Lodger The
|
00:02:03 |
Get back behind the line, please. |
00:02:08 |
- Detective. |
00:02:10 |
- Yeah. |
00:02:12 |
Well, the techies are done, |
00:02:14 |
This way. |
00:02:31 |
- What? |
00:02:35 |
It's pretty nasty. |
00:02:38 |
- Any witnesses? |
00:04:20 |
What's wrong with you? |
00:04:24 |
Bill and I had a couple of drinks |
00:04:28 |
Until 4:00 a.m.? |
00:04:31 |
The victim was a young woman |
00:04:33 |
L.A. County Police are expected to |
00:04:35 |
at the West Hollywood Sheriff's station, |
00:04:38 |
But speculation is they believe the murders |
00:04:41 |
those committed seven years ago |
00:04:45 |
The murder weapon in use was a knife. |
00:04:55 |
... knife... |
00:04:58 |
... knife... |
00:05:11 |
In July, after an extraordinarily short |
00:05:14 |
Alonzo Rodriguez was executed |
00:05:18 |
- in West Hollywood, both prostitutes. |
00:05:20 |
Detective! |
00:05:22 |
Detective, do you have any indication |
00:05:24 |
the Rodriguez case? |
00:05:25 |
I'm not going to talk |
00:05:27 |
As far as I'm concerned, |
00:05:29 |
Can you confirm that |
00:05:34 |
It does appear that the woman |
00:05:36 |
but I'm afraid that's all I can say right now. |
00:05:38 |
Detective Manning, one more question! |
00:05:44 |
So, how much is left? |
00:05:50 |
We have enough for this month. |
00:05:54 |
Only three people have come |
00:05:59 |
Drop the rent to 800. |
00:06:12 |
Any more of |
00:06:14 |
you're gonna get |
00:06:17 |
Who says it'll be unwanted? |
00:06:19 |
- Oh, Jesus Christ. |
00:06:22 |
but I guess LASD thought |
00:06:24 |
Yeah, maybe outside the building. |
00:06:27 |
- No wonder your last partner quit. |
00:06:29 |
Can I use that word? |
00:06:31 |
Somebody must have been fucking |
00:06:35 |
- Look, I spent 14 months... |
00:06:38 |
Just don't throw any of that shit in my face. |
00:06:43 |
Man, you're worse than my dad. |
00:06:45 |
This just came in. |
00:06:50 |
Isn't that supposed to stay sealed? |
00:07:00 |
Who else has seen this? |
00:07:03 |
It's better to start up and dust down, |
00:07:10 |
- Good. |
00:07:13 |
I can hear you, Ellen. |
00:07:17 |
I'm going out. |
00:07:19 |
Take your damn pills. |
00:07:20 |
No one's gonna rent this place |
00:07:27 |
Well, what if the landlord is? |
00:07:43 |
- Hello? |
00:07:46 |
- Hi, Daddy. |
00:07:47 |
I was thinking about visiting your mother. |
00:07:50 |
No, you can't. Please. |
00:07:52 |
Why not? She's allowed visitors, isn't she? |
00:07:54 |
Because she's isn't ready to see you yet, |
00:07:57 |
- Did she tell you that? |
00:07:59 |
What about you? Did the doctor say |
00:08:02 |
No, Dad. Look, |
00:08:05 |
- What about dinner? |
00:08:08 |
I've got a lab due on Thursday, |
00:08:11 |
- and it's just... |
00:08:12 |
- I'm just really busy right now. |
00:08:14 |
No, it's okay. I've got... |
00:08:17 |
- Got a lot of work to do here, myself. |
00:08:19 |
- Sure. |
00:08:21 |
Tomorrow. Okay. |
00:09:04 |
Just a minute. |
00:09:28 |
- Hello? |
00:09:31 |
I should have called first. |
00:09:34 |
- and I noticed your sign. |
00:09:37 |
I've been looking for a quiet room, |
00:09:43 |
Come in. |
00:09:51 |
Smells good. |
00:09:55 |
So, have you just moved to L.A.? |
00:09:58 |
Not really. |
00:10:02 |
You know, something to inspire me. |
00:10:11 |
Oh, I'm sorry. It's this way. |
00:10:13 |
Great. |
00:10:16 |
You would be welcome to |
00:10:19 |
but the rent does include breakfast, |
00:10:22 |
usually until about 9:00. |
00:10:25 |
Or are you a late riser? |
00:10:27 |
Yes, I'm afraid I am. |
00:10:30 |
What is this, some kind of gang attack? |
00:10:33 |
Not unless the others |
00:10:35 |
This was one guy, |
00:10:39 |
It's identical. Look at this. |
00:10:42 |
There are almost 40 separate incisions, |
00:10:44 |
each with the same angle of entry, |
00:10:46 |
- same tearing motion. |
00:10:50 |
He definitely used his left hand, |
00:10:52 |
but each wound was created |
00:10:55 |
My guess is |
00:10:58 |
- Bastard did his homework. |
00:11:02 |
The Rodriguez killings |
00:11:05 |
where both victims died |
00:11:08 |
Presumably so that |
00:11:12 |
This one died immediately, |
00:11:16 |
after the first incision to her throat. |
00:11:18 |
He had a conscience? |
00:11:19 |
Well, it depends on |
00:11:21 |
A case like this, actually, |
00:11:24 |
you're casing |
00:11:27 |
- Took pity on her, for Christ's sake. |
00:11:32 |
- Thank you, Sam. |
00:11:34 |
I was sorry to hear about |
00:11:36 |
- Is she doing any better? |
00:12:05 |
What do you do? I mean, for work. |
00:12:08 |
Oh, I write. |
00:12:10 |
So, I must have complete quiet, and privacy. |
00:12:30 |
I'd like to take it. Right away. |
00:12:34 |
- But you haven't even asked the rent. |
00:12:38 |
I have a great sense of those I can trust. |
00:12:40 |
I'm Malcolm Slaight. |
00:12:42 |
I'm Ellen Bunting. |
00:12:44 |
My husband, Joe, well, he works late... |
00:12:47 |
It's important to me that |
00:12:49 |
Oh, yes. Of course. Except for me. |
00:12:53 |
But I can't be disturbed. |
00:12:55 |
- You will talk to your husband. Not at all. |
00:13:00 |
Would $1,000 a month be acceptable? |
00:13:15 |
I almost forgot. About references... |
00:13:18 |
I won't be needing those. Just privacy. |
00:13:24 |
Thank you. |
00:13:31 |
This is Miss Sally Harrison. |
00:13:34 |
Or what's left of her. |
00:13:36 |
Her body was found |
00:13:40 |
on the 8400 block of Sunset and Olive. |
00:13:43 |
She was 23 years old, 5'3 " tall, |
00:13:53 |
Thirty-nine separate knife wounds. |
00:13:56 |
No witnesses, |
00:13:59 |
no obvious suspects, |
00:14:01 |
no motive. |
00:14:03 |
Other than this bastard |
00:14:11 |
Okay. That's it. |
00:14:13 |
Who are they? |
00:14:15 |
Smith, LAPD. |
00:14:18 |
And he brought the Feds. |
00:14:20 |
They'll be all over us on this |
00:15:08 |
- What are you doing? |
00:15:12 |
I just thought you might like some tea. |
00:15:16 |
I'm sorry. Just leave it there, please. |
00:15:24 |
- What's wrong with them? |
00:15:27 |
Following me. |
00:15:30 |
Everywhere. It's a little unnerving. |
00:15:33 |
- Oh, well, I'll have Joe come and take... |
00:15:37 |
Please, we've already talked about this. |
00:15:41 |
Ever. |
00:15:42 |
- I'll bring them out. |
00:15:45 |
- do you need anything else? |
00:15:48 |
Oh, and if you could pick up some things |
00:15:52 |
- That's way too much. |
00:15:57 |
Whatever you think, bread, cereal, |
00:16:00 |
Thank you. |
00:16:03 |
About food. |
00:16:13 |
I couldn't see his face. |
00:16:17 |
He was wearing one of those long coats, |
00:16:20 |
- What was the color of the coat? |
00:16:24 |
Have Jim come in here for a sketch. |
00:16:26 |
We need height and build, |
00:16:30 |
- When Jim's done, let him go. |
00:16:34 |
Get anything else out of him, keep him. |
00:16:39 |
Right. |
00:16:43 |
- What... |
00:16:56 |
This is really wonderful, honey. |
00:17:00 |
I got it at the deli after class |
00:17:05 |
Still good. |
00:17:11 |
You put her there. |
00:17:14 |
- Amanda, please don't say that. |
00:17:16 |
You were obsessive |
00:17:21 |
Nothing she did was |
00:17:23 |
- You know, she told me even in bed... |
00:17:35 |
Honey, I know I could have |
00:17:38 |
- There's more to this... |
00:17:42 |
Amanda, that's not true. |
00:17:53 |
I have a really early class tomorrow, so... |
00:18:12 |
- Okay, I'll call you later. |
00:18:41 |
What happened to the sign? |
00:18:44 |
- I rented it. |
00:18:46 |
- He's already moved in. |
00:18:48 |
A man. Malcolm something. |
00:18:52 |
He's already given us |
00:18:54 |
And I didn't even have to lower the rate |
00:18:59 |
- I did include breakfast. |
00:19:02 |
No, it isn't. |
00:19:06 |
He's been busy back there |
00:19:10 |
But don't... Don't go in there. |
00:19:13 |
He only wants me to go back there. |
00:19:17 |
Are you kidding? |
00:19:20 |
He's a bit eccentric. |
00:19:25 |
Anyway, what choice do we have? |
00:19:35 |
- Anything back from the techies? |
00:19:38 |
Let's see, there was nothing |
00:19:42 |
no signs of sexual activity. |
00:19:44 |
He either surprised her or he knew her |
00:19:48 |
So, other than the pimp, |
00:19:50 |
Right in the middle of |
00:19:53 |
- What about the letter? |
00:19:56 |
but they only match the people |
00:19:59 |
The mail room, the post office, |
00:20:02 |
Nothing back yet on the paper |
00:20:04 |
That's it? |
00:20:05 |
Well, we still have someone on the pimp, |
00:20:08 |
A clean pimp? Now there's an oxymoron. |
00:20:12 |
Well, I doubt he's the killer. |
00:20:23 |
Of course he's not the killer, you moron. |
00:20:26 |
Now I know this is your first case |
00:20:29 |
all your fucking friends, |
00:20:30 |
but I really need you |
00:20:33 |
and stop wasting my time |
00:20:37 |
Now whisper something to me, quick. |
00:20:39 |
- I don't know what you... |
00:20:41 |
I'll check up on that. Thank you. |
00:20:58 |
Joe! |
00:21:04 |
Joe! |
00:21:09 |
Joe! |
00:21:10 |
I picked the big bear |
00:21:13 |
and you picked the little bear. |
00:21:15 |
I'm sorry, mister, |
00:21:20 |
These are for you, are they not? |
00:21:22 |
- I like those. |
00:21:26 |
Joe! |
00:21:29 |
Joe! |
00:21:36 |
You're still here? Didn't you hear me? |
00:21:38 |
- What's that smell? |
00:21:42 |
It's not for you. |
00:21:46 |
- We got the late shift. |
00:21:50 |
And take your boots off |
00:21:53 |
I would like to get some sleep, too. |
00:21:56 |
I'll do whatever I want. |
00:22:00 |
Just take the medicine, Ellen, okay? |
00:23:43 |
You following me, sweetheart? |
00:24:39 |
What do you have, Sam? |
00:24:43 |
All of her reproductive organs |
00:24:46 |
as if he were giving her a cesarean section. |
00:24:50 |
Holy shit. |
00:24:52 |
Better cover her up. |
00:24:53 |
No. No, I'm okay. |
00:24:56 |
There's more. |
00:24:57 |
I was wrong. He's not imitating Rodriguez. |
00:25:03 |
- Was she alive? |
00:25:06 |
Everything's identical. Strong right hand, |
00:25:09 |
successive three-quarter-inch incisions, |
00:25:12 |
alternating left to right, then right to left. |
00:25:16 |
Sorry, Chan. |
00:25:19 |
He's back. |
00:25:22 |
Wait a minute. |
00:25:23 |
You're telling me that this guy, |
00:25:26 |
is the same guy that killed the two women |
00:25:27 |
Rodriguez was executed for |
00:25:29 |
- I'm sure of it. |
00:25:31 |
There was blood from both victims |
00:25:34 |
and the murder weapon. |
00:25:35 |
Well, somebody must have |
00:25:37 |
because it's the same handiwork. |
00:25:39 |
I mean, exactly the same. |
00:25:43 |
like a surgeon signing his name. |
00:25:46 |
And another thing. |
00:25:48 |
You know who he's imitating, don't you? |
00:25:50 |
- Who? |
00:25:53 |
The whole body mutilation, prostitutes... |
00:25:55 |
I should have seen it. |
00:25:57 |
Fuck. |
00:25:58 |
Who? Who is he imitating? |
00:26:02 |
Jack the Ripper. |
00:26:09 |
Another prostitute was brutally murdered |
00:26:12 |
Last night's violent murder here |
00:26:15 |
... second exact recreation |
00:26:18 |
which occurred over 100 years ago. |
00:26:19 |
News 15 sources believe |
00:26:22 |
will shortly issue a report with evidence |
00:26:27 |
... killed at least 6 women in 1888, |
00:27:07 |
You stay here, Timmy. |
00:27:15 |
The violent murder of two women |
00:27:18 |
seems to precisely mimic |
00:27:21 |
the extraordinarily brutal crimes |
00:27:24 |
Jack the Ripper, in London, |
00:27:28 |
Further, we are exploring the possibility |
00:27:30 |
that these recent murders |
00:27:33 |
the same man who killed two women |
00:27:36 |
in a similar fashion |
00:27:38 |
on Sunset Boulevard seven years ago. |
00:27:41 |
- Detective! |
00:27:43 |
- Just one question! |
00:27:45 |
Is it possible Alonzo Rodriguez |
00:27:48 |
for which you and the DA |
00:28:00 |
In light of new evidence, |
00:28:05 |
that it intends to reopen the Rodriguez file. |
00:28:07 |
Sir! Detective! |
00:28:08 |
Detective! Question, one more question! |
00:28:09 |
Detective Manning, please, over here! |
00:28:16 |
Tell Gregor to pull up anything he can |
00:28:19 |
Timeline, number of victims, |
00:28:22 |
This lunatic's not done yet. |
00:28:24 |
- Where you going? |
00:28:57 |
Mr. Manning. |
00:29:01 |
Hi, I'm Dr. Stevens. |
00:29:03 |
I'd like to speak with you for a moment |
00:29:08 |
She's making some progress, but still |
00:29:12 |
It's necessary for us to |
00:29:15 |
Your daughter was adamant that |
00:29:18 |
Yeah, you people didn't seem |
00:29:22 |
Well, that's more your daughter's |
00:29:26 |
Or mine. |
00:29:28 |
But just to be safe, |
00:29:30 |
I'm going to have the attending nurse |
00:29:33 |
What do you people think I'm gonna do? |
00:29:35 |
She's my wife, for Christ's sake. |
00:29:36 |
Just don't expect too much, |
00:29:38 |
Are you gonna let me see her, or not? |
00:29:58 |
Hello, Chandler. |
00:30:00 |
Hi, Mags. |
00:30:04 |
It's good to see you. |
00:30:05 |
Yeah, I'm sure I look wonderful. |
00:30:11 |
No, you look good. |
00:30:19 |
I hope it's all right I came. |
00:30:24 |
I suppose I'll always have this. |
00:30:35 |
Why'd you do it, Mags? |
00:30:47 |
You have to go. |
00:30:49 |
- Mags, please. |
00:30:53 |
Nurse. |
00:30:54 |
You have to leave now, Mr. Manning. |
00:30:55 |
Please. |
00:30:57 |
Now! |
00:31:04 |
Oh, God! |
00:31:05 |
No! Leave me alone! |
00:31:15 |
Don't touch me! |
00:31:18 |
Please! |
00:31:20 |
Go! Go! |
00:31:24 |
Leave me alone! No! Please, no! |
00:31:40 |
I'd have come for that. |
00:31:42 |
It was delicious. |
00:31:44 |
Thank you. |
00:31:46 |
Would you like some coffee? |
00:31:48 |
That would be nice. |
00:32:00 |
Where's your husband? |
00:32:03 |
- He's at work. |
00:32:06 |
He leaves early. |
00:32:08 |
He goes to the gym, |
00:32:11 |
And gets in at 3:00 a.m.? |
00:32:14 |
You heard him. |
00:32:15 |
That doesn't leave you |
00:32:19 |
No. |
00:32:25 |
Well, what time did you get in last night? |
00:32:31 |
I'm sorry. |
00:32:34 |
I'm afraid I have some work I need to do. |
00:32:40 |
Thank you for the breakfast. |
00:32:47 |
I'm glad you came over. |
00:32:58 |
There's no damn way I'm handing this |
00:33:02 |
Look, it's too late, okay? |
00:33:06 |
- and they wanna see us at 3:00. |
00:33:09 |
All right. We'll meet the profiler. |
00:33:11 |
But when Smith comes, |
00:33:13 |
You got me? Not a fucking thing. |
00:33:51 |
What are you doing? |
00:33:54 |
I was trying to dry my trousers |
00:33:59 |
You're welcome to use the dryer |
00:34:02 |
Well, these are lost now. |
00:34:06 |
Think I might borrow one or two |
00:34:09 |
Sure. |
00:34:11 |
It seems your husband and I are a close fit. |
00:34:17 |
So, he wants everything. |
00:34:19 |
Who was killed, how many, when, how, |
00:34:21 |
- police reports... |
00:34:24 |
Come on, you don't need me for this. |
00:34:25 |
Everything on Jack the Ripper |
00:34:28 |
Why don't you just Google it? |
00:34:30 |
Or go get the book |
00:34:33 |
Look, he wants it by 3:00, okay? |
00:34:38 |
I mean, it beats me why you didn't |
00:34:41 |
- Going after whores, cutting them up... |
00:34:45 |
All right, here it is. |
00:34:46 |
Rolston, with an "O." |
00:34:49 |
Well, two "O's." 1422, aisle 14, second shelf. |
00:34:54 |
So you fried the wrong guy? |
00:34:57 |
That's a bummer, huh, Detective? |
00:34:59 |
Fuck off. |
00:35:49 |
- What the fuck are you doing? |
00:35:51 |
Fuck you, man! |
00:35:53 |
Just making sure you had the files. |
00:35:54 |
Get the fuck out of here. |
00:36:55 |
You know your man Manning |
00:36:57 |
- You know, the cop on TV. |
00:36:59 |
Just went out the back door. |
00:37:05 |
Shit. |
00:37:07 |
- Did he take anything? |
00:37:08 |
what he wanted. Asshole. |
00:37:10 |
I go back there to make sure he found |
00:37:13 |
A gun? What file name did he want? |
00:37:15 |
Rolston, with an "O." |
00:37:17 |
Well, two "O's." |
00:37:50 |
What am I doing? |
00:38:08 |
I forgot my bag. |
00:38:12 |
Who were you expecting? |
00:38:23 |
Sorry. Sorry I'm late. |
00:38:26 |
Doctor's appointment. |
00:38:30 |
How big, how old, Hispanic, White, |
00:38:33 |
Well, I can't give you specifics, Detective. |
00:38:36 |
Just a general profile. |
00:38:37 |
And even there, we have to be careful |
00:38:40 |
as your killer likely knows he's being |
00:38:44 |
to keep from giving away too much. |
00:38:45 |
So what you're basically saying is |
00:38:48 |
Yes, that's right. |
00:38:51 |
Jesus Christ, could somebody |
00:38:54 |
Come on, Chandler. |
00:38:58 |
The precise replication |
00:39:01 |
is clearly psychotic obsessive. |
00:39:04 |
And we have to consider that |
00:39:07 |
several years ago, |
00:39:10 |
- may well have triggered this obsession. |
00:39:13 |
That was after |
00:39:15 |
What is this, |
00:39:17 |
She may be right, Chan. |
00:39:19 |
Those first two murders |
00:39:22 |
They were cut up, but no real MO, |
00:39:25 |
Gee, thanks, Sam. |
00:39:26 |
He's obviously extremely intelligent, |
00:39:28 |
and from the way |
00:39:30 |
it looks like he's had |
00:39:33 |
What about motive? |
00:39:34 |
Difficult. It could be a consequence |
00:39:39 |
psychosis, schizophrenia, bi-polar, |
00:39:45 |
A serial killer's motives, anger, |
00:39:49 |
are almost always profoundly abstracted. |
00:39:52 |
In this case, it's odd because, |
00:39:55 |
there isn't any actual sexual assault. |
00:39:57 |
- Is that typical? |
00:40:00 |
however, to find such a violent |
00:40:04 |
directed at the opposing gender |
00:40:10 |
It means he gets off on the killing. |
00:40:13 |
And the chase, of course. |
00:40:16 |
What about the gap? |
00:40:19 |
then disappear for seven years, |
00:40:22 |
Two, ten, twenty years, |
00:40:26 |
I imagine that, most of the time, |
00:40:29 |
like you and I. Has a job, goes to work, |
00:40:33 |
So, he just couldn't hold off anymore? |
00:40:36 |
Possibly. |
00:40:37 |
Or? |
00:40:39 |
Or he wants to get back in the limelight |
00:40:43 |
But my guess is |
00:40:47 |
I think he wants to get closer, and is |
00:40:52 |
That's where I would start. |
00:42:33 |
Thought you might have |
00:44:51 |
Two-for-one tonight, hon. |
00:44:55 |
- Piss off! |
00:45:09 |
What about this guy? |
00:45:11 |
He looks kind of cute. |
00:46:01 |
Well? |
00:46:03 |
Well, I think this is an exact re-creation |
00:46:08 |
of Elizabeth Stride and Catherine Eddowes |
00:46:12 |
You've been doing your homework. |
00:46:13 |
The letter with the red ink |
00:46:15 |
That is word for word the same |
00:46:18 |
that the Ripper sent three days before |
00:46:21 |
- Got something here, Detective. |
00:46:31 |
- Looks like about a 10. |
00:46:33 |
Will you get these people the hell back? |
00:46:36 |
I want a photograph of that. |
00:46:43 |
Excuse me. |
00:46:49 |
"Batty"? What does that mean? |
00:46:50 |
I don't know, |
00:46:54 |
Hey, shouldn't we have forensics do that? |
00:46:56 |
Yeah, yeah, yeah, yeah, yeah. |
00:47:02 |
It's been cut with scissors. |
00:47:04 |
How did you know that was in there? |
00:47:07 |
A piece of Catherine Eddowes' apron |
00:47:10 |
the night of the double Ripper murders. |
00:47:11 |
It had been used to scrawl |
00:47:14 |
- And there was a witness. |
00:47:17 |
The Eddowes murder. |
00:47:21 |
There was a witness. |
00:47:25 |
How tall was he? |
00:47:29 |
Well, he was maybe about your height. |
00:47:36 |
Was he White, Black, Hispanic? |
00:47:42 |
I only saw him from behind. |
00:47:48 |
It was just too dark. |
00:47:52 |
But he was wearing a long, dark coat. |
00:48:03 |
Oh, and he was carrying a small, |
00:48:09 |
black |
00:48:11 |
bag. |
00:48:14 |
... over 100 years ago. |
00:48:16 |
And speculation is growing |
00:48:19 |
the same killer who murdered |
00:48:23 |
seven years ago. |
00:48:24 |
Which would mean the L.A. County |
00:48:28 |
may have wrongly convicted |
00:48:32 |
How many more innocent people |
00:48:35 |
before we realize that it's the death penalty |
00:48:40 |
Right now, there are 600... |
00:48:42 |
No, stay. Stay. It's a zoo out there. |
00:48:44 |
... awaiting execution in California prisons, |
00:48:46 |
140 of whom no longer even have |
00:48:50 |
Now, do the math. |
00:48:51 |
More innocent people will die |
00:48:55 |
This guy is intentionally stoking up |
00:49:00 |
Things could get nasty for a while. |
00:49:01 |
Yeah, but he's right. I missed something. |
00:49:04 |
What? |
00:49:06 |
Close the door. |
00:49:17 |
What's this? |
00:49:21 |
The Lusk letter? |
00:49:23 |
The one that the Ripper sent to George Lusk |
00:49:25 |
after the double murders |
00:49:26 |
Did this just come in? |
00:49:28 |
It was in the Rodriguez file. |
00:49:30 |
Rodriguez? |
00:49:31 |
- That was seven years ago. |
00:49:34 |
- Yeah. |
00:49:36 |
After we arrested Rodriguez, |
00:49:41 |
about how we'd gotten rid |
00:49:47 |
A few days later, the letter arrived. |
00:49:51 |
You know, strange shit comes in here |
00:49:56 |
I completely forgot about it, until |
00:50:00 |
Well, we don't know it's from the same guy. |
00:50:01 |
No, I had it tested, outside. |
00:50:06 |
- it's all the same. |
00:50:08 |
out of Rodriguez's file, tested it, |
00:50:11 |
Jesus Christ, you are such a fucking rookie. |
00:50:13 |
How long do you think it would take |
00:50:16 |
once they found out |
00:50:19 |
on the Rodriguez case? Take a look at this. |
00:50:21 |
He's been matching the original Ripper |
00:50:24 |
Just Annie Chapman |
00:50:27 |
If we don't catch this guy, |
00:50:30 |
and then what? |
00:50:32 |
We got a week. Maybe two, and that's it! |
00:50:35 |
You think Smith's gonna come in here |
00:50:42 |
Hey, what's this? |
00:50:44 |
It's the footprint from |
00:50:46 |
It's a boot, actually. |
00:50:48 |
Size 10. Made by Raptor Footwear |
00:50:51 |
Rubber sole. You could find these |
00:50:54 |
Tread's worn thin. |
00:50:56 |
- Hello? |
00:50:57 |
- I have the Mayor for you. |
00:50:59 |
I need you to come down to City Hall. |
00:51:00 |
Yeah... |
00:51:03 |
No, I'll be there. |
00:51:10 |
...and that Detective Manning |
00:51:12 |
and pointed it at the attendant |
00:51:13 |
in a threatening manner |
00:51:17 |
Further, Detective Manning has |
00:51:19 |
all outside agencies |
00:51:22 |
in order to impede an independent review |
00:51:24 |
of the case by the LAPD |
00:51:27 |
Tell us what you took from Rodriguez's file. |
00:51:29 |
All this is bullshit! Come on, Bill. |
00:51:32 |
Can't you see Smith's just trying |
00:51:35 |
What, you're gonna let him? |
00:51:36 |
Threatening a co-worker |
00:51:39 |
IA should have shut down |
00:51:44 |
You're gonna have to |
00:51:45 |
Oh, so I guess you found |
00:51:51 |
It is our decision, therefore, |
00:51:55 |
- pending psychological evaluation... |
00:51:57 |
...and a more formal |
00:51:59 |
of these charges by Internal Affairs. |
00:52:09 |
Just a minute. |
00:52:15 |
Room service. |
00:52:17 |
Look at you. |
00:52:32 |
I got mud on them last night, |
00:52:37 |
I cleaned them in the sink, I'm sorry. |
00:52:41 |
Those old things, who cares? |
00:52:46 |
I recognize that shirt. |
00:52:49 |
Yeah, it fits perfectly. |
00:52:57 |
Well, if you don't need anything else... |
00:54:23 |
There you are. |
00:54:24 |
What are you doing back here? |
00:54:26 |
I'm washing your boots. |
00:54:49 |
Smith orchestrated this. |
00:54:52 |
So what are you gonna do? |
00:54:55 |
I don't know. |
00:54:57 |
My daughter won't speak to me, |
00:54:59 |
my wife can't speak to me. |
00:55:03 |
Who knows, |
00:55:04 |
with some of your interior decorator friends. |
00:55:06 |
You do need a break. |
00:55:08 |
Not until I see this lunatic hang. |
00:55:10 |
I thought you didn't believe |
00:55:13 |
You've been watching too much TV. |
00:55:16 |
Still meeting this Ripper author |
00:55:19 |
What, that guy? What's the point? |
00:55:21 |
We know everything about |
00:55:24 |
Names of victims, where, when, and how. |
00:55:29 |
who he was. |
00:55:30 |
There is no him, Chandler. |
00:55:32 |
Yeah, but we know the names |
00:55:35 |
It's my guess this lunatic |
00:55:38 |
- What do I tell Smith? |
00:56:05 |
Shit. |
00:56:22 |
You leaked it. |
00:56:23 |
- Watch yourself, Detective. |
00:56:25 |
was probably the only piece of information |
00:56:28 |
I mean, how else are we... |
00:56:29 |
There are other factors |
00:56:31 |
that you don't know about. |
00:56:33 |
The city is in hysterics. The public wants to |
00:56:36 |
Are we trying to catch this guy, |
00:56:39 |
Because the only progress I see is |
00:56:43 |
It turns out I've made a great many mistakes. |
00:56:45 |
Alonzo Rodriguez's execution |
00:56:48 |
Because the burden of proof in California |
00:56:52 |
Not just California. Look. |
00:56:54 |
How many convictions have been |
00:56:58 |
Check it out. Manning's lost it. |
00:57:00 |
It's not that I think serial killers |
00:57:03 |
The death penalty, it presupposes |
00:57:07 |
where mistakes are made all the time, |
00:57:10 |
and that means that |
00:57:12 |
Alonzo Rodriguez was one of them. |
00:57:16 |
My part in that is something |
00:57:20 |
Detective! Detective. |
00:57:21 |
Rumor has it that you've been fired, |
00:57:25 |
Is that true? |
00:57:28 |
Things aren't always |
00:57:52 |
Joe, there's something odd |
00:57:56 |
Wait, hold on. Who's Malcolm? |
00:58:00 |
Our lodger. |
00:58:02 |
All right, God damn it, please, |
00:58:06 |
- No, Joe, listen. |
00:58:09 |
There is no one back there. |
00:58:13 |
Don't say that. You... |
00:58:14 |
- Okay. All right. Get up. |
00:58:16 |
- Get up! I'm so sick of this! |
00:58:20 |
- Come on, come on! |
00:58:22 |
Promise me! Promise me you'll stop |
00:58:26 |
- He's out! |
00:58:29 |
- Yes. |
00:58:31 |
I promise. |
00:58:37 |
Is anybody in there? |
00:58:40 |
Is anyone in there? |
00:58:49 |
No. |
00:58:56 |
There's no one in there. |
00:59:04 |
Joe! |
00:59:22 |
It's Amanda. I'm not in. |
00:59:26 |
Amanda, honey, hi, it's Dad. |
00:59:31 |
I hope you can call me back, |
00:59:38 |
I know I haven't been there much |
00:59:43 |
but I'm sure you know I went to the clinic |
00:59:46 |
She wasn't too happy to see me, |
00:59:50 |
Well, I mean, it was good to see her. |
00:59:53 |
Maybe we could |
01:00:22 |
Yeah, why the hell is Manning's name |
01:00:27 |
When? |
01:00:28 |
He steals evidence, and then |
01:00:34 |
Tell him, Gregor. |
01:00:36 |
After you left my desk, |
01:00:40 |
and they made me show them |
01:00:44 |
Some of these sites you wouldn't believe. |
01:00:46 |
This site, luskfromhell. com, |
01:00:49 |
it's named after the "From Hell" letter |
01:00:53 |
along with half |
01:00:57 |
He showed you the Lusk letter, |
01:00:59 |
The one he took from the Rodriguez file? |
01:01:02 |
Yeah, well, anyway, |
01:01:05 |
So what? |
01:01:09 |
which of the original Ripper suspects |
01:01:12 |
And then, we'll be able |
01:01:14 |
So, digging through some obscure |
01:01:18 |
That's exactly what I thought, |
01:01:19 |
but then I also found Manning's footprint |
01:01:23 |
more intensively violent sites, |
01:01:28 |
Anyway, the weird thing is, |
01:01:29 |
it turns out that Manning has been |
01:01:33 |
since early '97. |
01:01:35 |
That is about 18 months |
01:01:39 |
The ones Rodriguez was framed for. |
01:01:42 |
And that means that Manning has been |
01:01:45 |
Yeah, but that doesn't make any sense. |
01:01:48 |
Because he's a fucking lunatic, that's why! |
01:01:51 |
We believe Manning constructed |
01:01:55 |
framing him for the first two murders |
01:01:58 |
We believe now that he's setting up |
01:02:03 |
We've done some digging into |
01:02:07 |
What profile? The Ionely burned-out cop |
01:02:10 |
No, this is textbook. |
01:02:12 |
In and out of foster homes as a kid, |
01:02:16 |
depression, it's all there. |
01:02:18 |
You just described half of L.A., |
01:02:20 |
Look, there's not a chance in hell |
01:02:22 |
If you are too close, Detective, |
01:02:42 |
What are we doing here? |
01:02:43 |
I don't want Smith |
01:02:47 |
Interesting. |
01:02:48 |
Relax. He said 4:00. Give him a few minutes. |
01:02:52 |
Look. Tell me, why did you want us |
01:02:55 |
- if you know so much about him yourself? |
01:03:02 |
The Tumblety case is interesting. |
01:03:05 |
until about 10 years ago, |
01:03:07 |
when a letter written |
01:03:10 |
John Littlechild, |
01:03:13 |
when sealed documents were released |
01:03:14 |
under the British Freedom |
01:03:17 |
He was an American |
01:03:21 |
his arrival in London neatly coinciding |
01:03:26 |
and his departure with |
01:03:29 |
The Tumblety theory holds |
01:03:33 |
because certain members |
01:03:36 |
and avoided releasing |
01:03:39 |
for fear he might flee, |
01:03:43 |
And how do the facts here point to him? |
01:03:45 |
Well, they don't, really, except for |
01:03:51 |
I remember reading somewhere |
01:03:56 |
At least, I think it was Tumblety. |
01:03:58 |
Yeah, so what have we got here? |
01:04:00 |
Klosowski, the medical student, |
01:04:03 |
Tumblety, the American. Which one is it? |
01:04:07 |
Well, if you want one, |
01:04:11 |
But I'd be careful about the obvious. |
01:04:12 |
There's a reason |
01:04:15 |
And I doubt your killer is leaving behind |
01:04:37 |
How long you been a Ripper expert? |
01:04:40 |
A long time. |
01:04:43 |
Why do you ask? |
01:04:48 |
Jack the Ripper was |
01:04:51 |
No motive, flauntingly violent, never caught. |
01:04:56 |
lago with a knife. |
01:04:58 |
A fucking shadow lurking |
01:05:03 |
How long? |
01:05:07 |
Anyway, enough of the 20 questions. |
01:05:09 |
Look, if we're gonna cover |
01:05:11 |
we need to split up. |
01:05:15 |
No, no, no, no. |
01:05:19 |
It's not that many names, |
01:05:26 |
That's touching. |
01:05:28 |
Sure, why not? Let's stick together. |
01:05:40 |
Thank you, ma'am. |
01:05:45 |
Dead's a good alibi. Who's next? |
01:05:47 |
All right, next. Joe Bunting. |
01:05:50 |
Another one of those at the gym on Sunset |
01:05:53 |
Might explain the black bag. |
01:05:59 |
It's a pretty thin connection, |
01:06:00 |
but Whitechapel is the 1.5 square mile area |
01:06:04 |
where all the Ripper murders took place. |
01:06:05 |
It also happens to be |
01:06:23 |
- Mrs. Bunting? |
01:06:26 |
Hi, I'm Detective Wilkenson, and this is... |
01:06:29 |
I recognize you. |
01:06:30 |
We'd like to come in |
01:06:32 |
if you and your husband are available. |
01:06:34 |
Well, he's not here, |
01:06:39 |
so Joe will be back later, in the morning, |
01:06:46 |
Ma'am, we won't be more |
01:07:06 |
Usually he gets off around 1:00, |
01:07:09 |
but he doesn't always come straight home. |
01:07:12 |
It would be helpful |
01:07:15 |
Where is he? |
01:07:18 |
He sometimes goes to the gym first, |
01:07:22 |
They work together, |
01:07:26 |
But it's too late. |
01:07:30 |
What's the address? |
01:07:33 |
19000 Sunset near Doheny. |
01:07:39 |
- They both are. |
01:07:43 |
That's just an extra room where we store |
01:07:48 |
- Anybody staying there? |
01:07:51 |
Mind if we take a look? |
01:07:56 |
No. |
01:08:23 |
- Whose are these? |
01:08:29 |
Well, thank you, Mrs. Bunting. |
01:08:31 |
Okay. |
01:08:41 |
She's hiding something. |
01:08:48 |
You notice the way she wouldn't look at us |
01:08:53 |
Maybe she kicked her husband |
01:08:56 |
Get a search warrant from Rollins. |
01:08:59 |
I want to take a good look back there. |
01:09:07 |
They're not gonna find anything. |
01:09:54 |
Were you and Bunting working last week, |
01:10:01 |
I don't know. Maybe. |
01:10:04 |
What's all this? |
01:10:06 |
You finish with him. I'll call you in an hour. |
01:10:09 |
Where are you going? |
01:12:39 |
Annie Chapman. |
01:12:41 |
Same incisions. |
01:12:43 |
Same body position, same everything. |
01:12:47 |
And her uterus is missing. |
01:12:52 |
Where have you been? |
01:12:55 |
What's that supposed to mean? |
01:12:58 |
You didn't go home, did you? |
01:13:11 |
Most people with a bottle of red ink |
01:13:13 |
would have it hidden away these days, |
01:13:16 |
I don't know what you mean. |
01:13:19 |
Come now, Ellen. |
01:13:23 |
- No, I... |
01:13:26 |
and start snooping around. |
01:13:28 |
I wasn't. I wasn't. |
01:13:30 |
I was just trying to clean behind the cabinet, |
01:13:33 |
No one will know. |
01:13:39 |
Ellen, please. |
01:13:42 |
I shouldn't have raised my voice, I'm sorry. |
01:13:44 |
- No, no. |
01:13:47 |
I shouldn't have raised my voice. |
01:14:00 |
Shit, man, don't do that! |
01:14:03 |
Yeah, right. You're gonna have to |
01:14:06 |
Where you been? The cops were here. |
01:14:10 |
What'd you tell them? |
01:14:12 |
Take it easy. Nothing. |
01:14:14 |
They just asked about Ellen, what |
01:14:17 |
That's it? |
01:14:21 |
Like what? |
01:14:23 |
- It's gotta be here somewhere. |
01:14:27 |
It looks like we found something. |
01:14:41 |
Got him. |
01:14:59 |
Call me the minute he shows up. |
01:15:34 |
Shit! |
01:16:08 |
You're leaving. |
01:16:25 |
Tumblety. |
01:16:36 |
Please. |
01:16:38 |
No one has to know. |
01:16:42 |
I'll do anything. |
01:17:06 |
Hello? |
01:17:09 |
I'm looking for Street Wilkenson. Is this... |
01:17:11 |
Hey, Cat. It's okay, baby. I got it. |
01:17:18 |
- Hi. |
01:17:20 |
- My wife. |
01:17:23 |
She's really been looking forward |
01:17:25 |
Here's me thinking I was being |
01:17:28 |
Yeah, right. What do you want? It's late. |
01:17:31 |
It's not Isenschmidt. It's Tumblety. |
01:17:33 |
Bunting is Tumblety, and that black bag |
01:17:37 |
Chandler, there's still nothing |
01:17:39 |
We find that black bag, and there will be. |
01:17:41 |
Wait, wait, wait. You mean right now? |
01:17:43 |
Listen, this prick Smith has |
01:17:46 |
He's got two of LAPD's finest staked out, |
01:17:50 |
Chandler, why do you care so much about |
01:17:54 |
We're all after the same guy. |
01:17:55 |
Well, since when have |
01:17:59 |
You told him? |
01:18:00 |
- Hey, look, you can't just go over there. |
01:18:05 |
This asshole has got one more murder, |
01:18:07 |
- then he fucking disappears. |
01:18:10 |
Let me get dressed. |
01:18:14 |
We still have to call Smith. |
01:18:25 |
The only prints I found |
01:18:28 |
presumably the wife. |
01:18:31 |
- That's it. I'll tell the Captain. |
01:18:37 |
We're done here. |
01:18:38 |
It's clean, no black bag, no prints. |
01:18:43 |
Let's go. Smith wants to talk to us. |
01:18:46 |
No, there's something else. |
01:18:48 |
They knew we were getting close. |
01:18:50 |
Why else would they all leave |
01:18:53 |
I'm gonna take another look around. |
01:18:59 |
Oh, what? You think I should go with you? |
01:19:02 |
Just don't touch anything. |
01:19:07 |
- Let's get everybody out of here. |
01:19:10 |
- It's clean. |
01:19:12 |
You fucking left him out there? |
01:19:17 |
- It's stuck. |
01:19:22 |
Bingo. |
01:19:25 |
- Jesus, God. |
01:19:27 |
No, you'd better do this. |
01:19:29 |
I wouldn't want to taint anything. |
01:19:35 |
Yeah, it's Smith. |
01:19:39 |
There's a security guard there, |
01:19:42 |
He works in the security booth. |
01:19:44 |
No, no, no. Just hold him until I get there. |
01:19:47 |
Get over to the lab right away. |
01:19:50 |
and against the ink |
01:19:53 |
Call me as soon as you get results. |
01:19:56 |
Well, it looks like LAPD got their man. |
01:19:58 |
- Hold out your hands. |
01:20:01 |
There's clearly been nobody living here, |
01:20:03 |
and my guess is that |
01:20:07 |
Will we, Manning? |
01:20:09 |
Now hold out your hands. |
01:20:10 |
I'll be there in 15 minutes. |
01:20:13 |
Okay. Bye. |
01:20:17 |
You have the right to remain silent. |
01:20:19 |
- Anything you say can and will be used... |
01:20:22 |
You have the right to an attorney. |
01:20:23 |
- Oh, don't fucking do this! |
01:20:27 |
When you get through here, |
01:20:35 |
Do you understand these rights |
01:20:49 |
Excuse me. We're looking for Joe Bunting. |
01:20:52 |
Tape it up. Get everybody out of there. |
01:20:56 |
Yeah. Smith. |
01:20:57 |
Bunting's gone AWOL, sir. |
01:20:59 |
Well, find him, God damn it! |
01:21:09 |
- Hey, Amanda. |
01:21:10 |
- Are you guys coming out later? |
01:21:14 |
- That's a bummer. |
01:21:16 |
See you. |
01:21:26 |
- Everybody out. |
01:21:28 |
- I have to take you in. |
01:21:31 |
These red marks, they're the exact location |
01:21:36 |
George Yard, Buck's Row, Hanbury Street, |
01:21:39 |
double murder at Mitre Square, |
01:21:42 |
Now this is West Hollywood, |
01:21:45 |
and the red marks are the locations |
01:21:48 |
- So? |
01:21:51 |
- We've got a match. |
01:21:53 |
The red ink is a positive match |
01:21:56 |
and there are traces of blood |
01:21:57 |
We've got a pair of Raptor boots |
01:22:01 |
and we're testing fibers |
01:22:02 |
we found buried at the side of the house. |
01:22:04 |
Yeah, I suppose you think |
01:22:06 |
- Thanks. |
01:22:12 |
Oh, God! No! |
01:22:14 |
Get me the fuck out of these things, now! |
01:22:18 |
It's an apartment building, 19015 Sunset. |
01:22:20 |
All right, what else do we have |
01:22:22 |
other than she was the last victim? |
01:22:23 |
She was butchered beyond recognition. |
01:22:29 |
In her own room. |
01:22:40 |
Answer, damn it! |
01:22:52 |
- Which one? |
01:22:55 |
Amanda! |
01:23:05 |
Hey, get out of there! |
01:23:06 |
What the hell is going on? |
01:23:08 |
- Who are you? |
01:23:09 |
I'm Amanda's father. |
01:23:11 |
Yeah, I just saw her |
01:23:14 |
- She was headed to the House of Blues. |
01:24:13 |
- What about her? Is that her? |
01:24:20 |
Hey! |
01:24:24 |
- Oh, Christ! No! |
01:24:26 |
Amanda, get down! Police! |
01:24:32 |
- Are you all right? |
01:24:35 |
- Are you hurt? |
01:24:37 |
Stay with her. I'll be back. |
01:24:39 |
- I'll be back. |
01:24:40 |
- It's okay. |
01:24:41 |
- Don't! |
01:24:44 |
Requesting Code 3 back up. |
01:24:51 |
Police. Come out! |
01:25:01 |
Come out! It's over! |
01:25:14 |
Shit. |
01:25:24 |
Right here. |
01:25:28 |
He's inside the house. |
01:25:30 |
Go back. Go back around the front. |
01:26:04 |
Oh, my God! |
01:26:06 |
Drop it! Now! |
01:26:17 |
What was that? |
01:26:43 |
Oh, my God. |
01:26:56 |
Oh, Jesus. |
01:27:28 |
It's unbelievable. |
01:27:30 |
It explains how she was able to |
01:27:34 |
She's advanced schizophrenic. |
01:27:36 |
She never recovered from |
01:27:40 |
Seems the OBGYN really messed things up, |
01:27:45 |
finally does a cesarean, |
01:27:50 |
After the baby died, about 8 years ago, |
01:27:55 |
Sometime after that, |
01:27:59 |
and later her own brutally violent behavior, |
01:28:05 |
It's amazing, really. |
01:28:09 |
and she describes everything |
01:28:12 |
She talks mainly |
01:28:17 |
Timmy, which is the name |
01:28:19 |
and a lodger, whom she invented recently, |
01:28:22 |
a kind of romantic fantasy, |
01:28:25 |
that she was not the person |
01:28:29 |
and killing these young women. |
01:28:31 |
It's all in her mind. |
01:28:33 |
She believes that Timmy |
01:28:36 |
in the same way |
01:28:40 |
So she's completely insane? |
01:28:42 |
She simply invented a person |
01:28:46 |
through whom she could literally |
01:28:49 |
and act out these brutally savage crimes. |
01:28:52 |
And you have to remember that |
01:28:55 |
was always circumstantial. |
01:28:58 |
She could never have done all of this |
01:29:00 |
- Captain, we're gonna bring her out, okay? |
01:29:08 |
Thank you. |
01:29:15 |
Don't worry. We'll look after Timmy for you. |
01:29:20 |
Timmy? |
01:29:23 |
Timmy died 7 years ago. |
01:29:55 |
At 2:30 this morning, the LAPD and the FBI, |
01:29:59 |
working with the L.A. County Sheriffs |
01:30:04 |
arrested Mrs. Ellen Bunting |
01:30:06 |
at her house on Whitechapel Street |
01:30:10 |
Mrs. Bunting will shortly undergo |
01:30:13 |
Why didn't you go with Smith? |
01:30:19 |
You don't think it's her. |
01:30:57 |
Hello? |
01:30:59 |
I saw the sign out front, |
01:31:01 |
Oh, yes, please. Come in. |
01:31:05 |
So, did you just move to Santa Monica? |
01:31:08 |
Not really, no. |
01:31:09 |
I'm just looking for something new. |
01:31:12 |
Something to inspire me. |
01:31:17 |
Great. Let me show you around. |