|
Limits of Control The
|
| 00:03:46 |
You don't speak Spanish, |
| 00:03:56 |
Are you ready? |
| 00:03:59 |
Everything is cool? |
| 00:04:00 |
Yes. |
| 00:04:03 |
Good. |
| 00:04:19 |
Use your imagination |
| 00:04:28 |
Everything is subjective. |
| 00:04:57 |
He who think he's bigger than the rest, |
| 00:05:11 |
There he will see what life really is. |
| 00:05:22 |
La vida no vale nada. |
| 00:05:36 |
Diamonds are |
| 00:06:05 |
Go to the towers. |
| 00:06:10 |
Wait a couple of days... |
| 00:06:12 |
...and watch for the violin. |
| 00:14:49 |
Two espressos |
| 00:14:53 |
No. Two espressos |
| 00:15:19 |
No. |
| 00:15:22 |
Dos espressos, dos espressos. |
| 00:19:56 |
Señor. |
| 00:19:58 |
Dos espressos, |
| 00:20:01 |
Two espressos, |
| 00:20:03 |
Sí. |
| 00:20:15 |
Sus dos espressos... |
| 00:21:34 |
No. |
| 00:21:50 |
Very loud. |
| 00:21:57 |
Are you interested in music, |
| 00:23:08 |
What else? |
| 00:23:13 |
Wait with the girl. |
| 00:26:01 |
No. |
| 00:26:09 |
Yeah... |
| 00:26:11 |
...you left your bag |
| 00:26:14 |
There's nothing in it. |
| 00:26:16 |
Oh. |
| 00:26:44 |
Do you like my ass? |
| 00:26:51 |
Yes. |
| 00:26:53 |
So, what's wrong? |
| 00:26:57 |
You don't like sex? |
| 00:27:00 |
Never, while I'm working. |
| 00:27:03 |
Really? |
| 00:27:09 |
How can you stand it? |
| 00:30:33 |
Hola. |
| 00:30:36 |
Do you like my raincoat? |
| 00:30:49 |
Yes. |
| 00:31:15 |
So, you don't like |
| 00:31:22 |
Huh. |
| 00:31:24 |
No guns... |
| 00:31:27 |
...no mobiles... |
| 00:31:30 |
...no sex... |
| 00:33:46 |
No. |
| 00:34:32 |
Suspicion. |
| 00:34:36 |
Hitchcock. |
| 00:34:41 |
Are you interested in films, |
| 00:34:49 |
I like really old films. |
| 00:34:53 |
You can really see what |
| 00:34:56 |
...thirty, fifty, |
| 00:34:59 |
You know the clothes, |
| 00:35:05 |
...the way people |
| 00:35:10 |
...the little details |
| 00:35:15 |
The best films |
| 00:35:18 |
you're never sure |
| 00:35:23 |
I have this image in my head |
| 00:35:28 |
And a bird flies towards me, |
| 00:35:33 |
And I honestly |
| 00:35:35 |
...whether this image came |
| 00:35:48 |
Sometimes I like it in films |
| 00:35:50 |
not saying anything. |
| 00:36:22 |
Oh, yes. |
| 00:36:33 |
Diamonds are |
| 00:36:41 |
Have you seen |
| 00:36:44 |
Orson Welles? |
| 00:36:47 |
That one makes no sense. |
| 00:36:50 |
Rita Hayworth as a blonde. |
| 00:36:51 |
I think it's the only film |
| 00:36:56 |
It's like a game. |
| 00:37:02 |
...a shootout with |
| 00:37:10 |
She dies in the end. |
| 00:39:02 |
So, I finally have |
| 00:39:08 |
Do you have what I need? |
| 00:40:00 |
Do you like Schubert, |
| 00:40:09 |
I love him. |
| 00:40:14 |
He died when he was |
| 00:40:21 |
Something like that. |
| 00:44:25 |
No. |
| 00:44:33 |
Are you interested in |
| 00:44:40 |
I'm interested |
| 00:44:45 |
The Sufis say each one of us is |
| 00:44:54 |
But I say... |
| 00:44:57 |
...each one of us is a |
| 00:45:04 |
Spinning in ecstasy. |
| 00:45:16 |
In the near future... |
| 00:45:18 |
...worn out things will be made new |
| 00:45:24 |
A pair of shoes. |
| 00:45:28 |
Molecular detection |
| 00:45:30 |
...the determination of an |
| 00:45:35 |
This match box |
| 00:45:39 |
Its collection of molecules could |
| 00:45:47 |
They could do it |
| 00:45:50 |
Or even with your skin, |
| 00:46:29 |
Wait three days until |
| 00:46:36 |
The guitar will find you. |
| 00:46:48 |
Among us, there are those |
| 00:46:54 |
I'm among no one. |
| 00:52:32 |
No. |
| 00:57:27 |
Take a seat. |
| 01:06:07 |
No. I don't speak |
| 01:06:12 |
Except, maybe |
| 01:06:20 |
Would one still call |
| 01:06:24 |
My grandfather |
| 01:06:27 |
You know, |
| 01:06:30 |
I strongly doubt that he would |
| 01:06:34 |
...for those kinds |
| 01:06:38 |
And then of course, they are often |
| 01:06:44 |
Are you interested |
| 01:06:47 |
Maybe painting, |
| 01:06:50 |
Yes. |
| 01:06:53 |
Well, as we were discussing, |
| 01:07:00 |
...in reference to artists or |
| 01:07:09 |
I don't know |
| 01:07:13 |
Of course there's Puccini's opera, |
| 01:07:15 |
That's based on the French book, |
| 01:07:18 |
Probably published |
| 01:07:21 |
There was an oddly |
| 01:07:31 |
...some years ago |
| 01:07:32 |
But where the use of |
| 01:07:36 |
came from to |
| 01:07:39 |
I can only speculate. |
| 01:08:00 |
Oh... |
| 01:08:04 |
Yes, of course. |
| 01:08:13 |
The Mexican will find you, |
| 01:08:17 |
Ah yes... |
| 01:08:20 |
...the driver. |
| 01:08:33 |
You do know... |
| 01:08:38 |
...that this guitar was owned and |
| 01:08:45 |
It was recorded on a wax cylinder |
| 01:08:54 |
God only knows |
| 01:09:07 |
Been nice talking with you. |
| 01:09:16 |
As they say, |
| 01:17:56 |
Los Americanos! |
| 01:20:47 |
I heard you have a very |
| 01:20:53 |
She's asleep. |
| 01:21:34 |
Nothing is true. |
| 01:21:40 |
Every thing's imagined. |
| 01:21:48 |
Do you |
| 01:21:52 |
For me, sometimes the reflection |
| 01:21:56 |
...than the thing |
| 01:22:12 |
Are you interested in hallucinations, |
| 01:22:17 |
Have you ever |
| 01:22:38 |
They wear mirrors |
| 01:22:42 |
And they play violins. |
| 01:22:46 |
With only one string. |
| 01:23:14 |
I'm going to |
| 01:23:20 |
No mobiles. |
| 01:23:29 |
Está bien. |
| 01:23:31 |
Ya, ya, ya... |
| 01:25:09 |
No mobiles. |
| 01:41:16 |
These fucking |
| 01:41:21 |
Jesus Christ! Addington! |
| 01:41:25 |
Fucking sound proof door. |
| 01:41:31 |
How the fuck did |
| 01:41:34 |
I used my imagination. |
| 01:41:56 |
Is this your twisted idea |
| 01:42:01 |
No. Revenge is useless. |
| 01:42:07 |
Addington! Security! |
| 01:42:22 |
What is your |
| 01:42:29 |
You people |
| 01:42:32 |
...a fucking thing about |
| 01:42:36 |
I understand. |
| 01:42:40 |
But I understand |
| 01:42:45 |
That's fucking nonsense. |
| 01:42:50 |
Your sick minds have |
| 01:42:56 |
Your music, |
| 01:43:02 |
Fucking bohemians |
| 01:43:05 |
All that shit has |
| 01:43:10 |
And it has nothing to |
| 01:43:16 |
And I suppose you believe |
| 01:43:20 |
...you will eliminate control over |
| 01:43:27 |
Reality is arbitrary. |
| 01:43:35 |
Fuck you. |
