Last Exorcism The
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Cotton. |
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Well, what's this? I got him. |
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No. |
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What's this? |
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a little troublemaker. |
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Yes. |
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We're going to church. |
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Come on, come on, come on. |
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Want to get the door? Thank you, Justin. |
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Thanks. |
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One of the most anointed men of God |
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I think you know my son. |
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I think you know my son. Yeah. |
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Reverend Cotton Marcus. |
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I started preaching pretty young. |
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You know, my father was a preacher, |
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...that's gonna bring the people in, |
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...and, well, frankly, get them in their wallet, |
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and, you know, |
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So, he started grooming me |
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Other kids were outside playing, |
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And by the time he invited me up |
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you know, as a surprise, |
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to let the people know |
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...that the Holy Spirit had visited his son, |
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as spontaneous as that act |
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we were ready. |
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I'm saying right here, |
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if you want to know... |
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Do you want to know? |
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Look right here. |
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Well, Cotton is quite a character. |
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He's what you would call a performer, |
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He's a natural creative. |
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For example, we have a local theater here, |
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and he's making |
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He's built props for them, special effects. |
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I mean, |
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And, you know, it starts here with us, |
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but, of course, |
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Do you believe in Jesus Christ? |
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I mean, so many churches are boring. |
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but when Cotton's there, it is never boring. |
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Folks, I'm here to tell you today |
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...with many, many faces. |
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Amen. |
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Right? |
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They're right with God. Right? |
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And some of those faces, |
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You gotta watch out for them. |
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So, I'm here to tell you today, |
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make sure you don't fall for a pretty face, |
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Amen. |
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'Cause that pretty face just may indeed be |
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That's right. |
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'Cause I'll tell you right now, |
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Yeah. |
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It's all about rhythm. |
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you hallelujah, and blood of Christ. |
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They love the blood, and... |
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Yeah, I mean, |
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You get them in the right spot, |
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I mean... |
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No, they're so much so not listening, |
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I could talk about |
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Oh, God, no. |
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See, now you're... |
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No, you're underestimating your crowd. |
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When I go back in there, |
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No, don't do that. That's embarrassing. |
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Do you believe that if you go ahead |
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you can be cleansed of all your sins |
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Amen. |
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Can I get an amen? |
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Can I get a hallelujah? |
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Can I get a hallelujah and an amen? |
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Do you know if you take two ripe bananas, |
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and you put some sugar |
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you can go and pull it out |
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Hallelujah. |
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Hallelujah, yes, you can. |
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Praise Jesus, praise Jesus. |
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We're in my dad's office, |
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'cause he doesn't let anybody in his office. |
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Don't let them see the combination, Dad. |
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I won't. Yeah. |
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Yeah, please don't film this combination, |
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To be honest with you, |
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Me and my accountant. |
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This is the Hortus deliciarum. |
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There are about 20 in the whole world. |
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You can show it to them. Show it to them. |
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This book describes |
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Helps you identify them, |
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and then recommends the process |
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We have had exorcists in our family |
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Generations. And, we... |
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How many exorcisms you think |
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Hundred and fifty. |
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The original story of Lucifer is this: |
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Some people say that he was actually |
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for lack of a better word. |
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but he decided |
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and with that, God cast him out of heaven. |
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He took a third of the host of heaven |
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and those are your demons |
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And then what you have, basically, |
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You have the soul of man |
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God wants you to turn to the light of him, |
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Because ultimately Satan wants |
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The Bible is filled with demons. |
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If you believe in God, |
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Jesus himself was an exorcist. |
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Therefore, if you are Christian |
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...and you believe in Jesus Christ, |
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Mostly people contact me by my website. |
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Yeah. But this, this is old school. Yeah. |
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That's from Ivanwood. This is from Georgia. |
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And this one says, |
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Exorcism is alive and well |
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People think of it as being a scourge |
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...that somehow went away |
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but the fact of the matter is |
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Exorcism today |
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The Vatican used to have, like, |
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Now they have well over 300, |
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And, you know, |
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And that's just the Roman Catholic Church. |
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They get all the press |
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and that's what's sort of culturally... |
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But the reality of it... |
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...is that exorcisms are performed |
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As a little boy, I thought this was |
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Tell me what your dad does. |
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He fights with the demons |
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...and all the monsters. |
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And fights all the ghosts |
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And the monsters. |
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Do you believe in ghosts? |
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Does your dad believe in ghosts? |
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I do not believe in actual demons, no. No. |
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But when I was doing exorcisms, |
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It's not like I saw any demons |
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So, for the last something-odd years, |
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That's your word, not mine. |
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I would say that for the last couple of years, |
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what I've been doing |
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which is delivering a service for a person |
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I'm not saying I'm a doctor, |
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but I am saying that I helped heal people |
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And what ailed them sometimes |
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...that they were possessed by a devil, |
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and if I helped make that thought go away |
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I got a life, I got a family to feed. |
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Well, basically, everything changed |
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He was born early, and so there was |
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...our son was gonna be alive, |
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and then finally, |
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And in that moment, |
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and he was just, like, |
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The best I can do is say, |
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I should have been thanking God, |
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I mean, it just wasn't. |
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That was a real crisis of faith. |
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I started to question whether I actually ever |
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I just... Boom, you know, |
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Yeah, I was good, |
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and so who wants to stop that? |
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So, even when I started to have |
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...of maybe I don't believe in God, |
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and yet I'm still presenting myself |
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I mean, I was on autopilot. It's what I do. |
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But it wasn't easy. You know, it got harder. |
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He would have quit eventually, |
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but there was this one story, |
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His name was Victor Turoy, |
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This little boy was autistic, |
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and he was suffocated to death |
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with well-meaning people trying to get |
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I read that article and at the same time, |
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and I started having |
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...where I was the exorcist... |
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...and I was wrapping a plastic bag |
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I was watching my son die every night, |
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It was not long after that, |
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and he came out of the office, |
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and he had this story about the new pope |
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I mean, he was visibly shaken, |
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and he said, 'Do you know |
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You know, and that's when |
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I had to get out of that. I'm not interested |
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I'm not participating in... |
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What I want to do is expose exorcism |
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and that's why we're doing this. |
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So if I can help expose it |
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...and save one kid from having |
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that sounds like God's work. |
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What I thought we'd do |
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...and we will follow that request |
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and I'll let you follow me, |
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and that way you can film |
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Pick the one on top. |
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They're basically all the same. |
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There's a whole bunch |
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...who are definitely convinced |
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There's probably some sort of crop failure |
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'I feel that I am dealing with a case |
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'My livestock is being slaughtered nightly.' |
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'Little doubt |
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'Please, please, please,' right? |
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Looks like we're going to Ivanwood. |
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Get Daddy's candlesticks, okay? |
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I love you. |
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Give me a hug. |
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You just really... |
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Bye, guys. Love you. |
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It's amazing down here. |
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Nothing like it in any other part |
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Some of the plantations here have been |
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And this is the only part of the country |
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so it's a real mix of culture and superstition |
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You've got voodoo, you've got |
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all these different beliefs, you know, |
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And they're all looking to save you. |
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There's a lot of illiteracy |
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and between that |
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it's like a perfect breeding ground |
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Can't fight the devil without the armor. |
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Granted, it's linen, but it's hot down here. |
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Sorry, sorry. |
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Yeah, I'm gonna miss this. |
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Maybe I'll sell real estate. |
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Turning onto Louisiana Interstate 39. |
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Down here, if you ask five people |
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they'll give you 10 demon stories. |
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Yeah? We have time for that? |
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Sure, absolutely. |
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About 10 miles out of it. |
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Is Bush that way, as well? |
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Okay. |
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You hear so many things about that, |
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I think that the very gates to hell is right |
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Would you... Would you... |
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There was a cult in this area, |
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A cult? |
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Won't be able to describe |
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but when you get to the Sweetzer farm, |
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they'll be able to give you specific... |
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This guy that ran the cult... |
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...was so disturbed that |
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...that he would, like... He needed to, |
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Sure. |
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Where's the UFO landing site at? |
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That is actually in that direction. |
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Maybe we could ask this guy. |
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No, he's stopping, he's stopping. |
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Hey, afternoon. |
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A documentary, actually. How's it going? |
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Cool. |
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Well, we're looking for the Sweetzer farm. |
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What was your name? |
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Nice to meet you. |
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The Sweetzer farm, please? |
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I'm Iris. This is Daniel. |
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Sorry, we're just a little behind schedule. |
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No, no problem. |
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Right. |
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You want to make a U-turn, actually. |
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You want to take this road and go straight. |
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You'll see things |
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You're gonna hit the highway. Okay? |
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And then I want you to go back |
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Are you kidding? |
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No, I'm not kidding. |
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Sorry about that. |
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Okay. Whoa, whoa, whoa. |
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What? What? Keep going. |
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What's he doing? What's he doing? |
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You okay? |
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Yeah. |
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Seems like the end of the road. |
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Here's a farmhouse of some sorts. |
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You know what? |
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Let me just make sure it's him |
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All right. |
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Mr. Sweetzer? |
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How you doing? Cotton Marcus. |
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Nice to meet you. Pardon my dress, |
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No, no, no. That's... |
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I understand that. Well, listen. I can't thank |
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Absolutely. I reckon... I just figured... |
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Hey. Watch out for this kid. |
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We just met him on the road. |
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My apologies. |
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Well, you know, |
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We asked for... Doesn't really matter. |
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Hi. Thank you so much. |
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What's your problem, boy? |
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You got cameras? |
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I was gonna tell you about that. |
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This is Iris and... |
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And Daniel. |
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Appreciate it. |
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Let's go ahead and just turn it off |
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and let's go talk about it, as a matter of fact. |
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Yeah, great. |
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This is the second bull I've lost. |
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Two goats and, I don't know, |
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Could this have come from an alligator? |
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But an alligator, |
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Not a big, straight cut like that. |
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You don't think |
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No. I'm sure it was Nell. |
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And Nell is? |
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Right. I knew that. |
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I should have read the letter |
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I thought it was Louis, not Nell. |
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That's from last night. |
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One just like this |
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She doesn't remember this? |
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She doesn't remember anything. |
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And so it really frightened her a lot, |
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Hello. Is that Nell? |
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Hello, Reverend Marcus. |
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Nice to meet you. |
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Thank you for coming up. |
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Hi. |
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This is my room. |
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Did you do those? |
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Wonderful. |
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And this is actually |
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She's not from the Bible. |
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Yeah. |
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it's really well thought out. |
00:19:15 |
Well, that's... |
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So, I just want to, you know, |
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tell me how you're feeling. |
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Your dad told me about the livestock. |
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What do you know about that? |
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Well, I can only think one thing, |
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Do you remember killing them? |
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No, but... |
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Do you remember walking down the stairs? |
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Do you remember walking outside? |
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Do you remember doing anything |
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No, but... |
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Well, then maybe you didn't do |
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As I mentioned in my letter, |
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It was cancer, |
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and she was being treated, |
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and then six months later, |
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and three weeks after that she was gone. |
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It was quite a shock, especially for Nell. |
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Just coming into young womanhood, |
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I saw that picture downstairs. |
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Really? |
00:20:16 |
Yeah, I saw the painting downstairs. |
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That's such a compliment. |
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She is. Well, so is her daughter, so... |
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Thank you so much. Thank you, sir. |
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Were you very close? Plus being a mom. |
00:20:28 |
Yeah. That's safe to say. |
00:20:33 |
Did Caleb act any different |
00:20:37 |
I think Caleb got frustrated. |
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He got kind of scary. |
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How about your father? How has he been |
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It hit him very hard. |
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It hit him... |
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If it weren't for my wife, Delle, |
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I don't think I would have made it through. |
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So, since she died, |
00:21:02 |
...to give my children |
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I'm not real crazy about the influences |
00:21:11 |
and therefore I decided |
00:21:16 |
For a while, I let her go |
00:21:19 |
but that just didn't seem right, either. |
00:21:22 |
Pastor Manley didn't really teach |
00:21:26 |
So, that's why he pulled me out. |
00:21:28 |
Your dad likes religious music then? |
00:21:29 |
Yeah. Yeah. |
00:21:31 |
I've tried keeping her |
00:21:35 |
maybe even a little too protective. |
00:21:40 |
But somehow, still, the devil got in her. |
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Her mother gave her a small crucifix, |
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The symbol of our Lord, |
00:22:05 |
I don't know if it's Nell |
00:22:09 |
I know she's really isolated out here. |
00:22:12 |
But the burning cross, |
00:22:16 |
You get a reaction like that on your skin, |
00:22:24 |
Hey, son. |
00:22:26 |
Hi. |
00:22:27 |
Why were you throwing rocks at me? |
00:22:33 |
Are you still gonna perform an exorcism? |
00:22:35 |
An exorcism? Well, I don't know. |
00:22:41 |
'Cause, apparently, there's deaths involved |
00:22:46 |
Well, if you're worried |
00:22:47 |
I'm here to go ahead and assure you |
00:22:50 |
I'm here to help. |
00:22:51 |
We don't need your help, though. |
00:22:54 |
Well, your livestock do. |
00:22:56 |
You know anything about that? |
00:22:57 |
I know my father's a superstitious drunk. |
00:23:00 |
Really? |
00:23:02 |
Well, do you think he's superstitious |
00:23:06 |
It's possible, you know. I don't know. |
00:23:09 |
Do you think |
00:23:11 |
No, I don't. I don't think Nell's the problem. |
00:23:14 |
Nell doesn't need help. |
00:23:16 |
Well, I... |
00:23:17 |
If anything happens to her, |
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And I don't care if the camera's watching. |
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Okay? It can watch all it wants. |
00:23:29 |
Thank you. |
00:23:32 |
Thank you. |
00:23:35 |
There you go. Nice and relaxed. |
00:23:37 |
You're not nervous, are you? |
00:23:38 |
Okay, 'cause you can't be nervous |
00:23:41 |
Okay. Let's try again. There you go. |
00:23:44 |
Feel any pressure? |
00:23:45 |
You do? |
00:23:48 |
Well, my throat's been a little sore |
00:23:51 |
So, you have a sore throat, as well? |
00:23:53 |
Well, just 'cause I've been waking |
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That's all right. |
00:23:57 |
It's absolutely fine. |
00:24:01 |
...and the loss of appetite |
00:24:05 |
Whoa. |
00:24:08 |
What? |
00:24:10 |
What? |
00:24:12 |
Let me have your finger. Come here. |
00:24:14 |
Right back here. Can you feel that? |
00:24:17 |
Right there, that indention? |
00:24:22 |
Have you always had it this deep? |
00:24:24 |
Have you guys checked this at all? |
00:24:26 |
Yeah, it's a lot deeper now. |
00:24:28 |
Louis, would you get me a pan of water |
00:24:32 |
Pan of water. Excuse me. |
00:24:34 |
I need you to take |
00:24:37 |
Very pretty shoes you got. |
00:24:39 |
Thank you. |
00:24:43 |
I like your shoes. They're real nifty. |
00:24:47 |
Want to try them on? Here you go. |
00:24:52 |
Hey, they look good on you. |
00:24:54 |
They look... |
00:24:55 |
They're yours. |
00:24:56 |
No way, Miss Iris. |
00:24:58 |
I got a pair of Converse in the car. |
00:25:00 |
You look good in them, and I'm sure |
00:25:03 |
Oh my, Miss Iris. This is the nicest thing |
00:25:06 |
Dad, look. Miss Iris gave me her boots. |
00:25:09 |
Well, let's take them off your feet right now. |
00:25:13 |
There you go. |
00:25:17 |
Okay, lift them up. |
00:25:19 |
Let's all close our eyes for a moment. |
00:25:22 |
...to help us out |
00:25:25 |
Oh, Lord, we ask you |
00:25:32 |
give us your hope and give us your clarity. |
00:25:35 |
We ask you to please take care of Nell, |
00:25:39 |
and in this test, may you please show us |
00:25:43 |
...of whether or not we should continue |
00:25:45 |
if we should go ahead and indeed find out |
00:25:47 |
...continue down the path... |
00:26:00 |
Is this regular water? |
00:26:02 |
Yes. |
00:26:05 |
That's the temperature change. |
00:26:08 |
I was afraid of this. |
00:26:16 |
It's okay. |
00:26:19 |
I'm afraid that I suspect that Nell |
00:26:24 |
'Abalam.' |
00:26:25 |
Abalam. |
00:26:28 |
What is this? What is... |
00:26:30 |
Do you not read Latin? |
00:26:32 |
It's all right. I got it for you. |
00:26:34 |
What this tells us is... |
00:26:37 |
Abalam. Inside. Abalam. |
00:26:39 |
Right there. See, you can see. |
00:26:43 |
What it says is he's very powerful. |
00:26:45 |
He is perhaps the most powerful being |
00:26:48 |
What he does is like a snake. |
00:26:49 |
He wraps himself around the coil, |
00:26:53 |
and that is why |
00:26:55 |
up, down, like Nell was showing. |
00:26:57 |
The thing about Abalam is that he preys |
00:27:03 |
He defiles the flesh of the innocent. |
00:27:06 |
That is what he does. |
00:27:09 |
And it's particularly bad |
00:27:12 |
Look at him. |
00:27:14 |
It says right here that the possessed's |
00:27:22 |
What? The only salvation is death? |
00:27:26 |
Unless she is exorcised. |
00:27:30 |
You're a fraud. |
00:27:33 |
Hello, Caleb. |
00:27:37 |
You threw something in there. |
00:27:40 |
I saw you. But I won't tell, okay? |
00:27:44 |
I don't know what you're talking about. |
00:27:48 |
That was really good. |
00:27:50 |
We don't have any problems now. |
00:28:26 |
This will shake nicely. |
00:29:13 |
Come in. |
00:29:21 |
Come now. Stand here for a second. |
00:29:25 |
Caleb, if you would, over there. |
00:29:28 |
Nell, go ahead. Get on the bed. |
00:29:30 |
You can sit or you can lay down. |
00:29:41 |
Are you comfortable? |
00:29:42 |
Yes, sir. |
00:29:45 |
Gentlemen, I do not need your help |
00:29:48 |
I ask you to respectfully stay over there. |
00:29:49 |
What I need from you gentlemen |
00:29:51 |
Yes, sir. |
00:29:55 |
Because why we are here is because |
00:29:59 |
Isn't that right? |
00:30:02 |
Well, then let's do that. Let's start |
00:30:04 |
Please, let us close our eyes. |
00:30:06 |
'Beside restful waters, he leads me. |
00:30:08 |
'He guides me in the right paths, |
00:30:11 |
'Even though I walk in the dark valley, |
00:30:14 |
'for you are by my side with your rod |
00:30:18 |
Do you have courage, Nell? |
00:30:20 |
Do you believe in Jesus Christ, Nell? |
00:30:21 |
Do you believe |
00:30:23 |
Yes, sir. |
00:30:26 |
I say, demon, begone, |
00:30:28 |
I say, demon, cast yourself out. |
00:30:31 |
In the name of Jesus Christ, our Lord, |
00:30:34 |
I say, demon, begone. |
00:30:35 |
I command thee to begone. |
00:30:40 |
No, demon. Don't listen. |
00:30:47 |
No. No, no. |
00:30:52 |
Don't worry. |
00:30:53 |
Don't listen to that, Louis. Pay no attention. |
00:30:57 |
Pay no attention. For he is the father of lies. |
00:31:00 |
All he knows are lies, |
00:31:03 |
Oh, my God. |
00:31:04 |
Our Father who art in heaven... |
00:31:07 |
...please, please. |
00:31:08 |
...by the power, by the power, |
00:31:12 |
Sound is so important. Got my player. |
00:31:15 |
I go ahead and program |
00:31:24 |
Trust in the Lord. The Lord shall save you. |
00:31:27 |
Reverend, the... |
00:31:29 |
Reverend, he is here. He's here. |
00:31:31 |
Do you believe in Christ? |
00:31:33 |
Do you believe that Christ |
00:31:36 |
Yes, Christ can heal me. |
00:31:38 |
That's right. Be healed. Be healed. |
00:31:40 |
Say, I love Jesus. |
00:31:42 |
Say that I love Jesus. I love Jesus Christ. |
00:31:44 |
Believe in Christ Jesus, be saved. Saved. |
00:31:47 |
These are two 9-volt batteries, |
00:31:51 |
And then you go ahead and run |
00:31:54 |
and then you attach it right in there. |
00:31:55 |
Believe, believe. Believe, believe, believe. |
00:32:00 |
Oh, my God... |
00:32:02 |
In the name of Jesus Christ, |
00:32:06 |
In the blood of Christ, demon, get thee out. |
00:32:13 |
I can't do it. |
00:32:16 |
You have to. You have to. |
00:32:22 |
God, take me. |
00:32:25 |
Grant me thy will, O Lord. |
00:32:29 |
Let me take the demon. |
00:32:40 |
Praise God. |
00:32:42 |
The demon is gone. |
00:32:43 |
Are you okay? |
00:32:44 |
The demon is gone. The demon could not |
00:32:49 |
Praise God. |
00:32:59 |
You're okay? |
00:33:09 |
How's she doing? Yeah. |
00:33:13 |
With a little smile on her face. |
00:33:15 |
That's fantastic. |
00:33:16 |
It's all there? |
00:33:23 |
Thank you. Take care. |
00:33:25 |
Thank you all. Thank you. |
00:33:27 |
No, I was just saying thank you. |
00:33:33 |
Reverend? |
00:33:35 |
I don't understand. |
00:33:38 |
Reverend. |
00:33:41 |
The Lord has a prophecy for you, Louis. |
00:33:45 |
The Lord says he knows your pain. |
00:33:47 |
He knows |
00:33:50 |
The Lord says, rejoice for she is with him. |
00:33:54 |
The Lord does not want |
00:33:56 |
The Lord does not want you to stuff |
00:33:58 |
...and your burden into this bottle |
00:34:00 |
No, sir. |
00:34:01 |
No, sir, no. Lord, I won't. |
00:34:04 |
I won't. |
00:34:07 |
and in its place, |
00:34:10 |
He wants you to accept the Lord's love. |
00:34:12 |
I will. Thank you, Lord. |
00:34:14 |
That was highly impressive. |
00:34:17 |
Thank you. |
00:34:19 |
Much more than I expected. |
00:34:31 |
Hey, Louis. |
00:34:33 |
Now, just remember. |
00:34:34 |
I took the devil out of your house, |
00:34:38 |
Yes, sir, I'll do that. |
00:34:40 |
Now, listen. You sure |
00:34:42 |
No, no, no. Thank you for your hospitality. |
00:34:44 |
We're gonna find a motel up the road. |
00:34:46 |
All right. |
00:34:54 |
She did? Well, why don't you put her on? |
00:34:57 |
Can you do that for me? |
00:35:02 |
Brush them. |
00:35:03 |
Justin said you were crying. Is that true? |
00:35:11 |
We're paid up on that. |
00:35:13 |
We are paid up on that. I am sure of it. |
00:35:18 |
Who's Cassandra? |
00:35:20 |
You know, |
00:35:24 |
I thought that'd be cool. |
00:35:28 |
And now, frankly, |
00:35:34 |
You got what you needed today? |
00:35:36 |
Thank you. You have a good night. |
00:35:39 |
Good night, good night. |
00:36:17 |
What is she doing here? |
00:36:19 |
I don't know. |
00:36:21 |
I don't know. She hasn't said a word. |
00:36:22 |
Nell? Can you hear me? |
00:36:25 |
She hasn't responded |
00:36:26 |
Where's her dad? |
00:36:28 |
What do you mean, you don't know? |
00:36:31 |
Nell. Nell. |
00:36:33 |
I think she's bleeding. |
00:36:37 |
Nell, are you okay? Honey? |
00:36:44 |
Honey, can you hear me? |
00:36:50 |
Okay, be gentle with her. |
00:36:53 |
Honey, can you tell us how you got here? |
00:37:08 |
Honey. |
00:37:11 |
I'm not getting any answer here. |
00:37:18 |
Nell, stop. |
00:37:21 |
Okay. No, we need to get her to a hospital. |
00:37:27 |
Nell. Nell. Oh, my God. |
00:37:39 |
I've seen people react, but not 10 hours |
00:37:42 |
Their farm is 5 miles away from the hotel, |
00:37:44 |
and how did she even know |
00:37:47 |
And that's why I don't work with kids. |
00:37:49 |
Is there a doctor around? |
00:37:50 |
Well, yes, but what... |
00:37:51 |
Hey, where are you |
00:37:53 |
Sorry. He's with me. |
00:37:54 |
Okay, well, he can't be with you. |
00:37:56 |
Okay, well, he's not gonna shoot inside. |
00:37:58 |
As a matter of fact, |
00:38:00 |
We don't allow filming in here. |
00:38:03 |
I understand. No problem. We'll turn it off. |
00:38:04 |
What part of turn the camera off |
00:38:05 |
Take the camera outside |
00:38:10 |
Excuse me, sir? |
00:38:13 |
Thank you. |
00:38:14 |
Is that the doctor? |
00:38:17 |
Yeah. Yeah. |
00:38:19 |
Well, it looks like we got |
00:38:22 |
And? |
00:38:24 |
So, what we're gonna do |
00:38:27 |
Can you run |
00:38:29 |
No, we'd have to have |
00:38:31 |
Now, what we're gonna do is, |
00:38:32 |
we're gonna wait |
00:38:46 |
This is Mr. Sweetzer. |
00:38:48 |
Louis Sweetzer, I'd like to see my daughter. |
00:38:49 |
This is the father. |
00:38:50 |
Mr. Sweetzer, if you can wait just a minute, |
00:38:52 |
let me see |
00:38:53 |
So, this is... |
00:38:55 |
then she was lying on the bed. |
00:38:56 |
You watched her do all this? |
00:38:58 |
I did call you, but nobody answered. |
00:39:01 |
Louis, I feel very strongly that she needs to |
00:39:04 |
She's a young girl. A doctor... |
00:39:05 |
Yeah? Pardon me. |
00:39:07 |
Thank you. |
00:39:08 |
What is this? |
00:39:09 |
That's gonna be |
00:39:11 |
This is just for release. |
00:39:14 |
No, sir. |
00:39:15 |
...that he could sign |
00:39:17 |
Can we have that? |
00:39:19 |
Louis, how do you get... Since we're here. |
00:39:20 |
I'll let him talk to the doctor. |
00:39:23 |
It looked like |
00:39:25 |
considering what she's been through... |
00:39:29 |
Mr. Sweetzer. |
00:39:31 |
Nell, how you doing? |
00:39:32 |
Do you remember |
00:39:35 |
Did you know you were at his hotel? |
00:39:38 |
Do you want to wait and talk to the doctor, |
00:39:40 |
No, I don't. |
00:39:48 |
What happened, Reverend? |
00:39:50 |
Well, I believe that the demon is gone. |
00:39:52 |
It's as if Nell's house had been vandalized. |
00:39:55 |
The robber is gone, but we need somebody |
00:39:58 |
No, don't slough it off |
00:40:01 |
Eight of them could not save my wife. |
00:40:04 |
Eight of them could not prolong her life |
00:40:08 |
And psychiatry? Psychiatry is not of God. |
00:40:11 |
Louis, the tools that God provides for us... |
00:40:13 |
...sometimes are not always the tools |
00:40:17 |
'Our weapons of war are not carnal. |
00:40:20 |
'They are mighty in God |
00:40:24 |
Am I right? Am I right? |
00:40:27 |
Yes, yes, yes. Absolutely. Amen to that. |
00:40:32 |
He's stuck on this idea that |
00:40:36 |
He's not gonna listen to anything |
00:40:39 |
Let's get somebody local. |
00:40:43 |
It's got to be that one over there. |
00:40:48 |
Hi. |
00:40:49 |
I'm Reverend Cotton Marcus |
00:40:51 |
Hi, I'm Becky. |
00:40:53 |
From where? |
00:40:54 |
Okay. |
00:40:57 |
if he's around by any chance. |
00:41:00 |
What are you all doing? |
00:41:04 |
So, are you all shooting this now? |
00:41:09 |
So, will I be in it? |
00:41:13 |
Pastor Manley, we've got us some visitors. |
00:41:16 |
Afternoon, Reverend Cotton Marcus |
00:41:18 |
Welcome to Second Calvary. |
00:41:20 |
Thank you. |
00:41:21 |
I know he respects the church, |
00:41:24 |
but at this point, since I'm an outsider, |
00:41:28 |
'cause I'm pushing him to go see a doctor, |
00:41:30 |
and I was hoping you could back me up. |
00:41:33 |
Well, let me tell you my history with Louis. |
00:41:35 |
When she was unexpectedly |
00:41:39 |
Right. |
00:41:42 |
but he was definitely hostile. |
00:41:45 |
He felt that our Sunday school curriculum |
00:41:49 |
and this was not the same Louis |
00:41:53 |
Did he threaten you at all? |
00:41:56 |
but there were voices raised. |
00:41:59 |
So, I think I'm the last guy... |
00:42:02 |
...that Louis would really take counsel from. |
00:42:05 |
And as I say, I mean, I wasn't afraid, |
00:42:09 |
How long ago was this? |
00:42:12 |
Two, I guess it's... Since I've seen Nell, |
00:42:16 |
It's been two years? |
00:42:19 |
No. And I heard about |
00:42:21 |
I'm not really one to sit here |
00:42:25 |
I will say that Nell was, when she was here, |
00:42:30 |
and I just don't think to be cut off is, |
00:42:36 |
Would you be willing to come out |
00:42:38 |
Lf... Okay, I tell you what. |
00:42:40 |
You get Louis to agree for me |
00:42:45 |
and I'll be happy to do that. |
00:42:48 |
I have a good friend, |
00:42:49 |
psychiatric head of the department |
00:42:54 |
Right. Okay, well, I'm gonna |
00:42:56 |
Well, let me know. Great. |
00:42:58 |
You get the pastor to make his contact... |
00:43:03 |
That doesn't look good. |
00:43:07 |
I want my mother. I want my mother. |
00:43:13 |
She's fine. Get that damn camera off. |
00:43:20 |
Oh, my God. What happened? |
00:43:27 |
Can you write? |
00:43:31 |
All right, all right. All right, here. |
00:43:42 |
Caleb? Caleb? |
00:43:47 |
Louis, we need to get him to the hospital. |
00:43:49 |
Louis, what happened? |
00:43:52 |
and she attacked him with a knife. |
00:43:55 |
She did this? |
00:43:59 |
I got to get him to the hospital. |
00:44:01 |
Could you take him for me? |
00:44:03 |
Louis, what if the demon comes back? |
00:44:13 |
You be well. |
00:44:18 |
Look what Caleb wrote. |
00:44:27 |
That's why I wanted to stay. |
00:44:31 |
Nell? |
00:44:34 |
Nell, honey. Can we come in? |
00:44:39 |
He locked her in. |
00:44:44 |
Oh, my God. Hey. |
00:44:45 |
Are you kidding? |
00:44:49 |
something to get her out of that. |
00:45:02 |
I'm bad. I am. I'm bad. |
00:45:05 |
No, you're not. You're not bad. |
00:45:08 |
He's gonna be mad when he comes home |
00:45:12 |
Okay. |
00:45:13 |
I'm not gonna go to heaven. |
00:45:15 |
You'll go to heaven. All right? |
00:45:20 |
I remember hearing screaming, |
00:45:26 |
Does Caleb frighten you at all? |
00:45:28 |
...or tease you or anything like that? |
00:45:34 |
Nell, has your father ever hurt you? |
00:45:38 |
No. |
00:45:41 |
You can tell me. |
00:45:48 |
Let's put you back into bed. |
00:46:28 |
You hear that? |
00:46:48 |
Is she sleepwalking? |
00:46:54 |
Nell? |
00:47:00 |
Honey, can you hear us? |
00:47:10 |
Honey? |
00:47:29 |
Nell? |
00:47:31 |
Oh, my God. Nell. Nell. |
00:47:38 |
Okay. It's okay. Right here. |
00:47:39 |
Just a doll. You're giving your doll a bath. |
00:47:41 |
Hey. Here we go. |
00:47:47 |
Here we go. It's all right, honey. |
00:47:50 |
Let's take her to bed. |
00:47:53 |
Well, you look better. |
00:48:00 |
Did you make this? |
00:48:05 |
No. |
00:48:10 |
This is what I got |
00:48:20 |
I don't know how she'd know Latin, though. |
00:48:23 |
Maybe Louis taught her. |
00:48:28 |
So, it's Nell making those baby noises? |
00:48:31 |
Nell. |
00:48:47 |
What's going on? |
00:48:50 |
...for her nausea, |
00:48:54 |
Hi, this is Dr. Kile |
00:48:58 |
We just want to make sure |
00:49:02 |
as the person that prescribed it |
00:49:05 |
And you can give her Pepto-Bismol |
00:49:10 |
Well, this explains it. There you have it. |
00:49:12 |
Your underlying trauma. |
00:49:13 |
All they told us was that she was pregnant. |
00:49:15 |
You don't know who she's pregnant by. |
00:49:16 |
We're dealing with incest, okay? |
00:49:17 |
Iris, you can't go saying that sort of thing |
00:49:20 |
It would ruin a person's life, |
00:49:21 |
It's right there. It's obvious. |
00:49:23 |
We have to wait for him to come back |
00:49:24 |
That's exactly what we have to do. |
00:49:26 |
We need to take her, and we need to leave. |
00:49:27 |
We're not taking her anywhere. |
00:49:29 |
Well, then what? |
00:49:30 |
...while her dad's raping her |
00:49:33 |
Okay, why don't we just take a break? |
00:49:35 |
What? What kind of break are we taking? |
00:49:36 |
We have to wait for him, no matter what. |
00:49:37 |
Fine. |
00:49:39 |
Guys, why don't we just take a nap |
00:49:42 |
Okay, great. |
00:50:39 |
Here, kitty, kitty. |
00:51:50 |
Nell. What are you doing? |
00:51:55 |
It's okay. Good girl. Let go. Let go. |
00:51:58 |
Put the camera down. |
00:52:00 |
Let's get some clothes on you. |
00:52:04 |
Seems to be all right. |
00:52:06 |
Guys, come here. Take a look at this. |
00:52:09 |
Oh, my God. |
00:52:11 |
Same cat picture. |
00:52:15 |
Yeah, something's on fire. |
00:52:19 |
And look at this one on the right. |
00:52:20 |
Is that me? |
00:52:24 |
I'm in the fire. |
00:52:27 |
Daniel, you get your head chopped off. |
00:52:33 |
Not comfortable with what? |
00:52:34 |
Well, I'm not comfortable |
00:52:36 |
...who's doing pictures of my head |
00:52:40 |
Relax. It's just a bunch of drawings |
00:52:42 |
Yeah, imagination's one thing, |
00:52:44 |
but she killed those animals, |
00:52:46 |
Well, do you think she's gonna hack you |
00:52:48 |
Is that what you think? |
00:52:50 |
but we've seen signs |
00:52:52 |
They're just drawings, Daniel. You know, |
00:52:53 |
I mean, we happen to be in the house, |
00:52:55 |
and we happen to be in her drawings. |
00:52:56 |
She's a 16-year-old girl. All right? |
00:52:59 |
Yeah, well, a 16-year-old girl... |
00:53:00 |
...and a 16-year-old psychopath |
00:53:03 |
She's psychotic, but she's not capable |
00:53:05 |
Are you worried about that? |
00:53:06 |
I'm just saying |
00:53:07 |
Guys, just take it easy, all right? |
00:53:09 |
We're all tired and... |
00:53:10 |
...we're here to help her, okay? |
00:53:14 |
All right, all right. |
00:54:02 |
They saw you drag him around? |
00:54:14 |
I'm gonna kill them both. |
00:54:20 |
You hear that? |
00:54:42 |
Who were you talking to? |
00:55:02 |
I swear there were two people in there. |
00:55:22 |
...just want to make sure |
00:55:26 |
as the person that prescribed it |
00:55:29 |
And you can give her Pepto-Bismol |
00:55:33 |
which is very common |
00:55:35 |
But please do not give her the Halcyon. |
00:55:38 |
The book was right. |
00:55:39 |
If you have any questions, |
00:55:43 |
The book was right? |
00:55:46 |
What are you talking about? |
00:55:52 |
My daughter is a virgin, 16-year-old virgin. |
00:55:55 |
How did she get pregnant? |
00:55:58 |
I don't think |
00:56:01 |
I think it's more earthly matters |
00:56:07 |
Reverend, I need you to perform |
00:56:10 |
Get rid of that thing. |
00:56:14 |
Louis, I'm not gonna perform |
00:56:16 |
Reverend, I need you to help me. |
00:56:19 |
I need you to help Nell. Please. |
00:56:22 |
I don't believe a demon had anything |
00:56:24 |
Reverend, I need you to do another |
00:56:26 |
Louis, this is not about an exorcism. |
00:56:28 |
Louis, I'm not gonna do an exorcism. |
00:56:31 |
I know this must be really hard to hear, |
00:56:35 |
but Nell's welfare |
00:56:40 |
Right, Louis? |
00:56:45 |
Reverend, if you can't save |
00:56:54 |
What are you talking about? |
00:56:57 |
I would like you all to leave my property. |
00:56:59 |
If you're not off my property in five minutes, |
00:57:04 |
Now, Louis. |
00:57:17 |
I bet he doesn't want to take her to a doctor. |
00:57:20 |
What are you gonna do? |
00:57:22 |
I don't want to wait around to find out |
00:57:24 |
I'm afraid he's gonna try to hurt her. |
00:57:27 |
Death is the only salvation. |
00:57:29 |
Yeah, I know. I think you're right. |
00:57:32 |
We should just take her. |
00:57:34 |
How are we gonna do that? |
00:57:38 |
What's he doing? |
00:57:43 |
He's got a lot of guns in the house, Cotton. |
00:57:48 |
Come on. |
00:57:53 |
Cotton, what is that? |
00:58:01 |
Nell? |
00:58:13 |
I have a key. I have a key here. |
00:58:24 |
Nell. |
00:59:15 |
Come on, honey. |
00:59:19 |
It's us. Come on. |
00:59:27 |
There you go. |
00:59:32 |
That's a good girl. Right here, yeah. |
00:59:36 |
It's Cotton. It's Cotton. Come on. |
00:59:38 |
Come on, honey. That's it. |
00:59:41 |
Good girl. It's gonna be okay. |
00:59:46 |
Nell, we're gonna go now. |
00:59:53 |
Are you okay? |
00:59:55 |
Nell. |
00:59:59 |
Nell. |
01:00:06 |
Nell, stop. |
01:00:10 |
Nell? |
01:00:14 |
You okay? |
01:00:22 |
Nell? |
01:00:32 |
Nell? |
01:01:01 |
Here. |
01:01:10 |
What is she doing? |
01:01:54 |
Lights are on. Louis is here. |
01:01:57 |
Let's get out of here. |
01:01:58 |
We'll get back to the hotel. |
01:01:59 |
We'll call the cops from there. |
01:02:01 |
Yeah. |
01:02:06 |
Nell. |
01:02:10 |
Cotton. |
01:02:17 |
Nell? |
01:02:22 |
Nell, are you all right? Honey? |
01:02:29 |
Nell, look at me. Can you look at me? |
01:02:36 |
No. |
01:02:42 |
Iris. |
01:02:46 |
You got her? |
01:02:50 |
Louis. |
01:02:51 |
It's Louis. |
01:02:53 |
Louis, put the gun down, please. Please. |
01:03:03 |
Get the door. Lock the door. |
01:03:07 |
Get away from the door. Come here. |
01:03:09 |
He's coming. |
01:03:30 |
Let her go. Get away. |
01:03:32 |
You don't want to kill her. |
01:03:34 |
No, no. |
01:03:37 |
Nell. No, Nell. |
01:03:40 |
I was wrong. You were right. |
01:03:44 |
I'll do it. |
01:04:05 |
I set out to make this documentary |
01:04:08 |
and now I'm gonna get her killed. |
01:04:10 |
What would you have said? |
01:04:14 |
It's a no-win situation. What, is she gonna |
01:04:19 |
Soon, we're all gonna have |
01:04:21 |
What could a second exorcism |
01:04:59 |
Hey, Nell. |
01:05:15 |
I didn't get him out. |
01:05:21 |
But if you can be strong, |
01:05:27 |
Can you do that for me? |
01:05:31 |
I just need to see him one more time. |
01:05:34 |
It's not that I don't think I can, |
01:05:40 |
It just comes involuntarily. |
01:05:43 |
I don't have any control over |
01:05:48 |
I think you could. |
01:05:52 |
I think if you want to. |
01:05:55 |
I wanted to get better last time, though. |
01:05:57 |
I know. I know. |
01:05:58 |
That was... |
01:06:00 |
I mean, I don't think I could have wanted it |
01:06:03 |
I know. I failed you that time. |
01:06:07 |
But this time, I won't. |
01:06:12 |
But I need you to be willing |
01:06:17 |
I think you can do it. I think... |
01:06:21 |
I think if you just allow yourself, |
01:06:31 |
Nell, can you hear me? |
01:06:33 |
All right, I'm right here. |
01:06:37 |
I'm feeling like I'm falling a lot. |
01:06:41 |
I've got you right here. |
01:06:44 |
But it's getting hard to see you. |
01:06:49 |
Here we go. I'm right here. I'm not going |
01:06:53 |
Right here. |
01:06:57 |
There's nothing there. |
01:06:59 |
There's nothing there. |
01:07:02 |
Right... |
01:07:05 |
It's coming. |
01:07:06 |
Let him come, Nell. |
01:07:07 |
He's coming through my skin. |
01:07:09 |
Get him out of my skin. Please. |
01:07:12 |
It's okay. I'm right here. |
01:07:20 |
Oh, my God. Oh, my God. |
01:07:26 |
Nell? |
01:07:31 |
Nell. |
01:07:35 |
He has her. |
01:07:42 |
Nell, can you hear me? Nell? |
01:07:48 |
Reverend Marcus. |
01:07:57 |
Who are you? |
01:08:06 |
Abalam. |
01:08:10 |
Where's Nell? |
01:08:16 |
She's been there for some time. |
01:08:21 |
Soon you'll join her. |
01:08:25 |
Don't believe the demon's lies, Louis. |
01:08:29 |
The demon's lies? |
01:08:41 |
If I invoke the name of Jesus Christ, |
01:08:44 |
you should be compelled to leave this girl. |
01:08:48 |
If I beseech our Lord and invoke him, |
01:08:51 |
'Put on the whole armor of God, |
01:08:53 |
'that he may be able to stand |
01:08:55 |
'For while we wrestle not |
01:08:57 |
'but against principalities, against powers, |
01:08:58 |
'against the rulers of darkness |
01:09:00 |
'against the spirits. We have...' |
01:09:01 |
Words, words, words. |
01:09:06 |
I'll tell you what. |
01:09:08 |
If you can keep quiet for 10 seconds, |
01:09:13 |
Yes. |
01:09:21 |
One. |
01:09:26 |
Two. |
01:09:31 |
Nell. |
01:09:32 |
Three. |
01:09:35 |
Honey. Honey, stop. |
01:09:50 |
Louis, I'm sorry. |
01:09:55 |
I'll do something, Daddy. |
01:09:57 |
Reverend, how about a blowing job? |
01:10:06 |
What did you say? |
01:10:11 |
What's a blowing job? |
01:10:15 |
Tell me what that is. |
01:10:19 |
You don't even know that's not what |
01:10:23 |
A demon would know what that is. |
01:10:25 |
But maybe not a 16-year-old |
01:10:28 |
Because I don't think you're a demon, Nell. |
01:10:30 |
I don't think you're a demon. |
01:10:32 |
No. |
01:10:33 |
I think you're a little innocent girl who |
01:10:36 |
I think you're an innocent little girl. |
01:10:38 |
That's what I think. |
01:10:41 |
She isn't innocent. |
01:10:45 |
She isn't innocent. |
01:10:48 |
It's okay. It's okay. Let it out. |
01:10:51 |
It's all right. It's just... Turn the camera off. |
01:10:54 |
She isn't... |
01:10:56 |
She isn't innocent. |
01:10:57 |
She isn't innocent. |
01:10:59 |
Turn it off. |
01:11:07 |
She looks like she's resting. |
01:11:09 |
She is relieved, |
01:11:12 |
Praise God. |
01:11:14 |
Louis, do you know a boy named Logan? |
01:11:17 |
He works at a cafe or a restaurant |
01:11:19 |
Is Abalam gone? |
01:11:21 |
Louis, your daughter |
01:11:23 |
Your daughter's suffering from shame. |
01:11:25 |
Nell is pregnant, and the father is Logan. |
01:11:28 |
No, sir. That's impossible. I'm afraid not. |
01:11:31 |
Louis, you have to admit |
01:11:33 |
She's delirious. |
01:11:37 |
Look what she went through. |
01:11:39 |
We'll talk to Nell ourselves, |
01:11:41 |
and you'll see the truth that she has. |
01:11:43 |
Can we do that? |
01:11:44 |
A couple years ago |
01:11:48 |
and he came by and asked |
01:11:50 |
...to go for a ride in his car, |
01:11:52 |
and he was driving a sports car. |
01:11:55 |
It was old, but still a sports car. |
01:12:00 |
And she got in it, |
01:12:05 |
Then he turned to her and he asked her |
01:12:11 |
And she said yes. |
01:12:14 |
She asked him, she said, 'Am I pretty?' |
01:12:18 |
And he said, 'Yes.' |
01:12:22 |
And he took her and he laid her back. |
01:12:24 |
She loved how he touched her. |
01:12:28 |
She said yes. She liked it. |
01:12:43 |
Well, she's right about one thing, |
01:12:47 |
There is a boy that works at that cafe, |
01:12:51 |
and I have no idea what his name is, |
01:13:00 |
Pastor Manley, |
01:13:03 |
Could you please call me back? |
01:13:17 |
Pastor Manley, thank you so much |
01:13:19 |
Reverend Marcus, a pleasure. |
01:13:21 |
Good to see you. Welcome. |
01:13:24 |
Well, just don't forget to smile. |
01:13:27 |
Louis is upstairs with Nell. |
01:13:32 |
She finally admitted that Logan was the boy |
01:13:35 |
Logan. |
01:13:37 |
I know him. |
01:13:39 |
So, frankly, Pastor, |
01:13:40 |
I don't know what more I can do |
01:13:44 |
Is Louis on board with psychological help |
01:13:47 |
Yes, do you... I think Louis would be |
01:13:51 |
I'll be... I'll call him first thing. |
01:13:53 |
Louis. |
01:13:55 |
It's been too long. Good to see you. |
01:13:58 |
My pleasure. |
01:14:00 |
Hello. I'm Louis. |
01:14:04 |
Hey, Nell. |
01:14:06 |
It's good to see you. |
01:14:09 |
'I cried out to you, O Lord. |
01:14:11 |
'my portion in the land of the living. |
01:14:14 |
'Please attend to this child, |
01:14:18 |
'than any possible thing that could |
01:14:23 |
'Bring this child's soul out of prison... |
01:14:25 |
'that I may praise your name.' |
01:14:49 |
I'd be lying if I said I was sure of everything |
01:14:54 |
I've never seen anything like that. Poor Nell. |
01:14:59 |
She's gonna have to get some serious help. |
01:15:03 |
Louis could use some, as well. |
01:15:06 |
Hey, what was the name of that cafe |
01:15:10 |
Riche's, right? |
01:15:13 |
Hi, how you doing? |
01:15:16 |
She's lying, all right? |
01:15:21 |
I don't even know the girl. |
01:15:23 |
It was Pastor Manley's party, |
01:15:26 |
and she saw me, |
01:15:28 |
...for, you know, maybe, |
01:15:31 |
This is Pastor Manley's house? |
01:15:32 |
Last summer? |
01:15:34 |
You sure? |
01:15:38 |
I didn't get her pregnant, though. |
01:15:42 |
She's nice and everything, but I'm not |
01:15:50 |
Girls. |
01:15:55 |
What's a pastor doing throwing a party |
01:15:57 |
He said he hadn't seen her |
01:15:59 |
Yeah, he's lying. And Nell was lying, |
01:16:02 |
Yeah. |
01:16:04 |
To get rid of us? Maybe she wanted |
01:16:07 |
Yeah, but why? |
01:16:11 |
What are you doing? |
01:16:15 |
Going back to the house? |
01:16:45 |
Louis. |
01:17:00 |
Louis. |
01:17:11 |
Oh, my God. |
01:17:31 |
Cotton, the phones have been ripped out |
01:17:36 |
Do you hear that? |
01:17:45 |
Cotton? Cotton? Cotton, listen to me. |
01:17:51 |
Cotton, please. |
01:17:57 |
This is insane. |
01:17:59 |
She's got a point, Cotton. |
01:18:09 |
Turn off that light. |
01:18:45 |
That's Nell right there on the table. |
01:18:54 |
Is that Louis? |
01:18:55 |
It is Louis. |
01:18:57 |
Oh, my God. |
01:19:01 |
I want to get out of here. |
01:19:06 |
That's Pastor Manley. |
01:19:09 |
That's Pastor Manley. |
01:19:13 |
Is he leading the thing? |
01:19:19 |
We got to get help right now. |
01:19:22 |
What are they doing with her? |
01:19:27 |
Oh, God. |
01:19:37 |
Hail Abalam. |
01:19:49 |
Daniel, I want to get out of here. Right now. |
01:20:04 |
We got to go. We got to go. |
01:20:23 |
Cotton, what are you doing? |
01:20:26 |
Demon, you cannot have the soul |
01:20:31 |
The one with the camera. Get him. |
01:20:37 |
Go. Go. Go. |
01:20:48 |
Wait. Please. No. No. |
01:21:39 |
Caleb. |