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Leben Der Anderen Das en
00:00:38	TEMPORARY DETENTION CENTER
00:00:39	Stand still. Eyes to the floor.
00:00:46	Walk on.
00:00:47	TEMPORARY DETENTION CENTER
00:00:52	Address him as 'Captain!'
00:00:56	Enter.
00:01:00	Sit down.
00:01:05	Hands under your thighs, palms down.
00:01:13	What do you have to tell us?
00:01:16	I've done nothing.
00:01:20	I know nothing.
00:01:21	You've done nothing, know nothing...
00:01:25	You think we imprison people on a whim?
00:01:29	No...
00:01:31	If you think our humanistic system
00:01:34	that alone would justify your arrest.
00:01:39	We'd like to jog your memory, prisoner no. 227.
00:01:44	On September 28th, Dieter Pirmasens,
00:01:46	your friend and neighbor, fled to the West.
00:01:50	We believe that he had help.
00:01:53	I know nothing.
00:01:55	He didn't even tell me he wanted to leave.
00:01:58	I first heard about it at work.
00:02:00	Please recount what you did on September 28th.
00:02:05	- It's in my statement.
00:02:10	I was at Treptow Park memorial with my children.
00:02:13	Where I met my old friend Max Kirchner.
00:02:16	We went to his place
00:02:21	He has a telephone,
00:02:24	I can give you the number.
00:02:28	The enemies of our state are arrogant.
00:02:31	Remember that.
00:02:32	It takes patience. About 40 hours worth.
00:02:37	Fast forward...
00:02:40	I want to sleep.
00:02:44	Please, let me sleep!
00:02:47	Hands under your thighs.
00:02:51	Tell me again
00:02:57	Please, just one hour,
00:03:03	Tell me again what you did on that day.
00:03:12	Why keep him awake for so long?
00:03:14	It's... inhuman.
00:03:23	An innocent prisoner
00:03:28	due to the injustice suffered.
00:03:30	He will shout and rage.
00:03:33	A guilty prisoner
00:03:37	Or he cries.
00:03:39	He knows he's there for a reason.
00:03:42	The best way to establish guilt or innocence
00:03:45	is non-stop interrogation.
00:03:48	...school friend Max Kirchner.
00:03:52	We went to his place...
00:03:56	and listened to music until late.
00:04:01	He has a telephone,
00:04:08	Do you notice anything about his statement?
00:04:12	It's the same as at the beginning.
00:04:15	Exactly the same. Word for word.
00:04:19	People who tell the truth
00:04:22	and they do.
00:04:24	A liar has prepared sentences,
00:04:27	when under pressure.
00:04:30	227 is lying.
00:04:33	We have two important indicators,
00:04:39	If you don't give names,
00:04:42	We'll have to arrest your wife.
00:04:46	Jan and Nadja
00:04:49	Is that what you want?
00:04:56	Who was the person who helped him flee?
00:05:00	- Glaske...
00:05:05	Glaske... Werner Glaske.
00:05:09	Werner... Glaske.
00:05:14	Quiet!
00:05:18	Quiet!
00:05:19	Listen!
00:05:26	Does anyone know what that is?
00:05:34	It's the odor sample for the dogs.
00:05:37	It must be collected at every
00:05:47	Your subjects are enemies of Socialism.
00:05:51	Never forget that! Goodbye.
00:06:00	That was good, really good.
00:06:05	You remember
00:06:07	how we sat there 20 years ago?
00:06:13	They've offered me a professorship.
00:06:18	Life's not about good grades, though
00:06:24	So what's up?
00:06:25	Why do you always think I'm scheming?
00:06:28	- I wanted to invite you to the theater.
00:06:32	I heard that Minister Hempf is going.
00:06:36	As head of the Culture Department,
00:06:40	It starts at 7 p.m. We should get going.
00:06:44	THE LIVES OF OTHERS
00:06:56	Minister Hempf at one o'clock.
00:07:00	He used to be in State Security, you know.
00:07:05	He really cleaned up the theater scene.
00:07:15	Georg Dreyman, the writer.
00:07:19	An arrogant type, the kind I warn my students about.
00:07:23	But he's loyal.
00:07:26	If they were all like him, I'd be out of a job.
00:07:28	He's our only non-subversive writer
00:07:34	He thinks the GDR is the greatest country on earth.
00:07:40	It starts.
00:07:55	What's wrong, my child? A new vision?
00:07:58	Speak, Marta! Speak!
00:08:00	Your Arthur...
00:08:03	is dead.
00:08:05	Arthur? Can't you be wrong, just this once?
00:08:09	No, sister. Believe me.
00:08:13	He fell to his death.
00:08:19	Crushed by the mighty wheel.
00:08:23	I see it,
00:08:27	though I'd rather see any other horror.
00:08:32	Why am I not spared these visions?
00:08:38	Elena! Go home... and mourn.
00:09:24	Did you like it? Dreyman's good, eh?
00:09:28	I'd have him monitored.
00:09:30	Monitored? All that teaching
00:09:34	I could oversee it myself.
00:09:36	He's clean, I tell you. Even Hempf likes him.
00:09:39	We'd be shooting ourselves in the foot.
00:09:43	I'm going down.
00:09:48	"Faces of Love"
00:10:15	I hear a lot about your work.
00:10:17	They say culture's in good hands.
00:10:20	Your name is mentioned in Party circles.
00:10:22	We're the Party's 'shield and sword'.
00:10:25	I'm aware of that at all times.
00:10:32	What do you make of him?
00:10:37	Of Georg Dreyman?
00:10:42	Maybe...
00:10:45	Maybe what?
00:10:50	Maybe he's not as clean as he seems.
00:10:56	Grubitz! That's why you and I are on top.
00:11:01	Your average Stasi chump would have said,
00:11:03	"One of our best! So loyal!" etc.
00:11:06	But we can see more.
00:11:09	You're heading to the very top, Grubitz.
00:11:14	There's something fishy about him.
00:11:16	I can feel it in my gut.
00:11:23	Dreyman's having a party next week.
00:11:25	Some dubious types are going, Hauser and that rabble.
00:11:29	Try to wire the place discreetly by then.
00:11:31	Measures A and B.
00:11:34	Only in his rooms. Nothing conspicuous.
00:11:37	He has powerful friends.
00:11:39	No one is to know about this
00:11:41	until we've found something.
00:11:48	But if you get something on him,
00:11:50	you'll have a good friend in the Central Committee.
00:11:53	You understand what I'm saying?
00:11:58	Have a nice evening, Comrade Minister.
00:12:22	Why is he staring at us?
00:12:28	What's he doing here, anyway?
00:12:31	I think he's got a crush on you.
00:12:49	I can't let the evening pass
00:12:55	A great Socialist,
00:12:59	Writers are engineers of the soul.
00:13:03	So Georg Dreyman is
00:13:04	one of our country's greatest engineers.
00:13:10	- What charming bed-fellows you have.
00:13:16	And to Christa-Maria Sieland,
00:13:18	the loveliest pearl of the GDR.
00:13:21	I believe that
00:13:23	Let's raise our glasses
00:13:26	to Christa-Maria Sieland:
00:13:34	Someone like him doesn't even deserve
00:13:37	Stay with me!
00:13:42	And now something for the soul...
00:13:45	May I?
00:13:52	- How did you like my speech?
00:13:56	I liked your play too.
00:13:59	Really, it was good.
00:14:00	"Engineers of the soul."
00:14:04	Really?
00:14:07	I, too, like to provoke, Mr. Hauser.
00:14:10	But unlike you, I know how far I can go.
00:14:15	I'm more like our dear Dreyman.
00:14:18	He knows that the Party needs artists,
00:14:20	but that artists need the Party even more.
00:14:22	If you're going to talk politics,
00:14:25	- I'm willing.
00:14:33	I follow our theater with interest.
00:14:37	It used to be theater people...
00:14:39	- Paul!
00:14:41	I've known Mr. Hauser for years.
00:14:43	Comrade Schwalber!
00:14:44	You did a good job tonight too.
00:14:47	Dreyman, I'm glad you're working
00:14:51	It wasn't always so.
00:14:55	You're referring to Jerska?
00:14:59	I think you judged him too harshly.
00:15:03	Sure, he went too far in what he said.
00:15:08	But
00:15:09	put yourself in his shoes for a moment.
00:15:15	He can't remove his name
00:15:20	He could work for any theater in the West.
00:15:24	But he wants to stay here.
00:15:26	Because he believes in Socialism
00:15:31	- His black-listing is...
00:15:35	We don't do that here!
00:15:46	Comrade Hempf, just between us:
00:15:50	My plays are not strong enough
00:15:52	to survive Schwalber's direction.
00:15:54	I need Jerska,
00:15:56	and I think you judged him too harshly.
00:15:59	Well, I don't.
00:16:00	But that's what we all love about your plays.
00:16:03	Your love for mankind...
00:16:05	your belief that people can change.
00:16:08	Dreyman,
00:16:10	no matter how often you say it in your plays,
00:16:14	people do not change!
00:16:19	How is he, by the way?
00:16:22	He hopes that his black- ...
00:16:26	that he can work again soon.
00:16:34	Is he right in hoping?
00:16:36	Of course he is.
00:16:40	Because as you know, Dreyman,
00:16:59	The team will be ready
00:17:03	It needs to be finished by Thursday.
00:17:06	You should plan everything carefully.
00:17:07	Think you can do it?
00:17:12	Good night.
00:18:48	I'll get in trouble if I don't go.
00:18:49	- With who?
00:20:49	Twenty minutes.
00:22:48	Yes?
00:22:49	Frau Meineke... One word of this to anyone,
00:22:52	and Masha loses her spot at the university.
00:22:59	Is that understood?
00:23:02	Yes.
00:23:06	Send Mrs. Meineke a gift for her cooperation.
00:23:22	It must be Thursday again.
00:23:25	Time passes so quickly...
00:23:47	- How are you?
00:23:51	It's not always this noisy.
00:23:54	Only on Thursdays, I know.
00:23:57	Yes.
00:24:02	We missed you at the premiere.
00:24:05	Did Schwalber do a good job?
00:24:09	His good bits were stolen from you.
00:24:12	That keeps my ideas alive.
00:24:22	Don't bear it.
00:24:24	I can't bear those fat, dressed-up people
00:24:26	at premieres anymore.
00:24:31	Doesn't sound like me, does it?
00:24:35	But maybe this is the real me,
00:24:38	not the old Jerska.
00:24:40	He was friendly and caring, nourished by success...
00:24:46	all thanks to the grace of the bigwigs.
00:24:54	But I won't complain much longer.
00:24:56	In my next life, I'll simply be an author.
00:25:00	A happy author
00:25:05	Like you.
00:25:08	What is a director if he can't direct?
00:25:12	He's a projectionist without a film,
00:25:16	a miller without corn. He is nothing.
00:25:23	Nothing at all.
00:25:28	Albert, the Minister was at the premiere.
00:25:35	I spoke to him about your blacklisting.
00:25:42	It looks promising.
00:25:45	He gave me hope, concrete hope. Literally.
00:25:52	Really?
00:25:57	That's great.
00:26:42	Cheap Georgian wine. Chateau Jerska.
00:26:45	So is our holy drinker coming?
00:26:51	I forgot to ask him.
00:27:00	You're strong and forceful.
00:27:04	Don't let this blackness into your life.
00:27:06	- Albert is my friend.
00:27:09	Looks like a 50th.
00:27:12	But I'm going to be 40, right?
00:27:15	Don't forget, you promised
00:27:19	I would, but I don't have one.
00:27:26	Bon anniversaire!
00:27:31	Atie?
00:27:33	You said you didn't want any books.
00:27:37	Or can't you tie a tie,
00:27:39	you old working-class poet?
00:27:41	What?
00:27:43	I was born wearing a tie!
00:27:46	I had to "fight my way out
00:27:48	of my middle-class fetters".
00:27:51	Then put those fetters on again, just for me.
00:28:03	Alright... It's no
00:28:07	big deal to tie a tie.
00:28:24	Frau Meineke, would you come in for a moment!
00:28:35	Can you tie a tie?
00:28:43	You've no idea how thankful I am.
00:28:51	- Are you feeling unwell?
00:28:57	Finished?
00:29:02	Wonderful. It's perfect.
00:29:08	It'll be our secret.
00:29:12	Of course.
00:29:24	I'll be damned! And I thought you couldn't do it.
00:29:28	You don't normally hide your talents.
00:29:31	You've no idea of the things I can do!
00:29:39	The first guest.
00:29:46	Our dear neighbors locked the main door again.
00:29:49	- Can you go?
00:30:18	Maestro! Our humble offerings.
00:30:20	- I expressly said no books!
00:30:27	Would you like a drink?
00:30:28	- A soda.
00:30:30	I'll get it.
00:30:42	Why the hell's Albert sitting all alone?
00:30:45	He won't talk to us.
00:31:03	I brought you something too.
00:31:08	- Did you really come here to read?
00:31:22	I feel like a fraud among these people.
00:31:26	A fraud?
00:31:27	Come off it, Albert!
00:31:33	You know how we admire you,
00:31:35	how everybody admires you.
00:31:37	For something I did 10 years ago...
00:31:42	and could probably never do again.
00:31:49	My favorite director! Wait!
00:31:52	I need to talk to you a moment.
00:31:54	Tell me again how you got into this position.
00:31:56	Pure talent.
00:31:59	Of course!
00:32:03	But what else did you have to do?
00:32:06	Everyone knows you're with the Stasi!
00:32:09	- What an outrageous insinuation!
00:32:11	- Paul!
00:32:14	Excuse my friend, he's had too much to drink.
00:32:20	But you know he's with the Stasi!
00:32:23	No, Paul. I don't know that.
00:32:45	You're such an idealist
00:32:49	It was informers and conformists
00:32:52	Spy, betrayer!
00:32:54	If you don't take a stand, you're not human!
00:32:58	If you ever want to take action, call.
00:33:01	If not, we don't have to meet again.
00:33:33	Your friends don't have much taste.
00:33:36	That's really unfair.
00:33:38	Here! Look at this beautiful backscratcher.
00:33:42	That's a salad fork!
00:33:45	Still, it's beautiful... And look at this.
00:33:50	I'll write my new play with this.
00:33:55	You have no taste either!
00:33:58	I do in some things.
00:34:15	- It's from Jerska.
00:34:24	"Sonata for a Good Man"
00:34:51	"'Lazlo' and CMS unwrap presents,
00:34:55	then presumably have intercourse."
00:35:02	You're late.
00:35:05	Sorry, Captain.
00:35:06	Those red lights made me
00:35:10	You know how it is.
00:35:20	They're already at it! Unbelievable! These artists!
00:35:27	They're always at it!
00:35:29	That's why I prefer monitoring artists
00:35:36	See you tomorrow at 11 a.m.
00:35:45	Albert Jerska, operation 'Engerling'.
00:35:49	The files will be sent. Let's have lunch.
00:36:03	The BSG Volleyball team will meet at 7 p.m.
00:36:09	Did you forget? Bosses sit over there.
00:36:12	Socialism must start somewhere.
00:36:21	About the license plate of the car
00:36:23	that brought Ms. Sieland home...
00:36:28	It's Minister Hempf's car.
00:36:34	Wiesler,
00:36:36	we can't monitor top officials.
00:36:40	Nothing written from now on,
00:36:43	just oral!
00:36:48	So we're helping a Committee member
00:36:54	You know what this could mean
00:36:56	for my career. And for yours.
00:37:01	If we find something...
00:37:09	Is that why we joined?
00:37:12	You remember the oath we took?
00:37:14	"We are the Party's shield and sword."
00:37:16	What is the Party, if not its members?
00:37:19	And if those members
00:37:23	I've got a new one.
00:37:26	Honecker comes into his office,
00:37:29	opens the window, sees the sun, and says...
00:37:34	What's wrong?
00:37:39	Oh, excuse me... I just...
00:37:43	No, carry on, colleague!
00:37:45	No harm in laughing about
00:37:50	I probably know the joke anyway.
00:37:55	Come on, tell us!
00:38:00	Well... Honecker...
00:38:05	I mean, the Comrade General Secretary
00:38:07	- "Good morning, dear sun!"
00:38:14	The sun replies, "Good morning, dear Erich!"
00:38:18	And at noon, Erich goes to the window and says,
00:38:22	"Good day, dear sun!"
00:38:24	The sun replies, "Good day, dear Erich!"
00:38:26	In the evening, Erich says again,
00:38:30	"Good evening, dear sun!"
00:38:31	and the sun doesn't reply.
00:38:33	"Good evening, dear sun..."
00:38:34	"What's wrong?" he asks.
00:38:37	And the sun replies,
00:38:38	"Screw you, I'm in the West now!"
00:38:47	Name?
00:38:49	Rank? Department?
00:38:53	Me?
00:38:56	Stigler.
00:38:58	2nd Lieutenant Axel Stigler. Dept. M.
00:39:02	I don't have to tell you
00:39:04	what this means for your career.
00:39:09	Please, Comrade Lieutenant Colonel,
00:39:14	You were just deriding the Party!
00:39:18	and likely just the tip of the iceberg!
00:39:21	I will report this to the Minister's office.
00:39:36	Just kidding! Good one, huh?
00:39:39	But yours was good too.
00:39:43	What's the difference between Honecker and a phone?
00:39:47	None at all.
00:39:48	Hang up, try again!
00:40:34	- No, I have to get home.
00:40:45	Cold?
00:40:49	Christa, you forgot our meeting on Thursday.
00:40:54	Or did your poet have two birthdays in a row?
00:41:00	Come on, get in.
00:41:02	Get in!
00:41:16	You don't know what's good for you.
00:41:33	Don't worry.
00:41:36	I'm looking after you.
00:41:53	Tell me you don't need it too.
00:41:57	Just say so, and I'll let you go.
00:42:10	I'm meeting someone.
00:42:14	Where do you think we're going?
00:42:18	I'm taking you to him!
00:43:18	Time for some bitter truths.
00:43:37	Yes?
00:43:48	Those idiots!
00:44:12	Next Thursday at the Metropol.
00:44:17	Drive!
00:46:38	Christa?
00:46:41	Just hold me.
00:47:14	Good evening, comrade!
00:47:18	You're 5 minutes late again.
00:48:04	Evening. 11th floor, right corridor.
00:48:07	I'm already up here.
00:48:14	How did you get into the building?
00:48:17	A bunch of you guys live here.
00:48:21	I don't think I've been here before.
00:48:24	No, I don't think you have.
00:48:39	Well? Was that nice?
00:48:51	- Stay awhile.
00:48:54	my next customer is at half-past.
00:48:58	I work on a schedule.
00:49:07	At one-thirty?
00:49:10	Sure I will. Don't you worry.
00:49:16	Book me for longer next time.
00:49:19	Bye.
00:50:26	Georg? Did you hear about Hauser?
00:50:31	No, what happened?
00:50:32	He can't get a travel permit
00:50:34	for his lectures in the West.
00:50:39	Are you surprised?
00:50:41	If he acts so arrogantly,
00:50:45	Would you let him go,
00:50:53	"CMS comes home. 'Lazlo' approves of
00:51:10	Have you seen my Brecht book?
00:51:12	- What?
00:51:16	I don't know where it is.
00:51:19	Strange. I could've sworn...
00:51:23	One day in blue-moon September,
00:51:28	I held her, my silent pale love,
00:51:32	and lovely dream.
00:51:35	Above us in the summer skies
00:51:38	was a cloud that caught my eye.
00:51:40	It was white and so high up.
00:51:44	And when I looked up,
00:52:09	- Yes?
00:52:12	What's up?
00:52:14	Georg, it's about Jerska.
00:52:17	He hanged himself last night.
00:52:27	Georg?
00:52:31	I'm going to hang up, okay?
00:53:04	"Sonata for a Good Man"
00:54:21	You know what Lenin said
00:54:28	"If I keep listening to it,
00:54:29	I won't finish the revolution."
00:54:36	Can anyone who has heard this music,
00:54:40	I mean truly heard it,
00:54:43	really be a bad person?
00:55:19	Are you really with the Stasi?
00:55:27	Do you even know what the Stasi is?
00:55:30	Yes. They're bad men
00:55:37	I see.
00:55:38	What's the name of your...
00:55:44	My what?
00:55:47	Ball! What's the name of your ball?
00:55:50	You're funny! Balls don't have names.
00:56:00	It's all in place, Minister.
00:56:02	The latest technology.
00:56:05	Behind every light switch, even in the toilet.
00:56:07	- Measure C in the hall...
00:56:11	Find something!
00:56:13	I'd advise even my worst enemy
00:56:20	Now get out of here!
00:56:31	Nowack, you're to watch Christa-Maria.
00:56:33	You'll report on every minute
00:56:39	We revoked Hauser's travel permit
00:56:43	Maybe that'll lead to something.
00:56:49	How's it going between CMS and the Minister?
00:56:52	They're meeting tomorrow night, I think.
00:56:55	That's good! Very good!
00:57:01	Or a lot to lose.
00:57:03	Don't forget that.
00:57:17	I used to be afraid of just two things:
00:57:21	Being alone, and not being able to write.
00:57:26	Since Albert's death,
00:57:29	or about other people.
00:57:32	All I'm afraid of now is losing you.
00:57:36	You needn't be afraid tonight.
00:57:40	I'm just going out for a few hours.
00:57:42	Where to?
00:57:45	An old classmate's in town.
00:57:48	Really, Christa?
00:57:52	- Really?
00:57:59	I know.
00:58:03	I know where you're going.
00:58:08	And I'm asking you not to go.
00:58:11	You don't need him.
00:58:14	You don't need him.
00:58:25	I know about your medication too.
00:58:29	And how little faith you have in your talent.
00:58:33	Have faith in me, at least.
00:58:37	Christa-Maria.
00:58:40	You are a great artist.
00:58:45	I know that.
00:58:50	You don't need him.
00:58:54	You don't need him.
00:58:56	Stay here.
00:58:59	Don't go to him.
00:59:05	No? Don't I need him?
00:59:15	What about you?
00:59:18	Then you don't need it either.
00:59:23	But you get in bed with them too.
00:59:25	Why do you do it?
00:59:28	Because they can destroy you too,
00:59:30	despite your talent and your faith.
00:59:36	Because they decide what we play,
00:59:39	and who can direct.
00:59:45	You don't want to end up like Jerska.
00:59:48	And neither do I.
00:59:51	That's why I'm going now.
00:59:54	You're right about so many things,
01:00:02	But I ask you,
01:00:05	I implore you: Don't go!
01:00:08	Well, boss, am I on time?
01:00:11	Let me guess what those two are doing...
01:00:17	Come on, I'll take over.
01:00:18	I don't want you
01:00:31	"Don't go through that door."
01:00:33	Where's she going?
01:00:36	To meet an old classmate.
01:00:45	You'll have my detailed report tomorrow.
01:00:48	I can manage.
01:00:53	Good night.
01:01:48	What are you staring at?
01:02:00	Soda water.
01:02:04	No, uh... Vodka.
01:02:08	Double.
01:02:16	Another one.
01:02:33	Can I have a cognac, please?
01:03:27	Madam?
01:03:29	Go away, I want to be alone.
01:03:33	Ms. Sieland.
01:03:37	Do we know each other?
01:03:39	You don't know me, but I know you.
01:03:43	Many people love you
01:03:45	for who you are.
01:03:52	- Actors are never 'who they are.'
01:04:03	I've seen you on stage.
01:04:06	You were more who you are...
01:04:14	than you are now.
01:04:20	So you know what I'm like.
01:04:22	I'm your audience.
01:04:31	- I have to go.
01:04:35	I'm meeting an old classmate. I...
01:04:38	You see?
01:04:44	No?
01:04:46	No.
01:05:00	So you know her well,
01:05:06	What do you think...
01:05:09	Would she hurt someone
01:05:17	Would she sell herself for art?
01:05:20	For art?
01:05:22	You already have art.
01:05:27	You are a great artist.
01:05:31	Don't you know that?
01:05:37	And you are a good man.
01:06:15	"When I begin my shift, 'Lazlo' and CMS
01:06:18	are arguing about whether CMS
01:06:24	Eventually, she leaves.
01:06:30	But after about 20 minutes, CMS returns,
01:06:34	to 'Lazlo's' surprise, and mine.
01:06:36	He seems very happy about this.
01:06:45	She says she'll never leave again.
01:06:48	He says repeatedly: 'Now I'll have the strength,
01:06:54	This likely refers to writing a new stage play.
01:06:58	In recent weeks, 'Lazlo's' playwriting
01:07:04	What she means by her statement is unclear.
01:07:07	Perhaps she intends to
01:07:12	The rest of the night was peaceful."
01:07:15	Oh, comrade... uh... It's just because...
01:07:22	Good report.
01:07:27	Really?
01:07:47	I didn't know he was in such a bad way.
01:07:53	Neither did I.
01:08:01	"On One Who Made it to the Other Side:
01:08:04	The statistics office on Hans Beimler Street
01:08:08	counts everything, knows everything.
01:08:10	How many shoes I buy a year: 2.3.
01:08:14	How many books I read a year: 3.2.
01:08:16	And how many pupils graduate
01:08:23	But there is one thing they don't count,
01:08:27	maybe because even bureaucrats find it painful,
01:08:30	and that's suicides.
01:08:33	If you call Beimler Street to ask
01:08:35	how many people between the Elbe and the Oder,
01:08:39	between the Baltic Sea and the Ore
01:08:42	our numbers oracle is silent.
01:08:44	But it may just note your name
01:08:46	Those grey men
01:08:49	who ensure safety in our land... and happiness.
01:08:55	In 1977, our country
01:09:00	They called them 'self-murderers'.
01:09:04	But it has nothing to do with murder.
01:09:07	It knows no bloodlust,\no heated passion,
01:09:12	it knows only death, the death of all hope.
01:09:17	When we stopped counting,
01:09:20	only one country in Europe
01:09:24	Hungary.
01:09:25	We came next, the land of
01:09:30	One of the uncounted
01:09:33	the great director.
01:09:35	It's him I want to talk about today..."
01:09:42	I tried to get statistics that show...
01:09:45	...that State Security operates more
01:09:47	I foolishly rehearsed
01:09:57	my speech for the West in here.
01:10:03	Since then, I've become very musical.
01:10:08	We can meet at my place.
01:10:17	"3 p.m., Pankow Memorial"
01:10:26	Well? Is this safe enough?
01:10:33	My own 'bodyguard'.
01:10:35	I call him Rolf.
01:10:41	Fire away.
01:10:43	Here.
01:10:55	You want to publish this?
01:10:58	In the West, with your help.
01:11:06	Will you help? Have you told Christa?
01:11:09	No.
01:11:11	I'll help you,
01:11:12	as long as you don't tell her anything.
01:11:16	What?
01:11:17	Georg, it's for her own protection.
01:11:21	This could be right for the 'Spiegel'.
01:11:23	I'm friends with an editor there.
01:11:25	Gregor Hessenstein. Know him?
01:11:27	Not personally.
01:11:28	You have to meet him.
01:11:31	But you can't publish using your real name.
01:11:35	Unless your idea of fun
01:11:40	I'm cold!
01:11:43	We could go to my place?
01:11:46	There's no State Security at my place!
01:11:49	A friend of Margot Honecker,
01:11:51	winner of the National Award...
01:11:53	Second class!
01:11:55	My apartment is clean, I tell you!
01:11:58	If only we could be sure...
01:12:04	I have an idea
01:12:07	You know my uncle Frank,
01:12:09	who visits from West Berlin every Saturday,
01:12:12	with his big gold Mercedes.
01:12:15	It seems a bit risky to me, Mr. Hauser.
01:12:19	Yes, I agree with Georg.
01:12:21	Hiding your nephew under the back seat?
01:12:24	I'm really not sure.
01:12:27	Come on, they won't search under the seats.
01:12:30	They'll look under the axles, tap the exhaust,
01:12:33	then I'll be across. Paul too.
01:12:36	The border guards aren't very bright.
01:12:44	- Which border will you cross?
01:12:47	Good old Henrich Heine.
01:12:49	They know me and my gold Mercedes.
01:12:52	I'm friends with the guards.
01:12:56	Trust me, I'll call you in 2 hours,
01:12:59	a Schultheiss beer in my hand,
01:13:00	and report the news:
01:13:03	Paul's across.
01:13:06	No! What about Paul's Stasi man?
01:13:08	Rolf! Rolfy, Rolfy...
01:13:15	Okay, I have to go.
01:13:17	We wouldn't want him to suffocate, would we?
01:13:38	Another beer?
01:13:45	Border control, Heinrich-Heine Street.
01:13:49	Who is this?
01:13:51	Who is this?
01:13:54	No reply.
01:14:01	Just this once, my friend.
01:14:27	- Dreyman.
01:14:28	Paul's plan worked!
01:14:31	No border control at all?
01:14:33	No, no special checks.
01:14:36	Those boys aren't so bad.
01:14:38	It worked as planned.
01:14:40	Thanks for doing this, Mr. Hauser.
01:14:43	Forget it, it wasn't all that dangerous.
01:14:48	- Yeah, true.
01:14:50	See you soon, and thanks a lot.
01:14:52	Bye.
01:15:03	What do we do if they ask
01:15:12	Then... we'll say
01:15:16	We'll say we're writing a stage play together.
01:15:21	For the GDR's 40th anniversary.
01:15:24	Yes!
01:15:26	And it's kind of true.
01:15:31	Who'd have thought our State Security
01:15:33	was so incompetent?
01:15:40	Who'd have thought they were such idiots?
01:15:48	Just you wait...
01:15:59	"7.32 p.m. No further noteworthy incidents."
01:16:24	Hello, comrade. Listen to this here!
01:16:31	Sure, in 1967 there were many suicides.
01:16:35	But why in 1977? You must explain.
01:16:37	You must describe
01:16:41	It should remain literature,
01:16:43	not political agitation.
01:16:45	The text is great.
01:16:47	I just want to be sure people
01:16:50	It'll cause a sensation either way.
01:16:54	- That's Hauser!
01:16:58	He's not in the West!
01:17:06	They're writing a play together.
01:17:10	For the 40th anniversary.
01:17:13	It doesn't sound like a play to me.
01:17:19	No? Then what?
01:17:22	I don't know... but not a play.
01:17:26	You think a lot, Sergeant Leye.
01:17:29	You're not an intellectual, are you?
01:17:31	Me? No... I'm not one of those.
01:17:34	Then don't behave like one.
01:17:37	I chose you because you know
01:17:40	and don't ask questions.
01:17:44	Leave the thinking to your superiors.
01:17:46	Yes, Captain. I'll be off, then.
01:17:50	Have a nice day...
01:17:53	of work... I mean, I hope you enjoy your work.
01:18:01	Maybe I can re-write this part.
01:18:05	I'll send you
01:18:06	all the material we have.
01:18:08	Can you do it in two weeks?
01:18:11	Then I could run it as a cover story
01:18:14	for the first week in March.
01:18:18	It's Christa.
01:18:21	Georg?
01:18:24	Christa, this is Gregor Hessenstein.
01:18:28	- Christa Sieland.
01:18:32	So, what conspiracy are you cooking up?
01:18:35	Hauser and I are writing a play
01:18:39	Together?
01:18:40	The 'Spiegel' may do an article on it.
01:18:44	- And who'll play the lead role?
01:18:47	Christa, who would you rather play:
01:18:49	Lenin or his dear old mother?
01:18:51	You can choose.
01:18:54	I see I'm not welcome here.
01:18:56	I'll go for a nap.
01:19:06	Your caution is praiseworthy.
01:19:09	The fewer people know, the better.
01:19:11	The Stasi is not to be toyed with.
01:19:19	On that note, I brought something for you.
01:19:27	I'd have preferred the whole pie.
01:19:30	The Stasi can identify its typeface.
01:19:34	If they intercepted the text at the border,
01:19:35	for your typewriter using,
01:19:37	you'd end up in Hohenschonhausen.
01:19:39	And that's no fun,
01:19:41	as Paul can confirm, right?
01:19:45	I'm afraid I could only get
01:19:48	Do you mind writing it in red?
01:19:53	That won't be a problem.
01:19:55	Is there somewhere you can hide it?
01:19:59	- Yes, I'll find a place.
01:20:03	I don't want my next article to be about
01:20:05	your disappearance!
01:20:08	Nobody may know that this typewriter exists!
01:20:13	Is this apartment really safe?
01:20:15	Yes.
01:20:18	It's the only place left in the GDR
01:20:20	where I can say what I want.
01:20:23	Fine, then let's drink to that!
01:20:29	This is the real stuff.
01:20:32	To you! To letting all of Germany
01:20:45	Cheers. It's better than the Russian stuff!
01:20:49	To your success!
01:21:07	I must see Comrade Grubitz.
01:21:12	Tomorrow at 2.30 p.m...
01:21:18	Tell him that if he blows the cover,
01:21:23	It's easy!
01:21:25	He can call the Pope and complain!
01:21:28	Okay, I've spent enough time on this nonsense.
01:21:32	Wiesler, I'm glad you're here.
01:21:34	I have to show you something.
01:21:38	"Prison Conditions for Subversive Artists
01:21:43	Pretty scientific, eh?
01:21:46	And look at this:
01:21:49	"Dissertation supervisor: A. Grubitz."
01:21:57	I only gave him a B...
01:21:59	They shouldn't think
01:22:03	But this is first-class.
01:22:05	Did you know that there are just 5 types of artists?
01:22:10	Your guy, Dreyman,
01:22:12	is a type 4. A "hysterical anthropocentrist."
01:22:16	Can't bear being alone,
01:22:18	always talking, needing friends.
01:22:20	That type should never be brought to trial.
01:22:22	They thrive on that.
01:22:25	Temporary detention is the best way
01:22:28	to deal with them.
01:22:29	Complete isolation and no set release date.
01:22:32	No human contact the whole time,
01:22:34	not even with the guards.
01:22:36	Good treatment,
01:22:38	no harassment, no abuse, no scandals...
01:22:41	nothing they could write about later.
01:22:44	After 10 months, we release.
01:22:48	Suddenly.
01:22:50	That guy won't cause us any more trouble.
01:22:52	Know what the best part is?
01:22:53	Most type 4s we've processed in this way
01:22:58	never write anything again! Or paint anything,
01:23:01	or whatever artists do...
01:23:04	And that without any use of force...
01:23:08	Just like that! Kind of...
01:23:10	like a present.
01:23:13	What brings you here?
01:23:17	That's why I'm here.
01:23:20	I think the time has come...
01:23:23	For what?
01:23:25	For us to slim down the operation.
01:23:30	I don't want to run day and night shifts
01:23:32	for such an uncertain case.
01:23:35	Uncertain, eh?
01:23:37	You don't think we'll find anything
01:23:40	for the Minister?
01:23:41	Maybe if we're more flexible...
01:23:45	If we watch 'Lazlo' outside his own four walls.
01:23:52	Shall I give the case to Udo?
01:23:54	I'd like to continue it myself.
01:23:58	Why?
01:24:00	It could produce results.
01:24:03	I just need to plan more flexibly,
01:24:07	when I come and go, days and nights...
01:24:12	Maybe he's up to something outside.
01:24:19	Something doesn't feel right here.
01:24:24	There's something you're hiding.
01:24:35	Alright, I'll take Udo off the case.
01:24:38	I can use him for this church case.
01:24:42	Give me a request in writing.
01:24:44	Write as a reason:"Lack of suspicious acts."
01:24:52	And, Wiesler!
01:24:56	A piece of advice for you:
01:24:58	We're not at school anymore.
01:25:00	Projects aren't about grades,
01:25:02	but success.
01:25:21	"The state statistics office
01:25:24	counts everything, knows everything.
01:25:26	How many shoes I buy a year: 2.3.
01:25:29	How many books I read a year: 3.2.
01:25:32	And how many pupils graduate
01:25:49	"5 p.m. Lazlo reads the first act of
01:26:40	DENTAL PRACTICE
01:27:51	We're not writing a play, Christa.
01:27:53	You don't have to tell me.
01:27:55	But I want to. It's a text...
01:27:58	Don't tell me.
01:28:01	Maybe I am as unreliable as your friends say.
01:28:06	But I... I'm with you now...
01:28:09	No matter what.
01:28:46	Minister Riesenhuber, author of the report,
01:28:50	said there is no quick fix
01:28:55	East-West German relations under strain.
01:28:58	'Spiegel' magazine today published
01:29:01	a text by an unnamed East German author
01:29:04	about suicide in the German Democratic Republic.
01:29:09	This follows a series of suicides by prominent
01:29:13	East-Berlin artists, the latest being Albert Jerska.
01:29:16	After being blacklisted for 7 years,
01:29:19	Jerska committed suicide on January 5th.
01:29:22	In 1977, the GDR ceased publishing
01:29:27	That year, Hungary was the only country
01:29:33	Yes, Sir...
01:29:36	But we...
01:29:39	General, our man at the 'Spiegel'
01:29:41	got us a photostat of the original.
01:29:44	Congratulations! So who wrote it?
01:29:47	He doesn't know, but using the typeface, we'll...
01:29:50	You're hopeless! Get me names!
01:29:53	I will, as soon as we get the results.
01:29:56	If not, you'll be put against the wall.
01:30:05	Andrea, where's the graphologist?
01:30:08	Thus I conclude that it is a domestic
01:30:12	most likely a 'Kolibri' travel model,
01:30:15	made by the VEB Groma.
01:30:19	If the ink were black, I could be more precise.
01:30:24	Who owns such a typewriter?
01:30:25	There are none registered in the GDR.
01:30:28	What does that mean?
01:30:30	Paul Hauser uses a 'Valentino' typewriter,
01:30:35	- That model has a more horizontal...
01:30:41	He writes on an Optima 'Elite'.
01:30:46	Georg Dreyman?
01:30:47	He writes his first drafts by hand,
01:30:50	then types them up
01:30:53	He's never used anything else.
01:30:58	How big is this 'Kolibri' typewriter?
01:31:01	It's one of the smallest available:
01:31:04	19.5cm x 99cm x 19.55cm.
01:31:10	So it's as easy to smuggle as a book.
01:31:15	Thank you. You may go.
01:31:21	Goodbye, comrade.
01:31:28	"The Secret Suicide Statistics"
01:31:35	Andrea, put me through to Wiesler.
01:31:38	"4 p.m. The group is exhausted
01:32:01	- Yes?
01:32:05	- In the 'Spiegel'? Yes.
01:32:09	Hauser called Dreyman
01:32:13	Wiesler, this is very important.
01:32:18	Did he mention who may be behind it?
01:32:24	I don't think he mentioned anything.
01:32:31	A 'Spiegel' editor crossed the border
01:32:37	and spent four hours here.
01:32:40	Dept. VI followed him to Prenzlauer Berg,
01:32:44	Did he have contact with Dreyman?
01:32:48	- Wouldn't I have noted it in the report?
01:32:52	But I smell a writer behind this text.
01:32:55	I'd be astonished if I'm wrong.
01:32:57	So keep your ears open!
01:33:06	Shit!
01:33:24	Get in.
01:33:40	If one of your staff deceives you,
01:33:44	Sure, sure!
01:33:46	Even a woman? Right?
01:33:50	But of course!
01:33:53	Isn't everyone who serves a great man
01:33:58	You could see it like that...
01:34:01	Indeed, you'd have to see it like that.
01:34:05	This is where she gets her illegal medication.
01:34:12	You should know this, it's your department.
01:34:16	It's up to you whether you ruin her or not,
01:34:21	but I never want to see her
01:34:28	Now get out.
01:34:37	Shut the door!
01:34:40	Ms. Sieland? Please follow us.
01:34:47	Come along.
01:35:08	So...
01:35:11	Comrade Sieland, a beautiful career you had, hm?
01:35:16	A pity really. You were good.
01:35:19	You were very good indeed.
01:35:22	Just too short-lived.
01:35:25	Do have a seat.
01:35:34	What do actors do when they can't act anymore?
01:35:42	Please...
01:35:46	Isn't there anything I can do for you?
01:35:51	- For... State Security?
01:35:58	I know nearly all our artists.
01:36:00	I could find out a lot.
01:36:02	I believe you.
01:36:16	Maybe there's something else I could do?
01:36:22	Something we might both find agreeable.
01:36:27	Unfortunately,
01:36:32	you've made an enemy
01:36:35	Therefore, I have less freedom
01:36:41	Is there no way I can save myself?
01:36:45	I'm sorry, madam.
01:36:59	There is one possibility.
01:37:01	Since you spend so much time
01:37:08	You don't know anything about an article
01:37:13	An article about suicide.
01:38:09	State Security! Open the door!
01:38:19	Open up!
01:38:25	He's turned on the light in his study.
01:38:28	Go in before he destroys any evidence.
01:38:31	Crowbar!
01:38:36	I don't think that'll be necessary.
01:38:39	- What's the matter, comrades?
01:38:42	Warrant is here.
01:38:45	- What are you looking for?
01:38:48	Boysen, Muller: bedroom.
01:38:50	Greska: kitchen, bathroom, hall.
01:38:52	Heise and Thomas: living room, study.
01:38:55	Go!
01:39:47	What do you burn in here?
01:39:50	Substandard texts.
01:39:57	A lot of Western literature, eh?
01:40:01	That book was a gift from Margot Honecker.
01:40:07	- Status?
01:40:14	We found nothing,
01:40:21	- No trace to be found!
01:40:26	Yes, Comrade! What's our next move?
01:40:35	- Comrade?
01:40:39	In the unlikely event that damage has
01:40:46	I'm sure everything's in perfect order.
01:41:11	Yes?
01:41:12	Wiesler, I'll be expecting you
01:41:20	Okay, I'll say what we're all thinking:
01:41:22	It was Christa-Maria.
01:41:24	The Stasi got her, and she ratted on you.
01:41:30	It wasn't her.
01:41:31	How can you be so sure?
01:41:34	You yourself said she wasn't home last night.
01:41:40	She knows the hiding place.
01:41:44	Yes, she knows.
01:41:52	So if you're right,
01:41:53	and the search was due to her,
01:41:56	then she's our guardian angel.
01:42:04	I'm here to see Lt. Col. Grubitz.
01:42:07	Captain Wiesler.
01:42:09	Interrogation room 76.
01:42:28	Yes! Come in.
01:42:35	Sit down.
01:42:43	So?
01:42:47	What was that about?
01:42:49	You're asking me what that was about?
01:42:54	What do you suspect Dreyman of?
01:42:58	He wrote the 'Spiegel' article.
01:43:05	Who alleges that?
01:43:10	Come with me!
01:43:22	Here.
01:43:26	I don't know how you could be
01:43:30	But I know you differently,
01:43:34	So I'm giving you one last chance.
01:43:37	Bring in prisoner 662, now!
01:43:45	Are you still on the right side?
01:43:50	Yes.
01:43:52	Then don't screw it up again.
01:44:18	Shall I restrain the prisoner?
01:44:21	No, she's an informant now. You may go.
01:44:31	So you're my commanding officer?
01:44:33	Write.
01:44:36	Then command me.
01:44:53	In another 10 hours...
01:44:56	No, in 9 and a half,
01:44:59	Mr. Roessing will tell the audience that
01:45:01	you, for health reasons, cannot appear.
01:45:07	And that will be your last mention
01:45:12	Is that what you want?
01:45:16	Tell us where the evidence is hidden.
01:45:21	There is no evidence,
01:45:23	and no typewriter. I made it all up.
01:45:27	I hope not.
01:45:30	If so, we'll have to keep you here.
01:45:33	A false statement is perjury,
01:45:41	Dreyman will go to prison anyway,
01:45:43	on account of your statement...
01:45:47	and the material
01:45:55	Save yourself, at least.
01:45:59	You have no idea how many people
01:46:01	are in jail here for senseless heroics.
01:46:07	Don't forget your audience.
01:46:09	"Don't forget your audience!"
01:46:18	Don't forget what the state has done for you...
01:46:23	Your whole life long.
01:46:25	Now you can do something for the state.
01:46:28	And it will thank you.
01:46:32	Tell me where the typewriter's hidden.
01:46:37	Dreyman will never find out.
01:46:40	I'll let you go immediately,
01:46:43	and we'll strike only after you're back with him.
01:46:47	You'll manage to feign surprise, I'm sure.
01:46:51	And tonight you'll be back on stage.
01:46:56	In your element.
01:47:00	In front of your audience.
01:47:12	Tell me where the documents are.
01:47:25	Where are they?
01:47:30	They're in the apartment...
01:47:36	Under the doorsill,
01:47:38	between the living room and the hallway.
01:47:47	You can remove it.
01:48:03	Is this where you mean?
01:48:37	You look worn out.
01:48:41	That means responsibilities,
01:48:44	but also privileges...
01:49:12	Guard!
01:49:14	Call Wiesler for me!
01:49:15	Col. Wiesler has left the premises, comrade.
01:49:19	I see!
01:49:22	Alright. Stand down.
01:49:40	What does a rider do when he's thrown?
01:49:43	He gets back on again.
01:49:44	Go inside. Sleep it off.
01:49:47	What happened has nothing to do with the house.
01:49:51	No, but with the whole country.
01:50:58	Christa!
01:50:59	Stop, I was at Kerschner's and they had no water.
01:51:22	You were in a hurry to get here!
01:51:25	- Operation 'Lazlo' is still in progress!
01:51:27	Yes.
01:51:29	Here's today's report.
01:51:32	The last report for Operation 'Lazlo'.
01:51:57	Why didn't you call me?
01:51:59	What?
01:52:02	Why didn't you call me?
01:52:05	I was out in the country.
01:52:08	Can you hand me the nail brush?
01:52:16	The Stasi was here.
01:52:20	Who was here?
01:52:23	State Security! Open up!
01:52:26	Stay here.
01:52:36	Hello, Comrade Dreyman.
01:52:40	I just wanted to make sure
01:52:44	Your study? We'll start there.
01:52:55	Men, search carefully
01:53:17	Oh, what do we have here?
01:53:23	This doorsill doesn't look kosher to me.
01:53:30	Could it be... a secret compartment?
01:53:48	Let her go. She's not a suspect.
01:54:06	The actress...
01:54:39	I was too weak.
01:54:42	I can never put right what I've done wrong.
01:54:45	There's nothing to put right!
01:54:47	I moved the ty...
01:55:00	Forgive me, forgive me... Forgive me, forgive me...
01:55:36	Take your men back to headquarters.
01:55:55	I've concluded the mission, Comrade Dreyman.
01:56:01	Sorry.
01:56:04	Come on.
01:57:05	There's one thing you should understand, Wiesler.
01:57:09	Your career is over.
01:57:12	Even if you were too smart to leave any traces.
01:57:16	You'll end up in some cellar,
01:57:22	That means the next 20 years.
01:57:24	20 years!
01:57:27	That's a long time.
01:57:39	"Mikhail Gorbachev elected as leader
01:57:46	4 YEARS AND 7 MONTHS LATER
01:58:07	The Wall has come down!
01:58:13	Yes, the Wall has come down!
01:58:20	The border guards have opened the gates.
01:58:25	People are streaming out in thousands!
01:58:29	Dear listeners, November 9th, 1989,
01:58:32	will go down in history!
01:58:59	TWO YEARS LATER
01:59:06	What's wrong, my child?
01:59:09	Your Arthur is dead.
01:59:14	Arthur... Can't you be wrong, just this once?
01:59:18	I saw him this morning!
01:59:21	No, sister. Believe me.
01:59:26	The loyal men surround him, as you do me,
01:59:29	and despite the high sun, cast
01:59:31	seven shadows on his noble dead body.
01:59:36	Crushed by the mighty wheel. I see it,
01:59:41	though I'd rather see any other horror.
01:59:46	Why am I not spared these visions?
01:59:50	Elena! Go home and mourn.
01:59:55	I will finish your shift.
02:00:07	Too many memories, eh?
02:00:14	I couldn't stay in there either.
02:00:19	But what's this I hear?
02:00:22	You've not written since the Wall fell?
02:00:25	That's not good.
02:00:28	After all our country invested in you.
02:00:32	Although I understand you, Dreyman.
02:00:35	What is there to write about in this new Germany?
02:00:38	Nothing to believe in, nothing to rebel against...
02:00:46	Life was good in our little Republic.
02:00:49	Many people only realize that now.
02:00:52	- There is one thing I do need to ask you.
02:00:57	Why was I never under surveillance?
02:01:00	Everyone else was. Why not me?
02:01:09	You were under full surveillance!
02:01:12	We knew everything about you.
02:01:16	Full surveillance?
02:01:18	Every inch was bugged. The full program.
02:01:23	Impossible!
02:01:27	Take a look behind your light switches.
02:01:30	We knew everything.
02:01:34	We knew that you couldn't give
02:01:45	To think that people like you
02:03:13	RESEARCH SITE AND MEMORIAL
02:03:26	It'll be a moment, there should be
02:04:15	I ordered them chronologically.
02:04:17	Old ones at the top,
02:04:22	My respects!
02:04:45	Operation 'Lazlo'. Operation 'Lazlo', subject:
02:04:51	The lead came from Minister Bruno Hempf.
02:04:57	'Lazlo' takes delivery of a daily Western newspaper
02:05:04	I suggest not taking any action
02:05:07	so as not to arouse suspicion of surveillance.
02:05:12	'Lazlo' and CMS unwrap presents,
02:05:15	then presumably have intercourse.
02:05:27	The visitor was Paul Hauser's uncle from West Berlin.
02:05:31	They tell him about a play
02:05:35	and 'Lazlo' will write
02:05:42	We expect further information on the play,
02:05:45	a plot summary etc.
02:05:49	Contents of act 1:
02:05:52	Lenin is in constant danger.
02:05:55	Despite increasing external pressure,
02:06:02	Lenin is exhausted.
02:06:10	HGW...
02:06:14	HGW XX-7...
02:06:29	I, Christa-Maria Sieland,
02:06:32	freely commit myself to work unofficially
02:06:38	This decision is the result of my conviction that...
02:06:47	Georg Dreyman
02:06:48	wrote the 'Spiegel' article
02:06:52	His accomplices were the journalist Paul Hauser...
02:07:04	Christa Sieland was arrested on March 10th
02:07:08	for drug abuse, on Minister Hempf's indication.
02:07:12	She was released at 1.50 p.m. on March 11th,
02:07:15	having revealed 'Lazlo's hiding place
02:07:19	and signing up as informant 'Marta'.
02:07:28	1.50 p.m...
02:07:31	So when did she...
02:07:33	After the unsuccessful house
02:07:36	and 'Marta's' fatal accident,
02:07:41	Operation 'Lazlo' was terminated.
02:07:47	Note: HGW's promotion ban
02:07:52	Transfer to Dept. M,
02:07:54	with the recommendation not to entrust him
02:08:00	10:50 a.m.: Resume surveillance
02:08:08	At 3.10 p.m., 'Marta' comes directly from
02:08:13	House search and report to follow.
02:08:17	End of Operation 'Lazlo'. HGW, 3.15 p.m.
02:08:40	Who is HGW XX-7?
02:09:27	Stop.
02:10:19	Back to Hufeland Street.
02:10:47	TWO YEARS LATER
02:11:28	"Georg Dreyman"
02:11:43	"A Novel" "Dedicated to HGW XX-7, in gratitude."
02:12:06	29,80.
02:12:09	Shall I gift-wrap it?
02:12:11	No, it's for me.

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