12 01
|
00:01:09 |
[BEEP BEEP BEEP BEEP] |
00:01:10 |
[BEEP BEEP BEEP BEEP] |
00:01:12 |
THE TIME IS 7:35. |
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PLEASE WAKE UP. |
00:01:16 |
[BEEP BEEP BEEP] |
00:01:19 |
WAKE UP. WAKE UP. |
00:01:22 |
[BUZZ BUZZ BUZZ BUZZ BUZZ] |
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LAZY BOY, |
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PLEASE WAKE UP. |
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[BEEP BEEP] |
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UNH! |
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LAZY BOY. |
00:01:39 |
LAZY BOY. |
00:01:40 |
LAZY BOY. |
00:01:42 |
[CLICK] |
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...CUTTING EDGE PROJECT |
00:01:44 |
BY RESEARCHERS |
00:01:47 |
HAS BEEN SHUT DOWN BY |
00:01:50 |
MARY, BIG NEWS |
00:01:52 |
RESEARCHERS HERE WORKING |
00:01:55 |
BELIEVE THEY'VE |
00:01:57 |
TO ACCELERATE |
00:01:59 |
FASTER THAN |
00:02:01 |
THEY'RE USING |
00:02:02 |
CALLED A SUPERACCELERATOR. |
00:02:04 |
BUT PUBLIC OUTCRY |
00:02:07 |
THE GOVERNMENT TODAY FINALLY |
00:02:09 |
OF THE PROJECT. |
00:02:11 |
THIS TOOL WILL HELP US |
00:02:13 |
TO FINALLY DEFINE THE |
00:02:15 |
AND HARNESS ITS ENERGY. |
00:02:17 |
IMAGINE A FACILITY |
00:02:18 |
POWERING HALF THE STATE |
00:02:47 |
[TELEPHONE RINGS] |
00:02:49 |
HELLO! |
00:02:50 |
HI...MOM. I'M LATE. |
00:02:53 |
YEAH, I--I KNOW. |
00:02:55 |
I KNOW WE HAVEN'T |
00:02:57 |
BECAUSE YOU'RE GOING |
00:03:01 |
YES, MOM. I'M DATING. |
00:03:03 |
A LOT OF |
00:03:05 |
I CAN'T EVEN KEEP TRACK |
00:03:08 |
YOU WANT TO KNOW |
00:03:10 |
UH... |
00:03:12 |
BRIL... |
00:03:13 |
LETTE. |
00:03:14 |
BRILLETTE. YES. |
00:03:16 |
SHE'S SMALL, |
00:03:18 |
SHE LOVES TO CLEAN UP |
00:03:22 |
MOM...LOOK. |
00:03:24 |
BUT, MOM, MOM, |
00:03:26 |
I WILL CALL YOU LATER. |
00:03:32 |
PATHETIC. THAT'S NOT |
00:03:35 |
WHAT'S WRONG |
00:03:36 |
GOOD MORNING, KYLE. |
00:03:39 |
ANY WORK? |
00:03:44 |
WHAT DO YOU SAY WE ALL |
00:03:47 |
CAN'T DO IT BY MYSELF. |
00:03:52 |
[TIRES SCREECH] |
00:03:53 |
WHOA! |
00:03:56 |
BE CAREFUL. I DON'T WANT |
00:03:59 |
UP YOURS, MY MAN. |
00:04:02 |
NICE. |
00:04:03 |
NICE. |
00:04:04 |
THAT MAY VERY WELL BE |
00:04:07 |
OH, MAN. |
00:04:26 |
[HORN HONKS] |
00:04:27 |
[TIRES SCREECH] |
00:04:29 |
[CRASH] |
00:05:05 |
WHERE ARE |
00:05:07 |
JACKSON'S READY TO CUT YOUR THROAT. |
00:05:09 |
GOOD, THANKS. |
00:05:10 |
TED, DO YOU REALIZE YOUR HAIR |
00:05:14 |
FOR THE OZONE HOLE? |
00:05:18 |
JACK. |
00:05:19 |
HOW'S IT GO? |
00:05:20 |
YOU KNOW...IT'S |
00:05:23 |
OH! OH! JACK! |
00:05:24 |
OH, JACK, |
00:05:27 |
THANKS |
00:05:42 |
ROOK TO QUEEN'S BISHOP. |
00:05:43 |
WELL, LOOK WHO DECIDED TO SHOW UP. |
00:05:46 |
ANN, I'M SORRY |
00:05:48 |
I'M DOING YOU A FAVOR, |
00:05:50 |
WITH A WORK PERFORMANCE |
00:05:52 |
SO FINISH THE PERSONNEL REPORTS, |
00:05:55 |
AND CLEAN UP THE DESK |
00:05:58 |
YOU KNOW, |
00:06:00 |
IF YOU WANTED TO SHOW UP |
00:06:03 |
THERE WAS |
00:06:04 |
BARRY, BARRY, BARRY, I |
00:06:07 |
OR BE YOUR FRIEND EITHER, |
00:06:10 |
I'D HATE |
00:06:12 |
YOU'RE ONE |
00:06:21 |
YOU KNOW, SHE HAD SEX ONCE IN 1983, |
00:06:23 |
BUT SHE DIDN'T |
00:06:25 |
WHAT DID WE DO |
00:06:27 |
I WOKE UP TASTING |
00:06:30 |
WELL, WE DRANK, |
00:06:32 |
THEN I PICKED UP |
00:06:34 |
NO, YOU DID NOT. SHE |
00:06:36 |
YOU LEFT, SHE GOT INTERESTED, O.K.? |
00:06:38 |
YOU OWE ME 20 BUCKS |
00:06:41 |
HERE. FILING |
00:06:42 |
AAH! |
00:06:43 |
IT'S A SHOCKING |
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PRESS THAT, AND WITHIN |
00:06:47 |
CURE FOR THE COMMON |
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ARE YOUR PARENTS |
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NO. |
00:06:52 |
NO? WELL, |
00:06:54 |
ARE. |
00:06:58 |
MORNING, LISA. |
00:06:59 |
MORNING. |
00:07:02 |
OUT OF YOUR LEAGUE, MAN. |
00:07:05 |
Ph.D. AT 25. THE CHICK'S |
00:07:08 |
LOOK AT THAT. SHE DOESN'T |
00:07:11 |
HE'S OFFERED HER A CIGARETTE |
00:07:14 |
LOOK. WHENEVER |
00:07:15 |
SHE BRUSHES HER HAIR |
00:07:18 |
YOU SEE THAT? RIGHT OVER THE RIGHT EAR. |
00:07:20 |
THIS HAS GONE ON FOR SIX |
00:07:23 |
WHAT, AND SPOIL |
00:07:26 |
RIGHT. YOUR PEEPING TOM THING |
00:07:29 |
TIME TO LEAVE |
00:07:30 |
IF I HAD A DOOR, |
00:07:33 |
EXCUSE ME. |
00:07:34 |
YES, BUT YOU PROBABLY |
00:07:37 |
I'M JUST |
00:07:39 |
YOU SIGNED THIS. |
00:07:42 |
DR. MOXLEY, |
00:07:44 |
ANN JACKSON, |
00:07:46 |
TWO OF MY ASSISTANTS |
00:07:48 |
BY SOME PAPERWORK |
00:07:50 |
I'VE ALREADY SENT TWO MEMOS |
00:07:53 |
AND GOTTEN NO RESPONSE. |
00:07:55 |
I DIDN'T |
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LET ME HELP YOU |
00:07:58 |
COME INTO MY OFFICE-- |
00:08:00 |
THAT WON'T BE NECESSARY, MISS JACKSON. |
00:08:01 |
JUST PUT THEM BACK |
00:08:04 |
LOIS HOPE, |
00:08:06 |
DONE. |
00:08:07 |
MISS JACKSON, |
00:08:09 |
JUST CORRECT IT. |
00:08:11 |
YES, SIR. |
00:08:12 |
THANK YOU. |
00:08:13 |
GOOD DAY. |
00:08:15 |
YOU MADE ME LOOK |
00:08:17 |
YOU'RE OFF OF |
00:08:19 |
YOU'LL TAKE AND FILE |
00:08:22 |
HOWARD IS NOW IN CHARGE |
00:08:24 |
YOU--YOU BOUNCED THE HEAD |
00:08:27 |
I--I--ONE MORE. |
00:08:29 |
AND YOU'RE BOUNCED, |
00:08:32 |
YEAH. |
00:08:36 |
GOOD DAY. |
00:08:52 |
RATTLED! |
00:08:53 |
THE WHOLE OFFICE, |
00:08:55 |
YOU SLOW DOWN THE WORK, AND |
00:08:58 |
LET'S HUG. |
00:09:00 |
JUST ONCE. |
00:09:01 |
IT'LL BREAK |
00:09:03 |
JUST SLOP ME ON |
00:09:06 |
YES, SIR. |
00:09:08 |
OH... |
00:09:10 |
THAT IS JUST |
00:09:13 |
EXCUSE ME? |
00:09:20 |
ARE YOU ALL RIGHT? |
00:09:23 |
YOU DON'T SMOKE. |
00:09:25 |
WHAT ARE YOU |
00:09:26 |
I'D OFFER YOU A CIGARETTE, |
00:09:29 |
SO WHY BOTHER EVEN? |
00:09:30 |
RICO, SOME STRING BEANS, |
00:09:32 |
I DON'T SMOKE |
00:09:34 |
AND SOME RICE, TOO. |
00:09:35 |
SO EVEN IF |
00:09:37 |
I COULDN'T OFFER YOU A |
00:09:40 |
SO SORRY |
00:09:41 |
WHERE ARE YOU |
00:09:43 |
OH, I'M JUST AN EXPERIMENT |
00:09:46 |
IN THE PERSONNEL |
00:09:47 |
I SEE. |
00:09:49 |
I'M LISA FREDERICKS. |
00:09:51 |
I'M BARRY THOMAS. |
00:09:52 |
WHAT IS IT |
00:09:54 |
OH...NOTHING. I JUST |
00:09:57 |
IN BETWEEN THREATS |
00:09:59 |
AH. WELL, YOU SEEM |
00:10:01 |
THAT DOESN'T USUALLY |
00:10:04 |
NICE TO MEET YOU. |
00:10:05 |
NICE MEETING |
00:10:06 |
BYE-BYE. |
00:10:07 |
GOODBYE. |
00:10:09 |
AND GOOD LUCK. |
00:10:10 |
I'M NOT SHIPPING |
00:10:13 |
I'M JUST |
00:10:14 |
RIGHT, RIGHT. |
00:10:17 |
OHHH... |
00:10:21 |
SO, UH, SHE LIKES ME... |
00:10:22 |
WOULDN'T YOU AGREE? |
00:10:24 |
I'D SAY YOU AND AN ICE CREAM |
00:10:27 |
DO I ALWAYS SOUND |
00:10:30 |
OR DO I SAVE IT FOR |
00:10:33 |
YOU'RE THINKING WRONG. WHAT IF |
00:10:36 |
A DEFENSE? |
00:10:37 |
O.K. |
00:10:38 |
WHAT IF SHE'S |
00:10:40 |
HUH? SHE'D BE THANKFUL |
00:10:42 |
TO THE FIRST GUY THAT CAME |
00:10:46 |
[BEEP BEEP] |
00:10:49 |
I KNOW THESE THINGS, |
00:10:51 |
I PICKED UP A BLONDE |
00:10:54 |
RIGHT. |
00:10:55 |
UM, RIGHT. |
00:10:56 |
SHE'S DYING |
00:11:04 |
I GOT AN AIR CONDITIONING |
00:11:07 |
SURE. |
00:11:08 |
UH...AHEM. |
00:11:09 |
YEAH, GO AHEAD. |
00:11:45 |
YES? |
00:11:46 |
BARRY THOMAS. I'M HERE |
00:11:48 |
THERE'S A SLIGHT PROBLEM |
00:11:50 |
YOU GOING TO ERASE HER |
00:11:53 |
IT'S REGARDING |
00:11:54 |
WE'RE UPDATING |
00:11:56 |
AND I HAVE TO VERIFY SOME PERSONAL |
00:11:58 |
OTHERWISE, HER CHECK |
00:12:00 |
WELL, THAT'S THE TYPE OF CONFUSION |
00:12:03 |
WE ALWAYS EXPECT |
00:12:05 |
THANK YOU. |
00:12:11 |
WELL, YOU DON'T SEEM TO |
00:12:15 |
[INDISTINCT] |
00:12:22 |
GET OUT |
00:12:24 |
NOW! |
00:12:25 |
GOODBYE. |
00:12:29 |
WHO ARE YOU? |
00:12:31 |
ARE YOU AUTHORIZED |
00:12:33 |
IT'S O.K. COME IN AND SHUT THE DOOR. |
00:12:36 |
I'LL JUST COME IN |
00:12:38 |
I WAS JUST TAKING CARE |
00:12:41 |
HELPING OUT |
00:12:43 |
I HAVE A GERANIUM |
00:12:45 |
WHAT CAN I DO FOR YOU? |
00:12:47 |
NOTHING. I WAS JUST |
00:12:50 |
SO I THOUGHT |
00:12:52 |
HELLO. |
00:12:53 |
YOU CAME BACK IN THE |
00:12:56 |
TO FLIRT WITH ME? |
00:12:59 |
IS THIS...A BAD TIME? |
00:13:01 |
WE SPOKE FOR 10 SECONDS |
00:13:03 |
THAT GIVES YOU THE |
00:13:06 |
NO. NO. NO-- |
00:13:08 |
I DON'T CONSIDER PLAYFUL BANTER |
00:13:11 |
GROUNDS FOR ROMANTIC |
00:13:14 |
OR EVEN--CAN YOU GET OUT |
00:13:17 |
EVEN A LONG-DISTANCE |
00:13:19 |
IT WAS GREAT |
00:13:21 |
I'M SORRY. TIMING'S EVERYTHING, |
00:13:25 |
IT'S NOT THE TIME, |
00:13:28 |
[DOOR SLAMS] |
00:13:47 |
HOW'D IT GO? |
00:13:48 |
OH, GOOD, THANKS. I'LL BE |
00:13:55 |
THANKS, PAL. |
00:14:19 |
DRINKS TONIGHT? |
00:14:20 |
YES, HOWARD. LET'S JUST |
00:14:23 |
SHALL WE? |
00:14:25 |
O.K. |
00:14:31 |
OHHH... |
00:14:35 |
BARRY, WHAT'S UP? |
00:14:38 |
COMING. |
00:14:51 |
HI, REYNALDO. |
00:14:53 |
SEñORITA. |
00:14:54 |
AH. I WANT |
00:14:56 |
OH? |
00:14:58 |
OH, THOSE |
00:15:09 |
THANK YOU VERY MUCH. |
00:15:10 |
POR NADA, SEñORITA. |
00:15:16 |
[TIRES SCREECH] |
00:15:36 |
YOU SAY THIS HAPPENED JUST AFTER WORK? |
00:15:38 |
YEAH. |
00:15:40 |
WHAT TIME |
00:15:42 |
6:15. |
00:15:45 |
DID YOU KNOW |
00:15:51 |
NO. |
00:15:54 |
NO, I DIDN'T |
00:15:57 |
I'M SORRY, BARRY. I KNOW |
00:16:00 |
I'M QUITTING TOMORROW. |
00:16:02 |
WHAT? |
00:16:03 |
GETTING ON |
00:16:05 |
WHAT ARE YOU TALKING |
00:16:08 |
IF I STAY ONE MORE DAY, WHAT DO I HAVE? |
00:16:11 |
I HAVE MY PANTS BEHIND A |
00:16:14 |
WE NEED TWO MORE |
00:16:16 |
MY DAD SAID I'D NEVER AMOUNT TO MUCH. |
00:16:19 |
I DON'T WANT |
00:16:20 |
LOOK, I DON'T KNOW WHAT |
00:16:23 |
WHATEVER HAPPENED |
00:16:25 |
BUT WE DON'T STOP. |
00:16:27 |
ARE YOU GOING |
00:16:29 |
MAYBE. |
00:16:30 |
NO. |
00:16:58 |
[POTTERY CLATTERS] |
00:17:03 |
[THUNDER] |
00:17:09 |
TIME? |
00:17:10 |
THE TIME IS 12:00. |
00:17:15 |
I WONDER WHAT |
00:17:20 |
NOT ABOUT ME, |
00:17:23 |
LAZY BOY. |
00:17:24 |
[THUNDER] |
00:17:25 |
[LIGHT BULB CRACKLES] |
00:17:29 |
[CRACKLING] |
00:17:35 |
[CRACKLING] |
00:17:36 |
I DON'T HAVE TIME |
00:17:39 |
THE TIME IS 12:01. |
00:18:05 |
[BEEP BEEP] |
00:18:06 |
THE TIME IS 7:35. |
00:18:09 |
PLEASE WAKE UP. |
00:18:11 |
[BEEP BEEP] |
00:18:14 |
WAKE UP. WAKE UP. |
00:18:16 |
[BUZZ BUZZ BUZZ |
00:18:20 |
OH, PLEASE. |
00:18:23 |
LAZY BOY, |
00:18:25 |
PLEASE WAKE UP. |
00:18:27 |
[BEEP BEEP] |
00:18:29 |
NO, I DON'T. |
00:18:31 |
...THIS CUTTING |
00:18:33 |
BY RESEARCHERS |
00:18:36 |
HAS BEEN SHUT DOWN BY |
00:18:39 |
MARY, BIG NEWS |
00:18:41 |
RESEARCHERS HERE WORKING |
00:18:43 |
BELIEVE THEY'VE |
00:18:45 |
TO ACCELERATE |
00:18:47 |
FASTER THAN |
00:18:49 |
THEY ARE USING |
00:18:51 |
CALLED A SUPERACCELERATOR. |
00:18:53 |
COME ON, HOSEA, |
00:18:55 |
WHAT ABOUT |
00:18:57 |
...FINALLY ORDERED A COMPLETE |
00:19:00 |
THIS TOOL WILL HELP US |
00:19:01 |
TO FINALLY DEFINE THE |
00:19:03 |
AND HARNESS ITS ENERGY. |
00:19:05 |
NOW, IMAGINE |
00:19:07 |
POWERING HALF THE STATE OF |
00:19:11 |
IF WE COULD ACTUALLY |
00:19:13 |
FASTER THAN THE SPEED |
00:19:15 |
THE ENERGY RELEASED |
00:19:17 |
TIME AND SPACE |
00:19:19 |
WE'D BE PUNCHED |
00:19:21 |
AND THEN MOVE FORWARD |
00:19:23 |
UNTIL THE ACCELERATOR IS FIRED |
00:19:26 |
IN AN ENDLESS LOOP, |
00:19:29 |
THIS CIRCULAR TIME BOUNCE |
00:19:32 |
AND WE'D BE PRISONERS |
00:19:34 |
IN A CELL |
00:19:37 |
WHICH THEORY IS TRUE? |
00:19:43 |
ANOTHER TUNE GOING OUT OVER |
00:19:46 |
YEAH, YEAH, YEAH. SCIENTIST |
00:19:50 |
...AND TEMPERATURES WILL |
00:19:53 |
WE MAY S-- |
00:20:24 |
ONE OF US FELL DOWN |
00:20:29 |
OH, MAN, I'M GOING |
00:20:45 |
O.K., I WAS DRUNK. |
00:20:47 |
[TELEPHONE RINGS] |
00:20:52 |
[RING] |
00:20:54 |
HELLO. |
00:20:56 |
HI...MOM, I-- |
00:20:57 |
I'M RUNNING LATE AGAIN. |
00:21:00 |
YEAH, RIGHT. IT'S BEEN A REAL |
00:21:03 |
I DID. |
00:21:06 |
NO, I DON'T THINK |
00:21:11 |
BECAUSE SHE WAS SHOT. |
00:21:14 |
NO, NOT-- NOT WITH |
00:21:16 |
MOM, I--I GOT TO GO. |
00:21:25 |
O.K...I WAS REALLY DRUNK. |
00:21:29 |
THAT'S NOT HOW |
00:21:32 |
PATHETIC. WHAT'S |
00:21:46 |
TALK ABOUT PATHETIC. |
00:21:50 |
[TIRES SCREECH] |
00:21:52 |
HO! WHOA! WHOA! WHOA! |
00:21:55 |
DIDN'T I TELL YOU |
00:21:57 |
UP YOURS, MY MAN. |
00:21:59 |
ALL RIGHT! NOW WE'RE |
00:22:18 |
[HORN HONKS] |
00:22:19 |
[TIRES SCREECH] |
00:22:21 |
[CRASH] |
00:22:36 |
WHERE ARE |
00:22:37 |
JACKSON'S READY TO CUT YOUR THROAT. |
00:22:39 |
ON HER DESK. |
00:22:41 |
COMB YOUR HAIR. |
00:22:43 |
JACK, WOULD YOU BELIEVE |
00:22:45 |
ABOUT LISA FREDERICKS? |
00:22:47 |
SHE WIN AN AWARD |
00:22:49 |
AAH! |
00:22:50 |
OH, JACK, I'M SO SORRY. |
00:22:53 |
NO! NO! |
00:22:54 |
THANKS. |
00:23:02 |
HOWARD... |
00:23:03 |
DAMN IT! |
00:23:06 |
WELL, LOOK WHO DECIDED |
00:23:08 |
I CLEANED OFF THIS WHOLE |
00:23:11 |
I'M DOING YOU A FAVOR KEEPING |
00:23:15 |
SO FINISH |
00:23:17 |
COMPLETE THE MONTHLY |
00:23:19 |
AND CLEAN UP THE DESK |
00:23:22 |
I DID THIS WORK. |
00:23:23 |
I CAN SEE THAT. |
00:23:25 |
IF YOU WANTED TO BE ON TIME, YOU WOULD. |
00:23:28 |
THERE WAS |
00:23:30 |
I DON'T WANT |
00:23:32 |
OR BE YOUR FRIEND, |
00:23:34 |
SO LET'S JUST |
00:23:36 |
I'D HATE |
00:23:38 |
YOU'RE ONE |
00:23:40 |
OW... |
00:23:43 |
DID YOU SEE THAT? |
00:23:45 |
SHE CAME IN HERE JUST |
00:23:48 |
SHE HAD SEX ONCE IN 1983, |
00:23:52 |
HERE'S THE UPDATE ON |
00:23:54 |
YOU THINK I'M |
00:23:56 |
WHO'D FALL FOR |
00:23:58 |
[ZAP] |
00:24:00 |
TRICK? |
00:24:01 |
THE SHOCKING DISK TRICK. |
00:24:04 |
HOW COME LISA FREDERICKS' |
00:24:08 |
WASN'T IN THE NEWSPAPERS, NOTHING? |
00:24:10 |
LISA'S MURDER? |
00:24:11 |
HOWARD, STAY WITH ME, |
00:24:13 |
YOU WERE STANDING |
00:24:16 |
WHEN SHE WAS SHOT, |
00:24:18 |
WE TALKED TO THE POLICE |
00:24:20 |
WE WENT DRINKING |
00:24:22 |
YOU'RE SUPPOSED TO REMIND |
00:24:25 |
HOMICIDE, PLEASE. |
00:24:28 |
KRYLES. |
00:24:29 |
WE DRANK. YOU LEFT. |
00:24:30 |
I TRIED TO PICK UP THE |
00:24:34 |
I WATCHED BATMAN AT HOME, |
00:24:37 |
THE BLONDE WAS TWO NIGHTS |
00:24:40 |
DETECTIVE KRYLES? |
00:24:41 |
YOU QUESTIONED ME LAST NIGHT |
00:24:45 |
LISA FREDERICKS. |
00:24:46 |
SHE WAS KILLED |
00:24:48 |
I SAW IT. I WAS THERE. |
00:24:51 |
HELLO? |
00:24:53 |
HE HUNG UP |
00:24:55 |
YOU CALLED HIM, |
00:24:57 |
YEAH. |
00:24:58 |
YOU SET THIS |
00:25:00 |
I'LL GO PRETTY FAR FOR A JOKE, |
00:25:09 |
LISA? |
00:25:13 |
IT'S FINE. |
00:25:14 |
PLEASE GET THE OTHER |
00:25:17 |
LISA. |
00:25:18 |
YES? |
00:25:20 |
BARRY FROM |
00:25:22 |
YOU-- |
00:25:24 |
I CAN'T GET OVER THIS. |
00:25:25 |
SORRY. YOU MUST BE MISTAKEN. |
00:25:27 |
I THOUGHT |
00:25:29 |
NO, AND I HOPE MY CONDITION |
00:25:32 |
I'M JUST SO HAPPY |
00:25:35 |
WHO IS HE? |
00:25:37 |
I REALLY DON'T KNOW. |
00:25:38 |
I DON'T KNOW YOU. |
00:25:40 |
CIGARETTE? |
00:25:41 |
NO, THANKS. SHALL WE GET THIS OVER WITH? |
00:25:46 |
MISS JACKSON, |
00:25:49 |
JUST CORRECT IT. |
00:25:50 |
ABSOLUTELY. |
00:25:51 |
GOOD DAY. |
00:25:52 |
DR. MOXLEY, |
00:25:55 |
WHAT'S GOING ON? |
00:25:56 |
TELL HIM |
00:25:58 |
YOU MADE ME LOOK |
00:26:01 |
YOU'RE OFF |
00:26:02 |
YOU'LL TAKE AND FILE RéSUMéS. THAT'S IT. |
00:26:05 |
HOWARD, YOU'LL HANDLE TECHNICAL STAFF. |
00:26:07 |
I CAN'T BELIEVE |
00:26:10 |
YOU BOUNCED THE DEPARTMENT |
00:26:13 |
I HANDLED THAT YESTERDAY. |
00:26:14 |
ONE MORE SLIP-UP LIKE |
00:26:17 |
GOT IT? |
00:26:18 |
MM-HMM. |
00:26:25 |
BOUNCED. |
00:26:51 |
HEY, COME ON, MAN. |
00:26:52 |
COME ON, |
00:26:54 |
COME ON. |
00:27:07 |
DR. MOXLEY. |
00:27:08 |
I'M BARRY THOMAS. |
00:27:11 |
OH, YOU'RE THOMAS. |
00:27:12 |
WE HAVEN'T MET. |
00:27:14 |
ANYWAY, THAT MATTER'S TAKEN CARE OF. |
00:27:16 |
I HEARD ON THE NEWS |
00:27:19 |
TIME STOPS, GOES BACK, |
00:27:21 |
THEY USED MY REMARKS OUT OF |
00:27:24 |
BUT I THINK THE TIME |
00:27:27 |
THIS DAY |
00:27:28 |
WHAT AN UNUSUAL THING |
00:27:31 |
I'VE SEEN IT-- THINGS |
00:27:33 |
IF THE BOUNCE |
00:27:36 |
EVERYTHING WOULD LOOP BACK |
00:27:39 |
YOUR MEMORY |
00:27:41 |
ALONG WITH THE REST |
00:27:43 |
THE FACT THAT YOU THINK |
00:27:46 |
MEANS IT HASN'T HAPPENED. |
00:27:47 |
DON'T WORRY ABOUT IT. |
00:27:50 |
BUT-- |
00:27:53 |
GREAT. |
00:27:58 |
RATTLED. |
00:28:00 |
THE WHOLE OFFICE, |
00:28:01 |
YOU SLOW DOWN THE |
00:28:04 |
YOU KNOW THAT. |
00:28:06 |
RIGHT. RIGHT. |
00:28:07 |
I'M SORRY |
00:28:08 |
IT MUST HAVE BEEN |
00:28:10 |
ARE YOU ASSUMING |
00:28:12 |
AND WILL HAVE |
00:28:14 |
NO. THAT'S THE LAST |
00:28:17 |
STRING BEANS |
00:28:19 |
I JUST HATE MEETING NEW, |
00:28:22 |
DON'T START A CONVERSATION |
00:28:25 |
YES, SIR. |
00:28:26 |
THANK YOU. |
00:28:28 |
SORRY. I DIDN'T |
00:28:30 |
ME? UH, BARRY. |
00:28:32 |
BARRY THOMAS. |
00:28:33 |
WOULD YOU LIKE TO HAVE |
00:28:36 |
I'M SURE YOU'RE NICE, |
00:28:39 |
I'LL MAKE IT |
00:28:41 |
HOW'S THAT? |
00:28:43 |
I'LL PAY FOR |
00:28:44 |
I WON'T SPIT FOOD |
00:28:47 |
OR MAKE SILLY NOISES |
00:28:49 |
WHAT DO YOU SAY? |
00:28:50 |
O.K. |
00:28:52 |
THANK YOU. |
00:28:54 |
Help! |
00:28:57 |
I'M STRICTLY INTO THEORY. |
00:29:00 |
THE PHYSICAL WORLD |
00:29:03 |
BUT TO USE YOUR MIND AND CREATE |
00:29:07 |
THINGS DON'T ALWAYS |
00:29:10 |
YOU SHOULDN'T PICK UP MEN |
00:29:13 |
YOU DON'T KNOW |
00:29:15 |
JOAN, BARRY. PLEASE EAT |
00:29:18 |
HE'S NOT WEARING |
00:29:20 |
YOU ARE. |
00:29:21 |
RELAX. HER SISTER |
00:29:24 |
SHE'S AVAILABLE. |
00:29:26 |
ASIDE FROM DINNER WITH ME |
00:29:28 |
ON THAT SUBTLE, |
00:29:30 |
YOU'RE NOT GOING TO MAKE THAT DINNER. |
00:29:33 |
JOAN WILL MURDER ME |
00:29:36 |
AGAIN. |
00:29:37 |
ONLY TWICE. |
00:29:38 |
NO. I MEAN YOU'RE NOT GOING TO MAKE |
00:29:41 |
THAT DINNER TONIGHT. |
00:29:43 |
WHY NOT? |
00:29:44 |
[SIGHS] |
00:29:48 |
THIS DAY IS REPEATING. |
00:29:51 |
THE TIME BOUNCE |
00:29:54 |
RIGHT AFTER WORK |
00:29:55 |
YOU GO ACROSS THE STREET TO BUY FLOWERS, |
00:29:58 |
AND YOU'RE...SHOT. |
00:30:00 |
I'VE ALREADY |
00:30:01 |
PEOPLE ARE SAYING THE SAME |
00:30:05 |
THEY'RE DOING |
00:30:07 |
THE NEWS HAS |
00:30:09 |
IT'S ALL HAPPENING AGAIN THE SAME WAY. |
00:30:12 |
PROVE IT. |
00:30:14 |
O.K. |
00:30:18 |
OH. |
00:30:25 |
AH-CHOO! |
00:30:28 |
I HAVEN'T BEEN |
00:30:30 |
I'LL MAKE IT EASIER. |
00:30:34 |
[BEEPER SOUNDS] |
00:30:35 |
YOUR BEEPER GOES OFF, AND YOU LEAVE. |
00:30:38 |
I HOPE YOU'VE HAD FUN. |
00:30:39 |
CALL ME WHEN YOU GROW UP. |
00:30:41 |
YOU HAVE TO BELIEVE ME. |
00:30:43 |
YOU GET SHOT TWO TIMES. |
00:31:07 |
UH, CAN I HELP YOU? |
00:31:09 |
UH, PERSONNEL. GOING TO SEE DR. MOXLEY. |
00:31:12 |
HE'S EXPECTING ME. |
00:31:15 |
O.K. FINE. |
00:31:37 |
[LISA] LOOKS LIKE IT'S |
00:31:42 |
[DR. MOXLEY] |
00:31:48 |
[LISA] THIS MEANS WE CAN'T |
00:31:52 |
[DENK] |
00:31:53 |
THE ACCELERATOR HAS |
00:31:55 |
UNTIL THIS IS |
00:31:57 |
IF ONE MORE SEAL |
00:31:59 |
WE WOULD HAVE IRRADIATED |
00:32:01 |
I DON'T UNDERSTAND |
00:32:03 |
IT'S A TERRIBLE |
00:32:05 |
WE TELL HIM IT'S SAFE, |
00:32:06 |
AND NOW WE CAN'T DISMANTLE |
00:32:10 |
I' GET |
00:32:13 |
I'M SORRY, THADIUS. |
00:32:14 |
IT'S NOT YOUR FAULT, |
00:32:17 |
FOR 40 YEARS |
00:32:20 |
WITH EVERY PROJECT |
00:32:22 |
WELL, YOU'RE BOUND |
00:32:25 |
MAYBE THE NEXT PROJECT |
00:32:27 |
THIS IS THE LAST PROJECT I'LL SUPERVISE. |
00:32:29 |
THE WAY THE PRESS |
00:32:32 |
I CAN'T TAKE ANY |
00:32:35 |
YOU CHECK |
00:32:37 |
NO CLEANUP |
00:32:39 |
I'LL CHECK THOSE OTHER |
00:32:42 |
I'LL EXAMINE THEM. I'LL |
00:32:44 |
SHE'LL DO IT. |
00:32:45 |
THADIUS, |
00:32:47 |
ONE MORE SEAL BREAKS, |
00:32:48 |
WE'LL BE READING AT NIGHT |
00:32:51 |
THIS IS MY DEPARTMENT. |
00:32:53 |
I WANT HER |
00:32:55 |
I'VE BEEN WITH THIS PROJECT |
00:32:58 |
YOU'VE CAUSED |
00:33:00 |
HOW DID YOU |
00:33:02 |
I WANT SECURITY |
00:33:08 |
TAKE THOSE FILES |
00:33:10 |
I NEED TO SPEAK |
00:33:14 |
GET ME SOME COFFEE, |
00:33:16 |
SURPRISE. |
00:33:18 |
EMPLOYEE OF THE MONTH. |
00:33:21 |
YOU TRESPASS INTO THE |
00:33:24 |
YOU ACCOST THREE |
00:33:27 |
AND I'M SUPPOSED |
00:33:29 |
I LIKE YOU, BARRY. |
00:33:32 |
YOU'RE FIRED. |
00:33:33 |
GIVE ME YOUR I.D. AND |
00:33:37 |
BY THE END OF TODAY. |
00:33:39 |
YOU KNOW WHAT'S FUNNY? |
00:33:40 |
IF TODAY |
00:33:42 |
I WOULD HAVE QUIT |
00:33:47 |
HEY, SORRY, MAN. |
00:33:49 |
YEAH, WELL, |
00:33:51 |
WHAT'S UP? |
00:33:53 |
WILL YOU BELIEVE ME |
00:33:56 |
THAT SOUNDS IMPOSSIBLE? |
00:33:58 |
WELL, YEAH. |
00:33:59 |
LISA FREDERICKS WILL |
00:34:02 |
THIS WHOLE DAY |
00:34:04 |
WE'RE IN A TIME BOUNCE. |
00:34:06 |
DID YOU TELL ANYONE? |
00:34:07 |
YES. |
00:34:08 |
THAT'S WHY |
00:34:10 |
YOU'RE STRESSED OUT. YOU |
00:34:14 |
THERE HAVE LAWS AGAINST |
00:34:17 |
HOWARD...UP YOURS. |
00:34:24 |
SORRY, MAN. |
00:34:31 |
DR. FREDERICKS, PLEASE. |
00:34:33 |
WILL YOU HAVE HER CALL |
00:34:36 |
IT'S URGENT. |
00:34:45 |
LISA! |
00:34:46 |
LISA! |
00:34:48 |
YOUR I.D., SIR. |
00:34:50 |
I... |
00:34:54 |
SIR, I CAN'T LET YOU |
00:35:05 |
HI, REYNALDO. |
00:35:06 |
AH, SEÑORITA. |
00:35:07 |
¿COMO ESTA? |
00:35:08 |
GOOD. |
00:35:13 |
HOLD IT. WHAT'S UP? |
00:35:18 |
TALK TO ME. |
00:35:20 |
LISA! |
00:35:23 |
GET DOWN! |
00:35:31 |
OH, THIS CAN'T BE HAPPENING. |
00:35:33 |
THIS CAN'T BE HAPPENING. |
00:35:40 |
UH...I GUESS I... |
00:35:42 |
I CAME OUT BEFORE BARRY |
00:35:45 |
EXCUSE ME, SIR. |
00:35:47 |
DO YOU |
00:35:49 |
YOU'LL HAVE TO COME ALONG |
00:35:52 |
HE ALREADY |
00:35:54 |
HE DIDN'T DO ANYTHING. |
00:35:56 |
HE CALLED ME |
00:35:58 |
TO TELL ME |
00:36:00 |
DO YOU WANT TO GO |
00:36:48 |
[THUNDER] |
00:36:58 |
THIS DAY'S |
00:37:00 |
NO KIDDING. THEY'RE ALL |
00:37:03 |
OH, MY GOD. |
00:37:07 |
I WANT ANOTHER CHANCE! |
00:37:08 |
NO MORE CHANCES, MAN. |
00:37:29 |
THE TIME IS 7:35. |
00:37:35 |
O.K. |
00:37:37 |
TODAY I SAVE HER. |
00:37:41 |
WELL, LOOK WHO DECIDED |
00:37:44 |
YOU'RE RIGHT. IF I WANTED |
00:37:48 |
I'LL FINISH THE PERSONNEL REPORTS, |
00:37:51 |
AND CLEAN OFF MY DESK |
00:37:53 |
YOU DON'T WANT TO FIGHT |
00:37:56 |
SO WHY KICK ME OUT |
00:38:00 |
MM-HMM. |
00:38:03 |
HOWARD. |
00:38:04 |
WHAT? |
00:38:05 |
GET RID OF |
00:38:15 |
THAT'S GOOD WORK, |
00:38:16 |
YOU ALMOST PREVENTED HER |
00:38:19 |
YOU DON'T REMEMBER A THING |
00:38:23 |
WE HAD SOME DRINKS. |
00:38:24 |
I PICKED UP THE BLONDE |
00:38:27 |
SHE BLEW YOU OFF. YOU WENT |
00:38:31 |
YOU WON'T BELIEVE ME, |
00:38:33 |
I NEED TO TALK |
00:38:36 |
HE'LL BE HERE |
00:38:38 |
FIRST I HAVE |
00:38:40 |
WHEN MOXLEY GETS HERE, |
00:38:43 |
DR. MOXLEY'S COMING HERE. |
00:38:46 |
TRUST ME. |
00:38:48 |
I KNOW. |
00:38:49 |
[ZAP] |
00:38:55 |
JACK! |
00:38:56 |
LISA! |
00:38:58 |
THE TIME BOUNCE... |
00:38:59 |
YES? |
00:39:00 |
IS A FASCINATING THEORY, |
00:39:03 |
WHO ARE YOU? |
00:39:04 |
I'M BARRY...THOMAS. |
00:39:05 |
YOU SEEM TO KNOW BOTH |
00:39:08 |
I DON'T MEAN |
00:39:11 |
BUT I'M HAVING LUNCH |
00:39:14 |
I HATE MEETING NEW, |
00:39:17 |
I'D RATHER EAT ALONE, |
00:39:18 |
BUT IF WE HAVE TO, |
00:39:20 |
ISN'T IT BETTER TO DISCUSS |
00:39:23 |
AND HOW DISAPPOINTING |
00:39:26 |
THAT'S QUITE A QUALIFIED PICKUP LINE. |
00:39:28 |
I'VE BEEN WORKING ON IT |
00:39:31 |
ENJOY YOUR |
00:39:32 |
12:30. DON'T FORGET. |
00:39:34 |
WHO'S THAT? |
00:39:35 |
I HAVE NO IDEA. |
00:39:36 |
CIGARETTE? |
00:39:37 |
SHE DOESN'T SMOKE. |
00:39:39 |
YOU'VE WORKED HERE, WHAT, |
00:39:44 |
HOW'D YOU KNOW |
00:39:46 |
MOXLEY WAS |
00:39:47 |
YOU MADE ME |
00:39:50 |
YOU'RE OFF |
00:39:51 |
I KNOW ALL ABOUT IT. |
00:39:56 |
DR. MOXLEY? |
00:40:13 |
JOAN, I NEED THE ISOTOPE |
00:40:35 |
JOHN. |
00:40:36 |
OH, YES. |
00:40:38 |
HI. |
00:40:44 |
IF WE'RE RIGHT, |
00:40:46 |
THAT'S PRETTY |
00:40:48 |
IT'S BEEN THREE YEARS |
00:40:51 |
ARE WE SUPPOSED |
00:40:54 |
SOME PEOPLE WOULD. |
00:40:55 |
THEY TOLD US TO PULL THE |
00:40:59 |
DON'T MAKE THIS |
00:41:01 |
O.K. |
00:41:02 |
O.K. |
00:41:03 |
I SAW SOME COOLANT |
00:41:06 |
THEY LOOK LIKE YOURS. |
00:41:07 |
I THOUGHT I BROUGHT THEM ALL BACK. |
00:41:10 |
I'M SORRY I SNAPPED. |
00:41:12 |
FORGET IT. |
00:41:13 |
MARILYN, DO YOU HAVE |
00:41:15 |
THIS AFTERNOON |
00:41:17 |
YEAH, FINE. |
00:41:29 |
[SCRAPING] |
00:42:33 |
SHUT UP. |
00:42:42 |
I BELIEVE YOU WANTED |
00:42:45 |
THEY'RE QUITE |
00:42:46 |
YOU ARE A VERY |
00:42:50 |
WHAT DO YOU DO AGAIN? |
00:42:52 |
I USED TO WORK |
00:42:54 |
NOW I'M SORT OF TRYING |
00:42:58 |
YOU'RE CHANGING JOBS? |
00:42:59 |
NO. THE JOB IS THE SAME |
00:43:02 |
I WANT TO SHOW YOU |
00:43:05 |
LOOK AT |
00:43:07 |
THOSE TWO PEOPLE ARE ABOUT |
00:43:10 |
AND THAT WOMAN THERE |
00:43:13 |
OFF THE SALAD BAR. |
00:43:16 |
SEE THAT GUY... |
00:43:20 |
HE'S GOING |
00:43:21 |
AH-CHOO! |
00:43:25 |
O.K., YOU'RE PSYCHIC. |
00:43:26 |
NO. NO, I'M JUST LEARNING |
00:43:30 |
IT SEEMS TO BE |
00:43:33 |
DO YOU BELIEVE |
00:43:38 |
NO. UM, NO, I DON'T. |
00:43:42 |
WHAT IF-- |
00:43:43 |
WHAT IF THE TIME BOUNCE |
00:43:46 |
AND YOU HAD A SECOND |
00:43:49 |
SOMEONE YOU WATCHED |
00:43:52 |
AND THEN GOT CLOSER TO? |
00:43:54 |
SOMEONE YOU TALKED TO ONCE |
00:43:59 |
LIKE WHAT THEIR |
00:44:04 |
LIKE RED ROSES. |
00:44:09 |
WELL, YOU COULD HAVE |
00:44:12 |
YOUR RING? |
00:44:13 |
YOUR SISTER GAVE YOU |
00:44:16 |
JOAN SAT THERE |
00:44:19 |
SHE'S SUPPOSED TO |
00:44:21 |
BUT SOMETHING HAPPENED. |
00:44:23 |
SHE'S NOT HERE. |
00:44:24 |
I TOLD HER |
00:44:28 |
THIS IS VERY WEIRD. |
00:44:29 |
LOOK, |
00:44:31 |
LET'S TALK THEORY. |
00:44:32 |
THE TIME BOUNCE |
00:44:34 |
OH, EXCUSE ME, |
00:44:37 |
I'VE JUST HAD A COMPLAINT |
00:44:39 |
THAT MR. THOMAS WAS SEEN |
00:44:42 |
WHAT? |
00:44:43 |
I WAS PASSING BY AND |
00:44:47 |
HE TOOK SOMETHING |
00:44:49 |
IF I'D KNOWN ABOUT THIS, I'D |
00:44:52 |
I MADE A TIME MAP-- |
00:44:53 |
WHAT WERE YOU DOING |
00:44:56 |
YOU GO ACROSS THE STREET |
00:44:59 |
YOU'RE KILLED. YOU'RE SHOT. |
00:45:02 |
YOU'RE FIRED. ONE HOUR |
00:45:06 |
YOU'RE FIRED. GET OUT. |
00:45:07 |
GOODBYE. |
00:45:16 |
YOUR BEEPER'S |
00:45:22 |
OHH... |
00:45:23 |
DR. FREDERICKS, |
00:45:26 |
OH. |
00:45:27 |
WELL... |
00:45:33 |
ACTUALLY, I DIDN'T |
00:45:35 |
HE WAS HERE |
00:45:39 |
[BEEP BEEP BEEP] |
00:45:51 |
HEY, SORRY. |
00:45:52 |
THANKS, JACK. |
00:45:54 |
WHAT HAPPENED? |
00:45:56 |
I NEED A YELLOW |
00:45:59 |
WHY? LISTEN, MAN, I WANT |
00:46:02 |
JACKSON WILL |
00:46:03 |
SHE DOESN'T COME BACK |
00:46:05 |
THAT'S WHEN SHE |
00:46:07 |
WE GOT FOUR MINUTES. |
00:46:09 |
THE AIR-CONDITIONING REPAIR GUY |
00:46:12 |
THAT'S 24 MINUTES |
00:46:14 |
WHIP ME UP |
00:46:16 |
I COULD FAKE MY WAY |
00:46:18 |
NO, I DON'T KNOW. |
00:46:20 |
PEOPLE CAN DIE |
00:46:22 |
IT'S HAPPENING TO ME. |
00:46:30 |
WHAT ARE YOU DOING, |
00:46:32 |
I'LL HAVE TO BE CROSSING |
00:46:35 |
YES, MISS JACKSON. |
00:46:36 |
WE'RE DONE. |
00:46:38 |
AND CALL MR. STEVENS. I |
00:46:41 |
GET ME SOME COFFEE, |
00:46:48 |
[CRASH] |
00:46:49 |
OOH! OOH! |
00:46:51 |
OOH! |
00:46:52 |
OH, MISS JACKSON, |
00:46:54 |
ANNETTE, WHAT DID YOU DO TO MY CHAIR? |
00:46:57 |
PROMISE ME |
00:46:59 |
A LARGE FURRY PUNGENT BEAR-CHILD |
00:47:02 |
JUST PROMISE ME. |
00:47:06 |
HEY, HOW YA DOIN'? |
00:47:07 |
I HAVE TO REPAIR AN |
00:47:10 |
FOR DR. SPECTER. |
00:47:12 |
WHERE'S YOUR UNIFORM? |
00:47:13 |
THEY TOLD ME |
00:47:16 |
THEY DIDN'T SAY |
00:47:18 |
I'LL GET |
00:47:19 |
GO AHEAD. |
00:47:37 |
AHEM. |
00:47:38 |
I HAVE AN AIR-CONDITIONING |
00:47:42 |
THIS SAYS |
00:47:45 |
OH! MOXLEY, SPECTER. |
00:47:47 |
WHAT'S THE DIFFERENCE? |
00:47:49 |
ALL THESE OFFICES |
00:47:51 |
IT COULD BE 100 DEGREES |
00:47:54 |
JUST SIGN THIS. |
00:47:56 |
I DON'T UNDERSTAND |
00:47:58 |
THIS IS A TERRIBLE |
00:48:01 |
WE TELL THEM IT'S SAFE. |
00:48:03 |
NOW WE CAN'T DISMANTLE |
00:48:27 |
LET'S GO, DENK. |
00:48:35 |
THIS IS ROBERT DENK. |
00:48:37 |
WE BROKE AN ISOTOPE |
00:48:39 |
I NEED A CLEANUP CREW |
00:48:42 |
ALL RIGHT. |
00:48:44 |
CLEAR A CLEANUP CREW |
00:49:00 |
AHH. COME ON, LISA. |
00:49:02 |
GET YOUR BUTT |
00:49:07 |
WHAT'S UP? |
00:49:08 |
COME INTO |
00:49:10 |
STAY OFF OF HARDWARE. |
00:49:13 |
I'LL TAKE RESPONSIBILITY. |
00:49:14 |
YOU WILL NOT |
00:49:16 |
THADIUS ASKED ME |
00:49:18 |
WE HAVE EQUAL STATUS. |
00:49:19 |
DAMN IT! |
00:49:20 |
DOCTOR... |
00:49:23 |
LET ME DO WHAT I DO WELL. |
00:49:27 |
YOU'RE NOT DOING |
00:49:29 |
DO NOT JEOPARDIZE |
00:49:32 |
IS THAT CLEAR? |
00:49:34 |
DON'T INTERFERE |
00:49:36 |
I'M WARNING YOU. |
00:49:37 |
DON'T YOU THREATEN ME. |
00:49:39 |
GET OUT OF MY OFFICE! |
00:49:41 |
NOW! |
00:49:42 |
FINE. |
00:49:46 |
[DOOR CLOSES] |
00:49:51 |
WHAT ARE YOU |
00:49:53 |
UH, |
00:49:55 |
GOOD THING I WAS HERE. |
00:49:57 |
YOUR OFFICE WOULD'VE BEEN |
00:50:00 |
I'VE GOT AN AIR-CONDITIONING |
00:50:04 |
YEAH. RIGHT. |
00:50:06 |
THAT'S IMPOSSIBLE. |
00:50:07 |
THEY JUST CALLED ME |
00:50:10 |
I JUST GOT HERE. |
00:50:13 |
WE MIGHT HAVE |
00:50:17 |
TWO MINUTES |
00:50:19 |
WHAT ARE YOU |
00:50:21 |
SECURITY. |
00:50:22 |
THE ACCELERATOR'S |
00:50:25 |
IMPOSSIBLE. |
00:50:27 |
BECAUSE |
00:50:28 |
THAT'S |
00:50:30 |
SOMEONE IS DELAYING YOU |
00:50:33 |
THEY SABOTAGED IT SO |
00:50:35 |
SO THEY CAN FIRE IT |
00:50:37 |
PLEASE CHECK |
00:50:39 |
IF I AM WRONG, |
00:50:40 |
I WILL BE HAPPY TO THROW |
00:50:47 |
PLEASE. |
00:50:51 |
O.K. |
00:50:52 |
PLEASE. |
00:51:02 |
I SHOULD HAVE |
00:51:04 |
YOU SEE THAT? |
00:51:05 |
THEY'RE TRYING TO KEEP |
00:51:15 |
THERE'S A FILE I |
00:51:18 |
MATHEMATICAL THEORY THAT'S |
00:51:29 |
OH, MY GOD. |
00:51:35 |
I'VE BEEN TRYING TO TELL |
00:51:39 |
ATTENTION, WE HAVE |
00:51:41 |
FOR ALL SCIENCE DIVISIONS. |
00:51:43 |
PLEASE DETAIN A WORKER WITH |
00:51:46 |
GUESS WHO. |
00:51:48 |
I CAN EXPLAIN IT |
00:51:50 |
WHAT ARE YOU GOING TO |
00:51:53 |
IT WON'T WORK. |
00:51:55 |
MEET ME AT THE FRONT ENTRANCE AT 6:00. |
00:51:57 |
DON'T TALK |
00:52:01 |
WE'VE GOT HIM. |
00:52:03 |
HEADING INTO |
00:52:17 |
HEY, YOU'RE |
00:52:20 |
HEY, STOP! |
00:52:24 |
HOLD IT, MISTER! |
00:52:26 |
HOLD IT |
00:52:27 |
HOLD IT! HOLD IT! |
00:52:30 |
BUDDY! HE'S IN |
00:52:33 |
CALL THE MAIN GATE. |
00:52:34 |
[RING] |
00:52:36 |
YES? |
00:52:37 |
IT'S ME. |
00:52:38 |
WE MAY HAVE |
00:52:40 |
FREDERICKS IS |
00:52:42 |
I DON'T KNOW! |
00:52:44 |
I MAY NEED SOME HELP |
00:52:47 |
GOOD. |
00:52:48 |
WHEN YOU FIND HIM, |
00:52:51 |
ALL RIGHT. |
00:53:07 |
O.K. UM... |
00:53:11 |
STAY THERE. |
00:53:12 |
STAY THERE, LISA. |
00:53:21 |
NO. |
00:53:28 |
THANK YOU. |
00:53:29 |
OH... |
00:53:30 |
[TIRES SQUEAL] |
00:53:31 |
NO! |
00:53:41 |
OH, MY GOD! |
00:53:42 |
[CROWD SHOUTING] |
00:53:44 |
I TOLD YOU |
00:53:47 |
LET'S GO! |
00:53:48 |
CALL THE POLICE! |
00:53:51 |
DON'T MOVE! |
00:53:59 |
YOU ALL RIGHT? |
00:54:00 |
I DON'T KNOW. |
00:54:02 |
WHAT DID YOU DO |
00:54:04 |
WHAT? |
00:54:05 |
WHAT DID YOU DO? |
00:54:07 |
I COPIED THE EVIDENCE |
00:54:09 |
ONTO A DISK? |
00:54:11 |
YEAH. |
00:54:12 |
HAVE YOU GOT IT? |
00:54:13 |
NO. I LEFT |
00:54:18 |
OH, GOD. |
00:54:25 |
OH, GOD. |
00:54:46 |
WATCH OUT! |
00:55:09 |
[AIR HORN HONKS] |
00:55:11 |
AAH! |
00:55:14 |
[GUNSHOT] |
00:55:22 |
HOLD ON! |
00:55:30 |
MOVE IT! |
00:55:32 |
GET IT OUT OF THERE! |
00:55:59 |
WE'D BETTER CALL |
00:56:00 |
WE'D BETTER CALL |
00:56:02 |
OR SOMEBODY. |
00:56:03 |
THERE'S NO PHONE |
00:56:05 |
I'M SORRY? |
00:56:06 |
MY MOM'S IDEA. THE OLD MAN |
00:56:09 |
WHAT? |
00:56:11 |
THERE'S NO PHONE, |
00:56:13 |
WHAT ARE WE SUPPOSED TO |
00:56:16 |
WE HAVE TIME. |
00:56:22 |
AW, IT'S... |
00:56:31 |
YOU KNOW, THE LAST TIME |
00:56:35 |
I WAS 9 YEARS OLD. |
00:56:37 |
I WAS BURYING |
00:56:40 |
AND I MADE A GRAVESTONE |
00:56:43 |
AND I WROTE ON IT-- |
00:56:46 |
"FLY TO HEAVEN." |
00:56:47 |
HMM. |
00:56:49 |
I HAVEN'T TOLD |
00:56:51 |
20 YEARS. |
00:56:59 |
WHY DO YOU REMEMBER? |
00:57:01 |
WHAT MAKES YOU DIFFERENT |
00:57:04 |
I DON'T KNOW. |
00:57:06 |
MY MEMORY'S NOT |
00:57:10 |
I DON'T KNOW. |
00:57:12 |
SOMETHING HAPPENED TO YOU, |
00:57:15 |
WHAT... |
00:57:17 |
WHAT DID YOU DO |
00:57:19 |
WELL, AFTER YOU GOT SHOT... I GOT DRUNK. |
00:57:24 |
CAME HOME. |
00:57:25 |
I KNOCKED A BUNCH |
00:57:27 |
I COLLAPSED IN BED. |
00:57:29 |
I WOKE UP. |
00:57:32 |
YOU'RE MISSING SOMETHING. |
00:57:33 |
YOU DROVE THROUGH |
00:57:35 |
YOU WERE NEAR METAL OR A |
00:57:39 |
I COLLAPSED IN BED, |
00:57:42 |
AND I GOT A SHOCK. |
00:57:44 |
MY LAMP WAS BROKEN. |
00:57:47 |
I TRIED TO FIX IT, BUT I |
00:57:51 |
AND THEN? |
00:57:53 |
THEN... |
00:57:59 |
THERE'S A THEORY-- |
00:58:00 |
SCOTT'S THEORY |
00:58:02 |
THAT SAYS CONSCIOUSNESS EXISTS |
00:58:05 |
YOU COULD'VE GOTTEN |
00:58:07 |
WHEN THE FIRST |
00:58:09 |
IT PUSHED YOU OUT OF |
00:58:11 |
SO YOU CAN REMEMBER. |
00:58:13 |
I BET THAT'S IT! |
00:58:14 |
LUCKY ME. |
00:58:25 |
BARRY, |
00:58:27 |
NO, NO. IT'S... |
00:58:32 |
I MEAN, |
00:58:34 |
SELF-INTEREST. |
00:58:39 |
I... |
00:58:42 |
I'VE BEEN WATCHING YOU |
00:58:43 |
OUT OF MY OFFICE |
00:58:46 |
THE OTHER DAY, |
00:58:49 |
TO ACTUALLY SPEAK |
00:58:51 |
I MADE A FOOL |
00:58:53 |
BUT I THOUGHT, HEY, |
00:58:57 |
TO SPEAK TO YOU SOMEDAY. |
00:58:58 |
BUT THEN YOU...WELL... |
00:59:00 |
WE SPOKE? |
00:59:01 |
YEAH. |
00:59:03 |
YEAH, WE DID. |
00:59:04 |
HOW WAS I? |
00:59:05 |
GREAT. |
00:59:08 |
YOU THREW ME OUT |
00:59:11 |
I'M SORRY. |
00:59:12 |
I GUESS I WAS HAVING A BAD DAY. |
00:59:14 |
THAT NEXT MORNING |
00:59:17 |
ALIVE... |
00:59:19 |
I REALIZED |
00:59:22 |
A CHANCE TO SAVE YOU. |
00:59:32 |
I'M SORRY. |
00:59:33 |
HEY, HEY. |
00:59:34 |
I'M NOT GOING TO |
01:00:04 |
HI. |
01:00:06 |
HI. |
01:00:07 |
YOU KNOW, I'M USUALLY |
01:00:11 |
I'M SUPPOSED TO |
01:00:16 |
WHAT TIME IS IT? |
01:00:23 |
OH, MY GOD. |
01:00:27 |
WE'VE GOT TO |
01:00:29 |
THERE'S NO TIME. |
01:00:30 |
QUICK. TELL ME WHAT |
01:00:33 |
WHAT? |
01:00:34 |
WHAT'S YOUR |
01:00:35 |
GREEN. |
01:00:36 |
FAVORITE FOOD. |
01:00:37 |
SMOKED OYSTERS. |
01:00:38 |
FAVORITE NUMBER. |
01:00:39 |
37.1. |
01:00:40 |
FAVORITE MUSIC. |
01:00:41 |
THAT'S HARD. |
01:00:42 |
TELL ME. |
01:00:44 |
THE CARPENTERS. |
01:00:45 |
THE CARPENTERS. |
01:00:48 |
[THUNDER] |
01:00:49 |
LISA...I LOVE YOU. |
01:01:19 |
[BEEP BEEP] |
01:01:21 |
THE TIME IS 7:35. |
01:01:24 |
PLEASE WAKE UP. |
01:01:25 |
[CLICK] |
01:01:29 |
9:17--LISA'S IN CORRIDOR |
01:01:31 |
LIGHTS CIGARETTE. |
01:01:32 |
[TELEPHONE RINGS] |
01:01:33 |
9:25--DENK GOES |
01:01:36 |
12:30--LUNCH WITH LISA. |
01:01:37 |
MOM, I'LL CALL YOU BACK. |
01:01:39 |
THE DAY'S REPEATING. |
01:01:41 |
1:00--LISA'S |
01:01:43 |
1:40-- |
01:01:48 |
YOU'RE PATHETIC. THAT'S |
01:01:52 |
WHAT'S WRONG WITH YOU? |
01:02:01 |
[TIRES SCREECH] |
01:02:17 |
WELL, LOOK WHO |
01:02:19 |
DON'T GET YOUR |
01:02:21 |
IF YOU LEFT US ALONE, |
01:02:25 |
BUT YOU'RE SO INVASIVE |
01:02:28 |
STOP ASSUMING |
01:02:30 |
AND DON'T JUDGE PEOPLE |
01:02:33 |
WELL... |
01:02:35 |
THIS IS WHAT I GET FOR COVERING |
01:02:39 |
THANK YOU. |
01:02:40 |
IT MIGHT BE TIME TO LOOK |
01:02:43 |
YOU DO THAT. |
01:02:45 |
WELL, NICE KNOWING YOU, |
01:02:51 |
EXCUSE ME. BARRY. |
01:02:53 |
LISA. |
01:02:54 |
I'M A LITTLE CONFUSED. |
01:02:56 |
HOW DO YOU KNOW ME? |
01:02:58 |
I KNOW YOU LIKE IT |
01:03:01 |
SO HERE WE GO. |
01:03:02 |
IT'LL SOUND IMPOSSIBLE, BUT |
01:03:05 |
THE TIME BOUNCE |
01:03:08 |
WE'VE MET BEFORE-- |
01:03:10 |
YOUR FAVORITE FOOD |
01:03:12 |
YOUR FAVORITE NUMBER |
01:03:14 |
YOUR FAVORITE MUSIC |
01:03:15 |
EVEN THOUGH YOU |
01:03:17 |
DENK HAS BEEN ILLEGALLY |
01:03:20 |
YOU'LL TRANSFER THAT |
01:03:23 |
HERE'S WHERE IT GETS |
01:03:25 |
I'VE SEEN YOU SHOT, |
01:03:28 |
BUT YESTERDAY |
01:03:30 |
BUT THE TIME BOUNCE HAPPENS, AND |
01:03:34 |
I'M THE ONLY ONE WHO |
01:03:37 |
I MADE YOU A TIME MAP. |
01:03:39 |
SIT BACK AND WATCH |
01:03:42 |
IT'S 9:15 NOW. |
01:03:44 |
LISA? |
01:03:46 |
THADIUS. |
01:03:47 |
BARRY THOMAS? |
01:03:48 |
YES. I'VE GOTTEN |
01:03:50 |
YOU, TOO, LISA. ARE WE |
01:03:52 |
ACTUALLY, I-- |
01:03:54 |
YOU'RE TWO ASSISTANTS |
01:03:57 |
THEY'LL HAVE THEIR PASSES |
01:03:59 |
DR. FREDERICKS EXPLAINED |
01:04:02 |
I APPRECIATE THAT, |
01:04:04 |
DR. MOXLEY, YOU |
01:04:06 |
ANN, DR. MOXLEY'S |
01:04:09 |
HE DOESN'T HAVE THE TIME |
01:04:13 |
IT'S SAD. |
01:04:14 |
IF YOU EVER HAVE A PROBLEM, |
01:04:17 |
NOT TO MY |
01:04:19 |
EVERYTHING SEEMS TO BE |
01:04:21 |
THANK YOU, LISA. |
01:04:22 |
I'LL SEE YOU AT THE 9:30. |
01:04:25 |
GOOD DAY. |
01:04:26 |
GOOD DAY. |
01:04:28 |
HOWARD! |
01:04:30 |
LOOK. OVER THERE. |
01:04:31 |
SEE THAT? HE'S ABOUT |
01:04:34 |
HE'S MET YOU IN THE HALLWAY |
01:04:37 |
TODAY HE CAN'T BECAUSE |
01:04:40 |
KEEP DENK FROM FINDING OUT |
01:04:43 |
TODAY I'LL TAKE |
01:04:45 |
I...CAN'T JUST |
01:04:46 |
THE EPITAPH |
01:04:49 |
YOU MADE WHEN YOU |
01:04:51 |
WAS ON A PAPER PLATE, |
01:04:53 |
AND IT SAID, |
01:04:55 |
"FLY TO HEAVEN." |
01:05:00 |
[BEEP BEEP] |
01:05:03 |
[BEEP BEEP] |
01:05:06 |
[BEEP BEEP] |
01:05:45 |
OH, MY GOD. |
01:05:48 |
[TELEPHONE RINGS] |
01:05:49 |
PERSONNEL. |
01:05:51 |
OH, YES, SIR. |
01:05:55 |
WHY, YES, THEY ARE. |
01:05:58 |
EXCUSE ME? |
01:06:02 |
O.K. |
01:06:03 |
I DON'T THINK SO. |
01:06:04 |
YOU TRUST ME. |
01:06:06 |
YOU MAY NOT |
01:06:08 |
BUT YOU TRUST ME. |
01:06:10 |
NOW, LET'S MEET OUT BY THE |
01:06:15 |
O.K. |
01:06:20 |
BIG DADDY, |
01:06:22 |
HOW DID YOU DO THAT? |
01:06:25 |
BARRY, I WANT YOU |
01:06:27 |
RELAX, ANN. I'M QUITTING. |
01:06:29 |
SOMETHING I SHOULD'VE |
01:06:31 |
NO, NO, NO, BARRY. |
01:06:33 |
DR. MOXLEY JUST CALLED. |
01:06:34 |
YOU'RE UNDER ARREST. |
01:06:36 |
WELL, WHAT FOR? |
01:06:37 |
FOR STEALING CLASSIFIED |
01:06:42 |
COME THIS WAY, |
01:06:43 |
HEY. HOWARD-- |
01:06:49 |
MARITAL STATUS. |
01:06:50 |
SINGLE. |
01:06:52 |
AND OCCUPATION. |
01:06:53 |
I DON'T KNOW. |
01:06:55 |
JUST PUT DOWN |
01:06:57 |
AT LEAST IT'S NOT |
01:07:01 |
SOCIAL SECURITY NUMBER. |
01:07:02 |
REALLY, YOU SHOULD |
01:07:05 |
WE MAY BE DOING THIS |
01:07:10 |
WELL, I COULD ALWAYS |
01:07:16 |
HELLO. HOW ARE YOU? |
01:07:19 |
THOMAS. YOU MADE BAIL. |
01:07:21 |
YOU GUYS GOT |
01:07:23 |
IT'S A BUM BEEF. |
01:07:25 |
HEY. THERE ARE |
01:07:31 |
YES, SIR. |
01:07:33 |
HOW DID YOU GET THE BAIL? |
01:07:35 |
DON'T EVEN ASK |
01:07:37 |
I DON'T EVEN KNOW HER. |
01:07:45 |
YOU'RE NOT KILLED TODAY! |
01:07:48 |
BARRY, UM... |
01:07:50 |
LOOK, WE... |
01:07:51 |
YOU REALLY LIKE ME A LOT. |
01:07:53 |
YOU JUST CAN'T |
01:07:55 |
I'D LOVE TO STICK AROUND, |
01:07:56 |
BUT THAT WOULD BE |
01:07:58 |
BARRY, CALL ME WHEN |
01:08:01 |
CLOSE THE DOOR. |
01:08:19 |
I DON'T MEAN TO BE REALISTIC |
01:08:23 |
BUT SHOULDN'T WE CALL |
01:08:24 |
TO TAKE CARE OF THIS? |
01:08:26 |
HOWARD...LOOK, WE GOT TO |
01:08:29 |
HE'S GOING TO FIRE |
01:08:32 |
THE POLICE KEPT |
01:08:34 |
THEN THE POLICE WILL |
01:08:36 |
IT'S OUT OF |
01:08:38 |
AND WE DON'T HAVE |
01:08:39 |
IS THERE ANY WAY TO GET BACK |
01:08:42 |
YEAH, I THINK SO. |
01:08:43 |
YEAH. |
01:08:45 |
THE ACCELERATOR NEEDS |
01:08:48 |
BEFORE IT CAN FIRE. |
01:08:50 |
THAT MEANS HE'D START IT, |
01:08:54 |
IF WE HAVE SECURITY TAPE THE LAB |
01:08:58 |
WE COULD GET THE PROOF |
01:09:01 |
PAY THE LADY. |
01:09:02 |
I DON'T HAVE |
01:09:04 |
WE HAD A LOT MORE FUN |
01:09:07 |
WE DID? |
01:09:08 |
WE TOOK A WALK |
01:09:10 |
WE SAT BY A FIRE. |
01:09:12 |
WE SAT BY A FIRE? |
01:09:14 |
YEAH. |
01:09:15 |
ARE YOU SAYING |
01:09:17 |
I MEAN, |
01:09:24 |
OH, MY GOD, |
01:09:26 |
YOU GOT LUCKY, TOO. |
01:09:28 |
IT WASN'T JUST ME. |
01:09:30 |
THIS IS SO STRANGE. |
01:09:31 |
I KNOW, BUT IT WAS |
01:09:34 |
THE EARTH MOVED. |
01:09:35 |
OHH! |
01:09:36 |
WANT TO STEP |
01:09:39 |
LET'S GO. YOU, TOO. |
01:09:41 |
MOVE. |
01:09:44 |
OVER THERE. |
01:09:45 |
THESE ARE THE GUYS THAT |
01:09:53 |
WHERE ARE |
01:09:55 |
WHO ARE YOU? |
01:09:57 |
WHY DON'T YOU |
01:10:02 |
LISTEN |
01:10:03 |
DID YOU MAKE |
01:10:05 |
I'M NOT REALLY |
01:10:07 |
SHUT UP. |
01:10:08 |
THERE'S NO REASON |
01:10:10 |
SHUT UP! |
01:10:12 |
THERE ARE |
01:10:15 |
BARRY, TELL THEM I DON'T |
01:10:19 |
ANY INFORMATION I HAVE |
01:10:21 |
I DON'T KNOW ANYTHING. |
01:10:27 |
OH, MY GOD! |
01:10:49 |
HURRY UP! |
01:11:09 |
[POUNDING ON DOOR] |
01:11:14 |
HELP! |
01:11:27 |
CHECK DOWN THERE. |
01:11:34 |
I'm sorry about |
01:11:37 |
I know |
01:11:39 |
That's funny. |
01:11:40 |
He said the same thing to me |
01:11:43 |
NOTHING. |
01:12:15 |
WHAT? |
01:12:16 |
I DIDN'T LEAVE |
01:12:28 |
LISA... |
01:12:31 |
THADIUS IS |
01:12:34 |
WHAT? |
01:12:35 |
SORRY I WASN'T ABLE |
01:12:38 |
BUT SIX MONTHS AGO, |
01:12:39 |
THE JUSTICE DEPARTMENT ASKED ME |
01:12:43 |
WHY ARE YOU |
01:12:46 |
THEY SUSPECTED HE'D |
01:12:48 |
TRYING TO GET THE ACCELERATOR |
01:12:50 |
WHAT? |
01:12:52 |
HE BROKE THOSE SEALS |
01:12:55 |
MOXLEY BROKE |
01:12:57 |
THAT'S RIGHT. |
01:12:58 |
WE DON'T KNOW WHAT ELSE HE MIGHT DO. |
01:13:01 |
WE BETTER |
01:13:02 |
I DON'T THINK SO. |
01:13:04 |
I'M GOING TO NEED YOU |
01:13:09 |
SHALL WE? |
01:13:11 |
O.K. |
01:13:19 |
[DOOR OPENS] |
01:13:21 |
THADIUS, |
01:13:23 |
I'M SORRY, THADIUS. |
01:13:25 |
THANK GOD, LISA, |
01:13:26 |
THADIUS. |
01:13:28 |
ROBERT, YOU'RE NOT GOING TO |
01:13:31 |
WHAT ARE YOU |
01:13:32 |
YOUR NAME IS |
01:13:34 |
AUTHORIZING THE FIRING |
01:13:36 |
THAT'S IMPOSSIBLE. |
01:13:39 |
DR. MOXLEY, |
01:13:42 |
I'D HOPED TO FIND |
01:13:44 |
WITH THE PROOF |
01:13:46 |
HE CRASHED |
01:13:48 |
BEFORE I COULD |
01:13:50 |
HE'S LYING. |
01:13:51 |
WHO WERE YOU WAITING FOR? |
01:13:53 |
WHO WERE THOSE TWO MEN |
01:13:55 |
HELLO, TED? |
01:13:58 |
WHO ARE YOU |
01:14:00 |
DON'T MOVE! |
01:14:02 |
I'M JUST, UH, TAKING OFF |
01:14:11 |
[GUNSHOT] |
01:14:12 |
THANK GOD YOU MADE |
01:14:17 |
HE SET ME UP. |
01:14:18 |
DON'T YOU UNDERSTAND? |
01:14:20 |
THE ACCELERATOR IS GOING TO |
01:14:24 |
IN FIVE YEARS. |
01:14:26 |
HE DOESN'T CARE ABOUT YOU! |
01:14:36 |
THADIUS, YOU SAID-- |
01:14:38 |
I SAID WHAT I HAD TO. |
01:14:40 |
SOMETIMES YOU DO WHAT'S |
01:14:42 |
I'M SORRY. |
01:14:43 |
NO! |
01:14:45 |
OH! |
01:14:49 |
I TRULY AM SORRY. |
01:14:53 |
THE TIME IS 7:35. |
01:14:55 |
PLEASE WAKE UP. |
01:14:57 |
YOU BASTARD. |
01:15:00 |
WHAT KIND OF MAN ARE YOU? |
01:15:02 |
I CAN'T BELIEVE IT. |
01:15:05 |
AND ME IN COLD BLOOD! |
01:15:07 |
THAT'S IT, PAL. |
01:15:09 |
NO MORE HAMSTER WHEEL |
01:15:12 |
[HONKING] |
01:15:14 |
OHH! |
01:15:15 |
THE TIME IS 7:35. |
01:15:18 |
PLEASE WAKE UP. |
01:15:20 |
[BEEP BEEP] |
01:15:22 |
PLEASE WAKE-- |
01:15:24 |
THIS CUTTING EDGE PROJECT |
01:15:26 |
BY RESEARCHERS |
01:15:29 |
HAS BEEN SHUT DOWN BY |
01:15:32 |
MARY, BIG NEWS |
01:15:34 |
RESEARCHERS HERE WORKING |
01:15:37 |
BELIEVE THEY'VE DISCOVERED |
01:15:54 |
[RING] |
01:16:00 |
[RING] |
01:16:04 |
HI, MOM. |
01:16:05 |
NO, WE HAVEN'T SPOKEN |
01:16:07 |
YES, I HAVE MET A GIRL. |
01:16:10 |
I JUST DON'T THINK |
01:16:14 |
TELL ME, MOM. WHAT? |
01:16:15 |
WHAT'S ALL THAT MATTERS? |
01:16:18 |
YEAH? ALL THAT MATTERS |
01:16:22 |
IT DOES. |
01:16:23 |
IT...IT FEELS RIGHT. |
01:16:27 |
YEAH, YOU SAID IT. |
01:16:30 |
MOM, I'M--I'M RUNNING LATE, |
01:16:33 |
BUT I PROMISE |
01:16:36 |
I LOVE YOU, TOO. |
01:16:38 |
BYE, MOM. |
01:16:42 |
YOU'RE PATHETIC. |
01:16:44 |
THAT'S NOT HOW |
01:16:46 |
WHAT'S WRONG WITH YOU? |
01:16:47 |
TREAT THEM WITH RESPECT. |
01:17:09 |
YOU KNOW, YOU'RE |
01:17:12 |
WHEN YOU GET TO KNOW YOU. |
01:17:14 |
WHAT THE HELL |
01:17:16 |
I KNOW WHO YOU ARE. |
01:17:17 |
YOU'RE HELPING THE JUSTICE |
01:17:19 |
I WANT TO BLOW HIM |
01:17:22 |
YOU WANT TO HELP? |
01:17:27 |
MORNING. |
01:17:28 |
MORNING. |
01:17:32 |
COME IN. |
01:17:34 |
ROBERT, WHAT IS THIS? |
01:17:37 |
YOU, UH... |
01:17:40 |
BARRY HERE HAS |
01:17:43 |
THE TIME BOUNCE |
01:17:47 |
EXCUSE ME? |
01:17:48 |
THE TIME BOUNCE. |
01:17:51 |
THE EARTH HAS STOPPED |
01:17:53 |
CHILDREN DON'T GROW UP, |
01:17:57 |
WE'LL NEVER HAVE |
01:17:59 |
AND YOU'LL NEVER SEE |
01:18:04 |
WHAT ARE YOU |
01:18:06 |
AND I'VE FALLEN IN LOVE |
01:18:10 |
AND, SO FAR, I COULD ONLY |
01:18:15 |
AND IT BREAKS MY HEART |
01:18:16 |
TO MEET HER EVERY MORNING |
01:18:19 |
SEE, I WANT HER EVERY DAY. |
01:18:22 |
I WANT HER |
01:18:25 |
THAT'S WHY LIFE |
01:18:28 |
BECAUSE TIME PASSES. |
01:18:36 |
WHO IS THIS... |
01:18:38 |
WHO'S THIS GIRL? |
01:18:41 |
37.1... |
01:18:45 |
OYSTERS. |
01:18:48 |
GREEN. |
01:18:50 |
THE CARPENTERS... |
01:18:54 |
FLY TO HEAVEN. |
01:19:08 |
ALL RIGHT, LOOK. |
01:19:10 |
WE PLAY THE DAY |
01:19:12 |
WHEN HE GOES TO WARM UP |
01:19:15 |
I'LL CALL FOR BACKUP, |
01:19:18 |
IF I WAKE UP TOMORROW, AND |
01:19:21 |
LOOK WHO DECIDED |
01:19:23 |
I AM ROBERT DENK. |
01:19:26 |
I KNEW THAT. |
01:19:29 |
WE NEED MORE MEN |
01:19:31 |
HE'S AN |
01:19:33 |
TREAT HIM |
01:19:35 |
SORRY? |
01:19:36 |
BARRY, I'D LIKE THAT EVALUATION |
01:19:40 |
ON MY DESK BY NOON. |
01:19:41 |
EVALUATION? |
01:19:42 |
WE ARE LIKE THIS. |
01:19:44 |
HEY! |
01:19:46 |
HOWARD, YOU'RE ALIVE. |
01:19:48 |
I WASN'T IN THE BATHROOM |
01:19:51 |
OHH! |
01:19:52 |
SORRY, SORRY. |
01:19:53 |
CAREFUL, GUYS. |
01:19:55 |
OH! |
01:19:56 |
OHH! |
01:19:57 |
OH, JACK, I'M SO SORRY. |
01:20:02 |
THIS IS A TERRIBLE |
01:20:05 |
WE TOLD THEM |
01:20:07 |
AND NOW WE CAN'T DISMANTLE |
01:20:10 |
NO ONE WAS HURT. |
01:20:11 |
THE RADIATION'S CONTAINED |
01:20:13 |
I THINK |
01:20:15 |
BETTER DOUBLE-CHECK |
01:20:17 |
THANK YOU, LISA. |
01:20:18 |
THADIUS, I TAKE |
01:20:20 |
I'LL GET A CLEANUP CREW, |
01:20:22 |
AND I'LL DEAL WITH THE PRESS |
01:20:26 |
WELL... |
01:20:28 |
I ADMIRE YOUR ATTITUDES. |
01:20:51 |
DR. MOXLEY? |
01:20:53 |
NO DISTURBANCES. |
01:20:54 |
THANK YOU. |
01:22:02 |
I KNOW AN INDIVIDUAL |
01:22:06 |
MAY I? |
01:22:07 |
SEñORITA. |
01:22:08 |
HI, REYNALDO. |
01:22:09 |
I GOT IT. |
01:22:11 |
REALLY? |
01:22:12 |
YEAH. |
01:22:32 |
[CAR DOOR OPENS] |
01:22:33 |
HEY, WHAT THE HELL |
01:22:35 |
[MUFFLED GUNSHOT] |
01:22:41 |
[MUSIC PLAYS ON RADIO] |
01:22:45 |
THANK YOU. |
01:22:46 |
ARE YOU AWARE |
01:22:48 |
ONE OF THE FIVE ALL-TIME |
01:22:52 |
NO. |
01:22:53 |
WELL, IT IS. |
01:22:54 |
THEN YOU HAVE |
01:22:57 |
OPENING DAY |
01:22:59 |
NEW SHOES... |
01:23:03 |
FRESH ROSES... |
01:23:05 |
RAIN. |
01:23:08 |
YOUR PERFUME. |
01:23:13 |
UM, I DON'T KNOW WHAT'S |
01:23:16 |
BUT WE HAVE TO TAKE IT A |
01:23:20 |
IT'S TOO LATE FOR THAT. |
01:23:22 |
I'VE DIED FOR YOU |
01:23:38 |
I GOT TO |
01:23:41 |
IT'LL WORK OUT, |
01:23:45 |
IT ALREADY HAS. |
01:23:51 |
AND NOW |
01:23:53 |
A MAN IDENTIFIED |
01:23:56 |
A RESEARCH SCIENTIST |
01:23:58 |
WAS FOUND |
01:23:59 |
THE VICTIM |
01:24:08 |
MOXLEY HASN'T |
01:24:10 |
IS THAT GOOD OR BAD? |
01:24:11 |
I DON'T KNOW. |
01:24:18 |
DR. FREDERICKS? |
01:24:20 |
YES. |
01:24:21 |
YOU MUST BE BARRY THOMAS. HELLO. |
01:24:23 |
I HAVE TO ASK YOU |
01:24:26 |
YOU'RE WANTED IN CONNECTION |
01:24:29 |
DR. MOXLEY'S ORDERS. |
01:24:30 |
LISTEN, FELLAS, IT HAS |
01:24:33 |
IT HAS BEEN |
01:24:35 |
SIR-- I'VE ALREADY |
01:24:37 |
SIR, I UNDERSTAND. |
01:24:38 |
STOP GIVING ME |
01:24:41 |
I'M GOING TO HAVE TO |
01:24:45 |
DON'T THINK I CAN'T. |
01:24:47 |
[ALARM SOUNDS] |
01:24:50 |
PLEASE GIVE HER |
01:24:52 |
YOU GUYS DON'T SEEM |
01:24:54 |
I WAKE UP EVERY MORNING |
01:24:56 |
AND IT'S NOT LISA, |
01:24:58 |
AND JACK STILL GETS HIT |
01:25:01 |
SO I'M AFRAID YOU'RE GOING |
01:25:04 |
GO--NOW--MOVE IT-- |
01:25:13 |
SO MUCH |
01:25:36 |
[BEEPING] |
01:25:40 |
HOW ABOUT A LITTLE |
01:25:46 |
O.K. |
01:26:13 |
HOLD IT. |
01:26:15 |
THADIUS, YOU CAN'T |
01:26:17 |
WHY ARE YOU |
01:26:19 |
THE TIME BOUNCE |
01:26:21 |
WHAT THEY'RE ASKING ME TO DO IS WRONG. |
01:26:23 |
THE TIME BOUNCE, |
01:26:25 |
GO AHEAD. |
01:26:26 |
15 YEARS AGO, THEY STOPPED |
01:26:29 |
10 YEARS TO DESIGN A |
01:26:31 |
THE GERMANS BEAT ME |
01:26:33 |
NOW THEY'RE GOING TO |
01:26:35 |
BEFORE IT HAS A CHANCE-- |
01:26:37 |
IT DOESN'T WORK! |
01:26:38 |
I HAVE NO MORE TIME. |
01:26:40 |
THADIUS, |
01:26:41 |
GET UP THERE. |
01:26:43 |
GO ON. |
01:26:46 |
GO ON. |
01:27:22 |
IS THERE AN ABORT SWITCH |
01:27:25 |
THERE'S A YELLOW BUTTON. |
01:27:35 |
PLEASE DON'T. |
01:27:42 |
BARRY! |
01:27:43 |
ARE YOU O.K.? |
01:27:45 |
AHH! |
01:27:48 |
HEY, DOC, TOMORROW |
01:27:50 |
I'LL JUST |
01:27:52 |
TILL I GET IT RIGHT. |
01:27:54 |
[ALARM SOUNDS] |
01:27:56 |
GOT YOU |
01:27:59 |
WARNING--POWER FLUCTUATION |
01:28:03 |
DID IT ABORT? |
01:28:05 |
NO. |
01:28:06 |
ANY WAY |
01:28:08 |
NO. HE DISCONNECTED IT. |
01:28:10 |
DAMN IT! |
01:28:13 |
DAMN IT, |
01:28:29 |
NO! |
01:28:45 |
AAH! |
01:28:52 |
I CAN'T GET IT! |
01:28:53 |
I'LL GET IT. |
01:28:55 |
THERE'S NOT ENOUGH TIME. |
01:28:57 |
WE'LL MAKE IT. |
01:28:58 |
WE HAVE TO MAKE IT. |
01:29:00 |
NO MORE |
01:29:02 |
OHH! |
01:29:14 |
AAH! |
01:29:16 |
NO! |
01:29:33 |
MY GOD. |
01:29:34 |
LISA, I LOVE YOU. |
01:29:41 |
[BEEP] |
01:29:50 |
IT'S WEDNESDAY. |
01:29:53 |
IT'S WEDNESDAY. |
01:29:57 |
DON'T MOVE! |
01:29:58 |
DON'T MOVE! |
01:30:01 |
YES, SIR. |
01:30:03 |
THIS MAN'S BEEN SHOT. |
01:30:06 |
WHO ARE YOU? |
01:30:07 |
I'M DR. FREDERICKS. |
01:30:09 |
DR. MOXLEY TRIED TO FIRE |
01:30:11 |
HE TRIED TO KILL US. |
01:30:13 |
THAT'S NOT |
01:30:15 |
YOU'RE UNDER ARREST. |
01:30:17 |
WE HAVE PROOF! |
01:30:18 |
PUT THE CUFFS ON THEM. |
01:30:23 |
WE'RE UNDER ARREST. |
01:30:25 |
HOW ABOUT THAT? |
01:30:27 |
WE'RE UNDER ARREST. |
01:30:29 |
EVERY MINUTE |
01:30:31 |
WE'LL NEVER KNOW |
01:30:34 |
I KNOW WHAT |
01:30:36 |
YOU DO? |