Bout De Souffle Breathless
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Dedicated to Monogram Pictures |
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After all, I'm an arsehole. |
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After all, yes, I must. I must! |
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Take me with you! |
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- What time is it? |
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I'm on my way, hey hey! |
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If he thinks he's gonna pass me |
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I get the dough, |
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I ask Patricia, yes or no, |
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and then... |
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The countryside's nice. |
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I really like France. |
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If you don't like the shore... |
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If you don't like the mountains... |
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If you don't like the city... |
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Then get stuffed! |
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Little girls trying to hitch a ride! |
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I'll charge a kiss per mile. |
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The short one's not bad. Nice thighs. |
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Yeah, but the other one... |
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Oh, hell, they're dogs. |
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The sun's great. |
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Women drivers |
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Overtake him! |
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Shit, roadworks! |
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Never use the brakes. |
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As old man Bugatti said: |
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Shit! The pigs! |
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Contact's gone! |
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A boobytrap! |
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Freeze! |
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- Miss Franchini's room? |
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- She live here? |
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Girls never have a penny! |
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Coffee. |
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- How much is a ham and eggs? |
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Make it one. |
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Just going for a paper. |
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Can I come in? |
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How's it going, precious? |
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No jacket? |
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It's in my Alfa Romeo. |
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- Want breakfast at the Royal? |
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Gotta be at the TV station by 9. |
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It's torn. |
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What've you been up to? |
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Nothing, I've been travelling. |
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- What's new around here? |
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- You don't go out? |
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Still making films? |
00:07:26 |
No. You gotta sleep around. |
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Do you recollect Enrico? |
00:07:30 |
"Remember" or "recall". |
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I work with him at the station. |
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When I was broke in December |
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at Cinecitta! |
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- You? |
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Ever been a gigolo? |
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Why? |
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Just asking. |
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I wouldn't mind. |
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Call me back in a few minutes. |
00:08:01 |
Is Gaby back from Spain? |
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He's bought the Pergola. |
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Great. |
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It was stupid to paint it all black. |
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- What's it say there? |
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I smoke Luckies now. |
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Can you lend me 5000 francs till noon? |
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I might have known. |
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You're a louse, Michel. |
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I'll pay you back. |
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I'm short. |
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- Here's 500 if you want. |
00:09:01 |
- So, no breakfast at the Royal? |
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Is Mr. Tolmachov here? |
00:09:13 |
He's here, but he's not here. |
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Seen Patricia? |
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Come with me to Rome? |
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It's crazy, but I love you. |
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I wanted to see |
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Where have you been? |
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No, Marseilles. |
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I tried calling you Monday. |
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I was out of town Monday. |
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- I'll take one. |
00:09:58 |
What are you doing here? |
00:10:01 |
No, but I've got enemies here. |
00:10:04 |
So you're in danger? |
00:10:06 |
Yeah. Will you come to Rome with me? |
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To do what? |
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We'll see. |
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No, I've got lots to do here. |
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You going up or down the Champs? |
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- What's the "Champs"? |
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I've gotta be on Ave George V. |
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C'mon, walk me. |
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Just to the corner. |
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- Take it back, no horoscope! |
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The future. I wanna know |
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Sure. |
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- What's the matter? |
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You're angry I left without a goodbye. |
00:11:01 |
No, I was furious because I was sad. |
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It's nice to wake up next to a girl. |
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Are you staying in town? |
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Yeah, I have to see a man |
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Then I have to see you. |
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You don't have to. |
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Why? |
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There are prettier girls than me here. |
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No. It's odd, |
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It was a washout. |
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What's a "washout"? |
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They were very pretty, |
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So will you come to Rome? |
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I can't, Michel. |
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I have to enrol in the Sorbonne |
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- I've got money. |
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No, 5. |
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- Why don't you wear a bra? |
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OK, sorry! |
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What time is it? See you later? |
00:11:59 |
Not later. Tonight, if you like. |
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- Where? |
00:12:23 |
Live dangerously until the end! |
00:12:32 |
Have you anything against youth? |
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Sure do. I prefer old people. |
00:12:58 |
Police killer identified |
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Mr. Tolmachov here? |
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At the airline desk. |
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- Hi, amigo. |
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Was it you who came by at 10? |
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Yeah, for my money. |
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It's ready for you. |
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- How're things? |
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I came up to see a girl. |
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I'm getting out of here. |
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Better rusted than busted. |
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Over here. |
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Have the envelope I gave you? |
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Why'd the arsehole cross it? |
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Sign it over to someone else. |
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Not to me. |
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And your pal, Bob Montagne? |
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- He's in the slammer. |
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There's Berruti, but I don't trust him. |
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I thought he was your pal. |
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Is he back? |
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Yes, I saw him |
00:14:45 |
What's his number? |
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ELY. 99.94. |
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Can I call from here? |
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Who's the girl you came for? |
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A New Yorker. |
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Pretty? |
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She's amusing. I like her. |
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ELY. 99.94? |
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I'd like to speak to Antonio. |
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I'll call back. |
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He's out. I'll try around. |
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- Bye, sonny. |
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Inter-Americana Agency? |
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Yes, it's here. |
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Do customers have mail forwarded here? |
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Know a certain Michel Poiccard? |
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Also goes by the name Laszlo Kovacs? |
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Ask the gentleman over there. |
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If it isn't Tolmachov! |
00:16:06 |
Hello, Inspector. |
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In the travel business now? |
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As you can see. |
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Remember how you ratted |
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What of it? |
00:16:21 |
Well, you're going to do it again. |
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Michel Poiccard, 5 ft. 9, |
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brown hair, former Air France steward. |
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He has his mail sent here. |
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Yes, I know him. |
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He been around lately? |
00:16:47 |
Nobody been to see |
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Yes, just 5 minutes ago. |
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Bloody hell! |
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Accessory to murder - |
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The Harder They Fall |
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Bogey... |
00:18:11 |
- I saw a man die. |
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In an accident. |
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Take me out to dinner? |
00:18:21 |
Let me make another call first. |
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Call from the restaurant. |
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I'll just be a second. |
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The French always say one second, |
00:19:27 |
Where we going? |
00:19:28 |
Anywhere... To Saint Michel. |
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- Sleep with me tonight? |
00:19:34 |
- Don't you like it with me? |
00:19:38 |
I just read something in the paper... |
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About a bus conductor... |
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he stole 5 million to seduce a girl. |
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He took her down to the Riviera. |
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The chap didn't chicken out. |
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"It's stolen money, I'm a hood, |
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What's great is that she stuck by him. |
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They came back to Paris, |
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and were nabbed trying to burgle |
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Excuse me, got a light? |
00:20:18 |
Here! |
00:20:21 |
I'd totally forgotten! |
00:20:23 |
- I have an appointment. |
00:20:25 |
A journalist on the Champs Elysees. |
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Where? Now? |
00:20:31 |
None of your business. |
00:20:36 |
So you're leaving me? |
00:20:39 |
- But I'll see you tomorrow. |
00:20:43 |
I told you I can't. |
00:20:45 |
Why are you so cruel? |
00:20:47 |
Any taxis around? |
00:20:49 |
My car's parked near the Opera. |
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What happened to the Ford? |
00:20:58 |
It's in the garage. |
00:21:00 |
Let me stay with you. |
00:21:02 |
I've got a headache. |
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We won't make love. |
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That's not it, Michel! |
00:21:15 |
Why are you so sad? |
00:21:16 |
Because I am. |
00:21:19 |
It's silly. |
00:21:22 |
Why are you so sad? |
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Should I use "vous" or "tu"? |
00:21:27 |
No difference... |
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Yes, you can. |
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Maybe. But I don't want to. |
00:21:37 |
Just look at that great Talbot. |
00:21:40 |
- You're a kid... |
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Oh, I dunno. |
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Look at me. |
00:21:55 |
Alas, alas, alas! |
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I love a girl who has a nice neck, |
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nice breasts, a nice voice... |
00:22:04 |
nice wrists... |
00:22:05 |
a nice forehead... |
00:22:07 |
nice knees... |
00:22:13 |
But she's such a coward! |
00:22:18 |
It's right here. Stop. |
00:22:19 |
- Let me park first. |
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Get lost! |
00:22:28 |
I never want to see you again. |
00:22:30 |
Get lost! |
00:22:34 |
You louse! |
00:23:21 |
It'd be a shame |
00:23:25 |
We'll see. |
00:23:27 |
What's wrong? |
00:23:30 |
If I could dig a hole |
00:23:34 |
You're better off being like elephants. |
00:23:51 |
Let me tell you a story. |
00:23:55 |
I've known a girl 2 years. |
00:23:57 |
And now, I suddenly think: |
00:24:00 |
It had never occurred to me. |
00:24:04 |
I wanted to say: |
00:24:08 |
I don't know why, |
00:24:15 |
Later I suddenly remembered |
00:24:19 |
I'd forgotten to say |
00:24:22 |
3 hours later I get |
00:24:26 |
"What an amazing coincidence! |
00:24:28 |
"I was going |
00:25:44 |
- Is this the late edition? |
00:27:01 |
Seen my key? |
00:27:02 |
You must've left it in the door. |
00:27:10 |
Oh, no! |
00:27:15 |
What are you doing here? |
00:27:16 |
The Claridge was booked solid. |
00:27:19 |
So I came here. |
00:27:23 |
There are other places |
00:27:27 |
- I always stay at the Claridge. |
00:27:32 |
Quit pulling a long face! |
00:27:35 |
It doesn't suit you. |
00:27:39 |
- "Pulling a long face"? |
00:27:49 |
It suits me fine. |
00:27:52 |
You're even crazier than me. |
00:27:54 |
What a pain. |
00:27:57 |
I always fall for girls |
00:28:01 |
Did you notice |
00:28:07 |
What's wrong? |
00:28:09 |
Leave me alone. I'm thinking. |
00:28:13 |
What about? |
00:28:16 |
The thing is, I don't even know. |
00:28:19 |
Well, I do. |
00:28:21 |
No, nobody does. |
00:28:23 |
You're thinking about last night. |
00:28:27 |
Last night I was furious, |
00:28:32 |
I'm not thinking about anything. |
00:28:39 |
I'd like to think about something, |
00:28:43 |
Well, I'm tired, very tired, |
00:28:47 |
and I'm going back to sleep. |
00:28:55 |
- Why're you looking at me? |
00:28:59 |
- You should've stayed last night. |
00:29:03 |
You should've told the chap |
00:29:07 |
I had to. |
00:29:10 |
It's really important for me. |
00:29:13 |
No, what's important |
00:29:16 |
Maybe, I don't know. |
00:29:19 |
Did you sleep with him? |
00:29:23 |
I bet you did. |
00:29:24 |
No. He's really sweet. |
00:29:27 |
He said one day we'd sleep together |
00:29:31 |
But he doesn't even know me. |
00:29:33 |
Not you... Him and me. |
00:29:36 |
We had a drink in Montparnasse. |
00:29:39 |
I was there, too. At what time? |
00:29:43 |
I don't know. We didn't stay long. |
00:29:47 |
Why'd you come here, Michel? |
00:29:51 |
Because I want to sleep |
00:29:54 |
That's hardly a reason. |
00:29:57 |
Sure, it is. It means I love you. |
00:29:59 |
But I don't know if I love you yet. |
00:30:04 |
When will you know? |
00:30:06 |
Soon. |
00:30:08 |
What do you mean: "soon"? |
00:30:12 |
Soon means soon. |
00:30:15 |
A woman never wants to do |
00:30:17 |
what she'll want to do |
00:30:21 |
9 seconds or 9 days, it's all the same. |
00:30:24 |
Why not 9 centuries? |
00:30:27 |
No, 9 days is good. |
00:30:31 |
A woman's all half-measures. |
00:30:34 |
It gets me down. |
00:30:39 |
Why won't you sleep with me again? |
00:30:41 |
Because I'm trying to find out |
00:30:43 |
what it is that I like about you. |
00:30:47 |
I want us to be like Romeo and Juliet. |
00:30:51 |
Just like a girl! |
00:30:53 |
See? You said last night you couldn't |
00:30:58 |
Romeo couldn't live without Juliet, |
00:31:03 |
No, I can't live without you. |
00:31:08 |
Just like a man! |
00:31:11 |
Give me a smile. |
00:31:14 |
Right! I'll count to 9. |
00:31:17 |
If by 9 you haven't smiled, |
00:31:23 |
2... |
00:31:25 |
3... |
00:31:27 |
4, 5, 6... |
00:31:29 |
7... |
00:31:31 |
7 and a half... |
00:31:32 |
7 and three quarters. |
00:31:36 |
You're such a coward |
00:31:44 |
Enough games for today. |
00:31:49 |
Too bad you're a coward. |
00:31:52 |
Why do you say that? |
00:31:53 |
You get on my nerves. |
00:31:55 |
You do, too. |
00:31:57 |
I'm not a coward. |
00:31:58 |
How do you know? |
00:32:00 |
If a girl says she's not scared, |
00:32:04 |
it means she's scared of something. |
00:32:07 |
I don't know of what, |
00:32:12 |
- Have one. |
00:32:16 |
Hand me my jacket. |
00:32:18 |
- In this one? |
00:32:23 |
This your passport? |
00:32:24 |
No, my brother's. Mine's in the car. |
00:32:27 |
But it says Kovacs here. |
00:32:29 |
Oh, yeah? |
00:32:32 |
My mum was divorced |
00:32:45 |
See? I'm not scared. |
00:32:48 |
- I never said you were. |
00:32:53 |
But you wish you had said it. |
00:32:59 |
I'm not talking to you any more. |
00:33:06 |
Do you ever think about death? |
00:33:10 |
I do, all the time. |
00:33:14 |
- What? |
00:33:18 |
- Like what? |
00:33:22 |
Then neither do I. |
00:33:26 |
I like your ashtray. |
00:33:29 |
It's Swiss. |
00:33:31 |
My granddad had a Rolls-Royce. |
00:33:35 |
Never had to raise the bonnet |
00:33:40 |
Seen my new poster? |
00:33:44 |
Come here! |
00:33:47 |
Come here, for Christ's sake! |
00:33:49 |
It won't do here. |
00:33:55 |
Why'd you slap me |
00:33:58 |
It wasn't my legs. |
00:34:03 |
It's exactly the same thing. |
00:34:04 |
The French always say things |
00:34:11 |
I've thought of something nice. |
00:34:13 |
What? |
00:34:15 |
I want to sleep with you again |
00:34:18 |
because you're beautiful. |
00:34:20 |
I'm not. |
00:34:22 |
Then because you're ugly. |
00:34:23 |
Is it the same? |
00:34:31 |
Yeah, kid, it's the same. |
00:34:33 |
You're a liar, Michel. |
00:34:35 |
No, lying's stupid. |
00:34:37 |
It's like at poker... |
00:34:41 |
The others think you're bluffing, |
00:34:46 |
What is it? |
00:34:51 |
I'll stare at you |
00:34:54 |
Me, too. |
00:35:22 |
I'll put my poster in the bathroom. |
00:35:26 |
Can I phone? |
00:35:33 |
It's not bad here. |
00:35:35 |
Just fine. |
00:35:42 |
You like my poster? |
00:35:45 |
Not bad. |
00:35:48 |
Renoir's a really great painter. |
00:35:51 |
I said, not bad! |
00:35:54 |
Think she's prettier than me? |
00:36:00 |
When you're scared or surprised, |
00:36:05 |
there's a funny glint in your eyes. |
00:36:07 |
So what? |
00:36:08 |
I wanna sleep with you again, |
00:36:16 |
Mind if I piss in the basin? |
00:36:20 |
Guess what I'm going to say. |
00:36:22 |
No idea. |
00:36:24 |
I'm pregnant, Michel. |
00:36:30 |
You heard me. |
00:36:33 |
Whose is it? Mine? |
00:36:34 |
I think so. |
00:36:37 |
Seen a doctor? |
00:36:39 |
Yesterday. |
00:36:40 |
I have to go back Thursday |
00:36:44 |
You should've been more careful! |
00:37:01 |
Get me ELY. 99.94. |
00:37:10 |
Is Antonio there? |
00:37:14 |
You don't know if he's coming back? |
00:37:17 |
I'll call back. |
00:37:29 |
ELY. 25.32. |
00:37:34 |
I'm calling |
00:37:40 |
Mr. Tolmachov, please. |
00:37:44 |
Hey, sonny. |
00:37:50 |
I couldn't find Berruti. |
00:37:54 |
I wandered |
00:38:00 |
The police? |
00:38:04 |
Thanks. Ciao, sonny. |
00:38:09 |
Shit! |
00:38:10 |
- What? |
00:38:13 |
Heard the one |
00:38:17 |
As he's climbing the scaffold, |
00:38:28 |
You look like a Martian up close. |
00:38:31 |
Because my head's in the clouds. |
00:38:34 |
Some idea, having a kid! |
00:38:36 |
But it's not sure. |
00:38:38 |
I wanted to see what you'd say. |
00:38:40 |
- Take your clothes off. |
00:38:43 |
- You Americans are so stupid. |
00:38:47 |
You adore La Fayette |
00:38:51 |
And they're the stupidest French! |
00:38:54 |
I'm making another call. |
00:38:58 |
Belle Epine 35.26. |
00:39:00 |
Patricia, come here! |
00:39:06 |
Mr. Mansard? |
00:39:08 |
Will he be in this afternoon? |
00:39:14 |
I'm a friend of Tony's. From Marseilles. |
00:39:17 |
I've got an American. |
00:39:23 |
An American? |
00:39:28 |
Not you. An American car. |
00:39:37 |
I can't find the man |
00:39:42 |
Do you prefer records or the radio? |
00:39:44 |
Quiet, I'm thinking! |
00:40:03 |
I know them all. |
00:40:06 |
- How old are you? |
00:40:09 |
I'm 20. |
00:40:11 |
You don't look it. |
00:40:14 |
Why don't you like music? |
00:40:16 |
It depends. I do... |
00:40:18 |
C'mon, Patricia, come to Italy. |
00:40:25 |
What's the point of studying |
00:40:29 |
You never took any exams. |
00:40:32 |
Sure, the baccalaureate. |
00:40:36 |
What's "packed it in"? |
00:40:37 |
I did other things. |
00:40:39 |
- Like what? |
00:40:42 |
Here? |
00:40:46 |
In New York. |
00:40:49 |
You sleep with a lot of men? |
00:40:52 |
Not so many. |
00:40:56 |
How many? |
00:41:00 |
How about you? |
00:41:05 |
Not so many either. |
00:41:08 |
You know where I'd like to live? |
00:41:12 |
I hear it's really lovely. |
00:41:14 |
When I was a kid my dad would say: |
00:41:18 |
But he'd always forget. |
00:41:23 |
No, Mexico doesn't grab me. |
00:41:25 |
I bet it's not all that great. |
00:41:27 |
People are such liars. |
00:41:30 |
It's like Stockholm. Everyone says... |
00:41:33 |
"Swedish girls are terrific. |
00:41:38 |
I went there. It's not true. |
00:41:42 |
Swedish girls don't act |
00:41:45 |
And most of them are dogs |
00:41:48 |
No, Swedish girls are very pretty. |
00:41:52 |
It's a myth. |
00:41:55 |
One or two maybe - just like in Paris |
00:42:01 |
The cities where the girls are pretty |
00:42:04 |
- not gorgeous, but like you, charming - |
00:42:08 |
girls who rate 15 out of 20, because |
00:42:16 |
aren't Rome or Paris or Rio |
00:42:24 |
You tell me something nice, too. |
00:42:26 |
I don't know what, either. |
00:42:33 |
Would you let another man caress you? |
00:42:40 |
You know, you said I'm scared. |
00:42:46 |
Because I want you to love me. |
00:42:49 |
But at the same time, |
00:42:54 |
I'm very independent, you know. |
00:43:00 |
I love you, but not the way you think. |
00:43:03 |
- How then? |
00:43:06 |
But you don't know what I think. |
00:43:11 |
- Sure, I do. |
00:43:14 |
I want to know |
00:43:20 |
I've looked at it for 10 minutes now, |
00:43:25 |
I'm not sad. I'm scared. |
00:43:29 |
Sweet, gentle Patricia. |
00:43:31 |
OK, then, cruel, stupid, heartless, |
00:43:39 |
You don't even how |
00:43:43 |
Now you're hideous. |
00:43:45 |
Say what you like, I don't care. |
00:43:47 |
I'll put all this in my book. |
00:43:50 |
- What book? |
00:43:53 |
- You? |
00:43:57 |
Taking off your top. |
00:43:59 |
Not now. |
00:44:00 |
You're a bloody pain! What is all this? |
00:44:04 |
You know William Faulkner? |
00:44:07 |
No, who's he? |
00:44:10 |
No way, Jose! |
00:44:13 |
To hell with him, then! |
00:44:15 |
Take off your top. |
00:44:16 |
He's one of my favourite writers. |
00:44:20 |
Take off your top, I said. |
00:44:22 |
Listen. The last sentence is beautiful. |
00:44:37 |
Which would you choose? |
00:44:39 |
Let me see your toes. |
00:44:41 |
Toes are important in a woman. |
00:44:45 |
Which would you choose? |
00:44:46 |
Grief's stupid. |
00:44:49 |
I'd choose nothing. |
00:44:51 |
It's not better, |
00:44:53 |
but grief's a compromise. |
00:44:56 |
I want all or nothing. |
00:44:58 |
And now I know. |
00:45:00 |
Now I do. |
00:45:04 |
I'm shutting my eyes tight |
00:45:08 |
But I can't do it. |
00:45:12 |
Your smile... |
00:45:14 |
seen in profile, |
00:45:18 |
That's you. |
00:45:20 |
That's me! |
00:45:31 |
We look each other in the eyes, |
00:45:40 |
I hate that name. |
00:45:46 |
Sit on your haunches. |
00:45:50 |
What's wrong? |
00:45:54 |
I'm looking at you. |
00:45:56 |
The French are stupid, too. |
00:46:06 |
I want you to stay with me. |
00:46:10 |
We interrupt our programming |
00:46:22 |
Funny, I can see |
00:46:26 |
This is a real Franco-American |
00:46:29 |
We're like happy elephants in hiding. |
00:46:31 |
A woman's hips are touching. |
00:46:33 |
It's hot under here. |
00:46:48 |
If it was another man caressing you, |
00:46:52 |
You asked me that. |
00:47:30 |
Do you know a book by Dylan Thomas, |
00:47:38 |
Sunday morning is most satisfyin' |
00:47:41 |
To have a really long lie-in |
00:47:45 |
I'm getting dressed. |
00:47:48 |
- What time is it? |
00:47:51 |
Was it good? |
00:47:56 |
Let's stay in bed. |
00:47:57 |
Nope, I've got to buy a dress. |
00:48:00 |
- Got your car? |
00:48:16 |
ELY. 99.94. |
00:48:29 |
Did Antonio come by? |
00:48:35 |
This is maddening! |
00:48:39 |
You don't know where he is? |
00:48:41 |
No, never mind. |
00:48:45 |
Michel Poiccard again. |
00:48:46 |
Want me to wear a bra? |
00:48:57 |
Which do you like best: |
00:49:02 |
If you had to choose. |
00:49:10 |
There was no press conference. |
00:49:12 |
No, it's at Orly in a little while. |
00:49:16 |
I'm not much of a looker, |
00:49:24 |
Going to your press conference? |
00:49:27 |
I have to drop by the office first. |
00:49:29 |
I'll come with you. |
00:49:31 |
Pres. Eisenhower, |
00:49:33 |
will lay a wreath |
00:49:37 |
Were you in the army? |
00:49:40 |
What did you do? |
00:49:43 |
I did in the sentries. |
00:49:45 |
- "Did in"? |
00:49:48 |
Don't, Michel! |
00:49:53 |
I'm exhausted. I'm gonna die. |
00:49:57 |
You're crazy. |
00:49:59 |
Yeah, totally barmy. |
00:50:02 |
What's "barmy"? |
00:50:03 |
That's me. |
00:50:24 |
Your car's not here? |
00:50:28 |
It's at the garage. |
00:50:53 |
Great, a Ford! |
00:51:05 |
- What floor? |
00:51:27 |
I got the wrong floor. |
00:51:58 |
Scared of getting old? I am. |
00:52:00 |
You're a dope! |
00:52:05 |
I told you, the worst flaw is cowardice. |
00:52:11 |
Buy me a dress at Dior's? |
00:52:14 |
Not on your life! There are |
00:52:18 |
You don't buy dresses at Dior, |
00:52:20 |
It's the only place |
00:52:23 |
There are 12 call boxes. |
00:52:26 |
France Soir! |
00:52:53 |
Police Killer Still At Large |
00:53:40 |
How long will it last? |
00:53:41 |
Half an hour or so. |
00:53:43 |
I'll go and see my chap, then. |
00:54:04 |
Why did you call |
00:54:10 |
I'm convinced that the French |
00:54:13 |
a cool reception |
00:54:17 |
Mr Parvulesco! |
00:54:22 |
Can one still believe |
00:54:26 |
Of course, especially in our time. |
00:54:32 |
What about Rilke's saying: Modern life |
00:54:39 |
Rilke was a great poet, |
00:54:45 |
Out of my way! |
00:54:48 |
You and your Pathe-Journal! |
00:54:51 |
Do French and American women |
00:54:58 |
French women |
00:54:59 |
are totally unlike Americans. |
00:55:01 |
The American woman dominates the man. |
00:55:09 |
What's your greatest ambition? |
00:55:12 |
Who are more moral: |
00:55:17 |
Unfaithful women. |
00:55:20 |
Are women more sentimental than men? |
00:55:22 |
Feelings are a luxury |
00:55:28 |
Is there a difference |
00:55:35 |
No, not really. |
00:55:38 |
I don't think so, because... |
00:55:41 |
eroticism is a form of love, |
00:55:45 |
Does the soul exist in modern society? |
00:55:52 |
Do women have a role to play |
00:55:58 |
If she's charming and wears |
00:56:02 |
Casanova said that there's no woman |
00:56:05 |
who can't be seduced |
00:56:08 |
Cocteau will answer that. |
00:56:11 |
How many men can a woman |
00:56:15 |
Physically, I mean. |
00:56:21 |
More than that! |
00:56:24 |
Miss, you're in the shot. |
00:56:25 |
Two things matter in life. For men, |
00:56:31 |
You're a pessimist! |
00:56:33 |
If you see a pretty girl |
00:56:36 |
she's nice and he's a bastard. |
00:56:43 |
Do you like Brahms? |
00:56:45 |
Like everyone, no. |
00:56:46 |
- And Chopin? |
00:56:50 |
What's your greatest ambition? |
00:56:56 |
To become immortal and then die. |
00:57:41 |
You're Claudius Mansard? |
00:57:43 |
Yes, Mr. Kovacs. |
00:57:46 |
I called this morning. |
00:57:49 |
Yes, Mr Kovacs. |
00:57:51 |
Tony sent me. |
00:57:55 |
Didn't we meet in Nice? |
00:57:59 |
Nobody phoned you? |
00:58:01 |
Yes. But they said |
00:58:04 |
It fell through at the last minute. |
00:58:07 |
And so? |
00:58:09 |
So, it's this. |
00:58:22 |
900,000. |
00:58:26 |
But I'll only have the money next week. |
00:58:30 |
You bastard! |
00:58:33 |
And you, Mr Kovacs? Who are you? |
00:58:38 |
So what? |
00:58:41 |
So you don't get the money now. |
00:58:43 |
- Tough. Is it 3 yet? |
00:58:47 |
Can I use the phone? |
00:59:05 |
Is Antonio there? |
00:59:06 |
He just left. |
00:59:08 |
Bloody hell! |
00:59:09 |
He said to meet him |
00:59:12 |
The Escale at 4. OK, thanks. |
00:59:19 |
Don't bother. |
00:59:22 |
Lend me 10,000. |
00:59:27 |
5000. |
00:59:29 |
2500. |
00:59:36 |
She's not running? |
00:59:41 |
Hey, you! |
00:59:44 |
You remove the distributor cap? |
00:59:49 |
- You owe me a phone call! |
00:59:54 |
Step on it! Step on it! |
00:59:56 |
Never mind the pedestrians! |
01:00:00 |
Step on it, for Christ's sake! |
01:00:03 |
The Thunderbird's left wing torn off! |
01:00:10 |
That's where I was born. |
01:00:11 |
Look at the eyesore they built opposite! |
01:00:16 |
Houses like that get me down. |
01:00:20 |
I have a feeling for beauty, Beauty. |
01:00:26 |
If we're late it's your fault. |
01:00:29 |
Certainly not. |
01:00:31 |
Overtake that Peugeot! |
01:00:32 |
Don't change gears! |
01:00:34 |
Don't brake for a 4CV! |
01:00:39 |
Take the next left! |
01:00:42 |
Wait. I'll be back. |
01:01:12 |
He left 5 minutes ago. |
01:01:15 |
The friend who owes you money? |
01:01:17 |
Antonio Berruti, yeah, |
01:01:21 |
Now it's double or quits. |
01:01:23 |
- Why? |
01:01:26 |
Overtake that 2CV. |
01:01:28 |
- Where you going? |
01:01:31 |
Eyes on the road! |
01:01:32 |
Why bother writing? |
01:01:34 |
To have money and not rely on men. |
01:01:37 |
Paris girls look like tarts |
01:01:41 |
Makes me wanna run up behind them |
01:01:45 |
Don't mind me! |
01:01:56 |
- We'll be right back. |
01:01:59 |
- Not paying the fare? |
01:02:06 |
- Where are we going? |
01:02:11 |
I hate taxi-drivers who are afraid |
01:02:15 |
The Gestapo put up a wall here |
01:02:17 |
so nobody could escape them. |
01:02:20 |
I've been thinking about that girl. |
01:02:22 |
What girl? |
01:02:23 |
The one with that chap on the Riviera. |
01:02:26 |
You said you admired her. |
01:02:29 |
Yeah, an ordinary girl. That's rare. |
01:02:35 |
Come with me to the paper? |
01:02:37 |
No, I've a call to make. |
01:02:39 |
I'm going to see my tailor. |
01:02:42 |
Ciao, kid! |
01:03:04 |
You're late. They're waiting. |
01:03:34 |
Over there. |
01:03:53 |
You speak French? |
01:03:55 |
Do you know this man? |
01:04:15 |
Careful, little girl, |
01:04:19 |
Yes, it's Michel. |
01:04:22 |
I didn't recognise him. |
01:04:26 |
You were seen with him |
01:04:30 |
Who saw me? |
01:04:31 |
He was driving |
01:04:38 |
Where is he? |
01:04:39 |
I don't know. |
01:04:42 |
Watch it, |
01:04:46 |
I've seen him five or six times. |
01:04:48 |
I found him nice. I don't know |
01:04:53 |
Known him long? |
01:04:57 |
I met him 3 weeks ago in Nice. |
01:05:01 |
He came to Paris to see someone |
01:05:05 |
- Who? |
01:05:11 |
Think you'll see him again? |
01:05:13 |
Maybe. Sometimes he calls me |
01:05:23 |
Got a work permit? |
01:05:26 |
You don't want |
01:05:28 |
No, I don't. |
01:05:30 |
So if you see him, here's my number. |
01:05:35 |
Danton 01.00. |
01:08:19 |
President Eisenhower |
01:08:27 |
Was that what you meant |
01:08:32 |
More or less. |
01:08:34 |
Let's go see a western. |
01:08:36 |
Yeah, better wait till dark. |
01:08:51 |
Beware, Jessica |
01:08:52 |
On the kiss's bevelled edge |
01:08:55 |
Avoid, avoid |
01:09:02 |
You're wrong, Sheriff |
01:09:03 |
Your tale is noble and tragic |
01:09:07 |
No drama so perilous or magnetic |
01:09:21 |
Hi, cutie! |
01:09:28 |
Police closing in on Michel Poiccard. |
01:09:36 |
- What's it say? |
01:09:39 |
The cops are stupid to be after me. |
01:09:41 |
I'm one of the few people |
01:09:47 |
Let me caress you. |
01:09:50 |
Say something! |
01:09:51 |
- Well! |
01:09:53 |
- So you're married. |
01:09:59 |
That was long ago. |
01:10:01 |
She was crazy. She dumped me. |
01:10:04 |
Or I dumped her. I can't remember. |
01:10:06 |
I really like you, Michel. |
01:10:08 |
What's it feel like, |
01:10:11 |
- And killing a policeman? |
01:10:14 |
How did they know I knew you? |
01:10:17 |
Someone must've seen us together |
01:10:21 |
- That's very bad. |
01:10:23 |
Giving people away. |
01:10:25 |
No, it's normal. Informers inform, |
01:10:28 |
burglars burgle, |
01:10:30 |
murderers murder, lovers love. |
01:10:37 |
Look, isn't the Concorde gorgeous! |
01:10:41 |
Yes, mysterious, with all the lights. |
01:10:45 |
I was a fool to keep this car. |
01:10:49 |
- What? |
01:11:05 |
Let's steal the Cadillac. |
01:11:10 |
What about the keys? |
01:11:11 |
You drive, I hide. |
01:11:20 |
- What do I tell the man? |
01:11:24 |
He won't say a thing. |
01:11:27 |
"Yellow-bellied"? |
01:11:29 |
Scared stiff. Are you scared? |
01:11:31 |
It's too late to be scared. |
01:11:43 |
Michel Poiccard: Arrest imminent. |
01:11:59 |
I've just gotta find Antonio. |
01:12:02 |
Once you look for someone, |
01:12:09 |
Who was that? |
01:12:12 |
- Step on it, poppet. |
01:12:34 |
Seen Antonio? |
01:12:36 |
I'll tell you if I can kiss her. |
01:12:39 |
It's not up to me, |
01:12:41 |
it's up to her. |
01:12:47 |
He's with Zumbart. |
01:12:52 |
Carl! |
01:12:57 |
- How's things? |
01:13:00 |
There he is. |
01:13:05 |
Who is he? |
01:13:06 |
- Antonio? |
01:13:12 |
Let's see those socks. |
01:13:14 |
Silk socks with a tweed jacket! |
01:13:17 |
- I like silk. |
01:13:22 |
- Hi, amigo. |
01:13:23 |
I'll be off. |
01:13:25 |
You've been looking for me? |
01:13:29 |
Yeah, I'm in the shit. |
01:13:33 |
Got a minute? |
01:13:35 |
- It's that man. |
01:13:37 |
Anything you want. |
01:13:38 |
I'll just be a sec. |
01:13:40 |
- What will they do? |
01:13:44 |
- What for? |
01:14:06 |
Be right back. |
01:14:09 |
Who's the chick? |
01:14:11 |
- The thing is, I'm in love with her. |
01:14:34 |
1.3 million, can do. |
01:14:36 |
- What's your bank? |
01:14:39 |
Let's see. |
01:14:43 |
- What do we do? |
01:14:46 |
- Where can I reach you tomorrow? |
01:14:49 |
The hotels are crawling with tourists. |
01:14:52 |
My friend in Montmartre has a big flat. |
01:14:55 |
- Not Montmartre. |
01:14:58 |
Why not? |
01:15:00 |
Too many enemies in Montmartre. |
01:15:02 |
Try Zumbart's Swedish girl. |
01:15:05 |
Rue Campagne Premiere? |
01:15:07 |
Call me there tomorrow. |
01:15:26 |
Antonio said |
01:15:29 |
Sure. Sit down. |
01:15:38 |
Smile! |
01:15:42 |
You could pose. It pays good. |
01:15:45 |
You have to sleep around. |
01:15:47 |
- I was just thinking... |
01:15:50 |
I can't decide... |
01:15:52 |
Decide what? |
01:15:54 |
I don't know. |
01:16:04 |
You dumped your journalist? |
01:16:08 |
Why did you say hello? |
01:16:09 |
To make sure I didn't love him any more. |
01:16:12 |
You make life difficult. |
01:16:15 |
That's it. Drop me |
01:16:33 |
What record? |
01:16:35 |
Mozart's clarinet concerto. |
01:16:40 |
No, I like that one. |
01:16:42 |
I thought you didn't like music. |
01:16:44 |
This one's OK. |
01:16:49 |
My dad was a brilliant clarinet-player. |
01:16:52 |
Want to turn in? |
01:16:54 |
Sleeping's so sad. |
01:16:57 |
We have to separ. |
01:16:58 |
...ate. |
01:17:02 |
They say "sleep together", |
01:17:17 |
What is it? |
01:17:23 |
Nothing. |
01:17:29 |
Come here. |
01:17:39 |
Go buy "France Soir" |
01:17:49 |
What time is it? |
01:17:51 |
Five. |
01:17:58 |
Engaged all the time. |
01:18:07 |
- What? |
01:18:10 |
France Soir! |
01:18:11 |
I'm looking at you. |
01:18:17 |
It's your lucky day. Take a ticket. |
01:18:21 |
- A whisky. |
01:18:23 |
Make it coffee. |
01:18:28 |
Danton 01.00? |
01:18:33 |
Inspector Vital, please. |
01:18:43 |
Patricia Franchini. |
01:18:46 |
I've just seen the fellow |
01:18:50 |
He's at 11, rue Premiere Campagne. |
01:18:55 |
Yes. 11, rue Campagne Premiere. |
01:19:51 |
Thirsty? |
01:19:54 |
Antonio's coming by. He just called. |
01:19:57 |
We're on our way to Italy, girlie! |
01:20:02 |
- I can't go. |
01:20:06 |
Berruti's lending me his Simca. |
01:20:09 |
An Amedeo Gordini lodel. |
01:20:11 |
Michel, I called the police. |
01:20:15 |
- I said you were here. |
01:20:19 |
No, I'm fine. |
01:20:23 |
No, I'm not. |
01:20:25 |
I don't want to go with you. |
01:20:29 |
I knew it. |
01:20:31 |
I don't know. |
01:20:32 |
I just talked about myself, |
01:20:35 |
I'm so stupid. |
01:20:37 |
You should've talked about me, |
01:20:41 |
I don't want to be in love with you. |
01:20:45 |
That's why I called the police. |
01:20:49 |
I stayed with you |
01:20:54 |
Or if I wasn't. |
01:20:59 |
And since I'm being cruel to you, |
01:21:02 |
it proves I'm not in love with you. |
01:21:05 |
Say that again! |
01:21:07 |
And since I'm being cruel to you, |
01:21:11 |
it proves I'm not in love with you. |
01:21:16 |
They say there's no happy love. |
01:21:19 |
If I loved you... |
01:21:22 |
It's too complicated! |
01:21:24 |
On the contrary, |
01:21:28 |
I want people to let me be. |
01:21:32 |
I'm independent. |
01:21:33 |
- Maybe you love me. |
01:21:38 |
That's why I gave you away. |
01:21:40 |
I'm better than you are. |
01:21:43 |
Now you have no choice but to go. |
01:21:47 |
You're nuts! |
01:21:50 |
That's a rotten way to reason! |
01:22:00 |
You're like those women |
01:22:04 |
except the one man who loves them... |
01:22:08 |
saying it's because they sleep |
01:22:14 |
Why don't you go? |
01:22:19 |
I've slept with lots of men. |
01:22:24 |
What are you waiting for? |
01:22:27 |
No, I'm staying. I'm in bad shape. |
01:22:29 |
I prefer jail. |
01:22:32 |
You're mad! |
01:22:38 |
Nobody'll talk to me. |
01:22:41 |
I can look at the walls. |
01:22:43 |
Damn, Berruti! |
01:22:47 |
Hey, amigo! I'll just park. |
01:22:52 |
- Cops are coming. |
01:22:54 |
The American gave me away. |
01:22:57 |
- Get in! |
01:22:58 |
- Get in! |
01:23:05 |
I've had enough. |
01:23:07 |
I'm tired. |
01:23:09 |
I want to sleep. |
01:23:10 |
You're nuts! |
01:23:12 |
Damn the police. I'll save my neck. |
01:23:15 |
I shouldn't be thinking of her |
01:23:20 |
Want my automatic? |
01:23:25 |
- Don't be stupid! |
01:25:25 |
You're a real louse. |
01:25:40 |
What did he say? |
01:25:41 |
He said you're a real louse. |
01:25:49 |
What's a "louse"? |