Las 13 Rosas 13 Roses
|
00:01:44 |
THE 13 ROSES |
00:02:57 |
Now is the time to fight! |
00:02:59 |
You know what's happening in Europe? |
00:03:01 |
The war will spread to London, |
00:03:03 |
- Bigger than in 1914! |
00:03:06 |
this time the European powers |
00:03:08 |
will join us in the fight |
00:03:10 |
against international fascism. |
00:03:12 |
Sure they will. |
00:03:14 |
they've already done... |
00:03:15 |
All we want |
00:03:17 |
is for this to end. |
00:03:21 |
What good is peace without freedom? |
00:03:24 |
Without dignity? |
00:03:26 |
Don't be misled by those who spread |
00:03:29 |
We're one step away from victory. |
00:03:31 |
The international situation has never |
00:03:37 |
Our comrade is right. |
00:03:39 |
the blood shed by your brothers, |
00:03:42 |
What use will it be if we give up? |
00:03:56 |
The Moors! |
00:03:57 |
They're coming! |
00:04:22 |
Stay and fight, comrades! |
00:04:27 |
Here. |
00:04:33 |
- Can we go with you? |
00:04:35 |
- Carmen. |
00:04:37 |
- Let's go. |
00:04:38 |
I'm staying! |
00:04:40 |
- You want to get us all killed? |
00:04:42 |
- Drive. |
00:05:07 |
Wait! |
00:05:10 |
Wait for me! |
00:05:13 |
Is there any room, comrade? |
00:05:15 |
Just one more person? |
00:05:18 |
Wait! |
00:05:19 |
It's full. |
00:05:21 |
Let me go with you. |
00:05:22 |
You can't do this to me! |
00:05:29 |
Who wants some? |
00:05:31 |
- Me, me! |
00:05:34 |
- Teo! |
00:05:39 |
- You look beautiful. |
00:05:41 |
- How are things here? |
00:05:43 |
Well, same old story. |
00:05:46 |
- Who wants soup? |
00:05:49 |
Teo! |
00:05:51 |
Teo... |
00:05:53 |
I'm so glad to see you. |
00:05:55 |
- How are you? |
00:05:57 |
Soup again? |
00:05:59 |
Yesterday you said |
00:06:01 |
- I did? |
00:06:07 |
AIDA LAFUENTE SOCIETY |
00:06:12 |
What is this doing here? |
00:06:14 |
Are things that bad? |
00:06:16 |
It must be destroyed. |
00:06:20 |
Any news from the front? |
00:06:22 |
What front? |
00:06:24 |
There's no more front. |
00:06:29 |
Not a single one stayed. |
00:06:31 |
Who's the soup lover? |
00:06:32 |
José! |
00:06:33 |
Here, José. |
00:06:39 |
To the shelter, quickly! |
00:06:44 |
Let's go! |
00:06:45 |
Everybody! |
00:06:49 |
Leave that, come on. |
00:06:59 |
Bernabé? Where's Bernabé? |
00:07:02 |
Over there. |
00:07:04 |
Bernabé. |
00:07:11 |
Get down! |
00:07:29 |
IN THE NATION OF SPAIN, |
00:07:31 |
NO HOME GOES WITHOUT HEAT |
00:07:48 |
Gather bread. |
00:07:57 |
Don't eat it. |
00:07:59 |
It's fascist bread! |
00:08:03 |
Don't pick it up! |
00:09:20 |
It's such a beautiful song. |
00:09:25 |
Pretty, isn't it? |
00:09:30 |
Something must be done. |
00:09:32 |
- We have to organize, find comrades... |
00:09:35 |
- Or are about to. |
00:09:37 |
Things are going to change. |
00:09:40 |
We don't know what it's like |
00:09:46 |
What are they saying |
00:09:50 |
That's the problem. |
00:09:53 |
Nobody's saying anything. |
00:10:03 |
My dear friends, |
00:10:06 |
hard times have fallen upon us. |
00:10:09 |
Who knows what will become of us |
00:10:12 |
Things are going to change |
00:10:15 |
Many of us may never |
00:10:19 |
A simple goodbye might not be enough. |
00:10:22 |
Let us therefore bid each other... |
00:10:24 |
farewell. |
00:10:47 |
More bombs! |
00:10:50 |
I think it's the last time. |
00:10:53 |
I hope we don't end up missing them. |
00:10:56 |
Don't say that. |
00:11:05 |
We have nothing to fear, |
00:11:08 |
I know, I know. |
00:11:12 |
If you need money, |
00:11:20 |
My name is Blanca. |
00:11:24 |
Julia. |
00:11:26 |
Adelina. Hello. |
00:11:30 |
Strange way to meet people. |
00:12:03 |
Maybe over there. |
00:12:13 |
There must be food around. |
00:12:17 |
Sardines! |
00:12:20 |
Idiot. |
00:12:22 |
Wow. |
00:12:27 |
Stop. |
00:12:31 |
I said stop! |
00:12:34 |
Afraid, huh? |
00:12:35 |
- Chicken. |
00:12:37 |
Chicken, chicken! |
00:12:40 |
If I hit it, we leave. |
00:12:46 |
Wait! |
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You too, dummy! |
00:13:25 |
Long live Franco! |
00:13:27 |
Long live Franco! |
00:14:55 |
I'm a nobody, nothing |
00:15:00 |
Well, I'm no revolutionary... |
00:15:05 |
I think I'll get a job as a servant. |
00:15:08 |
In a Falangist home. |
00:15:12 |
You, serving Falangists? |
00:15:14 |
To get information out of them. |
00:15:18 |
Bastards. |
00:15:24 |
Thanks for bringing us. |
00:15:26 |
Can we help you unload? |
00:15:28 |
No, I'll wait a bit. |
00:15:32 |
Long live Spain! |
00:15:57 |
What about you? |
00:16:01 |
No, sing it! |
00:16:11 |
Is that all? |
00:16:12 |
- Keep singing! |
00:16:18 |
Learn it, you're going to need it. |
00:16:35 |
Bastards. |
00:16:57 |
Your face when you sleep... |
00:16:59 |
It's like you're still a baby. |
00:17:03 |
You'll always be my baby. |
00:17:06 |
Mother... |
00:17:09 |
Come on, get up. |
00:17:11 |
We have a lot to do. |
00:17:23 |
We'll put them in their place. |
00:17:26 |
The war is over for them too. |
00:17:30 |
Pretty, isn't she? |
00:17:32 |
She looks like you. |
00:17:35 |
Blanca. |
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Seen my violin? |
00:17:40 |
I don't understand. |
00:17:42 |
Isn't it late to be playing? |
00:17:43 |
Maybe he wants to celebrate |
00:17:46 |
Where did I put my violin? |
00:17:51 |
"Generalissimo Franco's Headquarters |
00:17:54 |
to all barracks of the Civil Guard: |
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It is hereby mandated |
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to be applied immediately |
00:18:00 |
the following order |
00:18:02 |
requiring you to report |
00:18:04 |
to all aforementioned offices |
00:18:06 |
in order to open relevant |
00:18:10 |
for the cleansing of |
00:18:13 |
Is that clear? |
00:18:17 |
Sergeant, sir. |
00:18:19 |
Yes, Romero? |
00:18:20 |
What does that mean? |
00:18:21 |
It means we're not |
00:18:24 |
or soldiers or anything else. |
00:18:26 |
Sergeant, sir. |
00:18:28 |
Yes, Romero? |
00:18:29 |
All we did was follow orders. |
00:18:31 |
Then you've nothing to fear. |
00:18:34 |
Is that clear now? |
00:18:37 |
Let me try. |
00:18:38 |
Come on, let me. |
00:18:40 |
I'm getting pissed off. |
00:18:42 |
I can't see anything, son. |
00:18:44 |
Let me try. |
00:18:45 |
Go ahead. |
00:18:53 |
Incredible, incredible! |
00:18:58 |
What a clever son I have! |
00:19:00 |
You're a real champ. |
00:19:02 |
You see? |
00:19:05 |
I knew it'd be worth something, |
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no matter who won. |
00:19:13 |
Is that all of it? |
00:19:16 |
Right. |
00:19:18 |
After all, it's a musician's salary. |
00:19:25 |
How much will Juan need? |
00:19:34 |
I'd better take it to him. |
00:19:36 |
- Why? |
00:19:39 |
We've done nothing wrong. |
00:19:42 |
Juan joined the Communist Party |
00:19:49 |
No, Blanca. |
00:19:51 |
I don't want you carrying |
00:19:55 |
Don't be silly. |
00:20:20 |
What's wrong? |
00:20:22 |
You're going back to the village |
00:20:30 |
And you, father? |
00:20:32 |
I'll be discharged. Or demoted. |
00:20:38 |
Why? You've done nothing. |
00:20:41 |
That's the problem, according to them. |
00:20:46 |
Father... |
00:20:47 |
Don't worry about me. |
00:20:50 |
Stay with your grandparents. |
00:20:52 |
You're not safe here. |
00:20:57 |
Get down from there! |
00:21:00 |
Go play with your mother! |
00:21:02 |
Go on! |
00:21:20 |
Sorry. |
00:21:26 |
Thanks. |
00:21:32 |
Tickets... |
00:21:35 |
I can only give you change |
00:21:38 |
Coupons! Who do you think you are? |
00:21:41 |
I'm sorry, sir. |
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This red takes us for idiots! |
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Fucking red collectors! |
00:21:48 |
Your boyfriends wouldn't have left |
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Move to Russia |
00:21:55 |
I know her. She's a red |
00:22:05 |
Thank you. |
00:22:10 |
Can you tell me when we stop |
00:22:14 |
Second stop. |
00:22:16 |
Thanks, gorgeous. |
00:22:18 |
And you owe me a kiss. |
00:22:23 |
They needed something to identify us. |
00:22:27 |
Even just this makes you feel |
00:22:30 |
Wait till you try on your uniform. |
00:22:32 |
a revolutionary nanny! |
00:22:39 |
How long since you saw Valentin? |
00:22:43 |
Too long. |
00:22:46 |
You think he left without me? |
00:22:50 |
Who knows? |
00:22:51 |
You really think so? |
00:22:55 |
What? |
00:22:56 |
Don't turn around. |
00:22:57 |
Valentin! |
00:22:59 |
The boyfriend visiting the nanny |
00:23:01 |
We shouldn't all be meeting here. |
00:23:04 |
Understood. |
00:23:05 |
Three's a crowd. |
00:23:15 |
Whose idea was the ribbon? |
00:23:18 |
- Don't turn around. |
00:23:23 |
Where were you? |
00:23:24 |
Around here, losing the war. |
00:23:29 |
But you're okay. |
00:23:32 |
It's been a long time. |
00:23:34 |
You've had a busy last few months. |
00:23:38 |
And one is grown up. |
00:23:40 |
You're silly. |
00:23:43 |
I love you. |
00:23:49 |
I'll give them my last name |
00:23:52 |
The ribbons help us recognize |
00:23:57 |
He won't squeal, will he? |
00:23:59 |
- Not me. |
00:24:02 |
Franco, Franco and Franco. |
00:24:04 |
Long live Spain! |
00:24:06 |
Spaniards be alert! |
00:24:09 |
Not all the enemies of Spain |
00:24:13 |
It is the duty of every Spaniard |
00:24:16 |
Only a bad Spaniard, |
00:24:18 |
a non-Spaniard, would keep quiet |
00:24:23 |
with his or her silence. |
00:24:25 |
Those who do should know |
00:24:27 |
they will also face justice... |
00:24:29 |
Juan has to leave. |
00:24:32 |
He can't stay here. |
00:24:43 |
Hello. Is Juan here? |
00:24:45 |
No, I'm sorry. |
00:24:48 |
It's okay, we're friends. |
00:24:52 |
Are you deaf? Close the door. |
00:24:55 |
Wait. |
00:24:56 |
Come in, Blanca. |
00:25:00 |
My sister-in-law, Manuela |
00:25:02 |
What are you doing here? |
00:25:11 |
It's all we can give you. |
00:25:15 |
It's fine. |
00:25:16 |
Where will you be? Enrique says |
00:25:20 |
It's dangerous! |
00:25:22 |
I'll leave as soon as I can. |
00:25:25 |
This place is mine too. |
00:25:27 |
Unlucky you two met. |
00:25:28 |
You put all those ideas in her head. |
00:25:31 |
You should go. |
00:25:35 |
Yes, go. |
00:25:36 |
Go with your Bolshevik friends! |
00:25:39 |
Go and never come back! |
00:25:43 |
Goodbye. |
00:25:47 |
Blanca... |
00:25:49 |
One last favor. |
00:25:52 |
I need more money to leave. |
00:25:56 |
I'll be at Tomas's. |
00:25:59 |
But it's your living. |
00:26:03 |
Who can think of music right now? |
00:26:08 |
Wait. |
00:26:12 |
It's not much, |
00:26:14 |
I can't accept. |
00:26:15 |
Take it. |
00:26:16 |
You'll need it more than we will. |
00:26:21 |
For Quique. |
00:26:23 |
No, for the pawnshop. |
00:26:26 |
I don't know what will happen to me, |
00:26:28 |
but watch yourselves. |
00:26:31 |
Just be musicians. |
00:26:33 |
Remember I voted for the Right. |
00:26:35 |
We need more right-wingers |
00:26:57 |
What a coincidence! |
00:26:59 |
A coincidence I've been waiting |
00:27:02 |
Thanks for the other day. |
00:27:05 |
You don't look too happy to see me. |
00:27:07 |
I'm not feeling very happy. |
00:27:10 |
I'm sorry. What for? |
00:27:14 |
For asking to get paid. |
00:27:19 |
Careful at your barracks. |
00:27:21 |
I have no barracks. |
00:27:23 |
- You're from the Basque Country? |
00:27:26 |
The one in Madrid. |
00:27:28 |
Where do you live? |
00:27:31 |
A bit forward, aren't you? |
00:27:36 |
Madrid must look its best for |
00:27:43 |
People of Madrid, testing... |
00:27:44 |
Franco! Franco! Testing... |
00:27:47 |
How considerate. What about me? |
00:27:49 |
You smoke? |
00:27:51 |
No, silly. |
00:27:53 |
Good. If these people saw you, |
00:27:56 |
"These people"? |
00:27:59 |
You don't think I'm like them... |
00:28:01 |
Wait, I'll get a light. |
00:28:15 |
Hello. |
00:28:17 |
Where are you from? |
00:28:19 |
You are? |
00:28:21 |
I'm from Chamberi. |
00:28:26 |
You're a true red after all. |
00:28:29 |
No need to walk me home. |
00:28:32 |
Julia... |
00:28:34 |
Stay out of trouble. |
00:28:35 |
- You'll report me? |
00:28:39 |
You don't know how things are. |
00:28:42 |
- These little games can cost you. |
00:28:45 |
Believe me. |
00:28:49 |
Julia. |
00:28:51 |
Please. |
00:28:55 |
What do you want to do? |
00:29:23 |
Sorry, wrong apartment. |
00:29:26 |
I'm looking for Juana. |
00:29:28 |
- Who are you? |
00:29:29 |
It's the next floor. |
00:29:51 |
- Anybody see you? |
00:29:53 |
- You're crazy to come here. |
00:29:55 |
They're everywhere. |
00:29:58 |
- Staying wherever they can. |
00:30:01 |
The police took them. |
00:30:03 |
reported them. |
00:30:05 |
And don't come back. |
00:30:09 |
If you do, |
00:30:12 |
That way! |
00:30:34 |
That way! |
00:30:49 |
Sir. |
00:31:13 |
How are you, Teo? |
00:31:16 |
Captain Fontenla. |
00:31:18 |
I hope you're glad to see me. |
00:31:20 |
It's always nice |
00:31:23 |
Do you remember Gaspar? |
00:31:30 |
That must really hurt. |
00:31:33 |
You were in better shape |
00:31:45 |
Is putting that in the window |
00:31:47 |
If your husband were |
00:31:50 |
They wouldn't let him go anyway... |
00:31:53 |
What's the matter? |
00:31:54 |
She thinks they're going to hurt us. |
00:31:57 |
Four women! |
00:31:59 |
They'd have to be monsters. |
00:32:01 |
Well... |
00:32:02 |
You'd better get rid of |
00:32:05 |
If someone ever found them... |
00:32:07 |
You promised you would. |
00:32:10 |
I will. |
00:32:20 |
This struck me as childish propaganda |
00:32:24 |
and suddenly now it's so dangerous... |
00:32:37 |
There, there. It's okay. |
00:32:42 |
There, there. |
00:32:55 |
Julia, Julia! |
00:32:58 |
A soldier is asking for you. |
00:33:10 |
- It's Perico. |
00:33:15 |
Here's the last one. |
00:33:18 |
I'll put them in the meat locker. |
00:33:21 |
- What a considerate young man. |
00:33:27 |
And now for the best part: |
00:33:29 |
We're going to the movies! |
00:33:31 |
I'm really not in the mood. |
00:33:33 |
You can't do this to me. |
00:33:36 |
Why can't you loosen up? |
00:33:38 |
Yeah. |
00:33:39 |
You told me next time. |
00:33:41 |
I'll be right out. |
00:33:49 |
Sew my buttons. |
00:33:52 |
Carlist militia one day, |
00:33:55 |
- Tomorrow you'll dress like a bishop! |
00:33:58 |
- Where did all that food come from? |
00:34:01 |
That uniform looks good on you. |
00:34:04 |
Nowadays you're nobody |
00:34:06 |
- Is it a major's? |
00:34:10 |
Yes, sir, Captain, sir! |
00:34:20 |
Due homage was paid to Spain's |
00:34:23 |
on the balcony at City Hall, |
00:34:26 |
a German Condor Legion |
00:34:28 |
responding to the praise |
00:34:31 |
Afterwards our Caudillo addressed |
00:34:33 |
film cameras from Germany, |
00:34:36 |
to put forth his political ideology. |
00:34:39 |
A totalitarian state |
00:34:41 |
will bring order |
00:34:44 |
maximizing the country's |
00:34:49 |
in a nation brought together by |
00:34:52 |
viewing the value of hard work |
00:34:56 |
the greatest indicator |
00:35:00 |
and thanks to which |
00:35:02 |
the true spirit of the Spanish nation |
00:35:07 |
through natural organs |
00:35:11 |
municipalities, |
00:35:15 |
making the supreme ideal a reality. |
00:35:21 |
They're sewn shut! |
00:35:28 |
We must offer our greatest assets to |
00:35:56 |
Coming! |
00:36:04 |
- Sir. |
00:36:07 |
And open the door. |
00:36:38 |
- Stop, somebody could see us. |
00:36:41 |
Yes. |
00:36:44 |
My mother must be worried. |
00:36:46 |
Stop. You have to go. |
00:36:49 |
Go. |
00:36:56 |
Go. |
00:37:04 |
Carmen. |
00:37:11 |
Who is that soldier? |
00:37:13 |
What are you doing here? |
00:37:15 |
Who is he? |
00:37:17 |
He's not a soldier. |
00:37:19 |
He's my boyfriend. |
00:37:22 |
Is that why you stopped coming? |
00:37:23 |
We thought something |
00:37:27 |
I lost my job. |
00:37:30 |
You know my situation at home. |
00:37:32 |
Getting arrested |
00:37:35 |
Don't take this wrong... |
00:37:39 |
but you should give it up too, kid. |
00:37:41 |
All that risk and sacrifice. |
00:37:48 |
Don't call me "kid." |
00:38:07 |
We're full, there are no rooms. |
00:38:09 |
Is Valentin there? |
00:38:11 |
Come in, Teo. |
00:38:13 |
What happened to you? |
00:38:15 |
The Cuban, she's one of us. |
00:38:19 |
- Hello. |
00:38:23 |
- What happened? |
00:38:27 |
Damn, Teo. You're a mess. |
00:38:29 |
A fascist from his village. |
00:38:33 |
Look, Teo. |
00:38:37 |
MORE BREAD AND LESS FRANCO |
00:38:40 |
You'll overthrow the regime |
00:38:41 |
- with this? |
00:38:43 |
- We're not starting anything. |
00:38:46 |
Go ahead. But what we really need |
00:38:49 |
- This. |
00:38:52 |
What do you say, Teo? |
00:38:56 |
I've been searching the sewers |
00:39:08 |
We're here to... |
00:39:10 |
We want to talk to the police chief. |
00:39:14 |
Where were the meetings held? |
00:39:16 |
- Certainly not in my home. |
00:39:19 |
Well, we're not sure. |
00:39:21 |
He's very reserved. We didn't listen |
00:39:27 |
- Did he mention the parade? |
00:39:32 |
we weren't always listening. |
00:39:34 |
But it's likely. |
00:39:37 |
Did he have visitors? |
00:39:39 |
Not very many. |
00:39:42 |
The other day. |
00:39:44 |
You. |
00:39:46 |
A lady came the other day. |
00:39:49 |
The wife of a musician |
00:39:51 |
What did they talk about? |
00:39:55 |
Have you ever |
00:39:56 |
heard him mention guns? |
00:40:04 |
And to that woman, |
00:40:06 |
did he mention guns? |
00:40:08 |
Yes. |
00:40:10 |
She brought him a lot of money. |
00:40:22 |
I hope our information is correct. |
00:40:30 |
Go take a stroll. |
00:40:35 |
Mario, let's go. |
00:40:52 |
What do you want? |
00:40:54 |
Is Valentin there? |
00:40:58 |
I'm his girlfriend. |
00:41:01 |
Come in. |
00:41:02 |
Thank you. |
00:41:08 |
Our friends in prison |
00:41:10 |
But we need money. |
00:41:12 |
Rob a store, a tobacconist's... |
00:41:14 |
An easy job. |
00:41:19 |
It's unlike you to be so reckless, |
00:41:21 |
Teo. The only thing |
00:41:24 |
is more reprisals. |
00:41:28 |
What about you? |
00:41:30 |
- Say something. |
00:41:32 |
- That's all? |
00:41:36 |
What more do I want? |
00:41:38 |
Virtudes! |
00:41:41 |
Shit! |
00:41:43 |
Come back. |
00:41:46 |
- Leave me alone. |
00:41:50 |
Where did you find |
00:41:55 |
Come here, sweetie! |
00:41:56 |
Sweetie this and sweetie that, |
00:41:59 |
but you forgot all about me |
00:42:03 |
Here. |
00:42:07 |
Very nice. |
00:42:09 |
And with my initials! |
00:42:16 |
Well? |
00:42:18 |
Ask the others. You might not wear it |
00:42:29 |
What's wrong? |
00:42:30 |
You know we can't see each other |
00:42:33 |
I know, it's not that. |
00:42:38 |
I have a bad feeling about this. |
00:42:42 |
What happened to Virtudes, |
00:42:46 |
This will all be settled as soon as |
00:42:50 |
Yes. |
00:42:51 |
What a solution. |
00:42:57 |
My God. |
00:43:09 |
Happy birthday. |
00:43:12 |
Come here, time to celebrate. |
00:43:18 |
You don't want to undress? |
00:43:20 |
You first. |
00:43:27 |
SOCIAL AID |
00:45:46 |
The other way. |
00:45:52 |
Hail Mary, full of grace... |
00:46:12 |
Halt! |
00:46:15 |
Come here. |
00:46:31 |
Where are Satur and Damian? |
00:46:34 |
- I don't know who you mean. |
00:46:37 |
I'm alone. |
00:46:39 |
Where are they? |
00:46:48 |
They got away. |
00:47:08 |
It's the police. |
00:47:14 |
They've come for me. |
00:47:19 |
Julia... |
00:47:23 |
What are you two doing? |
00:47:34 |
- The police are here. |
00:47:37 |
I don't know. |
00:47:53 |
- Who is it? |
00:48:00 |
- Does Julia Conesa live here? |
00:48:11 |
Is she okay? |
00:48:13 |
We need to question her. |
00:48:14 |
Where might she be? |
00:48:16 |
We haven't heard from her in days. |
00:48:18 |
You two come with us, |
00:48:21 |
You can't do that! |
00:48:22 |
You have five minutes |
00:48:24 |
I'll go. |
00:48:26 |
But she can't, she's ill. |
00:48:27 |
Both of you. |
00:48:35 |
Three men to arrest me. |
00:48:46 |
Right. |
00:48:47 |
What can you tell me about this? |
00:48:55 |
You've nothing to say? |
00:48:57 |
What about the Aida Lafuente Society? |
00:48:59 |
Nothing either? |
00:49:01 |
You could at least say |
00:49:04 |
That you signed up for gymnastics |
00:49:08 |
It's a way to break the ice, |
00:49:13 |
Take off your clothes. |
00:49:18 |
Didn't you hear me? |
00:49:56 |
Keep going. |
00:50:29 |
You had better start talking. |
00:50:31 |
I'd hate to ruin such a pretty face |
00:50:34 |
and such a pretty body. |
00:50:38 |
You'll tell me everything, |
00:50:44 |
Tell me about the other girls |
00:50:51 |
Tell me about Adelina. |
00:50:55 |
- You're not very chatty. |
00:50:57 |
- Stop lying. |
00:50:59 |
I said stop lying. |
00:51:09 |
Gaspar! |
00:51:25 |
She's your friend, right? |
00:51:27 |
Very cute. |
00:51:29 |
Cheer up, |
00:52:11 |
What must they be thinking? |
00:52:14 |
Dancing with the same girl twice |
00:52:23 |
We've been at it all night. |
00:52:27 |
So there you have it. |
00:52:38 |
What do you mean, leaving tomorrow? |
00:52:40 |
My father wrote me. |
00:52:42 |
Can't he fix it? |
00:52:45 |
He was. We don't know |
00:52:48 |
All he did was follow orders. |
00:52:51 |
The sense of duty. |
00:52:53 |
My father always put duty |
00:52:56 |
He's never told me he loves me, |
00:53:01 |
There's nothing I'd rather do. |
00:53:06 |
- Than what? |
00:53:08 |
Tell you I love you. |
00:53:11 |
I love you. |
00:53:23 |
My parents will adore you. |
00:53:29 |
Life is good in the village. |
00:53:32 |
Much better than in Madrid. |
00:53:33 |
There's food here. |
00:53:36 |
You'll be well provided for. |
00:53:44 |
I know, but... |
00:53:46 |
What? |
00:53:49 |
I wanted to be a secretary. |
00:53:51 |
No, way. My wife won't have to be |
00:53:58 |
Please, let go of me. |
00:54:09 |
All right. |
00:54:11 |
If you're so crazy about typing... |
00:54:26 |
But tomorrow you're staying. |
00:54:28 |
You're not going anywhere. |
00:54:30 |
I didn't defend Franco's regime |
00:54:45 |
- What do you want? |
00:54:48 |
Get out of the way. |
00:54:49 |
You're not taking her. |
00:54:51 |
I won't say it again. |
00:54:56 |
Stay with me, I'll protect you. |
00:54:58 |
Nothing will happen to you. |
00:55:01 |
Eutimio, please. |
00:55:04 |
Let's go, father. |
00:55:39 |
We've always been good Catholics. |
00:55:42 |
Not Catholics, saints. |
00:55:55 |
Mr. Garcia will have to come with us. |
00:55:57 |
What for? |
00:55:59 |
It's okay, I'll be back in no time. |
00:56:13 |
- Ask them if I can go with you. |
00:56:16 |
It can't be anything serious. |
00:56:19 |
or even an error. |
00:56:22 |
See you soon. |
00:56:28 |
Come on, Quique. |
00:56:31 |
Come on, sweetheart. |
00:56:50 |
For Julia Conesa. |
00:56:59 |
Can we see her? |
00:57:01 |
Just five minutes |
00:57:03 |
and we'll leave. |
00:57:05 |
Ask the police chief |
00:57:07 |
What if they don't let you out after? |
00:57:11 |
Go on. |
00:57:12 |
Mother. |
00:57:24 |
Adelina. |
00:57:35 |
Good morning. |
00:57:37 |
Arrua! |
00:57:39 |
You promised you only had |
00:57:42 |
We're only going to question her. |
00:57:46 |
Take her away. |
00:58:07 |
Chief, |
00:58:09 |
remember we had a deal. |
00:58:11 |
I promised to bring her |
00:58:14 |
you'd leave her alone. |
00:58:15 |
Your duty was to bring her. |
00:58:18 |
You've done your duty. |
00:58:21 |
Congratulations. |
00:58:24 |
Now please go away. |
00:58:50 |
They're swatting us like flies. |
00:58:54 |
What happened? |
00:58:57 |
They picked up Julia at her house. |
00:00:03 |
everything about us. |
00:00:06 |
We have to stick together. |
00:00:10 |
What about Satur and Damian? |
00:00:12 |
Who? |
00:00:14 |
Satur and Damian. |
00:00:17 |
Do you know how to find Virtudes? |
00:00:25 |
What was his name again? |
00:00:26 |
Who? |
00:00:28 |
Julia's boyfriend. |
00:00:33 |
He might be able to help us. |
00:00:36 |
How could you, Teo? |
00:00:37 |
Relax, Carmen. |
00:00:39 |
Don't touch me. |
00:00:41 |
You're a pig! |
00:00:43 |
- Stop it, Carmen. |
00:01:06 |
Stop her! |
00:01:09 |
Let go of me! |
00:01:23 |
It's okay, kid. |
00:01:26 |
I can see that. |
00:01:36 |
So you're Carmen. |
00:01:40 |
What could we do with you? |
00:02:00 |
Carmen! |
00:02:02 |
Carmen! |
00:02:06 |
Carmen, what's wrong? |
00:02:09 |
Papers! |
00:02:26 |
Look, Virtudes, it's Carmen. |
00:02:32 |
Hi, Carmen! |
00:02:34 |
Who's that? |
00:02:35 |
Who? |
00:02:38 |
I don't know her. |
00:02:40 |
Yes, you do. It's Virtudes. |
00:02:49 |
Come with me. |
00:02:55 |
Excuse me... |
00:02:58 |
Sir! |
00:03:00 |
I'm only bringing my husband |
00:03:03 |
Follow me. |
00:03:14 |
I voted for the Catholic parties |
00:03:16 |
So did my husband. |
00:03:18 |
- I hear you're quite religious. |
00:03:22 |
Did you know Juan Canepa? |
00:03:25 |
Hardly. I know who he is, but... |
00:03:29 |
I have testimony to the contrary. |
00:03:32 |
No need to read it, is there? |
00:03:36 |
You gave him money. |
00:03:41 |
For what? |
00:03:43 |
Was it the Communist Party's money? |
00:03:47 |
No, sir. It was ours. |
00:03:49 |
We saved it during the war. |
00:03:59 |
But you knew he was |
00:04:05 |
Why would a Catholic woman |
00:04:11 |
Your husband isn't a Communist? |
00:04:14 |
- No, sir. |
00:04:19 |
Canepa is this one here. |
00:04:24 |
Is this other one your husband? |
00:04:29 |
You're wrong about Enrique. |
00:04:34 |
We know there was a plan to kill Franco |
00:04:40 |
Tell me everything you know. |
00:05:29 |
This one's scared to death. |
00:05:40 |
Tell me who your accomplices were. |
00:05:43 |
I swear I have no idea... |
00:05:45 |
Stop swearing! You weren't going |
00:05:49 |
- What attack? |
00:05:52 |
Who were you going to shoot? |
00:05:55 |
I'll say it again. |
00:05:57 |
I was given the gun with my uniform |
00:06:04 |
Gaspar! |
00:06:21 |
What a fool. |
00:06:24 |
Thinks he can hide something |
00:06:37 |
Adelina, poor Gaspar is exhausted |
00:06:43 |
Let's give him a rest. |
00:06:59 |
If you sign the statement, |
00:07:04 |
You'll spend tonight in my home |
00:07:07 |
and return to the village |
00:07:25 |
Let's let him think it over. |
00:07:28 |
Come on. |
00:08:35 |
No! |
00:08:37 |
No! |
00:08:51 |
We pray for the eternal rest |
00:09:06 |
Mother! |
00:09:08 |
My baby! |
00:09:12 |
What have they done to you? |
00:09:14 |
No, I'm okay. |
00:09:15 |
Are you all related to the deceased? |
00:09:18 |
Why, is crying against the law? |
00:09:21 |
Where's Perico? |
00:09:22 |
He couldn't make it. |
00:09:28 |
They won't take any more of my girls. |
00:09:47 |
RED PRISONERS |
00:10:20 |
Come on, get out. |
00:10:50 |
Religion? |
00:10:52 |
Catholic from birth. |
00:10:54 |
Sure, like all the rest. |
00:10:57 |
Warden, ma'am, |
00:10:58 |
there must be some mistake. |
00:11:02 |
- Let me explain. |
00:11:04 |
Leave your personal objects on the |
00:11:07 |
But somebody will have to... |
00:11:08 |
Didn't you hear me? |
00:11:19 |
Your clothes, here. |
00:11:34 |
- First and last name. |
00:11:40 |
Age? |
00:11:42 |
Nineteen. |
00:11:44 |
Place of birth. |
00:11:46 |
Oviedo. |
00:11:47 |
Turn around. |
00:11:49 |
Raise your hands. |
00:12:01 |
Get dressed. |
00:12:04 |
Religion? |
00:12:08 |
None. |
00:12:09 |
Catholic. Back over there. |
00:12:21 |
Where do we put them? |
00:12:23 |
There's space with the mothers. |
00:12:28 |
I'll take Blanca with the mothers. |
00:12:49 |
Get back. |
00:12:56 |
Make way. |
00:13:02 |
Move over! |
00:13:09 |
Coming through! |
00:13:24 |
Make room. |
00:13:28 |
Come on. |
00:13:31 |
- Here. |
00:13:50 |
Wake up Adelina, |
00:13:53 |
Julia. |
00:13:56 |
Virtudes. |
00:14:02 |
Sorry. |
00:14:07 |
I didn't know you were here. |
00:14:09 |
Yeah, since last week. |
00:14:12 |
How are you? |
00:14:19 |
There, there. It's over. |
00:14:24 |
Julia! |
00:14:26 |
Julia... |
00:14:27 |
Adelina! |
00:14:30 |
Sorry. |
00:14:33 |
They beat you. |
00:14:34 |
It's okay. |
00:14:36 |
They can't keep us down. |
00:14:46 |
What was that? |
00:14:50 |
There's a firing squad every night |
00:14:59 |
Let's go. |
00:15:01 |
Rise and shine, minors! |
00:15:03 |
Get up, I said! |
00:15:06 |
Get up, you lazy bones! |
00:15:09 |
You're a bunch of lazy bones! |
00:15:12 |
Let's go! |
00:15:17 |
The same ones, always playing around! |
00:15:20 |
Let's go! |
00:15:22 |
Quickly, go on! |
00:15:24 |
Come on, time is valuable! |
00:15:28 |
What the? |
00:15:32 |
Bedrolls against the wall. |
00:15:35 |
- Hurry! |
00:15:39 |
Here's some for you! |
00:15:43 |
Stop playing around, |
00:15:46 |
What's going on here? |
00:15:48 |
Knock it off! |
00:16:33 |
Two missing. But don't worry, |
00:16:39 |
There's no way. |
00:16:54 |
- Spain! |
00:16:55 |
Spain! |
00:16:56 |
Great! |
00:16:57 |
Spain! |
00:16:58 |
Free!!! |
00:16:59 |
Long live Spain! |
00:17:02 |
Stop giggling back there, |
00:17:07 |
Let's go. |
00:17:10 |
Move it. |
00:17:11 |
The mail. |
00:17:13 |
Go on, get inside. |
00:17:16 |
I have the mail here. |
00:17:18 |
- Get inside. |
00:17:19 |
Hi! |
00:17:21 |
The mail. |
00:17:22 |
- Let's see... Martina. |
00:17:25 |
Here. |
00:17:26 |
- Conchita. |
00:17:28 |
Here. |
00:17:31 |
Another one for Martina. |
00:17:32 |
How many boyfriends has she got? |
00:17:35 |
Leave some for the rest of us. |
00:17:37 |
Ana. |
00:17:40 |
Grab it! |
00:17:44 |
And Teresa. |
00:17:52 |
Ventas Prison, wonderful hotel. |
00:17:55 |
The food and service are the best, |
00:17:58 |
no beds or time to rest. |
00:18:02 |
We'd be better off in hell. |
00:18:06 |
Long lines even for the toilets, |
00:18:09 |
tasty cement instead of bread. |
00:18:13 |
For lunch they give you lentils, |
00:18:16 |
one bowl a day you're fed. |
00:18:19 |
Fancy floor tiles for a mattress, |
00:18:22 |
sore backs every morningl |
00:18:26 |
Virtudes! |
00:18:32 |
- How are they treating you in Minors? |
00:18:38 |
Don't worry, we're not going anywhere. |
00:18:44 |
Dioni is our official |
00:18:46 |
- delouser. |
00:18:47 |
- She gets them all. |
00:18:49 |
away from the wall when you sleep. |
00:18:52 |
the corners. |
00:19:04 |
Weren't you two learning tap dancing? |
00:19:53 |
Dionisia! |
00:19:59 |
Is it from him? |
00:20:00 |
It's his handwriting. |
00:20:05 |
Well? |
00:20:07 |
- I don't understand. |
00:20:10 |
"I love French music, |
00:20:12 |
but I prefer mariachi bands, |
00:20:16 |
You get it? He's in France |
00:20:20 |
Mexico! |
00:20:43 |
Carmen, ma'am... |
00:20:45 |
This is for you. |
00:20:47 |
Thank you. |
00:20:49 |
Have you ever worked, Blanca? |
00:20:50 |
Since I was 16 |
00:20:53 |
Yeah? What can you do? |
00:20:55 |
Play piano. |
00:21:00 |
What about typing? |
00:21:02 |
I can sew. |
00:21:04 |
Okay, we'll see. |
00:21:07 |
Carmen, ma'am... |
00:21:09 |
- I wanted to say... |
00:21:12 |
Things will work out. |
00:21:15 |
With so many inmates, |
00:21:21 |
And don't be afraid of me. |
00:21:27 |
I'm not afraid of you. |
00:21:35 |
Hello, Father. |
00:21:38 |
It's good to see you. |
00:21:43 |
How are you? |
00:21:45 |
Fine. How are you, darling? |
00:21:47 |
I'm doing just fine. |
00:21:51 |
I brought you... |
00:21:53 |
some clothes. I thought... |
00:21:57 |
I don't know. |
00:21:59 |
Mother is very upset. |
00:22:01 |
Seeing you in here |
00:22:04 |
The doctor told her to rest. |
00:22:06 |
To rest! |
00:22:08 |
But you know her. |
00:22:09 |
She's asking neighbors for signatures |
00:22:15 |
Will any of them sign? |
00:22:17 |
Sure. |
00:22:18 |
How could they? |
00:22:20 |
You've been concierges for years |
00:22:22 |
without any complaints. |
00:22:24 |
It's because of me, right? |
00:22:26 |
They would never employ |
00:22:29 |
How is Carmen? |
00:22:31 |
Fine. |
00:22:32 |
They arrested her father. |
00:22:34 |
- And her mother... |
00:22:35 |
Her mother went into hiding. |
00:22:37 |
Where? |
00:22:40 |
Don't tell me, it doesn't matter. |
00:22:42 |
Don't worry, she's okay. |
00:22:44 |
Poor Mother. |
00:22:47 |
I have the best parents |
00:22:50 |
Have you seen Perico? |
00:22:52 |
No. |
00:22:54 |
Were you two serious? |
00:22:58 |
I'm very sorry, Julia. |
00:23:02 |
- Time's up. |
00:23:05 |
Mother. |
00:23:07 |
Thank you, Mother. |
00:23:08 |
Keep your head high. |
00:23:09 |
Tell Father to be strong. |
00:23:12 |
Of course. |
00:23:13 |
I love you. |
00:23:19 |
Goodbye, Lola. |
00:23:20 |
Goodbye, Carmen. |
00:23:21 |
- Take care, Mother. |
00:23:30 |
If there's anything special |
00:23:32 |
fruit, perfume... |
00:23:34 |
Didn't you hear me? |
00:23:35 |
Time's up! |
00:23:36 |
Please. |
00:24:03 |
I LOVE YOU |
00:24:14 |
Me too. |
00:24:17 |
Very much. |
00:25:12 |
Quiet! |
00:25:45 |
Would you please settle down? |
00:25:50 |
You, yes, you! |
00:25:53 |
Show a little respect! |
00:26:08 |
Who asked for me? |
00:26:14 |
What was so important |
00:26:15 |
that you needed to tell me? |
00:26:19 |
Another child has died. |
00:26:20 |
One dies every day. |
00:26:22 |
And not of a disease, of hunger. |
00:26:25 |
You think people on the outside |
00:26:28 |
You have to do something. |
00:26:30 |
You're the warden. |
00:26:33 |
If the children aren't given milk, |
00:26:34 |
What? |
00:26:47 |
We won't sing during roll call. |
00:26:49 |
Really? |
00:26:52 |
Who won't? |
00:27:01 |
Me too. |
00:27:05 |
You, Blanca? |
00:27:07 |
What's happening to them |
00:27:46 |
Put them in solitary! |
00:27:54 |
Ventas Prison, wonderful hotel. |
00:27:57 |
The food and service are the best, |
00:28:01 |
no beds or time to rest. |
00:28:04 |
We'd be better off in hell. |
00:28:08 |
Silence! |
00:28:09 |
Long lines even for the toilets, |
00:28:12 |
tasty cement instead of bread. |
00:28:14 |
They won't shut up. |
00:28:16 |
For lunch they give you lentils, |
00:28:19 |
one bowl a day, you're fed. |
00:28:21 |
Fancy floor tiles for a mattress, |
00:28:25 |
sore backs every morning! |
00:28:42 |
Is that them? |
00:28:47 |
Need any help? |
00:28:48 |
Give me your gun! |
00:28:50 |
Get out with your hands up! |
00:28:52 |
Everybody out! |
00:28:55 |
Pilar, sweetie... |
00:28:56 |
Hold it, hold it! |
00:28:59 |
Slowly. |
00:29:00 |
- Pilar! Come on. |
00:29:05 |
Move! |
00:29:07 |
Quickly. |
00:29:09 |
Please let me go, |
00:29:13 |
Do whatever you want to me, |
00:29:15 |
She's only a child. |
00:29:17 |
Please! |
00:29:21 |
Please. |
00:29:22 |
Don't kill her. |
00:29:25 |
She's a child. |
00:29:27 |
You'll be sorry for this. |
00:29:28 |
Think of your girlfriends, |
00:29:35 |
Pilar... |
00:29:36 |
Pilar! |
00:29:44 |
You bastards! |
00:29:52 |
- What about this one? |
00:29:56 |
Please, don't. |
00:29:57 |
I'm one of you. |
00:30:23 |
Ana. |
00:30:25 |
Martina. |
00:30:28 |
Victoria. |
00:30:30 |
To court. |
00:30:32 |
- To court? |
00:30:34 |
You can't go dressed like that. |
00:30:37 |
Let's get dressed up, girls. |
00:30:41 |
Can we wash up first? |
00:30:43 |
We want to smell nice, don't we? |
00:30:46 |
How can you joke about this? |
00:30:50 |
Why? |
00:30:52 |
- Why can't I go with them? |
00:30:55 |
You're the lucky one. |
00:30:58 |
Why can't I go? |
00:31:05 |
Have you heard? |
00:31:09 |
And his daughter and driver. |
00:31:12 |
- What's that got to do with us? |
00:31:14 |
But they'll ask for the death penalty. |
00:31:17 |
They always do, but later |
00:31:21 |
Not the best time for a military court. |
00:31:25 |
They need a scapegoat. |
00:31:29 |
Look, it's Retiro Park! |
00:31:33 |
Sit down! |
00:31:36 |
Sit down! |
00:31:38 |
Come on! |
00:31:39 |
Didn't you hear me? |
00:32:01 |
- Wearing anything borrowed? |
00:32:04 |
Me neither. |
00:32:06 |
They say it brings luck. |
00:32:07 |
It brings luck? |
00:32:09 |
Shall we change? |
00:32:11 |
- Somebody trade with me. |
00:32:27 |
Who wants a scarf? |
00:32:41 |
A new dress and a stroll |
00:32:45 |
I'd give anything |
00:32:47 |
I want to see! |
00:33:42 |
Everybody out. |
00:33:54 |
Mommy, Mommy! |
00:34:03 |
Where are you going? |
00:34:05 |
I have to talk to my mother. |
00:34:06 |
I haven't seen her |
00:34:08 |
- She one of them? |
00:34:10 |
Kid's got balls. |
00:34:13 |
That one. |
00:34:16 |
Two minutes. |
00:34:20 |
Sweetheart. |
00:34:23 |
You're so handsome! |
00:34:26 |
Are you behaving yourself? |
00:34:28 |
You'd better! |
00:34:30 |
How's your French? |
00:34:32 |
Don't stop studying. |
00:34:34 |
- Mom... |
00:34:36 |
Who needs French anyway? |
00:34:39 |
The goal was to bring down |
00:34:43 |
The statements made by these 56 |
00:34:47 |
The plan was to reorganize |
00:34:51 |
the clandestine, |
00:34:55 |
whose aim was to provoke disorder |
00:34:57 |
and sabotage initiatives contributing |
00:35:01 |
through infamy, lies |
00:35:05 |
class struggle... |
00:35:07 |
basically, Communism |
00:35:11 |
Thanks to their arrest, |
00:35:13 |
we thwarted a terrorist attack |
00:35:15 |
the day of the Victory Parade, |
00:35:17 |
for which they had gathered |
00:35:21 |
all sorts of weaponry |
00:35:24 |
and sewers. |
00:35:26 |
The accused are guilty |
00:35:30 |
as penalized by articles 237 |
00:35:33 |
and 238 in the second paragraph |
00:35:36 |
of the Code of Military Justice, |
00:35:38 |
with the aggravating circumstance |
00:35:40 |
of withholding evidence |
00:35:43 |
cited in article 173 |
00:35:49 |
Therefore, |
00:35:50 |
on behalf of the Head of State, |
00:35:52 |
the prosecution asks that each |
00:35:56 |
the death penalty. |
00:36:18 |
The defense may now speak. |
00:36:22 |
Given the late hour |
00:36:24 |
and the time we've spent |
00:36:27 |
please be brief and concise. |
00:36:30 |
With your permission. |
00:36:32 |
Given the abundance |
00:36:36 |
the defense can do little more |
00:36:40 |
That's our lawyer? |
00:36:42 |
Apparently. |
00:36:43 |
The aggravating circumstances |
00:36:45 |
are not relevant in all cases, |
00:36:47 |
Naturally each case |
00:37:04 |
The accused shall rise. |
00:37:08 |
This court is adjourned |
00:37:11 |
A secret session shall be convened. |
00:37:19 |
"With the utmost humility |
00:37:23 |
to plea for mercy, |
00:37:26 |
trusting the strict justice |
00:37:28 |
the glorious Caudillo promised |
00:37:31 |
Very good, sign it. |
00:37:51 |
"...undefeated Generalissimo |
00:37:57 |
Army, Navy and Air Force..." |
00:38:00 |
You think we'll be shot? |
00:38:02 |
They can't shoot us |
00:38:36 |
You'll end up getting pardoned, |
00:38:39 |
you'll see. |
00:38:48 |
I'll add a favorable report |
00:38:57 |
And your husband. |
00:39:06 |
And the others? |
00:39:21 |
Leave them. |
00:39:30 |
Don't ever forget what matters most. |
00:39:34 |
What's that? |
00:39:35 |
That we're right. |
00:39:38 |
We're fighting for a just cause. |
00:39:43 |
I don't know what's just anymore. |
00:39:45 |
Yes, you do. |
00:39:53 |
You also know that when this is over |
00:39:58 |
How could I ever forget? |
00:40:02 |
It would be like forgetting you. |
00:40:06 |
Exactly, Carmen. |
00:40:11 |
Don't forget me. |
00:40:18 |
We mustn't be afraid. |
00:40:22 |
Promise me you won't be afraid. |
00:40:24 |
I promise. |
00:40:29 |
We have to be brave. |
00:40:33 |
Very brave. |
00:40:39 |
Because they're not going |
00:40:52 |
I can't stop thinking |
00:40:56 |
Poor thing. |
00:41:25 |
Midnight. |
00:41:28 |
We can rest at ease now. |
00:41:31 |
Really? |
00:41:33 |
Sleep easy. |
00:41:50 |
Let's go! |
00:41:58 |
Get back! |
00:42:00 |
Move over! |
00:42:02 |
Let's go! |
00:42:03 |
Move it! |
00:42:04 |
Move it! |
00:42:06 |
My God, it can't be... |
00:42:28 |
Blanca Brisac Vazquez. |
00:42:37 |
You have to look pretty. |
00:42:40 |
You're going to see Valentin. |
00:42:43 |
Come on, hurry up! |
00:42:46 |
You're in such a hurry to kill us? |
00:43:06 |
Martina. |
00:43:11 |
Victoria. |
00:43:25 |
Carmen... |
00:43:28 |
Go on, wash up. |
00:43:42 |
This can't be happening. |
00:43:46 |
Franco hasn't answered yet. |
00:43:50 |
You're thirsty for blood! |
00:43:53 |
Murderers! |
00:44:00 |
Get moving! |
00:44:50 |
Where's Victoria? |
00:44:59 |
Tell my mother I'm innocent. |
00:45:02 |
Please. |
00:45:05 |
There! |
00:45:13 |
I don't want to die, ma'am! |
00:45:18 |
Let's go! |
00:45:58 |
If you don't confess, |
00:46:01 |
It's up to you. |
00:46:08 |
That goes for everybody. |
00:46:11 |
If you want your letters to reach |
00:46:16 |
Do you want to go first? |
00:46:21 |
Hail Mary full of grace. |
00:46:23 |
Conceived without sin. |
00:46:29 |
Go on, child. |
00:46:33 |
But... |
00:46:36 |
I have nothing to confess, sir. |
00:46:41 |
I've done nothing wrong. |
00:47:10 |
Julia... |
00:47:11 |
What do I tell them? |
00:47:14 |
I don't know what to say. |
00:47:20 |
"Dear parents, brothers |
00:47:24 |
"Dearest..." |
00:48:09 |
Valentin... |
00:49:03 |
Father, never let go |
00:49:05 |
of your strength and peace of mind |
00:49:08 |
until the very end. |
00:49:11 |
Do not be overwhelmed by tears. |
00:49:14 |
My hand does not tremble |
00:49:20 |
My dear, |
00:49:21 |
most darling boy. |
00:49:24 |
In these last instants, |
00:49:29 |
I shall die with my head high, |
00:49:32 |
only for doing good. |
00:49:35 |
They're not killing me |
00:49:38 |
They're killing me |
00:49:41 |
and worth dying for. |
00:49:44 |
I say farewell in hopes that |
00:49:48 |
Your daughter, with love... |
00:49:54 |
I die as any innocent person should. |
00:49:57 |
Goodbye, Mother. |
00:50:00 |
Goodbye forever. |
00:50:02 |
Your daughter will never again |
00:50:07 |
Let my name go down in History. |
00:50:16 |
Come on, hurry up. |
00:50:34 |
Get in. |
00:50:52 |
Go on. |
00:51:14 |
Julia! |
00:51:15 |
Julia, darling! |
00:51:17 |
Julia! |
00:51:19 |
- Julia! |
00:51:22 |
Julia! |
00:51:27 |
Let her go! |
00:51:29 |
Let her go! |
00:51:31 |
Julia! |
00:51:34 |
Kill me in her place! |
00:51:50 |
We're the Young Guard, |
00:51:55 |
forging the future. |
00:51:59 |
Tempered by suffering, |
00:52:04 |
we shall prevail or die. |
00:52:09 |
Noble is our cause |
00:52:14 |
to free man from slavery. |
00:52:18 |
We'll spill the blood of the young |
00:52:23 |
along the way if we have to. |
00:52:27 |
Beware, |
00:52:30 |
beware, |
00:52:32 |
the bourgeois, |
00:52:36 |
Young Guard, |
00:52:38 |
Young Guard, |
00:52:41 |
give no quarter! |
00:53:23 |
Firing squad! |
00:53:25 |
Line up in two rows! |
00:53:45 |
Everybody out! |
00:53:47 |
Single file! |
00:53:48 |
Hurry up! |
00:54:10 |
Squad! |
00:54:13 |
- Let's go! |
00:54:24 |
Right turn! |
00:54:28 |
First row, left knee! |
00:54:38 |
Quickly! |
00:54:53 |
You're not men! |
00:54:55 |
You have no hearts! |
00:54:58 |
Otherwise you wouldn't be here! |
00:55:16 |
Squad... |
00:55:18 |
Ready. |
00:55:46 |
Aim! |
00:55:53 |
Stop moving! |
00:55:56 |
Keep still! |
00:55:58 |
Hold on! |
00:56:01 |
Keep aiming at them! |
00:56:06 |
Aim! |
00:56:13 |
Fire! |
00:56:43 |
Carmen. |
00:58:45 |
My dear, most darling boy. |
00:58:49 |
In these last instants, |
00:58:54 |
I shall die with my head high, |
00:58:56 |
only for doing good. |
00:58:58 |
You know that better than anyone, |
00:59:00 |
Fire! |
00:59:03 |
All I ask is be good. |
00:59:04 |
He's still moving! |
00:59:06 |
Love everyone and never hold a grudge |
00:59:10 |
your parents. |
00:59:14 |
Good people never hold grudges. |
00:59:17 |
You have to be a good man, |
00:59:20 |
hard-working. |
00:59:24 |
Enrique, |
00:59:26 |
never let them erase |
00:59:31 |
Make sure you take your first |
00:59:35 |
Let religion guide you as it did me. |
00:59:40 |
I'd keep writing you until the end, |
00:59:45 |
My boy, |
00:59:47 |
my child... |
00:59:50 |
for all eternity. |
00:59:55 |
Yours with love that shall never end, |
00:59:58 |
an eternal kiss from your mother. |
01:00:17 |
On August 5th, 1939, |
01:00:19 |
43 men and 13 women |
01:00:22 |
Almost all minors, the women |
01:00:27 |
The documents and letters cited |