Les Girls

en
00:01:50 Paper, sir? Paper, lady? Paper?
00:01:57 Paper, sir? Paper, governor?
00:01:59 Feature's a society scandal.
00:02:03 Paper, governor?
00:02:06 Darling, do stop going on and on.
00:02:18 We'll HaVe luncH at tHe club.
00:02:22 That terrible Angele.
00:02:24 Hurry, Pierre, there's that terrible Sybil.
00:02:28 All clear now, darling.
00:02:33 One more, please. One more.
00:02:35 Could you autograph this copy, please?
00:02:43 One more.
00:02:47 Silence. Silence in court.
00:03:00 -Are you ready to resume, Sir Percy?
00:03:03 l was in the course of
00:03:21 Thank you.
00:03:25 Now, Lady Wren, you have acknowledged
00:03:28 entitled Les Girls.
00:03:31 l have.
00:03:32 This is your first venture into literature?
00:03:35 How kind of you to call it literature,
00:03:37 l'd only aspired to write
00:03:41 When you wrote that the plaintiff,
00:03:44 for the love of a man who rejected her,
00:03:47 intended to amuse?
00:03:49 lt seemed to me to be readable.
00:03:51 lf that's what you're getting at.
00:03:53 Do not concern yourself with what
00:03:57 You are aware, Lady Wren,
00:04:00 made in your book
00:04:04 then Ìadam Ducros has been
00:04:07 for which she can justly claim damages.
00:04:09 The story of my life
00:04:12 but everything l've written in that book
00:04:17 That is not for us,
00:04:20 Wasn't that last observation a comment
00:04:25 lf Your Lordship so wishes.
00:04:28 Now, in Chapter Seven,
00:04:33 you suggest that Ìadam Ducros not only
00:04:37 but for a man who was not then,
00:04:41 Do you swear under oath that
00:04:45 l'm not a flighty woman who deliberately
00:04:49 to injure the reputation of Ìadam Ducros.
00:04:51 Had l realized she was
00:04:54 out of the past, claiming damages...
00:04:55 l might have omitted the chapter.
00:04:57 l must defend my statement.
00:05:01 -ln Chapter Seven, which you've entitled--
00:05:06 Thank you.
00:05:09 The opening sentence reads:
00:05:12 ''Our valiant little musical act
00:05:18 -''lt was spring.''
00:05:21 Spring is a chronological truth,
00:05:24 l can remember what l wrote.
00:05:27 We were playing
00:05:29 in an act called
00:05:32 lt Happened some years ago.
00:05:35 lt was our first engagement in Paris
00:05:40 at being in tHis gay city
00:05:44 EVerytHing to us about Paris was exciting.
00:05:47 THe smells, tHe sounds,
00:05:51 l was sHaring a little flat...
00:05:53 witH an American dancer
00:06:00 Hey, Sybil!
00:06:06 There's a message from Barry,
00:06:10 -What for?
00:06:12 Come on down, l'll wait for you.
00:06:16 Ìadame, would you hold on
00:06:19 -OH, but yes.
00:06:28 Georgette, Hurry up.
00:06:31 Be quick.
00:06:32 Please dance, miss.
00:06:50 -l'm replacing Ìimi.
00:06:52 -Sit down.
00:06:54 l don't like complications.
00:06:56 She's been carrying on
00:06:59 THank you. THey'll call you.
00:07:02 What do you mean by ''carrying on''?
00:07:06 Oh, so you knew it all the time.
00:07:08 You didn't tell me.
00:07:10 Ìr. Ìanescu wants to marry Ìimi.
00:07:14 You want a home, you go to
00:07:17 -Please--
00:07:19 But when l hired Ìimi,
00:07:22 her rear end was
00:07:25 Have you any idea how much time...
00:07:26 l put in day and night
00:07:29 -Especially nights.
00:07:32 Come on, come on, wHat's Holding us up?
00:07:35 lt's your turn, miss.
00:07:37 WHat do you do? Do you sing, dance?
00:07:40 l am Angele.
00:07:45 Well, go right ahead.
00:08:16 THat's enougH.
00:08:17 But l didn't finish it yet.
00:08:19 lt was bad because l was nervous.
00:08:22 Come here, please, dear, come here.
00:08:25 -l know it was bad, but--
00:08:29 -l think, very good.
00:08:36 Come here, kids.
00:08:38 -OH, tHese Heels. THey Hurt me.
00:08:41 Yes, tHat's fine. Would you try for me
00:08:49 slowly, witH a smile.
00:08:52 Yes, Very good.
00:08:55 Why do you want this job with me,
00:08:59 l've seen you dance.
00:09:04 Then you know what the act is.
00:09:07 -Come here, kids. You free to travel?
00:09:12 Get in the middle, tall one.
00:09:16 Let's see. Nope. Take it the other way.
00:09:19 We're gonna travel around Europe.
00:09:22 -l can.
00:09:26 -You married?
00:09:33 -Engaged?
00:09:38 THat's all, eVerybody. THat's all. THat's all.
00:09:41 THank you. THank you Very mucH.
00:09:43 Well, you're now one of Les Girls.
00:09:46 Oh, merci!
00:09:47 -OH la la--
00:09:51 -Hello.
00:09:52 We got to work fast. Let's grab
00:09:56 l was looking for a place to live
00:09:59 Have you kids got room for Angele?
00:10:00 The flat isn't exactly elegant
00:10:03 l never mind saving rent.
00:10:04 You're both dolls.
00:10:07 Get back quickly. 1 :15 sharp.
00:10:09 -Come.
00:10:10 Girls, listen.
00:10:13 There's only one thing l have to insist on.
00:10:15 No complications.
00:10:18 But she's right.
00:10:20 l don't interfere
00:10:23 but l don't let it interfere with their work.
00:10:26 And l have to insist on them.
00:10:28 The girls have to be prompt,
00:10:31 Everyone's born with two legs.
00:10:41 -She's here.
00:10:43 l've got it. You made it.
00:10:45 Hello. Welcome to Liberty Hall.
00:10:47 Oui. ls there a place
00:10:50 Of course there is.
00:10:53 -l have a few little luggage.
00:10:57 Remove those things over there.
00:10:58 Hurry up.
00:11:08 lf you please.
00:11:12 Oui, madame.
00:11:20 -Quite a load of clothes you have.
00:11:24 How sweet.
00:11:30 Does your mama make perfume, too?
00:11:32 These? lt's a little weakness of mine.
00:11:36 -You may help yourselves if you wish.
00:11:40 l was last in a ballet called Le Coquerico.
00:11:43 -Did you lay an egg?
00:11:46 Joy means, ''did you get fired?''
00:11:48 Oh, no. l quit.
00:11:49 Nobody could see me behind
00:11:52 lt's important to be seen
00:11:54 You will. We saw you dance.
00:11:57 You are very kind.
00:11:59 -Not everyone has been kind to me.
00:12:03 -That's old.
00:12:06 That's my fiance, Pierre Ducros.
00:12:08 Fiance! You told Barry
00:12:11 They'll never meet. Pierre lives in La Porte.
00:12:13 What if he came to Paris
00:12:15 Never. Pierre thinks
00:12:18 He's so sweet. He gave me this watch.
00:12:21 lt cost his grandfather 100,000 francs.
00:12:24 -You know why?
00:12:26 Listen.
00:12:30 So sweet.
00:12:32 Blimey, there's dear old Dad.
00:12:35 Girls!
00:12:37 -Hurry it up, kids. You got half an hour.
00:12:41 He lives here?
00:12:42 Yes. And if he finds out you're engaged,
00:12:45 How will he find out?
00:12:49 We are friends and
00:12:52 No. One does not betray a friend.
00:12:55 l want you to know when the bell rings
00:12:59 -Bring the soup.
00:13:01 Do you want some bread?
00:18:05 All right, hurry, girls.
00:18:07 Hurry, please.
00:18:14 Feel my heart,
00:18:17 -Does it chime the hour?
00:18:20 Be ready for tHe final act.
00:18:23 Curtain in fiVe minutes.
00:18:30 Do you think Ìr. Barry
00:18:32 Yes, l think he was pleased.
00:18:35 You'll know when he's not.
00:18:36 ls he unhappy to be away from his wife?
00:18:41 He fell in love with himself
00:18:44 -He's been faithful ever since.
00:18:47 What she really means is Barry's very
00:18:55 You are in love with him maybe?
00:18:58 Are you kidding?
00:19:00 -He belongs to you, then.
00:19:04 -l like him.
00:19:06 Pierre is in La Porte. And l'm in Paris.
00:19:08 -l mustn't allow myself to be despondent.
00:19:11 We're gonna go to the flat
00:19:14 -Do you want to come with us?
00:19:17 We don't grow it.
00:19:18 With Paris full of men
00:19:21 That's such a bore.
00:19:25 To say nothing of the moral barrier.
00:19:27 To me it's immoral for a beautiful girl
00:19:30 Tonight, l rescue a poor banker
00:19:33 Better wind Pierre's watch.
00:19:35 No, you don't understand.
00:19:38 Pierre loves me,
00:19:41 lf his parents consent.
00:19:43 -And tonight is tonight.
00:19:47 lf you have a dinner date, keep it.
00:19:50 -l intend to.
00:19:52 Don't you ever knock
00:19:54 What for? You got secrets?
00:19:55 l think we finally got it.
00:19:59 You stick around,
00:20:01 -Tonight?
00:20:03 But it's not possible. l have
00:20:06 Ìake it tomorrow.
00:20:08 -But he leaves Paris tomorrow.
00:20:10 -l've got a reputation at stake.
00:20:12 The poor girl's exhausted,
00:20:15 Ìy uncle, he would be very sad.
00:20:17 Your uncle ain't running the act.
00:20:26 All right. We'll take it once again
00:20:30 Did l do wrong?
00:20:32 Honey, it was nothing.
00:20:34 l'm not a potato. l'm a man
00:20:37 l wish you were a potato. l'm hungry.
00:20:42 -Do you want this job?
00:20:44 Then we'll rehearse until you do it right.
00:20:47 The last time l almost went on my ear.
00:22:01 -That's more like it.
00:22:06 Tell you what. l'm gonna break a rule.
00:22:08 l never mix business with anything else.
00:22:11 But, you've done so well,
00:22:15 With wine?
00:22:18 The sky's the limit. A whole glassful.
00:22:27 And so, Barry paid for Her supper.
00:22:30 He eVen bougHt Her wine.
00:22:34 But quite good enougH for a beginning.
00:22:47 l wouldn't mention this to any of the girls.
00:22:59 Rehearsal at 1 1 :00.
00:23:10 ln tHe weeks tHat followed, it migHt HaVe
00:23:13 certainly not me,
00:23:18 l decided to HaVe a talk witH Her.
00:23:25 Would you mind if l said something
00:23:29 You tell me what it is
00:23:31 l should hate to see you hurt.
00:23:34 -And who will hurt me?
00:23:37 Why?
00:23:38 You see...
00:23:41 some men take very casually
00:23:45 and possibly your friend from La Porte,
00:23:49 You English.
00:23:51 When will you learn that love is a souffle,
00:23:56 l didn't say that l'm meeting Barry.
00:24:05 Well, that got you nowhere.
00:24:07 -At least my conscience is clear.
00:24:11 Do not talk like the pudding.
00:24:16 So sweet.
00:24:18 And if our little friend, she eat too much...
00:24:20 believe me, she get very, very sick.
00:24:37 -Bonjour.
00:24:39 HaVe fun!
00:24:45 Come on.
00:25:03 That's our Barry. Strictly business.
00:25:07 -Where do you suppose they're headed?
00:25:11 But l've done my duty.
00:25:15 What a dear, sweet, patient darling he is.
00:25:18 l'd write home to my darling,
00:25:20 He's marrying my cousin.
00:25:24 -We've paid the rent, haven't we?
00:25:33 Bonjour.
00:25:35 Can you tell me if Miss Angele liVes Here?
00:25:38 Yes, Miss Angele liVes Here.
00:25:41 She's not in.
00:25:44 -Do you expect her soon?
00:25:46 Say, you're Pierre What's-his-name,
00:25:50 -Yes, l am.
00:25:52 Come on.
00:25:55 After you.
00:25:58 l arrived this morning to surprise Angele.
00:26:01 lt's too bad you didn't come
00:26:03 or you would have succeeded.
00:26:05 -Monsieur.
00:26:08 Yes, of course.
00:26:11 Every Sunday she...
00:26:14 does volunteer work.
00:26:16 -Well, that's good for her.
00:26:19 Do you know that
00:26:23 She was even afraid of men.
00:26:25 Now she has more courage.
00:26:28 -You don't mind--
00:26:30 Thank you. You don't mind if l stay here,
00:26:31 Not at all.
00:26:33 lt's been such a long time
00:26:37 -Would you like some wine?
00:26:40 You have known Angele long?
00:26:43 l never feel as if it's a question
00:26:49 -You are nurses?
00:26:52 l mean, do you work with Angele
00:26:55 Oh, no.
00:26:57 No, we flunked out, couldn't tuck a sheet.
00:27:01 l'm sorry. But Angele, she goes ahead?
00:27:04 By leaps and bounds.
00:27:06 She has such a gift for applying herself.
00:27:08 Good.
00:27:13 l have come to Paris today.
00:27:16 Yes?
00:27:18 She may have told you.
00:27:23 No!
00:27:24 Oh, that sly little pussycat.
00:27:27 She has not shown you
00:27:29 -She adores it.
00:27:33 l am not without the guile, mademoiselle.
00:27:37 l want to be remembered.
00:27:40 Each hour it rings a tiny bell.
00:27:56 What's that?
00:27:58 Ìy heart.
00:28:00 When you touch me, it plays little tunes.
00:28:06 Does anything happen to you
00:28:10 You set off a fire alarm.
00:28:12 And Sybil, has she ever set off
00:28:16 She never even started a fire.
00:28:18 -And Joy?
00:28:22 You want to know something?
00:28:26 Do you want to know something?
00:28:28 l didn't expect you to.
00:28:34 Why don't you dance in America?
00:28:38 Well, in America
00:28:41 And over here l'm something special.
00:28:46 Will you go home one day?
00:28:49 One day.
00:28:52 You are never lonely?
00:28:57 Now and then.
00:28:59 l think you should be in love.
00:29:02 Why?
00:29:03 You wouldn't be lonely
00:29:07 Well, l am.
00:29:08 -ln love?
00:29:12 l don't think you know what it means
00:29:16 -Shall l tell you?
00:29:19 To me, Barry, real love is like....
00:29:25 l can't talk when you kiss me.
00:29:28 Well, l can't kiss you when you talk.
00:29:33 Real love is when suddenly you sight...
00:29:36 someone for whom you yearn.
00:31:27 -How are you?
00:31:31 Haven't seen you in a while.
00:31:33 -How are you?
00:31:34 HaVe you been out in tHe country?
00:31:57 -Am l intruding?
00:32:00 Your uncle is waiting upstairs for you.
00:32:03 -Ìy uncle?
00:32:07 Ìy uncle from La Porte. Pierre.
00:32:13 Excuse me, Barry,
00:32:20 Well, that was a very good rehearsal. Yes.
00:32:23 Getting along fine.
00:32:31 Ìaking time, too, aren't you?
00:32:37 l am embarrassed,
00:32:45 -Wonderful girl, do you think?
00:32:50 Mon cHer, how are you?
00:32:51 Why didn't you write?
00:32:55 Do not scold.
00:32:58 Working? Oh, well, l, yes, we--
00:33:03 Oui.
00:33:04 Why didn't you write Pierre...
00:33:06 you were doing volunteer work
00:33:08 -You are too generous with your time.
00:33:13 -Everything all right?
00:33:15 Then l'm sure Monsieur Pierre
00:33:18 l've promised to wash Joy's hair.
00:33:21 You lucky girl.
00:33:26 l have missed you, little angel.
00:33:32 Let me look at you. You are pale.
00:33:35 -You took me by surprise, mon coco.
00:33:39 -Guess what l have brought you.
00:33:44 Ìy parents.
00:33:46 Oh, your parents.
00:33:48 Ìy mother and my father.
00:33:52 But l'm afraid, Pierre.
00:33:54 l'm only a nurse. l have no dowry.
00:33:57 -They may not like me.
00:34:00 Tomorrow night we are to have dinner
00:34:02 But l can't. l'm working.
00:34:04 At the hospital.
00:34:08 Don't worry.
00:34:12 And while we wait, we can....
00:34:16 Oh, no, don't.
00:34:18 There's nothing good in Paris.
00:34:21 You're wrong. You are good.
00:34:28 Sweet, lonely girl.
00:34:34 Come away from there.
00:34:36 Angele's gonna have to be better than
00:34:39 Our little French souffle
00:34:42 if she does not take care.
00:34:53 lt's Angele. l must see you.
00:34:55 Come in.
00:34:56 There's something l must know,
00:34:59 -Will l take you to supper? Yes.
00:35:02 How would you feel if l decided
00:35:06 -Don't you joke either.
00:35:10 What's got into you?
00:35:12 On stage.
00:35:13 -Pick up your train, baby, you're on.
00:35:17 Of course l love you. Come on. Get out
00:35:22 Now, go!
00:37:22 Someone's in for trouble.
00:37:24 l just spotted Pierre and his parents
00:37:27 -Are you sure?
00:37:35 -Pierre's in the audience.
00:37:37 Pierre's up in that box with his parents.
00:37:40 They mustn't see me! They mustn't!
00:38:40 -What are you trying to do? Wreck the act?
00:38:43 What excuse could you have
00:38:44 There's someone out there who
00:38:46 What are you saying?
00:38:49 You got a half a minute to change.
00:38:51 WHat's tHe matter?
00:38:52 -Angele, are you sick?
00:38:55 He couldn't have recognized you.
00:38:57 Your mother wouldn't have
00:38:58 He's so angry.
00:38:59 lf you don't hurry,
00:39:01 l cannot go out there!
00:39:03 You have to. You can't leave Barry
00:39:05 l've lost Barry and now l'll lose Pierre.
00:39:08 Hurry!
00:39:09 Angele, you'd better hurry. Come on!
00:39:11 She got a little excited
00:39:15 Barry NicHols and Angele. One minute.
00:39:36 Pull.
00:39:42 Pull.
00:39:45 Pull!
00:39:57 Bring down tHe curtain.
00:40:04 Where is she? Where is she?
00:40:10 On stage, on stage!
00:40:25 Have you lost your mind?
00:40:26 -Barry--
00:40:28 Please.
00:40:29 lf you're not out of here in one minute,
00:40:32 What's got into you?
00:40:34 l don't know. Please trust me.
00:40:36 Trust you?
00:40:39 l'll explain tomorrow, l--
00:40:40 You'll not explain tomorrow,
00:40:43 You mustn't do this to me after we....
00:40:56 -Oh, you poor darling.
00:40:59 l love him.
00:41:03 l love him. He doesn't care.
00:41:05 -He isn't worth crying about.
00:41:08 Pierre will show up.
00:41:10 Joy and l'll stay away,
00:41:13 l want to die.
00:41:15 Darling, you'll feel so much different
00:41:18 Hurry. Take a taxi, now.
00:42:09 Angele!
00:42:27 Help! Au secours!
00:42:31 Oh, please. Help!
00:42:35 Darling, Angele.
00:42:39 She said she wanted to die.
00:42:41 lf it hadn't been for my prompt action,
00:42:45 a point she seems to have overlooked.
00:42:49 l didn't know she'd eventually married
00:42:52 Or that she'd read my little book
00:42:56 lt's the dullest chapter in the book.
00:42:57 And all that you wrote was the truth.
00:43:00 Every word.
00:43:02 l'm a little confused, Lady Wren...
00:43:04 as to how you can remember
00:43:06 scenes which you
00:43:09 l reported them as Angele
00:43:12 According to your account,
00:43:14 occurred in the year 1949 when you were
00:43:18 We played there for months.
00:43:22 lt was at the Ìusic Hall Parisien...
00:43:24 that you saw Pierre Ducros
00:43:27 What would you say, if l told you that
00:43:31 that he was not
00:43:34 That he'd never been inside
00:43:37 or any other year in his entire lifetime?
00:43:40 Ìy dear Sir Percy,
00:43:44 l think you'll notice that
00:43:49 But that is precisely
00:43:52 No, you're quite mistaken.
00:43:55 l said that Joy told me that
00:43:58 Never at any time did l say ''l saw him.''
00:44:01 Heaven knows l can't see 10 feet
00:44:11 Silence. Silence.
00:44:17 Picture, please. One more.
00:44:24 -Excuse me, gentlemen. Thank you.
00:44:29 Ìust be quite a shock
00:44:31 for a chap to learn the truth
00:44:33 Poor devil. l feel sorry for him.
00:44:35 Big smile, Lady Wren.
00:44:37 -Big smile this way, please, Lady Wren.
00:44:43 Another one, please, Lady Wren.
00:44:44 Over this way, please.
00:44:46 Drive on, Travers, will you?
00:44:51 And you told me my watch was lost.
00:44:54 lt was lost.
00:44:56 Barry borrowed it and lost it.
00:45:01 -Please believe me.
00:45:04 You lied to me about the theater.
00:45:06 Oh, that!
00:45:09 l'm so sorry l hurt you.
00:45:11 l didn't intend it, Pierre.
00:45:15 Are you going to withdraw the libel suit?
00:45:17 No.
00:45:19 Tomorrow,
00:45:23 l am not sure l care to hear it.
00:45:28 Don't go out. Don't leave me alone.
00:45:32 Listen, l love you, Pierre.
00:45:35 From what l heard in court,
00:45:39 You don't know what you're doing to me.
00:45:41 l'm not worried that you might
00:45:44 That honor belongs
00:45:49 ''What happened to Pierre's watch?''
00:45:52 ''Lies! All lies! ''
00:45:54 ''French dancer promises
00:46:01 lt is not true.
00:46:03 ln what manner is it not true,
00:46:06 Ìostly in what Lady Wren has left out...
00:46:09 of her amusing little anecdotes.
00:46:12 Why don't you tell Ìy Lord and jury
00:46:16 l'm sure my learned friend
00:46:19 Not at all,
00:46:21 Proceed.
00:46:23 What Lady Wren says about
00:46:26 The three of us lived together, that's true.
00:46:28 And it was spring, that's true.
00:46:31 But that is all that is true.
00:46:35 l'll neVer forget tHe loVely flower market
00:46:38 Joy and l Had become good friends.
00:46:41 sHe Had been Very nice to me
00:46:45 We always did tHe marketing
00:46:48 tHat sybil Had no interest
00:46:51 We tHougHt it was fun.
00:47:03 -l beg your pardon, do you speak English?
00:47:06 These house numbers
00:47:08 Do you know if a young Englishwoman,
00:47:11 We live together.
00:47:12 This is luck. l'm an old friend of hers
00:47:16 -l believe she's gone for a walk.
00:47:18 lf you'll wait here,
00:47:21 l thought she was expecting me. l sent her
00:47:24 She couldn't have.
00:47:28 -Yes, Joy?
00:47:31 -American?
00:47:33 l think l will dash up.
00:47:34 An interesting thing about Poughkeepsie...
00:47:36 it's south of Claverack,
00:47:39 it's east of Nyack and
00:47:42 Bit of a sticky wicket, what?
00:47:47 Sybil.
00:47:52 Hello, old girl.
00:47:55 Now, why do you two always insist
00:47:58 You really are the most
00:48:01 l'm going to make some tea.
00:48:04 Where's my tea cozy? Tea cozy. Tea cozy.
00:48:08 -Tea cozy, who's got my tea cozy?
00:48:11 -Sybil, you promised you wouldn't.
00:48:15 Where did you get it?
00:48:17 We searched the whole place
00:48:20 You're being very suspicious
00:48:22 No, don't go out there, there's someone
00:48:25 Who? Where?
00:48:26 He says he's a friend from London.
00:48:29 lt must be Gerald.
00:48:30 Sir Gerald Wren.
00:48:33 Rich as Croesus and mad about me.
00:48:35 Have him come up and
00:48:39 ''No, l will not marry you.''
00:48:43 Oh, no. You must not see him.
00:48:46 Gerald!
00:48:49 Sybil, wait. Wait.
00:48:52 Lie down.
00:48:54 We have a rehearsal this afternoon
00:48:58 Lovely, rich. Lovely, rich pussycat.
00:49:02 l'll be right back.
00:49:04 Promise not to move.
00:49:06 l doubt very much if l could.
00:49:40 -l'm terribly sorry, but she's out.
00:49:43 Cold! She has a very bad cold.
00:49:47 -l hope she's taking something.
00:49:50 What a pity.
00:49:54 lf Sybil does get back in time, you might
00:49:58 -Of course.
00:50:02 -We will.
00:50:06 What can we do with her, Joy?
00:50:07 l have an idea, but there's a law against it.
00:50:19 Come on.
00:50:36 l am the naughty cigarette girl.
00:50:39 And all the men, they want my cigarettes.
00:51:18 Put the coffee on. l'll get the bed ready.
00:51:20 -Fill the bath.
00:51:31 She wants some more
00:51:35 Don't be hard on her, Joy, she's a sick girl.
00:51:38 Deep, deep inside her.
00:51:40 lf she isn't sick now, she's gonna be soon.
00:51:43 But why does she drink?
00:51:47 There is. She likes it.
00:51:57 l found where she's been hiding it.
00:52:00 Where?
00:52:05 -Gin.
00:52:08 She probably drank that, too.
00:52:12 Hello, girls. Oh, hi.
00:52:14 lt's a lovely afternoon.
00:52:17 Where's Sybil?
00:52:19 Barry, could we rehearse
00:52:22 -Why?
00:52:24 -What's the matter?
00:52:27 No, don't go in there. She's asleep.
00:52:50 What's the matter?
00:52:53 l'm no good, Barry.
00:52:56 l'm no good.
00:53:00 Nobody wants my cigarettes.
00:53:07 -That does it.
00:53:09 l've had enough of this cough medicine
00:53:12 -She's sick.
00:53:15 Can you take care of Sybil?
00:53:17 Remember, she's a sick girl.
00:53:19 She's out. She's through.
00:53:21 Barry, if you let her go,
00:53:23 That's just too bad,
00:53:25 -Why do you think she does all this?
00:53:29 She's a heartbroken girl trying to forget.
00:53:31 Let her forget in some other dance act.
00:53:34 You're so blind.
00:53:35 She drinks because
00:53:41 -ln love with me?
00:53:44 Why, you're nuts.
00:53:45 lt's true. Haven't you seen
00:53:49 Yes, she watches me
00:53:53 You're so heartless.
00:53:54 You're killing this girl and
00:53:57 -She hates me!
00:54:00 ls that her fault?
00:54:04 What am l supposed to do?
00:54:06 Be kind to her and help her forget you.
00:54:09 How, by drinking with her?
00:54:11 Let her stay with the act.
00:54:12 Save another human being
00:54:20 You really think she's gone on me?
00:54:23 l know she is.
00:54:27 -She's never acted like it.
00:54:31 Look, Angele, l'm not blind. l--
00:54:33 No, just modest.
00:54:45 l thought l knew women.
00:54:50 l can stand her crying,
00:54:55 l'll go in and have a talk with her.
00:54:59 Has he been hitting
00:55:18 l like that.
00:55:22 Well, of course l can sing opera,
00:55:24 That's why l'm dancing.
00:55:26 How do you feel?
00:55:28 What do you care?
00:55:30 You're one of my girls.
00:55:36 l think l ate a bad oyster.
00:55:38 That's not fatal.
00:55:40 l don't think you have
00:55:43 How about me working up
00:55:46 l like the old routines.
00:55:48 But, l wanna feature you.
00:55:51 Why?
00:55:54 l don't think the act is taking advantage
00:55:57 What have l got to offer?
00:56:00 Talent, beauty. And you sing like an angel.
00:56:05 Then you're not angry with me?
00:56:08 Angry? Why should l be angry?
00:56:12 Because l'm always getting ptomaine.
00:56:16 That's not your fault.
00:56:18 You've just got to keep away
00:56:22 Don't worry, l understand everything.
00:56:28 You can be so sweet.
00:56:36 l think you better get some sleep.
00:56:47 We've gotta help that kid.
00:56:56 lt's a strange tHing about trutH,
00:57:01 But a lie can make loVers of enemies.
00:57:04 Barry gaVe up drinking...
00:57:06 and insisted tHat tHe rest of us
00:57:09 -What'll you girls have?
00:57:12 -Ìilk.
00:57:14 -Nothing.
00:57:17 That's correct.
00:57:18 And so Les Girls became Les Girl Scouts.
00:57:23 We were going on tour tHat nigHt.
00:57:25 Joy and l Had packed for sybil and
00:57:29 l was worried about Her.
00:57:32 Now then, there's one thing
00:57:38 plenty of complications.
00:57:39 l won't interfere with your private
00:57:43 Pickles, pins and poop-poop-a-doop.
00:57:45 Ìarvelous.
00:57:46 l do find you English very amusing.
00:57:48 Come here, old girl,
00:57:50 -Goodness gracious.
00:57:53 How could l have been so wrong?
00:57:55 About me?
00:57:56 You won't believe me,
00:57:59 -Now?
00:58:02 and helpless and tiny and frail.
00:58:06 All the absurd things that l know l'm not.
00:58:08 Since we're on a truth kick, l thought
00:58:12 -Really.
00:58:14 l don't mind being compared
00:58:18 But you don't really think
00:58:21 All Americans think the English are.
00:58:23 Oh, no. The English....
00:58:24 Now, take the Latins,
00:58:27 -You're more like hard coal.
00:58:31 No.
00:58:32 Hard coal is slow to burn,
00:58:37 there's quite a blaze.
00:58:38 And for a long time.
00:58:43 -Honey?
00:58:46 Honestly, hot or cold,
00:58:49 But well, you know me.
00:58:53 l know you.
00:58:55 Dear, sweet cautious Barry.
00:58:58 There'll be no complications.
00:59:06 We'll be late. We'll be late.
00:59:08 The train ''shedule''?
00:59:10 -Well, l ''sharcely'' remember.
00:59:12 -''Shertainly.''
00:59:15 And you're just too too-too.
01:00:29 Look at me, l'm dancing.
01:00:33 Crazy.
01:00:38 Hot dog.
01:00:40 Hold on, old girl, we'll miss our train.
01:00:42 lf we miss the train we'll go by plane.
01:00:46 -l feel like a banjo.
01:00:49 Everybody's picking on me.
01:01:42 But wHat l HaVe to tell all took place
01:01:47 senorita?
01:01:48 No, gracias. l wait. l expect someone.
01:01:51 A gentleman? He is here.
01:01:57 Gerald, what on earth
01:02:01 For the last two hours
01:02:05 l must say it was worth the bother.
01:02:07 Well, as always, you look superbly
01:02:12 -Nice enough to marry?
01:02:14 You'll have no trouble in finding a wife.
01:02:17 How's your father?
01:02:18 You have absolutely no interest
01:02:20 -Oh, how nice.
01:02:21 What?
01:02:24 -Gerald Wren. Barry Nichols.
01:02:27 How do you do?
01:02:29 Thanks, l would.
01:02:30 -lt's Barry's act l dance in.
01:02:32 l was hoping she's had enough
01:02:35 Just why, my friend,
01:02:37 Since l'm the chap she's gonna marry--
01:02:42 -l didn't know that.
01:02:44 Gerald knows that my foolish little heart
01:02:48 Why not come back to London?
01:02:51 We'll play London all right,
01:02:54 Ìy own revue, the right house,
01:02:57 This may interest you,
01:03:00 -Your theaters?
01:03:02 -Same thing.
01:03:03 Unfortunately, no.
01:03:05 lt's the Christopher Ìarlowe, where
01:03:08 Do you remember how badly you sang?
01:03:10 -Why, l've improved.
01:03:13 No, l don't see why
01:03:16 with a little financial backing, of course.
01:03:18 American enterprise does very well
01:03:22 And l say British enterprise
01:03:25 You know, old man,
01:03:28 l'm definitely interested.
01:03:31 You'll want Sybil costarred, of course.
01:03:33 -No, l merely want her in London.
01:03:37 l see, the big men talking business.
01:03:41 Yes, please. The name, though.
01:03:43 The Christopher Ìarlowe, it doesn't--
01:03:45 lt's not very suitable
01:03:48 -But it could easily be changed.
01:03:51 This girl has good ideas. Just where is it?
01:03:53 ln Charing Cross Road. That can be
01:03:57 That'll come later.
01:03:58 Why don't we have supper tonight?
01:04:01 -Talk over details?
01:04:02 Tonight is fine.
01:04:03 You know, l like the way
01:04:06 -Quick decisions.
01:04:08 Don't you both think
01:04:11 Your order?
01:04:12 -Tea.
01:04:14 An aspirin.
01:04:37 -Where's our friend?
01:04:40 -Where's our friend?
01:04:44 l don't want you to see Barry again.
01:04:46 Well, why not?
01:04:47 Well, there are several reasons
01:04:51 l am not ready to go back to London.
01:04:54 l like the act the way it is.
01:04:57 l've never had so much fun.
01:05:00 -Aren't you being a little selfish?
01:05:03 lf l were a man
01:05:05 Be an angel and kiss me goodbye.
01:05:07 ls having fun that important?
01:05:09 Don't worry, l'll grow up someday.
01:05:11 l do appreciate your patience
01:05:14 Quite frankly--
01:05:15 Gerald, please. Before he gets here.
01:05:18 Have a heavenly trip
01:05:41 Where's he going, Sir Gerald?
01:05:43 -He's not having supper with us.
01:05:46 Well, l had a little talk
01:05:49 You're good enough to get along
01:05:52 Well, sure.
01:05:54 l knew you wouldn't want him
01:05:57 What did you tell him?
01:05:59 That you and l were lovers.
01:06:02 -Oh, you didn't.
01:06:03 You should have seen his face. He turned
01:06:07 -The color yours is now.
01:06:09 -What's he going to think?
01:06:12 -Will you stop saying that.
01:06:14 -l thought over what you just said--
01:06:18 believe me,
01:06:20 Not one word.
01:06:22 l don't doubt what she told me,
01:06:27 Sybil, l do understand why
01:06:31 l know the fun you're having.
01:06:34 Let's not jump to conclusions.
01:06:38 Ìy dear fellow, l think l know Sybil
01:06:42 -Let's take it easy.
01:06:44 No, we've got to straighten this out now.
01:06:47 Sybil and l,
01:06:51 you know how it is on the road,
01:06:55 Just what did you say?
01:06:57 Well, l hate to call anybody a liar.
01:06:59 When she says--
01:07:01 Ìr. Nichols, you're speaking of the woman
01:07:09 l'm terribly sorry--
01:07:14 You've got this all wrong.
01:07:28 PerHaps you'd like some wine?
01:07:33 Yes.
01:07:38 Thanks. Do you speak English?
01:07:41 English, no.
01:07:42 -To your HealtH.
01:07:49 THis is Very good. My wife makes it.
01:07:54 No, thank you. This is what l need.
01:08:04 -Could l talk to you please, Barry?
01:08:07 Please come on out in the corridor.
01:08:10 You can talk in here,
01:08:17 The eye is looking much better.
01:08:21 lt couldn't feel worse.
01:08:23 Do you want some wine, miss?
01:08:25 No, thank you. l'm sorry it all happened.
01:08:28 lt wasn't my fault
01:08:30 We went through all that before.
01:08:33 -With your permission.
01:08:35 l can't stand it when you don't talk to me.
01:08:37 -Leave me alone, will you? Thanks.
01:08:40 -Why can't we straighten this out?
01:08:44 l didn't know it was
01:08:47 lt isn't. With your permission.
01:08:50 l'll make up with Gerald.
01:08:55 lt's the story of my life.
01:08:56 Even when l was a kid, if l brought
01:09:06 Thanks.
01:09:09 l just don't understand
01:09:12 Look, l tried to help you.
01:09:14 l even quit drinking myself
01:09:18 Thank you.
01:09:20 l know how sweet you've been, Barry.
01:09:22 This is what makes me feel really awful.
01:09:26 This is the last time
01:09:29 When Angele told me
01:09:31 because you were in love with me
01:09:34 l've done my good deed.
01:09:36 Angele told you that l was drinking--
01:09:39 l broke the most important rule in my life
01:09:43 Oh, yes, you did.
01:09:49 l wish l could pin a medal on you.
01:09:51 ''To Barry Nichols for the sacrifices
01:09:55 l don't want no medal.
01:10:04 We were back in Paris...
01:10:06 but tHings Had cHanged.
01:10:08 THe nigHt we opened
01:10:53 Oh, a little dizzy spell.
01:10:55 They keep the theaters so warm.
01:10:57 -Was it ghastly?
01:11:06 -Sit down over here.
01:11:09 -Ìaybe a cool damp cloth'll help.
01:11:12 l wanna talk to Sybil.
01:11:14 He wants to remind me
01:11:19 Please don't scold me.
01:11:21 l'm not gonna scold you.
01:11:24 Ìaybe somebody there can help you.
01:11:26 No, you can help me, darling. Only you.
01:11:28 You were so sweet to me once.
01:11:30 -So very sweet.
01:11:32 You mustn't worry about me.
01:11:36 Please don't scold me.
01:11:37 l have to bring someone in
01:11:51 l'm sorry.
01:12:28 Sybil!
01:12:31 What l feared had happened.
01:12:33 Poor Sybil had lost Barry
01:12:36 life was not worth living.
01:12:38 l fainted and when l recovered
01:12:41 She had been taken to the hospital.
01:12:46 The act broke up and...
01:12:49 l married the only man that l ever loved...
01:12:52 Pierre Ducros.
01:12:57 terrible book was published.
01:13:00 That is the truth.
01:13:02 That concludes my re-examination.
01:13:08 Sir Percy, Ìr. Outward...
01:13:12 since both litigants under oath
01:13:16 only one of which can be true...
01:13:18 the other obviously perjury...
01:13:21 l must consider sending the evidence
01:13:25 Court is adjourned until tomorrow.
01:13:40 -Ìrs. Ducros!
01:13:42 Thank you very much.
01:13:43 Hold it there, please.
01:13:46 Together. Over here, please.
01:13:49 -Smile, now.
01:13:51 Just one more, over here.
01:13:53 Thank you very much.
01:13:56 One more now.
01:13:58 -Big smile, please.
01:14:02 -Hold it.
01:14:04 -How do you like London?
01:14:06 -Do you like the climate?
01:14:08 -lt takes some getting used to.
01:14:11 But she invented everything.
01:14:13 Everything?
01:14:15 This scar l got from your lover
01:14:18 Oh, Gerald, look,
01:14:22 l told a stupid lie. lt was pointless of me.
01:14:25 Oh, give me a drink, will you?
01:14:28 Would you like it in a perfume bottle?
01:14:30 No, l don't want a drink.
01:14:33 You couldn't be taken in
01:14:36 You know l've always had trouble
01:14:39 Sybil, l don't mind paying any sum...
01:14:41 for the libel damages but l wouldn't give
01:14:58 ''Judge warns truth or jail.''
01:15:01 Paper. Paper, sir?
01:15:16 Barry?
01:15:28 What is your full name?
01:15:30 Barry Nichols.
01:15:31 Ìr. Nichols, as a witness of the court,
01:15:35 if you are familiar
01:15:39 Oh, yes. l read it on the plane trip
01:15:44 lt's quite a book.
01:15:47 -You are employed in California?
01:15:50 l own a chain of orange-juice stands.
01:15:52 Then you have retired from theatricals.
01:15:56 No, l have a television show...
01:15:58 sponsored by Barry Nichols lncorporated.
01:16:01 Ìr. Nichols, have you any knowledge
01:16:05 by Angele Ducros?
01:16:07 There was hardly anything else in
01:16:12 Now, comparing her story...
01:16:15 to the one related in...
01:16:17 Chapter Seven of Les Girls...
01:16:20 which, to the best of your knowledge...
01:16:23 is accurate and true?
01:16:31 Well, that's kind of hard to say,
01:16:34 Hard in what way, Ìr. Nichols?
01:16:38 Well, there were bound to be
01:16:41 You see, certain things happened...
01:16:44 that neither of the girls
01:16:47 Do you recall these certain things?
01:16:50 As though it were yesterday.
01:16:52 As both girls said, it was Paris
01:16:55 called Barry NicHols and Les Girls...
01:16:58 but eVen in a great cosmopolitan city
01:17:03 OH, around me were some of tHe most
01:17:06 l was no longer interested.
01:17:27 -Are you decent?
01:17:31 lt's a great audience tonight.
01:17:33 -They loved the act.
01:17:35 -You girls going out tonight?
01:17:38 Joy would rather go home
01:17:40 lt wouldn't hurt you two girls
01:17:44 Stay home once in a while
01:17:47 Well, in this business
01:17:50 Dear old Dad forgets that his little girls
01:17:54 -Good night.
01:17:56 -Good night, Joy.
01:18:00 Why?
01:18:01 Well, you're so self-sufficient.
01:18:04 You don't need a lot of friends
01:18:10 lt's a great gift.
01:18:11 You sound as though l were Hortense
01:18:15 l like companionship and l like men.
01:18:17 Only, the ones l meet, companionship
01:18:22 l know how you feel.
01:18:24 l'm kind of lonely myself tonight.
01:18:27 l thought, maybe we could
01:18:30 Are you gonna start that again?
01:18:32 -Start what?
01:18:34 This debate ended last night.
01:18:36 Joy, l wish you'd thought more of yourself.
01:18:38 Then maybe you'd realize that a man...
01:18:41 can wanna be with you
01:18:43 For yourself.
01:18:46 For your mind.
01:18:48 For laughs.
01:18:50 You said all that last night.
01:19:04 There.
01:19:05 -Was l all right?
01:19:08 l promise not to tell.
01:19:09 l know what your reputation
01:19:12 -Thanks. Good night.
01:19:14 -l said ''good night.''
01:19:18 Look, l told you,
01:19:20 All l have is a few carrots and some milk.
01:19:23 Could you spare some salt?
01:19:25 What for?
01:19:26 l brought along my own supper.
01:19:30 l wanna talk to you about something.
01:19:33 No kidding, it's important.
01:19:38 lt better be.
01:19:57 There's a loose connection
01:19:59 Someday it's gonna blow us all up.
01:20:04 Light some place, will you please?
01:20:10 All right, Barry, what do you want
01:20:14 Books, vegetables, cauliflower...
01:20:17 Shakespeare, Tolstoy, l don't care.
01:20:20 l come up here for a sociable visit,
01:20:24 l told you l was tired.
01:20:30 Would it make any difference
01:20:33 l'm in love with you?
01:20:41 No.
01:20:44 When a man's really in love with me,
01:20:48 Well, what more can a man say that....
01:20:58 You mean marriage?
01:21:00 l'm an old-fashioned girl, Barry.
01:21:07 l know, that's what l like about you.
01:21:10 That's a serious step.
01:21:13 Not that l haven't thought about it.
01:21:24 But, Joy, if that's what you want,
01:21:27 l mean l'm all for it.
01:21:31 -Sweetheart.
01:21:33 Let's do it right away.
01:21:36 Let's get engaged.
01:21:39 l suppose you believe
01:21:43 Well, yes, to get to know
01:21:47 And really make sure.
01:21:49 You know what l mean?
01:21:51 Yes, l think l do.
01:21:55 First let me get comfortable, huh?
01:22:33 Joy!
01:22:34 What's in that green bottle?
01:22:36 Sauerkraut juice.
01:22:40 l like it.
01:22:58 Joy, what are you doing?
01:23:00 Slipping into something else.
01:23:29 Just a minute? l'll be right with you.
01:24:25 Nothing better for a dancer's feet.
01:24:30 Now we were talking
01:24:33 That's right, so we were.
01:24:35 Would you mind pouring a little more
01:24:39 Not at all.
01:24:41 You know it's amazing....
01:24:43 lt's just amazing how the average girl...
01:24:46 looks like nothing at all
01:24:48 and elaborate hairdos
01:24:53 you...
01:24:56 you, especially in this light,
01:25:00 a glow like
01:25:07 A painting of a dried-up old carrot.
01:25:17 Some day there's going to be a murder
01:25:48 You brought help this time.
01:25:50 No, we have enough trouble.
01:25:52 We're here to ask for your help.
01:25:55 Why didn't you say so? Here, have a drink.
01:25:59 -Oh, thank you very much.
01:26:02 Angele thinks that she has deceived me
01:26:07 But l know....
01:26:08 We have decided our only rival
01:26:10 Yes, of course. But what can l do?
01:26:13 -You could dismiss them, Nichols.
01:26:17 They will be much happier.
01:26:18 Would you promise to look after them...
01:26:20 cherish and protect them
01:26:23 l'm sorry, boys, but it took me a long time
01:26:28 You don't actually need Sybil and Angele.
01:26:30 You and Joy could do superbly,
01:26:35 Do you know what a dirty trick
01:26:38 -Contemptible.
01:26:39 But have you ever been in love?
01:26:42 Have l ever....
01:26:45 Have l ever....
01:26:49 That iceberg...
01:26:53 is sinking me in mid-ocean.
01:26:56 l still have the theater, you know.
01:26:59 Joy might rather like being
01:27:05 Then you will consider
01:27:08 Oh, no. That's too cruel. lt's....
01:27:13 You have a plan?
01:27:17 Have l a plan?
01:27:21 lt takes a rat to think like a rat.
01:27:25 Gentlemen, l give you Les Girls.
01:27:29 All but one.
01:27:33 Merci, madame.
01:27:37 -Hello, Barry.
01:27:40 Madame--
01:27:41 l don't know why you have to go...
01:27:43 on sulking like a spoiled 10-year-old boy.
01:27:46 -Barry, what is it?
01:27:49 -WHat's wrong?
01:27:52 -Twenty francs.
01:27:54 No. l'll see you at the theater.
01:34:13 Will you get me a glass of water?
01:34:14 There is something wrong. Tell me.
01:34:16 lf you just get me a glass of water
01:34:22 -Here now. Drink this.
01:34:24 Are you sick?
01:34:25 l'd rather not talk about it.
01:34:28 You're acting so strangely.
01:34:30 Frightening you is the last thing
01:34:33 Go on. Ìake your change, will you?
01:34:35 l guess l should've stopped dancing
01:34:38 What is it, Barry?
01:34:40 Please make your change,
01:34:42 Barry, you're not bothering me.
01:34:45 -Dozens.
01:34:46 -The same thing.
01:34:48 Now look. l don't want you to worry.
01:34:52 Go on, make your change.
01:34:54 lt's kind of ironical for someone
01:35:02 Barry, is it your heart?
01:35:05 l don't wanna talk about it.
01:35:06 But if you've known about it,
01:35:09 lt's my life, you know that.
01:35:12 Now don't get the idea
01:35:15 thrown out of work.
01:35:19 Naturally that does concern me.
01:35:23 l'm not a heel.
01:35:24 lt is your heart? lsn't it?
01:35:31 You've got to promise me
01:35:35 Swear you won't tell them. Swear it.
01:35:37 Oh, Barry. l swear it.
01:35:39 lf you don't want anyone to know
01:35:44 l swear it.
01:35:49 The awful part about it is...
01:35:50 he's been working every night
01:35:54 -Oh, no.
01:35:57 -lt's too dreadful.
01:36:01 Heart, but he wouldn't admit it.
01:36:04 l wondered why he'd given up
01:36:06 -And he's been so quiet lately.
01:36:09 Joy, l noticed, they've been trembling.
01:36:12 Poor, dear Barry. No onions.
01:36:15 There aren't many men
01:36:17 Not one.
01:36:19 You should've seen his eyes,
01:36:25 What are we going to do about it?
01:36:27 We can't let him kill himself just for us.
01:36:30 Joy, he's gotta believe
01:36:33 Don't say that, Sybil. l feel so guilty.
01:36:36 l know what l'm going to do.
01:36:39 Saturday l will quit.
01:36:43 Saturday. He's not gonna sacrifice
01:36:49 l'm proud of you.
01:36:52 l'm so proud of you.
01:36:54 We were so happy together.
01:36:58 Listen, tomorrow night
01:37:02 We'll give him a party and tell him then.
01:37:05 We'll have to make it a gay, happy party.
01:37:09 The last one, maybe, together.
01:37:13 And you must swear not
01:37:15 Well, really, Joy!
01:37:24 Well, it don't say ''Barry Nichols.''
01:37:27 You are dreadful. But we love you anyway.
01:37:29 lt's been a happy, happy year. Thank you.
01:37:34 Do l need to tell you?
01:37:40 -Let's have some champagne.
01:37:43 Champagne.
01:37:47 A man never had three finer kids.
01:37:53 A toast just for us.
01:37:55 -A toast.
01:37:59 Here, Joy. That's good luck. Good luck.
01:38:03 -To another year.
01:38:07 -Ìany, many happy years, Barry.
01:38:14 To Les Girls.
01:38:19 Ìy girls.
01:38:26 -Bonjour, Angele, you're very swell.
01:38:29 No! ''That's enough.''
01:38:33 Joy, Joy, don't be coy.
01:38:36 Hold up your glass.
01:38:37 lt's all l can do to hold up my head.
01:38:39 lt's all you can do to hold up
01:38:42 Sybil!
01:38:44 Sybil, Sybil, let's not quibble. Sybil.
01:38:46 All Sybil wants is little
01:38:50 So you're throwing me out.
01:38:51 You should, Barry. Angele?
01:38:53 Before you go, there is something
01:38:57 -You're gonna hate us, Barry.
01:39:00 The truth is...
01:39:02 we want to give up the theater.
01:39:06 -Are you kidding?
01:39:08 We've just lost the taste
01:39:12 And age isn't kind to dancers, you know.
01:39:17 Of course you're.... You're right, but...
01:39:20 l'd give up the act if you left me.
01:39:22 Barry, don't make us feel like deserters.
01:39:25 Let us go. Please.
01:39:31 How about you, Joy?
01:39:34 lf Sybil and Angele are giving up,
01:39:50 lf that's what you want
01:39:54 -Oh, Barry, you're so dear to us.
01:39:56 -So kind.
01:39:58 -Can you forgive us?
01:40:00 You should go now.
01:40:01 Oh, Barry, you're so sweet.
01:40:04 -So dear.
01:40:06 -So kind.
01:40:07 That's where we came in, girls.
01:40:09 Come along, Barry dear.
01:40:10 We do love you.
01:40:18 You can go to your Gerald,
01:40:22 Pierre is cold to me.
01:40:25 Ìy Gerald. l telephoned him this morning
01:40:30 Oh dear, l'm depressed again.
01:40:39 You didn't tell them, did you?
01:40:40 Oh, Barry, l gave you my word.
01:40:44 l'm sorry, Joy.
01:40:47 But one gets suspicious
01:40:52 You must get some rest now, dear.
01:40:57 Joy, l know this is a silly thing to ask but...
01:41:02 would you mind seeing me home?
01:41:05 l'm a little shaky over all this.
01:41:07 Of course, dear.
01:41:12 -Would you like to lean on me?
01:41:18 l'll go out on my own two feet.
01:41:52 All those pictures of me.
01:41:54 Yes, you're always with me.
01:41:57 l'm touched.
01:42:01 -Barry, let me do that, please.
01:42:03 Ìay l get your robe for you? ln here?
01:42:10 Please don't. l hate to be a bother.
01:42:12 You're such a sweet kid.
01:42:16 Get some sleep now, Barry.
01:42:18 Good night.
01:42:31 -Good night.
01:42:35 Well, just for a minute.
01:42:38 Where'd you get that dress?
01:42:42 l bought it for your party.
01:42:45 -How do you like that?
01:42:48 -lt's beautiful.
01:42:50 What is it? ls it silk?
01:42:52 No. Peau d'ange.
01:42:54 Peau d'ange. Angel skin.
01:42:57 lt sure feels like it.
01:42:59 -lt cost a fortune.
01:43:01 With this kind of a dress,
01:43:04 You smell good.
01:43:05 Oh, no, we mustn't.
01:43:08 A little excitement's not gonna do me
01:43:11 No, l'm responsible.
01:43:14 Who cares?
01:43:15 Remember what the doctor told you?
01:43:17 The doctor told me not to dance.
01:43:20 You mustn't exert yourself.
01:43:22 -You know that.
01:43:25 Don't make me run around tables.
01:43:27 lf you don't sit down and be calm,
01:43:31 Okay. Let me die if l want to.
01:43:34 Now, that's better.
01:43:35 You really don't know what's good for you.
01:43:37 l know what's good for me.
01:43:39 You don't know what's good for me.
01:43:42 -Would you like some water?
01:43:44 -You wanna soak your feet?
01:43:46 l'm being strong for your sake.
01:43:49 Joy, l wanna confess something.
01:43:52 -Swear not to tell.
01:43:56 All right, look,
01:43:59 l'm putting on an act.
01:44:01 Nothing wrong with you?
01:44:04 You made all that up?
01:44:05 Joy, are you sorry l'm not dying?
01:44:08 l only did it for Pierre and Gerald.
01:44:10 And the girls and ourselves, Joy.
01:44:12 And you swore me to secrecy
01:44:15 -Don't get excited.
01:44:18 Of all the low contemptible tricks....
01:44:19 Where's your sense of humor?
01:44:21 Cupid? You?
01:44:23 -You dirty old fake.
01:44:25 -Your heart? Ha, your heart!
01:44:29 When l think of what
01:44:32 Joy, please.
01:44:34 Please, Joy, because if l....
01:44:48 Joy! Wait! Please.
01:44:53 Joy, l wanna tell you that l love you.
01:44:57 l love you.
01:45:01 l love you!
01:45:02 Joy, l love you! Do you hear me?
01:45:04 Everyone in Paris can hear you. Go home.
01:45:06 l wanna see you. l wanna apologize.
01:45:11 l'm gonna stay here all night
01:45:14 l love you.
01:45:16 You Americans. ln the name of peace,
01:45:19 Let decent people sleep.
01:45:29 Joy, please.
01:45:44 Joy!
01:45:55 Angele!
01:46:17 Sybil!
01:46:26 That's what happened.
01:46:27 Both girls were lying on the floor
01:46:30 -Both of them?
01:46:32 We got them to the hospital
01:46:35 But we never got together again.
01:46:37 That was the end of Les Girls.
01:46:39 Ìr. Nichols do you mean
01:46:42 that both of these ladies
01:46:50 Why, no, sir.
01:46:51 Neither of them attempted suicide.
01:46:54 -Neither?
01:46:57 You see, the connection on that
01:47:00 When the girls recovered
01:47:04 naturally they each thought
01:47:09 And that is the truth?
01:47:12 Your Lordship, l'm under oath.
01:47:15 Thank you, Ìr. Nichols, that will be all.
01:47:23 ln view of what we have just heard...
01:47:26 the counsel may wish to reconsider
01:47:35 Ìadam Ducros came into court
01:47:37 not for monetary consideration.
01:47:39 l don't think that my learned friend
01:47:42 if l move for withdrawal of this case.
01:47:45 The Defense does not object, Ìy Lord.
01:47:48 Ìembers of the jury, it seems that you
01:47:53 Thank you. You are excused.
01:48:00 -What a beastly trick.
01:48:03 -l wanted you.
01:48:05 -You've ruined my career.
01:48:07 Don't speak to me!
01:48:08 Forgive me, little angel.
01:48:18 Sybil.
01:48:20 Now, we will be sued.
01:48:33 Oh, darling.
01:48:36 -l was a fool!
01:48:39 No, l hate myself.
01:48:40 -Darling, my darling.
01:48:54 l was sitting in the back of the courtroom.
01:48:57 -You were very good.
01:48:59 l did what anyone
01:49:01 l told the truth.
01:49:04 Don't you believe that?
01:49:05 Barry, we came to save their marriages,
01:49:09 What do you mean ''was''?
01:49:11 Sybil and Angele couldn't have invented
01:49:14 There must've been some truth
01:49:17 -l remember. l can think right...
01:49:34 English