Laura
|
00:01:07 |
I shall never forget |
00:01:12 |
A silver sun burned through the sky |
00:01:18 |
It was the hottest Sunday |
00:01:22 |
I felt as if I were the only human being |
00:01:28 |
For with Laura's |
00:01:33 |
I, Waldo Lydecker... |
00:01:36 |
was the only one |
00:01:40 |
and I hadjust begun |
00:01:45 |
another of those detectives |
00:01:49 |
I had him wait. |
00:01:54 |
I could watch him |
00:02:10 |
I noted that his attention |
00:02:15 |
There was only one other |
00:02:17 |
and that was |
00:02:20 |
in the very room |
00:02:27 |
Careful there. |
00:02:31 |
Come in here, please. |
00:02:40 |
Mr. Lydecker? |
00:02:42 |
Ah, you recognize me. |
00:02:44 |
Sit down, please. |
00:02:49 |
Nice little place |
00:02:52 |
It's lavish, |
00:02:55 |
I suppose you're here |
00:02:58 |
Yesterday morning, |
00:03:00 |
I was questioned |
00:03:04 |
and I stated... |
00:03:06 |
"On Friday night, Laura had a dinner |
00:03:09 |
"after which she was ostensibly |
00:03:12 |
"She phoned and canceled |
00:03:17 |
- After that I-'' |
00:03:19 |
then got into the tub to read.'' |
00:03:22 |
Why did you |
00:03:24 |
Afraid you'd forget it? |
00:03:26 |
I am the most widely |
00:03:30 |
When my friends do it, |
00:03:33 |
From Sergeants McAvity and Schultz, |
00:03:36 |
Hand me that washcloth, |
00:03:39 |
Mr.- |
00:03:41 |
McPherson. |
00:03:43 |
McPherson. McPherson. |
00:03:46 |
Mark McPherson- |
00:03:49 |
The gangster with the machine gun. |
00:03:51 |
I told the story over the air |
00:03:54 |
Are you the one |
00:03:56 |
- the man who walked right in and got him? |
00:03:58 |
Well, well. |
00:04:05 |
You have a pretty good memory, |
00:04:08 |
I always liked that detective |
00:04:12 |
Thanks. I hope you won't have any reason |
00:04:17 |
- Have you any more questions? |
00:04:20 |
Two years ago, |
00:04:22 |
you started out |
00:04:24 |
but at the bottom of the column, you |
00:04:28 |
Are the processes of the creative mind |
00:04:32 |
You said Harrington was rubbed out with |
00:04:37 |
the way Laura Hunt was murdered |
00:04:40 |
- Did I? |
00:04:42 |
But he was really killed |
00:04:45 |
How ordinary. |
00:04:49 |
I never bother |
00:04:51 |
I do. Well, so long. |
00:04:55 |
Mind if I go with you? |
00:04:58 |
- What for? |
00:05:01 |
I write about it regularly... |
00:05:03 |
and I know you'll have to visit everyone |
00:05:08 |
I'd like to study |
00:05:10 |
- You're on the list yourself, you know. |
00:05:13 |
To have overlooked me |
00:05:16 |
You're not the sort of man |
00:05:20 |
- Do you really suspect me? |
00:05:23 |
McPherson, if you know anything |
00:05:29 |
How singularly innocent |
00:05:33 |
Have you ever seen |
00:05:40 |
Something you confiscated |
00:05:44 |
Takes a lot of control. |
00:05:48 |
No, thanks. |
00:05:50 |
Were you in love |
00:05:56 |
Was she in love with you? |
00:05:58 |
Laura considered me |
00:06:01 |
the most interesting man |
00:06:04 |
I was in complete accord |
00:06:08 |
She thought me also |
00:06:10 |
the gentlest... |
00:06:12 |
the most sympathetic man |
00:06:15 |
Did you agree |
00:06:17 |
McPherson, |
00:06:21 |
but I tried to become |
00:06:25 |
the most sympathetic man |
00:06:28 |
Have any luck? |
00:06:30 |
Let me put it this way. |
00:06:34 |
I should be sincerely sorry to see my |
00:06:38 |
Shall we go? |
00:07:03 |
- Good morning, Lieutenant. |
00:07:06 |
- Waldo. |
00:07:08 |
- I've just taken over the Laura Hunt case. |
00:07:11 |
Thanks. I have |
00:07:13 |
but there are a few more questions |
00:07:16 |
Certainly. I'll do anything |
00:07:18 |
You were fond of your niece, |
00:07:20 |
Why, I adored her. |
00:07:22 |
No, thanks. You collapsed when |
00:07:25 |
I can quite understand that. A shotgun |
00:07:29 |
- It's not very nice to look at. |
00:07:32 |
Her maid Bessie, I suppose |
00:07:35 |
Oh, she worshipped her. |
00:07:39 |
I'll never forget her scream |
00:07:42 |
Did you approve of Miss Hunt's coming |
00:07:46 |
Why? Shouldn't I approve? |
00:07:50 |
I don't know. What is your relationship |
00:07:54 |
What do you mean? |
00:07:56 |
What I mean is, he's been |
00:07:59 |
Is he an acquaintance? Friend? |
00:08:02 |
This is beginning to assume |
00:08:04 |
Oh, shut up, Waldo! |
00:08:07 |
The truth, Mrs. Treadwell. |
00:08:12 |
Why, no. I'm- I'm very fond |
00:08:16 |
- Everybody is. |
00:08:19 |
Oh, don't be |
00:08:21 |
Did you give |
00:08:23 |
- What do you mean? |
00:08:27 |
One on May 15 for $250. |
00:08:32 |
Oh, that. I- |
00:08:35 |
I asked him to do |
00:08:38 |
Shelby's a very obliging fellow. |
00:08:40 |
For some time, also, you've been |
00:08:44 |
Sometimes 1,500. |
00:08:47 |
Sometimes 1,700 at a clip. |
00:08:49 |
Yes. I needed that money. |
00:08:53 |
The day you took out $1,500, |
00:08:58 |
When you withdrew 1,700, |
00:09:02 |
Maybe they were shooting crap. |
00:09:04 |
Oh, must I be insulted like this? |
00:09:09 |
I'm sorry, Mrs. Treadwell, but I have |
00:09:13 |
Shelby needed some money, and I lent it to |
00:09:17 |
- I suppose I can do as I please with it. |
00:09:20 |
Now, on Friday night, Mrs. Treadwell, |
00:09:23 |
- Yes. |
00:09:27 |
Because he didn't ask me. |
00:09:30 |
We were just talking |
00:09:32 |
- What a coincidence to find you here. |
00:09:35 |
- Oh, how do you do, Lieutenant? |
00:09:38 |
As a matter of fact, |
00:09:41 |
My hotel room was so hot, and then all |
00:09:45 |
You know how it is, |
00:09:47 |
I've hardly slept a wink |
00:09:50 |
Is that a sign of guilt or innocence, |
00:09:53 |
I'm at your disposal, Lieutenant. I'm as |
00:09:56 |
But what possible motive |
00:09:59 |
Miss Hunt and I were going to be married |
00:10:02 |
No, he doesn't know, |
00:10:04 |
- or you or anyone else alive. |
00:10:08 |
Laura had not definitely made up |
00:10:11 |
She told me so herself last Friday when she |
00:10:15 |
As a matter of fact, she was going |
00:10:18 |
She was extremely kind, |
00:10:21 |
she would never have thrown her life |
00:10:25 |
I suppose you've heard |
00:10:27 |
especially in your |
00:10:30 |
Would you like |
00:10:32 |
That's very thoughtful- |
00:10:34 |
- Waldo. |
00:10:36 |
Shelby knows how distracted I am. |
00:10:39 |
Thank you, Mrs. Treadwell, |
00:10:42 |
But, Lieutenant, I- Well, I rather thought |
00:10:46 |
Oh, yes. What did they play |
00:10:49 |
Oh, Brahms's First |
00:10:52 |
Uh-huh. Have you got a key |
00:10:55 |
No, but I think there's one |
00:10:58 |
- Okay, I'll have a look. |
00:11:01 |
All right. Come along. |
00:11:03 |
I'll be seeing you, |
00:11:10 |
Extra.! Extra.! |
00:11:13 |
Extra.! Girl victim |
00:11:15 |
Read all about it.! |
00:11:18 |
Girl victim |
00:11:26 |
All right. |
00:11:29 |
Ice-cold drinks.! |
00:11:58 |
- The doorbell rang. |
00:12:01 |
As she opened the door, |
00:12:04 |
And how do you deduce that? |
00:12:06 |
She fell backward. |
00:12:11 |
I thought you hadn't |
00:12:14 |
I saw the police photos. |
00:12:25 |
I guess I better |
00:12:29 |
McPherson, tell me, why did they have to |
00:12:33 |
When a dame gets killed, |
00:12:35 |
Will you stop calling her a dame? |
00:12:40 |
Is this the home of a dame? |
00:12:44 |
Look at her. |
00:12:49 |
Not bad. |
00:12:51 |
Jacoby was in love with her |
00:12:54 |
but he never captured |
00:12:59 |
Have you ever been in love? |
00:13:01 |
A doll in Washington Heights |
00:13:04 |
Ever know a woman who wasn't |
00:13:10 |
Yeah, one, but she kept walking me |
00:13:14 |
to look at the parlor suites. |
00:13:17 |
- Would you mind turning that off? |
00:13:20 |
It was one of Laura's favorites. |
00:13:24 |
- You know a lot about music? |
00:13:27 |
but I know a little |
00:13:29 |
Yeah? Then why did you say... |
00:13:31 |
they played Brahms's First and Beethoven's |
00:13:35 |
They changed the program at the last |
00:13:39 |
I suppose I should have |
00:13:41 |
I'd been working on that |
00:13:44 |
Well, we'd been working so hard, I- |
00:13:47 |
I didn't hear a note at the concert. |
00:13:50 |
Next he'll produce |
00:13:53 |
I know it sounds suspicious, |
00:13:56 |
I'm a natural-born suspect just because |
00:14:00 |
I wouldn't worry about it, |
00:14:02 |
It sounds reasonable. |
00:14:05 |
Thank you. |
00:14:08 |
You found |
00:14:10 |
No. I looked for it in the den, |
00:14:22 |
Yes, here it is. |
00:14:24 |
I knew there must be |
00:14:26 |
The police are very fussy |
00:14:29 |
That key isn't on the list of things |
00:14:33 |
Then it's made |
00:14:35 |
You put it there, |
00:14:38 |
- Yes. |
00:14:40 |
It's just that I didn't want to give it |
00:14:43 |
- Oh. |
00:14:46 |
Everything about Laura |
00:14:48 |
You have private reasons, |
00:14:52 |
Waldo, for your own good, |
00:14:55 |
that I had anything to do |
00:14:58 |
Very well. |
00:15:00 |
I'll make |
00:15:02 |
All right, |
00:15:04 |
I wouldn't. |
00:15:07 |
Will you please stop dawdling |
00:15:10 |
- It's getting on my nerves. |
00:15:14 |
Okay, let's go. |
00:15:32 |
This was our table- |
00:15:34 |
Laura's and mine. |
00:15:37 |
We spent many quiet evenings |
00:15:42 |
I remember we dined here the night |
00:15:46 |
Just we two- |
00:15:48 |
happy, making plans |
00:15:54 |
- Good luck. |
00:15:57 |
from the girl who walked into my life |
00:16:03 |
Pardon me. |
00:16:07 |
Excuse me. |
00:16:18 |
Mr. Lydecker, |
00:16:21 |
My name is Laura Hunt, |
00:16:25 |
You know, |
00:16:27 |
And I'd like to talk |
00:16:30 |
You can hardly fail to realize that |
00:16:35 |
Yes, I know. I'm awfully sorry |
00:16:39 |
but it's so hard to get to see you |
00:16:42 |
this will only |
00:16:47 |
- Now, this is- |
00:16:49 |
either you have been raised |
00:16:53 |
where good manners |
00:16:55 |
or you suffer from the common |
00:16:58 |
that the mere fact |
00:17:00 |
exempts you from the rules |
00:17:04 |
Or possibly both. |
00:17:06 |
Possibly, but here's |
00:17:09 |
It's for |
00:17:11 |
I know my company would be glad to pay |
00:17:15 |
I don't use a pen. |
00:17:17 |
I write with a goose quill |
00:17:20 |
Yes, but this is a very fine pen, |
00:17:23 |
the best on the market. |
00:17:25 |
Wouldn't you at least |
00:17:27 |
I'll neither consider, endorse |
00:17:32 |
I hate pens. |
00:17:34 |
If your employers wish me to publish |
00:17:37 |
you may tell them that I shall be |
00:17:40 |
Oh, no. |
00:17:44 |
Don't blame Bullitt and Company, |
00:17:47 |
They don't know anything about this. |
00:17:51 |
Indeed? |
00:17:53 |
Yes. I know they'd give anything down |
00:17:58 |
only they think |
00:18:00 |
So I had this ad made up |
00:18:03 |
because I thought, well, |
00:18:07 |
There was always a chance |
00:18:09 |
Just think what |
00:18:11 |
You seem to be completely disregarding |
00:18:15 |
- What? |
00:18:21 |
Do you really believe that? |
00:18:23 |
Implicitly. |
00:18:25 |
I never heard |
00:18:28 |
In my case, self-absorption |
00:18:33 |
I have never discovered any other |
00:18:36 |
But you write about people... |
00:18:39 |
with such real understanding |
00:18:44 |
That's what makes |
00:18:46 |
Sentiment comes easily |
00:18:51 |
Well, if that's the way |
00:18:54 |
you must be very lonely. |
00:18:57 |
Will you kindly continue |
00:19:01 |
- You begin to bore me. |
00:19:05 |
I'm very sorry for you. |
00:19:10 |
Naturally, |
00:19:13 |
but she had something |
00:19:17 |
I had to speak to her again. |
00:19:21 |
- Miss, would you mind if I- |
00:19:24 |
I'll tell Mr. Bullitt right away. |
00:19:26 |
Thank you. |
00:19:49 |
Boy, Waldo Lydecker |
00:19:55 |
Announce me. |
00:19:57 |
Johnny, please tell |
00:20:05 |
Miss Hunt, I have something |
00:20:09 |
You've already said it, |
00:20:11 |
I wish to point out that you caught me |
00:20:15 |
Ordinarily I am not |
00:20:18 |
Really? |
00:20:20 |
Shall I produce |
00:20:25 |
I wish to apologize. |
00:20:28 |
Your apology is accepted. |
00:20:32 |
Good-bye, Mr. Lydecker. |
00:20:34 |
If you come |
00:20:37 |
I can just crack your skull |
00:20:43 |
And now, for reasons |
00:20:47 |
I'd like to endorse that pen. |
00:20:50 |
Mr. Lydecker! |
00:20:53 |
Thank you. |
00:20:57 |
- You're a very strange man. |
00:21:00 |
You're really sorry |
00:21:04 |
Let's not be psychiatric, |
00:21:07 |
but in a word, yes. |
00:21:11 |
It's very kind of you, |
00:21:13 |
I'm not kind. I'm vicious. |
00:21:20 |
But if you choose |
00:21:23 |
I'll call for you at 6:00. |
00:21:26 |
All right? |
00:21:29 |
All right. |
00:21:35 |
Her career began |
00:21:38 |
I secured other endorsements for her... |
00:21:41 |
introduced her |
00:21:44 |
I gave her her start... |
00:21:47 |
but it was her own talent |
00:21:49 |
that enabled her to rise |
00:21:52 |
and stay there. |
00:21:55 |
She had an eager mind always. |
00:21:58 |
She was always quick to seize upon |
00:22:02 |
or her appearance. |
00:22:05 |
Laura had innate breeding. |
00:22:13 |
But she deferred |
00:22:17 |
I selected a more attractive |
00:22:22 |
I taught her what clothes |
00:22:28 |
Through me, she met everyone. |
00:22:30 |
The famous and the infamous. |
00:22:33 |
Her youth and beauty, her poise |
00:22:38 |
captivated them all. |
00:22:40 |
She had warmth, vitality. |
00:22:44 |
She had authentic magnetism. |
00:22:47 |
Wherever we went, |
00:22:51 |
Men admired her. |
00:22:55 |
She became as well known |
00:22:59 |
and his white carnation. |
00:23:01 |
But Tuesday and Friday nights |
00:23:05 |
dining quietly, |
00:23:09 |
I read my articles to her. |
00:23:12 |
The way she listened |
00:23:18 |
These were the best nights. |
00:23:21 |
Then one Tuesday, she phoned |
00:23:26 |
It didn't matter, really. |
00:23:28 |
But when it happened again |
00:23:34 |
I couldn't |
00:23:39 |
and yet I knew Laura |
00:23:49 |
I walked for a long time. |
00:23:53 |
Then I found myself |
00:23:56 |
The lights were on. |
00:24:01 |
till I saw she was not alone. |
00:24:05 |
But I waited. |
00:24:15 |
It was Jacoby, who had recently |
00:24:19 |
I never liked the man. |
00:24:21 |
He was so obviously conscious oflooking |
00:24:26 |
I sat up the rest of the night |
00:24:29 |
I demolished his affectations... |
00:24:31 |
exposed his camouflaged |
00:24:34 |
ridiculed his theories. |
00:24:37 |
I did it for her, |
00:24:41 |
It was a masterpiece |
00:24:45 |
Naturally, she could never |
00:24:49 |
There were others, |
00:24:52 |
but her own discrimination |
00:24:54 |
before it became necessary |
00:24:59 |
until one night at a party |
00:25:02 |
It was one ofher usual roundups |
00:25:06 |
- corralled from every stratum of society. |
00:25:09 |
This is Mr. and Mrs. Preston. |
00:25:11 |
How do you do? |
00:25:16 |
- Hello, Shelby. |
00:25:23 |
You're Laura Hunt. |
00:25:25 |
- Yes? |
00:25:29 |
- Want to dance? |
00:25:34 |
Oh, him? I'll bet |
00:25:37 |
Excuse me, please. Yes. |
00:25:39 |
Betsy Ross taught it to me. |
00:25:41 |
- Hello, Waldo. Darling, how are you? |
00:25:44 |
- I see you've met Shelby. |
00:25:46 |
- Unavoidably. |
00:25:48 |
His family's from Kentucky. |
00:25:51 |
Sharecroppers, no doubt. |
00:25:58 |
Louise. Louise, for the last time, |
00:26:01 |
I won't, but I've saved |
00:26:03 |
Oh, you're an angel. |
00:26:05 |
you think you could |
00:26:08 |
I can afford a blemish on my character |
00:26:10 |
- Mmm. Couldn't eat another mouthful. |
00:26:13 |
- I'm afraid it's liquor. |
00:26:15 |
- May I have a glass of milk for Mr. Lydecker? |
00:26:18 |
I forgot to tell you. |
00:26:21 |
I cook, I swallow swords, I mend my own |
00:26:25 |
What more can you want |
00:26:27 |
- Don't listen to that scalawag. |
00:26:30 |
What do you mean? |
00:26:32 |
She feeds me, |
00:26:34 |
and refuses to marry me, |
00:26:36 |
- I do. |
00:26:38 |
- Now, wait just a minute. Thanks, Louise. |
00:26:41 |
- She's got good sense too. |
00:26:45 |
And what does it feel like, |
00:26:48 |
What does what feel like, |
00:26:51 |
Living on the income |
00:26:53 |
- Well, I, uh- |
00:26:55 |
Well, I did, until the sheriff |
00:27:00 |
Why maintain the fiction? |
00:27:02 |
Believe it or not, I asked |
00:27:05 |
executive of a big company- |
00:27:08 |
He could have pressed a button |
00:27:11 |
- He thought I was joking. |
00:27:13 |
No. When I convinced him, he got |
00:27:16 |
That was months ago. Now whenever |
00:27:28 |
- Do you really want a job? |
00:27:34 |
Oh, here you are. |
00:27:36 |
Laura, dear, I cannot stand |
00:27:40 |
If you don't come with me |
00:27:44 |
All right, Waldo. |
00:27:47 |
10:30 tomorrow, |
00:27:50 |
You've got a job. |
00:27:52 |
I concealed my |
00:27:57 |
but I sensed a situation |
00:28:01 |
Laura, take a look at this. |
00:28:05 |
Do you like it? Do you think it'll make |
00:28:09 |
It should. It's excellent. |
00:28:11 |
- There you are. |
00:28:13 |
- Good night. |
00:28:15 |
- Good night, honey. |
00:28:18 |
A girl named Diane Redfern. |
00:28:21 |
- Don't you remember? |
00:28:23 |
Well, let's go, moon of my delight. |
00:28:26 |
You usually are. |
00:28:28 |
- I approve of that hat. |
00:28:30 |
Mm-hmm. |
00:28:33 |
Thank you. |
00:28:38 |
I knew there was |
00:28:40 |
What is it? Oh, yes. |
00:28:44 |
- Maybe. |
00:28:46 |
- It's the next night. |
00:28:48 |
Good. What about three weeks from |
00:28:52 |
Don't you think |
00:28:54 |
What about two months |
00:28:57 |
- What about next year? |
00:29:01 |
What about dancing? |
00:29:03 |
What about lunch? |
00:29:05 |
- day after day after day after day? |
00:29:08 |
Beautiful work, |
00:29:11 |
Why, Miss Hunt, |
00:29:13 |
You'd think I was |
00:29:21 |
Yes, Laura, |
00:29:27 |
I went to call for you. |
00:29:30 |
I'm sorry, Waldo. |
00:29:32 |
And that reminds me. |
00:29:37 |
Old Mother Hubbard has |
00:29:42 |
The results of |
00:29:44 |
of that sterling character, |
00:29:49 |
By stooping so low, you only |
00:29:53 |
Did you know that he almost went to jail |
00:29:56 |
that he was suspected of stealing |
00:29:59 |
when he was a houseguest |
00:30:01 |
Naturally they'd suspect him, |
00:30:05 |
Those are only insinuations... |
00:30:07 |
the cheapest kind. |
00:30:09 |
These aren't only |
00:30:12 |
There you are. |
00:30:16 |
What of it? |
00:30:18 |
I know his faults. |
00:30:22 |
People are always ready |
00:30:25 |
but never to pick you up. |
00:30:27 |
All right, |
00:30:29 |
His past is his own affair. |
00:30:32 |
I only care about the present. |
00:30:35 |
Speaking of the changed Mr. Carpenter |
00:30:39 |
he's now running around |
00:30:42 |
Her name is Diane Redfern. |
00:30:47 |
I'm closer to despising you |
00:30:57 |
I'm sorry. I should have |
00:31:00 |
Shelby and I are going to be |
00:31:07 |
I believe you presented him with |
00:31:14 |
Rather valuable, isn't it? |
00:31:16 |
Where did you get it? |
00:31:18 |
From the pawnshop where Diane Redfern |
00:31:22 |
I don't believe it. He probably needed |
00:31:25 |
Carpenter proud? |
00:31:29 |
Perhaps that's why |
00:31:31 |
Before this goes any further, |
00:31:35 |
He isn't home. |
00:31:45 |
He's dining |
00:31:47 |
He can't be. |
00:31:49 |
He would have canceled his appointment |
00:31:53 |
He treats her |
00:31:58 |
I'm afraid she'll say |
00:32:09 |
Waldo... |
00:32:12 |
why are you doing this? |
00:32:20 |
For you, Laura. |
00:32:24 |
Shall we pay them a visit? |
00:32:27 |
He won't be there, Waldo. |
00:32:30 |
All right. We'll see. |
00:32:35 |
Don't you want to take this little |
00:32:47 |
- Good evening. |
00:32:49 |
- I'm sorry. Mrs. Treadwell is not home. |
00:33:04 |
Good evening. |
00:33:11 |
Hello, darling. I didn't expect |
00:33:14 |
There you are, my dear. |
00:33:16 |
In a moment of supreme disaster, |
00:33:19 |
You've been reading |
00:33:22 |
I was just telling Ann |
00:33:25 |
Well, have you two |
00:33:28 |
Would you like |
00:33:30 |
Why don't you sit down? |
00:33:41 |
I couldn't find out |
00:33:45 |
All I know is that on Friday |
00:33:50 |
What came of it, |
00:33:53 |
- I alternated between moods of |
00:33:56 |
When the phone rang, |
00:34:03 |
I called to tell you, Waldo, |
00:34:06 |
I can't have dinner |
00:34:09 |
Oh, no, no. I'm not sick. |
00:34:13 |
I'm going to the country |
00:34:15 |
Yes. I'm afraid |
00:34:18 |
Oh, no. Please. |
00:34:21 |
I've got to think |
00:34:23 |
I'm sorry. I'll call you |
00:34:29 |
It was the last time |
00:34:33 |
I was sure she had |
00:34:37 |
But- |
00:34:40 |
Where does |
00:34:43 |
Brooklyn somewhere. |
00:34:47 |
Come on. It's late. |
00:34:50 |
- Waiter. |
00:34:56 |
- All right. |
00:35:02 |
Good night. |
00:35:08 |
I shall never forgive myself for |
00:35:12 |
It was my fault. |
00:35:15 |
I should have |
00:35:17 |
Well, it's too late now. |
00:35:23 |
Thanks for the wine. |
00:35:43 |
Hello. Mosconi's? |
00:35:45 |
This is Lieutenant McPherson, |
00:35:48 |
Laura Hunt had been buying her liquor |
00:35:52 |
Yeah. |
00:35:55 |
Did she ever buy a brand of scotch |
00:36:00 |
Yeah. |
00:36:03 |
I see. |
00:36:05 |
Well, that's all |
00:36:08 |
She's here, McPherson- |
00:36:10 |
Okay. |
00:36:12 |
- Come in, Miss Clary. |
00:36:15 |
My name's Bessie, and I'm a domestic, |
00:36:19 |
Sit down, Bessie. |
00:36:22 |
Her letters. |
00:36:24 |
And her private diary. |
00:36:27 |
You've been reading them, |
00:36:29 |
It's a shame in the face of the dead. |
00:36:33 |
- Sit down, Bessie. |
00:36:36 |
Don't you go |
00:36:38 |
I ain't afraid of cops. I was |
00:36:43 |
Okay, go ahead and spit |
00:36:52 |
What do you want to know? |
00:36:55 |
What we all want to know- |
00:36:57 |
How would I know? |
00:37:00 |
You don't think I done it? |
00:37:03 |
I know you cops |
00:37:06 |
but if you got any notion |
00:37:08 |
Ask anyone- |
00:37:12 |
I would have |
00:37:14 |
I would have washed, |
00:37:16 |
done everything she wanted of me, |
00:37:19 |
And it wasn't only on account of the |
00:37:23 |
It was because she was |
00:37:26 |
because she was |
00:37:31 |
But you cops |
00:37:35 |
But you do. That's all the more reason |
00:37:40 |
Do you happen to know how this got into |
00:37:45 |
I put it there. |
00:37:47 |
But she never bought cheap stuff like |
00:37:50 |
- No. |
00:37:53 |
- Saturday. |
00:37:55 |
- Was it there Friday night before you left? |
00:37:59 |
Are you sure of that? |
00:38:01 |
I cleaned out |
00:38:04 |
and put the empties |
00:38:07 |
Then somebody was with her |
00:38:10 |
someone |
00:38:12 |
- Yes. |
00:38:14 |
I don't know, |
00:38:16 |
getting any wrong ideas about her, |
00:38:19 |
That's why I took it out of the bedroom |
00:38:22 |
before the police got here. |
00:38:24 |
And that ain't all I done. |
00:38:27 |
I washed out the glasses |
00:38:30 |
Do you know what happens to people |
00:38:33 |
I don't care. |
00:38:36 |
You ain't gonna tell |
00:38:38 |
and let them make up |
00:38:40 |
and drag her name |
00:38:43 |
Go ahead, |
00:38:46 |
- I'll say you lied. I'll say- |
00:38:49 |
Get me some ice |
00:38:52 |
All right. |
00:38:54 |
A couple of highball glasses. |
00:39:01 |
Good morning. |
00:39:03 |
- Good morning, Lieutenant. |
00:39:05 |
- This is quite a delegation. I only sent for you, Carpenter. |
00:39:08 |
Shelby's dropping me off |
00:39:10 |
- so I thought I might as well come along. |
00:39:14 |
I just popped in |
00:39:16 |
and inquire as to |
00:39:18 |
- Insipid, I trust. |
00:39:21 |
- Care to join me? |
00:39:24 |
- I'll get it. |
00:39:26 |
- Bessie, would you bring a couple more glasses? |
00:39:29 |
Hi, Bessie. |
00:39:31 |
I'm paid up for the week, |
00:39:33 |
- Would you like one, Lydecker? |
00:39:36 |
if the host provides scotch. |
00:39:38 |
- This do? |
00:39:40 |
How about you, Carpenter? |
00:39:43 |
As a matter of fact, I don't think I care |
00:39:47 |
- Uh-huh. That'll be all for you, Bessie. |
00:39:52 |
I remember when Laura |
00:39:55 |
She loved them. |
00:39:57 |
What are you going to do? |
00:40:00 |
I don't know. |
00:40:03 |
If I'm appointed administrator of the estate, |
00:40:07 |
You mean Lancaster Corey, |
00:40:09 |
Yes. He was |
00:40:11 |
Let him dispose of everything. |
00:40:14 |
Not quite everything, Ann. |
00:40:18 |
Two or three things in here |
00:40:20 |
This vase, for instance... |
00:40:23 |
and that, uh, clock, |
00:40:25 |
and the antique fire screen. |
00:40:28 |
- I only lent them to Laura, you know. |
00:40:31 |
Yes, really. This vase is the gem of my |
00:40:35 |
And the clock and the screen too. |
00:40:37 |
But they aren't yours. You gave them |
00:40:40 |
Does an alleged fiance |
00:40:43 |
I'll take the vase with me now and send someone |
00:40:48 |
Nothing is leaving here |
00:40:52 |
Is that your quaint way |
00:40:55 |
We're all going anyway. I have to be |
00:40:58 |
Lieutenant, I don't understand. |
00:41:02 |
- Yeah. |
00:41:04 |
- Don't you want to ask me some questions? |
00:41:07 |
- Well- |
00:41:09 |
- Come along, Shelby. |
00:41:15 |
We're doing all right. |
00:41:32 |
- Hello, Mark. |
00:41:35 |
- Thanks. |
00:44:37 |
Fred? |
00:44:44 |
- Yes? |
00:44:46 |
This is McPherson. |
00:44:51 |
Well, keep listening. |
00:44:53 |
No. Nothing new. |
00:45:01 |
I happened to see |
00:45:04 |
Have you sublet |
00:45:06 |
You're here often enough |
00:45:08 |
- Any objections? |
00:45:12 |
I object to you prying |
00:45:14 |
especially those from me. |
00:45:16 |
- Why? Yours are the best in the bunch. |
00:45:19 |
But I didn't |
00:45:21 |
Haven't you any sense |
00:45:25 |
Murder victims have |
00:45:28 |
Have detectives who buy portraits |
00:45:34 |
Lancaster Corey told me |
00:45:37 |
That's none of your business. |
00:45:40 |
McPherson, did it ever strike you |
00:45:44 |
It's a wonder you don't come here like a |
00:45:47 |
drugstore candy, of course. |
00:45:50 |
Have you ever dreamed |
00:45:53 |
by your side at the policeman's ball, |
00:45:56 |
or listening to the heroic story of how |
00:45:59 |
from a gun battle |
00:46:03 |
- I see you have. |
00:46:08 |
Perhaps we can |
00:46:11 |
You want the portrait. |
00:46:15 |
I want my possessions- |
00:46:18 |
Also perfectly understandable. |
00:46:21 |
Get going. |
00:46:23 |
You better watch out, McPherson, |
00:46:27 |
I don't think they've ever had a patient |
00:48:02 |
What are you doing here? |
00:48:06 |
You're alive. |
00:48:08 |
If you don't get out at once, |
00:48:11 |
You are Laura Hunt, |
00:48:15 |
Aren't you? |
00:48:17 |
- I'm going to call the police. |
00:48:22 |
Mark McPherson. |
00:48:25 |
What's this all about? |
00:48:27 |
Don't you know? |
00:48:30 |
- Don't you know what's happened? |
00:48:34 |
Haven't you seen the papers? |
00:48:36 |
Up in the country. |
00:48:41 |
- Haven't you got a radio? |
00:48:45 |
What- |
00:49:05 |
Somebody was murdered |
00:49:08 |
Do you have any idea |
00:49:10 |
No. |
00:49:12 |
Who had a key |
00:49:14 |
Nobody. |
00:49:16 |
Are you sure? |
00:49:19 |
- When did it happen? |
00:49:26 |
What are you |
00:49:28 |
Find out |
00:49:30 |
and then find the murderer. |
00:49:36 |
You'd better take off those wet clothes. |
00:49:44 |
Yeah. |
00:49:55 |
I found this in my closet. |
00:49:57 |
It's Diane Redfern's. |
00:49:59 |
It wasn't here when I left. |
00:50:03 |
Just about my size. |
00:50:05 |
Beautiful, wasn't she? |
00:50:08 |
Do you suppose- |
00:50:15 |
Sit down, please. |
00:50:21 |
This is Monday night. |
00:50:24 |
- Rather a long weekend, isn't it? |
00:50:27 |
What train did you take? |
00:50:30 |
The 7:26. |
00:50:32 |
- See anybody you knew on the train? |
00:50:35 |
- Then what? |
00:50:39 |
- Saw nobody you knew at the station either? |
00:50:43 |
- Go on. |
00:50:47 |
It's a private garage. |
00:50:51 |
Then I drove to my house. |
00:50:53 |
You were there three days. |
00:50:56 |
Work in my garden. |
00:50:59 |
You didn't go out |
00:51:01 |
No. I had everything |
00:51:05 |
- Nobody came to see you? |
00:51:07 |
I went there to be alone. |
00:51:09 |
Police were there on Saturday. |
00:51:13 |
Oh, yes. Saturday, |
00:51:17 |
I walked for hours |
00:51:19 |
Mm-hmm. You were going to |
00:51:24 |
Thursday, if I'm not mistaken. |
00:51:28 |
Yes. |
00:51:30 |
Yet you went away |
00:51:33 |
for a long weekend |
00:51:36 |
I was tired. |
00:51:39 |
You know Shelby Carpenter has a key to |
00:51:42 |
I know nothing of the sort. |
00:51:44 |
How else did the girl |
00:51:46 |
You knew she was in love with Carpenter, |
00:51:50 |
You know all that, |
00:51:52 |
I knew that she was in love with him. |
00:51:55 |
- When did she tell you? |
00:51:58 |
I also know she meant nothing to Shelby. |
00:52:02 |
She was found in your |
00:52:04 |
That's hardly the regulation costume |
00:52:07 |
between a man and woman |
00:52:10 |
Did you know or did you suspect he was |
00:52:12 |
How could I? I don't know that he |
00:52:15 |
- You merely assume it. |
00:52:18 |
Do you love Carpenter so much you'd risk |
00:52:21 |
My own safety? |
00:52:24 |
I suspect nobody and everybody. |
00:52:28 |
I see you have been trying |
00:52:30 |
You've read things I never meant |
00:52:33 |
Strictly routine. |
00:52:35 |
I'm sorry. Really. |
00:52:40 |
I'd better be going. I'll see you |
00:52:43 |
Oh, I must ask you not to leave |
00:52:47 |
But- But I've got |
00:52:50 |
Sorry, Miss Hunt, |
00:52:53 |
- Am I under arrest? |
00:52:56 |
But if anything should happen |
00:53:00 |
All right. |
00:53:03 |
There's one more thing. |
00:53:06 |
some of it, at any rate. |
00:53:08 |
It'll save time and a lot |
00:53:11 |
I know that you went away |
00:53:17 |
whether you'd marry |
00:53:22 |
What did you decide? |
00:53:26 |
I decided |
00:53:30 |
I'll see you in the morning. |
00:53:33 |
Good night. |
00:53:48 |
Really? |
00:53:52 |
Uh-huh. Well, okay. |
00:53:56 |
Say, Mark, that was |
00:53:59 |
It wasn't Laura Hunt. It was Diane |
00:54:02 |
- Kinda balls things up, doesn't it? |
00:54:05 |
Say, you're not taking it too hard. |
00:54:07 |
Wait a minute. |
00:54:10 |
- Hello? |
00:54:12 |
Don't say anything on the phone. |
00:54:14 |
I'll wait for you in my car |
00:54:17 |
- Was that- |
00:54:20 |
Dames are always |
00:54:22 |
Stand by. |
00:54:41 |
You follow her. |
00:55:36 |
Are you taking it down |
00:55:51 |
- It's been fired lately. |
00:55:54 |
- When? |
00:55:57 |
You know about guns, |
00:55:59 |
- Yes. |
00:56:02 |
I don't know. |
00:56:05 |
- Your initials? |
00:56:09 |
She didn't want it, |
00:56:11 |
This house is rather isolated, |
00:56:14 |
- Did you teach her how to use it? |
00:56:16 |
- Does she know how? |
00:56:20 |
You're a vague sort of a fellow, |
00:56:22 |
I've spent very little time in observing |
00:56:26 |
You haven't borrowed it lately? |
00:56:29 |
You followed me here. |
00:56:33 |
You, uh, realize |
00:56:37 |
You took that poor girl |
00:56:39 |
You knew all along |
00:56:43 |
Didn't you know Laura Hunt would come |
00:56:48 |
Or did you plan |
00:56:50 |
hide the body someplace |
00:56:53 |
You're being fantastic, |
00:56:57 |
You took a bottle of Black Pony |
00:57:00 |
I took it there |
00:57:02 |
Bessie said it wasn't there Friday |
00:57:04 |
I can't help what Bessie said. |
00:57:10 |
- Where's the key to her apartment? |
00:57:13 |
- What did you do with it, give it back to her tonight? |
00:57:18 |
You didn't take the bottle |
00:57:20 |
You haven't got a key to her apartment. |
00:57:23 |
- Well, I- |
00:57:25 |
- Now, come on, Carpenter. Spill it. |
00:57:27 |
Laura kept a duplicate key |
00:57:32 |
I'd asked Diane to dine with me. I wanted |
00:57:36 |
You know, she thought- Well, |
00:57:41 |
Well, we couldn't go on talking |
00:57:44 |
I couldn't go to her room, and I didn't |
00:57:47 |
- So we went to Laura's. |
00:57:49 |
We talked there |
00:57:51 |
- and then the doorbell rang and- |
00:57:55 |
Diane was frightened. |
00:57:58 |
I've learned to be |
00:58:00 |
- What do you mean by that? |
00:58:03 |
at all hours |
00:58:05 |
I asked Diane |
00:58:08 |
- Why didn't you go yourself? |
00:58:12 |
- Why open the door at all? |
00:58:15 |
What about the girl? Diane- |
00:58:18 |
I asked her to tell them Laura had let |
00:58:22 |
Anybody that knew Laura |
00:58:24 |
- Yeah. Go on. |
00:58:27 |
I could hear Diane's mules- |
00:58:30 |
clattering across the bare boards |
00:58:33 |
Then there was a moment's silence |
00:58:37 |
It was an awful explosion. |
00:58:40 |
By the time I reached her, |
00:58:43 |
- She lay there on the floor. |
00:58:45 |
No. I was too confused, too horrified, |
00:58:49 |
The room was dark. I saw only |
00:58:52 |
I- I don't think |
00:58:57 |
I think I called her name, |
00:59:00 |
I remember kneeling on the floor, |
00:59:05 |
My first instinct |
00:59:07 |
- Why didn't you? |
00:59:09 |
Or rather, I was afraid- |
00:59:12 |
In a panicky sort of way, I felt I must |
00:59:17 |
I know now how foolish |
00:59:19 |
but there was only |
00:59:22 |
the safety of a person whose life |
00:59:24 |
Don't you understand that? |
00:59:26 |
Did you think |
00:59:29 |
- Did you? |
00:59:32 |
- Do you think so now? |
00:59:35 |
- But you didn't? |
00:59:37 |
On Saturday, when our men went to the |
00:59:41 |
- you seemed sincerely shocked. |
00:59:45 |
But you had your alibi ready |
00:59:47 |
Yet you knew the minute |
00:59:50 |
Don't you see? I was incapable |
00:59:52 |
I was incapable |
00:59:55 |
I was groping for some way |
00:59:59 |
I was heartbroken about Diane |
01:00:03 |
I haven't slept a full two hours |
01:00:06 |
Let's get back to the present. What did |
01:00:09 |
I told her the whole story, |
01:00:13 |
She phoned you after she promised me |
01:00:16 |
- What did she want? |
01:00:19 |
especially |
01:00:21 |
Why don't you tell the truth? She sent |
01:00:24 |
She did not. It was my own idea. |
01:00:34 |
- It works fine, doesn't it? |
01:00:38 |
I hoped it wouldn't. |
01:00:42 |
- Well, am I under arrest? |
01:00:46 |
and it would be |
01:01:08 |
- Good morning. |
01:01:13 |
- What's that? |
01:01:15 |
You didn't buy any food |
01:01:23 |
I'll fix some bacon and eggs. |
01:01:27 |
Suppose you set the table |
01:01:31 |
Do you always sound like this |
01:01:33 |
Don't tell me |
01:01:35 |
My mother always listened sympathetically |
01:01:39 |
and then taught me |
01:01:42 |
Shh! Don't move. |
01:01:50 |
It's all right, Bessie. |
01:01:52 |
She's alive. |
01:01:56 |
It's all been |
01:01:58 |
I'm not a ghost. Really. |
01:02:01 |
I found you, |
01:02:04 |
It was Miss Redfern's |
01:02:08 |
How about |
01:02:10 |
fixing us some |
01:02:13 |
But I- I saw it |
01:02:17 |
I- I don't |
01:02:20 |
Have you ever |
01:02:22 |
No, miss. |
01:02:25 |
You'll be all right, |
01:02:37 |
Somebody should have warned her. |
01:02:40 |
By the way, I've asked Waldo Lydecker |
01:02:43 |
- Did you tell him? |
01:02:46 |
Why not? |
01:02:48 |
I'm not doing it for fun. |
01:02:51 |
Why did you break your promise |
01:02:55 |
You forced me |
01:02:57 |
I never have been and I |
01:02:59 |
I don't do |
01:03:02 |
Redfern was in love |
01:03:05 |
You admitted that |
01:03:07 |
- May I have a match, please? |
01:03:10 |
I also told you that |
01:03:13 |
Just sit still. |
01:03:23 |
Hello, Lieutenant. |
01:03:26 |
- Morning, my darling. |
01:03:29 |
Ah. Thank you. |
01:03:32 |
Oh. It's on again. |
01:03:34 |
Do I have to get a permit from the police |
01:03:38 |
So he made you |
01:03:40 |
Speaking of changing one's mind, |
01:03:42 |
I have just come |
01:03:44 |
Yeah? Did he tell you how much |
01:03:47 |
No, but he told me that anything |
01:03:49 |
was said under duress |
01:03:52 |
Besides, none of it was true. |
01:03:54 |
Smart lawyer you've got. Maybe he told you |
01:03:58 |
after you'd bought it |
01:04:00 |
Maybe it was the lawyer |
01:04:02 |
Maybe- |
01:04:09 |
Well, McPherson... |
01:04:12 |
have you thought over |
01:04:18 |
Waldo. |
01:04:21 |
Waldo. |
01:04:26 |
Right-hand pocket. |
01:04:29 |
You want a doctor? |
01:04:31 |
Right-hand pocket. |
01:04:33 |
We'd better take him |
01:04:48 |
- What- |
01:04:50 |
Just be quiet. |
01:04:54 |
I think this is |
01:04:57 |
Your methods are vicious. |
01:04:59 |
- Yeah? |
01:05:02 |
It was a terrible shock. |
01:05:04 |
Don't tell me you're in love |
01:05:06 |
Look here, fella. You're not to talk |
01:05:08 |
Shut up. Why do you cover up |
01:05:10 |
- Don't answer him, Laura. |
01:05:13 |
- Don't answer him. Let him talk to our lawyer. |
01:05:16 |
- So now you're covering up for each other. |
01:05:18 |
He's beginning to crack up. |
01:05:21 |
just so he can be a big shot |
01:05:23 |
I've got enough on you |
01:05:25 |
Quick, McPherson, |
01:05:27 |
- Trundle him off to the hoosegow. |
01:05:29 |
- You'll look nice in bracelets. |
01:05:33 |
It's the only time you've ever |
01:05:35 |
I hope you'll forgive |
01:05:39 |
It's an old family custom. |
01:05:41 |
Well, McPherson, what does |
01:05:44 |
Too bad Diane Redfern |
01:05:47 |
I'm afraid I've interrupted |
01:05:50 |
Do your duty, McPherson. |
01:05:53 |
You know, Lydecker, |
01:05:56 |
- For the moment. |
01:05:58 |
we'll have time |
01:06:00 |
- You'd better order some liquor and some food, Laura. |
01:06:04 |
People are coming |
01:06:07 |
Ann and Bullitt and Corey. |
01:06:09 |
- Who asked them to come? |
01:06:12 |
I phoned my man, |
01:06:14 |
- Why did you do that, Waldo? |
01:06:18 |
Perhaps our friend can weave all the |
01:06:22 |
Sorry you went to all that trouble. |
01:06:29 |
You're working yourself |
01:06:31 |
- I haven't had a moment with you all day. |
01:06:35 |
Oh, after all, |
01:06:37 |
Aren't you being |
01:06:40 |
I feel nasty |
01:06:42 |
Well, you look very sweet. That's |
01:06:45 |
Now, if you'll forgive me, |
01:06:49 |
- So do I. |
01:06:52 |
Shelby, why don't you |
01:06:55 |
You know it's all over between you |
01:06:58 |
But you haven't lost me. |
01:07:02 |
- Ann, dear, you don't seem to realize the situation. |
01:07:05 |
That's why you need me. We'll get |
01:07:08 |
When it's all over, we'll go away- anywhere |
01:07:12 |
Thanks, Ann, but you see, |
01:07:18 |
Uh-uh. |
01:07:22 |
- Laura. |
01:07:24 |
If you don't mind, |
01:07:27 |
I don't mind. |
01:07:31 |
- I see he's taking a new tack. |
01:07:35 |
Trying to make you like him |
01:07:38 |
Shelby, tell me, |
01:07:43 |
Excuse me. |
01:07:46 |
Why did you go |
01:07:49 |
But don't you know? |
01:07:51 |
you wouldn't think |
01:07:54 |
- What shotgun? |
01:07:58 |
You don't have to lie |
01:08:00 |
I'll stand by you. |
01:08:09 |
What's the matter, |
01:08:12 |
Oh, I guess I'm just nervous. |
01:08:15 |
So am I. |
01:08:18 |
McPherson suspects Shelby. |
01:08:21 |
He seems to suspect me too. |
01:08:24 |
And so do |
01:08:27 |
You? |
01:08:29 |
- You could never do a thing like that. |
01:08:31 |
Oh, I don't think |
01:08:33 |
But he's capable of it. |
01:08:37 |
Are you as interested in McPherson |
01:08:40 |
But, Ann, I only |
01:08:42 |
That's more than |
01:08:45 |
Anyway, he's better for you |
01:08:49 |
- Shelby's better for me. |
01:08:53 |
Because I can afford him, |
01:08:57 |
He's no good, |
01:09:00 |
I'm not a nice person, |
01:09:03 |
He knows I know he's... |
01:09:07 |
He also knows |
01:09:10 |
We belong together because we're |
01:09:14 |
That's why I know |
01:09:17 |
He's like me. |
01:09:21 |
No, dear, I didn't... |
01:09:24 |
but I thought of it. |
01:09:44 |
Hello? Yes. Yes. |
01:09:48 |
Oh, it's for you, Lieutenant. |
01:09:50 |
Thank you, Bessie. |
01:09:53 |
McPherson. |
01:09:56 |
Yeah, I know. |
01:09:59 |
I told you I'd bring in |
01:10:02 |
Yeah. I was just gonna |
01:10:05 |
No, I can't tell you now. |
01:10:11 |
You'll see when I come in. |
01:10:13 |
Right. See you later. |
01:10:35 |
All right. Let's go. |
01:10:37 |
- You mean- |
01:10:38 |
Oh, no.! |
01:10:42 |
No. No, no. |
01:10:45 |
Not Miss Hunt. |
01:10:47 |
Please! |
01:10:50 |
Thank you, Bessie. |
01:10:53 |
Thank you. |
01:10:56 |
Now will you please be good enough |
01:11:00 |
- Yes, miss. |
01:11:03 |
Don't worry, darling. |
01:11:06 |
We'll fight them. |
01:11:08 |
I have every weapon- |
01:11:12 |
And my column. Every day, millions will |
01:11:18 |
You talk as if you wanted |
01:11:20 |
Yes. Rather than let you blacken |
01:11:26 |
Try to prove her guilty. Get on the witness |
01:11:31 |
I'll expose your cheap methods |
01:11:36 |
- Thank you, Bessie. |
01:11:39 |
- Can we go now? |
01:11:43 |
It's too bad you didn't |
01:11:46 |
- Wait a minute. |
01:11:52 |
Oh, did he hurt you, darling? |
01:11:54 |
Darling. |
01:11:57 |
Ann. |
01:12:03 |
Come in. |
01:12:06 |
Sit down. |
01:12:09 |
- That'll be all, Gallagher. |
01:12:15 |
All right. Let's have it. |
01:12:21 |
What are you trying to do, |
01:12:24 |
You've been holding out, |
01:12:26 |
It'll be easier for you |
01:12:30 |
What difference |
01:12:32 |
You've made up your mind |
01:12:35 |
- Are you? |
01:12:39 |
Since you- |
01:12:41 |
Please. Do I have to have |
01:12:50 |
Thanks. No, I didn't |
01:12:54 |
or anyone else. |
01:12:57 |
Then why- |
01:13:00 |
Why did you tell me the radio |
01:13:03 |
- Because it was broken. |
01:13:06 |
Just as I was leaving the village, |
01:13:09 |
- How did he get in? |
01:13:13 |
You're too intelligent to make up |
01:13:18 |
but you're intelligent enough to have |
01:13:23 |
The main thing I want to know is why you |
01:13:27 |
You told me last night |
01:13:30 |
- Yes, I guess I did. |
01:13:35 |
Well, I- |
01:13:39 |
What are you trying to hide? Don't you |
01:13:44 |
You've got yourself in a jam it's not |
01:13:47 |
unless you're on the level |
01:13:49 |
This is no time for secrets. |
01:13:51 |
Now, did you really decide |
01:13:53 |
or did you just tell me that because |
01:14:02 |
What went on between you and Carpenter |
01:14:05 |
Did he persuade you to make up? |
01:14:08 |
Or did you agree |
01:14:11 |
- Was that it? |
01:14:14 |
He convinced you that if you |
01:14:17 |
people would think |
01:14:20 |
Yes, but now I know it was only |
01:14:23 |
- Did you believe he was guilty? |
01:14:26 |
But he'd gotten himself |
01:14:29 |
and he's the sort of man that people are |
01:14:34 |
Are you in love with him? |
01:14:41 |
I don't see how |
01:14:47 |
Come on. |
01:14:52 |
- But I thought I was- |
01:14:55 |
You and a few others. |
01:14:59 |
You mean this was |
01:15:01 |
I was 99% certain |
01:15:04 |
but I had to get rid of |
01:15:06 |
Wasn't there |
01:15:09 |
I'd... reached a point |
01:15:15 |
Then it was worth it, Mark. |
01:15:21 |
I'll call a cab for you. |
01:15:36 |
Good night. |
01:15:38 |
Good night, Mark. |
01:15:41 |
I'm going over |
01:17:07 |
It still doesn't |
01:17:09 |
He's playing some sort |
01:17:11 |
- I don't think so. |
01:17:14 |
in some warped way |
01:17:18 |
But he isn't capable of any normal, |
01:17:22 |
He's been dealing |
01:17:27 |
When you were unattainable- |
01:17:29 |
that's when |
01:17:31 |
But he was glad |
01:17:33 |
as if he were |
01:17:35 |
Do you know what |
01:17:39 |
A "dame'' in Washington Heights |
01:17:42 |
- His very words. |
01:17:46 |
He isn't like that. |
01:17:48 |
Laura, you have |
01:17:51 |
With you, a lean, strong body |
01:17:54 |
and you always get hurt. |
01:17:58 |
No man is ever |
01:18:01 |
No one, not even you. |
01:18:04 |
I? Hurt you? |
01:18:07 |
Laura, look at me. |
01:18:11 |
When a man has everything |
01:18:15 |
except what he wants most... |
01:18:18 |
he loses his self-respect. |
01:18:20 |
It makes him bitter, Laura. |
01:18:23 |
He wants to hurt someone |
01:18:28 |
You were a long time |
01:18:32 |
but... that's over now. |
01:18:36 |
We'll be back together again. |
01:18:40 |
Haven't you heard of science's |
01:18:45 |
I don't like to remind her. |
01:18:49 |
- That was the murderer's signal. |
01:18:53 |
I thought you'd like to know. We |
01:18:58 |
Now, that's what I call |
01:19:00 |
a real key |
01:19:03 |
First he tells you that |
01:19:06 |
then proceeds |
01:19:08 |
When I report that I think |
01:19:10 |
that's my own personal opinion. |
01:19:12 |
When I submit proof, it becomes |
01:19:15 |
This entire maneuver could be a trick |
01:19:17 |
It could be, but it isn't. |
01:19:20 |
- I believe you, Mark. |
01:19:23 |
If McPherson weren't muscular and |
01:19:27 |
you'd see through him |
01:19:29 |
Waldo, I mean to be |
01:19:33 |
but I must tell you-you're the one who |
01:19:37 |
First it was Jacoby, then Shelby. |
01:19:40 |
- Laura, I- - I don't think |
01:19:42 |
- You're not yourself, darling. |
01:19:46 |
For the first time in ages, |
01:19:52 |
Very well. |
01:19:55 |
I hope you'll never regret |
01:19:57 |
a disgustingly |
01:20:02 |
My congratulations, McPherson. |
01:20:05 |
Listen to my broadcast |
01:20:08 |
I'm discussing |
01:20:30 |
- It was the most difficult thing |
01:20:36 |
All I need is the gun. |
01:20:43 |
- What are you doing? |
01:20:47 |
- I never knew it had one. |
01:21:02 |
- Have you ever seen this before? |
01:21:07 |
Waldo gave you that clock, |
01:21:09 |
Yes. |
01:21:13 |
The doorbell rang... |
01:21:15 |
and Diane Redfern |
01:21:19 |
She opened the door. |
01:21:24 |
Waldo saw a girl standing there, |
01:21:29 |
He figured that if |
01:21:31 |
he was gonna make sure |
01:21:33 |
So he let her have it... |
01:21:38 |
with both barrels, |
01:21:43 |
She fell here. |
01:21:46 |
Waldo heard Shelby running |
01:21:49 |
so he hid |
01:21:53 |
Shelby was scared, |
01:21:56 |
Then Waldo came back |
01:22:01 |
I knew it. |
01:22:03 |
I've felt it |
01:22:06 |
but I didn't want |
01:22:08 |
I couldn't make myself |
01:22:11 |
Waldo was a murderer. |
01:22:14 |
- Well, he is. |
01:22:18 |
- I killed her. |
01:22:21 |
But I did, Mark. I did as surely |
01:22:25 |
That's nonsense. |
01:22:27 |
No, Mark, I can't. |
01:22:31 |
not for anything I did, |
01:22:37 |
But I couldn't help myself. |
01:22:46 |
I can understand that, |
01:22:49 |
but I can't understand why you've tried so |
01:22:52 |
I was nearly frantic for fear |
01:22:55 |
I knew he wasn't guilty. |
01:22:58 |
And Waldo was doing everything |
01:23:01 |
It was his way |
01:23:03 |
just as he did Jacoby. |
01:23:08 |
I must say, for a charming, |
01:23:10 |
you've certainly surrounded yourself |
01:23:16 |
Don't touch anything. |
01:23:21 |
I'll have the clock |
01:23:23 |
- What are you going to do? |
01:23:25 |
- Mark. |
01:23:34 |
That's to make sure |
01:23:37 |
If the doorbell rings, |
01:23:39 |
- I'll phone you in the morning. |
01:23:43 |
Get some sleep. Forget |
01:25:39 |
And thus, |
01:25:43 |
It has been the strongest motivation |
01:25:47 |
throughout centuries. |
01:25:49 |
Love is stronger than life. |
01:25:52 |
It reaches beyond |
01:25:56 |
I close this evening's |
01:25:58 |
with some favorite lines |
01:26:01 |
"Brief Life. '" |
01:26:05 |
"They are not long, |
01:26:09 |
"love and desire |
01:26:13 |
"I think they have |
01:26:16 |
after we pass the gate. '" |
01:26:19 |
- Who's tailing Lydecker? |
01:26:22 |
- He left five minutes ago. |
01:26:25 |
Must've gone out the back way. |
01:26:29 |
"They are |
01:26:34 |
"Out of a misty dream, |
01:26:39 |
then closes within a dream. '" |
01:26:43 |
- That's the way it is, isn't it, Laura? |
01:26:45 |
You have |
01:26:48 |
by electrical transcription. |
01:26:50 |
Waldo, you've taken one life. |
01:26:54 |
The best part of myself- |
01:26:59 |
Do you think I'm going to leave it |
01:27:02 |
of a second-rate detective |
01:27:05 |
Do you think I could bear the thought |
01:27:08 |
kissing you, loving you? |
01:27:11 |
Laura! It's Mark. |
01:27:14 |
- There he is now. |
01:27:16 |
He'll find us together, Laura... |
01:27:20 |
as we always have been, as we always |
01:27:31 |
Mark! |
01:27:44 |
Good-bye, Laura. |
01:27:55 |
Good-bye, my love. |