Law Abiding Citizen
|
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# Hey, Mister Tambourine Man # |
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# Play a song for me # |
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- # In the jingle-jangle morning... # |
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- # I'll come following... # |
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Man: |
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Girl: |
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Ahh. |
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Well, I hope you're doing |
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- What are you making? |
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Yeah? Let me see. |
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Wow. Another one? |
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- Yes. |
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That's two today. |
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- Yeah. |
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Honey? |
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- Yeah? |
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I thought you and I were the help. |
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- Go wash up for dinner, pumpkin. |
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Mmm, smells nice. |
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Mommy, look at- |
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No! |
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No! Ahh! |
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Oh! No no no! |
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You can't fight fate. |
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Man: We gotta get the fuck out of here. |
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Oh! Oh no! |
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Thug: |
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- What the fuck are you doing? |
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Fucking stop! |
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Just shut the fuck up! |
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No! |
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It's cool. |
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Kids like me. |
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No! Heather! |
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No no! |
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- Nick. |
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Willis is a rowing buddy of mine. |
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- Willis? |
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- Oh, I kicked it down to juvie. |
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'Cause the case was a dog. |
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when he committed the murder. |
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You wouldn't want to jeopardize |
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- It's actually 96%. |
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Yes. You gotta keep your books |
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You know, if I didn't know any better, |
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You do know better. |
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And you know that I'm aiming |
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Woman: |
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but there's no way that |
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I think that we can |
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All that time and that's |
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You might want to reevaluate |
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- What else have we got? |
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Mr. Rice? |
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RICO's designed |
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Check out section 901 of |
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And you should let Sarah |
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Mr. Rice, last I checked, |
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She's already done the leg-work. |
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I mean, Helen Keller |
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Okay, Boy Wonder, |
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Cantrell wants to see you. |
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All right, I'll be right there. |
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No, Nick. |
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You still torturing Bringham? |
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Nick: Let's just say I'm less impressed |
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Well, we can't all have |
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I went to Fordham night school. |
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You know what I learned |
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Law school's got nothing |
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Guess you skipped the course |
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All I need is a jury to like me. |
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The Shelton case- |
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It went sideways last night- |
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Ahh. |
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Bad news. What now? |
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- Let's make the deal. |
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- It's an imperfect system. |
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- However you could win this case. |
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Some justice is better |
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You need to tell the husband. |
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Okay. |
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Good, because he's waiting |
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What? |
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- How are you doing? |
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Good. Sit. Sit. |
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Well, I didn't hear back from you |
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and made some notes |
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I had some good ideas. |
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Yeah, let me |
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Well, they're just- |
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I was gonna talk to you |
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Do you trust me? |
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Do you trust me, Clyde? |
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Yeah, of course. |
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Darby has agreed to testify |
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With Darby's testimony, |
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Ames will go |
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Um, what about- |
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Darby will plead |
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- In what degree? |
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He serves, what? |
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at best? |
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I don't understand. |
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We had a setback. The judge ruled |
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- What? |
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The opposing counsel |
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You said this part of |
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We had the blood on his shirt- |
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It's covered under |
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What about the rest of |
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It's not conclusive, Clyde. |
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Okay, that's okay. |
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I saw them do it. |
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You blacked out, Clyde. |
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You get on the stand and |
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No no, the jury's gonna |
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- Because it's the truth! We can- |
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And then we'd have nothing. |
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You will waste a whole year, |
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and then both of them could |
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Nick, both of them are guilty, |
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- You know that. |
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It's what you can |
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Please don't make a deal |
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Please don't make a deal with this man. |
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I'm sorry, the deal is done. |
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I made the deal. |
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What? |
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This is just how |
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Listen, I know you don't |
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but this is a victory for us. |
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Woman: Your office has certified |
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Yes, Your Honor. |
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Mr. Reynolds, any great insights |
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I'm a defense attorney, Your Honor. |
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No, Your Honor. |
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Good, then I trust that we can |
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unimpeded by continuances. |
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Yeah? |
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There's no cell phones |
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- We've been over this- |
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- and over this, over this... |
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Yeah, I had some |
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Next time it's mine. |
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- Ah, you married? |
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Are you married? |
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Please fuck this up |
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I wish ill for no man, |
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but Ames deserves to |
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I mean, you can't |
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Nick. |
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Cantrell: Once you make a decision, |
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This job, your best asset's |
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Don't beat yourself up. Too many other |
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Look, there's some of them |
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Isn't this where you tell me |
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or wives' tale- |
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All right, all right, I got one. |
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Marcus Aurelius hired a servant |
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as he made his way through |
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And this servant's only job |
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was to whisper in his ear |
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"You're only a man. |
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- Okay, man? |
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- Okay, man. |
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That's good. |
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Nick: I don't think you even know |
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You're missing the point, Nick. |
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Okay, I got this now. |
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All right, ladies and gentlemen, |
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So you'll be seeking |
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- For Rupert Ames, we will be. |
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He has pled guilty to murder, |
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The DA's office has committed |
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to ensure that justice |
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Woman: |
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Man: Do you think this is |
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I just wanted to say |
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It's nice when |
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Get away from me. |
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Officer: |
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Let's go. |
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- Nick? |
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Nuh-uh, what happened? |
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What happened to what? |
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What's wrong? |
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You call my job boring. "C-"? |
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Yes. |
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Well... |
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you gonna tell me |
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Can I talk to my daughter |
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- Oh, please. No no no. |
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Please? |
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First of all, |
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- Yeah, she didn't know that. |
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I want you to stay in there |
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'cause there's a lot |
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Language. |
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Your mother's a hardass, but- |
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I'm right here. |
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And Daddy- Daddy wants you to |
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Woman: I want her to come out |
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Nick: Ahh! |
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Anybody seen my phone? |
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- Hey, have you seen my phone? |
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No, it's not strapped to my hand. |
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- Daddy? |
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You're not gonna have |
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- French toast? You made French toast? |
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I can't, honey. |
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Okay. |
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All right, here- Mmm. |
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- Mmm, that's good. |
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- You did this by yourself? |
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I'm just gonna take |
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All right- no. |
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You're only 10 years old? |
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- You better than your mother. |
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Smells good in here. |
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'Morning, baby. |
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Mmm! You going to your daughter's |
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Um, I thought you were gonna |
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Video's not the same, Nick. |
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Mom, it's okay. |
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See? It's all right. Dad's got to work. |
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- Lock up bad guys. |
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- To keep us safe. |
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She understands. |
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- Baby, get your cello. |
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- Thank you so much. |
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- Little Julia Child. |
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You know she's |
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- You know that? |
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She doesn't understand why |
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This good-guy, bad-guy stuff- |
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Don't do this, come on. |
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I can't come today. |
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You know you have not been |
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- How many has she had? |
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Okay. |
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we'll sit down and we'll |
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I love you. |
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All right? |
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- Thank you for the toast. |
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- Love you too! |
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Love you. |
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Huh. |
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- So how's Chip? |
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What happened to Chip? |
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There is no Chip. |
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And now there's no Chester. |
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- Sarah, that's a good thing. |
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My caseload's crazy. |
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You know you don't have to |
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Yeah, I do. I... |
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What's it like? |
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No biggie. |
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Except for |
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Does it bother you? |
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Not anymore. |
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Sarah, your legs are looking |
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Fuck off. |
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What are you doing here, Reynolds? |
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Ames has no family. I felt like |
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Wow, that's nice. |
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Breathe. |
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Rupert Ames, do you have |
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Yeah. |
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Uh-huh. |
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Ames: |
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I should have never been there. |
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But I swear to God, |
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The wrong man's dying here today. |
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The wrong man's dying. |
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That's all. |
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Look at me. |
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Look at me! |
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Ahh! Fuck! |
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Fuck! |
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Ahh! Fuck! |
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Oh, God. |
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- Oh, God. |
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- What the hell is going on? |
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Ahhh! |
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Man: What could have caused |
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We'll keep you informed. |
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You okay? Huh? |
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Yeah. |
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So somebody killed the guy |
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What are we calling this? |
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Clear violation of his |
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- cruel and unusual punishment. |
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Yeah. The machine- |
00:20:01 |
It's designed to be pain-free. |
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It's three drugs administered |
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From this point on, we're operating |
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that the machine was corrupted. |
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We're gonna need a list of all |
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- My people would not do this. |
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but I'm gonna need more than |
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Detectives, got this off |
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- Check it out. |
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Man: Right there. |
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"Can't fight fate. " |
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Cantrell: |
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During the home invasion, |
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said to one of the vics, |
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And then he said the same thing |
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I can't remember his name, though. |
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Detective: Have a look at this- |
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- Nick: Clarence James Darby. |
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- You got history with him? |
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All right, three years. That the going |
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There was extenuating |
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The only extenuating circumstances |
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Still, three years at Marion? |
00:21:00 |
You expect him to come back |
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Well, if you scholars wouldn't |
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I could keep them |
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TV reporter: Authorities have refused |
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but foul play cannot be ruled out. |
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The prisoner had been on death row |
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his name, Rupert Ames. |
00:21:14 |
Female reporter: |
00:21:16 |
is what was supposed to be |
00:21:18 |
has turned into something |
00:21:28 |
Yeah? |
00:21:30 |
- Disguised voice: Clarence Darby? |
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That's strike three for you: |
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bitch on the floor- life in prison. |
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Who the fuck is this? |
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Voice: Look out your window, |
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- Is this a joke? Get up! |
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South side. |
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Motherfucker. |
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Shit. Out of the way! |
00:22:11 |
- Stay down! |
00:22:14 |
He's heading north! |
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- Damn. |
00:22:28 |
- What now? |
00:22:31 |
- Get rid of it. |
00:22:33 |
You fired six times, genius. |
00:22:37 |
- Lose it. |
00:22:39 |
I want to keep you |
00:22:40 |
See the abandoned factories? |
00:22:43 |
Why? |
00:22:44 |
There's a cop car there |
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What the fuck? |
00:22:48 |
I Tasered him, but he'll be waking up |
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so you'd better move. |
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Rise and fucking shine, bitch. |
00:23:14 |
Let's go! |
00:23:16 |
- Okay! |
00:23:17 |
- Take it easy, take it- |
00:23:19 |
- Okay, let's go. |
00:23:21 |
Let's go! |
00:23:24 |
Do it! Go go go! |
00:23:42 |
Get the fuck out. |
00:23:50 |
Let's go. |
00:23:52 |
Get the fuck down there! |
00:23:54 |
Okay. What about my wife? |
00:23:58 |
- I'll never see them again. |
00:24:02 |
Oh oh oh. |
00:24:05 |
You don't mind if |
00:24:07 |
My guardian angel. |
00:24:10 |
I am impressed. |
00:24:12 |
You know why I'll never see |
00:24:20 |
'Cause you took 'em from me. |
00:24:30 |
You remember me? |
00:24:34 |
Sure you do. |
00:24:36 |
You came over to my house |
00:24:39 |
You don't remember? |
00:24:43 |
This tetrodotoxin... |
00:24:48 |
should be nicely into |
00:24:51 |
It's isolated from the liver |
00:24:55 |
So it paralyzes you, |
00:24:58 |
but leaves all the other |
00:25:02 |
perfectly intact. |
00:25:04 |
In other words, you can't move... |
00:25:08 |
but you feel everything. |
00:25:12 |
It does absolutely nothing |
00:25:16 |
And you're about to |
00:25:19 |
than you could ever |
00:25:30 |
These are tourniquets |
00:25:33 |
so you don't bleed out, |
00:25:38 |
Saline solution- |
00:25:40 |
that should keep us going. |
00:25:43 |
Clamps- nice and secure. |
00:25:49 |
Comfortable? |
00:25:51 |
You really are shaking. |
00:25:54 |
Sure you're all right? |
00:25:57 |
You'll love this- |
00:26:01 |
adrenaline. |
00:26:03 |
Now this is so you |
00:26:08 |
There you go. |
00:26:11 |
How's that feel? Good? |
00:26:16 |
Now what we don't want |
00:26:19 |
so bear with me. |
00:26:27 |
Now this is for your penis, |
00:26:33 |
Scalpel... |
00:26:36 |
for your eyelids, |
00:26:38 |
in case you insist |
00:26:43 |
You see, |
00:26:45 |
I know what it feels like |
00:26:49 |
just like when I watched you |
00:26:55 |
You know you can't |
00:27:01 |
Oh! |
00:27:02 |
And look- |
00:27:09 |
You like it? Yeah, |
00:27:14 |
Now you have the best |
00:27:19 |
You hear that? |
00:27:21 |
Your heart is beating so fast. |
00:27:26 |
No, me too. |
00:27:28 |
Okay. |
00:27:33 |
Now they get to |
00:27:38 |
They'll be the last thing |
00:27:41 |
as I cut off every single one |
00:27:45 |
See, I wasn't lying |
00:27:48 |
when I told you that I wanted |
00:27:55 |
That was the truth. |
00:28:33 |
Thanks for the car. |
00:29:01 |
Sarah: Okay, these are all |
00:29:04 |
I vetted through what I could. |
00:29:07 |
Don't need to see 'em. |
00:29:10 |
Okay. |
00:29:17 |
- What's bothering you? |
00:29:20 |
All the crimes he's committed |
00:29:23 |
and that was violence. |
00:29:25 |
- that wasn't violence. That was- |
00:29:27 |
- That was intellect. |
00:29:31 |
- What are you thinking? |
00:29:33 |
I'm just thinking maybe |
00:29:48 |
Jesus Christ. |
00:30:02 |
Rice. |
00:30:04 |
Detective: |
00:30:07 |
I gotta say though, |
00:30:11 |
Sarah: |
00:30:14 |
no legs, no arms, |
00:30:18 |
- Nick: Shedding tears for Darby? |
00:30:20 |
- Cantrell: I see your wheels turning. |
00:30:23 |
Cantrell: The husband, the father. |
00:30:26 |
He owned the warehouse |
00:30:28 |
- What else? |
00:30:29 |
uh, little inventions, gizmos. |
00:30:33 |
that made him some money. |
00:30:35 |
He liquidated most of |
00:30:38 |
to buy some industrial |
00:30:42 |
chemical plants, |
00:30:44 |
- It doesn't add up. |
00:30:47 |
Search 'em all, Sarah. |
00:32:05 |
Freeze! |
00:32:09 |
- Get down, go! |
00:32:12 |
- Face down, face down! |
00:32:50 |
Crazy men scare |
00:32:54 |
Detective: |
00:32:56 |
No. |
00:32:59 |
He's an engineer. |
00:33:01 |
Sarah: |
00:33:42 |
Cantrell: We have zero evidence. |
00:33:45 |
He give you any trouble |
00:33:47 |
No, nothing. |
00:33:48 |
He wasn't too happy when |
00:34:00 |
- Can I help you? |
00:34:02 |
Oh, yeah. Thanks. |
00:34:07 |
Mom, the video from my recital came. |
00:34:11 |
- Please? |
00:34:14 |
No, please, we said we were |
00:34:16 |
- Please? |
00:34:19 |
Okay. |
00:34:22 |
Uh-huh, yes. |
00:34:26 |
Yes, absolutely. |
00:34:48 |
Mommy! |
00:35:05 |
Don't worry, he's just disarming |
00:35:09 |
What I'm about to tell you |
00:35:13 |
As a prosecutor, I'm breaking |
00:35:16 |
and I don't give a damn |
00:35:19 |
I have a little girl. |
00:35:21 |
And what you did... bravo. |
00:35:27 |
The world is better |
00:35:31 |
You're not gonna see a tear shed |
00:35:39 |
With that being said... |
00:35:43 |
I have a job to do. |
00:35:48 |
I'm gonna ask you some very simple |
00:35:50 |
I suggest that you |
00:35:54 |
Is your name Clyde Alexander Shelton? |
00:35:57 |
Yes, sir. |
00:35:58 |
And you've waived |
00:36:00 |
- Yes, sir. |
00:36:04 |
Yes. |
00:36:06 |
Did you murder Clarence Darby? |
00:36:11 |
I wanted him dead. |
00:36:13 |
He killed my wife and child. |
00:36:15 |
Rupert Ames- |
00:36:20 |
Rupert Ames deserved to die. |
00:36:22 |
They both deserved to die. |
00:36:25 |
So you arranged |
00:36:30 |
Yes, I planned it... |
00:36:31 |
in my head, over and over again. |
00:36:38 |
All right. |
00:36:40 |
I guess we're done here. |
00:36:44 |
Counselor? |
00:36:47 |
You might want to canceI |
00:36:52 |
Excuse me? |
00:36:54 |
In fact, you might want to |
00:36:56 |
'cause you're gonna be busy. |
00:37:01 |
We're done here. |
00:37:03 |
Mmm. Oh, you do? |
00:37:06 |
On tape. |
00:37:08 |
See, in our profession, |
00:37:11 |
Oh, really? |
00:37:14 |
What did I say? |
00:37:15 |
That I wanted to kill |
00:37:19 |
Yeah, sure. |
00:37:21 |
That both Darby and Ames |
00:37:24 |
I think most people |
00:37:26 |
That I planned it over and over |
00:37:29 |
Yeah. Who wouldn't |
00:37:32 |
None of these are |
00:37:35 |
- You might want to check the tape. |
00:37:38 |
Well, it's not what you know, |
00:37:42 |
Didn't you tell me that once? |
00:37:43 |
The only problem with your theory |
00:37:45 |
is that Darby's body was |
00:37:47 |
One of my many properties- |
00:37:50 |
Junkies, they trespass there |
00:37:54 |
Isn't Darby involved |
00:37:56 |
That's an unsavory world. |
00:37:59 |
Or perhaps someone was |
00:38:02 |
You know, Clyde, |
00:38:04 |
there's a lot of assholes in prison |
00:38:07 |
Let's stop fucking around. |
00:38:10 |
Nick, unless you have any |
00:38:13 |
then why are we even here? |
00:38:15 |
- What do you want? |
00:38:20 |
Well, that's easy. |
00:38:22 |
Now you're the one who |
00:38:26 |
So I've come to make mine. |
00:38:28 |
I will give you a confession, |
00:38:33 |
You just have to |
00:38:35 |
Yeah, well, since you |
00:38:39 |
A bed. |
00:38:43 |
But a nice bed. |
00:38:46 |
I want a nice new one |
00:38:48 |
Very simple. |
00:38:50 |
You're gonna have to deal with that, |
00:38:53 |
It's making me crazy. |
00:38:55 |
Clyde, I think you've got me |
00:38:58 |
See, I don't deaI |
00:39:00 |
I believe those cots |
00:39:02 |
Well, that's what wrenches are for, |
00:39:07 |
You know, one of those new |
00:39:09 |
with the adjustable- you know, |
00:39:13 |
- that's the one. |
00:39:14 |
- That's the one I want. |
00:39:16 |
- 'Cause really- |
00:39:18 |
- And frankly I don't think- |
00:39:19 |
- I'll be able to focus |
00:39:21 |
untiI I've had a good |
00:39:23 |
in my therapeutic Duxiana bed. |
00:39:26 |
So that's the deal: |
00:39:28 |
you get me my bed, |
00:39:31 |
Okay, let me think |
00:39:34 |
How about... |
00:39:37 |
fuck no. |
00:39:49 |
Hey, what are you doing? |
00:39:51 |
- What do you mean? |
00:39:53 |
A mattress? He doesn't make |
00:39:56 |
Take your ego out of it, Nick. Shelton's |
00:40:00 |
We need a confession. |
00:40:02 |
- That's a pretty good deal. |
00:40:04 |
Well, then we will play him. |
00:40:06 |
Nick? |
00:40:08 |
There's an urgent call from your office. |
00:40:11 |
I need to finish up here and then |
00:40:14 |
Listen to me: |
00:40:16 |
Nick, I have never seen |
00:40:18 |
Please come home. |
00:40:20 |
Listen, you need to calm down. |
00:40:24 |
- Okay. |
00:40:26 |
Come home. |
00:40:27 |
- Kelly, did you see his face? |
00:40:29 |
It was covered with something. |
00:40:31 |
Okay, baby, let me finish up here and |
00:40:34 |
Okay. |
00:40:37 |
This motherfucker sent a DVD to my house |
00:40:40 |
- What? |
00:40:44 |
He recorded it? |
00:40:46 |
No no, he had on a mask. |
00:40:50 |
You still want to bargain |
00:40:52 |
The art of the possible, Warden. |
00:40:54 |
Make the deal. |
00:40:58 |
Man: |
00:41:14 |
Back problems, Warden- |
00:41:18 |
You got bigger problems than that. |
00:41:20 |
It's the have-nots in here, son. |
00:41:23 |
I don't know that I want |
00:41:30 |
Turn around. |
00:41:36 |
I don't think he likes me. |
00:41:40 |
Nice bed. |
00:41:44 |
Thank you. |
00:41:46 |
It's a single. |
00:41:50 |
I'd watch my fucking back |
00:41:55 |
In the cell, let's go. |
00:42:00 |
We can't put |
00:42:02 |
not in a job, not in a city, |
00:42:04 |
So I dug a little deeper and I found |
00:42:07 |
a couple of contract payments to Clyde |
00:42:11 |
- And his real estate? |
00:42:14 |
under his own name, |
00:42:16 |
to some corporation in Panama. |
00:42:17 |
We can't get to the addresses. |
00:42:19 |
A lack of reciprocity |
00:42:21 |
So I'm gonna circle |
00:42:23 |
That's a waste of time. He wanted us |
00:42:26 |
It's the industrial stuff |
00:42:28 |
All right, I don't care what you |
00:42:31 |
If we have to invade |
00:42:34 |
Clyde is hiding those properties |
00:42:36 |
Got it. |
00:42:50 |
- Baby, you leave it cracked? |
00:42:53 |
- Night light? |
00:42:55 |
Yeah, I left a night light. |
00:42:58 |
- Good. |
00:43:00 |
I told her that |
00:43:02 |
- Okay. |
00:43:04 |
something she shouldn't |
00:43:06 |
- Okay, good. |
00:43:08 |
Yeah. And you? |
00:43:10 |
- Am I what? Okay? |
00:43:13 |
Of course. |
00:43:15 |
- Hmm? |
00:43:18 |
Nick is always okay. |
00:43:21 |
Always- I'm extra good. |
00:43:26 |
I love you. |
00:43:28 |
I love you too. |
00:43:35 |
In light of Mr. Shelton's |
00:43:38 |
and his potential flight risk, |
00:43:40 |
the egregious nature of both |
00:43:43 |
the state requests that |
00:43:49 |
Judge: |
00:43:51 |
waived your right to |
00:43:54 |
do you have anything to say? |
00:43:56 |
Mr. Shelton? |
00:43:59 |
Do you have anything |
00:44:03 |
Yes yes yes, Your Honor. |
00:44:05 |
- Should I stand? |
00:44:16 |
Your Honor, I'm a law-abiding citizen. |
00:44:20 |
I'm just a regular guy. |
00:44:22 |
I am not a flight risk. |
00:44:25 |
And this is my first alleged offense. |
00:44:27 |
And the prosecution has not presented |
00:44:33 |
Now in these circumstances, |
00:44:36 |
unless the state has obtained |
00:44:38 |
relating to my involvement |
00:44:41 |
then I find it highly prejudiciaI, |
00:44:45 |
to keep me detained without bail. |
00:44:48 |
It's a slippery slope, |
00:44:50 |
Haven't we seen the result |
00:44:53 |
both internationally and domestically? |
00:44:56 |
would be Day v. McDonough, |
00:45:02 |
I am actually inclined |
00:45:08 |
Your Honor, Mr. Shelton has |
00:45:13 |
Has he given it, Mr. Rice? |
00:45:15 |
No, Your Honor. |
00:45:16 |
Well, then in my opinion, |
00:45:19 |
the state has failed to establish |
00:45:22 |
for its motion, |
00:45:25 |
Your Honor, |
00:45:28 |
Thank you. |
00:45:30 |
Excuse me? |
00:45:32 |
No, I don't think I will excuse you. |
00:45:35 |
You see, this is what |
00:45:37 |
You were about to let me go. |
00:45:40 |
This is why we're here |
00:45:45 |
You think I don't remember |
00:45:48 |
I would tread carefully, Mr. Shelton. |
00:45:51 |
Well, how carefully |
00:45:53 |
Because apparently |
00:45:55 |
and you were about to let me |
00:45:59 |
How misguided are you? |
00:46:02 |
I feed you a couple of |
00:46:05 |
and there you go- you jump |
00:46:08 |
- Folks, you all hang out- |
00:46:11 |
- -in the same little club. |
00:46:13 |
And every day you let madmen |
00:46:15 |
- You're too busy treating the law- |
00:46:18 |
- -like it's a fucking assembly line! |
00:46:20 |
- Do you have any idea what justice is? |
00:46:21 |
- Whatever happened to right and wrong? |
00:46:23 |
- Whatever happened to right and wrong? |
00:46:27 |
- Whatever happened to the people? |
00:46:29 |
- Whatever happened to justice? |
00:46:31 |
And I bet you take it up |
00:46:35 |
Bailiff. |
00:46:36 |
Clyde: |
00:46:39 |
Nick: |
00:46:43 |
That's what you're building |
00:46:48 |
Nick, I told you I would |
00:46:50 |
And I- I meant it. |
00:46:52 |
- I saw a movie today. |
00:46:55 |
My daughter saw the same movie. |
00:46:58 |
Well, you taught your daughter |
00:47:01 |
I don't have to. |
00:47:02 |
Well, that's what this movie was about: |
00:47:06 |
the righteous prospering, |
00:47:09 |
I didn't get that. |
00:47:11 |
I'm gonna give you |
00:47:14 |
And don't test me |
00:47:17 |
Fair enough. |
00:47:20 |
You did get me my bed. |
00:47:22 |
A deal's a deal. |
00:47:25 |
That was you on video |
00:47:28 |
Yes, that was me. |
00:47:32 |
Okay, fair enough. |
00:47:35 |
on the video, |
00:47:37 |
Not good enough, Clyde. |
00:47:42 |
I took his fingers with bolt cutters, |
00:47:46 |
his toes with tin snips, |
00:47:47 |
his balls with a hacksaw, |
00:47:49 |
and his penis with a box cutter. |
00:47:53 |
How's that for specifics? |
00:47:56 |
And Ames? |
00:47:57 |
Switching the canisters was easy. |
00:48:01 |
so I just hacked into |
00:48:04 |
and swapped a few numbers around |
00:48:07 |
Then I switched |
00:48:09 |
with something a little more... |
00:48:14 |
Well, I'm tired of |
00:48:17 |
I got everything I need. |
00:48:20 |
What now? |
00:48:21 |
I go home; |
00:48:23 |
You know, the righteous prospering, |
00:48:26 |
That ought to make you |
00:48:28 |
What if I had another |
00:48:30 |
Call a priest. |
00:48:31 |
But another confession would |
00:48:34 |
so you would have to |
00:48:40 |
You ever been to Del Frisco's? |
00:48:44 |
So for lunch, I would love |
00:48:48 |
medium, |
00:48:51 |
with all the trimmings- |
00:48:55 |
Fuck you and your pommes frites. |
00:48:59 |
I'll tell you what: |
00:49:02 |
I'd love a little bit |
00:49:05 |
First rule of negotiating, Clyde: you |
00:49:08 |
Would the life of |
00:49:17 |
Open it. |
00:49:23 |
Who the fuck is Bill Reynolds? |
00:49:25 |
Darby's attorney. |
00:49:27 |
Tell me you located him. |
00:49:29 |
I've got his wife. |
00:49:33 |
Thank you, Mrs. Reynolds. |
00:49:35 |
Clyde: Well, looks like I got something |
00:49:39 |
At the moment, |
00:49:42 |
I'll tell you exactly where he is. |
00:49:45 |
Just bring me my meal and |
00:49:49 |
00 sharp. |
00:49:52 |
00, Nick. |
00:50:08 |
That's good, right there. |
00:50:14 |
All right, up! |
00:50:22 |
- It's 5 to 1:00. |
00:50:26 |
And inmates don't have |
00:50:28 |
- We tell them what time it is. |
00:50:31 |
We need to stick to the timeline |
00:50:33 |
Fuck him, Nick. |
00:50:35 |
Christ, he sawed a guy's dick off. |
00:50:37 |
Whether you like it or not, |
00:50:40 |
Check it again. |
00:50:45 |
Inmate: |
00:50:51 |
This motherfucker! |
00:50:57 |
Man, come on! |
00:51:05 |
Steamed asparagus, |
00:51:07 |
- lobster macaroni and cheese... |
00:51:12 |
...porterhouse steak, |
00:51:17 |
Mmm! |
00:51:23 |
Hmm. |
00:51:24 |
- Napkin, Nick. |
00:51:29 |
Oh, excuse me, waiter? |
00:51:32 |
You might want to put 30% |
00:51:38 |
- Hey, what time is it? |
00:51:42 |
Is that right, Nick? |
00:51:44 |
- It's 1:08. |
00:51:48 |
I mean, how can you expect me |
00:51:50 |
when you can't even |
00:51:52 |
Late or not, Clyde, you have what you |
00:51:56 |
Can I have some silverware, |
00:51:58 |
Silverware. |
00:52:00 |
You get a spork. |
00:52:03 |
Idiot. |
00:52:07 |
Thanks. |
00:52:18 |
Come on, Clyde. |
00:52:25 |
Okay. |
00:52:26 |
Here we go: |
00:52:29 |
39N57'... |
00:52:32 |
04", |
00:52:34 |
075W10'22". |
00:52:38 |
And you'd better hurry, Nick. |
00:52:40 |
'Cause by anybody's watch but |
00:52:43 |
- Open the door! |
00:52:52 |
I'll take a ground unit! |
00:53:16 |
So I suppose if I don't |
00:53:19 |
I'm gonna get the fuck up, |
00:53:21 |
I'm gonna cock back |
00:53:23 |
and I'm gonna split your whole |
00:53:28 |
Well, come on over here. Join me. |
00:53:36 |
Here, enjoy. |
00:53:40 |
It's good. |
00:53:42 |
What about some steak? |
00:53:44 |
- Mmm. |
00:53:45 |
Here's a big piece for you. |
00:53:48 |
There you go. |
00:53:53 |
Good, huh? |
00:54:04 |
What'd you do |
00:54:09 |
I did what I had to do. |
00:54:17 |
So you got a girl or something? |
00:54:21 |
Mmm, it's a long story. |
00:54:28 |
Pilot, how much longer? |
00:54:30 |
Two minutes. |
00:54:36 |
How about you? |
00:54:39 |
- Got a few girls back home. |
00:54:42 |
Yeah. |
00:54:43 |
- You have a boyfriend in here or no? |
00:55:01 |
This is- it's Reynolds's. |
00:55:04 |
- Not a good sign, Nick. |
00:55:20 |
- Jesus Christ! |
00:55:22 |
- He's unconscious. |
00:55:25 |
He's gone, Nick. |
00:55:28 |
- Oxygen? |
00:55:31 |
Detective: He's got IV lines |
00:55:34 |
He's got him cuffed! |
00:55:37 |
Nick: Listen, you got your keys |
00:55:42 |
- Mmm! |
00:55:44 |
Shit. |
00:55:46 |
Oh, God, I'm so happy. |
00:55:49 |
Your lucky day, huh? |
00:55:51 |
Here, wanna take a shot at this? |
00:55:55 |
- What is it? |
00:55:57 |
No. |
00:56:16 |
Inmate: |
00:56:22 |
He's crazy! |
00:56:24 |
Don't stop now, partner! |
00:56:26 |
Finish him, come on! |
00:56:29 |
Take it off! |
00:57:03 |
I need a shower, Warden. |
00:57:06 |
Get him out of there! |
00:57:10 |
Nick: Dunnigan, |
00:57:15 |
37. |
00:57:16 |
Took us roughly 15 minutes |
00:57:18 |
Yeah? |
00:57:20 |
Reynolds's air was rigged to |
00:57:22 |
If Shelton would have got |
00:57:25 |
Fuck this guy, Nick. |
00:57:27 |
He wants to play games, |
00:57:31 |
We need to take the gloves off. |
00:57:33 |
No. |
00:57:39 |
Nick, it's Sarah. |
00:57:42 |
The warden is furious. |
00:57:46 |
That's all I know right now. |
00:58:19 |
How are we doing? |
00:58:22 |
Great. Can you believe this? |
00:58:25 |
Checking his iPod for clues. |
00:58:29 |
I do the same thing |
00:58:30 |
Learn anything? |
00:58:32 |
Yeah, they both got |
00:58:37 |
We got a game plan |
00:58:39 |
Game plan? |
00:58:41 |
I tell you, I got a game plan. |
00:58:43 |
Give me five minutes alone with him |
00:58:46 |
I don't give a shit |
00:58:49 |
It's no excuse. |
00:58:58 |
Wow. |
00:59:06 |
Stop right there. |
00:59:17 |
Step into the cell. |
01:00:05 |
We found Reynolds. |
01:00:07 |
Moments too late, |
01:00:10 |
I had to call his wife and tell her |
01:00:14 |
Justice should be harsh, Nick, |
01:00:17 |
but especially for those |
01:00:20 |
And your cell-mate? |
01:00:26 |
You murdered a man |
01:00:29 |
No. |
01:00:31 |
No. No, you murdered him |
01:00:36 |
We made a deal, you and I: |
01:00:39 |
That's a pretty important principle |
01:00:42 |
- keeping your word. |
01:00:44 |
What principle was at work when |
01:00:47 |
That everyone must be held |
01:00:57 |
You think your wife |
01:01:00 |
about you killing in their name? |
01:01:29 |
My wife and daughter |
01:01:34 |
They're dead. |
01:02:12 |
Hey, Nick? |
01:02:14 |
On Clyde's real estate, |
01:02:16 |
He's looking for some sort of legal |
01:02:20 |
- But? |
01:02:21 |
I think I may have found |
01:02:23 |
- I'll call in a favor from a friend. |
01:02:25 |
You don't name your friends |
01:02:27 |
Something else Cantrell said. |
01:02:29 |
No, that was all you. |
01:02:34 |
She's thinking just like you, Nick. |
01:02:37 |
- One day she'll have my job. |
01:02:43 |
Clyde's government contract payments |
01:02:46 |
so I pulled some ancient strings. |
01:02:49 |
Who might that be? |
01:02:50 |
Someone who does some really nasty shit |
01:03:06 |
So Clyde finally lost it? |
01:03:08 |
Somebody must have |
01:03:11 |
You worked with Shelton, |
01:03:13 |
Okay, first of all, |
01:03:17 |
Tell us what we're dealing with. |
01:03:20 |
Spies are a dime a dozen. |
01:03:23 |
Clyde is a brain. |
01:03:26 |
His specialty was low-impact |
01:03:29 |
Is this a hell of a fancy way |
01:03:32 |
We kill people. |
01:03:33 |
He figured out how to do it |
01:03:35 |
It was his gift, |
01:03:39 |
One time we're tasking |
01:03:42 |
I mean, we're using cruise missiles |
01:03:44 |
and we even had a B-2 bomber |
01:03:48 |
All right? We're burning up |
01:03:50 |
and we're getting nowhere |
01:03:51 |
So we call Clyde and |
01:03:55 |
Clyde develops a Kevlar thread |
01:03:57 |
with a high-tech ratchet |
01:04:00 |
put in a necktie. |
01:04:02 |
Two days later, Mrs. Bad Guy |
01:04:04 |
finds Mr. Bad Guy dead |
01:04:07 |
choked to death. |
01:04:10 |
What I'm saying is, just assume |
01:04:13 |
everything that you're doing. |
01:04:15 |
Nick: No, we've got him locked away, |
01:04:17 |
Man: If he's in jail, it's because |
01:04:21 |
He's a born tactician. Every move |
01:04:25 |
That cell-mate that he killed- |
01:04:29 |
No. |
01:04:31 |
That's a pawn being |
01:04:36 |
If I were you, |
01:04:39 |
Anybody who had anything |
01:04:41 |
he's gonna be coming after you. |
01:04:44 |
So what are you saying? |
01:04:51 |
Walk into his cell |
01:04:55 |
Aside from that? |
01:04:59 |
If Clyde wants you dead, |
01:05:12 |
- Hello? |
01:05:16 |
Set up a meeting |
01:05:18 |
We need her to help us |
01:05:20 |
Help us with what, Nick? |
01:05:23 |
He's worse than we thought. |
01:05:24 |
- Chester's your boyfriend, right? |
01:05:27 |
Yeah. |
01:05:29 |
Good. Maybe stay a few days |
01:05:32 |
And have Dunnigan send |
01:05:36 |
Sorry about this, Sarah. |
01:05:45 |
Judge Burch: |
01:05:47 |
You've already got him in solitary. |
01:05:49 |
A half-decent paralegal will have him |
01:05:51 |
We just want to limit his options; |
01:05:53 |
give him less contact, |
01:05:55 |
even if it's just rescinding his |
01:05:58 |
- Under what cause? |
01:06:00 |
Wrap it around whatever |
01:06:03 |
that helps you rationalize it, |
01:06:08 |
So let me get this straight: |
01:06:10 |
you want me to violate |
01:06:12 |
in the name of some murky sense |
01:06:15 |
Is that the gist of it, gentlemen? |
01:06:24 |
Okay. I'm game. |
01:06:28 |
Just don't plan |
01:06:35 |
Wait, you're gonna take that, |
01:06:37 |
after all the grief you've |
01:06:40 |
That's one of the benefits of |
01:06:43 |
I can pretty much do |
01:06:48 |
Hello? |
01:06:52 |
Oh my God. |
01:06:54 |
Nick: |
01:06:59 |
Female reporter:... at city hall, though |
01:07:04 |
we do know that |
01:07:06 |
in what officials are calling |
01:07:08 |
We have reporters |
01:07:11 |
Up. |
01:07:17 |
Somebody's helping this guy- |
01:07:19 |
a bomb in that phone, |
01:07:21 |
Who had access? |
01:07:24 |
Are you okay? |
01:07:26 |
I've survived the war |
01:07:31 |
How are you holding up? |
01:07:33 |
I'm good. |
01:07:51 |
So you're killing judges now? |
01:07:53 |
In my experience, Nick, lessons not |
01:07:57 |
And vengeance keeps you |
01:08:00 |
Vengeance? |
01:08:04 |
That's what you think this is about? |
01:08:07 |
What else could it be? |
01:08:09 |
No, Nick, I had 10 years |
01:08:13 |
You don't think that I watch you |
01:08:17 |
Or that I watch Kelly take Denise |
01:08:21 |
No, I could have slaughtered you |
01:08:25 |
You even think about |
01:08:28 |
you even think about touching |
01:08:40 |
I do my job. |
01:08:42 |
I'm the best at it. |
01:08:45 |
- It works. |
01:08:47 |
the way that best served you, Nick- |
01:08:52 |
- That has to change. |
01:08:55 |
You at war with the whole world? |
01:08:58 |
No, I'm at war with this- |
01:09:01 |
this- this broken thing- |
01:09:05 |
this thing that brought |
01:09:07 |
This broken thing works |
01:09:09 |
You think doing what you're doing |
01:09:12 |
You and whoever else |
01:09:15 |
are gonna pay. |
01:09:18 |
I don't think you |
01:09:20 |
who's helping me |
01:09:23 |
It's a matter of time. |
01:09:24 |
See, you see the bodies, |
01:09:27 |
but the larger picture |
01:09:30 |
Do tell. |
01:09:33 |
I would like to... |
01:09:37 |
but I would rather show you. |
01:09:41 |
I still have faith in you, |
01:09:45 |
Here's the deal: |
01:09:46 |
release me and drop |
01:09:51 |
- 6:00 AM, Nick. |
01:09:56 |
Or I kill everyone. |
01:10:10 |
- Hello? |
01:10:12 |
he has to have an accomplice- |
01:10:16 |
We have to go through all the prisoners' |
01:10:19 |
Do you want the files |
01:10:21 |
No, there isn't time. Get everybody |
01:10:24 |
We're moving in. |
01:10:44 |
Stop looking at your watch. |
01:10:48 |
Anything from your friend? |
01:10:50 |
This treaty with Panama is a mess. |
01:10:52 |
We can't access anything about |
01:10:55 |
but my friend found |
01:10:57 |
that grants us access to |
01:11:00 |
Does that help? |
01:11:06 |
So we match sale prices |
01:11:10 |
up against purchases made |
01:11:13 |
Okay, I got it. |
01:11:25 |
- Hey, Nick, can I ask you something? |
01:11:31 |
Would you do it |
01:11:34 |
Would you still cut |
01:11:38 |
This is the job, Sarah. |
01:11:42 |
- But did you make the right choice? |
01:11:48 |
I don't know. |
01:11:51 |
I'm 35, Nick. |
01:11:53 |
And there are things- |
01:11:56 |
that I'm not gonna have now. |
01:11:59 |
And it's okay. |
01:12:04 |
And don't get me wrong. |
01:12:12 |
But I just want to make sure |
01:12:15 |
for more than just |
01:12:38 |
Do you want any more coffee? |
01:12:40 |
No. |
01:13:37 |
All right. |
01:13:39 |
All right, let's just get focused here. |
01:13:42 |
He's not the All Powerful. |
01:13:45 |
We need to be equally |
01:13:47 |
Take a couple of hours, go home, |
01:13:51 |
Okay? |
01:14:02 |
Man: Come on, old man, let's see if |
01:14:21 |
Hey, Nick, get some rest. |
01:14:23 |
Give Chester my regards. |
01:14:28 |
Oh, he's not ready for that. |
01:14:32 |
'Night, Jonas. |
01:14:45 |
I don't know how |
01:14:47 |
We're gonna stop him. |
01:14:51 |
Ahh! |
01:15:02 |
Sarah. |
01:15:10 |
Sarah. |
01:15:45 |
Reporter: In the past 48 hours, six |
01:15:49 |
have been killed in a series of vicious |
01:15:52 |
This marks the first time in |
01:15:55 |
where government officials have been, |
01:15:58 |
systematically murdered. |
01:16:00 |
We'll continue to follow this story and |
01:16:07 |
Nick, I'm sorry to have to do this now, |
01:16:10 |
Found this right outside the wall- |
01:16:13 |
radio beacon- |
01:16:15 |
sent an arming signal to the car bombs |
01:16:18 |
Dunnigan: Security said they checked |
01:16:21 |
They didn't check the gas tanks. |
01:16:24 |
Real precise stuff too. |
01:16:26 |
Could have taken out |
01:16:28 |
- Cantrell: What about Nick's car? |
01:16:31 |
It's clean- |
01:16:35 |
I gotta go. |
01:16:45 |
Woman: |
01:16:55 |
Privacy, please. |
01:16:59 |
So let me get this straight: |
01:17:02 |
not only do we |
01:17:05 |
we have him locked up |
01:17:11 |
You boys sure |
01:17:15 |
The press is gonna kill us. |
01:17:19 |
Can someone explain this to me? |
01:17:21 |
We can't yet. |
01:17:28 |
How did this get away |
01:17:31 |
It's complicated, April. |
01:17:34 |
He's very smart. |
01:17:36 |
We assume he has an accomplice |
01:17:39 |
I'm not having |
01:17:43 |
I don't care how smart he is |
01:17:52 |
We'll release a statement saying we |
01:17:56 |
- nothing alarming. |
01:17:59 |
we are gonna stop this guy. |
01:18:08 |
I'm assigning security to |
01:18:15 |
Get this situation |
01:18:34 |
Dad? |
01:18:36 |
I bet you don't remember |
01:18:38 |
I bet you I do. |
01:18:56 |
What? |
01:18:58 |
Nothing. |
01:19:00 |
You and your mother are going away |
01:19:03 |
- You like vacations, right? |
01:19:05 |
Good. |
01:19:07 |
But why? |
01:19:09 |
Why not now? |
01:19:11 |
Okay. |
01:19:13 |
Don't need an excuse, right? |
01:19:20 |
All right. |
01:19:21 |
No phone calls, no credit cards, |
01:19:25 |
Daddy, are you coming? |
01:19:27 |
Oh, yeah, of course. |
01:19:30 |
- Of course I am. |
01:19:38 |
It was first grade, hmm? |
01:19:40 |
Your mother helped you |
01:19:43 |
It was my birthday. |
01:19:45 |
- Man: We need to go! |
01:19:48 |
- Bye, Daddy. |
01:19:50 |
- Love you, Daddy. |
01:19:57 |
- Nick, your phone lines are clear. |
01:20:00 |
No bugs; nothing's been tampered with. |
01:21:51 |
You should have taken my deal. |
01:21:57 |
That's six fucking innocent people. |
01:22:02 |
It's okay. |
01:22:05 |
That's good. That's what it takes. |
01:22:08 |
What if I said you was right |
01:22:10 |
What if I had said, "Well, |
01:22:13 |
Then I would say |
01:22:15 |
And we might have lost! |
01:22:18 |
Don't you get that? |
01:22:21 |
Fuck. |
01:22:22 |
You didn't care, Nick. |
01:22:25 |
You could have walked out of |
01:22:28 |
I could have lived with that, Nick. |
01:22:29 |
I keep my head up. |
01:22:31 |
And you will end this. |
01:22:37 |
I'm just getting warmed up. |
01:22:39 |
This is Von Clausewitz shit- |
01:22:42 |
You fuck. |
01:22:49 |
No. |
01:23:00 |
I'm gonna pull |
01:23:03 |
I'm gonna bring the whole |
01:23:06 |
down on your head. |
01:23:09 |
It's gonna be Biblical. |
01:23:29 |
Cantrell: |
01:23:33 |
Did we bring this all on ourselves? |
01:23:38 |
Absolutely not. |
01:23:42 |
You don't actually believe that, |
01:23:50 |
Gentlemen? Sorry, |
01:23:52 |
if we're going to make it |
01:24:02 |
I want to read you something |
01:24:10 |
"We must not give in |
01:24:12 |
We must face |
01:24:15 |
We must appeaI |
01:24:17 |
Too much? |
01:24:20 |
I'm sorry. |
01:24:22 |
It's just before, when you asked |
01:24:25 |
we didn't. |
01:24:28 |
I did. |
01:24:31 |
When I was young, |
01:24:36 |
You know, I was ready to fight. |
01:24:40 |
You give an inch here, |
01:24:43 |
you get caught up |
01:24:46 |
And then you realize that the system |
01:24:49 |
it changed you. |
01:24:52 |
Jonas, I've lost my way |
01:24:54 |
Look, remember what I told you? |
01:24:57 |
The hard part isn't |
01:25:01 |
It's living with it. |
01:25:08 |
Man: |
01:25:11 |
We're on the move. |
01:26:33 |
- We all right? |
01:26:36 |
Electrical system's fried. |
01:26:38 |
Man over radio: |
01:26:43 |
Dunnigan, tell them to |
01:26:54 |
What the fuck is that? |
01:26:58 |
Get down, get down! |
01:27:24 |
Jonas! Jonas! |
01:27:27 |
- Jonas! Jonas! |
01:27:30 |
Nick: |
01:27:33 |
Jonas! Get out of the car! |
01:27:36 |
Get out of the car! Get off of me! |
01:27:38 |
Dunnigan: |
01:27:46 |
Jonas! |
01:27:48 |
Jonas. |
01:28:10 |
I told you to handle this. |
01:28:13 |
You didn't. |
01:28:15 |
Now we have a jailed psychopath |
01:28:17 |
that's managed to bring this |
01:28:22 |
One of my friends |
01:28:25 |
More than one of my friends |
01:28:29 |
What I should do is fire you. |
01:28:32 |
Hmm? |
01:28:36 |
I resign. |
01:28:39 |
- Is that your real answer? |
01:28:48 |
No. |
01:28:50 |
I'm not gonna allow that to happen. |
01:28:53 |
I'm not gonna let some criminal decide |
01:28:57 |
As of now, you're acting |
01:29:00 |
We'll have a formal |
01:29:03 |
For now this will suffice. |
01:29:08 |
Put your left hand on the Bible. |
01:29:11 |
Repeat after me. |
01:29:13 |
- I, Nicolas Rice... |
01:29:15 |
- ... do solemnly swear... |
01:29:17 |
- ... that I will support... |
01:29:19 |
- ... obey... |
01:29:20 |
...and defend the Constitution |
01:29:23 |
...and defend the |
01:29:25 |
...and the Constitution of |
01:29:37 |
People aren't going to work; |
01:29:40 |
They're scared, |
01:29:43 |
So I'm implementing the emergency |
01:29:47 |
We're gonna lock this city down. |
01:29:49 |
Starting now, no one moves |
01:29:52 |
I want a show of force |
01:29:55 |
uniforms, detectives, |
01:29:57 |
Put an armed cop on every corner. |
01:29:59 |
If you have to give shotguns |
01:30:02 |
There should be no doubt |
01:30:04 |
that this city is secure |
01:30:11 |
Okay. |
01:30:18 |
Okay, Clyde. |
01:30:25 |
Dunnigan: Listen, that contraption |
01:30:29 |
it was a weaponized |
01:30:32 |
Can you believe that? |
01:30:33 |
Damn thing had video, night vision- |
01:30:36 |
It's like military APl, |
01:30:40 |
That's anti-tank rounds, Nick. |
01:30:43 |
I think he's saving you for last. |
01:30:47 |
Nick, I'm serious. |
01:30:51 |
I appreciate the insight. |
01:30:58 |
Nick, you gotta get in front of |
01:31:04 |
I may have a way- |
01:31:06 |
something a friend |
01:31:10 |
Who's your friend? |
01:31:12 |
A friend named Chester. |
01:31:16 |
Thank you, Sarah. |
01:31:26 |
This is Nick. |
01:31:29 |
of every industrial property sold |
01:31:58 |
Motherfucker. |
01:32:18 |
You're kidding me, right? |
01:32:21 |
You're saying Clyde |
01:32:24 |
Something about it |
01:32:27 |
Yeah. |
01:32:32 |
What- are you gonna do |
01:32:36 |
- What about his civil rights? |
01:32:42 |
Yes! |
01:33:30 |
There's got to be |
01:33:32 |
Dunnigan: Yeah. |
01:33:50 |
Remember this from |
01:33:59 |
Yeah. |
01:34:01 |
Get that right there. |
01:34:19 |
Dunnigan: |
01:34:36 |
Look at this. |
01:34:43 |
Nick: |
01:34:51 |
This guy tunneled into prison? |
01:35:21 |
Nick: |
01:35:28 |
Dunnigan: |
01:35:34 |
Got police uniforms, |
01:36:02 |
Nick: |
01:36:05 |
Over here. |
01:36:13 |
He wanted to be |
01:36:15 |
Surprise, motherfucker. |
01:37:01 |
- He's not here! |
01:37:10 |
Nomos, what happened to your eye? |
01:37:12 |
Oh, long story. |
01:37:13 |
Stop right there, sir. |
01:37:17 |
Let me see your ID, please. |
01:37:19 |
- Yeah, sure. |
01:37:21 |
Turn around, sir. |
01:37:25 |
Something going on tonight? |
01:37:27 |
- The mayor. |
01:37:38 |
Look at this. |
01:37:40 |
He tapped into the prison cameras. |
01:37:43 |
Jesus, he's got |
01:37:45 |
- Shit. |
01:37:47 |
Yes. |
01:37:51 |
Baby, please tell me you're okay. |
01:37:53 |
Denise- where is she? |
01:37:55 |
Is she with you? |
01:37:57 |
Okay. |
01:37:59 |
Stay where you are. |
01:38:02 |
I love you. |
01:38:13 |
Nick: |
01:38:20 |
Look at that. |
01:38:29 |
He's at City Hall. |
01:38:32 |
You're free to go, sir. |
01:38:34 |
- Sorry for the inconvenience, sir. |
01:38:39 |
Better to be safe |
01:38:43 |
Dunnigan: |
01:38:45 |
We'll need a tactical unit |
01:38:47 |
Bad idea. |
01:38:49 |
If Shelton spots them or |
01:39:15 |
Hey. |
01:39:20 |
- Where's the tactical team? |
01:39:22 |
- They're coming in soft- no sirens. |
01:39:24 |
You're looking at it. |
01:39:26 |
Right, okay. We take the north surge; |
01:39:29 |
We'll call. |
01:39:36 |
- Whoa whoa whoa whoa. |
01:39:38 |
- He's the fucking DA. |
01:39:40 |
What's going on here tonight? |
01:39:42 |
- Security meeting with all the brass. |
01:39:45 |
6th floor- caucus room. |
01:39:50 |
- What floor is this? |
01:39:54 |
Directly below the caucus room. |
01:39:56 |
You catch this motherfucker red-handed, |
01:40:22 |
Where is he? |
01:40:24 |
What the fuck are we looking for? |
01:40:26 |
Wait wait wait. |
01:40:29 |
Right there. |
01:40:30 |
Garza: Stand back. |
01:40:34 |
It wasn't exactly my first instinct. |
01:41:16 |
Can I see your ID, please? |
01:41:25 |
All right, next car, pull forward! |
01:42:02 |
Garza: |
01:42:05 |
That's napalm, basically. |
01:42:08 |
and the one above us. |
01:42:10 |
Looks like it's- looks like it's |
01:42:14 |
What? |
01:42:19 |
Yeah. Maybe 30 seconds |
01:42:24 |
- Jesus. |
01:42:26 |
- I'm calling the mayor's security. |
01:42:28 |
Clyde is watching. He sees him evacuate |
01:42:31 |
We don't tell the mayor anything. |
01:42:37 |
So what do we do? |
01:42:49 |
Man: |
01:42:51 |
We've got something. |
01:42:53 |
Man over radio: |
01:43:17 |
Man: |
01:43:29 |
Thank you for coming in |
01:43:38 |
Mayor: |
01:43:42 |
Why is Clyde Shelton still in my city? |
01:43:47 |
Now I refuse to believe |
01:43:49 |
that one man is smarter |
01:43:54 |
the FBl, the sheriff's department, |
01:43:58 |
I don't care how we do it, |
01:44:01 |
of obscure legaI justification |
01:44:04 |
I don't care what laws |
01:44:07 |
I am sure that there is a provision |
01:44:11 |
that we can activate. |
01:44:14 |
Just get him out of here |
01:44:24 |
Nick: Clyde? |
01:44:30 |
Nick. |
01:44:32 |
I wasn't expecting company. |
01:44:38 |
Yeah, I would have- |
01:44:41 |
Never seen anybody |
01:44:50 |
And the solitary confinement? |
01:44:54 |
Well, that's how winners play. |
01:44:56 |
We convince the other guy |
01:45:00 |
So did you ever catch my accomplice? |
01:45:03 |
Yeah, I did. |
01:45:05 |
It's the end of the road |
01:45:12 |
You played us, Clyde. |
01:45:14 |
Thank you. |
01:45:16 |
You know, I'm glad you finally |
01:45:20 |
some of the effort that |
01:45:22 |
Well, you set out to |
01:45:24 |
You made it. |
01:45:25 |
No, people still don't get it. |
01:45:27 |
They don't appreciate what I'm trying |
01:45:31 |
A man I cared about |
01:45:33 |
that we can't retract |
01:45:36 |
we can only affect the decisions |
01:45:38 |
- Are you trying to save me now, Nick? |
01:45:41 |
Big difference. |
01:45:43 |
Stand up for those principles |
01:45:45 |
See, we're all held accountable, Clyde. |
01:45:49 |
Why don't we do |
01:45:52 |
I'm doing the right thing, Nick. |
01:45:56 |
You just have to see it that way. |
01:45:58 |
By murdering all those people, |
01:46:00 |
all you're doing is |
01:46:03 |
and causing the same pain |
01:46:13 |
So what do you suggest, Nick? |
01:46:17 |
One finaI offer? |
01:46:24 |
I don't make deals with |
01:46:27 |
You taught me that. |
01:46:34 |
Finally. |
01:46:40 |
Well done. Bravo. |
01:46:43 |
Maybe I wasn't such |
01:46:46 |
If you go through with this, Clyde, |
01:46:48 |
you'll have to live with |
01:47:15 |
I'm sorry, Nick. |
01:47:19 |
Me too. |
01:47:31 |
Like I said, Clyde, |
01:47:33 |
it's a decision you'll have to |
01:47:36 |
which I figure by now |
01:51:10 |
# Ain't seen a night # |
01:51:12 |
# Things work out right # |
01:51:15 |
# Go by # |
01:51:21 |
# Things on my mind # |
01:51:23 |
# And I just don't have the time # |
01:51:26 |
# And it don't seem right # |
01:51:32 |
# Ain't seen a day # |
01:51:34 |
# That I don't hear people say # |
01:51:37 |
# They know they're gonna die # |
01:51:43 |
# This may seem a little bit crazy # |
01:51:47 |
# But I don't think you |
01:51:55 |
# If you think |
01:51:57 |
# Well, stick around # |
01:51:59 |
# I'm gonna tell you more # |
01:53:30 |
# One just like the other # |
01:53:33 |
# Sin's a good man's brother # |
01:53:35 |
# But is that right? # |
01:53:41 |
# You tell me that I don't # |
01:53:44 |
# Then I say I won't # |
01:53:46 |
# But then I might # |
01:53:52 |
# You said this is the way |
01:53:55 |
# But it just don't seem |
01:53:58 |
# And that's outta sight # |
01:54:04 |
# Some folks need an education # |
01:54:07 |
# Don't give up |
01:54:15 |
# You say we need a revolution? # |
01:54:18 |
# It seems to be # |
01:54:19 |
# The only solution. # |
01:54:24 |
ViSTA⢠|