|
Lo squartatore di New York New York Ripper
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| 00:00:06 |
THIS ISN'T HAPPENING TO ME. |
| 00:00:07 |
WHAT IS HAPPENING |
| 00:00:09 |
ONLY THE WORST THING EVER! |
| 00:00:11 |
A MISSING CAPTAIN DELICIOUS |
| 00:00:15 |
DAD, THIS IS A CRIME. |
| 00:00:16 |
CAN YOU HAVE THEM |
| 00:00:17 |
FIRST OF ALL, SHAWN, NO, |
| 00:00:19 |
CAN'T YOU JUST HAUL THEM IN |
| 00:00:21 |
LAY INTO THEM A LITTLE? |
| 00:00:21 |
AND WHO IS "THEM"? |
| 00:00:22 |
YOU KNOW, THE CEREAL PEOPLE? |
| 00:00:25 |
OH, THE CEREAL PEOPLE, HUH? |
| 00:00:28 |
I'LL TELL YOU |
| 00:00:29 |
YOU CAN SPEND A LOT OF TIME |
| 00:00:31 |
TO GET THE NUMBER |
| 00:00:33 |
THEY'RE GOING TO STICK YOU |
| 00:00:34 |
LISTENING TO BAD MUSIC, |
| 00:00:36 |
FINALLY YOU'RE GOING TO GET |
| 00:00:38 |
WHO'S GOING TO TAKE |
| 00:00:39 |
AND THEN SHE'S GOING |
| 00:00:41 |
IN A WASTEBUCKET. |
| 00:00:42 |
OR YOU CAN USE |
| 00:00:45 |
AND YOU CAN OUTSMART 'EM. |
| 00:00:51 |
WHAT AM I MISSING? |
| 00:00:55 |
WHERE IS THE RING? |
| 00:00:56 |
WELL, IT'D BE AT THE BOTTOM... |
| 00:00:58 |
NOT OF THIS BOX. |
| 00:00:59 |
THE BIG OLD BAD CEREAL |
| 00:01:01 |
SO YOU GRAB ANOTHER BOX. |
| 00:01:03 |
WHERE'S THE RING NOW? |
| 00:01:05 |
AT THE BOTTOM. |
| 00:01:06 |
NOW I'VE GOT TO |
| 00:01:10 |
AND WHERE'S THE RING NOW? |
| 00:01:11 |
AT THE TOP! |
| 00:01:13 |
THAT'S RIGHT. YOU SEE, |
| 00:01:15 |
YOU DON'T HAVE |
| 00:01:16 |
ALL YOU'VE GOT TO DO |
| 00:01:18 |
TO MAKE IT RIGHT-SIDE UP, |
| 00:01:23 |
YOU GET YOUR PRIZE. |
| 00:01:25 |
THANKS, DAD! |
| 00:01:29 |
EXPLAIN TO ME AGAIN |
| 00:01:30 |
WHY WE COULDN'T SIT |
| 00:01:31 |
AND EAT |
| 00:01:33 |
MOVING IS GOOD, GUS. |
| 00:01:35 |
PLUS, YOU AND I NEVER |
| 00:01:36 |
WHAT, EAT AND JOG? |
| 00:01:38 |
NO, TALK. JUST TALK. |
| 00:01:40 |
CHECK IN WITH EACH OTHER |
| 00:01:42 |
I WANT TO KNOW |
| 00:01:43 |
I WANT TO KNOW |
| 00:01:45 |
REALLY? LIKE YOU'RE |
| 00:01:47 |
YES, I'M REALLY ASKING, |
| 00:01:49 |
WOW. OKAY. |
| 00:01:51 |
WE'VE BEEN WORKING CASES |
| 00:01:54 |
TO BE HONEST, I'M BURNT. |
| 00:01:55 |
I JUST WANT TO TAKE A NAP. |
| 00:01:58 |
I COULDN'T AGREE |
| 00:01:59 |
I THINK WE SHOULD |
| 00:02:00 |
NO MORE CASES. |
| 00:02:01 |
OH, I'M SO GLAD |
| 00:02:02 |
I WAS KIND OF WORRIED |
| 00:02:05 |
DON'T BE A SILLY GOOSE. |
| 00:02:07 |
NOW, WE'VE HAD |
| 00:02:08 |
I THINK |
| 00:02:10 |
AND LOOK AT THIS. |
| 00:02:11 |
HERE WE ARE. |
| 00:02:16 |
WHAT IS THIS, SHAWN? |
| 00:02:18 |
OKAY, HERE'S THE THING. |
| 00:02:19 |
THE POLICE MAY HAVE |
| 00:02:21 |
WHICH I MAY HAVE |
| 00:02:23 |
ON MY POLICE SCANNER, |
| 00:02:24 |
WHICH I MAY HAVE |
| 00:02:27 |
NO CASES, SHAWN. |
| 00:02:28 |
NO CASES. |
| 00:02:29 |
WE GO IN, WE SEE, |
| 00:02:30 |
WE SAY HELLO, AND WE LEAVE. |
| 00:02:32 |
SAY HELLO? |
| 00:02:34 |
YOU CAN'T JUST |
| 00:02:35 |
McNAB! |
| 00:02:37 |
NABBY! |
| 00:02:38 |
[TO GUS]: BUZZ. |
| 00:02:40 |
BUZZ? SERIOUSLY? |
| 00:02:41 |
DON'T YOU EVER |
| 00:02:42 |
WHY WOULD I TALK TO |
| 00:02:45 |
SHAWN! MY MAN! |
| 00:02:46 |
POW! |
| 00:02:49 |
OKAY WITH...YES. |
| 00:02:51 |
YOU LOOK TRIM. |
| 00:02:53 |
SOMEBODY MADE THEIR |
| 00:02:55 |
FIVE MORE POUNDS. |
| 00:02:56 |
BUT I STILL |
| 00:02:57 |
YOU'LL GET THERE. |
| 00:02:59 |
YOU REMEMBER MY PARTNER? |
| 00:03:00 |
SURE, YEAH... |
| 00:03:03 |
GUS. |
| 00:03:04 |
RIGHT. |
| 00:03:05 |
SO, WHAT HAVE YOU GOT |
| 00:03:06 |
DON'T HOLD OUT ON ME, NOW. |
| 00:03:07 |
LOOKS LIKE |
| 00:03:08 |
THE GUY FROM THE PHONE COMPANY |
| 00:03:10 |
FOUND THE VICTIM |
| 00:03:11 |
BEEN UP THERE |
| 00:03:12 |
A FEW DAYS? |
| 00:03:14 |
YOU MIND IF WE HEAD UP, |
| 00:03:16 |
POKE AROUND A LITTLE? |
| 00:03:17 |
AW, I DON'T KNOW. |
| 00:03:18 |
LASSITER'S UP THERE, |
| 00:03:19 |
AND HE'S |
| 00:03:20 |
YEAH, WE JUST... |
| 00:03:23 |
WANT TO BRING IT BY, |
| 00:03:24 |
OH, THAT'S NICE OF YOU. |
| 00:03:25 |
HE ASKED ME TO GET IT, |
| 00:03:28 |
BUT THIS IS PERFECT. |
| 00:03:31 |
HEY, DID YOU JUST SIP THAT? |
| 00:03:34 |
YOU DON'T TASTE |
| 00:03:36 |
BEFORE YOU GIVE IT TO HIM? |
| 00:03:37 |
THAT SURPRISES ME, |
| 00:03:39 |
HE'S SO PARTICULAR, |
| 00:03:41 |
IT'S THREE CREAMS, FOUR SUGARS. |
| 00:03:43 |
YEAH, IT IS. |
| 00:03:46 |
SHARP AS A TACK! |
| 00:03:47 |
YOU! |
| 00:03:48 |
AND FIT! |
| 00:04:03 |
WE FOUND A NOTE. |
| 00:04:04 |
THE BODY'S BEEN HERE |
| 00:04:06 |
ALL SIGNS POINT |
| 00:04:08 |
THREE 11-44s |
| 00:04:11 |
THERE MUST BE SOMETHING |
| 00:04:13 |
ALL RIGHT, LADIES |
| 00:04:14 |
YOU KNOW THE PROCEDURE. |
| 00:04:16 |
I DO NOT WANT ANY MISTAKES. |
| 00:04:21 |
HEY, BLOWIE. |
| 00:04:23 |
I KNOW YOU'RE NEW, |
| 00:04:24 |
BUT IF YOU WANT |
| 00:04:26 |
ALL OVER THE EVIDENCE, |
| 00:04:26 |
WHY DON'T YOU JUST LICK IT? |
| 00:04:29 |
CLEARLY HE DOESN'T NEED |
| 00:04:30 |
OKAY, THERE'S |
| 00:04:32 |
CAN WE GO NOW? |
| 00:04:33 |
RELAX. |
| 00:04:34 |
HAVE SOME MEE KROB. |
| 00:04:35 |
HOW DO YOU JUST EAT |
| 00:04:36 |
WHEN THERE'S A DEAD GUY |
| 00:04:37 |
WHAT, IS THAT RUDE? |
| 00:04:41 |
FORENSICS. |
| 00:04:45 |
ACT NATURAL. |
| 00:04:48 |
OH, THAT'S IT! |
| 00:04:50 |
WHAT? |
| 00:04:53 |
RED PEPPER FLAKES. |
| 00:04:54 |
IS THAT A CL |
| 00:04:55 |
NO, IT'S A DELICIOUS SPICE |
| 00:04:57 |
AND IT'S EXACTLY WHAT |
| 00:04:59 |
I TOLD YOU THIS. |
| 00:05:01 |
WHAT ARE YOU DOING? |
| 00:05:04 |
YOU CAN'T TOUCH STUFF. |
| 00:05:08 |
WHAT? |
| 00:05:15 |
SERIOUSLY, |
| 00:05:20 |
A MARINATING STEAK? |
| 00:05:21 |
WHAT, YOU WANT |
| 00:05:23 |
NO, BUT DON'T YOU FIND |
| 00:05:24 |
THAT A MAN WOULD |
| 00:05:26 |
THAT A MAN WHO WAS READY |
| 00:05:27 |
WOULD TAKE THE TIME |
| 00:05:29 |
FOR A FUTURE MEAL? |
| 00:05:34 |
DUDE... |
| 00:05:36 |
THIS WAS NOT SUICIDE. |
| 00:05:38 |
THIS WAS MURDER. |
| 00:05:52 |
THE DOOR LATCH IS STILL INTACT. |
| 00:05:56 |
NOW, I ASK YOU, |
| 00:05:57 |
IF YOU WERE GONNA KILL YOURSELF, |
| 00:05:58 |
WOULDN'T YOU WANT |
| 00:06:00 |
SO NO ONE COULD BARGE IN ON YOU? |
| 00:06:02 |
WHAT? |
| 00:06:05 |
I DON'T--WHAT IS-- |
| 00:06:07 |
WHAT IN THE NAME |
| 00:06:09 |
ARE YOU TWO DOING |
| 00:06:09 |
IN MY CRIME SCENE? |
| 00:06:10 |
YOUR CRIME SCENE? |
| 00:06:11 |
THAT'S FUNNY. |
| 00:06:13 |
HEH HEH. GET OUT. |
| 00:06:14 |
WE ARE. |
| 00:06:15 |
JUST THOUGHT |
| 00:06:17 |
THAT THIS THING HERE, |
| 00:06:19 |
GREAT. |
| 00:06:21 |
AND THANKS ALSO FOR BRINGING |
| 00:06:29 |
OH, BOY! |
| 00:06:34 |
I'M SENSING A... |
| 00:06:35 |
I'M SENSING THERE WAS |
| 00:06:38 |
SOMEONE HERE |
| 00:06:39 |
WITH THE VICTIM |
| 00:06:41 |
SOMEONE WITH A SLIVER OF GREASE |
| 00:06:45 |
NO, I'M NOT SENSING |
| 00:06:48 |
NO STRUGGLE... |
| 00:06:50 |
[BANGING] |
| 00:06:53 |
THE DOOR. |
| 00:06:55 |
DID YOU HAVE TO BREAK DOWN |
| 00:06:57 |
NO, IT WAS OPEN. WHY? |
| 00:06:58 |
NO, NO, NO, |
| 00:06:59 |
DON'T ENCOURAGE HIM. |
| 00:07:00 |
GET UP. |
| 00:07:01 |
McNAB, I WANT YOU TO ESCORT |
| 00:07:03 |
OUT OF HERE NOW. |
| 00:07:04 |
OH, COME ON. |
| 00:07:06 |
YOU KNOW, DUE DILIGENCE. |
| 00:07:06 |
SPENCER, WE DID |
| 00:07:08 |
IT WAS A SUICIDE. |
| 00:07:10 |
THERE IS NO CRIME. |
| 00:07:11 |
YOU'RE WRONG. |
| 00:07:12 |
THERE IS A WITNESS. |
| 00:07:17 |
THERE'S A CAT. |
| 00:07:19 |
I WANT TO TALK TO THAT CAT. |
| 00:07:23 |
AS SOON AS HE'S FINISHED... |
| 00:07:31 |
WOW. I'M JEALOUS. |
| 00:07:35 |
www.1000fr.com present |
| 00:07:56 |
BELIEVE |
| 00:07:57 |
GUS, THEY WERE GOING |
| 00:07:58 |
TO AN ANIMAL SHELTER. |
| 00:08:00 |
WHAT CHOICE DID I HAVE? |
| 00:08:01 |
PLUS THIS CAT |
| 00:08:02 |
IN A MAJOR MURDER |
| 00:08:03 |
YOU WANT TO HOLD HIM? |
| 00:08:04 |
OH, NO, YOU DON'T. |
| 00:08:06 |
YOU TOOK THE CAT, |
| 00:08:08 |
WE'RE RIGHT ON |
| 00:08:10 |
I DIDN'T HAVE |
| 00:08:12 |
A STEAK? |
| 00:08:13 |
THE CHAIN THE DOOR? |
| 00:08:14 |
I WOULDN'T HE BELIEVED ME. |
| 00:08:15 |
WE NEEDED AN "IN," |
| 00:08:17 |
PLUS HE CLEARLY LIKES YOU. |
| 00:08:19 |
YOU KNOW, I'M ACTUALLY |
| 00:08:21 |
YOU HAVING |
| 00:08:22 |
PRETENDING YOU CAN |
| 00:08:24 |
I'M BUYING A DISPOSABLE CAMERA |
| 00:08:26 |
FOR WHEN YOU HAVE |
| 00:08:27 |
HIS DIRTY LITTER BOX. |
| 00:08:27 |
LET ME TELL YOU SOMETHING. |
| 00:08:29 |
THIS CAT HERE IS A GIFT, |
| 00:08:31 |
A CONDUIT FOR US |
| 00:08:33 |
AND HE HAS MORE TEGRITY |
| 00:08:36 |
PAW. |
| 00:08:36 |
PAW, THAN MOST PEOPLE |
| 00:08:38 |
APPENDAGES... |
| 00:08:41 |
APPENDAGES. |
| 00:08:43 |
WHAT? |
| 00:08:43 |
ALL OF... |
| 00:08:45 |
THAN MT PEOPLE HAVE IN ALL |
| 00:08:49 |
COMBINED. |
| 00:08:51 |
OH YEAH? |
| 00:08:52 |
I THINK HE WANTS |
| 00:08:54 |
HOW LONG ARE YOU GOING |
| 00:08:55 |
UNTIL WE SOLVE THE CRIME. |
| 00:08:58 |
DON'T YOU OR YOUR CAT |
| 00:08:59 |
BUT I DON'T THINK |
| 00:09:01 |
OH, REALLY? |
| 00:09:03 |
TRY TELLING THAT |
| 00:09:04 |
WHO TRAUMATIZED |
| 00:09:06 |
TELL HIM. |
| 00:09:10 |
I'M JUST SAYING I CAN KINDA GET |
| 00:09:13 |
A FEW SUICIDES IS NOT UNCOMMON. |
| 00:09:15 |
GUS, DID YOU LOOK |
| 00:09:18 |
BLUE, CLEAR... |
| 00:09:19 |
AND DID YOU FEEL IT |
| 00:09:21 |
WARM. NICE. STATISTICALLY, |
| 00:09:23 |
ARE FAR LESS LIKELY |
| 00:09:26 |
NOW, IF WE WERE |
| 00:09:27 |
WE COULD TALK. |
| 00:09:29 |
THE POINT IS, |
| 00:09:30 |
THIS WAS A 50-YEAR-OAN |
| 00:09:33 |
OH. OH. |
| 00:09:35 |
DO YOU WANT DOWN? |
| 00:09:36 |
YOU CAN GET DOWN. |
| 00:09:43 |
YOU'RE PROBABLY RIGHT. |
| 00:09:45 |
I KNOW I'M RIGHT. |
| 00:09:48 |
IT'S PROBABLY A SUICIDE. |
| 00:09:51 |
THANK YOU. |
| 00:09:52 |
THAT WAS BIG OF YOU TO ADMIT. |
| 00:09:54 |
I'M UNCLEAR |
| 00:09:56 |
WHAT'S THAT? |
| 00:09:58 |
HOW DO WE EXPLAIN |
| 00:10:09 |
DETECTIVE O'HARA. |
| 00:10:10 |
WELL, YOU'RE HERE |
| 00:10:15 |
AH. |
| 00:10:18 |
DAMN IT ALL. |
| 00:10:22 |
COULD HAVE HAPPENED |
| 00:10:24 |
TALK TO ME. |
| 00:10:25 |
WELL, VICTIM IS A FEMALE |
| 00:10:26 |
GLORIA STARKS. |
| 00:10:28 |
WE'RE WAITING FOR |
| 00:10:29 |
BUT IT APPEARS TO BE |
| 00:10:31 |
CARBON MONOXIDE |
| 00:10:32 |
ASPHYXIATION. |
| 00:10:33 |
OOH, I'M AFRAID |
| 00:10:36 |
TURN AROUND AND WALK AWAY. |
| 00:10:37 |
THIS CAT CAN TELL US |
| 00:10:38 |
IF THE KILLER HAS BEEN HERE. |
| 00:10:39 |
ALL I NEED IS 30 SECONDS. |
| 00:10:41 |
YOU READY, BOY? |
| 00:10:42 |
WHAT? WHAT, OVER HERE? |
| 00:10:45 |
WHAT... |
| 00:10:48 |
THAT IS-- |
| 00:10:50 |
THAT IS VERY THOUGHTFUL. |
| 00:10:51 |
I'LL TELL HIM. |
| 00:10:52 |
HE SAYS THE FACT |
| 00:10:53 |
THREE CREAMS AND FOUR SUGARS |
| 00:10:55 |
DANGEROUS. |
| 00:10:56 |
IS THAT TRUE? |
| 00:10:57 |
DO YOU REALLY TAKE |
| 00:10:58 |
AND FOUR SUGARS? |
| 00:10:59 |
SO WHAT? |
| 00:11:00 |
THAT IS A HEART ATTACK |
| 00:11:03 |
YOU'RE STILL A YOUNG MAN. |
| 00:11:04 |
THAT WAS AMAZING. |
| 00:11:05 |
IT WAS A LUCKY GUESS. |
| 00:11:07 |
DON'T YOU GET TIRED |
| 00:11:08 |
WITH YOUR PERMISSION, |
| 00:11:10 |
TO SNIFF OUT THE CAR. |
| 00:11:15 |
ABSOLUTELY NOT. |
| 00:11:16 |
OOPS! |
| 00:11:18 |
WHAT DID I JUST SAY? |
| 00:11:19 |
JUST RELAX AND LET |
| 00:11:21 |
HE MIGHT FIND SOMETHING. |
| 00:11:24 |
HE'S PEEING. |
| 00:11:30 |
NO. |
| 00:11:31 |
NO, HE'S DRAWING YOUR ATTENTION |
| 00:11:32 |
TO THE EVIDENCE |
| 00:11:35 |
BY PEEING ON IT. |
| 00:11:36 |
NICE. |
| 00:11:38 |
COME HERE, KITTY, KITTY, KITTY. |
| 00:11:40 |
NICE KITTY. |
| 00:11:41 |
YES, DID YOU MAKE GOOD PEE-PEE? |
| 00:11:44 |
DID YOU MAKE |
| 00:11:45 |
YES, YOU DID. |
| 00:11:46 |
WHAT? |
| 00:11:49 |
THAT'S--THAT'S |
| 00:11:55 |
I'M SORRY, |
| 00:11:56 |
HE WAS JUST SAYING |
| 00:11:57 |
THAT HE WOULD HAVE DONE |
| 00:11:58 |
IF HE'D KILLED |
| 00:12:00 |
HE WOULD HAVE |
| 00:12:01 |
AND GRABBED THE PANTSUIT FIRST. |
| 00:12:04 |
MAYBE SHE PICKED UP |
| 00:12:06 |
DAYS AGO. |
| 00:12:07 |
DID THE CAT EVER THINK OF THAT? |
| 00:12:08 |
WHAT IS HE DOING |
| 00:12:10 |
HE IS MEASURING |
| 00:12:11 |
THE AMOUNT |
| 00:12:15 |
OKAY. I KNEW THAT. |
| 00:12:17 |
[SHAWN]: |
| 00:12:19 |
[STARTS ENGINE] |
| 00:12:21 |
[RADIO BLARES] |
| 00:12:22 |
WHOA! |
| 00:12:26 |
NOW, DOES SHE STRIKE YOU |
| 00:12:28 |
AS THE TYPE |
| 00:12:30 |
ANY NUMBER OF PEOPLE |
| 00:12:31 |
COULD HAVE CHANGED |
| 00:12:32 |
MR. SPENCER, |
| 00:12:34 |
ARE FINISHED |
| 00:12:35 |
I BELIEVE |
| 00:12:39 |
CHECK OUT |
| 00:12:40 |
I'M ON IT. |
| 00:12:44 |
LOOK, I DON'T CARE |
| 00:12:46 |
THE CAT |
| 00:12:48 |
DON'T BE RIDICULOUS. |
| 00:12:49 |
THEN TELL ME AGAIN WHY THE CAT |
| 00:12:51 |
HE GETS CAR SICK, |
| 00:12:53 |
DO YOU WANT HIM TO THROW |
| 00:12:55 |
IS THAT WHAT YOU WANT? |
| 00:12:56 |
THAT'S NOT FUNNY, SHAWN. |
| 00:12:59 |
HERE. LAY THESE DOWN. |
| 00:13:00 |
HE'S DOING FINE. AREN'T YOU? |
| 00:13:02 |
[GUS]: |
| 00:13:04 |
THAT MEANS I HAVE TO RETURN IT |
| 00:13:06 |
LAY THESE DOWN. |
| 00:13:13 |
WHOA, WHOA, WHOA, WHOA. |
| 00:13:14 |
WHAT? |
| 00:13:18 |
70% OFF ALL STORM DOORS |
| 00:13:20 |
EVERYTHING MUST GO? |
| 00:13:21 |
GUS, FLIP IT OVER. |
| 00:13:24 |
IT'S HER. |
| 00:13:25 |
STRUGGLING ACTRESS |
| 00:13:27 |
LANDS BIG BREAK |
| 00:13:28 |
AND THEN KILLS HERSELF? |
| 00:13:30 |
OKAY, YOU MIGHT BE ON |
| 00:13:32 |
THE PLAY'S CALLED |
| 00:13:35 |
DAZZLE AND STRETCH? |
| 00:13:37 |
[KNOCKING] |
| 00:13:40 |
I WAS WONDERING |
| 00:13:42 |
A QUESTION. |
| 00:13:45 |
I COULD REALLY USE SOME ADVICE. |
| 00:13:49 |
YEAH, ALL RIGHT. |
| 00:13:51 |
GET ON IN HERE. |
| 00:13:59 |
WHAT CAN I DO FOR YOU, McNAB? |
| 00:14:02 |
IT'S JUST THAT-- |
| 00:14:03 |
YOU'RE STILL MARRIED, RIGHT? |
| 00:14:06 |
ARE YOU TRYING TO PISS ME OFF? |
| 00:14:07 |
NO, SIR. NO, I-- |
| 00:14:09 |
I JUST HAVE A QUESTION. |
| 00:14:12 |
ON YOUR WEDDING NIGHT, |
| 00:14:12 |
DID YOU FEEL ANY... |
| 00:14:14 |
WELL, ANY ADDED PRESSURE |
| 00:14:17 |
EXCUSE ME? |
| 00:14:18 |
IT'S JUST THAT |
| 00:14:19 |
IS GOING TO BE EXPECTING A LOT |
| 00:14:21 |
ON OUR FIRST NIGHT |
| 00:14:22 |
AND I WAS WONDERING |
| 00:14:25 |
FOR ME. |
| 00:14:26 |
WHAT THE HELL |
| 00:14:29 |
THANK YOU VERY MUCH, SIR. |
| 00:14:30 |
I APPRECIATE IT. |
| 00:14:32 |
SO WHAT YOU'RE TRYING |
| 00:14:36 |
NOW IT'S THE CAT |
| 00:14:38 |
THAT'S CONVINCED |
| 00:14:39 |
YES. |
| 00:14:41 |
DO YOU REALLY THINK |
| 00:14:42 |
I'M GOING TO OPEN |
| 00:14:43 |
JUST BECAUSE A CAT TELLS ME TO? |
| 00:14:45 |
[MEOW] |
| 00:14:49 |
THIS IS IT. |
| 00:14:55 |
[MEOW] |
| 00:14:56 |
YES. |
| 00:14:59 |
THIS IS IT. |
| 00:15:00 |
THE GIRL THAT WAS FOUND |
| 00:15:01 |
GLORIA STARKS. |
| 00:15:04 |
SHE'S HERE. |
| 00:15:06 |
SHE'S HERE WITH US. |
| 00:15:17 |
[IN A WOMAN'S VOICE]: |
| 00:15:20 |
I FEAR THAT YOU WILL LEAVE ME! |
| 00:15:21 |
WHAT CHOICE |
| 00:15:25 |
* I DAZZLE * |
| 00:15:29 |
* AND I STRETCH * |
| 00:15:32 |
* I DAZZLE... * |
| 00:15:33 |
* AND I STRETCH * |
| 00:15:36 |
WHAT THE HELL |
| 00:15:37 |
IS GOING ON |
| 00:15:38 |
SHH. |
| 00:15:39 |
MR. SPENCER, |
| 00:15:40 |
THIS IS |
| 00:15:42 |
HE CAN'T HEAR YOU RIGHT NOW, |
| 00:15:43 |
'CAUSE, SEE, |
| 00:15:45 |
WHO'S CHANNELING GLORIA. |
| 00:15:46 |
* I DAZZLE * |
| 00:15:48 |
THEN WHAT ARE WE LOOKING AT? |
| 00:15:49 |
* I STRETCH * |
| 00:15:52 |
BAD ACTING. |
| 00:15:53 |
[GUS]: I THINK SHE WANTS YOU |
| 00:15:55 |
GLORIA IS TRYING TO TELL YOU |
| 00:15:57 |
* STRETCH * |
| 00:15:58 |
* DAZZLE |
| 00:16:03 |
70% OFF STORM DOORS |
| 00:16:04 |
EVERYTHING MUST GO. |
| 00:16:12 |
STRUGGLING ACTRESS |
| 00:16:13 |
LANDS BIG BREAK |
| 00:16:16 |
SO WHAT? |
| 00:16:17 |
[GUS]: SO WHAT? |
| 00:16:18 |
DOES THAT SOUND LIKE A WOMAN |
| 00:16:19 |
PLEASE, ALL ACTRESSES |
| 00:16:21 |
I KNOW. |
| 00:16:23 |
SHE HAD A NOSE RING. |
| 00:16:25 |
GOOD WORK, |
| 00:16:26 |
WHOA. |
| 00:16:28 |
I DON'T KNOW. |
| 00:16:30 |
[SHAWN]: SOMETHING? |
| 00:16:31 |
OH, COME ON, YOU GUYS. |
| 00:16:31 |
THAT'S THE BIGGEST THING |
| 00:16:33 |
THAT EVER HAPPENED |
| 00:16:34 |
YOU NEED TO STOP WAITING AROUND |
| 00:16:36 |
AND START LOOKING |
| 00:16:38 |
SPENCER? |
| 00:16:41 |
get off my leg |
| 00:16:52 |
WHAT DOES THIS MEAN? |
| 00:16:55 |
I HAVE NO IDEA, |
| 00:16:56 |
BUT I SEE IT ON NUMB3RS |
| 00:16:58 |
AND IT SEEMS |
| 00:17:00 |
YOU READY TO GIVE UP? |
| 00:17:02 |
FOUR SEPARATE SUICIDES, |
| 00:17:03 |
TWO OF WHICH OCCURRED |
| 00:17:05 |
AND I DON'T SEE A PATTERN |
| 00:17:06 |
DIFFERENT AGES, |
| 00:17:09 |
DIFFERENT SOCIO-ECONOMIC LEVELS. |
| 00:17:10 |
DIFFERENT METHODS OF DEATH. |
| 00:17:11 |
NO DUPLICATE WEAPONS, LOCATIONS. |
| 00:17:13 |
WHAT DO WE GOT? |
| 00:17:15 |
FIRST WE HAVE A JUMPER, |
| 00:17:17 |
SECOND, AN OVEN, THIRD, PILLS, |
| 00:17:20 |
THEY ALL HAVE TO BE CONNECTED |
| 00:17:23 |
WHAT I SEE |
| 00:17:25 |
NOTHING. |
| 00:17:29 |
YOU SEE, SOMETIMES, SHAWN, |
| 00:17:30 |
YOU DON'T NEED TO DIG SO DEEP. |
| 00:17:31 |
YOU JUST NEED |
| 00:17:34 |
TO MAKE THEM RIGHT-SIDE UP. |
| 00:17:37 |
AND THERE'S YOUR PRIZE. |
| 00:17:43 |
WAIT A MINUTE. |
| 00:17:49 |
WHAT ARE YOU DOING? |
| 00:17:50 |
I'M TURNING THINGS UPSIDE DOWN |
| 00:17:52 |
IN ORDER TO MAKE THEM |
| 00:17:59 |
AND THERE'S THE PRIZE. |
| 00:18:03 |
[GUS]: THIS IS THE PRIZE? |
| 00:18:05 |
GOING TO THE FIRST |
| 00:18:07 |
TALK TO A DEAD GUY? |
| 00:18:08 |
NO, WE TALK |
| 00:18:10 |
THE DEAD GUY'S BROTHER LIVES |
| 00:18:13 |
THEY WERE ROOMMATES, |
| 00:18:15 |
HE'S GETTING RID |
| 00:18:17 |
AND WE'RE HERE TO RENT IT. |
| 00:18:20 |
WE'RE WHAT? |
| 00:18:24 |
WHY CAN'T WE FOR ONCE |
| 00:18:25 |
JUST TALK |
| 00:18:26 |
BECAUSE, GUS, |
| 00:18:26 |
I DON'T WANT HIM |
| 00:18:28 |
IF HE THINKS WE'RE |
| 00:18:29 |
HE'LL CLAM UP. |
| 00:18:32 |
WES HILTONBOCK. |
| 00:18:33 |
YEAH. |
| 00:18:34 |
HEY, SHAWN SPENCER. |
| 00:18:35 |
I TALKED TO YOU |
| 00:18:37 |
ABOUT THE APARTMENT. |
| 00:18:38 |
THIS IS GUS. |
| 00:18:39 |
IT WOULD ACTUALLY BE |
| 00:18:40 |
YEAH. OKAY, COME IN. |
| 00:18:42 |
THANKS, MAN. |
| 00:18:49 |
JUST SO YOU GUYS KNOW, |
| 00:18:52 |
BUT I WOULD REQUIRE |
| 00:18:54 |
FIRST AND LAST MONTH |
| 00:18:57 |
OH, THAT'S NOT A PROBLEM. |
| 00:18:58 |
DO YOU TAKE CATS? |
| 00:18:59 |
AH, I GUESS SO. |
| 00:19:02 |
YOU TWO GUYS HAVE A CAT? |
| 00:19:04 |
WE DO, ACTUALLY. |
| 00:19:06 |
HE'S SORT OF |
| 00:19:08 |
I SEE. |
| 00:19:10 |
HOW DO YOU GUYS |
| 00:19:11 |
WE'RE PARTNERS. |
| 00:19:13 |
GOTCHA. |
| 00:19:14 |
OH, NO, NO-- |
| 00:19:16 |
NO, NO, IT'S FINE. |
| 00:19:17 |
REALLY, I'M TOTALLY FINE. |
| 00:19:18 |
NO. WE'RE PARTNERS |
| 00:19:20 |
RELATIONSHIP. |
| 00:19:22 |
IT'S BEEN A WHILE. |
| 00:19:24 |
WE FINISH |
| 00:19:26 |
SO, TELL ME, WES, |
| 00:19:27 |
WHY WOULD YOU |
| 00:19:29 |
SUCH A HANDSOME APARTMENT? |
| 00:19:31 |
DO YOU NOT LIKE IT ANYMORE? |
| 00:19:35 |
OOH! GUS! |
| 00:19:39 |
GOOD NEWS. |
| 00:19:46 |
UH, ACTUALLY, I JUST HAVE |
| 00:19:47 |
SOME BAD |
| 00:19:49 |
I USED TO LIVE HERE |
| 00:19:50 |
BUT HE PASSED AWAY. |
| 00:19:52 |
[SHAWN]: |
| 00:19:53 |
WAS HE SICK, OR? |
| 00:19:55 |
HE KILLED HIMSELF. |
| 00:19:56 |
OH, GOOD LORD. |
| 00:19:58 |
I'M SO SORRY. |
| 00:19:59 |
YEAH, I'M SORRY. |
| 00:20:00 |
YEAH, ME TOO. |
| 00:20:03 |
WE WERE REAL CLOSE, |
| 00:20:05 |
WAS HE DEPRESSED? |
| 00:20:07 |
I MEAN, WERE THERE SIGNS? |
| 00:20:08 |
DID YOU-- |
| 00:20:09 |
WHAT AM I-- I'M SORRY. |
| 00:20:11 |
YOU DON'T HAVE TO |
| 00:20:12 |
NO. |
| 00:20:14 |
ACTUALLY, I HAD NO IDEA |
| 00:20:18 |
I MEAN, HE HAD |
| 00:20:20 |
HE'S A GREAT GUY, |
| 00:20:22 |
SMARTER THAN ME, MORE TALENTED. |
| 00:20:25 |
HE WAS A GREAT SINGER. |
| 00:20:28 |
HE WAS REALLY GOING PLAC. |
| 00:20:32 |
SO, LOOK, ARE YOU GUYS |
| 00:20:35 |
WHAT DO YOU |
| 00:20:37 |
I THINK IT'S GREAT. |
| 00:20:39 |
I THINK IT'S PERFECT. |
| 00:20:40 |
ALL RIGHT, THEN. |
| 00:20:41 |
I'VE GOT ANOTHER COUPLE |
| 00:20:43 |
SO... |
| 00:20:44 |
BUT I'LL LET YOU GUYS KNOW |
| 00:20:46 |
SHOWER FOR TWO? |
| 00:20:48 |
THAT WAS SO I COULD |
| 00:20:49 |
YOU KNOW, YOU ENJOY THESE THINGS |
| 00:20:51 |
I SUFFERED THROUGH |
| 00:20:53 |
WE LEARNED NOTHING. |
| 00:20:54 |
YES, BUT I GRABBED THIS |
| 00:20:57 |
YOU TOOK HIS MAIL? |
| 00:20:58 |
IT'S NOT LIKE I TOOK |
| 00:21:00 |
IT'S A PHONE BILL. |
| 00:21:01 |
YOU CAN'T OPEN |
| 00:21:02 |
IT'S A FEDERAL OFFENSE! |
| 00:21:03 |
GUS, HE'S DEAD. |
| 00:21:04 |
SO WHAT? |
| 00:21:06 |
I'LL HOLD IT TO MY HEAD |
| 00:21:10 |
HURRY UP, SHAWN. |
| 00:21:10 |
GUS, WHO'S GOING TO SEE US? |
| 00:21:12 |
HURRY UP. |
| 00:21:13 |
WHY, THERE'S LIKE-- |
| 00:21:16 |
THERE'S LIKE 16 CALLS HERE |
| 00:21:20 |
INCLUDING THE LAST CALL HE MADE. |
| 00:21:21 |
I'VE SEEN THE ADS FOR THAT. |
| 00:21:23 |
A DEPRESSED GUY |
| 00:21:25 |
I BETCHA A HUNGRY GUY |
| 00:21:27 |
THAT DOESN'T TELL US ANYTHING. |
| 00:21:28 |
YEAH, BUT IT MIGHT |
| 00:21:30 |
I'M GONNA RUN |
| 00:21:31 |
THE OTHER VICTIMS' |
| 00:21:32 |
WITH WHAT? |
| 00:21:33 |
YOUR DO-IT-YOURSELF |
| 00:21:34 |
THE NEXT BEST THING. |
| 00:21:39 |
THE ANSWER IS |
| 00:21:42 |
ED YOU TO RUN |
| 00:21:43 |
THE VICTIMS' |
| 00:21:45 |
WHAT? NO C THIS TIME? |
| 00:21:47 |
I HAVE A STRG SENSE |
| 00:21:50 |
AND I KNOW THE LINK |
| 00:21:52 |
I DON'T KNOW WHY YOU WOULD THINK |
| 00:21:53 |
I WOULD DO |
| 00:21:55 |
SOME HAVE SAID IT'S THE HAIR. |
| 00:21:57 |
REALLY? WHO SAYS THAT? |
| 00:22:00 |
OH, GUESS WHAT. |
| 00:22:01 |
WE ALREADY |
| 00:22:02 |
AND CHECKED OUT |
| 00:22:03 |
PANTSUITS WERE PICKED |
| 00:22:06 |
WHAT KIND OF |
| 00:22:07 |
DO YOU THINK |
| 00:22:08 |
GUS, YOU WANT |
| 00:22:10 |
NO. |
| 00:22:11 |
LET ME PUT AN END |
| 00:22:13 |
YES, ALL THE VICTIMS CALLED |
| 00:22:16 |
NOT JUST ONCE, |
| 00:22:18 |
DETECTIVE LASSITER AND I |
| 00:22:20 |
WE'VE GONE TO THE BONE ON THESE. |
| 00:22:21 |
ALL THE WAY TO THE BONE? |
| 00:22:22 |
I KNOW THIS IS |
| 00:22:24 |
BUT THESE PEOPLE DID HAVE |
| 00:22:26 |
THEY WERE TROUBLED, |
| 00:22:28 |
AND THEY WERE |
| 00:22:29 |
AND AS SAD AS THAT IS, |
| 00:22:30 |
THEY ALL COMMITTED SUICIDE. |
| 00:22:31 |
CASE CLOSED. |
| 00:22:33 |
WE'VE CLEARLY |
| 00:22:40 |
IT'S NOT OVER, |
| 00:22:41 |
COURSE NOT. |
| 00:22:42 |
THEY ALL CALLED |
| 00:22:43 |
AND THEY ALL KILLED |
| 00:22:44 |
SHAWN, THAT'S WHAT |
| 00:22:47 |
IT'S STRANGE |
| 00:22:51 |
YEAH, IT IS. |
| 00:22:53 |
MAYBE WE SHOULD |
| 00:22:54 |
TAKE A CLOSER LOOK |
| 00:22:57 |
GLORIA STARKS |
| 00:22:58 |
BECAUSE SHE WAS STRESSED |
| 00:23:00 |
YOU CALL A HELP LINE, |
| 00:23:01 |
THAT'S NOT VERY HELPFUL. |
| 00:23:03 |
WHAT IF SOMEONE THERE |
| 00:23:05 |
AND MAKING IT LOOK LIKE |
| 00:23:07 |
GUS, WE GO TO |
| 00:23:09 |
I THINK |
| 00:23:12 |
COME ON. |
| 00:23:17 |
WHAT IS THIS? |
| 00:23:18 |
YOU'RE LOOKING AT |
| 00:23:19 |
MAZEL TOV. |
| 00:23:20 |
ARE YOU OUT OF YOUR MIND? |
| 00:23:22 |
YOU RENTED OFFICE SPACE |
| 00:23:24 |
GUS, DON'T BE A CRAZY HOOLIGAN. |
| 00:23:25 |
I RENTED A SIGN. |
| 00:23:34 |
NOW, LET'S GO SAY HELLO |
| 00:23:41 |
HELLO, EVERYONE! |
| 00:23:43 |
WHO WANTS PINEAPPLE? |
| 00:23:45 |
BE HONEST. |
| 00:23:47 |
YOU GUYS CAN SLICE IT UP |
| 00:23:48 |
I'M SORRY, GENTLEMEN. |
| 00:23:51 |
I'M TERRANCE. |
| 00:23:52 |
I RUN THE LINE HERE. |
| 00:23:53 |
TERRANCE. HELLO. |
| 00:23:55 |
I'M SHAWN SPENCER. |
| 00:23:56 |
THIS IS MY PARTNER, |
| 00:23:57 |
GUS SILLYPANTS |
| 00:23:58 |
JUST CAME BY |
| 00:24:00 |
WE'VE OPENED UP OUR OWN LITTLE |
| 00:24:03 |
NOT AS BIG |
| 00:24:04 |
MORE OF A CLOSET, REALLY. |
| 00:24:06 |
YOWN 1-800...THINGY? |
| 00:24:08 |
YEAH, YEAH, YEAH. |
| 00:24:09 |
IT'S CALLED |
| 00:24:10 |
MAYBE YOU RECOGNIZE US. |
| 00:24:12 |
I'M THE LEAD PSYCHIC |
| 00:24:13 |
FOR THE SANTA BARBARA |
| 00:24:18 |
THE McCALLUM MURDERS. |
| 00:24:22 |
THE EDMOND ROBBERIES? |
| 00:24:23 |
OVER THERE. |
| 00:24:24 |
YOU? NOTHING? NOTHING? |
| 00:24:26 |
WHAT, DO YOU GUYS |
| 00:24:27 |
[CHUCKLING] |
| 00:24:30 |
SO YOU CAN KNOW STUFF ABOUT ME |
| 00:24:33 |
YEAH. PRETTY MUCH. |
| 00:24:35 |
DO IT. |
| 00:24:36 |
DO IT? |
| 00:24:38 |
SHOW US. |
| 00:24:40 |
LOOKING FOR A LITTLE DEMO. |
| 00:24:41 |
WELL, THEY DON'T LIKE PINEAPPLE. |
| 00:24:44 |
I DON'T KNOW, GUYS. |
| 00:24:46 |
I DON'T THINK BIG T. WANTS US |
| 00:24:48 |
OH, NO, NO, NO, NO. |
| 00:24:49 |
GO RIGHT AHEAD. |
| 00:24:50 |
HALF THE LINES ARE DOWN, |
| 00:24:51 |
THE PHONES |
| 00:24:52 |
WE HAVE TIME |
| 00:24:53 |
OH YEAH? |
| 00:24:59 |
LET'S SEE |
| 00:25:11 |
LOOSE, FLOWING STANZAS, |
| 00:25:13 |
BOBBY FROST. |
| 00:25:16 |
ARE YOU A POET, BY CHANCE? |
| 00:25:17 |
YEAH. |
| 00:25:18 |
YEAH, I AM. WOW. |
| 00:25:20 |
HOW DID YOU |
| 00:25:22 |
I GUESS YOU COULD SAY |
| 00:25:23 |
I'M A BIT OF A PSYCHIC POET. |
| 00:25:26 |
OH, PLEASE. STOP. |
| 00:25:29 |
'CAUSE I'M, LIKE... |
| 00:25:30 |
I'M FREAKING OUT. |
| 00:25:32 |
DO YOU SEE HIS EYELINER? |
| 00:25:34 |
THE GUY COULD BE THE |
| 00:25:41 |
WOW. |
| 00:25:43 |
YOU CAN SEE WHY YOU |
| 00:25:44 |
IT'S BEAUTIFUL. |
| 00:25:46 |
THE SOUND OF THE SEAGULLS, |
| 00:25:48 |
THE SALT AIR... |
| 00:25:49 |
HMM. |
| 00:25:51 |
I NEVER NOTICED. |
| 00:25:52 |
WHAT DO YOU GOT THERE? |
| 00:25:54 |
IT'S WHAT YOU ASKED FOR. |
| 00:25:55 |
I RAN THE SHEETS |
| 00:25:56 |
ON ALL THE VOLUNTEERS |
| 00:25:58 |
DO YOU MIND? |
| 00:26:00 |
IT'S POLICE BUSINESS. |
| 00:26:02 |
SCRAM! |
| 00:26:06 |
LET'S SEE WHAT WE GOT HERE. |
| 00:26:07 |
WELL, LOOKEE THERE. |
| 00:26:10 |
IT'S A PICTURE |
| 00:26:12 |
HMM. |
| 00:26:18 |
HEY, RORY. |
| 00:26:29 |
WHERE THE HELL HAVE YOU BEEN? |
| 00:26:30 |
I'VE BEEN SITTING |
| 00:26:32 |
IN THIS TINY CLOSET |
| 00:26:34 |
I'M ALL CRAMPED. |
| 00:26:36 |
WELL, GET UP, MAN. |
| 00:26:37 |
DO SOME PUSHUPS OR SOMETHING. |
| 00:26:39 |
DO SOME PUSHUPS? |
| 00:26:40 |
SURE, |
| 00:26:40 |
LIKE CLINT EASTWOOD |
| 00:26:42 |
SURE, HE SPENDS THE WHOLE MOVIE |
| 00:26:44 |
BUT HE'S IN THE BEST SHAPE |
| 00:26:48 |
GIVE ME A LITTLE PIECE OF TAPE. |
| 00:26:50 |
WHAT HAPPENED TO |
| 00:26:52 |
GUS, WHAT DO YOU THINK |
| 00:27:00 |
MY WORK HAPPENS HERE... |
| 00:27:02 |
AND HERE. |
| 00:27:03 |
WHAT ARE YOU DOING? |
| 00:27:06 |
I AM TRYING TO CREATE |
| 00:27:09 |
AND I CAN TELL BY LOOKING |
| 00:27:11 |
THAT YOU DON'T CARE. |
| 00:27:12 |
WE DON'T WORK HERE, SHAWN. |
| 00:27:13 |
WE DO UNTIL WE SOLVE |
| 00:27:15 |
BUT DON'T WORRY. |
| 00:27:16 |
YOU ARE GOING TO CALL |
| 00:27:17 |
AND PRETEND |
| 00:27:19 |
AND I'LL GO DOWN THE HALL |
| 00:27:21 |
ASK FOR RORY |
| 00:27:23 |
SO THAT I CAN SEE HIM |
| 00:27:24 |
WHY DON'T YOU CALL HIM? |
| 00:27:25 |
GUS, PLEASE BE SERIOUS |
| 00:27:27 |
NO ONE'S GOING TO BELIEVE |
| 00:27:28 |
I'VE GOT AN IDEA. |
| 00:27:29 |
WHY DON'T YOU HAVE THE CAT |
| 00:27:30 |
HE'S LIKE YOUR NEW PARTNER, |
| 00:27:32 |
WHERE IS HE, ANYWAY? |
| 00:27:33 |
GUS, HE'S FAR MORE COMFORTABLE |
| 00:27:35 |
PLUS I NEED HIM |
| 00:27:37 |
FOR WHEN HE IDENTIFIES |
| 00:27:39 |
NOW, WAIT EXACTLY TWO SECONDS, |
| 00:27:43 |
I HAVE NO IDEA |
| 00:27:45 |
HERE'S A GOOD OPENER. |
| 00:27:47 |
HELLO, MY NAME'S GUS. |
| 00:27:49 |
I HAVE A DEEP-SEATED JEALOUSY |
| 00:27:55 |
WHY WOULD YOU PUT THEM |
| 00:27:57 |
SEE, BECAUSE I THINK |
| 00:27:59 |
BIG T! |
| 00:28:00 |
LOOK SHARP. |
| 00:28:05 |
WHAT IS IT NOW, MR. SPENCER? |
| 00:28:06 |
JUST WANTED TO |
| 00:28:07 |
HOW MANY LINES |
| 00:28:09 |
WELL, I HAVE 12 LINES, |
| 00:28:11 |
BUT I'M ADDING MORE |
| 00:28:12 |
I GET IT. I GET IT. |
| 00:28:13 |
THE MORE LINES, THE MORE GREEN, |
| 00:28:16 |
I'M A NON-PROFIT OPERATION. |
| 00:28:18 |
THE CALLS ARE FREE. |
| 00:28:20 |
I'M NOT IN THIS FOR THE MONEY. |
| 00:28:21 |
REALLY? THAT'S WEIRD. |
| 00:28:23 |
SEE, I'M THINKING OF CHARGING |
| 00:28:29 |
RORY. |
| 00:28:31 |
RORY! |
| 00:28:35 |
[KNOCKING] |
| 00:28:36 |
HEY, ROR. |
| 00:28:37 |
HEY. |
| 00:28:38 |
WOW, YOU REALLY DO LOVE |
| 00:28:40 |
YOU KIDDING? |
| 00:28:42 |
YEAH, YOU KNOW, YOU DON'T REALLY |
| 00:28:45 |
CHARITABLE TYPE. |
| 00:28:47 |
I WAS GOING TO SAY "SENSITIVE," |
| 00:28:49 |
ACTUALLY, I'M HERE |
| 00:28:51 |
ON THIS ASSAULT BEEF. |
| 00:28:52 |
I GOT INTO IT |
| 00:28:55 |
WHO DIDN'T LIKE MY POETRY, SO... |
| 00:28:58 |
250 HOURS. |
| 00:28:59 |
TWO FITTY? WOW. |
| 00:29:01 |
THAT'S INTENSE. |
| 00:29:01 |
[BANG] |
| 00:29:04 |
RORY? |
| 00:29:06 |
TAKE LINE SIX! |
| 00:29:08 |
I'LL LET YOU GET BACK TO WORK. |
| 00:29:09 |
SORRY. |
| 00:29:12 |
[SIGH] |
| 00:29:13 |
HELLO, STRESS LINE. |
| 00:29:16 |
THE EXTRA "S" |
| 00:29:17 |
THIS IS RORY. |
| 00:29:19 |
UH-HUH. |
| 00:29:21 |
SO YOU'RE EXPERIENCING |
| 00:29:27 |
CAREER AND PERSONAL? |
| 00:29:28 |
WELL, YEAH, I SUPPOSE. |
| 00:29:31 |
I MEAN, MY CAREER'S NOT EXACTLY |
| 00:29:35 |
NO. NO, I DON'T HAVE |
| 00:29:38 |
IT'S BEEN A WHILE. |
| 00:29:39 |
RIGHT. |
| 00:29:44 |
RIGHT. |
| 00:29:45 |
THAT'S NOT GOOD. |
| 00:29:47 |
UM, DOES IT MAKE YOU |
| 00:29:52 |
LIKE HOW DARK ARE YOU TALKING? |
| 00:29:55 |
LIKE "WANNA BE DEAD" DARK? |
| 00:29:56 |
OKAY, EASY. |
| 00:29:58 |
NOW, I JUST WANT TO SAY THIS, |
| 00:30:01 |
SUICIDE IS NOT |
| 00:30:03 |
WHO SAID ANYTHING ABOUT SUICIDE? |
| 00:30:05 |
I JUST SAID MAYBE I SHOULD FIND |
| 00:30:06 |
LIKE COIN COLLECTING, |
| 00:30:08 |
OR SOMETHING AT THE BEACH. |
| 00:30:09 |
I LIKE WATER ACTIVITIES. |
| 00:30:10 |
LIKE DROWNING? |
| 00:30:12 |
[GUS]: WHAT? |
| 00:30:13 |
DROWNING? |
| 00:30:14 |
I DON'T WANT TO DROWN! |
| 00:30:15 |
NO, NO, OF COURSE YOU DON'T. |
| 00:30:17 |
THAT'S AWFUL, OKAY? |
| 00:30:19 |
BUT I DON'T CARE |
| 00:30:21 |
ABOUT SUICIDE IN A LAKE |
| 00:30:24 |
LIKE, YOUR BODY FLOATING |
| 00:30:26 |
TO THE TOP OF THE PRISTINE, |
| 00:30:30 |
AND YOUR FINAL BREATHS |
| 00:30:32 |
IN AN EVER-WIDENING |
| 00:30:34 |
YOU KNOW, LIKE |
| 00:30:35 |
BUT YOU HAVE TO STOP |
| 00:30:39 |
YOU HAVE SO MUCH |
| 00:30:40 |
YOU'RE DAMN STRAIGHT. |
| 00:30:41 |
I HAVE A LOT TO LIVE FOR. |
| 00:30:42 |
OF COURSE YOU DO. |
| 00:30:44 |
YOU SEE, I CAN TELL, |
| 00:30:45 |
THIS PHONE CALL |
| 00:30:52 |
DUDE, WHAT THE HELL |
| 00:30:53 |
WAS HE TRYING TO HELP ME? |
| 00:30:55 |
DUDE, HE PUT YOU |
| 00:30:57 |
HEADED FOR CREEP ISLAND |
| 00:30:58 |
WHERE THE NATIVES |
| 00:31:00 |
OUT OF CREEPY |
| 00:31:00 |
SHAWN, |
| 00:31:02 |
YEAH, SORRY. |
| 00:31:03 |
HE'S NUTS, SHAWN. |
| 00:31:04 |
YES. |
| 00:31:06 |
HE ACTUALLY MADE |
| 00:31:07 |
PHARMACEUTICAL |
| 00:31:09 |
YOU ARE MY ONLY |
| 00:31:11 |
THERE'S GOTTA BE SOMETHING |
| 00:31:12 |
HEY, HEY, HEY, WHAT IS THIS? |
| 00:31:13 |
WHAT? |
| 00:31:14 |
"HANG IN THERE." |
| 00:31:17 |
HE'S RIGHT. |
| 00:31:19 |
I NEED TO START TAKING |
| 00:31:20 |
DOES THAT MEAN WE CAN |
| 00:31:22 |
NO. I'M BEING SERIOUS, SHAWN. |
| 00:31:24 |
LOOK, WOULD IT MAKE YOU |
| 00:31:25 |
IF I TOLD YOU |
| 00:31:26 |
WE GOT THE APARTMENT! |
| 00:31:27 |
WHAT WOULD MAKE ME FEEL BETTER |
| 00:31:29 |
THIS GUY IS |
| 00:31:31 |
LET'S CALL VICK. |
| 00:31:32 |
MAYBE GET HIM ARRESTED. |
| 00:31:33 |
GUS, GUS... |
| 00:31:35 |
THE ONLY THING |
| 00:31:37 |
IS BEING A BAD POET. |
| 00:31:38 |
YOU KNOW HOW THIS GAME WORKS. |
| 00:31:41 |
WE CANNOT JUST PICK UP THE PHONE |
| 00:31:42 |
AND BEG THE POLICE |
| 00:31:45 |
LOOK, JUST...JUST STAY AWAY |
| 00:31:49 |
FINAL DECISION. |
| 00:31:50 |
WE WAIT. |
| 00:32:01 |
UM, NO, IT'S THIS WAY. |
| 00:32:03 |
YOU SURE? |
| 00:32:04 |
NOW, WAS THAT SO HARD? |
| 00:32:08 |
MYBE YOU'D CARE |
| 00:32:13 |
MY EYELINER PENCIL? |
| 00:32:14 |
SO YOU ADMIT IT'S YOURS. |
| 00:32:17 |
FUNNY HOW GLORIA STARKS' |
| 00:32:20 |
WAS SCRAWLED |
| 00:32:21 |
IN BLACK EYELINER, |
| 00:32:23 |
YET NO EYELINER WAS FOUND |
| 00:32:25 |
YOU, MY FRIEND, ARE LOOKING |
| 00:32:28 |
BAG IT, O'HARA. |
| 00:32:31 |
YOU LIKE YOUR MUSIC, |
| 00:32:33 |
YEAH, I DO. |
| 00:32:35 |
IT'S MY INSPIRATION. |
| 00:32:36 |
I BET. |
| 00:32:39 |
I BET IT INSPIRES YOU TO KILL. |
| 00:32:41 |
THAT'S WHY |
| 00:32:43 |
PLAYING YOUR BIG-HAIRED, |
| 00:32:45 |
ON MORTIMER TILDEN'S STEREO |
| 00:32:46 |
WHILE YOU FORCED HIM |
| 00:32:48 |
OR ON GLORIA STARKS' CAR RADIO |
| 00:32:49 |
WHILE SHE SLIPPED |
| 00:32:51 |
AND EVEN NOW. |
| 00:32:54 |
LET'S HAVE A LITTLE LISTEN, |
| 00:32:56 |
[PLAYS "UP, UP AND AWAY |
| 00:33:05 |
WHAT, YOU THINK YOU CAN |
| 00:33:07 |
SWITCHING OUT |
| 00:33:09 |
FOR THIS NOISE? |
| 00:33:10 |
THIS CRAP |
| 00:33:15 |
I HATE METAL MUSIC. |
| 00:33:17 |
I USE THE DETAILS |
| 00:33:20 |
TO WRITE |
| 00:33:22 |
I'M NOT A KILLER. |
| 00:33:24 |
NO, YOU'RE A POET... |
| 00:33:25 |
BUT YOU'RE ALSO AN ASSAULTER, |
| 00:33:28 |
WHO DO YOU THINK ARRESTED YOU |
| 00:33:41 |
OH, A GUY FROM THE PHONE COMPANY |
| 00:33:49 |
I DIDN'T KILL ANYBODY. |
| 00:33:51 |
GET HIM OUT OF MY SIGHT. |
| 00:33:59 |
WHAT? |
| 00:34:00 |
YOU'RE NOT TAKING NOTES? |
| 00:34:05 |
HOW COULD YOU LET |
| 00:34:07 |
NOW LASSITER GETS CREDIT |
| 00:34:08 |
AND WE DON'T |
| 00:34:10 |
OH, WE'RE GONNA GET PAID. |
| 00:34:11 |
HOW DO YOU FIGURE? |
| 00:34:12 |
LASSITER DIDN'T SOLVE THE CRIME. |
| 00:34:13 |
RORY'S INNOCENT. |
| 00:34:14 |
HE DIDN'T? |
| 00:34:16 |
NO. |
| 00:34:16 |
THEN WHO DID? |
| 00:34:20 |
JUST GRIP THE SPIKE |
| 00:34:22 |
AND CLIMB! COME ON! |
| 00:34:27 |
WHY DO I GOT TO GO UP FIRST? |
| 00:34:28 |
'CAUSE YOU'RE A |
| 00:34:29 |
JUST, YOU KNOW, BE CAREFUL. |
| 00:34:31 |
GRIP THE SPIKE |
| 00:34:34 |
OKAY, OKAY, OKAY. |
| 00:34:42 |
GREASE. |
| 00:34:49 |
DUDE! DUDE! DUDE! |
| 00:34:50 |
CAN I COME DOWN, THEN? |
| 00:34:52 |
NO, NO, I HAVE TO FIGURE OUT |
| 00:34:53 |
WHO IS HE? |
| 00:34:55 |
WELL, PUT IT THIS WAY. |
| 00:34:56 |
TAKING THE APARTMENT |
| 00:34:58 |
UNLESS YOU THINK IT'S COOL |
| 00:34:59 |
THAT OUR WOULD-BE LANDLORD |
| 00:35:00 |
HILTONBOCK? |
| 00:35:03 |
THERE WAS A PATTERN. |
| 00:35:04 |
SEE, ALL THE MURDERS |
| 00:35:06 |
THAT HILTONBOCK |
| 00:35:08 |
THAT'S WHEN HE HAD |
| 00:35:09 |
WITH THIS? |
| 00:35:10 |
YES. YEAH, YEAH, |
| 00:35:16 |
PERFECT! |
| 00:35:17 |
SEE, THIS DEVICE STORES |
| 00:35:19 |
ALL THE INCOMING |
| 00:35:20 |
MY GUESS IS WHATEVER |
| 00:35:23 |
THAT'S WHERE HILTONBOCK |
| 00:35:24 |
AND WHOEVER THAT IS |
| 00:35:27 |
[RINGING] |
| 00:35:28 |
HELLO, YOU'VE REACHED |
| 00:35:30 |
I'M NOT IN RIGHT NOW, |
| 00:35:32 |
AND I WILL GET BACK TO YOU |
| 00:35:36 |
OH, NO. |
| 00:35:38 |
WHO ARE YOU CALLING? |
| 00:35:44 |
HELLO, CHIEF? |
| 00:35:46 |
HEY, UH, SHAWN SPENCER HERE. |
| 00:35:48 |
LOOK, I'M GETTING A VIBE |
| 00:36:01 |
STAY, BOY CAT! |
| 00:36:22 |
HEY, McNAB. |
| 00:36:23 |
SO THIS IS THE PLACE, HUH? |
| 00:36:26 |
IT'S NICE. IT'S REALLY NICE. |
| 00:36:27 |
DROP IT! |
| 00:36:28 |
DON'T COME ANY CLOSER! |
| 00:36:29 |
I WILL DROP YOU! |
| 00:36:30 |
I SWEAR TO GOD |
| 00:36:31 |
DROP IT! |
| 00:36:32 |
EVERYBODY, BREATHE. |
| 00:36:33 |
GET OUT OF HERE. |
| 00:36:34 |
WOW, THE OTHER ONES |
| 00:36:36 |
A LOT SMOOTHER THAN |
| 00:36:38 |
YEAH, COMPARATIVELY, |
| 00:36:40 |
IT WAS PROBABLY |
| 00:36:41 |
TO GET MORTIMER TILDEN |
| 00:36:43 |
YOU WANT TO DIE, |
| 00:36:45 |
EAT 'EM. |
| 00:36:46 |
BECAUSE YOU ARE NOT REALLY |
| 00:36:50 |
ARE YOU? |
| 00:36:51 |
HE ONLY THREW HIS OWN BROTHER |
| 00:36:52 |
I DIDN'T PUSH HIM |
| 00:36:54 |
NO, NO, NO, NO. |
| 00:36:55 |
NO, YOU DIDN'T. |
| 00:36:58 |
BUT YOU WERE THERE. |
| 00:36:59 |
YOU SAW THE WHOLE THING. |
| 00:37:00 |
YOU SAW HIM JUMP OFF THE BALCONY |
| 00:37:02 |
OF THE APARTMENT |
| 00:37:03 |
HE WAS WEAK. |
| 00:37:04 |
THERE'S A LOT OF WEAK PEOPLE |
| 00:37:06 |
YOU GOING TO TRACK |
| 00:37:07 |
ONE AT A TIME? |
| 00:37:09 |
PUNISH THEM FOR THEIR WEAKNESS? |
| 00:37:10 |
YOU WANT TO GET BACK |
| 00:37:12 |
YOU DON'T EVEN... |
| 00:37:14 |
YOU DON'T EVEN CARE |
| 00:37:15 |
JUST THAT THEY CALLED A LINE. |
| 00:37:16 |
LOOK, YOU WERE GOING |
| 00:37:17 |
JUST BECAUSE HE HAD |
| 00:37:18 |
A FEW PRE-WEDDING JITTERS. |
| 00:37:20 |
I WAS JUST LOOKING |
| 00:37:22 |
NOBODY ELSE WOULD TALK TO ME. |
| 00:37:26 |
IT'S OKAY, BUZZ. |
| 00:37:28 |
WE ALL HAVE STRESS. |
| 00:37:30 |
ALL OF US. |
| 00:37:31 |
RIGHT HERE IN THIS ROOM. |
| 00:37:32 |
I MEAN, TAKE A GOOD LOOK, |
| 00:37:33 |
WE ALL HAVE PROBLEMS. |
| 00:37:36 |
WHO ELSE DESERVES |
| 00:37:39 |
MAYBE IT'S GUS. |
| 00:37:41 |
THAT'S ENOUGH, |
| 00:37:42 |
OH, SHOOT HIM. |
| 00:37:43 |
WHAT ATE YOU DOING? |
| 00:37:44 |
YEAH, MAYBE I SHOULD. |
| 00:37:45 |
DON'T LISTEN TO HIM! |
| 00:37:48 |
HE'S A CRAZY PERSON. |
| 00:37:49 |
HE'S CRAZY. |
| 00:37:50 |
THAT'S RIGHT. I AM CRAZY. |
| 00:37:52 |
SO MAYBE YOU SHOULD SHOOT ME. |
| 00:37:54 |
OKAY. |
| 00:37:55 |
HERE'S THE BEST PART. |
| 00:37:58 |
IT DOESN'T MATTER WHAT I THINK, |
| 00:38:00 |
BECAUSE YOU HAVE A PROBLEM |
| 00:38:04 |
THIS GUY. |
| 00:38:06 |
THE MAN WITH HIS GUN |
| 00:38:07 |
IS NOT ONLY A FINE HUMAN BEING |
| 00:38:11 |
HE IS AN EXEMPLARY |
| 00:38:14 |
AND ARGUABLY |
| 00:38:16 |
IN THE LOWER WESTERN |
| 00:38:21 |
OVER THE AGE OF 35, |
| 00:38:23 |
AND RIGHT NOW, |
| 00:38:26 |
HE IS DEVISING A SWIFT |
| 00:38:28 |
THAT IS GOING TO DISARM YOU... |
| 00:38:31 |
AND BLOW YOUR FREAKING MIND. |
| 00:38:41 |
ANY TIME YOU'RE READY. |
| 00:38:45 |
ALL RIGHT, WE'VE GOT |
| 00:38:47 |
OW! |
| 00:38:51 |
OW! OW! |
| 00:38:55 |
WHOA, WHOA, WHOA, WHOA. |
| 00:39:03 |
THAT WAS ADEQUATE, SPENCER. |
| 00:39:04 |
DON'T THANK ME. |
| 00:39:06 |
THANK THE LITTLE BOY CAT. |
| 00:39:10 |
OW! OW! |
| 00:39:15 |
THERE YOU ARE! |
| 00:39:18 |
THERE'S MY BIG GUY. |
| 00:39:20 |
THERE'S MY BIG GUY. |
| 00:39:23 |
YOU'RE A HERO TODAY. |
| 00:39:24 |
YES. |
| 00:39:26 |
SPEAKING OF HEROES, |
| 00:39:27 |
McNAB, I WAS GOING |
| 00:39:30 |
OFF THE REGISTRY ONLINE, |
| 00:39:31 |
BUT IT TURNS OUT THE CHIEF |
| 00:39:32 |
ALREADY GOT YOU |
| 00:39:33 |
THE ASPARAGUS |
| 00:39:36 |
INSTEAD, I GIVE YOU |
| 00:39:41 |
YEAH. |
| 00:39:47 |
IF YOU TAKE HIM IN THE CAR, |
| 00:39:51 |
SHOTGUN. |
| 00:39:58 |
Is something beatufull clolor ABOUT THE COLOR |
| 00:40:01 |
I THINK IT'S THE MOST BEAUTIFUL |
| 00:40:04 |
I'VE BEEN THINKING. |
| 00:40:05 |
YOU'RE NOT THE ONLY ONE |
| 00:40:07 |
WHO HAS A CHARMED LIFE, |
| 00:40:08 |
I'VE GOT IT |
| 00:40:10 |
YES, YOU DO, |
| 00:40:10 |
AND IT MAKES ME GLAD |
| 00:40:12 |
I MEAN, THE OTHER DAY |
| 00:40:14 |
THIS DERMATOLOGIST, |
| 00:40:16 |
COMMENTED HOW I LOOKED HANDSOME |
| 00:40:18 |
CARRYING MY SAMPLE CASE |
| 00:40:20 |
FINESTATT SAID THAT? |
| 00:40:21 |
YES, SHE DID. |
| 00:40:22 |
AND SHE IS FINE. |
| 00:40:25 |
SO IT GOT ME THINKING, |
| 00:40:28 |
MAYBE PHARMACEUTICAL SALES |
| 00:40:31 |
THERE ARE TIMES WHEN I HAVE |
| 00:40:33 |
BECAUSE YOU'RE LITERALLY |
| 00:40:34 |
YOU SEE WHAT I'M SAYING? |
| 00:40:35 |
I MEAN, YOU MAY BE MY |
| 00:40:38 |
BUT YOU'RE MY BEST FRIEND, |
| 00:40:40 |
AND HOW MANY BEST FRIENDS |
| 00:40:44 |
THAT'S MY POINT. |
| 00:40:45 |
IT'S ALL IN THE ATTITUDE, |
| 00:40:46 |
EXACTLY. NOT SWEATING |
| 00:40:49 |
LIFE'S TOO SHORT. |
| 00:40:53 |
CHANGING MY ATTITUDE, SHAWN. |
| 00:41:04 |
WHERE THE HELL IS MY PRIZE? |
| 00:41:07 |
EASY, NOW. |
| 00:41:08 |
NO, NO. I TIMED THE BOWLS |
| 00:41:10 |
ME, THEN YOU, THEN ME, |
| 00:41:12 |
THEN I GET THE PRIZE. |
| 00:41:14 |
SO WHAT HAPPENED TO NOT |
| 00:41:16 |
LIFE'S TOO SHORT? |
| 00:41:19 |
DID YOU OPEN THE BOTTOM |
| 00:41:21 |
WHY WOULD I DO SOMETHING |
| 00:41:23 |
THAT'S MY RING. |
| 00:41:25 |
HMM? |
| 00:41:26 |
YOU KNOW I WOULD KILL |
| 00:41:28 |
UH, YOU'RE UPSETTING ME. |
| 00:41:29 |
YOU JUST CHANGED MY MOOD |
| 00:41:31 |
FROM AN ORANGEY YELLOW |
| 00:41:32 |
YOU NEED TO SAY |
| 00:41:38 |
GUS... |
| 00:41:39 |
THAT'S SO CHILDISH AND... |
| 00:41:47 |
I'M GOING TO EAT YOURS. |
