|
Lolita
|
| 00:03:18 |
Quilty! |
| 00:03:30 |
What, what? |
| 00:03:33 |
Are you Quilty? |
| 00:03:36 |
No, I'm Spartacus. |
| 00:03:38 |
Have you come to free the slaves |
| 00:03:40 |
Are you Quilty? |
| 00:03:42 |
Yeah. I'm Quilty, yeah, sure. |
| 00:03:50 |
Say, what you... |
| 00:03:52 |
...what you putting your gloves on for? |
| 00:03:56 |
Shall we have a little chat before we start? |
| 00:03:59 |
Before we start? |
| 00:04:03 |
All righty. |
| 00:04:06 |
No, no, listen... |
| 00:04:09 |
...let's have a game, a little lovely game |
| 00:04:13 |
...like two civilized senators. |
| 00:04:17 |
Roman ping... |
| 00:04:22 |
You're supposed to say, "Roman pong." |
| 00:04:26 |
Okay, you serve. I don't mind. |
| 00:04:28 |
I just don't mind. |
| 00:04:30 |
Come on. |
| 00:04:40 |
Bet you didn't know I had that. |
| 00:04:44 |
Roman Ping-Pong. |
| 00:04:49 |
Kind of tricky serve to handle, Captain? |
| 00:04:52 |
Kind of tricky. |
| 00:04:58 |
My motto is: "Be prepared." |
| 00:05:04 |
Say, you Jack Brewster? Are you? |
| 00:05:07 |
You know who I am. |
| 00:05:10 |
What's that? That's 3... 3-love. |
| 00:05:13 |
I'm really winning, |
| 00:05:16 |
You know, I'm not accusing you, Captain, |
| 00:05:20 |
...the way people invade this house, |
| 00:05:24 |
4-1... |
| 00:05:27 |
...change service. I'll take the serve again, |
| 00:05:31 |
I sort of like to have it up this end, |
| 00:05:35 |
They use the telephone. |
| 00:05:41 |
What's that? That must be... |
| 00:05:43 |
I'm really winning here. I'm really winning. |
| 00:05:46 |
I hope I don't get overcome with power. |
| 00:05:48 |
That's about... 6-1 maybe... |
| 00:05:51 |
...let's say 6-1, no 6-2, |
| 00:05:54 |
...6- 2, but I'm still winning. |
| 00:05:56 |
You really don't remember me, do you? |
| 00:06:00 |
Did you ever notice how the champs, |
| 00:06:04 |
You know, some of them hold them |
| 00:06:07 |
Do you recall a girl... |
| 00:06:11 |
...called Dolores Haze? |
| 00:06:15 |
I remember one guy didn't have a hand. |
| 00:06:18 |
He was really sort of wacky. |
| 00:06:20 |
Lolita! |
| 00:06:24 |
Lolita... |
| 00:06:27 |
Yeah, yeah, I remember that name all right. |
| 00:06:31 |
Maybe she made some telephone calls, |
| 00:06:41 |
Hey, you're a sort of bad loser, Captain. |
| 00:06:45 |
I never found a guy who'd sort of |
| 00:06:50 |
Didn't anyone ever tell you... |
| 00:06:52 |
...it's not really who wins, |
| 00:07:00 |
Listen, I don't think I want |
| 00:07:06 |
I'm just dying for a drink. |
| 00:07:09 |
I'm just dying to have a drinkie. |
| 00:07:13 |
You're dying anyway, Quilty. |
| 00:07:18 |
All my friends always put their |
| 00:07:23 |
It's so unsanitary. |
| 00:07:24 |
Quilty, I want you to concentrate. |
| 00:07:27 |
You're going to die. |
| 00:07:29 |
Try to understand |
| 00:07:33 |
You are either Australian... |
| 00:07:37 |
...or a German refugee. |
| 00:07:40 |
This is a gentile's house. |
| 00:07:42 |
You'd better run along. |
| 00:07:44 |
Think of what you did, Quilty, |
| 00:07:52 |
That's a darling little gun you got there. |
| 00:07:55 |
That's a darling little thing. |
| 00:07:57 |
How much a guy like you want |
| 00:08:02 |
Read this. |
| 00:08:03 |
What's this, the deeds of the ranch? |
| 00:08:05 |
It's your death sentence. |
| 00:08:08 |
Read it. |
| 00:08:09 |
I can't read, mister. |
| 00:08:11 |
I never did none of that there |
| 00:08:14 |
Read it, Quilty. |
| 00:08:22 |
"Because you took advantage of a sinner |
| 00:08:26 |
"Because you took advantage... |
| 00:08:29 |
"Because you took... |
| 00:08:31 |
"Because you took advantage |
| 00:08:36 |
That's a dang... |
| 00:08:37 |
...blasted, darn good poem you done there. |
| 00:08:41 |
"When I stood Adam-naked..." |
| 00:08:43 |
Adam-naked! |
| 00:08:45 |
You should be ashamed of yourself, |
| 00:08:48 |
"Before a federal law |
| 00:08:51 |
Tarnation! You old horn toad. |
| 00:08:53 |
That's mighty pretty. |
| 00:08:57 |
"Because you took advantage..." |
| 00:09:00 |
It's getting a bit repetitious, isn't it? |
| 00:09:02 |
"Because..." Here's another one: |
| 00:09:06 |
"Because you took her at an age... |
| 00:09:09 |
- "...when young lads..." |
| 00:09:12 |
Say, what you took it away for, mister? |
| 00:09:16 |
Do you have any last words |
| 00:09:22 |
Listen, Mac... |
| 00:09:24 |
...you're drunk... |
| 00:09:26 |
...and I'm a sick man. |
| 00:09:28 |
This pistol-packing farce is becoming |
| 00:09:34 |
Why don't you and I sort of settle this |
| 00:09:40 |
...getting together and settling something? |
| 00:09:44 |
Do you want to die standing up |
| 00:09:47 |
I want to die like a champion. |
| 00:09:54 |
Right in the boxing glove. |
| 00:09:56 |
You ought to be more careful |
| 00:10:00 |
Listen, Captain, why don't you stop |
| 00:10:05 |
I'm a playwright, you know. |
| 00:10:09 |
...and comedy and fantasy and everything. |
| 00:10:13 |
I've got 52 successful... |
| 00:10:14 |
...scenarios to my credit... |
| 00:10:16 |
...added to which, my father's a policeman. |
| 00:10:20 |
Why don't you let... |
| 00:10:23 |
Why don't you let me play you |
| 00:10:26 |
...I wrote last week. |
| 00:10:30 |
Nice sort of opening there. |
| 00:10:31 |
We could dream up some lyrics maybe. |
| 00:10:35 |
...you know, share the profits. |
| 00:10:40 |
Do you think that'll make the hit parade? |
| 00:10:45 |
"The moon was blue, and so are you, |
| 00:10:50 |
"...she's mine, yours... |
| 00:10:52 |
"...she's yours tonight... |
| 00:10:55 |
"...and the moon is..." |
| 00:11:09 |
Gee, that hurt me, that... |
| 00:11:12 |
If you're trying to scare me, |
| 00:11:15 |
My leg'll be black and blue tomorrow. |
| 00:11:20 |
You know this house is roomy and cool. |
| 00:11:25 |
I intend on moving to England |
| 00:11:29 |
You can move in. |
| 00:11:30 |
I've got some nice friends |
| 00:11:34 |
You could use them as pieces of furniture. |
| 00:11:37 |
There's one guy who looks |
| 00:11:40 |
I could fix for you to attend executions. |
| 00:11:44 |
Just you there, and nobody else, |
| 00:11:48 |
Do you like watching, Captain? |
| 00:11:51 |
Because not many people know... |
| 00:11:57 |
...that the chair is painted yellow. |
| 00:12:00 |
You'd be the only guy in the know. |
| 00:12:02 |
Imagine! Your friends, |
| 00:12:06 |
That hurt! |
| 00:12:23 |
Having recently arrived in America... |
| 00:12:25 |
...where so many Europeans have found |
| 00:12:29 |
...I decided to spend a peaceful summer... |
| 00:12:31 |
...in the attractive resort town |
| 00:12:36 |
Some English translations I had made |
| 00:12:40 |
...had enjoyed some success |
| 00:12:42 |
...to a lectureship at Beardsley College, |
| 00:12:48 |
Friends had given me several addresses |
| 00:12:50 |
...where lodgings were available |
| 00:12:57 |
Mr. Hofsteader said that |
| 00:13:01 |
Well, that was only a tentative plan. |
| 00:13:03 |
Monsieur, if what you're needing |
| 00:13:07 |
...I can assure you, you couldn't get |
| 00:13:09 |
Yes, it is very... |
| 00:13:13 |
It's very peaceful. |
| 00:13:14 |
Now, this would be your room. |
| 00:13:16 |
It's what you might call a studio, |
| 00:13:21 |
It's very male... |
| 00:13:23 |
...and quiet. |
| 00:13:25 |
We're really very fortunate |
| 00:13:28 |
Culturally, we're a very advanced group... |
| 00:13:31 |
...with lots of good Anglo-Dutch |
| 00:13:36 |
...and we're very progressive intellectually. |
| 00:13:39 |
That is immediately apparent. |
| 00:13:40 |
I do hope you'll want to address our club. |
| 00:13:44 |
There's a nice view from this window... |
| 00:13:46 |
...of the front lawn. |
| 00:13:49 |
A good place for you to do your writing... |
| 00:13:52 |
- Shelves for your books. |
| 00:13:55 |
I am chairman of |
| 00:13:58 |
As a matter of fact, you know... |
| 00:14:01 |
...one of the speakers |
| 00:14:04 |
...was Clare Quilty. |
| 00:14:06 |
Clare Quilty? |
| 00:14:07 |
The writer, TV? |
| 00:14:10 |
- TV plays? |
| 00:14:11 |
He's a very stimulating type of man. |
| 00:14:14 |
He gave us a talk on Dr. Schweitzer |
| 00:14:18 |
Schweitzer and Zhivago. Very nice. |
| 00:14:22 |
Oh, no, the bathroom's back here, |
| 00:14:27 |
Well, we still have that good, old-fashioned |
| 00:14:31 |
...should appeal to a European. |
| 00:14:40 |
Excuse the soiled sock. |
| 00:14:44 |
I see that you're interested in art. |
| 00:14:48 |
In that case you really must see... |
| 00:14:50 |
...the collection of reproductions |
| 00:14:55 |
Voila! |
| 00:14:56 |
Oh, yes, that's... |
| 00:14:58 |
A Dufy. |
| 00:14:59 |
That's very nice. |
| 00:15:00 |
And there's my little van Gogh. Monet. |
| 00:15:04 |
Is Madame Humbert... |
| 00:15:06 |
There's no madame. We are divorced. |
| 00:15:09 |
Happily divorced. |
| 00:15:11 |
- When did all this happen? |
| 00:15:15 |
Paris... |
| 00:15:16 |
...France... |
| 00:15:17 |
...Madame. |
| 00:15:18 |
You know, monsieur, I believe |
| 00:15:22 |
...that one is able to really relate |
| 00:15:27 |
In fact, I remember |
| 00:15:30 |
Oh, the late Mr. Haze? |
| 00:15:32 |
Yes, he's passed on. |
| 00:15:34 |
But when we were |
| 00:15:38 |
...I knew that I'd never felt married |
| 00:15:44 |
You were in Spain? |
| 00:15:45 |
No, Mexico. |
| 00:15:46 |
Mexico. |
| 00:15:49 |
There were so many places |
| 00:15:52 |
...but he was occupied with his work here. |
| 00:15:55 |
He was in insurance... |
| 00:15:58 |
...left me well-provided for. |
| 00:16:01 |
He was a lovely human being... |
| 00:16:05 |
...a man of complete integrity. |
| 00:16:08 |
I know you would have liked to talk |
| 00:16:12 |
Yes, I'm sure I would have. |
| 00:16:14 |
Those are his ashes. |
| 00:16:19 |
How late was the... |
| 00:16:21 |
...late Mr. Haze? |
| 00:16:26 |
Seven years. |
| 00:16:28 |
It's very difficult for a woman... |
| 00:16:31 |
...an attractive woman alone, you know. |
| 00:16:33 |
Yes, I'm sure it is. |
| 00:16:37 |
Downstairs. Excuse me. |
| 00:16:41 |
I've told Lolita ten times |
| 00:16:44 |
- You have a maid living in the house? |
| 00:16:49 |
No, the colored girl comes |
| 00:16:52 |
We think we're lucky to get her, |
| 00:16:57 |
Back here we have the kitchen. |
| 00:17:01 |
- Perhaps... |
| 00:17:03 |
If you'll give me your number... |
| 00:17:05 |
...that would give me a chance |
| 00:17:09 |
1776. |
| 00:17:11 |
1776... |
| 00:17:13 |
...the Declaration of Independence. |
| 00:17:16 |
Yes, so easy to remember. |
| 00:17:17 |
You must see the garden before you go, |
| 00:17:21 |
My flowers win prizes around here. |
| 00:17:27 |
Voila! |
| 00:17:29 |
My yellow roses, my... |
| 00:17:32 |
My daughter. |
| 00:17:33 |
Darling, turn that down please. |
| 00:17:36 |
I can offer you a comfortable home... |
| 00:17:38 |
...a sunny garden... |
| 00:17:40 |
...a congenial atmosphere... |
| 00:17:42 |
...my cherry pies. |
| 00:17:47 |
Well... |
| 00:17:50 |
...we haven't discussed how much... |
| 00:17:52 |
Well, something nominal, let's say... |
| 00:17:56 |
...$200 a month... |
| 00:17:59 |
...including meals and late snacks... |
| 00:18:02 |
...etcetera. |
| 00:18:03 |
That's very reasonable. Well, it's very nice. |
| 00:18:07 |
You couldn't find better value |
| 00:18:10 |
No, when will it be convenient for you |
| 00:18:16 |
Right now. It'd be silly for you to go |
| 00:18:19 |
Both my bags are in the taxi. |
| 00:18:23 |
Thank you. |
| 00:18:25 |
What was the decisive factor? My garden? |
| 00:18:31 |
I think it was your cherry pies. |
| 00:19:18 |
Now, this is the one |
| 00:19:21 |
Yes, that can leap over the other pieces. |
| 00:19:24 |
It goes round corners. |
| 00:19:27 |
You're going to take my queen? |
| 00:19:30 |
That was my intention, certainly. |
| 00:19:36 |
Bed-y-bye, dear. |
| 00:19:39 |
Goodnight. |
| 00:19:42 |
Goodnight. |
| 00:19:44 |
Goodnight, Lo. |
| 00:19:54 |
Well, that wasn't very clever of you. |
| 00:19:56 |
Oh, dear. |
| 00:20:01 |
It had to happen sometime. |
| 00:20:03 |
...31, 32, 33, 34... |
| 00:20:20 |
See how relaxed you're getting? |
| 00:20:48 |
There's Mother. Let's go say hello. |
| 00:20:53 |
Hi, Mom. |
| 00:20:54 |
Hello, darling. |
| 00:20:56 |
Hello, Kenny. |
| 00:20:57 |
Good evening, Mrs. Haze. |
| 00:21:00 |
Kenny, this is Mr. Humbert. |
| 00:21:02 |
- Kenny Overton. |
| 00:21:04 |
Are you having a good time? |
| 00:21:07 |
Well, we'll see you then. |
| 00:21:09 |
Bye-bye. |
| 00:21:14 |
Aren't they adorable together? |
| 00:21:20 |
I think tonight's the night. |
| 00:21:23 |
Well, Lolita told me that she's positive... |
| 00:21:25 |
...Kenny's going to ask her |
| 00:21:36 |
Hello, Charlotte. |
| 00:21:37 |
Jean, John, hello. |
| 00:21:40 |
- Hi, Humbert. |
| 00:21:41 |
Sorry we're late. I got held up in court. |
| 00:21:45 |
The prosecution brought in |
| 00:21:48 |
I had to stay with my client |
| 00:21:51 |
John, can't you stop being a lawyer |
| 00:21:57 |
Mind if I dance with your girl? |
| 00:22:00 |
You're most welcome. |
| 00:22:01 |
Well, this is what you get |
| 00:22:08 |
Hi, Humbert. |
| 00:22:10 |
- I'm sorry that I don't dance. |
| 00:22:13 |
I don't like dancing either very much. |
| 00:22:16 |
It's a funny thing, Humbert, but John and I, |
| 00:22:20 |
...and I was sort of sitting it out, |
| 00:22:25 |
That's very romantic. |
| 00:22:27 |
Hi, Dad. |
| 00:22:28 |
Mona, baby. |
| 00:22:29 |
Darling! |
| 00:22:30 |
- How are you doing? |
| 00:22:33 |
Humbert... |
| 00:22:35 |
...don't tell Charlotte that I told you this, |
| 00:22:38 |
...but did you know that you've had |
| 00:22:43 |
- Did you know that? |
| 00:22:46 |
I know it's none of my business, but... |
| 00:22:50 |
...she's begun to radiate a certain glow. |
| 00:22:53 |
I hardly think that has anything |
| 00:22:56 |
Humbert, when you get to know me better, |
| 00:23:04 |
In fact, John and I, |
| 00:23:19 |
Hey, you two, cut that out. |
| 00:23:22 |
I'm so thirsty. |
| 00:23:25 |
That's a good idea. |
| 00:23:26 |
- There aren't any clean cups anymore. |
| 00:23:29 |
Thank you, Humbert. |
| 00:23:32 |
Jean, your Mona looks simply enchanting |
| 00:23:37 |
She's certainly becoming |
| 00:23:40 |
Yes. Where does the time go? |
| 00:23:41 |
Do you know this summer |
| 00:23:44 |
No, that's simply wonderful. |
| 00:23:46 |
Are you sending her |
| 00:23:49 |
Of course. |
| 00:23:50 |
We've done it every summer, |
| 00:23:52 |
It gives Jean and me a chance |
| 00:24:36 |
Excuse me, kids. |
| 00:24:39 |
My feet are killing me! |
| 00:24:44 |
Who is that? |
| 00:24:45 |
Who? |
| 00:24:46 |
There. |
| 00:24:55 |
It's Clare Quilty. You know, the TV writer? |
| 00:25:03 |
I adored his play, |
| 00:25:06 |
It was marvelous. |
| 00:25:10 |
Excuse me, kids, I'm going to go over |
| 00:25:27 |
Hello! |
| 00:25:29 |
Hello, hello again! |
| 00:25:45 |
Wow! |
| 00:25:48 |
It's certainly been a long time. |
| 00:25:50 |
It certainly has... yes. |
| 00:25:52 |
Do you know I've been the local authority |
| 00:25:55 |
Is that so? That's very sweet |
| 00:25:58 |
I'll never forget that |
| 00:26:01 |
...that you gave to our club. |
| 00:26:02 |
A magnificent club, really magnificent. |
| 00:26:07 |
No, don't you remember? |
| 00:26:10 |
That afternoon changed my whole life. |
| 00:26:13 |
Well, how about that. |
| 00:26:15 |
You remember, you... |
| 00:26:16 |
What, what? |
| 00:26:26 |
Did I do that? Did I? |
| 00:26:29 |
And afterwards, you know, |
| 00:26:33 |
...and I drove you to the airport. |
| 00:26:35 |
Yes! |
| 00:26:36 |
Really great fun. |
| 00:26:38 |
Listen, didn't you have a daughter... |
| 00:26:42 |
Didn't you have a daughter |
| 00:26:44 |
Yeah, what was it now? |
| 00:26:48 |
Lolita. |
| 00:26:50 |
Lolita, that's right. |
| 00:26:53 |
...the tears and the roses. |
| 00:26:56 |
Wednesday she's going to have |
| 00:27:00 |
Yeah! |
| 00:27:14 |
There you are. Where have you been? |
| 00:27:17 |
I strolled around for a while |
| 00:27:20 |
You poor man, |
| 00:27:23 |
On the contrary I find it most interesting. |
| 00:27:25 |
Charlotte. Hello. |
| 00:27:27 |
Humbert, you found a place to sit down. |
| 00:27:30 |
Oh, gosh. |
| 00:27:33 |
Charlotte, Mona's having |
| 00:27:36 |
...later on at our house, |
| 00:27:40 |
...and some others, are having |
| 00:27:43 |
Anyhow, she wants to know |
| 00:27:47 |
I don't see why not, as long |
| 00:27:50 |
But Charlotte, tonight's a special occasion. |
| 00:27:53 |
Why don't you have Lolita stay over |
| 00:27:56 |
John can bring her back in the morning, |
| 00:27:58 |
Yes, sure. |
| 00:27:59 |
That would be too much trouble. |
| 00:28:01 |
- Of course not. |
| 00:28:06 |
It's settled. |
| 00:28:09 |
I guess we'd better say goodnight |
| 00:28:12 |
John and I have to get home |
| 00:28:15 |
You know, what she means is |
| 00:28:17 |
- I think we ought to come over and help. |
| 00:28:22 |
- It's no trouble at all, is it, Charlotte? |
| 00:28:27 |
- We're not doing anything else. |
| 00:28:29 |
No, they don't like |
| 00:28:32 |
That's right. |
| 00:28:33 |
- Goodnight, Charlotte. |
| 00:28:35 |
Goodnight. See you. |
| 00:28:37 |
Goodnight, Humbert. |
| 00:28:40 |
Now, you don't want that. |
| 00:28:44 |
We can go home now |
| 00:28:56 |
- I hope I didn't keep you waiting too long? |
| 00:28:59 |
I thought I'd change into something cozier. |
| 00:29:02 |
Charming. |
| 00:29:03 |
- You don't think it's... a little too risque? |
| 00:29:06 |
Charlotte, this may not be |
| 00:29:10 |
Not another word until we've finished |
| 00:29:17 |
In a sense, this is none of my business, |
| 00:29:21 |
...like a member of the family |
| 00:29:24 |
Yes, I know, and I appreciate it. |
| 00:29:27 |
I've come to feel as if |
| 00:29:30 |
I wonder if you aren't being |
| 00:29:33 |
Liberal? |
| 00:29:34 |
Oh, you dear man... |
| 00:29:37 |
...you dear, sweet, naive man. |
| 00:29:39 |
No, I don't think you realize |
| 00:29:42 |
Of course she's beginning to grow up... |
| 00:29:45 |
...and it's only natural and healthy... |
| 00:29:49 |
...that she should take an interest |
| 00:29:52 |
...known as: "the opposite sex." |
| 00:29:56 |
Cheerio. But should she be allowed |
| 00:30:00 |
She's not staying out. |
| 00:30:03 |
She's at Jean and John's. |
| 00:30:05 |
Yes, but something about them |
| 00:30:08 |
...whether they would provide |
| 00:30:13 |
Hum, you're so charmingly Old World... |
| 00:30:17 |
...but then, that's what I adore about you. |
| 00:30:22 |
I have a proposal. |
| 00:30:23 |
What say you I teach you |
| 00:30:28 |
No, Charlotte. |
| 00:30:30 |
And you do this so very well |
| 00:30:35 |
You're very good. |
| 00:30:37 |
Come on, Humbert. |
| 00:30:40 |
Humbert Humbert, |
| 00:30:44 |
Do you pronounce the surname differently, |
| 00:30:49 |
Let me see now, Humbert. |
| 00:30:52 |
What was that, the first or the second? |
| 00:30:55 |
Seriously, I'm an awkward tripper |
| 00:31:00 |
I refuse to believe that about you. |
| 00:31:04 |
Rhythm is so basic... |
| 00:31:06 |
...and it just pours out of you, |
| 00:31:15 |
- I'll clap my hands and you go on dancing. |
| 00:31:19 |
...and that was not your surname. |
| 00:31:21 |
Now, put your hands here... |
| 00:31:24 |
...tighter. |
| 00:31:28 |
All right, ready, go. |
| 00:31:31 |
One, two, cha-cha-cha. |
| 00:31:33 |
One, two, cha-cha-cha. |
| 00:31:36 |
Very good. |
| 00:31:38 |
A little more joie de vivre. |
| 00:31:43 |
You know, when you smile like that |
| 00:31:49 |
A college boy I had a date with. |
| 00:31:52 |
I went dancing with him, |
| 00:31:56 |
My very first glamour date. |
| 00:32:00 |
And, you know... |
| 00:32:02 |
...in certain lights you remind me of Harold. |
| 00:32:05 |
You mean, the late Mr... |
| 00:32:07 |
Yes. |
| 00:32:08 |
You're really very different, of course. |
| 00:32:12 |
Yes, I imagine I am. |
| 00:32:14 |
But, you know, I adored Harold. |
| 00:32:17 |
I really did. I swore at the time |
| 00:32:21 |
I don't think I will, but... |
| 00:32:24 |
...it wouldn't be fair to his memory, |
| 00:32:26 |
No, one doesn't often find |
| 00:32:30 |
But sometimes, Hum, I wonder... |
| 00:32:33 |
...shouldn't life be for the living? |
| 00:32:35 |
What think you? |
| 00:32:37 |
You see, I'm a strongly emotional woman... |
| 00:32:40 |
...very strongly emotional. |
| 00:32:44 |
- Don't be afraid of hurting me. |
| 00:32:47 |
Take me in your arms. |
| 00:32:48 |
I can't live in the past. |
| 00:32:54 |
Hi! |
| 00:32:56 |
Lolita! |
| 00:32:59 |
Darling... |
| 00:33:03 |
Cha-cha-cha. |
| 00:33:07 |
Did you come back for something? |
| 00:33:09 |
No, Mona's party turned out |
| 00:33:13 |
I thought I'd come back |
| 00:33:15 |
We had a wonderful evening. |
| 00:33:19 |
Did you have something to eat? |
| 00:33:21 |
They served some kind of salty fish eggs, |
| 00:33:25 |
I'll make you a sandwich. |
| 00:33:28 |
That's great. I'm starving. |
| 00:33:30 |
I don't think she should be stuffing herself |
| 00:33:33 |
But, Mom... |
| 00:33:35 |
...l'm hungry and I've got to have |
| 00:33:39 |
All right... |
| 00:33:42 |
...but you take it upstairs |
| 00:33:45 |
...you go right to sleep. |
| 00:33:49 |
Did you have a good time |
| 00:33:52 |
Well, of course... |
| 00:33:54 |
...he's a very erudite gentleman. |
| 00:33:56 |
Yeah, I know. |
| 00:33:59 |
That's neither here nor there. |
| 00:34:03 |
Since when? |
| 00:34:04 |
Here we are, excuse me... |
| 00:34:06 |
...loaded with mayonnaise, |
| 00:34:09 |
Thank you. |
| 00:34:12 |
Darling, take it upstairs. |
| 00:34:15 |
I don't want to go to bed. It's too early. |
| 00:34:18 |
We all think that Lo should go to bed. |
| 00:34:21 |
I don't have to. This is a free country. |
| 00:34:25 |
Which means there will be |
| 00:34:28 |
Which means I think you stink this week. |
| 00:34:30 |
To bed this instant! |
| 00:34:32 |
Go to bed. |
| 00:34:33 |
I heard that. |
| 00:34:38 |
Goodnight, Lo. |
| 00:34:44 |
That miserable little brat. |
| 00:34:46 |
She is becoming impossible, |
| 00:34:49 |
The idea of her sneaking back here |
| 00:34:53 |
I don't think she was spying on us. |
| 00:34:55 |
Really? What would you call it? |
| 00:34:57 |
I'm sure she intended no harm. |
| 00:34:58 |
Like hell she didn't! |
| 00:35:02 |
Since the age of one, you know, |
| 00:35:06 |
...out of her crib so that I would have |
| 00:35:10 |
She has always had some kind |
| 00:35:12 |
Now she sees herself |
| 00:35:15 |
Well, I see her as a sturdy, |
| 00:35:20 |
I mean, is it my fault if I feel young? |
| 00:35:23 |
Why should my child resent it? |
| 00:35:27 |
Do you think I'm just a foolish, |
| 00:35:31 |
No... no. |
| 00:35:41 |
Why don't I throw on a wrap and we can |
| 00:35:46 |
Well, it's a little late, Charlotte. |
| 00:35:49 |
Well, let's at least finish |
| 00:35:53 |
I've had a very exhausting evening. |
| 00:35:56 |
But it's not even 1:00. |
| 00:35:58 |
My neuralgia's about to strike |
| 00:36:04 |
Goodnight, and thank you |
| 00:36:09 |
You're very welcome. |
| 00:36:44 |
What drives me insane is |
| 00:36:49 |
...of every nymphet, perhaps. |
| 00:36:51 |
This mixture in my Lolita of tender, |
| 00:36:56 |
...and a kind of eerie vulgarity. |
| 00:36:59 |
I know it is madness to keep this journal, |
| 00:37:05 |
...and only a loving wife could decipher |
| 00:37:18 |
In this house, we do not eat |
| 00:37:21 |
...elbows on the tables. |
| 00:37:25 |
Must you pamper your pimples? |
| 00:37:28 |
Do you mind if I eat? |
| 00:37:32 |
This morning you have to meet Mona! |
| 00:37:36 |
First you wash every dish, |
| 00:37:38 |
...and make your bed |
| 00:37:40 |
I am not picking up after you today, miss, |
| 00:37:53 |
Hello. Excuse me. |
| 00:37:55 |
- Is it Kenny? |
| 00:37:59 |
Jean, just a second. |
| 00:38:01 |
Take this tray up to Professor Humbert |
| 00:38:07 |
Yes, ma'am! |
| 00:38:08 |
Yes, ma'am. |
| 00:38:10 |
Jean? |
| 00:38:11 |
I'm very glad you called. |
| 00:38:14 |
Yes. |
| 00:38:17 |
Mona? |
| 00:38:19 |
What time? |
| 00:38:22 |
Well, I'm very glad you called me, Jean. |
| 00:38:24 |
Well, there's something very important |
| 00:38:28 |
That's a good idea. Well, I'd rather not... |
| 00:38:31 |
Who is it? |
| 00:38:32 |
Lolita. |
| 00:38:35 |
Come in. |
| 00:38:40 |
Here's your breakfast. |
| 00:38:41 |
Thank you very much. Good morning! |
| 00:38:43 |
Good morning. |
| 00:38:48 |
Don't tell Mom, but I ate all your bacon. |
| 00:38:52 |
You have a very long face today. |
| 00:38:54 |
Oh, yeah? |
| 00:39:01 |
What were you writing? |
| 00:39:04 |
I was writing a poem. |
| 00:39:09 |
What's it about? |
| 00:39:10 |
It's about people. |
| 00:39:14 |
That's a novel subject. |
| 00:39:16 |
You know, it's funny, it sort of looked |
| 00:39:21 |
I always write my poems in a diary. |
| 00:39:29 |
Afraid somebody's going to steal |
| 00:39:33 |
Perhaps. Would you like me |
| 00:39:37 |
Sure, why not? |
| 00:39:40 |
This is my favorite poet. |
| 00:39:44 |
- "It was..." |
| 00:39:46 |
The divine Edgar. |
| 00:39:48 |
Who's the divine Edgar. Edgar who? |
| 00:39:50 |
Edgar Allan Poe, of course. |
| 00:39:52 |
"It was night in the lonesome October |
| 00:39:54 |
"Of my most immemorial year" |
| 00:39:58 |
Notice how he emphasizes this word. |
| 00:40:01 |
"It was hard by the dim lake of Auber |
| 00:40:03 |
"In the misty mid region of Weir" |
| 00:40:06 |
You see, he takes a word like "dim" |
| 00:40:10 |
And it comes back as "mid region of Weir." |
| 00:40:14 |
"Mid region," and twists it to "dim." |
| 00:40:17 |
That's pretty good, pretty clever. |
| 00:40:20 |
"Thus I pacified Psyche and kissed her |
| 00:40:23 |
"And conquered her scruples and gloom |
| 00:40:26 |
"And we passed to the end of the vista |
| 00:40:29 |
"But were stopped by the door of a tomb |
| 00:40:32 |
"And I said, 'What is written, sweet sister? ' |
| 00:40:34 |
"She replied, 'Ulalume, Ulalume."' |
| 00:40:39 |
Well, I think it's a little corny, |
| 00:40:43 |
What do you object to? |
| 00:40:45 |
Well, the "vista-sister," that's like, |
| 00:40:49 |
That's very true. |
| 00:40:52 |
If you were in my class |
| 00:40:57 |
Tell me, was Mona Farlow annoyed |
| 00:41:02 |
Mona? Annoyed? |
| 00:41:05 |
Well, I thought she might be |
| 00:41:08 |
Don't worry about Mona. |
| 00:41:12 |
- Let me tell you something about Mona. |
| 00:41:17 |
No, I'd better not tell you. You'll blab. |
| 00:41:20 |
I will never give away any of your secrets. |
| 00:41:23 |
- You wouldn't? |
| 00:41:29 |
Well, for that you get a little reward. |
| 00:41:31 |
Thank you very much. |
| 00:41:33 |
- Here! |
| 00:41:36 |
Lolita. No. |
| 00:41:38 |
Put your head back. |
| 00:41:40 |
Put your head back. |
| 00:41:43 |
Open your mouth. |
| 00:41:45 |
You can have one little bite. |
| 00:41:50 |
Lolita? |
| 00:41:54 |
Lolita! |
| 00:41:56 |
What? |
| 00:41:58 |
Come down here. |
| 00:42:04 |
What do you want? |
| 00:42:06 |
Firstly... |
| 00:42:09 |
...when I call you I want you |
| 00:42:11 |
...and not make me holler for you |
| 00:42:14 |
Yes, ma'am. |
| 00:42:16 |
Secondly, I want you to go |
| 00:42:19 |
I'm going to the Farlows |
| 00:42:22 |
But I'm supposed to meet Mona |
| 00:42:24 |
And lastly, I forbid you |
| 00:42:28 |
He is a writer and he is not |
| 00:42:31 |
Sieg heil. |
| 00:42:37 |
I have a glorious surprise for us. |
| 00:42:41 |
One of your dramatic sweets? |
| 00:42:44 |
Guess again. |
| 00:42:49 |
The Farlows have been arrested. |
| 00:42:51 |
Really, Hum. Thank you, Louise. |
| 00:42:55 |
I'm no good at guessing. |
| 00:42:58 |
Mona Farlow is leaving |
| 00:43:02 |
Lolita is going with her. |
| 00:43:04 |
You were absolutely right |
| 00:43:07 |
...that I was getting too liberal |
| 00:43:10 |
What's more, Mona disappeared |
| 00:43:13 |
...and she did not come home till 4:00 a.m. |
| 00:43:16 |
So Jean and I decided |
| 00:43:19 |
...would be the best thing |
| 00:43:27 |
Do you think that the camp is the answer? |
| 00:43:29 |
Frankly, Hum, I do. It's all arranged. |
| 00:43:32 |
The Farlows and I phoned |
| 00:43:37 |
...and I did all the shopping this... |
| 00:43:39 |
Is something the matter with your face? |
| 00:43:41 |
Toothache. |
| 00:43:42 |
You poor man. |
| 00:43:44 |
If it still pains you tomorrow, |
| 00:43:49 |
How far away is this camp? |
| 00:43:51 |
Two hundred miles. |
| 00:43:57 |
Ain't I clever? |
| 00:44:00 |
Shall we take our coffee out to the piazza... |
| 00:44:04 |
...or do you want to go upstairs |
| 00:44:13 |
Nurse the tooth. |
| 00:44:51 |
I'll be right back. |
| 00:45:03 |
I guess I won't be seeing you again. |
| 00:45:07 |
I shall be moving on. |
| 00:45:09 |
I must prepare for my work |
| 00:45:13 |
Then I guess this is goodbye. |
| 00:45:18 |
Yes. |
| 00:45:20 |
Don't forget me. |
| 00:46:27 |
Are you upstairs, Mr. Humbert? |
| 00:46:31 |
Mr. Humbert! |
| 00:46:41 |
Mrs. Haze asked me to give you this. |
| 00:46:44 |
Thank you very much. |
| 00:46:59 |
"This is a confession. |
| 00:47:02 |
"I love you. |
| 00:47:05 |
"Last Sunday in church, my dear one, |
| 00:47:09 |
"...what to do about it, |
| 00:47:14 |
"You see, there is no alternative. |
| 00:47:17 |
"I have loved you from the minute |
| 00:47:20 |
"I am a passionate and lonely woman... |
| 00:47:25 |
"...and you are the love of my life. |
| 00:47:27 |
"Now you know. |
| 00:47:30 |
"So you will please, at once, |
| 00:47:33 |
"This is a landlady's order. |
| 00:47:37 |
"I am kicking you out. |
| 00:47:42 |
"I shall be back by dinnertime. |
| 00:47:46 |
"You see, cherie... |
| 00:47:49 |
"...if you decided to stay, |
| 00:47:52 |
"...which I know I won't... |
| 00:47:54 |
"...and that's why I'm able |
| 00:47:59 |
"...the fact of your remaining |
| 00:48:07 |
"...that you want me as much as I do you... |
| 00:48:11 |
"...as a lifelong mate... |
| 00:48:15 |
"...and you are ready to link up your life |
| 00:48:20 |
"...and be a father to my little girl. |
| 00:48:23 |
"Goodbye, dear one. |
| 00:48:25 |
"Pray for me... |
| 00:48:28 |
"...if you ever pray." |
| 00:49:01 |
Hum? |
| 00:49:12 |
Hum, baby. |
| 00:49:15 |
The wedding was a quiet affair... |
| 00:49:19 |
...and when called upon to enjoy |
| 00:49:22 |
...did I experience only bitterness |
| 00:49:26 |
No, Mr. Humbert confesses |
| 00:49:32 |
...to some faint tenderness, |
| 00:49:36 |
...daintily running along the steel |
| 00:49:40 |
Dear, the door's locked. |
| 00:49:47 |
Sweetheart, I don't want |
| 00:49:50 |
It makes me feel insecure. |
| 00:49:54 |
Can't this wait till I come out of here? |
| 00:50:01 |
I suppose... |
| 00:50:08 |
Hum, what do you do in there so long? |
| 00:50:11 |
I want to talk to you. |
| 00:50:15 |
I haven't been here long. |
| 00:50:21 |
Were there a lot of women |
| 00:50:24 |
I've told you about them already. |
| 00:50:28 |
Well, you didn't tell me... |
| 00:50:31 |
...about all of them. |
| 00:50:34 |
Charlotte, if it would make you |
| 00:50:37 |
...I will sit right down and make out |
| 00:50:40 |
...of every woman I have ever known. |
| 00:50:42 |
Would that satisfy you? |
| 00:50:45 |
I'm lonesome. |
| 00:50:52 |
I think it's healthy for me to be jealous. |
| 00:50:56 |
It means that I love you. |
| 00:51:02 |
You know how happy I can make you. |
| 00:51:11 |
But... |
| 00:51:13 |
...Charlotte, I haven't even had |
| 00:51:21 |
You want me to make you some? |
| 00:51:23 |
Please do that, like a good little wife. |
| 00:51:29 |
All right. |
| 00:51:50 |
Darling... |
| 00:51:53 |
I don't care about any other woman. |
| 00:51:56 |
I know that our love is sacred, |
| 00:52:00 |
Yes, "sacred," that's right, that's what it is. |
| 00:52:05 |
Hum, baby, you know, |
| 00:52:09 |
You do arouse the pagan in me. |
| 00:52:13 |
Hum, you just touch me |
| 00:52:17 |
It scares me. |
| 00:52:18 |
Yes, I know the feeling. |
| 00:52:23 |
Do you believe in God? |
| 00:52:29 |
The question is: Does God believe in me? |
| 00:52:36 |
I wouldn't care if your maternal |
| 00:52:42 |
But if I ever found out... |
| 00:52:45 |
...that you didn't believe in God... |
| 00:52:49 |
...I think I would commit suicide. |
| 00:52:53 |
A gun! |
| 00:52:55 |
It belonged to Mr. Haze. |
| 00:52:57 |
You should be careful with those things. |
| 00:52:59 |
It's not loaded. |
| 00:53:01 |
That's what they all say, |
| 00:53:04 |
This is a sacred weapon. |
| 00:53:07 |
It's a tragic treasure. |
| 00:53:10 |
Mr. Haze purchased it |
| 00:53:14 |
He wanted to spare me |
| 00:53:17 |
Happily or unhappily, |
| 00:53:22 |
Will you put it down, please? |
| 00:53:25 |
Thank you. |
| 00:53:27 |
That's better now, isn't it? |
| 00:53:38 |
Oh, you man! |
| 00:53:42 |
Darling... |
| 00:53:45 |
...you know... |
| 00:53:47 |
...I have a most ambitious fantasy. |
| 00:53:50 |
What's yours? |
| 00:53:54 |
I would love to get hold of |
| 00:54:00 |
...you know, like the German girls |
| 00:54:05 |
...and have her come and live in the house. |
| 00:54:08 |
No room. |
| 00:54:10 |
We could put her in Lo's room. |
| 00:54:12 |
I've been meaning to make a guest room |
| 00:54:16 |
And where, pray... |
| 00:54:19 |
...will you put your daughter... |
| 00:54:21 |
...when you get your guest or your maid? |
| 00:54:24 |
You know, I've decided |
| 00:54:28 |
...to a good boarding school... |
| 00:54:30 |
...with strict religious training... |
| 00:54:33 |
...and then on to college. |
| 00:54:37 |
Darling, it's going to be you |
| 00:54:41 |
...forever now. |
| 00:54:53 |
Darling, you've gone away. |
| 00:54:56 |
Just a minute, darling, |
| 00:55:12 |
It doesn't matter. |
| 00:55:18 |
C'est la vie. |
| 00:55:25 |
Am I on that train? |
| 00:55:28 |
Yes. |
| 00:55:31 |
I should hope so. |
| 00:55:37 |
Let's let it ring. |
| 00:55:47 |
Hello? |
| 00:55:50 |
Yes, this is Mrs. Charlotte Humbert. |
| 00:55:55 |
I'll accept the charges. It's Lolita. |
| 00:56:00 |
Hello? |
| 00:56:02 |
Hello, dear. |
| 00:56:04 |
We're fine. |
| 00:56:09 |
Yes. |
| 00:56:12 |
We spent the honeymoon |
| 00:56:15 |
Well, with a few other young marrieds. |
| 00:56:18 |
Is anything wrong? |
| 00:56:21 |
You lost your new sweater? |
| 00:56:26 |
In the woods? |
| 00:56:31 |
Yes, he's here. |
| 00:56:34 |
What do you want to thank him for? |
| 00:56:37 |
Candy! |
| 00:56:40 |
Just a minute. |
| 00:56:41 |
Hum, I really wish that you would not |
| 00:56:50 |
I'm talking to you! |
| 00:56:55 |
Even in the most harmonious households |
| 00:56:59 |
...not all the decisions are taken |
| 00:57:02 |
...especially when the male partner |
| 00:57:06 |
...beyond the line of duty. |
| 00:57:08 |
When you wanted me to spend |
| 00:57:12 |
...I was glad to become |
| 00:57:14 |
...instead of remaining the scholar. |
| 00:57:17 |
Even then I scoot along after you like |
| 00:57:21 |
Yes, I'm happy. I'm delighted |
| 00:57:25 |
...every game has its rules. |
| 00:57:37 |
Lolita? |
| 00:58:40 |
No man can bring about |
| 00:58:44 |
Chance, however, can do it. |
| 00:58:50 |
Just minutes ago she had said |
| 00:58:53 |
What if I had playfully pulled |
| 00:58:59 |
"She said it wasn't loaded. |
| 00:59:03 |
"She was having her morning tub. |
| 00:59:05 |
"We had just finished talking |
| 00:59:10 |
"I decided to play a practical joke |
| 00:59:14 |
"We were newlyweds and still did things |
| 00:59:19 |
"As soon as it happened I called |
| 00:59:25 |
Simple, isn't it? |
| 00:59:28 |
The perfect murder! |
| 01:00:15 |
She splashed in the tub, |
| 01:00:20 |
...and all the logic of passion |
| 01:00:25 |
"Now is the time." |
| 01:00:28 |
But, what do you know, folks... |
| 01:00:31 |
...I just couldn't make myself do it. |
| 01:00:35 |
The scream grew more and more remote... |
| 01:00:38 |
...and I realized the melancholy fact |
| 01:00:43 |
...nor any other day or night... |
| 01:00:46 |
...could I make myself put her to death. |
| 01:01:00 |
Charlotte? |
| 01:01:17 |
Darling? |
| 01:01:24 |
That's my diary. We don't read |
| 01:01:29 |
Charlotte, that's my diary. |
| 01:01:33 |
Please. No, no. |
| 01:01:35 |
"The Haze woman..." |
| 01:01:39 |
"...the cow..." |
| 01:01:42 |
"...the obnoxious mama..." |
| 01:01:44 |
"...the brainless baba..." |
| 01:01:47 |
The stupid Haze is no longer your dupe. |
| 01:01:50 |
Give me that, please. |
| 01:01:51 |
You leave that alone |
| 01:01:54 |
Let's discuss this. |
| 01:01:57 |
...like civilized people. |
| 01:01:59 |
You're a disgusting, despicable, |
| 01:02:04 |
Don't do that. |
| 01:02:06 |
- Can we discuss... |
| 01:02:09 |
- Get out of my way! |
| 01:02:11 |
Go on, get out of my way. |
| 01:02:15 |
I'm leaving here today. |
| 01:02:18 |
You can have all of it. |
| 01:02:20 |
But you are never going to see |
| 01:02:24 |
Charlotte, please, listen to me. |
| 01:02:27 |
Charlotte, come here, please. |
| 01:02:30 |
Charlotte, open the door! |
| 01:02:32 |
I want to speak to you. |
| 01:02:34 |
It's very easy to explain. |
| 01:02:36 |
You have hallucinations. |
| 01:02:41 |
I'll get you a drink. That's what you want, |
| 01:02:47 |
Harold, look what happened. |
| 01:02:51 |
I was disloyal to you. |
| 01:02:54 |
I couldn't help it, though. |
| 01:02:56 |
Seven years is a very long time. |
| 01:03:01 |
Why did you go and die on me? |
| 01:03:06 |
I didn't know anything about life, |
| 01:03:10 |
If you hadn't died, |
| 01:03:17 |
Darling, forgive me. |
| 01:03:20 |
Forgive me. |
| 01:03:31 |
You were the soul of integrity. |
| 01:03:36 |
How did we produce such a little beast? |
| 01:03:42 |
I promise, I promise... |
| 01:03:46 |
I promise you that |
| 01:03:52 |
Next time it's going to be somebody |
| 01:03:56 |
Harold. |
| 01:04:08 |
Those notes you found were fragments |
| 01:04:17 |
Your name, and Lolita's, |
| 01:04:22 |
...just because they were handy. |
| 01:04:30 |
That's the way novelists work. |
| 01:04:32 |
They think of the names of their friends... |
| 01:04:35 |
...and the people who enter |
| 01:04:40 |
...like the Farlows... |
| 01:04:43 |
...and they think up funny situations. |
| 01:04:48 |
I'm making a martini for you. |
| 01:05:01 |
Charlotte! |
| 01:05:03 |
I'll take it! |
| 01:05:07 |
Yes? |
| 01:05:08 |
Yes, this is he. |
| 01:05:11 |
Yes. |
| 01:05:14 |
What? |
| 01:05:17 |
But my wife is upstairs in her bedroom. |
| 01:05:20 |
Is this a gag? Is this one of the fellows |
| 01:05:24 |
Just hold on, please. |
| 01:05:26 |
Charlotte! |
| 01:05:28 |
There's a man on the line |
| 01:05:31 |
Now, listen, please, my friend. |
| 01:05:34 |
Just hold on one moment. |
| 01:06:00 |
The ambulance is here. |
| 01:06:03 |
Now, you take it easy, okay? |
| 01:06:05 |
All right? |
| 01:06:07 |
Mr. Humbert, she just ran |
| 01:06:10 |
I swerved around, you see, |
| 01:06:14 |
...she just ran right in front of me. |
| 01:06:16 |
My dad's in a state of shock, |
| 01:06:19 |
...but I just wanted you to know |
| 01:06:22 |
Are you the lady's husband? |
| 01:06:25 |
Yes. |
| 01:06:27 |
I'm afraid she's dead. |
| 01:06:45 |
Humbert? |
| 01:06:50 |
It's Jean and John. |
| 01:06:59 |
Humbert, where are you? |
| 01:07:06 |
It's all right. Come in, both of you. |
| 01:07:09 |
- Jean, I'm perfectly decent. |
| 01:07:12 |
Look, there's a stool. |
| 01:07:17 |
You poor man. |
| 01:07:18 |
Just have to hang on. |
| 01:07:23 |
She was a wonderful person. |
| 01:07:27 |
She was always so gay, wasn't she, John? |
| 01:07:30 |
Just remember, I mean, |
| 01:07:33 |
That's very, very true. |
| 01:07:37 |
It's just wonderful to have friends |
| 01:07:42 |
I'm so, so sorry. |
| 01:07:45 |
Now, see here, old man... |
| 01:07:50 |
...you mustn't think of doing anything rash. |
| 01:07:53 |
Why, of course not. |
| 01:07:55 |
You have everything to live for, hasn't he? |
| 01:07:58 |
Perhaps you'd better tell him |
| 01:08:02 |
Humbert, Charlotte didn't want |
| 01:08:07 |
...she hadn't long to live, anyhow. |
| 01:08:08 |
She only had one kidney. |
| 01:08:10 |
- Born that way. |
| 01:08:12 |
And the one kidney she had |
| 01:08:16 |
She had... |
| 01:08:17 |
- Nephritis. |
| 01:08:23 |
I'll get it. |
| 01:08:26 |
Try to think of your poor little Lolita |
| 01:08:30 |
You must live for her sake. |
| 01:08:35 |
- Excuse me. |
| 01:08:38 |
I'm Frederick Beale Senior. |
| 01:08:41 |
Do, please. |
| 01:08:42 |
My son was driving the car. |
| 01:08:44 |
When that thing happened. |
| 01:08:45 |
Yes. |
| 01:08:47 |
My two youngest, Jack and Mary, |
| 01:08:51 |
He's had a terrible shock. |
| 01:08:52 |
Yes, of course he has. |
| 01:08:55 |
You know, this isn't easy |
| 01:08:58 |
...technically it was the pedestrian's fault |
| 01:09:02 |
Technically, you're absolutely right. |
| 01:09:04 |
You see, it was raining |
| 01:09:07 |
You don't have to explain to me |
| 01:09:13 |
I must say you're wonderfully sympathetic. |
| 01:09:16 |
In fact, you've been so generous |
| 01:09:19 |
...I was about to suggest that |
| 01:09:22 |
...the funeral expenses. |
| 01:09:24 |
That's awfully nice of you. |
| 01:09:27 |
Thank you very much. |
| 01:09:30 |
Well, that's the least I can do. |
| 01:09:33 |
It's my pleasure. |
| 01:09:35 |
Well, I won't keep you any longer. |
| 01:09:38 |
We'll have to get together very soon |
| 01:09:41 |
Yes, let's do that... yes. |
| 01:10:29 |
Do you work here? |
| 01:10:31 |
Yeah, sort of. |
| 01:10:33 |
- I didn't think you were a camper. |
| 01:10:37 |
This is a girls' camp exclusively, isn't it? |
| 01:10:40 |
Yeah, yeah. |
| 01:10:41 |
I'm Charlie, Mrs. Sedgwick's son. |
| 01:10:45 |
You visit the place, I suppose, |
| 01:10:47 |
No, I live here. |
| 01:10:50 |
Are you the only boy living in the camp? |
| 01:10:54 |
The only one. |
| 01:10:58 |
Do you know a girl called Lolita? |
| 01:11:01 |
Dolores Haze? |
| 01:11:02 |
Yeah, yeah, I know her. |
| 01:11:04 |
Well? |
| 01:11:05 |
Well, I see her around once in a while. |
| 01:11:08 |
What are those sheets doing here? |
| 01:11:12 |
She's almost packed, Dr. Humbert. |
| 01:11:15 |
- Thank you. |
| 01:11:18 |
Okay, what's the big mystery bit? |
| 01:11:22 |
There's no mystery. |
| 01:11:23 |
It's just that I didn't want to talk |
| 01:11:28 |
It's your mother. |
| 01:11:31 |
Really? She giving me time off |
| 01:11:35 |
No, she hasn't been feeling very well. |
| 01:11:39 |
What's the matter with her? |
| 01:11:41 |
She's sick. |
| 01:11:43 |
- Really, what is it? |
| 01:11:45 |
...quite what the trouble is. |
| 01:11:47 |
She's been moved to a hospital |
| 01:11:51 |
A hospital! Well, is that where |
| 01:11:55 |
Yes, eventually... |
| 01:11:57 |
...and then, you and I will have |
| 01:12:00 |
...until your mother gets well. |
| 01:12:02 |
After that, I thought we might go |
| 01:12:05 |
Does that appeal to you? |
| 01:12:09 |
What's the routine, |
| 01:12:11 |
No, dear. We shall be in Briceland |
| 01:12:15 |
...we shall find some comfortable hotel |
| 01:12:19 |
...and then tomorrow morning |
| 01:12:26 |
Did you have a marvelous summer? |
| 01:12:30 |
Yeah, I guess so. |
| 01:12:32 |
Were you sorry to leave? |
| 01:12:34 |
Not exactly. |
| 01:12:47 |
You know, I've missed you terribly. |
| 01:12:50 |
I haven't missed you. In fact, |
| 01:12:55 |
But it doesn't matter a bit, |
| 01:12:59 |
What makes you say |
| 01:13:03 |
You haven't even kissed me yet, have you? |
| 01:13:18 |
Hello, Mr. Swine. |
| 01:13:20 |
Hello, Mr. Quilty. Good evening, ma'am. |
| 01:13:24 |
Yeah, great. I'm having a swell vacation. |
| 01:13:26 |
Good. |
| 01:13:27 |
Mr. Swine, would you mind |
| 01:13:31 |
Sure, go ahead. |
| 01:13:33 |
What is a guy like you |
| 01:13:36 |
What do you mean? |
| 01:13:38 |
Well, you just don't seem to be the type. |
| 01:13:42 |
Well, as a matter of fact, I was an actor. |
| 01:13:45 |
I knew it. Didn't I say to you? |
| 01:13:47 |
When I first saw you, you had... |
| 01:13:49 |
...a sort of aura that all actors |
| 01:13:51 |
Well, since you're a playwright, |
| 01:13:56 |
Yeah, maybe I could use you sometime. |
| 01:14:00 |
Mr. Swine... |
| 01:14:01 |
...what does an actor-manager... |
| 01:14:04 |
...do with his spare time |
| 01:14:07 |
Well, I don't have much spare time, but... |
| 01:14:09 |
...I swim, play tennis, lift weights. |
| 01:14:13 |
Gets rid of the excess energy. |
| 01:14:16 |
What do you do with your excess energy? |
| 01:14:19 |
Well, we do a lot of things |
| 01:14:22 |
One of the things we do a lot of is judo. |
| 01:14:25 |
- Did you ever hear about that? |
| 01:14:27 |
Yes, I've heard about it. |
| 01:14:29 |
You do judo with the lady? |
| 01:14:31 |
Yes, she's a yellow belt, I'm a green belt, |
| 01:14:36 |
What happens is she throws me |
| 01:14:38 |
She throws you? |
| 01:14:40 |
What she does, she gets me in a sort |
| 01:14:44 |
She sweeps my ankles from under me. |
| 01:14:46 |
- I go down with one hell of a bang. |
| 01:14:48 |
I lay there in pain but I love it. |
| 01:14:51 |
I lay hovering between consciousness |
| 01:15:00 |
Wow! |
| 01:15:02 |
This looks swank. |
| 01:15:08 |
- See you later. |
| 01:15:11 |
Good evening. |
| 01:15:12 |
Good evening, sir. Can I help you? |
| 01:15:14 |
Yes, I'd like a room with a bath, |
| 01:15:18 |
Did you have a reservation, Mr? |
| 01:15:20 |
Humbert is the name. |
| 01:15:22 |
Well, I'm afraid it'll be impossible |
| 01:15:25 |
This convention's got us tied up in knots. |
| 01:15:28 |
Is it just you and the girl? |
| 01:15:29 |
Yes. I would like you to accommodate us |
| 01:15:33 |
Mr. Potts! |
| 01:15:34 |
Yes, Mr. Swine? |
| 01:15:36 |
What about Captain Love? Has he called? |
| 01:15:38 |
He's cancelled his reservation. |
| 01:15:40 |
Well, I could give you 242. |
| 01:15:44 |
...but it's only got one bed. |
| 01:15:47 |
Well, perhaps you could find a folding bed |
| 01:15:51 |
Potts, do we have any cots? |
| 01:15:52 |
No, the troopers have snapped them all up. |
| 01:15:55 |
I'm sure you'll find one room satisfactory. |
| 01:15:59 |
One night we had three ladies |
| 01:16:01 |
I'm sure we'll manage. |
| 01:16:02 |
Even if my wife joins me later, |
| 01:16:06 |
- Good. Would you mind registering? |
| 01:16:12 |
By the way, what sort of a convention |
| 01:16:15 |
We are very proud to have the overflow |
| 01:16:37 |
Perhaps if you just left them on the floor |
| 01:16:48 |
Well, you can just leave them. |
| 01:16:50 |
Yes, that's fine. |
| 01:16:53 |
Thank you very much. |
| 01:16:56 |
Thank you, sir. |
| 01:17:04 |
Well? |
| 01:17:06 |
Is this it? |
| 01:17:09 |
You mean? |
| 01:17:11 |
Yeah. |
| 01:17:14 |
Yes. |
| 01:17:17 |
You see, I'm quite sure that they'll manage |
| 01:17:22 |
I asked them downstairs in the lobby |
| 01:17:25 |
A cot? |
| 01:17:26 |
Yes. |
| 01:17:28 |
You're crazy. |
| 01:17:30 |
Why, my darling? |
| 01:17:32 |
Because, my darling, |
| 01:17:35 |
...she's going to divorce you |
| 01:17:41 |
Yes. Now, look, Lo... |
| 01:17:45 |
I have a great feeling of... |
| 01:17:47 |
...tenderness for you. |
| 01:17:49 |
While your mother is ill, |
| 01:17:53 |
We're not rich, and while we travel |
| 01:17:57 |
We shall be thrown a good deal together... |
| 01:18:00 |
...and two people sharing one room |
| 01:18:05 |
...how shall I say, a kind of... |
| 01:18:10 |
Aren't you going to go down |
| 01:18:31 |
Has there been a message for me |
| 01:18:33 |
I'm sorry, sir, nothing yet, |
| 01:18:37 |
Thank you. |
| 01:19:17 |
Hello. |
| 01:19:20 |
You're addressing me! |
| 01:19:22 |
I thought perhaps there was someone |
| 01:19:24 |
No, I'm not really with someone. |
| 01:19:26 |
I didn't mean that as an insult. |
| 01:19:27 |
What I meant was that |
| 01:19:32 |
...when I'm with them, I'm with someone, |
| 01:19:35 |
I mean, I'm not with a lot of people, |
| 01:19:37 |
I wouldn't like to disturb you. |
| 01:19:42 |
You don't really have to go at all. |
| 01:19:46 |
I get the impression that you want to leave |
| 01:19:49 |
...because you think I think it looks |
| 01:19:54 |
You don't have to think that because |
| 01:19:58 |
A lot of people think I'm suspicious, |
| 01:20:02 |
One of our boys picked me up once. |
| 01:20:04 |
He thought that I was too suspicious |
| 01:20:07 |
Tell me, I couldn't help noticing |
| 01:20:11 |
It's part of my job, |
| 01:20:13 |
...and I noticed your face. |
| 01:20:15 |
I said to myself when I saw you... |
| 01:20:17 |
...there's a guy with the most |
| 01:20:20 |
That's very nice of you. |
| 01:20:22 |
Not a bit. It's great to see a normal face, |
| 01:20:25 |
Be great for two normal guys... |
| 01:20:27 |
...to get together and talk about |
| 01:20:30 |
There's nothing I would like better |
| 01:20:34 |
It's a pity, because, may I say |
| 01:20:37 |
I've been thinking about it a lot. |
| 01:20:39 |
I noticed when you was checking in |
| 01:20:42 |
She was really lovely. |
| 01:20:43 |
She wasn't so little, come to think of it. |
| 01:20:47 |
Taller than little, you know, |
| 01:20:50 |
I wish I had a pretty, tall, |
| 01:20:53 |
That was my daughter. |
| 01:20:55 |
Your daughter? |
| 01:20:57 |
...pretty, little daughter like that? |
| 01:21:00 |
I don't have any children or boys |
| 01:21:03 |
I'm not even... Are you married? |
| 01:21:05 |
Yes, I'm expecting my wife, |
| 01:21:08 |
May I say something? |
| 01:21:11 |
I was thinking that you want to get away |
| 01:21:14 |
I don't blame you. If I was married |
| 01:21:18 |
Yes. No, that was not it at all. |
| 01:21:21 |
As a matter of fact, it's possible |
| 01:21:25 |
...when I left home she was not well. |
| 01:21:27 |
What was the matter with your wife? |
| 01:21:29 |
It's not important... She had an accident. |
| 01:21:31 |
She had an accident! That's terrible! |
| 01:21:36 |
...an accident like that! |
| 01:21:38 |
She was hit by a car. |
| 01:21:40 |
No wonder she's not here. |
| 01:21:44 |
What's happening? |
| 01:21:47 |
Well, that was the understanding. |
| 01:21:49 |
What, in an ambulance? |
| 01:21:53 |
I get sort of carried away, |
| 01:21:55 |
When you were at the desk |
| 01:21:59 |
...Mr. George Swine, who I happen |
| 01:22:02 |
...I was wondering if he fixed you up |
| 01:22:05 |
Yes, they were extremely cooperative. |
| 01:22:07 |
You sure? Because I could easily |
| 01:22:10 |
He's a really normal, nice sort of guy... |
| 01:22:13 |
...and I've only got to have |
| 01:22:15 |
...and you'd be surprised |
| 01:22:18 |
He'd probably turn some troopers out, |
| 01:22:21 |
...a bridal suite, for you |
| 01:22:23 |
I don't want you to take any trouble |
| 01:22:26 |
We're perfectly comfortable. |
| 01:22:28 |
It's his job to fix you up |
| 01:22:30 |
He gets paid for doing that and... |
| 01:22:32 |
...when he sees a guy like you, all normal... |
| 01:22:35 |
...with a lovely girl, |
| 01:22:37 |
"I got to give that guy a lovely sort |
| 01:22:41 |
I don't like to hear things like that, |
| 01:22:45 |
...for not giving you a lovely, comfortable, |
| 01:22:49 |
You know what I mean? |
| 01:22:51 |
What has he got you on |
| 01:22:53 |
Well, the little girl is probably asleep |
| 01:22:58 |
...I don't know why we're discussing... |
| 01:23:02 |
...at the accommodation that you have, |
| 01:23:05 |
...then I can have a word with |
| 01:23:08 |
No, you really shouldn't worry |
| 01:23:11 |
Which reminds me, |
| 01:23:13 |
You're going because you think that... |
| 01:23:15 |
...me being a policeman, |
| 01:23:19 |
I don't think that at all. |
| 01:23:22 |
- You don't have to go because of that. |
| 01:23:26 |
Before you go, I was wondering whether |
| 01:23:29 |
...me being lonely and normal... |
| 01:23:33 |
- We can have breakfast. |
| 01:23:35 |
I can arrange it with George Swine. |
| 01:23:38 |
Well, thank you so much. Goodnight. |
| 01:23:41 |
You have a most interesting face. |
| 01:23:47 |
Excuse me. |
| 01:23:49 |
Hush, hush, she's asleep. |
| 01:23:52 |
Good evening. I brought the cot, sir. |
| 01:23:54 |
Yes. I see you did. |
| 01:23:56 |
We don't need it now, so take it away. |
| 01:23:58 |
- You don't need the cot? |
| 01:24:00 |
- I won't make any noise. |
| 01:24:03 |
Two of the troopers agreed to double up. |
| 01:24:07 |
Well, in that case, all right... bring it in. |
| 01:24:09 |
But no noise, please. Quietly. |
| 01:25:56 |
We did it, sir. |
| 01:26:15 |
Thank you, sir. |
| 01:27:15 |
Hello. |
| 01:27:20 |
The cot came. |
| 01:27:23 |
Yes. |
| 01:27:26 |
Well... |
| 01:27:28 |
...goodnight. |
| 01:28:41 |
Wake up, Humbert, the hotel's on fire! |
| 01:28:45 |
The hotel's on fire, quick! |
| 01:28:46 |
What? The hotel's on fire? |
| 01:28:48 |
Get out of bed real quick! |
| 01:28:50 |
Quick, it's burning right down |
| 01:28:55 |
Why did you have to wake me? |
| 01:29:01 |
Very funny. |
| 01:29:02 |
By the way, what happened to your bed? |
| 01:29:06 |
Well, the bed collapsed. |
| 01:29:16 |
What time is it? |
| 01:29:19 |
It's breakfast time. |
| 01:29:23 |
You know, my tan is much darker |
| 01:29:25 |
That's not strictly true. |
| 01:29:28 |
You're a very fair-skinned lady. |
| 01:29:34 |
Look at that. That's very interesting. |
| 01:29:36 |
Yeah. |
| 01:29:37 |
What else can you do? |
| 01:29:38 |
Well, this little thumb can go |
| 01:29:43 |
Yes, I can see. You're very talented. |
| 01:29:47 |
Boy, you need a shave! |
| 01:29:49 |
Of course I need a shave because |
| 01:29:52 |
...and I'm a man who needs... |
| 01:29:55 |
...two shaves a day. |
| 01:29:58 |
Do you always have to shave twice a day? |
| 01:30:00 |
Yes, of course. |
| 01:30:02 |
All the best people shave twice a day. |
| 01:30:11 |
What shall we do now? |
| 01:30:14 |
You ring down and order breakfast. |
| 01:30:17 |
No, I don't want to do that. |
| 01:30:19 |
Well, what do you want to do? |
| 01:30:24 |
Why don't we play a game? |
| 01:30:26 |
A game? Come on. |
| 01:30:29 |
No, you get on to room service at once. |
| 01:30:31 |
No, really. |
| 01:30:32 |
I learned some real good games in camp. |
| 01:30:37 |
One in "particularly" was fun. |
| 01:30:40 |
Well, why don't you describe this one |
| 01:30:45 |
Well, I played it with Charlie. |
| 01:30:49 |
Charlie? Who's he? |
| 01:30:52 |
Charlie? |
| 01:30:54 |
He's that guy that you met in the office. |
| 01:30:57 |
You mean that boy? |
| 01:30:59 |
You and he? |
| 01:31:01 |
Yeah. |
| 01:31:05 |
Are you sure you can't guess what game |
| 01:31:11 |
I'm not a very good guesser. |
| 01:31:24 |
I don't know what game you played. |
| 01:31:33 |
You mean, you never played that game |
| 01:31:37 |
No. |
| 01:31:40 |
All righty then. |
| 01:32:07 |
Have you ever kissed the Blarney Stone? |
| 01:32:10 |
No, that's something I never did. |
| 01:32:12 |
Boy, I sure wish I could. |
| 01:32:14 |
Perhaps sometime we can organize a trip. |
| 01:32:22 |
Hey, let's tell Mother. |
| 01:32:25 |
Tell Mother what? |
| 01:32:26 |
You know what. |
| 01:32:29 |
No, I don't think that would be very funny. |
| 01:32:32 |
I wonder what she'd do. |
| 01:32:36 |
If you don't stop eating those chips |
| 01:32:44 |
Did you see that? A squashed cat. |
| 01:32:47 |
Boy, that's terrible. |
| 01:32:49 |
I hate things like that. |
| 01:32:56 |
You know what I'd like for lunch? |
| 01:32:58 |
No, tell me. |
| 01:32:59 |
A big plate of French fries and a malt. |
| 01:33:13 |
How long until we get to Lepingsville? |
| 01:33:16 |
Well, I'm beginning to think that |
| 01:33:20 |
We got off to rather a slow start, |
| 01:33:24 |
Can we go to a movie tonight? |
| 01:33:25 |
If that's what you'd like. |
| 01:33:28 |
I would. |
| 01:33:30 |
Have you ever seen any of those, |
| 01:33:36 |
Yes, frequently. |
| 01:33:38 |
I don't like 'em. |
| 01:33:45 |
Will you stop at the next gas station? |
| 01:33:48 |
All right. |
| 01:33:52 |
You're feeling all right, aren't you? |
| 01:33:54 |
I feel fine. |
| 01:33:57 |
What's the number? |
| 01:34:04 |
Don't you know the number? |
| 01:34:08 |
I think it will be just as well if you wait |
| 01:34:13 |
Why? What difference does it make? |
| 01:34:16 |
I just don't think it'd be a very good idea. |
| 01:34:19 |
Why can't I call my mother if I want to? |
| 01:34:22 |
Because you can't. |
| 01:34:24 |
Why? |
| 01:34:29 |
Because... |
| 01:34:33 |
...your mother is dead. |
| 01:34:40 |
Come on now, cut it out! |
| 01:34:44 |
Your mother is dead. |
| 01:35:58 |
Try to stop crying. |
| 01:36:02 |
- Everything's going to be all right. |
| 01:36:11 |
I'm sure that we're going to be very happy, |
| 01:36:16 |
But everything has changed |
| 01:36:18 |
Everything was so, I don't know, normal. |
| 01:36:24 |
Lolita, please, please don't cry. |
| 01:36:28 |
We'll do things. We'll go places. |
| 01:36:31 |
But there's no place to go back to. |
| 01:36:35 |
We'll find a new home. |
| 01:36:37 |
Where? |
| 01:36:40 |
Beardsley! |
| 01:36:42 |
My lectureship starts in September. |
| 01:36:44 |
It's in Ohio. You'll like it there. |
| 01:36:47 |
I'll hate it. I know I will. |
| 01:36:49 |
No, you won't. It's a wonderful place. |
| 01:36:53 |
But what about all my things |
| 01:36:56 |
And the house? |
| 01:36:58 |
I'll take care of all those things. |
| 01:37:00 |
What things do you want specially? |
| 01:37:03 |
My record player and my records. |
| 01:37:07 |
We'll send for them and, |
| 01:37:12 |
...to take the place of the old ones. |
| 01:37:14 |
I'll buy you the best hi-fi set |
| 01:37:20 |
There, there. |
| 01:37:22 |
We can't stay in Beardsley forever. |
| 01:37:26 |
Where's that handkerchief? |
| 01:37:34 |
Promise me something? |
| 01:37:36 |
Yes, anything. |
| 01:37:41 |
Promise you'll never leave me. |
| 01:37:45 |
...in one of those horrible places |
| 01:37:48 |
Whatever makes you think that, |
| 01:37:51 |
I know it would... |
| 01:37:53 |
...and anyway, I'd rather be with you. |
| 01:37:55 |
You're a lot better |
| 01:37:59 |
You will promise, won't you? |
| 01:38:02 |
Yes, I promise. |
| 01:38:04 |
Cross your heart and hope to die? |
| 01:38:08 |
Cross my heart and hope to die. |
| 01:38:15 |
Cross my heart and hope to die. |
| 01:38:22 |
Cross my heart and hope to die. |
| 01:38:30 |
You must now forget Ramsdale |
| 01:38:35 |
...and poor Humbert, and accompany us |
| 01:38:38 |
...where my lectureship in French poetry |
| 01:38:43 |
Six months have passed and Lolita |
| 01:38:46 |
...where I hope that |
| 01:38:48 |
...to read other things than comic books |
| 01:39:06 |
Why were you so late coming home |
| 01:39:10 |
Yesterday? Yesterday? |
| 01:39:13 |
Yesterday was Thursday. |
| 01:39:15 |
Oh, well. Was I late? |
| 01:39:17 |
Yes, you were. |
| 01:39:19 |
You finished school at 3:00. |
| 01:39:24 |
That's right, that's right. Michele and I... |
| 01:39:27 |
...stayed to watch football practice. |
| 01:39:29 |
In the Frigid Queen? |
| 01:39:31 |
What do you mean, in the Frigid Queen? |
| 01:39:33 |
I was driving around and I thought |
| 01:39:39 |
Yeah, well, we stopped there |
| 01:39:42 |
What difference does it make? |
| 01:39:44 |
You were sitting at a table with two boys. |
| 01:39:49 |
Roy and Rex just happened |
| 01:39:51 |
Roy and Rex? |
| 01:39:53 |
The co-captains of the football team. |
| 01:39:55 |
I thought we understood: No dates. |
| 01:39:58 |
What do you mean, no dates? |
| 01:40:01 |
I don't want you around them. |
| 01:40:05 |
You're a fine one to talk |
| 01:40:08 |
Don't avoid the issue. I told you no dates! |
| 01:40:12 |
It wasn't a date. |
| 01:40:14 |
It was a date! |
| 01:40:15 |
- It wasn't a date. |
| 01:40:17 |
- It was not a date. |
| 01:40:20 |
It wasn't a date. |
| 01:40:21 |
Whatever you had yesterday, |
| 01:40:25 |
While we're on the subject... |
| 01:40:26 |
...how did you come to be so late |
| 01:40:29 |
Saturday I went to my piano lesson. |
| 01:40:31 |
Your piano lesson? |
| 01:40:34 |
No, it's changed to Saturday, remember? |
| 01:40:36 |
Between 2:00 and 4:00, Miss Starch, piano. |
| 01:40:39 |
Ask Michele. She was with me. |
| 01:40:41 |
"Ask Michele," that's what you always say. |
| 01:40:43 |
Well, now for a change, I'm going |
| 01:40:48 |
You can't have her. |
| 01:40:51 |
I will ignore that idiotic joke. |
| 01:40:54 |
Why does she give me searching looks |
| 01:40:58 |
How should I know? |
| 01:41:00 |
Have you told her anything about us? |
| 01:41:02 |
No, have you? |
| 01:41:04 |
- You've told her nothing? |
| 01:41:07 |
You spend too much time with that girl. |
| 01:41:12 |
Come on, she's the only friend I've got |
| 01:41:17 |
You never let me have any fun. |
| 01:41:19 |
No fun? You have all the fun in the world! |
| 01:41:24 |
Whenever you want something |
| 01:41:27 |
I take you to concerts, |
| 01:41:30 |
I do all the housework! |
| 01:41:31 |
Who does the tidying up? I do. |
| 01:41:34 |
Who does the cooking? I do. |
| 01:41:36 |
You and I, we have lots of fun, |
| 01:41:43 |
Come here. |
| 01:42:00 |
Still love me? |
| 01:42:04 |
Completely. You know that. |
| 01:42:07 |
You know what I want more |
| 01:42:10 |
No. What do you want? |
| 01:42:13 |
I want you to be proud of me. |
| 01:42:16 |
But I am proud of you, Lolita. |
| 01:42:19 |
No, I mean really proud of me. |
| 01:42:21 |
They want me for the lead |
| 01:42:24 |
Isn't that fantastic? |
| 01:42:26 |
I have to have a letter from you, |
| 01:42:29 |
Who wants you? |
| 01:42:30 |
Well, Edusa Gold, the drama teacher, |
| 01:42:35 |
And who might they be? |
| 01:42:36 |
The authors. They're here |
| 01:42:39 |
But you've never acted before. |
| 01:42:41 |
They say I have a unique and rare talent. |
| 01:42:43 |
And how do they know that? |
| 01:42:44 |
We had readings and I was chosen |
| 01:42:47 |
That's the first I've heard about it. |
| 01:42:50 |
I know, I wanted to surprise you. |
| 01:42:52 |
And I suppose that Roy has a part |
| 01:42:55 |
Roy? What's he got to do with this? |
| 01:42:57 |
Roy and Rex, naturally, |
| 01:43:01 |
How do I know? |
| 01:43:03 |
Besides, they're football players, |
| 01:43:05 |
And you suddenly, overnight are |
| 01:43:10 |
- Out of the question! |
| 01:43:13 |
What atmosphere? It's a school play! |
| 01:43:14 |
I've told you, I don't want you mixing |
| 01:43:17 |
It's just another excuse to make dates |
| 01:43:22 |
- You don't love me. |
| 01:43:25 |
- You don't love me. |
| 01:43:27 |
You're driving me crazy. |
| 01:43:30 |
You just want to keep me locked up |
| 01:43:33 |
Now, dear, go and wash your face. |
| 01:43:37 |
Someday you'll regret this. |
| 01:43:39 |
- I'll go downstairs and start the roast. |
| 01:43:43 |
And don't smudge your toenails. |
| 01:44:04 |
Lo? |
| 01:44:12 |
Good evening, Dr. Humbert. |
| 01:44:19 |
Who are you? |
| 01:44:21 |
I am Dr. Zemph. |
| 01:44:24 |
Dr. Humbert, I am pleased to meet you. |
| 01:44:26 |
I am the Beardsley High School |
| 01:44:29 |
Have you been here? |
| 01:44:33 |
Your little daughter opened |
| 01:44:35 |
...on the way to her piano lesson... |
| 01:44:37 |
...and she said I was to wait in here |
| 01:44:41 |
So here I am. |
| 01:44:42 |
Sit down. Make yourself at home. |
| 01:44:44 |
I sat in the dark so as to save you |
| 01:44:48 |
That was very considerate of you. |
| 01:44:50 |
A great pleasure. |
| 01:44:55 |
What can I do for you, Dr. Zemph? |
| 01:44:58 |
Dr. Humbert, would you mind |
| 01:45:04 |
No, by all means do so. |
| 01:45:06 |
We are wondering, has anybody |
| 01:45:14 |
- The facts? |
| 01:45:16 |
You see, Lolita is a sweet, little child... |
| 01:45:18 |
...but the onset of maturity seems |
| 01:45:21 |
...a certain amount of trouble. |
| 01:45:24 |
I really don't think that this is a fit topic. |
| 01:45:28 |
Well, Dr. Humbert, to you she is still |
| 01:45:34 |
...but to those boys over there |
| 01:45:39 |
She is a lovely girl, you know... |
| 01:45:42 |
...with the swing, you know, and the jazz... |
| 01:45:44 |
...and she has got the curvatures |
| 01:45:47 |
You and I, what are we? |
| 01:45:49 |
We are symbols of power, |
| 01:45:52 |
We are making the signatures, |
| 01:45:55 |
...and decisions all the time. |
| 01:45:57 |
But if we cast our minds back... |
| 01:45:59 |
Just think, what were we only yesterday? |
| 01:46:02 |
Yesterday, Dr. Humbert... |
| 01:46:04 |
...you and I were little High School Jim... |
| 01:46:07 |
...and we were carrying |
| 01:46:09 |
You remember those days? |
| 01:46:12 |
In point of fact, Dr. Zemph, |
| 01:46:18 |
I have not made my point quite clear. |
| 01:46:25 |
I have some other details which |
| 01:46:31 |
"She is defiant and rude. |
| 01:46:35 |
She sighs, makes the sound of... |
| 01:46:38 |
"Chews gum vehemently." |
| 01:46:41 |
"Handles books gracefully." |
| 01:46:43 |
That doesn't really matter. |
| 01:46:45 |
"Giggles rather often and is excitable." |
| 01:46:48 |
"A little dreamy. Concentration is poor." |
| 01:46:51 |
She looks at the book for a while |
| 01:46:54 |
"Has private jokes of her own." |
| 01:46:56 |
Which no one understands |
| 01:46:59 |
"She either has exceptional control |
| 01:47:03 |
We cannot decide which. |
| 01:47:05 |
Added to that, just yesterday, |
| 01:47:09 |
...she wrote a most obscene word |
| 01:47:14 |
...on the health pamphlet. |
| 01:47:16 |
And so, in our opinion, she is suffering |
| 01:47:22 |
...of the natural instincts. |
| 01:47:26 |
I fail to see the significance of all this... |
| 01:47:29 |
...as far as her record as a student |
| 01:47:34 |
We Americans... |
| 01:47:36 |
...we are progressively modern. |
| 01:47:39 |
We believe that it is equally important |
| 01:47:44 |
...for the mutually satisfactory mating |
| 01:47:48 |
That is what we believe. |
| 01:47:50 |
What do you suggest? |
| 01:47:51 |
I am suggesting... |
| 01:47:53 |
...that Dr. Cudler, who is the district |
| 01:47:58 |
...should visit you in the home with |
| 01:48:02 |
...and once they are in the home |
| 01:48:06 |
...in the home situation, |
| 01:48:14 |
The home situation? |
| 01:48:16 |
So that they can get straight |
| 01:48:20 |
But she's not being repressed, Dr. Zemph. |
| 01:48:23 |
Do I take it then that |
| 01:48:28 |
...with Dr. Cudler and his men? |
| 01:48:30 |
I am not refusing anything at all, |
| 01:48:33 |
- No, I don't want to... |
| 01:48:36 |
I absolutely refuse... |
| 01:48:39 |
...to have a quartet |
| 01:48:43 |
...nosing around my house. |
| 01:48:46 |
Dr. Humbert... |
| 01:48:49 |
...l'm afraid that... |
| 01:48:51 |
...you may have no choice. |
| 01:48:54 |
Cigarette? |
| 01:48:55 |
No choice? |
| 01:48:56 |
No choice. |
| 01:48:59 |
Keep the pack. |
| 01:49:01 |
Look, Dr. Humbert... |
| 01:49:04 |
...I don't wish to take this |
| 01:49:07 |
...if I can possibly help it. Understand? |
| 01:49:11 |
So you must help me. |
| 01:49:16 |
What can I do? |
| 01:49:18 |
I don't know, but perhaps there is |
| 01:49:22 |
...something new altogether, |
| 01:49:26 |
Would you like that? |
| 01:49:27 |
Some new area of adjustment |
| 01:49:32 |
...perhaps by taking a larger share |
| 01:49:37 |
I have never objected to her taking part |
| 01:49:42 |
- School activities. |
| 01:49:44 |
You see, we have questioned Lolita |
| 01:49:47 |
...but she says not a word, |
| 01:49:50 |
So we are speaking with her friends, |
| 01:49:54 |
...which I wouldn't repeat to you here. |
| 01:49:56 |
But there is one thing which has arisen |
| 01:50:00 |
That you, Dr. Humbert, |
| 01:50:05 |
...nonparticipation in the school play. |
| 01:50:12 |
Perhaps I was wrong in the attitude |
| 01:50:16 |
That's very big of you to admit that. |
| 01:50:19 |
...why don't you also loosen up |
| 01:50:23 |
...the "dating" and the "dance"? |
| 01:50:26 |
Do you think that those are |
| 01:50:28 |
Dr. Humbert, I tell you what I do think. |
| 01:50:30 |
I feel that you and I should do all |
| 01:50:35 |
...and his quartet of psychologists |
| 01:50:38 |
...in the home situation. That's what I feel. |
| 01:50:41 |
Don't you agree with me? |
| 01:50:52 |
I stand before you, |
| 01:50:56 |
Tremble not, little nymph. |
| 01:50:58 |
You see before you a weary goat. |
| 01:51:02 |
The bewitcher is bewitched. |
| 01:51:04 |
Look, Semiramis, look! |
| 01:51:06 |
Yes, the goat removeth his horns. |
| 01:51:08 |
Let us take him to the Dark Kingdom. |
| 01:51:10 |
Yes. |
| 01:51:11 |
To the Dark Kingdom, away, away! |
| 01:51:25 |
Why, good evening, Dr. Humbert! |
| 01:51:27 |
Miss Starch! Good evening! |
| 01:51:28 |
- Did you enjoy the performance? |
| 01:51:32 |
I wondered if the symbolism |
| 01:51:35 |
I know what you mean, |
| 01:51:39 |
They were, weren't they? |
| 01:51:42 |
She was quite perfect. |
| 01:51:45 |
Yes, I am. You know, her performance |
| 01:51:49 |
She made me promise not to watch |
| 01:51:52 |
They're so intense at that age. |
| 01:51:53 |
She must have worked awfully hard. |
| 01:51:55 |
No wonder you decided |
| 01:51:58 |
After all, there are only... |
| 01:52:00 |
I beg your pardon, did you say, |
| 01:52:02 |
Yes. |
| 01:52:04 |
- Do you play, Dr. Humbert? |
| 01:52:06 |
Didn't she have a lesson with you |
| 01:52:09 |
No. |
| 01:52:10 |
Nor the preceding Saturday? |
| 01:52:11 |
No. She called to say |
| 01:52:14 |
Busy rehearsing? |
| 01:52:15 |
As a matter of fact, |
| 01:52:19 |
...let me see, four weeks! |
| 01:52:21 |
I hope I haven't spoken out of turn. |
| 01:52:23 |
No, no, not at all. |
| 01:52:27 |
By the way, Dr. Humbert, |
| 01:52:31 |
...who appreciate music, |
| 01:52:33 |
...if you'd like to come by |
| 01:52:36 |
Yes, of course, certainly I will. |
| 01:52:45 |
- Good evening, Dr. Humbert. |
| 01:52:47 |
- Wasn't it wonderful? |
| 01:52:50 |
There's a party for the cast and author. |
| 01:52:52 |
- Everybody's invited. |
| 01:52:55 |
- Our starlet's had enough excitement. |
| 01:52:58 |
I wouldn't want you to miss |
| 01:53:01 |
- I haven't missed any. |
| 01:53:03 |
Say goodnight. |
| 01:53:05 |
This isn't a regular party, it's a cast party. |
| 01:53:07 |
Come on. |
| 01:53:09 |
- This is the cast party... |
| 01:53:15 |
Brewster... |
| 01:53:17 |
...go and get some Type "A" Kodachrome. |
| 01:53:20 |
Okay. |
| 01:53:30 |
- You're not going upstairs. |
| 01:53:32 |
- We must have a talk. |
| 01:53:34 |
- You're hurting my arm! |
| 01:53:36 |
You let me go, you jerk! Let go of me! |
| 01:53:39 |
Sit down! Now you're going to answer |
| 01:53:41 |
You've got a big, fat nerve |
| 01:53:44 |
- Stop that silly noise! |
| 01:53:46 |
...not letting me go to the party? |
| 01:53:48 |
- Stop that shouting. |
| 01:53:53 |
All right, now the doors are shut. |
| 01:53:55 |
Let's hear how loud you can shout. |
| 01:54:03 |
Now perhaps you will tell me. |
| 01:54:06 |
What were you doing on Saturday |
| 01:54:11 |
I went to my piano lesson. |
| 01:54:12 |
- That's a lie. |
| 01:54:14 |
I happen to know you haven't been |
| 01:54:17 |
Yeah? Just ask Miss Starch. |
| 01:54:19 |
I asked Miss Starch. |
| 01:54:21 |
She told me. I saw her tonight. |
| 01:54:25 |
Yeah. |
| 01:54:26 |
Now tell me. |
| 01:54:27 |
What have you been doing |
| 01:54:33 |
- You really want to know? |
| 01:54:37 |
All right. I'm going to tell you |
| 01:54:41 |
I've been going to extra rehearsals. |
| 01:54:43 |
That's the most fatuous lie |
| 01:54:46 |
Don't say any more. |
| 01:54:48 |
You've been with this leading man |
| 01:54:51 |
...this Roy, isn't that so? |
| 01:54:55 |
You're sick. |
| 01:54:56 |
Stop! Don't throw those silly, |
| 01:54:59 |
Don't tell me any more. |
| 01:55:01 |
You've been with this boy? |
| 01:55:02 |
- Come on, tell me. |
| 01:55:05 |
- You're imagining things. |
| 01:55:23 |
Lolita. |
| 01:55:34 |
Now, if you swear to me that this isn't true |
| 01:55:38 |
I won't swear anything. |
| 01:55:41 |
I will believe you. |
| 01:55:43 |
No, you won't. You won't believe me. |
| 01:55:45 |
I'll forget the whole thing. |
| 01:55:48 |
No, you'll never believe me. |
| 01:55:57 |
All right, I believe you. |
| 01:56:00 |
It's partly my fault. I realize that. |
| 01:56:01 |
It's something that's happened |
| 01:56:05 |
These people poking their noses |
| 01:56:07 |
...and I never see you anymore, |
| 01:56:12 |
Stop doing that! |
| 01:56:22 |
But we could leave this place perhaps. |
| 01:56:27 |
Yes, there's nothing to keep us here. |
| 01:56:31 |
We haven't any obligations here. |
| 01:56:34 |
We could just pack up our bags. |
| 01:56:38 |
I could take you for a wonderful trip |
| 01:56:43 |
You can't leave here. |
| 01:56:45 |
Why not? |
| 01:56:46 |
You've got to work. What about your job? |
| 01:56:49 |
My job doesn't mean anything. |
| 01:56:52 |
My book's going to be published soon. |
| 01:56:56 |
I have to go to school. |
| 01:56:59 |
What sort of an education |
| 01:57:03 |
You got a much better education |
| 01:57:07 |
Well, the play has two more performances |
| 01:57:10 |
Don't start talking about the play. |
| 01:57:14 |
That's what started this whole row. |
| 01:57:17 |
Don't you want to get back |
| 01:57:20 |
...before we came to this horrible place? |
| 01:57:22 |
Don't you want to come away with me? |
| 01:57:25 |
No! |
| 01:57:26 |
I hate you! |
| 01:57:27 |
I hate you! |
| 01:57:29 |
You want to stay with this filthy boy! |
| 01:57:31 |
Yes! |
| 01:57:33 |
- Why can't you leave me alone? |
| 01:57:35 |
...you horrid little psychopath! |
| 01:57:38 |
I promise you one thing: |
| 01:57:40 |
You're not going to see |
| 01:57:42 |
- That's one thing that... |
| 01:57:45 |
I'll do anything I want to, |
| 01:57:48 |
...with anyone I want... |
| 01:57:50 |
...and you can't stop me! |
| 01:58:00 |
- Miss Le Bone. |
| 01:58:03 |
What can I do for you? |
| 01:58:05 |
This is a little awkward to say, but I'm... |
| 01:58:08 |
I thought you ought to know, this noise, |
| 01:58:12 |
Well, we were having a family row. |
| 01:58:15 |
The child's voice is very shrill |
| 01:58:17 |
Yes, of course, I understand perfectly, |
| 01:58:21 |
I happen to have company and he's |
| 01:58:25 |
Perhaps you can convey |
| 01:58:27 |
We were quarrelling about piano lessons. |
| 01:58:29 |
Hello, dear! |
| 01:58:31 |
Hello, Miss Le Bone. |
| 01:58:33 |
Goodnight! |
| 01:58:36 |
- What a pretty getup! |
| 01:58:39 |
Yes, of course, the school play. |
| 01:58:43 |
Dr. Humbert, I do hope... |
| 01:58:44 |
...you don't think that I'm presuming |
| 01:58:49 |
...I should tell you |
| 01:58:51 |
...to get curious about you and your girl. |
| 01:58:54 |
- I can't think why they should do that. |
| 01:59:01 |
I must get back to my guest. |
| 01:59:03 |
Would you care to join us? |
| 01:59:05 |
That's very nice of you, thank you, |
| 01:59:08 |
Oh, right. |
| 01:59:10 |
Well, goodnight! |
| 01:59:12 |
Goodnight. |
| 01:59:32 |
Come on, we're going home. |
| 01:59:33 |
- Wait. |
| 01:59:35 |
I wasn't going to. |
| 01:59:36 |
- Who were you talking to? |
| 01:59:39 |
You were speaking to somebody just now |
| 01:59:43 |
I got a wrong number. |
| 01:59:46 |
Listen, I've decided something. |
| 01:59:48 |
Yes? |
| 01:59:50 |
I want to leave school. |
| 01:59:52 |
You what? |
| 01:59:53 |
I don't want you to be mad at me anymore. |
| 01:59:55 |
Everything's going to be great |
| 01:59:57 |
- You mean that? |
| 02:00:01 |
...I really do. I never want to go back. |
| 02:00:04 |
That's good. |
| 02:00:05 |
Let's leave tomorrow. |
| 02:00:08 |
...and we'll go wherever I want to, |
| 02:00:11 |
Yes, my darling. |
| 02:00:13 |
- Are you glad? |
| 02:00:15 |
To hell with the play! See what I mean? |
| 02:00:17 |
Yes, that's good! |
| 02:00:19 |
Let's go home. I feel sort of romantic. |
| 02:00:31 |
The brakes were relined, |
| 02:00:34 |
...the valves ground. |
| 02:00:36 |
We had promised Beardsley School |
| 02:00:39 |
...as soon as my Hollywood engagement |
| 02:00:44 |
Inventive Humbert was to be, I hinted, |
| 02:00:49 |
...dealing with existentialism, |
| 02:01:47 |
I cannot tell you the exact day |
| 02:01:51 |
...that a strange car was following us. |
| 02:01:55 |
Queer how I misinterpreted |
| 02:02:20 |
Fill her up, please. |
| 02:03:06 |
I'm cold, I'm going to get a sweater. |
| 02:03:09 |
Watch it, please! |
| 02:03:10 |
Do you have to drive so fast? |
| 02:03:14 |
What's the big, fat hurry, anyway? |
| 02:03:17 |
There's been a car following us |
| 02:03:20 |
However, I haven't seen it recently. |
| 02:03:24 |
Really? |
| 02:03:25 |
I didn't want to scare you, |
| 02:03:28 |
...and yesterday it was parked |
| 02:03:31 |
- I haven't seen any car. Are you sure? |
| 02:03:34 |
I think you're imagining things. |
| 02:03:36 |
What did that man ask you |
| 02:03:38 |
What man? |
| 02:03:39 |
There was a man in the service station. |
| 02:03:43 |
I didn't see any man at the... |
| 02:03:47 |
He wondered if I had a map. |
| 02:03:50 |
Lo, now listen, please. |
| 02:03:52 |
I don't know if you're lying to me, |
| 02:03:55 |
...and I don't really care any longer, |
| 02:03:58 |
...was in the car that's been following us. |
| 02:04:01 |
- That's ridiculous. |
| 02:04:03 |
- A cop? |
| 02:04:04 |
If he is, the worst thing we can do |
| 02:04:07 |
Let's just ignore him, and slow down. |
| 02:04:09 |
Would you kindly tell me, please... |
| 02:04:12 |
...what you said to him exactly |
| 02:04:15 |
I told you. |
| 02:04:16 |
Did he ask you where we were going? |
| 02:04:19 |
All he asked was if I had a map. |
| 02:04:22 |
I'd have thought that he'd ask |
| 02:04:25 |
I would have thought he would, too. |
| 02:04:28 |
Well, anyhow, I think we've lost him. |
| 02:04:34 |
I told you not to drive so fast! |
| 02:04:36 |
Leave me alone! |
| 02:04:37 |
- Don't talk to me that way. |
| 02:04:42 |
Hey, look, all the nines changed |
| 02:04:46 |
There it is. |
| 02:04:47 |
What? |
| 02:04:48 |
The car. Don't you recognize it now? |
| 02:04:50 |
No. |
| 02:04:51 |
Don't look now. |
| 02:04:53 |
I don't want him to think |
| 02:04:58 |
- What's he stopping for? |
| 02:05:01 |
He can't help us, |
| 02:05:05 |
It can't be the police because if they were, |
| 02:05:10 |
- But the police... |
| 02:05:13 |
Maybe it's a special kind of police |
| 02:05:19 |
Yeah, like the vice squad! Scaddy, wow! |
| 02:05:22 |
Be quiet! Stop talking! |
| 02:05:25 |
What are we going to do? |
| 02:05:27 |
Am I being quiet enough? |
| 02:05:29 |
Don't try to be clever, please. |
| 02:05:33 |
- Really? |
| 02:05:38 |
What are we going to do now? |
| 02:05:40 |
I'm going to get out of this car... |
| 02:05:42 |
...walk down the road |
| 02:05:45 |
I'll say, "What are you doing?" |
| 02:05:47 |
- I wouldn't do that. |
| 02:05:49 |
Well, it might be dangerous. |
| 02:05:56 |
My arm is killing me. |
| 02:05:59 |
I don't seem to be able to breathe properly. |
| 02:06:03 |
It's probably just gas pains. |
| 02:06:07 |
Yes, it must be that. |
| 02:06:09 |
Maybe you ought to see a doctor |
| 02:06:13 |
No, I'll be all right. |
| 02:06:17 |
It's probably just something I ate. |
| 02:06:22 |
Wait a minute. |
| 02:06:24 |
I once read in a Reader's Digest |
| 02:06:28 |
Shut up, will you? |
| 02:06:29 |
Shut up yourself! |
| 02:06:31 |
I'm tired of hearing |
| 02:06:34 |
If you want to know something, |
| 02:06:43 |
He's moving. |
| 02:06:45 |
Big deal! |
| 02:06:48 |
He's turning around. |
| 02:06:55 |
He's going away. |
| 02:07:02 |
Are you feeling cold? |
| 02:07:04 |
Yeah. |
| 02:07:06 |
I feel all achy. |
| 02:07:09 |
I bet I'm getting the Asiatic flu. |
| 02:07:12 |
Here, let me feel your head. |
| 02:07:20 |
We make a fine pair, don't we? |
| 02:07:23 |
You just relax and stretch out on the seat, |
| 02:07:30 |
...and I'll see what I can do about... |
| 02:07:34 |
...changing the tire. |
| 02:07:50 |
Good morning. |
| 02:07:51 |
Good morning, Mr. Humbert. |
| 02:07:55 |
Good morning, Mr. Humbert. |
| 02:07:59 |
I was just about to give your daughter |
| 02:08:02 |
- How is she? |
| 02:08:04 |
Her temperature's normal |
| 02:08:07 |
Here's your father, dear. |
| 02:08:08 |
- Hi! |
| 02:08:13 |
- How are you feeling? |
| 02:08:15 |
You're looking much better. |
| 02:08:21 |
What gruesome flowers. |
| 02:08:25 |
But thanks, anyway. |
| 02:08:26 |
Nurse, can you find some water |
| 02:08:29 |
Certainly. |
| 02:08:30 |
Have you been getting notes |
| 02:08:33 |
Excuse me. |
| 02:08:34 |
Does your father think that you get notes |
| 02:08:43 |
I just thought it might be a bill |
| 02:08:46 |
- Do you have to antagonize everybody? |
| 02:08:53 |
What's the matter with you anyway? |
| 02:08:55 |
I'm afraid I'm coming down with a cold. |
| 02:08:59 |
Caught it from me? |
| 02:09:01 |
I suppose. |
| 02:09:02 |
Mr. Humbert, would you please |
| 02:09:06 |
I'm sorry. I was in a hurry |
| 02:09:09 |
But you've parked it right next to a sign |
| 02:09:12 |
All right. I shall leave in a moment. |
| 02:09:14 |
I'm sorry, but these are the hospital rules. |
| 02:09:20 |
Mary was only trying to be helpful. |
| 02:09:22 |
I've no doubt she's been just as helpful |
| 02:09:25 |
She has. |
| 02:09:26 |
And I shouldn't wonder if you two |
| 02:09:30 |
Come on now, |
| 02:09:36 |
I brought you some books. |
| 02:09:39 |
My friend, Professor Baer, |
| 02:09:42 |
...and here's something you might like, |
| 02:09:46 |
...A Portrait of the Artist as a Young Man |
| 02:09:51 |
- Whose are these? These are not yours. |
| 02:09:54 |
And since when have nurses |
| 02:10:00 |
There we go again! |
| 02:10:04 |
When did the doctor say |
| 02:10:07 |
What? |
| 02:10:09 |
Are you going to read the magazine |
| 02:10:11 |
Sure. |
| 02:10:13 |
When did the doctor say |
| 02:10:15 |
I think he wants me to stay |
| 02:10:18 |
That's all right. We can start early |
| 02:10:21 |
...and we'll make the Mexican border |
| 02:10:25 |
...that'll be the end of all those |
| 02:10:28 |
Mr. Humbert, I must ask you |
| 02:10:32 |
I'm just leaving. |
| 02:10:38 |
Goodbye. |
| 02:10:44 |
Might catch your cold. |
| 02:10:50 |
I shall stay in tonight and nurse my cold... |
| 02:10:53 |
...so I shan't see you |
| 02:10:56 |
Bye-bye. |
| 02:11:48 |
Hello? |
| 02:11:49 |
Hello. Is that Professor Humbert? |
| 02:11:53 |
Yes. |
| 02:11:54 |
How are you, Professor? |
| 02:11:56 |
I'm... Who is this, please? |
| 02:11:59 |
I'm sort of really sorry to disturb you. |
| 02:12:03 |
I hope I really haven't woken you |
| 02:12:06 |
I was wondering if you'd been |
| 02:12:09 |
...in our lovely little town here. |
| 02:12:11 |
Who's this calling? |
| 02:12:13 |
My name... It doesn't really matter. |
| 02:12:15 |
It's really an obscure |
| 02:12:18 |
...you understand, Professor. |
| 02:12:19 |
But my department is sort of concerned, |
| 02:12:24 |
...rumors that have been circulating |
| 02:12:29 |
...you've been travelling with. |
| 02:12:31 |
Look, I'm very much afraid |
| 02:12:34 |
...because this conversation is becoming |
| 02:12:38 |
Professor, now tell me something... |
| 02:12:41 |
...I guess all this travelling around you do... |
| 02:12:43 |
...you don't get much time |
| 02:12:47 |
...is that right? |
| 02:12:48 |
I have no psychiatrist, |
| 02:12:52 |
I'll tell you why I ask, you see... |
| 02:12:54 |
...you're classified in our files, Professor... |
| 02:12:58 |
...you're classified in our files |
| 02:13:01 |
I wonder if you'd be prepared |
| 02:13:05 |
...a report, Professor, on your... |
| 02:13:08 |
...current sex life, if any. |
| 02:13:10 |
I don't know who you are, |
| 02:13:13 |
...in your investigators |
| 02:13:17 |
...terminate this conversation. |
| 02:13:19 |
Professor, "afraid"is Freudian lingo... |
| 02:13:41 |
- Can I help you, sir? |
| 02:13:44 |
I want to pay the bill of Miss Haze |
| 02:13:47 |
Have you gotten permission |
| 02:13:50 |
I can do what I choose. |
| 02:13:53 |
You must have permission from the doctor. |
| 02:13:55 |
What is this, a prison or a hospital? |
| 02:13:57 |
I'm afraid you'll have to speak |
| 02:14:01 |
Calling Dr. Keagy. |
| 02:14:04 |
I'll just go into her room to alert her. |
| 02:14:06 |
No, you can't go in there. |
| 02:14:08 |
I'll get her to get her bags ready. |
| 02:14:11 |
Dr. Keagy will be down in just a minute. |
| 02:14:19 |
- Yes, Miss Fromkiss? |
| 02:14:23 |
How long have you had that cough, |
| 02:14:25 |
I'm all right, thank you. |
| 02:14:28 |
...for Miss Haze in Room 3 |
| 02:14:31 |
Miss Haze, Room 3. |
| 02:14:33 |
Wasn't she discharged earlier this evening? |
| 02:14:36 |
- I'll see. |
| 02:14:39 |
Yes, she was discharged |
| 02:14:42 |
That's impossible. |
| 02:14:43 |
- Right here, she was discharged at 8:15. |
| 02:14:46 |
You, Nurse, what's your name? |
| 02:14:50 |
Mr. Humbert, your daughter left |
| 02:14:52 |
That's ridiculous. |
| 02:14:54 |
Where are you going? |
| 02:14:55 |
Come back here, now. |
| 02:14:57 |
You can't go in there now, it's a hospital. |
| 02:14:59 |
- Where have you put her? |
| 02:15:02 |
Where is she? |
| 02:15:04 |
Hold him! Hold him! |
| 02:15:06 |
Let go of me! |
| 02:15:08 |
- What do you think you're doing? |
| 02:15:10 |
Where is she? |
| 02:15:11 |
- Easy, now. |
| 02:15:14 |
All right. I'm calm. |
| 02:15:15 |
Doctor, this man must be psychotic. |
| 02:15:17 |
His stepdaughter was a patient... |
| 02:15:19 |
...and she left this evening |
| 02:15:22 |
- Her uncle! Did you say "uncle"? |
| 02:15:24 |
- Let me go! |
| 02:15:32 |
Hold him now. Got him, Andre? |
| 02:15:34 |
Yeah! |
| 02:15:35 |
All right. Let me go. |
| 02:15:37 |
Now look, mister... |
| 02:15:39 |
...you've caused quite |
| 02:15:43 |
If you like, we'll call the police. |
| 02:15:44 |
The police! No. We don't need the police. |
| 02:15:49 |
Let's get this business straight. |
| 02:15:53 |
This girl was officially discharged |
| 02:15:56 |
If you say so. |
| 02:15:58 |
Has she or hasn't she an uncle? |
| 02:16:00 |
All right, let's say she has an uncle. |
| 02:16:02 |
What do you mean, |
| 02:16:05 |
All right, she has an uncle. |
| 02:16:07 |
Uncle Gus, yes, I remember now... |
| 02:16:10 |
...he was going to pick her up here |
| 02:16:15 |
- You forgot? |
| 02:16:17 |
- It's a strange thing to forget. |
| 02:16:19 |
You don't know my brother Gus. |
| 02:16:23 |
He's drunk, that's what's the matter. |
| 02:16:25 |
That's right, I've been drinking too much. |
| 02:16:27 |
I have personal problems, you understand? |
| 02:16:29 |
- Here it is, Doctor. |
| 02:16:41 |
Would you like some black coffee |
| 02:16:44 |
No, not now, thank you. |
| 02:16:48 |
Think you feel well enough to leave? |
| 02:16:50 |
Yes. Just let me up, I'm fine now, |
| 02:16:54 |
See that he gets home all right. |
| 02:16:56 |
All right, let him up. |
| 02:17:04 |
She didn't, by any chance, |
| 02:17:09 |
No. I suppose not. |
| 02:20:06 |
Well... |
| 02:20:08 |
...gee, what a surprise! |
| 02:20:13 |
So, this is what Mrs. Richard T. Schiller |
| 02:20:17 |
You'll have to excuse my appearance, |
| 02:20:24 |
But do come in. |
| 02:20:26 |
You're looking marvelous! |
| 02:20:29 |
No, I'd rather keep it. |
| 02:20:32 |
I wrote to you about a week ago. |
| 02:20:34 |
I was beginning to think |
| 02:20:37 |
I must say I wouldn't blame you |
| 02:20:40 |
A fine thing me dropping out of sight |
| 02:20:42 |
...and then writing you for a handout. |
| 02:20:44 |
- Would you like a cup of coffee? |
| 02:20:47 |
Or a drink, maybe? |
| 02:20:49 |
No. |
| 02:20:51 |
I won't be able to do that |
| 02:20:53 |
Is that him? |
| 02:20:55 |
The one facing us. |
| 02:20:57 |
Yes, that's Dick. |
| 02:21:00 |
He doesn't know a thing |
| 02:21:02 |
...so please watch what you say. |
| 02:21:04 |
That's ridiculous! You don't expect me |
| 02:21:07 |
Why not? You don't think I'd tell him, |
| 02:21:10 |
Who does he think that I am? |
| 02:21:13 |
My stepfather! |
| 02:21:19 |
Then this isn't the man who took you |
| 02:21:22 |
No, of course not! |
| 02:21:25 |
How long have you known him? |
| 02:21:27 |
About a year. I met him in Phoenix. |
| 02:21:32 |
Who is the man that I'm looking for? |
| 02:21:34 |
There's no point in going into that. |
| 02:21:38 |
Lolita, I have to know. |
| 02:21:40 |
I'm sorry, but I can't tell you. |
| 02:21:44 |
Lolita, I have a perfect right to know this. |
| 02:21:47 |
Crimeny! I should never |
| 02:21:51 |
You wouldn't have written |
| 02:21:54 |
Now, if you're a sensible girl, |
| 02:21:57 |
...what I've come to give you, |
| 02:22:06 |
Do you remember Dr. Zemph? |
| 02:22:09 |
Dr. Zemph? |
| 02:22:11 |
That German psychologist |
| 02:22:16 |
Was it him? |
| 02:22:17 |
Not exactly. |
| 02:22:18 |
I didn't come here to play guessing games. |
| 02:22:21 |
Tell me who it was. |
| 02:22:23 |
Well, give me a chance to explain. |
| 02:22:25 |
All right. |
| 02:22:27 |
Do you remember that car |
| 02:22:30 |
I'm not likely to forget that in a hurry. |
| 02:22:34 |
Do you remember Mother's old flame |
| 02:22:37 |
No, you probably wouldn't remember him. |
| 02:22:41 |
You remember the guy that you talked to |
| 02:22:45 |
He pretended he was part |
| 02:22:48 |
Vaguely, yes. |
| 02:22:52 |
Do you remember that guy |
| 02:22:55 |
The night you disappeared? |
| 02:22:58 |
Yes, I remember him very well. |
| 02:23:00 |
And yet, you still haven't guessed? |
| 02:23:04 |
I told you that I'm not |
| 02:23:07 |
Tell me who it was. |
| 02:23:09 |
It was Clare Quilty. |
| 02:23:13 |
Who was Clare Quilty? |
| 02:23:15 |
All of them, of course. |
| 02:23:17 |
You mean, Dr. Zemph, he was Clare Quilty? |
| 02:23:20 |
Well, congratulations. |
| 02:23:23 |
I don't suppose it ever occurred to you |
| 02:23:27 |
...my whole world didn't revolve |
| 02:23:31 |
I'd had a crush on him |
| 02:23:33 |
...that he used to come and visit Mother. |
| 02:23:35 |
He wasn't like you and me. |
| 02:23:38 |
He wasn't a normal person. |
| 02:23:40 |
He was a genius. |
| 02:23:43 |
He had a kind of... |
| 02:23:45 |
...beautiful Japanese oriental philosophy |
| 02:23:50 |
You know that hotel we stopped at |
| 02:23:53 |
It was just by accident |
| 02:23:56 |
...but it didn't take him long to figure out |
| 02:24:00 |
From that moment on he was up |
| 02:24:03 |
And he did all these brilliant tricks |
| 02:24:07 |
Well, sometimes he had to, |
| 02:24:12 |
He had to trick you into letting me |
| 02:24:15 |
...otherwise how would I ever see him? |
| 02:24:17 |
So that's why you wanted |
| 02:24:19 |
That's right. |
| 02:24:21 |
The times you were |
| 02:24:23 |
...you were actually with this man? |
| 02:24:26 |
I guess he was the only guy |
| 02:24:32 |
Aren't you forgetting something? |
| 02:24:35 |
Oh, Dick. |
| 02:24:38 |
Dick's very sweet... |
| 02:24:40 |
...and we're very happy together... |
| 02:24:42 |
...but I guess it's just not the same thing. |
| 02:24:46 |
And I? I suppose I never counted, |
| 02:24:49 |
You have no right to say that. |
| 02:24:58 |
What happened to |
| 02:25:01 |
Look, don't make fun of me. |
| 02:25:05 |
I'm not making fun of you. |
| 02:25:07 |
I'm merely trying to find out |
| 02:25:09 |
When you left the hospital, |
| 02:25:12 |
To New Mexico. |
| 02:25:13 |
Whereabouts in New Mexico? |
| 02:25:15 |
To a dude ranch near Santa Fe. |
| 02:25:17 |
The only problem with it was, |
| 02:25:21 |
What kind of weird friends? |
| 02:25:23 |
Weird... |
| 02:25:24 |
...painters, nudists, |
| 02:25:28 |
I figured I could take anything |
| 02:25:31 |
...'cause I loved him. |
| 02:25:33 |
...to write one of those spectaculars... |
| 02:25:35 |
...and he promised to get me |
| 02:25:38 |
...but it never turned out that way. |
| 02:25:40 |
Instead he wanted me |
| 02:25:42 |
...in making some kind of a... |
| 02:25:46 |
An art movie! |
| 02:25:49 |
Yeah. |
| 02:25:50 |
And you did it? |
| 02:25:52 |
No, I didn't do it. |
| 02:25:55 |
So he kicked me out. |
| 02:25:58 |
You could have come back to me. |
| 02:26:07 |
Excuse me, sweetheart, |
| 02:26:10 |
It's just a scratch. |
| 02:26:11 |
Dick, this is my stepfather, |
| 02:26:15 |
- How do you do, Professor? |
| 02:26:18 |
This is our neighbor, Bill Crest. |
| 02:26:20 |
- Glad to meet you, Professor. |
| 02:26:23 |
Gee, Lo's told me so much about you. |
| 02:26:31 |
I guess we might as well fix that thumb. |
| 02:26:34 |
This is a grand surprise, Professor. |
| 02:26:37 |
When you didn't answer the letter |
| 02:26:39 |
...still sore at Lo for having run away |
| 02:26:47 |
- How about a beer? |
| 02:26:50 |
I'll bet you're dry after that long drive. |
| 02:26:53 |
This is some of that foreign beer. |
| 02:26:56 |
No beer, thank you. |
| 02:26:57 |
Bandages are upstairs. |
| 02:26:59 |
- Sorry. |
| 02:27:01 |
- Can I get you anything else? |
| 02:27:05 |
How are you two getting along? |
| 02:27:07 |
Just fine. |
| 02:27:09 |
Speak up. His phone's on the blink. |
| 02:27:11 |
One of those for me? |
| 02:27:12 |
Sure, hon. |
| 02:27:17 |
I hope you're planning on staying awhile. |
| 02:27:20 |
You caught us a little unprepared |
| 02:27:23 |
I shall have to be on my way, I'm afraid. |
| 02:27:26 |
You can have the bed upstairs. |
| 02:27:28 |
We sleep down here because |
| 02:27:30 |
He can't stay, Dick. |
| 02:27:33 |
What a shame. I wish you could. |
| 02:27:37 |
Why don't you tell him about Alaska? |
| 02:27:40 |
Yeah. I guess Lo explained to you |
| 02:27:43 |
...and all that, in the letter. |
| 02:27:45 |
It's a marvelous opportunity. |
| 02:27:47 |
An opportunity for a guy like me |
| 02:27:50 |
Industry's opening up and... |
| 02:27:52 |
...if we can scrape together |
| 02:27:55 |
...with maybe your help, well, we can go. |
| 02:27:58 |
We've got a few back debts, |
| 02:28:03 |
How are the Farlows? |
| 02:28:05 |
John Farlow's all right. It was he |
| 02:28:09 |
She's sure a swell kid, Professor Haze. |
| 02:28:12 |
She's just nuts about dogs and kids. |
| 02:28:18 |
Alaska's a great place for kids, you know. |
| 02:28:24 |
Well, it's as good as new. |
| 02:28:26 |
Well, we'd better get back to work, Bill. |
| 02:28:32 |
It's been a pleasure meeting you, |
| 02:28:35 |
When you've finished, Dad, |
| 02:28:38 |
...come out back and I'll show you |
| 02:28:41 |
Thank you. |
| 02:28:43 |
Just holler, sweetheart, |
| 02:28:51 |
Dick's awfully sweet, isn't he? |
| 02:28:55 |
Come here. |
| 02:28:56 |
What's going on? |
| 02:28:58 |
What are you doing? |
| 02:28:59 |
This may be neither here nor there |
| 02:29:02 |
Life is very short. |
| 02:29:04 |
Between here and that old car outside |
| 02:29:07 |
Make them, now, right now. |
| 02:29:10 |
What? |
| 02:29:11 |
Come away with me now, just as you are. |
| 02:29:14 |
You mean you'll give us the money |
| 02:29:18 |
No, you've got it all wrong. |
| 02:29:19 |
I want you to leave your husband |
| 02:29:22 |
I want you to live with me and die with me |
| 02:29:27 |
You must be crazy. |
| 02:29:28 |
No, I'm perfectly serious, Lo. |
| 02:29:32 |
We'll start afresh. We can forget |
| 02:29:36 |
- No, it's too late. |
| 02:29:38 |
Keep your voice down. |
| 02:29:40 |
Don't tell me it's too late, because it's not. |
| 02:29:42 |
If you want time to think, that's all right... |
| 02:29:44 |
...because I've waited already |
| 02:29:47 |
...for the rest of my life if necessary. |
| 02:29:49 |
You're not giving anything up, |
| 02:29:53 |
All right, this man is married to you, |
| 02:29:56 |
It was an accident that you met him |
| 02:29:59 |
You're not bound to him, |
| 02:30:02 |
...by everything that we have |
| 02:30:06 |
I'm going to have his baby in three months. |
| 02:30:10 |
I know. |
| 02:30:12 |
I've ruined too many things in my life. |
| 02:30:20 |
Come on now, don't make a scene. |
| 02:30:22 |
Stop crying! He can walk in here |
| 02:30:27 |
Will you please stop crying? |
| 02:30:39 |
There are no strings attached... |
| 02:30:43 |
...it's your money anyway... |
| 02:30:46 |
...it comes from the rent of the house. |
| 02:30:50 |
There's $400 in cash. |
| 02:30:53 |
Four hundred dollars! |
| 02:30:55 |
I've made out a check here for $2,500. |
| 02:31:03 |
There's someone in Ramsdale... |
| 02:31:04 |
...who's prepared to take care |
| 02:31:08 |
...and make a down payment of $10,000. |
| 02:31:13 |
Here's the papers. |
| 02:31:17 |
You mean we're getting $13,000? |
| 02:31:21 |
That's wonderful! |
| 02:31:23 |
Come on now, don't cry. |
| 02:31:28 |
I'm sorry. |
| 02:31:31 |
Try to understand. |
| 02:31:36 |
I'm really sorry that I cheated so much... |
| 02:31:39 |
...but I guess that's just the way things are. |
| 02:31:47 |
Where are you going? |
| 02:31:53 |
Listen! Let's keep in touch. |
| 02:31:56 |
I'll write to you when we get to Alaska. |
| 02:32:50 |
Quilty! |
| 02:32:55 |
Quilty! |
