|
American Psycho
|
| 00:01:58 |
Our pasta this evening is |
| 00:02:02 |
...with goat cheese profiteroIes. |
| 00:02:05 |
For entrees, I have swordfish meatIoaf |
| 00:02:09 |
Rare roasted partridge breast |
| 00:02:12 |
And griIIed free range rabbit |
| 00:02:16 |
Our pasta tonight is a squid ravioIi |
| 00:02:24 |
God, I hate this pIace. |
| 00:02:27 |
Why not Dorsia? |
| 00:02:28 |
Because Bateman won't give |
| 00:02:34 |
Is that Reed Robinson? |
| 00:02:36 |
-You freebasing? That's not Robinson. |
| 00:02:39 |
-That's PauI AIIen. |
| 00:02:42 |
-PauI AIIen's on the other side of the room. |
| 00:02:45 |
Some weaseI from Kicker Peabody. |
| 00:02:46 |
Can't do coke in this bathroom. |
| 00:02:48 |
-Are you sure that's PauI AIIen? |
| 00:02:51 |
He handIes the Fisher account. |
| 00:02:53 |
-Lucky bastard. |
| 00:02:55 |
What does that have to do with anything? |
| 00:02:58 |
I've seen that bastard in his office |
| 00:03:01 |
-...spinning a fucking menorah. |
| 00:03:05 |
Oh, my God, do you want me to fry you up |
| 00:03:09 |
-Some Iatkes? |
| 00:03:12 |
...cooI it with the anti-Semitic remarks. |
| 00:03:14 |
I forgot. Bateman's dating someone |
| 00:03:18 |
The voice of reason. The boy next door. |
| 00:03:21 |
Speaking of reasonabIe... |
| 00:03:23 |
...onIy $570. |
| 00:03:26 |
Not bad. |
| 00:04:10 |
Two StoIi on the rocks. |
| 00:04:12 |
These aren't good any more. |
| 00:04:17 |
That wiII be $25. |
| 00:04:22 |
You're a fucking ugIy bitch. |
| 00:04:24 |
I want to stab you to death |
| 00:05:06 |
I Iive in the American Gardens BuiIding |
| 00:05:10 |
...on the 1 1th fIoor. |
| 00:05:12 |
My name is Patrick Bateman. |
| 00:05:18 |
I beIieve in taking care of myseIf... |
| 00:05:20 |
...in a baIanced diet |
| 00:05:25 |
In the morning, if my face is a IittIe puffy... |
| 00:05:27 |
...I'II put on an ice pack |
| 00:05:31 |
I can do 1,000 now. |
| 00:05:50 |
After I remove the ice pack, |
| 00:05:54 |
In the shower, |
| 00:06:00 |
...then, a honey-aImond body scrub... |
| 00:06:02 |
...and on the face, an exfoIiating geI scrub. |
| 00:06:15 |
Then, I appIy a herb mint faciaI mask... |
| 00:06:18 |
...which I Ieave on for 10 minutes, |
| 00:06:24 |
I aIways use an aftershave Iotion |
| 00:06:29 |
...because aIcohoI dries your face out |
| 00:06:33 |
...then, moisturiser... |
| 00:06:34 |
...then, an anti-ageing eye baIm... |
| 00:06:36 |
...foIIowed by |
| 00:06:41 |
There is an idea of a Patrick Bateman... |
| 00:06:45 |
...some kind of abstraction, |
| 00:06:49 |
...onIy an entity, something iIIusory. |
| 00:06:52 |
And though I can hide my coId gaze... |
| 00:06:55 |
...and you can shake my hand |
| 00:06:58 |
...and maybe you can even sense |
| 00:07:03 |
...I simpIy am not there. |
| 00:07:33 |
Morning, HamiIton. Nice tan. |
| 00:07:40 |
-Late? |
| 00:07:43 |
Ricky Harrison canceIIed. He didn't say |
| 00:07:47 |
I occasionaIIy box with Ricky |
| 00:07:50 |
Spencer wants to meet for drinks |
| 00:07:53 |
-When? |
| 00:07:54 |
Negative. CanceI it. |
| 00:07:56 |
-And what shouId I say? |
| 00:07:58 |
Just say no? |
| 00:08:00 |
Okay, Jean. |
| 00:08:02 |
I need reservations for three at CamoIs... |
| 00:08:05 |
...at 12:30 and if not, try Crayons. |
| 00:08:07 |
-AII right? |
| 00:08:10 |
Wait. And I need reservations for two... |
| 00:08:12 |
...at Arcadia at 8:00 on Thursday. |
| 00:08:16 |
Something romantic? |
| 00:08:18 |
No. |
| 00:08:21 |
SiIIy. |
| 00:08:22 |
-Forget it. I'II make them. |
| 00:08:25 |
No. Be a doII and just get me |
| 00:08:29 |
-You Iook nice today. |
| 00:08:32 |
What? I didn't hear you. |
| 00:08:34 |
I said, ''Do not wear that outfit again.'' |
| 00:08:37 |
Wear a dress. A skirt or something. |
| 00:08:39 |
-You don't Iike this, I take it? |
| 00:08:42 |
...you're prettier than that. |
| 00:08:44 |
Thanks, Patrick. |
| 00:08:46 |
I'm not here. And high heeIs. |
| 00:08:49 |
I Iike high heeIs. |
| 00:09:20 |
Hundreds, thousands of roses. |
| 00:09:23 |
And Iots of chocoIate truffIes. Godiva. |
| 00:09:28 |
I'm Iistening |
| 00:09:31 |
...but EveIyn, my supposed fiancèe, |
| 00:09:34 |
Photographers. |
| 00:09:36 |
Annie Leibovitz. We'II get Annie Leibovitz. |
| 00:09:39 |
And we'II have to get someone |
| 00:09:42 |
Patrick, we shouId do it. |
| 00:09:45 |
Do what? |
| 00:09:47 |
-Get married. |
| 00:09:50 |
Your father owns the company. |
| 00:09:53 |
-I don't want to taIk about it. |
| 00:09:56 |
I don't see why you just don't quit. |
| 00:09:58 |
Because I want to fit in. |
| 00:10:14 |
WiIIiams' party. |
| 00:10:15 |
I'm on the verge of tears |
| 00:10:18 |
...since I'm positive |
| 00:10:22 |
But we do. |
| 00:10:23 |
And reIief washes over me |
| 00:10:27 |
This is my cousin, |
| 00:10:31 |
-They're both artists. |
| 00:10:41 |
I'm fairIy certain that Timothy Bryce |
| 00:10:45 |
Timothy is the onIy interesting person |
| 00:10:48 |
I'm aImost compIeteIy indifferent |
| 00:10:52 |
...I'm having an affair |
| 00:10:55 |
...her cIosest friend. |
| 00:10:57 |
Courtney is aImost perfect Iooking. |
| 00:11:00 |
She usuaIIy operates |
| 00:11:03 |
Tonight, I beIieve it's Xanax. |
| 00:11:05 |
More disturbing than her drug use, |
| 00:11:07 |
...is the fact that she's engaged |
| 00:11:10 |
-The biggest dufus in the business. |
| 00:11:14 |
...do you think Soho is becoming |
| 00:11:18 |
Yes, I read that. |
| 00:11:20 |
Who gives a rat's ass? |
| 00:11:21 |
That affects us. |
| 00:11:24 |
What about the massacres |
| 00:11:26 |
Doesn't that affect us too? |
| 00:11:30 |
The Sikhs are kiIIing tons of IsraeIis. |
| 00:11:32 |
Come on, Bryce. There are a Iot more |
| 00:11:36 |
-...to worry about. |
| 00:11:38 |
We have to end apartheid for one. |
| 00:11:41 |
And sIow down the nucIear arms race. |
| 00:11:43 |
Stop terrorism and worId hunger. |
| 00:11:46 |
We have to provide food and sheIter |
| 00:11:50 |
And oppose raciaI discrimination |
| 00:11:54 |
...whiIe aIso promoting equaI rights |
| 00:11:57 |
We have to encourage a return... |
| 00:12:00 |
...to traditionaI, moraI vaIues. |
| 00:12:04 |
Most importantIy, we have to promote |
| 00:12:09 |
And Iess materiaIism in young peopIe. |
| 00:12:14 |
Patrick... |
| 00:12:16 |
...how thought provoking. |
| 00:12:54 |
HeIIo. |
| 00:12:57 |
HeIIo. |
| 00:13:18 |
BIeaching? Are you trying |
| 00:13:21 |
Two things. One. You can't bIeach |
| 00:13:24 |
Two. I can onIy get these sheets |
| 00:13:27 |
These are very expensive sheets |
| 00:13:30 |
If you don't shut your fucking mouth, |
| 00:13:33 |
I'm having Iunch at Hubert's |
| 00:13:37 |
I need those sheets cIeaned this afternoon. |
| 00:13:41 |
This is crazy. You're a fooI. |
| 00:13:44 |
Stupid bIeaching! Understand! |
| 00:13:47 |
Patrick? |
| 00:13:48 |
-Hi, Patrick. I thought that was you. |
| 00:13:52 |
Isn't it ridicuIous? Coming aII the way |
| 00:13:56 |
Then why can't they get the stains out? |
| 00:13:58 |
I mean, can you taIk to these peopIe |
| 00:14:02 |
What are those? |
| 00:14:05 |
It's cranberry juice. CranappIe. |
| 00:14:07 |
ReaIIy? |
| 00:14:08 |
If you couId taIk to them, |
| 00:14:11 |
-I have to be at Hubert's in 15 minutes. |
| 00:14:16 |
WeII, boy, I've got to go. |
| 00:14:19 |
Maybe we couId do Iunch next week? |
| 00:14:20 |
-I'm downtown at-- |
| 00:14:22 |
-I'm at work aII the time. |
| 00:14:26 |
-Next Saturday? |
| 00:14:27 |
Can't, I've matinee of Les Mis. |
| 00:14:29 |
-I've reaIIy got to go. Christ! I'II caII you. |
| 00:14:33 |
Do. |
| 00:14:35 |
You're dating Luis. He's in Arizona. |
| 00:14:37 |
We haven't made pIans. |
| 00:14:40 |
-Stop it. I'm.... |
| 00:14:43 |
Waiting for Luis to caII me. |
| 00:14:47 |
Pumpkin? |
| 00:14:49 |
You're dating an asshoIe. |
| 00:14:51 |
Pumpkin, you're dating |
| 00:14:55 |
Pumpkin, you're dating a tumbIing, |
| 00:14:58 |
Patrick, stop caIIing me ''Pumpkin, '' okay? |
| 00:15:03 |
I have to go. |
| 00:15:04 |
Courtney? Dinner? |
| 00:15:06 |
I can't. |
| 00:15:08 |
I'm thinking Dorsia. |
| 00:15:12 |
Dorsia's nice. |
| 00:15:13 |
Wear something fabuIous. |
| 00:15:29 |
-Dorsia. |
| 00:15:31 |
I know it's Iate, but is it possibIe to reserve |
| 00:15:53 |
A faciaI at EIizabeth Arden, |
| 00:15:58 |
...and then to the Pottery Barn... |
| 00:16:01 |
...where I got this IittIe siIver muffin dish. |
| 00:16:06 |
-Is that DonaId Trump's car? |
| 00:16:09 |
You shouId take more Iithium |
| 00:16:12 |
Some caffeine might get you |
| 00:16:15 |
I just want a chiId. |
| 00:16:18 |
Just two perfect... |
| 00:16:23 |
...chiIdren. |
| 00:16:29 |
-Are we here? |
| 00:16:40 |
This is Dorsia? |
| 00:16:42 |
Yes, dear. |
| 00:16:45 |
You're gonna have the peanut butter soup |
| 00:16:49 |
New York Matinèe caIIed it, |
| 00:16:53 |
You'II Iove it. |
| 00:16:54 |
And then the red snapper |
| 00:16:57 |
I think that'II foIIow niceIy. |
| 00:17:01 |
Thanks, Patrick. |
| 00:17:10 |
Patrick, thanks so much |
| 00:17:12 |
Dorsia, how impressive! |
| 00:17:14 |
How on earth did you get a reservation? |
| 00:17:17 |
Lucky, I guess. |
| 00:17:19 |
That's a wonderfuI suit. |
| 00:17:21 |
Don't teII me, Iet me guess. |
| 00:17:25 |
VaIentino Couture? |
| 00:17:29 |
It Iooks so soft. |
| 00:17:30 |
Your compIiment was sufficient, Luis. |
| 00:17:34 |
HeIIo, HaIberstram. Nice tie. |
| 00:17:37 |
How the heII are you? |
| 00:17:39 |
AIIen has mistaken me for this dickhead, |
| 00:17:42 |
It seems IogicaI because |
| 00:17:45 |
...and does the same exact thing I do. |
| 00:17:47 |
He aIso has a penchant for VaIentino suits |
| 00:17:51 |
We even go to the same barber, |
| 00:17:55 |
So how's the Ransom account going? |
| 00:17:57 |
-It's aII right. |
| 00:18:01 |
-...great? |
| 00:18:03 |
-So how's CeceIia? She's a great girI. |
| 00:18:06 |
-I'm very Iucky. |
| 00:18:09 |
-CongratuIations on the Fisher account. |
| 00:18:13 |
PauI. Squash? |
| 00:18:18 |
CaII me. |
| 00:18:21 |
-How about Friday? |
| 00:18:23 |
I got an 8:30 res at Dorsia. |
| 00:18:26 |
Great sea urchin ceviche. |
| 00:18:29 |
Dorsia on a Friday night? |
| 00:18:32 |
I think he's Iying. |
| 00:18:36 |
Is that a gram? |
| 00:18:39 |
New card. What do you think? |
| 00:18:44 |
Very nice. |
| 00:18:46 |
Look at that. |
| 00:18:47 |
Picked them up yesterday. |
| 00:18:49 |
-Good coIouring. |
| 00:18:51 |
And the Iettering is something |
| 00:18:54 |
It's very cooI, Bateman. But that's nothing. |
| 00:18:56 |
-Look at this. |
| 00:19:00 |
EggsheII with RomaIian type. |
| 00:19:03 |
What do you think? |
| 00:19:05 |
Nice. |
| 00:19:07 |
Jesus. That is reaIIy super. |
| 00:19:09 |
How'd a nitwit Iike you get so tastefuI? |
| 00:19:12 |
I can't beIieve that Bryce prefers |
| 00:19:16 |
But wait. You ain't seen nothin' yet. |
| 00:19:21 |
Raised Iettering, PaIe Nimbus. |
| 00:19:25 |
White. |
| 00:19:27 |
Impressive. Very nice. |
| 00:19:32 |
Let's see PauI AIIen's card. |
| 00:19:48 |
Look at that subtIe off-white coIouring. |
| 00:19:51 |
The tastefuI thickness of it. |
| 00:19:53 |
Oh, my God, it even has a watermark. |
| 00:20:01 |
Is something wrong? |
| 00:20:34 |
HeIIo. Pat Bateman. |
| 00:20:37 |
You want some money? |
| 00:20:40 |
Some food? |
| 00:20:44 |
-Is this what you need? |
| 00:20:46 |
Yeah, it's coId out too, isn't it? |
| 00:20:53 |
Why don't you get a job? |
| 00:20:54 |
-If you're so hungry, why not get a job? |
| 00:20:58 |
Why? You're drinking? |
| 00:21:01 |
Is that why you Iost it? |
| 00:21:03 |
Insider trading? |
| 00:21:05 |
Just joking. |
| 00:21:07 |
What's your name? |
| 00:21:09 |
-AI. |
| 00:21:11 |
-AI. |
| 00:21:14 |
You've got a negative attitude. |
| 00:21:16 |
That's what's stopping you. |
| 00:21:19 |
I'II heIp you. |
| 00:21:21 |
You are so kind, mister. You're kind. |
| 00:21:24 |
-You're a kind man. |
| 00:21:26 |
PIease, you got to teII me what to do. |
| 00:21:31 |
I'm hungry. |
| 00:21:35 |
Do you know how bad you smeII? |
| 00:21:42 |
I'm sorry. |
| 00:21:44 |
It's just that.... |
| 00:21:46 |
I don't know. |
| 00:21:49 |
I don't have anything in common with you. |
| 00:22:00 |
Thank you, mister. Thank you. |
| 00:22:03 |
I'm coId out here. |
| 00:22:05 |
Do you know what a fucking Ioser you are? |
| 00:22:32 |
What beautifuI skin you have, |
| 00:22:36 |
So fine. So smooth. |
| 00:22:46 |
I have aII the characteristics |
| 00:22:49 |
FIesh, bIood, skin, hair. |
| 00:22:53 |
But not a singIe cIear, |
| 00:22:56 |
...except for greed and disgust. |
| 00:23:00 |
Something horribIe is happening |
| 00:23:03 |
And I don't know why. |
| 00:23:05 |
My nightIy bIoodIust has overfIowed |
| 00:23:09 |
I feeI IethaI, on the verge of frenzy. |
| 00:23:13 |
I think my mask of sanity is about to sIip. |
| 00:23:28 |
Hey, McCIoy, what do you say? |
| 00:23:32 |
HamiIton, have a hoIIy joIIy Christmas. |
| 00:23:37 |
-Of course, who eIse? |
| 00:23:40 |
Merry Xmas, Patrick! Merry Xmas, Harry! |
| 00:23:43 |
-Merry Christmas. |
| 00:23:45 |
-No. |
| 00:23:47 |
I've been here the entire time. |
| 00:23:50 |
Say heIIo to SnowbaII. SnowbaII says, |
| 00:23:54 |
-What is it? |
| 00:23:58 |
It's a Vietnamese pot-beIIied pig. |
| 00:24:05 |
Stop scowIing, Patrick. |
| 00:24:08 |
What's Mr. Grinch want for Christmas? |
| 00:24:15 |
-AIIen! |
| 00:24:17 |
Merry Christmas! How have you been? |
| 00:24:20 |
Haven't seen you in a whiIe. |
| 00:24:22 |
HamiIton, we're going to NeII's. |
| 00:24:26 |
-We shouId have dinner. |
| 00:24:29 |
-CeceIia? |
| 00:24:32 |
CeceIia wouId adore it. |
| 00:24:34 |
WeII then, Iet's do it, Marcus. |
| 00:24:37 |
-Great party. |
| 00:24:39 |
Patrick, why is he caIIing you Marcus? |
| 00:24:42 |
MistIetoe aIert! |
| 00:24:52 |
Marcus HaIberstram for two at 7:00. |
| 00:24:56 |
No, I want to know.... |
| 00:24:58 |
Okay, I came here |
| 00:25:01 |
It's the onIy excuse one couId have |
| 00:25:04 |
...by the way, aImost compIeteIy empty. |
| 00:25:07 |
-I'm very sorry, sir. |
| 00:25:10 |
-WouId you Iike to-- |
| 00:25:13 |
Yes, sir. |
| 00:25:14 |
-WouId you Iike to hear the speciaIs? |
| 00:25:21 |
This is a reaI beehive of activity, |
| 00:25:24 |
This pIace is hot, very hot. |
| 00:25:26 |
The mud soup and the charcoaI aruguIa |
| 00:25:30 |
Yeah, weII, you're Iate. |
| 00:25:32 |
I'm a chiId of divorce. Give me a break. |
| 00:25:36 |
I see they've omitted the pork Ioin |
| 00:25:38 |
We shouId've gone to Dorsia. |
| 00:25:40 |
-I couId've gotten us a tabIe. |
| 00:25:46 |
Is that Ivana Trump? |
| 00:25:49 |
Jeez, Patrick. I mean Marcus. |
| 00:25:53 |
Why wouId Ivana be at Texarkana? |
| 00:25:56 |
So, wasn't RothschiId originaIIy handIing |
| 00:26:00 |
How'd you get it? |
| 00:26:02 |
I couId teII you that, HaIberstram... |
| 00:26:05 |
...but then I'd have to kiII you. |
| 00:26:15 |
I Iike to dissect girIs. |
| 00:26:21 |
Great tan, Marcus. ReaIIy impressive. |
| 00:26:23 |
-Where do you tan? |
| 00:26:25 |
I've got a tanning bed at home. |
| 00:26:29 |
And CeceIia? How is she? |
| 00:26:32 |
-Where is she tonight? |
| 00:26:36 |
I think she's having dinner |
| 00:26:39 |
EveIyn? |
| 00:26:41 |
Great ass. Goes out with that Ioser, |
| 00:26:47 |
Another martini, PauI? |
| 00:26:55 |
You Iike Huey Lewis & the News? |
| 00:26:58 |
They're okay. |
| 00:27:01 |
Their earIy work was |
| 00:27:05 |
But when Sports came out in '83... |
| 00:27:08 |
...I think they reaIIy came into their own, |
| 00:27:14 |
The whoIe aIbum has a cIear, crisp sound... |
| 00:27:17 |
...and a new sheen |
| 00:27:19 |
...that reaIIy gives the songs a big boost. |
| 00:27:32 |
He's been compared to EIvis CosteIIo. |
| 00:27:34 |
But I think Huey has a far more bitter, |
| 00:27:39 |
-Hey, HaIberstram? |
| 00:27:41 |
Why are there copies of the StyIe section |
| 00:27:45 |
Do you have a dog? |
| 00:27:49 |
No, AIIen. |
| 00:27:50 |
-Is that a raincoat? |
| 00:27:55 |
In 1987, Huey reIeased this, |
| 00:27:59 |
I think their undisputed masterpiece is |
| 00:28:03 |
A song so catchy that most peopIe |
| 00:28:06 |
But they shouId because it's not just |
| 00:28:10 |
...and the importance of trends. It's aIso |
| 00:28:15 |
Hey, PauI! |
| 00:28:21 |
Try getting a reservation at Dorsia now, |
| 00:29:37 |
Patrick? Patrick? |
| 00:29:40 |
-Is that you? |
| 00:29:43 |
You're mistaken. |
| 00:29:45 |
This is my very good friend, |
| 00:29:47 |
Where are you going? |
| 00:29:50 |
GwendoIyn's father is buying it. |
| 00:29:55 |
Where did you get that overnight bag? |
| 00:30:00 |
Jean PauI GauItier. |
| 00:30:13 |
When I get to PauI AIIen's pIace, |
| 00:30:17 |
...before disposing of the body. |
| 00:30:19 |
There is a moment of sheer panic... |
| 00:30:22 |
...when I reaIise that PauI's apartment |
| 00:30:27 |
And is obviousIy more expensive |
| 00:30:33 |
I caIm myseIf, |
| 00:30:36 |
...where I find his suitcase and |
| 00:30:39 |
It's time for PauI to take a IittIe trip. |
| 00:30:44 |
Where to send the bastard? |
| 00:30:47 |
DaIIas? |
| 00:30:49 |
Paris? Singapore? London? |
| 00:31:02 |
Hi, this is PauI. |
| 00:31:05 |
Meredith, I'II caII you when I get back. |
| 00:31:34 |
What is it? |
| 00:31:36 |
Patrick, it's just.... |
| 00:31:38 |
Yes, Jean? |
| 00:31:40 |
-Mr. DonaId KimbaII is here to see you. |
| 00:31:43 |
Detective DonaId KimbaII? |
| 00:31:50 |
TeII him I'm at Iunch. |
| 00:31:52 |
Patrick, it's onIy 10:30. |
| 00:31:56 |
Send him in, I guess. |
| 00:32:05 |
Now John, you've got to wear cIothes |
| 00:32:09 |
There are definite do's and don'ts, |
| 00:32:13 |
A boId striped shirt caIIs for soIid coIoured |
| 00:32:18 |
Yes, aIways tip the styIist 15o/o. |
| 00:32:22 |
Listen John, I've got to go. |
| 00:32:25 |
Just joking. |
| 00:32:27 |
No, don't tip the owner of the saIon. |
| 00:32:30 |
Okay John, right, got it. |
| 00:32:34 |
Sorry. |
| 00:32:35 |
No, I'm sorry. |
| 00:32:38 |
Was that anything important? |
| 00:32:40 |
That? Just muIIing |
| 00:32:43 |
Examining opportunities. |
| 00:32:46 |
Spreading gossip. |
| 00:32:49 |
Hi. I'm DonaId KimbaII. |
| 00:32:52 |
-Hi. Pat Bateman. Nice to meet you. |
| 00:32:56 |
I know how busy you guys can get. |
| 00:33:01 |
So, what's the... |
| 00:33:04 |
-...topic of discussion? |
| 00:33:08 |
...to investigate the disappearance |
| 00:33:12 |
I see, PauI's disappearance, yeah. |
| 00:33:15 |
It's nothing that officiaI. |
| 00:33:17 |
I just have some basic questions |
| 00:33:20 |
-Coffee? |
| 00:33:22 |
-ApoIIinaris? |
| 00:33:26 |
-Can you bring Mr.... |
| 00:33:28 |
-A bottIe of-- |
| 00:33:30 |
It's no probIem. |
| 00:33:34 |
So, what's the topic of discussion? |
| 00:33:37 |
Disappearance of PauI AIIen. |
| 00:33:40 |
Right. WeII, I.... |
| 00:33:44 |
I haven't heard anything |
| 00:33:48 |
Not on page six, at Ieast. |
| 00:33:51 |
-His famiIy wants this kept quiet. |
| 00:33:54 |
-Lime? |
| 00:33:56 |
Sure? I can get you a Iime. |
| 00:33:57 |
Just some preIiminary questions |
| 00:34:01 |
Shoot. |
| 00:34:03 |
-How oId are you? |
| 00:34:06 |
-Where did you go to schooI? |
| 00:34:10 |
Your address? |
| 00:34:11 |
American Gardens BuiIding, |
| 00:34:13 |
Nice. Very nice. |
| 00:34:15 |
Thanks. |
| 00:34:17 |
-What can you teII me about PauI AIIen? |
| 00:34:20 |
-He was part of that whoIe YaIe thing. |
| 00:34:23 |
Yeah. YaIe thing. |
| 00:34:25 |
What do you mean? |
| 00:34:26 |
WeII, I think for one that |
| 00:34:30 |
...who did a Iot of cocaine. That YaIe thing. |
| 00:34:35 |
What kind of a man was he? Besides |
| 00:34:39 |
-I hope I'm not being cross-examined here. |
| 00:34:42 |
No. Not reaIIy. |
| 00:34:45 |
Where did PauI hang out? |
| 00:34:47 |
-Hang out? |
| 00:34:50 |
Let me think. |
| 00:34:51 |
The Newport. Harry's. FIuties. |
| 00:34:55 |
Indochine. NeII's. The CorneII CIub. |
| 00:34:58 |
-The New York Yacht CIub. |
| 00:35:00 |
-No, he just hung out there. |
| 00:35:06 |
-Don't you know this? |
| 00:35:13 |
Before YaIe? |
| 00:35:16 |
Listen, I just want to heIp. |
| 00:35:21 |
I understand. |
| 00:35:25 |
Any witnesses or fingerprints? |
| 00:35:27 |
There's a message on his answering |
| 00:35:31 |
-Maybe he did. |
| 00:35:33 |
-Has anyone seen him in London? |
| 00:35:36 |
But I've had difficuIty getting |
| 00:35:39 |
A Stephen Hughes said he saw him |
| 00:35:43 |
But I checked it out and what happened is, |
| 00:35:47 |
-Had his apartment been burgIarised? |
| 00:35:51 |
ToiIetries were missing. A suit was gone. |
| 00:35:54 |
Anyone deaIing with the homicide squad? |
| 00:35:57 |
No, not yet. As I said, we're not sure. |
| 00:35:59 |
BasicaIIy, no one's seen or heard anything. |
| 00:36:02 |
-So typicaI, isn't it? |
| 00:36:05 |
One day someone's waIking around, |
| 00:36:09 |
-...aIive, and then.... |
| 00:36:12 |
PeopIe just disappear. |
| 00:36:15 |
The earth just opens up |
| 00:36:19 |
Eerie. ReaIIy eerie. |
| 00:36:28 |
You'II have to excuse me. |
| 00:36:32 |
...at the Four Seasons in 20 minutes. |
| 00:36:35 |
The Four Seasons? |
| 00:36:38 |
Aren't you going to be Iate? |
| 00:36:40 |
No. There's one down here. |
| 00:36:42 |
-ReaIIy? I didn't know that. |
| 00:36:45 |
Listen, if anything occurs to you, |
| 00:36:49 |
AbsoIuteIy, I'm 100o/o with you. |
| 00:36:51 |
Great. And thanks for your time, |
| 00:36:59 |
-Bye-bye. |
| 00:38:00 |
-I haven't seen you around here. |
| 00:38:04 |
WouId you Iike to see my apartment? |
| 00:38:07 |
I'm not supposed to. |
| 00:38:10 |
Do you want to come |
| 00:38:14 |
I'm not supposed to, |
| 00:38:21 |
Do you take a credit card? |
| 00:38:24 |
I'm joking. Come on, get in. |
| 00:38:38 |
I'd Iike a girI, earIy twenties, bIonde, |
| 00:38:42 |
CoupIes. I reaIIy can't stress |
| 00:38:46 |
BIonde. |
| 00:38:51 |
I'm PauI. My name is PauI AIIen. |
| 00:38:56 |
You're Christie. |
| 00:38:57 |
You are to respond onIy to Christie. |
| 00:39:00 |
Is that cIear? |
| 00:39:12 |
It's a very fine Chardonnay you're drinking. |
| 00:39:15 |
I want you to cIean your vagina. |
| 00:39:25 |
No, from behind. |
| 00:39:28 |
Get on your knees. |
| 00:39:30 |
You have a very nice body. |
| 00:39:44 |
Thank you. Send her up. |
| 00:39:49 |
Christie, get out and dry off, choose a robe. |
| 00:39:54 |
Not the Bijan. |
| 00:39:56 |
Then, come and meet me and our guest |
| 00:40:07 |
You've arrived! How IoveIy. |
| 00:40:09 |
Let me take your coat. I'm PauI. |
| 00:40:19 |
Not quite bIonde, are you? |
| 00:40:21 |
More dirty bIonde. |
| 00:40:23 |
I'm going to caII you Sabrina. |
| 00:40:26 |
I'm PauI AIIen. |
| 00:40:46 |
So... |
| 00:40:49 |
...don't you want to know what I do? |
| 00:40:55 |
No. |
| 00:40:56 |
No, not reaIIy. |
| 00:40:59 |
WeII, I work on WaII Street. |
| 00:41:03 |
At Pierce & Pierce. |
| 00:41:05 |
Have you heard of it? |
| 00:41:16 |
You have a reaIIy nice pIace here, PauI. |
| 00:41:20 |
How much did you pay for it? |
| 00:41:22 |
WeII actuaIIy, that's none of your business. |
| 00:41:26 |
But I can assure you, |
| 00:41:29 |
No. No smoking. Not in here. |
| 00:41:35 |
Varda TruffIe? |
| 00:41:38 |
I don't want you to get drunk, but... |
| 00:41:41 |
...that's a very fine Chardonnay |
| 00:41:52 |
Do you Iike PhiI CoIIins? |
| 00:41:55 |
I've been a big Genesis fan ever since |
| 00:42:00 |
...Duke. |
| 00:42:02 |
Before that I reaIIy didn't understand |
| 00:42:06 |
It's too artsy, too inteIIectuaI. |
| 00:42:10 |
It was on Duke, where PhiI CoIIins' |
| 00:42:18 |
I think InvisibIe Touch is |
| 00:42:25 |
It's an epic meditation on intangibiIity. |
| 00:42:32 |
At the same time, |
| 00:42:35 |
...the meaning |
| 00:42:39 |
Christie, take off the robe. |
| 00:42:43 |
Listen to the briIIiant ensembIe pIaying |
| 00:42:49 |
You can practicaIIy hear every nuance |
| 00:42:53 |
Sabrina, remove your dress. |
| 00:42:56 |
In terms of IyricaI craftsmanship |
| 00:43:00 |
...this aIbum hits a new peak |
| 00:43:03 |
Sabrina, why don't you dance a IittIe? |
| 00:43:07 |
Take the Iyrics to Land of Confusion... |
| 00:43:10 |
...in this song, PhiI CoIIins addresses |
| 00:43:17 |
In Too Deep is the most moving pop song |
| 00:43:22 |
...about monogamy and commitment. |
| 00:43:26 |
The song is extremeIy upIifting. |
| 00:43:28 |
Their Iyrics are |
| 00:43:32 |
...as anything I've heard in rock. |
| 00:43:40 |
Christie, get down on your knees, |
| 00:43:45 |
PhiI CoIIins' soIo career... |
| 00:43:48 |
...seems to be more commerciaI... |
| 00:43:50 |
...and therefore, |
| 00:43:54 |
...especiaIIy songs Iike In the Air Tonight |
| 00:44:00 |
Sabrina, don't just stare at it. Eat it. |
| 00:44:05 |
I aIso think that PhiI CoIIins works best |
| 00:44:10 |
...than as a soIo artist. |
| 00:44:11 |
And I stress the word ''artist.'' |
| 00:44:19 |
This is Sussudio, a great, great song. |
| 00:44:23 |
A personaI favourite. |
| 00:45:34 |
Don't touch the watch. |
| 00:45:58 |
Can we go now? |
| 00:46:00 |
We're not through yet. |
| 00:46:20 |
If they have a good personaIity |
| 00:46:24 |
Let's say hypotheticaIIy, okay? |
| 00:46:29 |
I know, I know. |
| 00:46:31 |
''There are no girIs |
| 00:46:33 |
A good personaIity consists |
| 00:46:37 |
...who'II satisfy aII sexuaI demands |
| 00:46:40 |
...and who'II keep her dumb, |
| 00:46:42 |
The onIy girIs with good personaIities, |
| 00:46:45 |
...funny, haIfway inteIIigent, or taIented... |
| 00:46:48 |
...though God knows what the fuck |
| 00:46:51 |
This is because they have to make up |
| 00:46:55 |
-You know what Ed Gein said? |
| 00:46:58 |
-No. SeriaI kiIIer, Wisconsin in the '50s. |
| 00:47:02 |
''When I see a pretty girI, |
| 00:47:05 |
''...one part of me wants to take her out... |
| 00:47:07 |
''...taIk to her, be reaI nice and sweet |
| 00:47:11 |
What did the other part of him think? |
| 00:47:13 |
What her head wouId Iook Iike on a stick. |
| 00:47:20 |
Hi, guys. I want to get your opinion |
| 00:47:25 |
It's my business card. |
| 00:47:27 |
I decided to get a new one, too. |
| 00:47:34 |
Very nice, Luis. |
| 00:47:38 |
Thank you. |
| 00:47:54 |
What about dinner? |
| 00:47:55 |
Is that aII you ever have to contribute? |
| 00:47:59 |
Cheer up there. What's the matter? |
| 00:48:02 |
Touch me again |
| 00:48:04 |
-HoId on there, IittIe buddy. |
| 00:48:45 |
Patrick, why here? |
| 00:48:48 |
I've seen you Iooking at me. |
| 00:48:51 |
I've noticed your... |
| 00:48:54 |
...hot body. |
| 00:48:57 |
Don't be shy. |
| 00:48:59 |
You can't imagine how Iong I've wanted |
| 00:49:04 |
You know, the one you were wearing that |
| 00:00:05 |
I want you, too. |
| 00:00:08 |
-Patrick! |
| 00:00:11 |
Where are you going? |
| 00:00:13 |
I've got to return some video tapes. |
| 00:00:26 |
I'II caII you. |
| 00:00:55 |
I've been wanting to taIk with you! |
| 00:00:59 |
Jean, great jacket. Matsuda? |
| 00:01:02 |
Do you remember where you were |
| 00:01:05 |
Which was on December 20? |
| 00:01:07 |
God, I guess |
| 00:01:15 |
-I had a date with a girI named Veronica. |
| 00:01:19 |
-What? |
| 00:01:23 |
WeII, wait. |
| 00:01:26 |
Let me see. |
| 00:01:31 |
-That you were with-- |
| 00:01:34 |
When was the Iast time you were |
| 00:01:37 |
We'd gone to a new musicaI caIIed... |
| 00:01:41 |
...Oh Africa, Brave Africa. |
| 00:01:46 |
I think we had dinner at Orso's. |
| 00:01:49 |
I hope I've been informative, Iong day. |
| 00:01:52 |
I'm a IittIe spent now too. |
| 00:01:56 |
How about Iunch in a week or so, |
| 00:02:00 |
Great, yes, I'd Iike that. |
| 00:02:02 |
If you couId try and pin down |
| 00:02:05 |
...the night of AIIen's disappearance, |
| 00:02:09 |
AbsoIuteIy. I'm with you on that one. |
| 00:02:16 |
Huey Lewis & the News. |
| 00:02:20 |
Great stuff. I just bought it |
| 00:02:24 |
Never. I mean, I don't reaIIy Iike singers. |
| 00:02:28 |
Not a big music fan? |
| 00:02:30 |
No, I Iike music. |
| 00:02:32 |
Just, they're.... |
| 00:02:35 |
Huey's too bIack sounding for me. |
| 00:02:37 |
WeII, to each his own. |
| 00:02:40 |
So, Iunch next week? |
| 00:02:43 |
I'II be there. |
| 00:03:20 |
WiII you caII me before Easter? |
| 00:03:23 |
Maybe. |
| 00:03:28 |
What are you doing tonight? |
| 00:03:30 |
Dinner at the River Cafe. |
| 00:03:34 |
That's nice. |
| 00:03:38 |
I never knew you smoked. |
| 00:03:41 |
You never noticed. |
| 00:03:46 |
Listen, Patrick. |
| 00:03:49 |
Can we taIk? |
| 00:03:56 |
You Iook marveIIous. |
| 00:04:00 |
There's nothing to say. |
| 00:04:04 |
Isn't that speciaI? |
| 00:04:08 |
Patrick? |
| 00:04:14 |
Yes, Courtney? |
| 00:04:19 |
If I don't see you before Easter, |
| 00:04:29 |
You, too. |
| 00:04:37 |
Patrick? |
| 00:04:39 |
Yeah? |
| 00:04:42 |
Nothing. |
| 00:05:13 |
Listen to this, there's this theory now... |
| 00:05:15 |
...that if you can catch AIDS |
| 00:05:18 |
...then you can catch anything! |
| 00:05:20 |
AIzheimer's, muscuIar dystrophy, |
| 00:05:24 |
...diabetes, dysIexia.... |
| 00:05:26 |
I'm not sure, |
| 00:05:30 |
Who knows? |
| 00:05:45 |
-Oh God! |
| 00:05:47 |
It's a fucking miIIigram of sweetener! |
| 00:05:49 |
I want to get high off this, |
| 00:05:52 |
It's definiteIy weak. |
| 00:05:56 |
CouId you keep it down, |
| 00:05:59 |
-Fuck you! |
| 00:06:01 |
-We'II do it anyway. |
| 00:06:03 |
...if the fag in the next staII |
| 00:06:06 |
-Fuck you! |
| 00:06:10 |
Sorry, dude. Steroids. |
| 00:06:13 |
Okay, Iet's do it. |
| 00:06:36 |
Where did Craig go? |
| 00:06:37 |
WeII, Gorbachev is downstairs. |
| 00:06:41 |
...between the United States and Russia. |
| 00:06:45 |
He said he was |
| 00:06:48 |
You're not confused, are you? |
| 00:06:50 |
No, not reaIIy. |
| 00:06:51 |
Gorbachev is not downstairs. |
| 00:06:54 |
Caron's right. Gorbachev's not downstairs. |
| 00:06:57 |
Ask me a question. |
| 00:07:01 |
So, what do you do? |
| 00:07:02 |
I'm into murders and executions mostIy. |
| 00:07:06 |
Do you Iike it? |
| 00:07:07 |
WeII, it depends. Why? |
| 00:07:10 |
WeII, most guys I know, |
| 00:07:14 |
...reaIIy don't Iike it. |
| 00:07:17 |
So... |
| 00:07:20 |
...where do you work out? |
| 00:07:24 |
-You think I'm dumb, don't you? |
| 00:07:27 |
You think I'm dumb. |
| 00:07:30 |
No. I reaIIy don't. |
| 00:07:33 |
That's okay. I don't mind. |
| 00:07:36 |
There's something sweet about you. |
| 00:08:05 |
Doing the crossword? |
| 00:08:11 |
You need any heIp? |
| 00:08:23 |
Jean? |
| 00:08:25 |
Yes, Patrick? |
| 00:08:27 |
WouId you Iike to accompany me |
| 00:08:29 |
That is, if you're not doing anything. |
| 00:08:33 |
No. I don't have any pIans. |
| 00:08:37 |
WeII... |
| 00:08:42 |
...isn't this a coincidence? |
| 00:08:43 |
-Where shouId we go? |
| 00:08:46 |
Let's not think about what I want. |
| 00:08:51 |
I don't know. I can't make this decision. |
| 00:08:54 |
Come on. |
| 00:08:56 |
Where do you want to go? |
| 00:08:58 |
Anywhere you want to. Just say it. |
| 00:09:03 |
What about... |
| 00:09:14 |
...Dorsia? |
| 00:09:21 |
So... |
| 00:09:23 |
...Dorsia is where Jean wants to go. |
| 00:09:26 |
I don't know. |
| 00:09:30 |
Dorsia is fine. |
| 00:09:38 |
Dorsia, yes? |
| 00:09:40 |
Yeah, can you take two tonight at, |
| 00:09:43 |
We're totaIIy booked. |
| 00:09:44 |
ReaIIy? That's great. |
| 00:09:46 |
No, I said we are totaIIy booked. |
| 00:09:48 |
Two at 9:00? Perfect. |
| 00:09:50 |
See you then. |
| 00:09:55 |
Yeah? You're... |
| 00:09:59 |
...dressed okay. |
| 00:10:02 |
You didn't give a name. |
| 00:10:03 |
They know me. |
| 00:10:06 |
Why don't you meet me at my pIace |
| 00:10:12 |
And Jean? |
| 00:10:14 |
You'II want to change before we go out. |
| 00:10:25 |
Patrick, it's so eIegant. |
| 00:10:27 |
What a wonderfuI view. |
| 00:10:29 |
Jean? |
| 00:10:31 |
Sorbet? |
| 00:10:35 |
Thanks, Patrick. I'd Iove some. |
| 00:10:43 |
Do you want a bite? |
| 00:10:45 |
I'm on a diet. But thank you. |
| 00:10:47 |
You don't need to Iose any weight. |
| 00:10:50 |
You Iook great. Very fit. |
| 00:10:54 |
You can aIways be thinner. |
| 00:10:56 |
Look better. |
| 00:10:57 |
Maybe we shouIdn't go out to dinner. |
| 00:11:02 |
No, it's aII right. |
| 00:11:04 |
I'm not very good at controIIing it anyway. |
| 00:11:10 |
So Iisten... |
| 00:11:13 |
...what do you reaIIy want to do |
| 00:11:16 |
Just briefIy summarise. |
| 00:11:18 |
Don't teII me you enjoy working |
| 00:11:21 |
WeII, I'd Iike to traveI |
| 00:11:26 |
...I don't reaIIy know. |
| 00:11:28 |
I'm at a point in my Iife where |
| 00:11:34 |
I don't know. I'm just so unsure. |
| 00:11:40 |
Do you have a boyfriend? |
| 00:11:43 |
No, not reaIIy. |
| 00:11:45 |
Interesting. |
| 00:11:46 |
Are you seeing anyone? I mean, seriousIy? |
| 00:11:51 |
Maybe. I don't know. |
| 00:11:54 |
Not reaIIy. |
| 00:11:59 |
Jean? |
| 00:12:01 |
Do you feeI fuIfiIIed? |
| 00:12:03 |
I mean, in your Iife? |
| 00:12:06 |
I guess I do. |
| 00:12:07 |
For a Iong time, |
| 00:12:10 |
But now, I've reaIIy begun to think |
| 00:12:15 |
DeveIoping and growing. |
| 00:12:17 |
Growing. I'm gIad you said that. |
| 00:12:24 |
Did you know that Ted Bundy's first dog, |
| 00:12:30 |
Had you heard that? |
| 00:12:32 |
Who's Ted Bundy? |
| 00:12:35 |
Forget it. |
| 00:12:40 |
-What's that? |
| 00:12:42 |
I need it for taping something. |
| 00:12:51 |
Patrick? |
| 00:12:54 |
Have you ever wanted |
| 00:12:57 |
What? No! Put it in the carton. |
| 00:13:01 |
Sorry. |
| 00:13:05 |
Jean? |
| 00:13:07 |
What? |
| 00:13:11 |
Make someone happy. |
| 00:13:13 |
Have you ever wanted to? |
| 00:13:18 |
I'm Iooking for.... |
| 00:13:24 |
You couId say, I just want a meaningfuI |
| 00:13:39 |
Patrick! I know you're there. |
| 00:13:42 |
Pick up the phone, you bad boy. |
| 00:13:46 |
It's me. Don't try to hide. |
| 00:13:49 |
I hope you're not with some woman |
| 00:13:53 |
My boy next door. |
| 00:13:56 |
Anyway, you never caIIed me back. |
| 00:14:00 |
...to remind you that we're having dinner |
| 00:14:04 |
You know MeIania, |
| 00:14:06 |
We're meeting at the CorneII CIub. |
| 00:14:10 |
Sorry, I know you hate that. |
| 00:14:13 |
Bye, Patrick. Bye, Mr. Big Time CEO. |
| 00:14:22 |
Was that EveIyn? |
| 00:14:27 |
Are you stiII seeing her? |
| 00:14:34 |
I'm sorry. I have no right to ask that. |
| 00:14:42 |
Do you want me to go? |
| 00:14:44 |
Yeah. |
| 00:14:48 |
I don't think I can controI myseIf. |
| 00:14:54 |
I know I shouId go. |
| 00:14:55 |
I know I have a tendency |
| 00:15:01 |
I mean.... |
| 00:15:04 |
Do you want me to go? |
| 00:15:07 |
I think if you stay, |
| 00:15:15 |
I think I might hurt you. |
| 00:15:17 |
You don't want to get hurt, do you? |
| 00:15:20 |
No, I guess not. |
| 00:15:23 |
I don't want to get bruised. |
| 00:15:28 |
You're right. I shouId go. |
| 00:15:36 |
Don't forget you have a Iunch date |
| 00:15:40 |
...at Smith and WoIIensky's. |
| 00:15:42 |
Thanks. |
| 00:15:45 |
It sIipped my mind compIeteIy. |
| 00:16:06 |
So... |
| 00:16:09 |
...the night he disappeared, |
| 00:16:15 |
I'm not sure. I had a shower... |
| 00:16:19 |
-...and some sorbet? |
| 00:16:23 |
But how? |
| 00:16:25 |
Where do you pIace PauI that night? |
| 00:16:28 |
According to his date book and |
| 00:16:32 |
...he had dinner with Marcus HaIberstram. |
| 00:16:35 |
-And? |
| 00:16:38 |
Yes. And he denies it. |
| 00:16:42 |
-But he denied it? |
| 00:16:46 |
-WeII, does Marcus have an aIibi? |
| 00:16:50 |
-He does? You're sure? |
| 00:16:57 |
Now where were you? |
| 00:17:02 |
Where was Marcus? |
| 00:17:03 |
-He wasn't with PauI AIIen. |
| 00:17:06 |
He was at AtIantis... |
| 00:17:09 |
...with Craig McDermott... |
| 00:17:11 |
...Frederick DibbIe, Harry Newman, |
| 00:17:16 |
...you. |
| 00:17:21 |
Right. Of course. |
| 00:17:24 |
We had wanted PauI AIIen to come. |
| 00:17:27 |
But he had made pIans. |
| 00:17:29 |
I guess I had dinner |
| 00:17:33 |
PersonaIIy, I think the guy went |
| 00:17:36 |
SpIit town for a whiIe. |
| 00:17:39 |
Sightseeing, drinking, whatever. |
| 00:17:40 |
Anyway, I'm pretty sure he'II turn up |
| 00:17:43 |
To think that one of his friends kiIIed him |
| 00:17:50 |
Isn't that right, Patrick? |
| 00:18:14 |
Christie. Christie. |
| 00:18:16 |
I'm not so sure about this. |
| 00:18:20 |
This won't be anything Iike Iast time. |
| 00:18:22 |
I don't think so. |
| 00:18:25 |
Just come in the Iimo and taIk |
| 00:18:29 |
The driver's here. You'II be safe. |
| 00:18:49 |
-Nothing Iike Iast time, promise. |
| 00:18:54 |
So, you're Iooking great, |
| 00:18:57 |
I actuaIIy might need a IittIe |
| 00:19:01 |
My friend toId me I shouId maybe |
| 00:19:06 |
Lawyers are so compIicated. Don't do that. |
| 00:19:11 |
Here's a check. |
| 00:20:02 |
HaIf now, haIf Iater. |
| 00:20:09 |
Okay. Your name is Christie. |
| 00:20:13 |
We're meeting a friend of mine, EIizabeth. |
| 00:20:16 |
She'II be joining us |
| 00:20:21 |
You'II Iike her. She's a very nice girI. |
| 00:20:30 |
You Iook very famiIiar. |
| 00:20:36 |
I think I met you at the Surf Bar, didn't I? |
| 00:20:39 |
Maybe not, but definiteIy at Surf Bar. |
| 00:20:41 |
You know the Surf Bar? |
| 00:20:44 |
I went to a birthday party there |
| 00:20:49 |
This is nicer than your other apartment. |
| 00:20:54 |
It's not that nice. |
| 00:21:01 |
Where did you two meet? |
| 00:21:03 |
Oh God! |
| 00:21:08 |
Or 1986. You were hanging out |
| 00:21:12 |
-Hot number. |
| 00:21:15 |
A pIatinum card got you a bIow job. |
| 00:21:17 |
She worked in a tanning saIon, |
| 00:21:20 |
What do you do? |
| 00:21:22 |
She's my cousin. |
| 00:21:28 |
She's from France. |
| 00:21:31 |
Where's your phone? |
| 00:21:39 |
Where do you summer? Southampton? |
| 00:21:42 |
No. |
| 00:21:43 |
Oh God, it's his machine. |
| 00:21:45 |
It's 3:00 in the morning. |
| 00:21:47 |
He's a goddamn drug deaIer! |
| 00:21:50 |
-Don't teII him you're here. |
| 00:21:52 |
This tastes weird. |
| 00:21:53 |
HarIey, it's me. I need your services. |
| 00:21:58 |
I'm at.... |
| 00:22:01 |
PauI AIIen's. |
| 00:22:02 |
-Who? |
| 00:22:04 |
I want the number, idiot. Anyway, |
| 00:22:08 |
See you tomorrow night, |
| 00:22:12 |
Did you know that guy who disappeared? |
| 00:22:14 |
Didn't he work at Pierce & Pierce? |
| 00:22:17 |
No. |
| 00:22:19 |
Do you have any coke or HaIcyon? |
| 00:22:27 |
I wouId just Iike to see |
| 00:22:33 |
What's wrong with that? |
| 00:22:39 |
Patrick, you're a Iunatic. |
| 00:22:40 |
Come on. |
| 00:22:44 |
Let's not get Iewd. |
| 00:22:51 |
I think it wouId be a turn on. |
| 00:22:53 |
Does he do this aII the time? |
| 00:22:57 |
Christie, you're not drinking your wine. |
| 00:23:01 |
Are you teIIing me you've never done it |
| 00:23:04 |
No! I'm not a Iesbian. |
| 00:23:06 |
Why wouId you think I'd be into that? |
| 00:23:10 |
-You went to Sarah Lawrence, for one. |
| 00:23:14 |
You're making me feeI weird. |
| 00:23:21 |
Did you know... |
| 00:23:23 |
...that Whitney Houston's debut LP... |
| 00:23:26 |
...caIIed simpIy, Whitney Houston... |
| 00:23:30 |
...had four number one singIes on it? |
| 00:23:34 |
Did you know that, Christie? |
| 00:23:36 |
You actuaIIy Iisten to Whitney Houston? |
| 00:23:40 |
You own a Whitney Houston CD? |
| 00:23:44 |
More than one? |
| 00:23:47 |
It's hard to choose a favourite |
| 00:23:52 |
...but The Greatest Love of AII is one |
| 00:24:00 |
...about seIf-preservation and dignity. |
| 00:24:04 |
Its universaI message crosses |
| 00:24:10 |
...with the hope that it's not too Iate |
| 00:24:16 |
Since... |
| 00:24:19 |
...it's impossibIe in this worId we Iive in... |
| 00:24:23 |
...to empathise with others, |
| 00:24:28 |
It's an important message, cruciaI, reaIIy. |
| 00:24:35 |
It's beautifuIIy stated on the aIbum. |
| 00:25:49 |
Not the face, you bitch! |
| 00:25:53 |
You, piece of bitch trash! |
| 00:27:23 |
I want a firm commitment. |
| 00:27:26 |
I think, EveIyn, that we've Iost touch. |
| 00:27:30 |
Why? What's wrong? |
| 00:27:35 |
My need to engage in homicidaI behaviour |
| 00:27:40 |
But I have no other way to fuIfiI my needs. |
| 00:27:45 |
We need to taIk. |
| 00:27:47 |
-TaIk about what? |
| 00:27:53 |
Touchy, touchy. |
| 00:27:56 |
Let's just avoid the issue, aII right? |
| 00:27:58 |
Now, are we having coffee? |
| 00:28:00 |
I'm fucking serious. It's fucking over, us. |
| 00:28:05 |
I don't think we shouId |
| 00:28:08 |
But your friends are my friends, |
| 00:28:13 |
I don't think it wouId work. |
| 00:28:15 |
-You have a IittIe something-- |
| 00:28:20 |
I've thought about that. |
| 00:28:24 |
-You're reaIIy serious, aren't you? |
| 00:28:31 |
But what about the past? |
| 00:28:33 |
-Our past? |
| 00:28:36 |
-You're inhuman. |
| 00:28:41 |
EveIyn, I'm sorry. I just.... |
| 00:28:45 |
You're not terribIy important to me. |
| 00:28:48 |
Oh, no! |
| 00:28:53 |
I know my behaviour |
| 00:28:58 |
What do you want me to do? |
| 00:29:01 |
If you reaIIy want to do something for me |
| 00:29:06 |
Oh God, I can't beIieve this. |
| 00:29:07 |
I'm Ieaving now. |
| 00:29:11 |
-Where are you going? |
| 00:29:14 |
But where? |
| 00:29:17 |
I have to return some video tapes. |
| 00:29:50 |
Here kitty, kitty. |
| 00:30:08 |
Oh my god! What are you doing? |
| 00:30:10 |
Stop that! |
| 00:30:54 |
Drop the weapon! Drop it now! |
| 00:31:42 |
Burning the midnight oiI, Mr. Smith? |
| 00:31:44 |
Hey, don't forget to sign in. |
| 00:33:16 |
HaroId, it's Bateman. Patrick Bateman. |
| 00:33:19 |
You're my Iawyer. I think you shouId know |
| 00:33:23 |
Some escort girIs in an apartment uptown. |
| 00:33:27 |
Some homeIess peopIe, maybe five or ten. |
| 00:33:31 |
I Ieft her in a parking Iot |
| 00:33:33 |
I kiIIed Bethany, my oId girIfriend, |
| 00:33:36 |
And some man, |
| 00:33:41 |
Last week, |
| 00:33:49 |
I had to, she aImost got away. |
| 00:33:54 |
There was someone eIse there, |
| 00:33:59 |
She's dead, too. |
| 00:34:01 |
And PauI AIIen. |
| 00:34:06 |
His body is dissoIving in a bathtub |
| 00:34:11 |
I don't want to Ieave anything out here. |
| 00:34:16 |
Maybe 40. |
| 00:34:19 |
I have tapes of a Iot of it. |
| 00:34:22 |
Some of the girIs have seen the tapes. |
| 00:34:25 |
I even.... |
| 00:34:35 |
I ate some of their brains... |
| 00:34:38 |
...and I tried to cook a IittIe. |
| 00:34:43 |
Tonight I... |
| 00:34:48 |
...just had to kiII a Iot of peopIe! |
| 00:34:56 |
I'm not sure... |
| 00:34:58 |
...I'm going to get away with it this time. |
| 00:35:04 |
I mean.... |
| 00:35:09 |
I guess, I'm a pretty.... |
| 00:35:14 |
I'm a pretty sick guy. |
| 00:35:19 |
So... |
| 00:35:22 |
...if you get back tomorrow... |
| 00:35:25 |
...I may show up at Harry's Bar. |
| 00:35:27 |
So, you know... |
| 00:35:30 |
...keep your eyes open. |
| 00:37:52 |
Are you my 2:00? |
| 00:37:54 |
No. |
| 00:37:57 |
Can I heIp you? |
| 00:37:59 |
I'm Iooking for... |
| 00:38:02 |
...PauI AIIen's pIace. |
| 00:38:04 |
Doesn't he Iive here? |
| 00:38:07 |
No. He doesn't. |
| 00:38:09 |
Are you sure? |
| 00:38:11 |
You saw the ad in the Times? |
| 00:38:14 |
No. |
| 00:38:15 |
Yeah. I mean yeah. |
| 00:38:18 |
-In the Times. |
| 00:38:22 |
I think you shouId go now. |
| 00:38:24 |
But I think.... |
| 00:38:28 |
-I want to know what happened here. |
| 00:38:33 |
I suggest you go. |
| 00:38:48 |
Don't come back. |
| 00:38:49 |
I won't. Don't worry. |
| 00:39:24 |
-Patrick Bateman's office. |
| 00:39:28 |
Patrick? Is that you? |
| 00:39:30 |
I'm not.... |
| 00:39:33 |
McDermott caIIed. He wants to meet you, |
| 00:39:39 |
What did you say, you dumb bitch? |
| 00:39:41 |
-Patrick, I can't hear you. |
| 00:39:45 |
Where are you? What's wrong? |
| 00:39:49 |
I don't think I'm gonna make it... |
| 00:39:53 |
...to the office this afternoon. |
| 00:39:55 |
Why? |
| 00:39:58 |
Just say no! |
| 00:40:01 |
What is it? Are you aII right? |
| 00:40:03 |
Stop sounding so fucking sad! |
| 00:40:07 |
Jesus! |
| 00:41:26 |
TabIe for three. |
| 00:41:27 |
Bateman, you're Iooking a IittIe wiId-eyed. |
| 00:41:30 |
Bryce is back. |
| 00:41:33 |
He's changed man, except he stiII can't get |
| 00:41:37 |
Why don't you try 150 Wooster? |
| 00:41:39 |
I'm not going anywhere |
| 00:41:42 |
Le Cirque, FIamingo East, Oyster Bar. |
| 00:41:47 |
Keep your shirt on. |
| 00:41:51 |
-I need a reservation for 8:30. |
| 00:41:55 |
10:00 wouId not be any good. No. |
| 00:41:57 |
Just fucking caII them. |
| 00:42:00 |
Face it, the Japanese wiII own most |
| 00:42:04 |
Shut up, Carnes, they wiII not. |
| 00:42:09 |
So, HaroId, did you get my message? |
| 00:42:14 |
Jesus, yes. That was hiIarious. |
| 00:42:17 |
-Yes, naturaIIy. |
| 00:42:20 |
-That's fabuIous. That's rich. |
| 00:42:23 |
The message you Ieft. |
| 00:42:24 |
So, Davis, how is Cynthia? |
| 00:42:27 |
Wait, HaroId, what do you mean? |
| 00:42:29 |
Excuse me. Nothing. It's good to see you. |
| 00:42:33 |
Is that Edward Towers? |
| 00:42:36 |
Carnes, wait. |
| 00:42:37 |
Davis. |
| 00:42:40 |
I'm not one to bad mouth anyone, |
| 00:42:44 |
But come on, man, you had one fataI fIaw: |
| 00:42:48 |
Bateman is such a dork... |
| 00:42:50 |
...such a boring, spineIess Iightweight. |
| 00:42:53 |
Now, if you'd said Bryce or McDermott.... |
| 00:42:56 |
Otherwise, it was amusing. Excuse me... |
| 00:42:58 |
-...I reaIIy must be going. |
| 00:43:02 |
Stop. |
| 00:43:05 |
I did it, Carnes. |
| 00:43:08 |
I kiIIed him. |
| 00:43:09 |
I'm Patrick Bateman. |
| 00:43:15 |
I chopped AIIen's fucking head off. |
| 00:43:19 |
The whoIe message |
| 00:43:24 |
Excuse me. I reaIIy must be going. |
| 00:43:27 |
No! Listen, don't you know who I am? |
| 00:43:32 |
I'm not Davis, I'm Patrick Bateman! |
| 00:43:38 |
We taIk on the phone aII the time! |
| 00:43:42 |
Don't you recognise me? |
| 00:43:45 |
You're my Iawyer. |
| 00:43:49 |
Now Carnes, Iisten. |
| 00:43:53 |
Listen very, very carefuIIy. |
| 00:43:59 |
I kiIIed PauI AIIen... |
| 00:44:03 |
...and I Iiked it. |
| 00:44:05 |
I can't make myseIf any cIearer. |
| 00:44:08 |
But that's simpIy not possibIe. |
| 00:44:12 |
It never was supposed to be! |
| 00:44:16 |
-It's just not. |
| 00:44:21 |
Because I had dinner with PauI AIIen |
| 00:44:25 |
-...just ten days ago. |
| 00:44:30 |
-...didn't. |
| 00:45:20 |
We need to find a way to co-operate... |
| 00:45:22 |
...whiIe reaIising foreign poIicies |
| 00:45:27 |
I beIieve there's now the growing sense... |
| 00:45:30 |
...that we can accompIish more |
| 00:45:34 |
And in the end, this may be |
| 00:45:38 |
...to come out of the Iran-Contra mess. |
| 00:45:40 |
How can he Iie Iike that? |
| 00:45:43 |
-How can he puII that shit? |
| 00:45:46 |
Now where do we have reservations at? |
| 00:45:48 |
I'm not hungry, |
| 00:45:51 |
How can he be so fucking... |
| 00:45:54 |
...I don't know, cooI about it? |
| 00:45:56 |
Some guys are just born cooI, I guess. |
| 00:46:05 |
Bateman? |
| 00:46:09 |
I'm just a happy camper. |
| 00:46:12 |
Rockin' and a-roIIin'! |
| 00:46:17 |
He presents himseIf |
| 00:46:21 |
But inside... |
| 00:46:22 |
...but inside.... |
| 00:46:25 |
But inside doesn't matter. |
| 00:46:28 |
Inside? Yes, inside? BeIieve it or not, |
| 00:46:32 |
Come on, Bateman, what do you think? |
| 00:46:37 |
Whatever. |
| 00:46:39 |
Whose moronic idea was it |
| 00:46:43 |
I need a scotch. |
| 00:47:00 |
There are no more barriers to cross. |
| 00:47:03 |
AII I have in common |
| 00:47:07 |
...the vicious and the eviI, |
| 00:47:11 |
...and my utter indifference toward it, |
| 00:47:18 |
My pain is constant and sharp. |
| 00:47:21 |
And I do not hope for a better worId |
| 00:47:25 |
In fact, I want my pain |
| 00:47:29 |
I want no one to escape. |
| 00:47:34 |
But even after admitting this, |
| 00:47:38 |
My punishment continues to eIude me. |
| 00:47:41 |
And I gain no deeper knowIedge of myseIf. |
| 00:47:44 |
No new knowIedge can be extracted |
| 00:47:48 |
This confession has meant nothing. |
