have a Catholic education, |
| 00:48:31 |
so turning the other cheek isn't my trip. |
| 00:48:35 |
The curtain falls. |
| 00:48:38 |
Generally speaking, |
| 00:48:40 |
believe me, |
| 00:48:43 |
Anyway, I don't judge. |
| 00:48:45 |
They know the score, |
| 00:48:51 |
if they think they can |
| 00:48:54 |
It's up to them to play their part |
| 00:49:00 |
My road goes on |
| 00:49:05 |
and every pitfall in the road |
| 00:49:08 |
pretty much definitively. |
| 00:49:12 |
It's a responsibility. |
| 00:49:15 |
Thousands of people work |
| 00:49:21 |
We can't let the unbecoming egos |
| 00:49:25 |
undermine all that. |
| 00:49:29 |
So do I send Karl out? |
| 00:49:31 |
No, your girls... |
| 00:49:36 |
I send out Karl on his own, |
| 00:49:40 |
Where's Daria now? |
| 00:49:45 |
Where is she? |
| 00:49:49 |
Ready for Karl? |
| 00:51:34 |
Is it fun? |
| 00:51:37 |
I don't know how to get out here, |
| 00:51:39 |
ya, I know, right |
| 00:51:42 |
can we go that way. |
| 00:51:46 |
Take care! |
| 00:51:47 |
Good night, bye! |
| 00:51:49 |
We look daintiness today. |
| 00:51:51 |
Here we go! |
| 00:51:56 |
Success nullifies. |
| 00:51:59 |
You have to do it again, |
| 00:52:01 |
Preferably differently. |
| 00:52:04 |
If you want nostalgia, |
| 00:52:06 |
stick with your successes, |
| 00:52:08 |
that's fine. |
| 00:52:10 |
But it's not my mentality, |
| 00:52:15 |
People talk of the good old days. |
| 00:52:17 |
Old perhaps but not all that good. |
| 00:52:20 |
Who cares? |
| 00:52:22 |
Plus it makes the present |
| 00:52:26 |
If things used to be better, |
| 00:52:30 |
Why bother if it's worse? |
| 00:52:33 |
It has to be different, |
| 00:52:38 |
It's not: |
| 00:52:42 |
Notions, concepts and visions change. |
| 00:52:45 |
If you stick to something doggedly, |
| 00:53:10 |
28th won't be any problem? |
| 00:53:12 |
Yes |
| 00:53:22 |
so fast |
| 00:53:33 |
turn around, it's wonderful |
| 00:53:35 |
fantastic |
| 00:53:38 |
very beautiful, Nicole |
| 00:53:43 |
that's great, beautiful... |
| 00:54:23 |
enough! |
| 00:54:25 |
Did you get? |
| 00:54:37 |
It's hard to do... |
| 00:54:38 |
How's it? |
| 00:54:40 |
Drinking and Eating... |
| 00:54:46 |
so... |
| 00:54:49 |
It was brilliant. |
| 00:58:21 |
Hello, Sir. |
| 00:58:22 |
Very well, thanks. |
| 00:58:38 |
This dog's so cute! |
| 00:58:39 |
Did you see the dog? |
| 00:58:44 |
It isn't a Jack Russell, is it? |
| 00:58:58 |
Who's coming with us? |
| 00:59:00 |
Karl, it's 4 pm. |
| 00:59:07 |
The fashion world amuses me. |
| 00:59:12 |
People say, "It's not my scene." |
| 00:59:15 |
I go everywhere, I adapt. |
| 00:59:17 |
I can't stand the fashion crowd, |
| 00:59:23 |
It's the frustration. |
| 00:59:28 |
If I didn't take photos, |
| 00:59:32 |
I couldn't do what I do today. |
| 00:59:35 |
If you live in an ivory tower... |
| 01:00:07 |
I won't name any names |
| 01:00:28 |
This light here is a little white. |
| 01:00:30 |
This line here. |
| 01:00:38 |
What do older women have |
| 01:00:41 |
A navel. |
| 01:00:47 |
Horrible, isn't it? |
| 01:00:55 |
Nice background noise. |
| 01:00:57 |
Quite an atmosphere in the commonroom. |
| 01:01:00 |
Yes, she's pretty obsequious. |
| 01:01:03 |
Mr Gan, come and work |
| 01:01:07 |
Show an interest. |
| 01:01:10 |
Gun fires! |
| 01:01:13 |
Sit here. |
| 01:01:25 |
Hot! Hot! Hot! |
| 01:01:30 |
karl is about to take the sweater off |
| 01:01:35 |
Something wickedness to me |
| 01:02:39 |
The morning is the most beautiful time. |
| 01:02:53 |
Look at this, it was painted in June. |
| 01:02:58 |
June? |
| 01:03:02 |
Crazy. |
| 01:03:07 |
His best bit is the curve of his thigh. |
| 01:03:20 |
It's pretty. |
| 01:03:23 |
The shadows look good. |
| 01:03:56 |
Very late-18th-century Antiquity. |
| 01:04:53 |
Amazing sky. |
| 01:05:23 |
Have you ever secretly loved someone |
| 01:05:27 |
Loving someone is fine but the person |
| 01:05:30 |
has to love you back at the same time. |
| 01:05:33 |
It's not a one-way thing. |
| 01:05:35 |
It's tricky and for that reason, |
| 01:05:39 |
There have been a few tragedies |
| 01:05:42 |
I know that at one stage |
| 01:05:47 |
Never under the same roof. |
| 01:05:50 |
I hated the idea of bourgeois marriages. |
| 01:05:54 |
They wanted to be different, |
| 01:05:56 |
now they want to be |
| 01:06:00 |
I'm against it. What was needed was |
| 01:06:04 |
Marriage as we know it was created |
| 01:06:07 |
So let's invent something else, |
| 01:06:11 |
You can also try to piss off |
| 01:06:15 |
by forcing them to accept |
| 01:06:19 |
whatever the format. |
| 01:06:38 |
I didn't notice you were here. |
| 01:06:40 |
I arrived in the candle smoke. |
| 01:06:52 |
I can remember everything: |
| 01:06:54 |
where it goes, where it's from, |
| 01:06:56 |
exactly where I'm going to put it... |
| 01:06:59 |
Surprisingly, |
| 01:07:01 |
It's going in the library? |
| 01:07:03 |
No, also in the studio library, |
| 01:07:06 |
my private offices, |
| 01:07:09 |
the rooms of civilised guests, |
| 01:07:12 |
downstairs too... |
| 01:07:22 |
In Malaparte's 1946 journal, |
| 01:07:27 |
to Place de la Concorde and says: |
| 01:07:29 |
On seeing the Gabriel buildings. |
| 01:07:32 |
I'm kind of the same. |
| 01:07:35 |
but I don't feel the need |
| 01:07:37 |
to physically own things from that time. |
| 01:07:40 |
Right now, I have no desire to own. |
| 01:07:45 |
It's better that way. |
| 01:07:48 |
You can carry it everywhere. |
| 01:07:51 |
Possessions are burdensome. |
| 01:07:56 |
You mustn't get attached to things. |
| 01:08:00 |
They're burdensome. |
| 01:08:01 |
Coming from you, who has a library... |
| 01:08:04 |
I know! |
| 01:08:06 |
Don't talk about it. |
| 01:08:11 |
I'm not sure what to do with it all. |
| 01:08:13 |
The clothes upstairs... |
| 01:08:14 |
They're ephemeral. |
| 01:08:16 |
I only wear last season's clothes. |
| 01:08:17 |
It's my job. |
| 01:08:18 |
It's fine for a designer to wear |
| 01:08:21 |
old jeans and disgusting t-shirts |
| 01:08:24 |
But if you like fashion, you wear it. |
| 01:08:49 |
You said that sexually, |
| 01:08:53 |
you didn't want to do anything now. |
| 01:08:54 |
For the public, that's just fine. |
| 01:08:57 |
As a result... |
| 01:08:59 |
Not do anything. |
| 01:09:02 |
The way you talk! |
| 01:09:04 |
Can't you flower it up a bit? |
| 01:09:07 |
The blunt and primitive nature of your |
| 01:09:11 |
questions is positively distressing! |
| 01:09:13 |
Horrid! Which gymnastics do |
| 01:09:25 |
A physical relationship is fine |
| 01:09:27 |
but it is condemned |
| 01:09:32 |
to be something more fleeting. |
| 01:09:35 |
The daily grind burns up such things, |
| 01:09:38 |
I'm not interested in |
| 01:09:42 |
People aren't accountable to me. |
| 01:09:47 |
I don't go any further. |
| 01:09:51 |
It's better to benevolently skim over |
| 01:09:55 |
than try to get involved in things |
| 01:11:02 |
The past is in the past. |
| 01:11:06 |
You have the results of your past |
| 01:11:09 |
but I don't want to analyse |
| 01:11:11 |
the why and the how. |
| 01:11:14 |
I'm against analysis. |
| 01:11:16 |
To quote my mother again |
| 01:11:23 |
the question and the answer. |
| 01:11:26 |
It reminds me of |
| 01:11:28 |
of a guy on an analyst's couch, saying, |
| 01:11:30 |
Doctor I feel mediocre. |
| 01:11:32 |
You are mediocre, says the doctor. |
| 01:11:34 |
Perhaps the clear-headed already know that. |
| 01:11:37 |
I'm so arrogant, |
| 01:11:39 |
Maybe people need to loosen up. |
| 01:11:42 |
I didn't have a hard childhood, |
| 01:11:44 |
I found answers to whatever questions |
| 01:11:47 |
I had and it doesn't really interest me. |
| 01:11:50 |
Hundreds of years ago, |
| 01:11:53 |
without any psychoanalysis. |
| 01:12:02 |
She looks pretty there. |
| 01:12:04 |
There was a shadow, |
| 01:12:08 |
The result is pretty. |
| 01:12:31 |
A dog with a hard on. |
| 01:12:34 |
A dog with a hard on? |
| 01:12:36 |
The red is ultra-powerful. |
| 01:12:40 |
Ultra-powerful! |
| 01:12:45 |
If you keep pushing yourself |
| 01:12:48 |
I don't want that. |
| 01:12:51 |
You don't have much as it is. |
| 01:12:53 |
I do, I have a life that suits me, |
| 01:12:57 |
isn't necessarily the one for you. |
| 01:13:14 |
I've been asked to write a preface |
| 01:13:21 |
I think it's funny. |
| 01:13:25 |
It avoids frustration |
| 01:13:33 |
It can't be much fun. |
| 01:13:36 |
Thank goodness for it. |
| 01:13:40 |
We can't all afford a mistress |
| 01:13:46 |
or an expensive friend. |
| 01:13:51 |
People need relief or |
| 01:13:56 |
Is that a moral position? |
| 01:13:58 |
That's how I see it anyway. |
| 01:14:00 |
It's like what we |
| 01:14:01 |
People are outraged but... |
| 01:14:03 |
It's easy to act out emotions. |
| 01:14:04 |
it's much harder to give a blow job. |
| 01:14:06 |
To do what? |
| 01:14:07 |
Being filmed giving a blow job |
| 01:14:11 |
Emotions can be faked but at some point... |
| 01:14:18 |
It has a role in society, otherwise it |
| 01:14:21 |
wouldn't be the world's oldest profession. |
| 01:14:28 |
This one's done... |
| 01:14:39 |
LAGERFELD CONFIDENTIEL |
| 01:14:54 |
You bought a house in New York? |
| 01:14:56 |
Yes, but it isn't finished yet. |
| 01:14:59 |
Will you live there? |
| 01:15:00 |
As my mother always said, |
| 01:15:04 |
I don't like the notion |
| 01:15:09 |
I have no roots. |
| 01:15:11 |
I'm transportable, |
| 01:15:14 |
whatever. |
| 01:15:17 |
that's all bullshit. |
| 01:15:18 |
I just want to stand on my own two feet, |
| 01:15:22 |
which means not having roots. |
| 01:15:59 |
Do you get the feeling |
| 01:16:03 |
I don't think that. |
| 01:16:04 |
But you could fall down the stairs, |
| 01:16:07 |
bust yourself up, |
| 01:16:13 |
Who knows? I'm not self-important |
| 01:16:18 |
So it doesn't bother me. |
| 01:16:22 |
There are people I'd hate to lose. |
| 01:16:27 |
For myself, since it means |
| 01:16:32 |
and since I don't believe |
| 01:16:36 |
it doesn't really matter. |
| 01:16:41 |
I don't know what existed before |
| 01:16:45 |
Maybe passing away is awakening |
| 01:16:48 |
Don't dramatise your body. |
| 01:16:52 |
You can't shout about every single one. |
| 01:16:56 |
Billions of people died before us, |
| 01:17:00 |
who are condemned to hell |
| 01:17:04 |
That's just bad literature. |
| 01:17:08 |
We're here, then we're gone. |
| 01:17:11 |
You're admired by people, |
| 01:17:20 |
Mr Pfrunder, would you walk |
| 01:17:25 |
He doesn't mean it, |
| 01:17:33 |
Only you could carry it off. |
| 01:17:35 |
Maybe I'll have another. |
| 01:17:37 |
Isn't it rather Darling? |
| 01:17:40 |
It's visionary. |
| 01:17:44 |
We're not going anywhere bourgeois... |
| 01:17:55 |
Four blocks. |
| 01:17:56 |
I could find it easily on foot. |
| 01:18:00 |
It's easy. |
| 01:18:02 |
You turn right up here... |
| 01:18:49 |
Business Class passengers |
| 01:18:56 |
to Paris, in collaboration |
| 01:19:00 |
are invited to board at Gate 3. |
| 01:19:04 |
On behalf of Air France, |
| 01:19:11 |
This is your captain. |
| 01:19:13 |
passengers must be seated |
| 01:19:17 |
Otherwise we'll lose time |
| 01:19:24 |
Unbelievable. |
| 01:19:24 |
They're two hours late. |
| 01:19:32 |
Who is this Little Red Riding Hood? |
| 01:19:35 |
I'm acting the refugee. |
| 01:19:37 |
Oh, I didn't get it, for once! |
| 01:19:44 |
Turkey, right? |
| 01:19:48 |
Nice. |
| 01:19:52 |
A dressing gown. |
| 01:19:53 |
Like a Japanese kimono. |
| 01:20:18 |
Goodnight, Karl. |
| 01:20:19 |
I'm not tired, I won't sleep. |
| 01:20:23 |
You won't go to bed? |
| 01:20:24 |
No, I hate that. |
| 01:20:29 |
You must be kidding. |
| 01:20:35 |
I'll sleep in a few years' time. |
| 01:21:03 |
Don't shoot, |
| 01:21:05 |
Does your camera work in the dark? |
| 01:21:13 |
How awful! |
| 01:21:22 |
They'll wake us up soon enough... |
| 01:21:41 |
Do you think there's anyone |
| 01:21:43 |
who really knows you? |
| 01:21:45 |
Or does nobody know you |
| 01:21:49 |
It's difficult for me to answer. |
| 01:21:53 |
I've moulded people's ideas |
| 01:21:58 |
that I think it's almost impossible. |
| 01:22:01 |
I want it to be impossible, |
| 01:22:06 |
I don't want to be real |
| 01:22:11 |
I want to be an apparition. |
| 01:22:13 |
I don't want to have reality |
| 01:22:15 |
because I don't want it in mine. |
| 01:22:19 |
That's the secret of it all. |
| 01:22:22 |
Don't start with the cliches |
| 01:22:26 |
For people like me, |
| 01:22:29 |
It's a battle. |
| 01:22:31 |
People who do a job that claims |
| 01:22:35 |
have to be alone |
| 01:22:38 |
You can't live 24 hours a day |
| 01:22:41 |
in the spotlight and remain creative. |
| 01:22:43 |
So many of the things I do, |
| 01:22:48 |
can't be done in the company of others. |
| 01:22:51 |
You keep impossible hours. |
| 01:22:52 |
I might want to read at any time |
| 01:22:55 |
so I'm for everyone having |
| 01:22:59 |
Using someone else as a crutch |
| 01:23:01 |
is dangerous for people like me. |
| 01:23:06 |
I'm constantly skating on thin ice |
| 01:23:09 |
and I have to cross it |
| 01:23:15 |
The End |
