|
Lonely Hearts
|
| 00:03:20 |
Hey, we're all proud of you, Buster. |
| 00:03:24 |
Small town cops dropping |
| 00:03:27 |
Wait a lifetime, never even |
| 00:03:30 |
Wanna make a move to the boroughs, |
| 00:03:32 |
It's a phone call. |
| 00:03:34 |
Hey, maybe you |
| 00:03:36 |
I can fix that, too. |
| 00:03:40 |
You are such an asshole. |
| 00:03:42 |
You don't even know |
| 00:03:44 |
Whatever it is, |
| 00:03:52 |
You know, |
| 00:03:55 |
Yeah, I do. |
| 00:04:06 |
If any two maggots ever deserved |
| 00:04:09 |
it was Ray Fernandez |
| 00:04:13 |
They'd probably still be cozy |
| 00:04:14 |
in a Lansing jail cell |
| 00:04:17 |
Or, maybe it was Annie. |
| 00:04:23 |
Who one September night stuck |
| 00:04:27 |
No note. No nothin'. |
| 00:04:31 |
Just blew her brains |
| 00:04:36 |
Cops don't talk about what they see. |
| 00:04:38 |
They push it down with a stiff Bromo |
| 00:04:42 |
newspaper and hope nobody notices. |
| 00:04:46 |
Buster found Annie in the bathroom, |
| 00:04:50 |
And he took it out on Fernandez |
| 00:04:59 |
If they wrote |
| 00:05:01 |
Ray Fernandez would've |
| 00:05:06 |
He wasn't the first rat-fuck barnacle |
| 00:05:09 |
But he might've been the smoothest. |
| 00:05:15 |
He loved the way it made him feel. |
| 00:05:18 |
Hell, he was so slick, he even convinced |
| 00:05:23 |
Oh Bea... |
| 00:05:24 |
I'm so sorry I'm late. |
| 00:05:28 |
So sorry I'm late. |
| 00:05:31 |
I'm so sorry I'm late. |
| 00:05:32 |
Had a meeting with my lawyers. |
| 00:05:34 |
I nearly missed the plane. |
| 00:05:36 |
I was in such a hurry I... |
| 00:05:37 |
left my wallet and my passport. |
| 00:05:39 |
I left my wallet and my passport. |
| 00:05:42 |
And I left my passport |
| 00:05:45 |
on the counter at the airport. |
| 00:05:48 |
You're even more... |
| 00:05:49 |
beautiful than your picture. |
| 00:05:52 |
Stunning. |
| 00:05:54 |
Today's a special day. |
| 00:06:01 |
It's the oldest con in the book. |
| 00:06:04 |
He pen paled 'em, war widows, |
| 00:06:09 |
Was like picking plums. |
| 00:06:11 |
They advertised, for Christ sake, |
| 00:06:14 |
and lonely hearts rags. |
| 00:06:16 |
He was quite the bard. |
| 00:06:18 |
Always slipping in a little |
| 00:06:20 |
out their bank account. |
| 00:06:26 |
If he thought they were broke... |
| 00:06:28 |
he'd bounce 'em... |
| 00:06:39 |
Buster was my partner. |
| 00:06:41 |
We went all the way back to a squad car, |
| 00:06:45 |
He was the toughest badge |
| 00:06:48 |
Turned more collars than |
| 00:06:51 |
But after he lost Annie, |
| 00:06:54 |
pushing paper, taking phone calls, |
| 00:07:00 |
I didn't understand that. |
| 00:07:02 |
Robinson, Homicide. |
| 00:07:04 |
You don't know shit |
| 00:07:05 |
I don't know shit? |
| 00:07:07 |
Fuck Jackie Robinson. |
| 00:07:08 |
Jesus Christ, let me tell you |
| 00:07:10 |
You gave me a hundred to one. |
| 00:07:11 |
Hundred to one I wouldn't drop |
| 00:07:13 |
a nickel on the first team |
| 00:07:14 |
Okay? Even, even if he |
| 00:07:17 |
Okay? |
| 00:07:19 |
It's okay. |
| 00:07:20 |
Hello. Oh, Mrs. Reilly? |
| 00:07:22 |
Oh, Reilly, |
| 00:07:24 |
Her negro lover just left, |
| 00:07:25 |
wants to know if I can |
| 00:07:27 |
How you gonna... |
| 00:07:28 |
you haven't seen your prick |
| 00:07:30 |
That's funny, your wife... |
| 00:07:31 |
You think I'm scared of you... |
| 00:07:33 |
- Get outta here. |
| 00:07:34 |
keep your mouth shut |
| 00:07:36 |
Fuck you. |
| 00:07:37 |
I'm telling you, he's gonna |
| 00:07:39 |
He's a rat. |
| 00:07:41 |
Listen, me and Eastman, |
| 00:07:43 |
We're gonna uh, play some cards, |
| 00:07:46 |
How 'bout it? |
| 00:07:47 |
Hey Robbie. |
| 00:07:49 |
Hey Rene. |
| 00:07:51 |
I can't. |
| 00:07:54 |
Train? |
| 00:07:56 |
What, you didn't hear? |
| 00:07:57 |
The kid drove |
| 00:07:59 |
Siren going, lights, everything. |
| 00:08:00 |
Which bone did you break? |
| 00:08:01 |
The one between his ears. |
| 00:08:03 |
Hey, I can drop you. |
| 00:08:04 |
Yeah, Rene could give you... |
| 00:08:08 |
Nice. |
| 00:08:09 |
Okay. |
| 00:08:10 |
Enough. |
| 00:08:10 |
What? |
| 00:08:11 |
So we... |
| 00:08:13 |
No, but I'll... |
| 00:08:15 |
Meet ya at Jimmy's. |
| 00:08:21 |
By the time Fernandez picked up |
| 00:08:22 |
on Martha Beck's bullshit smear |
| 00:08:26 |
she'd already |
| 00:08:27 |
Tom-Dick son of a bitch who ever |
| 00:08:31 |
brother, who started raping her from... |
| 00:08:36 |
She was good-looking, alright. |
| 00:08:38 |
But damaged goods. |
| 00:08:42 |
Martha. |
| 00:08:43 |
Raymond. |
| 00:08:46 |
Uh, uh, I'm sorry I'm late. |
| 00:08:48 |
The meetings with my uh, |
| 00:08:52 |
I was in such a hurry I... |
| 00:08:54 |
I nearly missed my plane |
| 00:08:55 |
and I left my wallet |
| 00:08:58 |
What kind of lawyers? |
| 00:09:00 |
Oh... just, regular lawyers. |
| 00:09:05 |
We're closing in on some uh, |
| 00:09:14 |
I can't believe you're here. |
| 00:09:19 |
I mean after so many letters... |
| 00:09:24 |
It's incredible. |
| 00:09:26 |
I mean, here we are... |
| 00:09:30 |
Oh, what? |
| 00:09:30 |
Please say something. |
| 00:09:32 |
I uh... |
| 00:09:36 |
You're just so beautiful. |
| 00:09:39 |
May I... show you to a table? |
| 00:09:41 |
How's room service? |
| 00:09:43 |
It's off the menu, ma'am. |
| 00:09:46 |
We'll have... breakfast in bed. |
| 00:09:53 |
What are you doing? |
| 00:09:54 |
I have an appointment. |
| 00:09:58 |
I love the way you write. |
| 00:10:00 |
Such a poet. |
| 00:10:03 |
Raymond? |
| 00:10:05 |
You don't disappoint. |
| 00:10:07 |
A regular Charles Boyer. |
| 00:10:16 |
Hey, what d'you say we... |
| 00:10:18 |
test our luck later, |
| 00:10:21 |
Think you can wait... for me? |
| 00:10:23 |
Oh, I can wait. |
| 00:10:25 |
The question is, can you? |
| 00:10:34 |
Hey, you're a little kitty cat. |
| 00:10:43 |
Toodle-loo. |
| 00:10:44 |
Toodle-loo. |
| 00:10:53 |
Maybe he skinned out |
| 00:10:55 |
Or maybe he was afraid |
| 00:10:58 |
Either way, Martha had him... |
| 00:11:06 |
Thou anointest my head with oil, |
| 00:11:09 |
Surely goodness and mercy shall |
| 00:11:13 |
And I will dwell in the house |
| 00:11:31 |
Dorothy. |
| 00:11:32 |
My deepest sympathies. |
| 00:11:35 |
Well thank you. |
| 00:11:37 |
I'm sorry. Raymond... |
| 00:11:38 |
Martin. |
| 00:11:41 |
He was a tough... |
| 00:11:44 |
And I know he'll be missed, |
| 00:11:47 |
What company... |
| 00:11:49 |
Bradley Coachworks in Cleveland. |
| 00:11:52 |
So you know our... |
| 00:11:55 |
Of course. |
| 00:11:58 |
Anybody who knew |
| 00:11:59 |
a son of a bitch. |
| 00:12:01 |
And Ben Chadwick's |
| 00:12:07 |
Oh my... god! |
| 00:12:09 |
Oh my god! |
| 00:12:14 |
My husband's company has been |
| 00:12:18 |
In spite of your... |
| 00:12:21 |
he did a fair business with us. |
| 00:12:24 |
And it's disgraceful |
| 00:12:29 |
patron on this, of all days. |
| 00:12:31 |
Shame on you! |
| 00:12:36 |
Let's go, baby. |
| 00:12:39 |
Shame on you! |
| 00:12:42 |
Come on. |
| 00:12:44 |
I'm okay. |
| 00:12:48 |
It's hard to say whose... |
| 00:12:52 |
But the day them |
| 00:12:54 |
was the beginning of |
| 00:13:01 |
So what's up with Rene? |
| 00:13:02 |
You don't need to know. |
| 00:13:03 |
What, she's got those uh, |
| 00:13:07 |
Am I right? |
| 00:13:09 |
Come on. |
| 00:13:11 |
You don't make enough, Charlie. |
| 00:13:13 |
Well that's true. |
| 00:13:14 |
- Slow down here. |
| 00:13:15 |
- Slow down. Slow down. |
| 00:13:16 |
No-no, come on, stop. |
| 00:13:17 |
Come on. |
| 00:13:18 |
Stop. |
| 00:13:23 |
What're you doing? |
| 00:13:24 |
- Borrowing money? |
| 00:13:26 |
What're you doing? |
| 00:13:29 |
Back up! Back up, now! |
| 00:13:32 |
Back up, shit stick. |
| 00:13:37 |
We gotta get him to County. |
| 00:13:39 |
You're not putting... |
| 00:13:41 |
Let's go. |
| 00:13:46 |
What? |
| 00:13:47 |
Look. Look at my car. |
| 00:13:50 |
Next time you take the train. |
| 00:13:52 |
I'm sorry. |
| 00:13:53 |
Oh. |
| 00:13:54 |
I'll pay for it. |
| 00:13:55 |
My ass. |
| 00:13:57 |
What're you trying to do anyway, |
| 00:13:59 |
Baker Baker. |
| 00:14:07 |
Two Baker Baker. |
| 00:14:09 |
Deceased female in Wantaugh, |
| 00:14:11 |
Possible suicide. |
| 00:14:13 |
Uh, we're ten-ten. |
| 00:14:14 |
Detective Reilly |
| 00:14:17 |
I've been babysitting this |
| 00:14:19 |
Let's just go. |
| 00:14:21 |
- With you? |
| 00:14:22 |
- Nah. |
| 00:14:24 |
Come on. |
| 00:14:29 |
Two Baker Baker en route. |
| 00:14:35 |
It's raining out there. |
| 00:14:37 |
You know if she had |
| 00:14:39 |
I, you know, I don't... know. |
| 00:14:41 |
What's the story? |
| 00:14:42 |
We're supposed to be off duty. |
| 00:14:44 |
Well the book says uh, |
| 00:14:47 |
What're you... doing here? |
| 00:14:48 |
Me? I was losing. |
| 00:14:51 |
Suspicious. |
| 00:14:53 |
You are such a piece of shit. |
| 00:14:55 |
That's not really the point, |
| 00:15:13 |
Patty Forsythe, twenty-five. |
| 00:15:16 |
Filleted the radial, |
| 00:15:19 |
Had a hard time getting started |
| 00:15:23 |
Good, all we need is... |
| 00:15:24 |
some celery sticks and we can |
| 00:15:26 |
Why is this suspicious? |
| 00:15:28 |
Why is it suspicious? |
| 00:15:30 |
Well, look, tasty... dame. |
| 00:15:33 |
She got a job. |
| 00:15:34 |
What, out of the blue |
| 00:15:36 |
connect the dots with a razor? |
| 00:15:37 |
Come on. |
| 00:15:38 |
All right, everybody out. |
| 00:15:40 |
Let's go. |
| 00:15:40 |
I want names and badges. |
| 00:15:43 |
Come... on. |
| 00:15:44 |
- What the hell's wrong with you? |
| 00:15:47 |
What do you mean |
| 00:15:48 |
It's a suicide. |
| 00:15:49 |
A minute ago you said |
| 00:15:51 |
Which is it? |
| 00:15:51 |
It's a suspicious suicide. |
| 00:15:57 |
I make her a snow cone uh, |
| 00:16:00 |
Mm-hm. |
| 00:16:00 |
She used ice. |
| 00:16:03 |
Yeah... probably did. |
| 00:16:04 |
Vascular contractions would |
| 00:16:07 |
Alright, give me a liver... |
| 00:16:09 |
So, since... |
| 00:16:13 |
He's always been on the job. |
| 00:16:14 |
- Oh. Really? |
| 00:16:15 |
See that, all this time I'm thinking |
| 00:16:18 |
You called us, remember? |
| 00:16:19 |
- Mm-hm. |
| 00:16:21 |
Yeah, he is. |
| 00:16:23 |
Why don't you |
| 00:16:24 |
Why? |
| 00:16:25 |
He's not gonna do anything. |
| 00:16:26 |
You know why? |
| 00:16:30 |
Keep it up. |
| 00:16:32 |
Donuts for the note. |
| 00:16:34 |
There's no note. |
| 00:16:35 |
There is a note. |
| 00:16:37 |
She wanted |
| 00:16:39 |
You'd know all about that, |
| 00:16:41 |
Hey. |
| 00:16:42 |
Hey-hey. I can't... |
| 00:16:43 |
You bite... |
| 00:16:44 |
Hey. hear me? |
| 00:16:45 |
Huh? |
| 00:16:47 |
I can't... |
| 00:16:56 |
Found it. |
| 00:16:59 |
Eclair for me, shit stick. |
| 00:17:00 |
Fuck you. |
| 00:17:22 |
Hey. |
| 00:17:36 |
Don't forget my father. |
| 00:17:54 |
So your sister's got Eddie? |
| 00:17:59 |
Yeah, but I still gotta go. |
| 00:18:02 |
It's two in the morning. |
| 00:18:04 |
Yup. I gotta go. |
| 00:18:12 |
Where are my pants? |
| 00:18:13 |
Over here. |
| 00:18:17 |
How long you gonna |
| 00:18:20 |
You're no secret. |
| 00:18:24 |
Shoes? |
| 00:18:26 |
They're down over there. |
| 00:18:29 |
Oh yeah. I heard the Dispatch. |
| 00:18:31 |
Yeah. |
| 00:18:32 |
I mean come on, that's my job. |
| 00:18:37 |
That doesn't |
| 00:18:41 |
I don't wanna talk about it. |
| 00:18:42 |
Hey, I'm... not your wife. |
| 00:18:45 |
So don't treat me like one. |
| 00:18:50 |
I'm sorry. |
| 00:18:55 |
You know Eddie, he never cried. |
| 00:19:01 |
No? |
| 00:19:02 |
No. |
| 00:19:04 |
Kid shouldn't |
| 00:19:07 |
Neither should you. |
| 00:19:13 |
Make you some eggs? |
| 00:19:16 |
You're a doll. |
| 00:19:23 |
Bye. See you later. |
| 00:19:24 |
Okay. Wanna take my car? |
| 00:19:26 |
Nah. I'll just walk down to Merrick... |
| 00:19:31 |
It'll be easier. |
| 00:19:33 |
Okay. |
| 00:19:48 |
How'd you find me? |
| 00:19:50 |
I'm a detective, remember? |
| 00:19:52 |
Well, I thought |
| 00:19:58 |
You know uh, |
| 00:20:03 |
Yeah, except for maybe my son. |
| 00:20:08 |
Two fights in one night. |
| 00:20:12 |
And Reilly. |
| 00:20:14 |
Reilly's a... fuckin' idiot. |
| 00:20:18 |
I don't know, Charlie. |
| 00:20:21 |
People don't just punch out |
| 00:20:24 |
Yeah well, she had a reason. |
| 00:20:30 |
Uh, I was talking about Annie. |
| 00:20:34 |
Yeah, I know. |
| 00:20:39 |
All right, so our girl, she comes |
| 00:20:42 |
She's looking |
| 00:20:44 |
She's got uh, candles, |
| 00:20:49 |
She sees the boyfriend through |
| 00:20:53 |
bent over the table, here, |
| 00:20:57 |
A sister? |
| 00:20:58 |
Yeah, sister. |
| 00:20:59 |
Bent over... |
| 00:21:00 |
Seen them through the back... |
| 00:21:03 |
People are work. |
| 00:21:04 |
Jesus Christ. |
| 00:21:06 |
All right, so, she leaves, |
| 00:21:10 |
She scrubs the table with Brillo. |
| 00:21:16 |
You know the rest. |
| 00:21:17 |
Did they dust? |
| 00:21:19 |
No. |
| 00:21:20 |
Why not? |
| 00:21:21 |
Because while fucking around |
| 00:21:22 |
on your girlfriend may be shitty, |
| 00:21:25 |
At least not yet, anyway. |
| 00:21:26 |
Well it... is, |
| 00:21:30 |
She had to have cash or... |
| 00:21:35 |
Yeah, she had the ruby |
| 00:21:36 |
she wears to the |
| 00:21:39 |
She worked for the L-I double-R, |
| 00:21:41 |
She's got nothing. |
| 00:21:43 |
Let me stake you a... |
| 00:21:45 |
we can still shine them |
| 00:21:47 |
Come on. |
| 00:21:47 |
Nah. I gotta go home. |
| 00:21:50 |
Yeah. |
| 00:22:13 |
Where you been? |
| 00:22:15 |
Huh? |
| 00:22:16 |
You first. |
| 00:22:19 |
Where you been? |
| 00:22:22 |
- Buster. |
| 00:22:23 |
- Buster, don't. Buster, don't. |
| 00:22:25 |
- Stop it. |
| 00:22:27 |
- Stop. Buster, stop. |
| 00:22:28 |
- Stop it. Stop it. |
| 00:22:29 |
Stop. |
| 00:22:30 |
- So... What're you doing! |
| 00:22:32 |
What's wrong with you? |
| 00:22:33 |
I'm trying to keep you from making |
| 00:22:35 |
Ida, he wrecked the car a week ago. |
| 00:22:39 |
He's been delivering papers |
| 00:22:42 |
He wanted to surprise you. |
| 00:22:46 |
Yeah, well, how the hell |
| 00:22:49 |
I don't know, you tell me, |
| 00:22:52 |
Eddie. Eddie. |
| 00:22:56 |
I'M IN TOWN. |
| 00:22:58 |
CAN'T YOU HEAR ME HONEY, |
| 00:23:02 |
HANGIN' ROUN', |
| 00:23:08 |
CAN'T YOU SEE, YOU'RE THE ONE |
| 00:23:13 |
MM, YOU AND ME ARE. |
| 00:23:18 |
Sweetest Delphine, your letter |
| 00:23:24 |
The way you speak |
| 00:23:26 |
a sense that there is love |
| 00:23:31 |
No-no-no-no, too soft, |
| 00:23:33 |
And mention the kid's name, |
| 00:23:35 |
It's the simple things. |
| 00:23:37 |
I will arrive on March tenth |
| 00:23:41 |
Excellent. |
| 00:23:42 |
She's the hottest |
| 00:23:44 |
and does me like a kitten. |
| 00:23:46 |
That's for sure. |
| 00:23:48 |
Mm. |
| 00:23:50 |
You smell like a pimp. |
| 00:23:51 |
That's the only way I can |
| 00:23:54 |
Okay, okay, sign this. |
| 00:23:57 |
Yeah. Ray Martin. |
| 00:24:07 |
Hey, hold on. |
| 00:24:09 |
What? |
| 00:24:10 |
Go get dressed. |
| 00:24:11 |
What for? |
| 00:24:14 |
Because I want you with me. |
| 00:24:16 |
Really? Why? |
| 00:24:20 |
Make sure I behave. |
| 00:24:22 |
Besides, |
| 00:24:30 |
So feisty. |
| 00:24:36 |
I've been trying to get your |
| 00:24:38 |
and you wanna chase this? |
| 00:24:39 |
Yeah I do. |
| 00:24:41 |
If it'd make you feel better, |
| 00:24:42 |
I'll put a car on the house, |
| 00:24:44 |
They're not coming back. |
| 00:24:46 |
Look Buster, you wanna get your ass |
| 00:24:47 |
off the desk and get |
| 00:24:50 |
This thing, |
| 00:24:52 |
Robbie, |
| 00:24:54 |
Say your car's as good as new. |
| 00:24:55 |
Thanks. |
| 00:25:03 |
Look, a girl don't rip herself up |
| 00:25:07 |
With all due respect to your wife, |
| 00:25:14 |
Let me tell you something, Mac. |
| 00:25:16 |
You couldn't find a rattlesnake |
| 00:25:19 |
This is a lonely |
| 00:25:21 |
Get outta my way, |
| 00:25:23 |
And don't ever mention |
| 00:25:26 |
It's none |
| 00:25:31 |
Fuckin' asshole. |
| 00:25:37 |
Wounds are consistent |
| 00:25:40 |
So, didn't we know that... |
| 00:25:42 |
She pregnant? |
| 00:25:45 |
Very good, Detective. |
| 00:25:47 |
Oh, Jesus Christ. |
| 00:25:49 |
Think she knew? |
| 00:25:50 |
Can't help you there. |
| 00:25:52 |
Sure she did. |
| 00:25:54 |
She thought they were... |
| 00:25:56 |
That's why she did it. |
| 00:26:00 |
What're you gonna |
| 00:26:02 |
No kin. |
| 00:26:03 |
Probably send |
| 00:26:05 |
They're always looking |
| 00:26:08 |
Call the Weiss Brothers |
| 00:26:10 |
Tell 'em I'll take care of it. |
| 00:26:21 |
You know that girl in there? |
| 00:26:22 |
No. |
| 00:26:23 |
Why you paying |
| 00:26:24 |
Well, you know, medical schools, |
| 00:26:26 |
You wanna see her sawed up? |
| 00:26:27 |
Tell you the truth, |
| 00:26:29 |
Well you know, |
| 00:26:30 |
You got three daughters, right? |
| 00:26:32 |
You dropping a month of paychecks |
| 00:26:35 |
It's my paychecks. |
| 00:26:38 |
Hey, you okay? |
| 00:26:42 |
I'm fine. |
| 00:26:44 |
Really? |
| 00:26:45 |
Really. Let's go. |
| 00:26:54 |
Remember what you told me |
| 00:26:57 |
Huh? You said, do the job. |
| 00:26:59 |
Don't tell your wife nothing, |
| 00:27:02 |
What do you think, you actually make... |
| 00:27:06 |
I was kind of hoping we did. |
| 00:27:07 |
We didn't make this fucking... |
| 00:27:10 |
You taken a good look |
| 00:27:12 |
Huh? |
| 00:27:12 |
They're fucking animals, |
| 00:27:14 |
You're not gonna change that. |
| 00:27:16 |
You know, |
| 00:27:19 |
That's a straight line. |
| 00:27:23 |
Uh, okay, you wanna do this, |
| 00:27:25 |
this makes some kind |
| 00:27:28 |
I'll back you up. |
| 00:27:32 |
But for both our sakes, |
| 00:27:34 |
Do it right. |
| 00:27:45 |
Ain't nothing out here |
| 00:27:50 |
It's beautiful. |
| 00:27:51 |
The woods... the silence. |
| 00:27:57 |
People die in the damn woods. |
| 00:28:01 |
And bears fuck there. |
| 00:28:04 |
By the time Fernandez and Beck |
| 00:28:07 |
they'd already conned a dozen |
| 00:28:11 |
Martha played the part |
| 00:28:15 |
Who's the |
| 00:28:17 |
Some sister. |
| 00:28:24 |
Oh, shit! Shit, shit. |
| 00:28:27 |
It's the cop... it's the cops, |
| 00:28:30 |
Stop. |
| 00:28:32 |
Oh god! Oh god! |
| 00:28:38 |
Oh, okay. Okay. |
| 00:28:42 |
Come here. |
| 00:28:55 |
Uh... shit. Shit. |
| 00:28:59 |
License and registration. |
| 00:29:01 |
I wasn't speeding. |
| 00:29:03 |
You were all |
| 00:29:15 |
What the hell are you... doing? |
| 00:29:16 |
Schooling you |
| 00:29:18 |
The car is stolen, Martha. |
| 00:29:22 |
I changed the plates, but if |
| 00:29:25 |
I'll... take care of it. |
| 00:29:28 |
What're you gonna do? |
| 00:29:31 |
Explain it to him. |
| 00:29:33 |
Wait. Wait. Stop. |
| 00:29:35 |
See what you did? |
| 00:29:40 |
Oh, my god. |
| 00:29:43 |
Martha. Martha. |
| 00:30:12 |
God. |
| 00:30:19 |
Okay. |
| 00:30:34 |
Nice. |
| 00:30:47 |
Drive carefully. |
| 00:30:51 |
Thanks. |
| 00:30:57 |
Now... |
| 00:31:02 |
who's the best you've ever had, hm? |
| 00:31:07 |
You are. |
| 00:31:08 |
Best that peach |
| 00:31:10 |
He shot off like a cap gun. |
| 00:31:13 |
Don't ever forget who... |
| 00:31:17 |
Don't you ever love them. |
| 00:31:22 |
Who? |
| 00:31:24 |
Any of them. |
| 00:31:26 |
Don't even pretend. |
| 00:31:29 |
Understood? |
| 00:31:32 |
Yeah. |
| 00:31:35 |
Let's go. |
| 00:31:40 |
It's hot. |
| 00:31:50 |
My god... |
| 00:31:53 |
I was hoping that you'd tell me. |
| 00:31:57 |
She have any family? |
| 00:31:59 |
Um, she lost a husband in the war. |
| 00:32:02 |
What about... |
| 00:32:04 |
Ray Martin? |
| 00:32:06 |
Ray Martin. |
| 00:32:07 |
Run it. |
| 00:32:11 |
Why don't you... |
| 00:32:13 |
You got a number? |
| 00:32:15 |
Oh my god, he doesn't know? |
| 00:32:17 |
He's from Florida. |
| 00:32:20 |
What was he like? |
| 00:32:23 |
Raymond? |
| 00:32:24 |
Yeah. |
| 00:32:25 |
He's a sweetheart. |
| 00:32:26 |
He's so... uh, handsome, you know. |
| 00:32:32 |
Poems, even. |
| 00:32:34 |
Poems. |
| 00:32:35 |
He uh... |
| 00:32:38 |
Loves to go dancing. |
| 00:32:41 |
He took us all out |
| 00:32:46 |
He can really cut it up. |
| 00:32:48 |
Where'd you learn to dance like this? |
| 00:32:52 |
Me and |
| 00:32:54 |
The real Arthur Murray? |
| 00:32:55 |
Sure. When we get back from |
| 00:32:58 |
Tell me about Florida again, Ray. |
| 00:33:00 |
Can't be out of |
| 00:33:03 |
Tomorrow, sweetie, |
| 00:33:06 |
I'll tell you about it as |
| 00:33:14 |
In the meantime, |
| 00:33:17 |
I can't stand |
| 00:33:27 |
Ray said you got |
| 00:33:30 |
Oh yeah. My mother took me |
| 00:33:35 |
when I was just a little girl. |
| 00:33:37 |
Then the war came |
| 00:33:39 |
What happened to Ray? |
| 00:33:42 |
He didn't tell you? |
| 00:33:44 |
What? |
| 00:33:46 |
Don't tell him I told you, |
| 00:33:48 |
but he worked for |
| 00:33:51 |
He fought fascists. |
| 00:33:54 |
Like a secret agent? |
| 00:33:57 |
You didn't hear it from me. |
| 00:34:01 |
I tell you something, Martha. |
| 00:34:02 |
Spy or no spy, that brother |
| 00:34:06 |
of yours makes me feel |
| 00:34:09 |
Oh honey, you've got |
| 00:35:48 |
Let me ask you something. |
| 00:35:49 |
What in the |
| 00:35:53 |
He's got a hunch. |
| 00:35:54 |
He's got a hunch. |
| 00:35:58 |
Extractions. |
| 00:36:03 |
Oh, okay. |
| 00:36:05 |
Oh Christ, what's that stink? |
| 00:36:07 |
Fucking rat. |
| 00:36:10 |
This is a snipe hunt. |
| 00:36:12 |
Cupids Crossroads. |
| 00:36:14 |
The club for lonely |
| 00:36:18 |
Have you ever passed someone |
| 00:36:20 |
could that |
| 00:36:23 |
My irrevocable Montague? |
| 00:36:27 |
At Cupids Crossroads, |
| 00:36:30 |
the raptures of love. |
| 00:36:32 |
How 'bout |
| 00:36:35 |
Mature female... |
| 00:36:36 |
loves nightlife, cozy fires |
| 00:36:40 |
Reach out and tell me your dreams. |
| 00:36:43 |
W-R-I-T-E. |
| 00:36:44 |
Can have the pick of the litter, |
| 00:36:46 |
Casanova Cop and his naughty |
| 00:36:51 |
Are you kidding? |
| 00:36:53 |
keep their teeth in a jar. |
| 00:36:55 |
They take dinner through |
| 00:36:57 |
Not Patty Forsythe. |
| 00:36:59 |
These dames really want a date... |
| 00:37:00 |
they need to go straight |
| 00:37:02 |
Okay? |
| 00:37:03 |
Wild female, she's rich, she likes |
| 00:37:06 |
Need a personal post office |
| 00:37:09 |
Well that's how I found your wife. |
| 00:37:10 |
What? |
| 00:37:12 |
I couldn't hear what the... |
| 00:37:13 |
Come here, |
| 00:37:16 |
Very loving, older female |
| 00:37:20 |
and compassionate and ready |
| 00:37:24 |
loves ballroom dancing |
| 00:37:30 |
What d'ya got? |
| 00:37:31 |
Mrs. Forsythe closed her |
| 00:37:34 |
She wrote a check |
| 00:37:36 |
and they deposited |
| 00:37:39 |
With Ray Martin? |
| 00:37:40 |
That's right. |
| 00:37:41 |
How much did she deposit? |
| 00:37:42 |
Mr. Martin deposited, let's see, |
| 00:37:46 |
Mrs. Forsythe transferred the |
| 00:37:49 |
six thousand six hundred |
| 00:37:51 |
Six thousand? |
| 00:37:52 |
For a combined... |
| 00:37:53 |
four hundred and ninety-three |
| 00:37:56 |
And now... you're saying that |
| 00:37:59 |
The next day |
| 00:38:01 |
And that was a check? |
| 00:38:02 |
No... cash. |
| 00:38:08 |
Thank you. |
| 00:38:20 |
So? |
| 00:38:21 |
She had almost seven thousand. |
| 00:38:23 |
Yeah, seven thousand dollars |
| 00:38:25 |
a week is almost |
| 00:38:27 |
Where'd she get that? |
| 00:38:28 |
Figure it out. |
| 00:38:30 |
What's the army death benefit pay, |
| 00:38:32 |
Yeah, about. |
| 00:38:33 |
Okay. Well her husband |
| 00:38:35 |
She gets a part-time job, |
| 00:38:39 |
That's the number. |
| 00:38:43 |
Still, it ain't murder. |
| 00:38:46 |
Not yet. |
| 00:38:55 |
Well... |
| 00:39:08 |
I know it's not much |
| 00:39:10 |
It's one of my rentals. |
| 00:39:16 |
It's just |
| 00:39:18 |
Look... we get our business out |
| 00:39:22 |
go to the church |
| 00:39:25 |
we'll be on our honeymoon... |
| 00:39:30 |
Is she coming with us? |
| 00:39:32 |
Who, Martha? |
| 00:39:35 |
She doesn't like me, Raymond. |
| 00:39:37 |
Well how can you say that? |
| 00:39:39 |
She's a nurse. |
| 00:39:40 |
She didn't say a single thing to me, |
| 00:39:43 |
just glared at me |
| 00:39:47 |
Well, even if that were true, |
| 00:39:53 |
No it isn't. |
| 00:39:55 |
You need a hand? |
| 00:39:57 |
No, but I think the kitchen might. |
| 00:39:59 |
I'll take... care of it. |
| 00:40:00 |
She's alone Janette. |
| 00:40:05 |
You and me, we got each other. |
| 00:40:13 |
It's difficult. |
| 00:40:14 |
I hadn't thought |
| 00:40:19 |
You want me to get her a hotel |
| 00:40:25 |
Or maybe you and |
| 00:40:29 |
That'd be fun. |
| 00:40:32 |
I suppose I can take |
| 00:40:35 |
Mm. That's a good girl. |
| 00:40:42 |
Okay. We'll make it work. |
| 00:40:49 |
It's you and me, kid. |
| 00:40:54 |
Tea time. |
| 00:40:58 |
Janette, lemon, honey? |
| 00:41:04 |
Nothing. No thank you. |
| 00:41:06 |
How 'bout you, Ray? |
| 00:41:07 |
You want honey? |
| 00:41:12 |
I wanted to surprise you. |
| 00:41:17 |
That's wonderful. |
| 00:41:18 |
Martha, find some tools. |
| 00:41:20 |
You're gonna... ruin him. |
| 00:41:35 |
She's right, you know? |
| 00:41:43 |
I'm cold. I think I'll run a bath. |
| 00:41:48 |
Why don't you give me a |
| 00:41:54 |
Okay. |
| 00:42:11 |
Ray? |
| 00:42:12 |
It's all right. |
| 00:42:14 |
There, you do it. |
| 00:42:16 |
What the hell is wrong with you? |
| 00:42:18 |
Excuse me? |
| 00:42:19 |
Are you trying to blow this? |
| 00:42:22 |
What are you talking about? |
| 00:42:23 |
You are driving her crazy. |
| 00:42:26 |
Staring at her in the car. |
| 00:42:29 |
You want me to |
| 00:42:31 |
How dare you. |
| 00:42:32 |
I've been so nice to that old cow. |
| 00:42:35 |
And you two have been treating |
| 00:42:38 |
I'm not gonna put up |
| 00:42:40 |
We are getting out |
| 00:42:42 |
We don't have the money, |
| 00:42:44 |
Ray. |
| 00:42:46 |
It's alright, it's alright. |
| 00:42:49 |
What... about that other girl, |
| 00:42:51 |
the one with the kid? |
| 00:42:53 |
That's the real money. |
| 00:42:53 |
We don't... need this whore. |
| 00:42:56 |
Are you listening to |
| 00:42:58 |
Anything? |
| 00:43:00 |
All of our cash, all of it, |
| 00:43:05 |
Ray, I... don't care |
| 00:43:09 |
Look, sit down. |
| 00:43:14 |
The checks clear |
| 00:43:16 |
Okay? |
| 00:43:18 |
- Baby. |
| 00:43:19 |
- Baby, I can't wait 'til Monday. |
| 00:43:23 |
Come on. |
| 00:43:24 |
That's enough. |
| 00:43:25 |
Please, let's just get out of here. |
| 00:43:29 |
- You got such a fire, baby... |
| 00:43:31 |
you put it out with this. |
| 00:43:33 |
But I'm not leaving without my money. |
| 00:43:58 |
You need any help? |
| 00:43:59 |
Yeah. Keep that dog out of here. |
| 00:44:01 |
Skip. Skipper. Skipper. |
| 00:44:11 |
Here uh, I got... |
| 00:44:15 |
What's that? |
| 00:44:17 |
Billy G's... paying me |
| 00:44:19 |
What for? |
| 00:44:21 |
On account of he's got... |
| 00:44:24 |
doesn't wanna lose |
| 00:44:27 |
Why aren't you |
| 00:44:30 |
Gotta pitch papers. |
| 00:44:33 |
Well it's gonna take a lot of papers to... |
| 00:44:36 |
I know. |
| 00:44:43 |
Why don't ya pick up a block... |
| 00:44:50 |
Wipe it down with this. |
| 00:45:01 |
Tell me you love me, baby. |
| 00:45:04 |
I want to hear you say it. |
| 00:45:08 |
Yeah, sure. |
| 00:45:09 |
Say my name. |
| 00:45:12 |
What are you talking about? |
| 00:45:13 |
My name. |
| 00:45:16 |
Say my name. |
| 00:45:20 |
Come on. Janette. |
| 00:45:24 |
Say I, I love you. |
| 00:45:31 |
I love you Kitty Cat. |
| 00:45:34 |
I do. Come on. |
| 00:45:37 |
Oo! |
| 00:45:40 |
Oh my god. |
| 00:45:43 |
Oh... |
| 00:45:44 |
Jesus Christ! |
| 00:45:45 |
You trying to drive... |
| 00:45:47 |
Do you enjoy... |
| 00:45:49 |
Hurting me like this? |
| 00:45:50 |
No... baby, no. |
| 00:45:54 |
Son of a bitch! |
| 00:45:57 |
You called her fucking... |
| 00:45:59 |
- No-no-no-no. |
| 00:46:00 |
No. |
| 00:46:01 |
I... heard you. |
| 00:46:03 |
My eyes... |
| 00:46:06 |
I was with you. |
| 00:46:07 |
The only way |
| 00:46:11 |
I'm always with... you. |
| 00:46:14 |
I'm always with you. |
| 00:46:18 |
Yeah. Mm-hm. |
| 00:46:21 |
I love you, Ray. |
| 00:46:31 |
Oh, yeah. |
| 00:46:35 |
Mm, Kitty Cat. |
| 00:46:37 |
No, no baby, no. |
| 00:46:39 |
No-no-no, |
| 00:46:41 |
Wait. |
| 00:46:42 |
- No let me... |
| 00:46:45 |
No. |
| 00:46:47 |
Close your eyes now. |
| 00:46:49 |
And finish yourself. |
| 00:46:53 |
I want to see you see me. |
| 00:46:56 |
And Raymond... |
| 00:47:03 |
I'll see your heart. |
| 00:47:16 |
Baby. Close your eyes. |
| 00:47:31 |
Oh, god Martha, |
| 00:47:39 |
Oh, Martha. |
| 00:47:50 |
Rene. |
| 00:47:54 |
You shouldn't be here. |
| 00:47:55 |
No. No. |
| 00:48:01 |
I try to get you, you show... |
| 00:48:03 |
- Oh... |
| 00:48:04 |
I don't know how to get a hold... |
| 00:48:06 |
What happened? |
| 00:48:07 |
My father. |
| 00:48:08 |
What? |
| 00:48:09 |
My dad died. |
| 00:48:11 |
I just need you to hold me. |
| 00:48:15 |
I found him in the kitchen. |
| 00:48:20 |
My daddy. |
| 00:48:22 |
Come on, let's... |
| 00:48:27 |
Where is he now? |
| 00:48:29 |
Dad. |
| 00:48:31 |
Eddie, don't. |
| 00:48:35 |
Eddie. |
| 00:48:38 |
Eddie. |
| 00:48:54 |
You're gonna break it. |
| 00:48:57 |
Well she don't fit. |
| 00:49:01 |
I'll make her fit. |
| 00:49:09 |
The bitch won't die. |
| 00:49:26 |
Why'd she do it? |
| 00:49:30 |
Was it because... |
| 00:49:32 |
No. |
| 00:49:34 |
Though I can't say at the time |
| 00:49:36 |
Well I guess |
| 00:49:39 |
You... |
| 00:49:41 |
Then why don't you... |
| 00:49:47 |
'Cause you can't. |
| 00:50:17 |
Holster your weapons. |
| 00:50:18 |
You're... gonna love this. |
| 00:50:20 |
Missing Persons blotter. |
| 00:50:21 |
Lady says |
| 00:50:23 |
three days ago |
| 00:50:24 |
sound like our friends |
| 00:50:26 |
Off to Florida. |
| 00:50:28 |
Cleared out her bank account. |
| 00:50:29 |
Ray Martin? |
| 00:50:31 |
It's gotta be. |
| 00:50:39 |
Coffee? |
| 00:50:41 |
No, no-no, after. |
| 00:50:52 |
We need to talk. |
| 00:50:54 |
About what? |
| 00:50:56 |
About us. |
| 00:51:00 |
I think about the future, |
| 00:51:02 |
Planning... |
| 00:51:05 |
See, there you go again. |
| 00:51:08 |
There I go what? Hm? |
| 00:51:11 |
I'm trying to talk about something |
| 00:51:14 |
something that means something. |
| 00:51:17 |
Look, I'm tired. |
| 00:51:23 |
What do you wanna talk about? |
| 00:51:30 |
Let's talk. |
| 00:51:32 |
Don't laugh. |
| 00:51:33 |
Mm... I promise. |
| 00:51:39 |
I want a baby. |
| 00:51:43 |
A baby? |
| 00:51:44 |
I don't wanna be alone the... |
| 00:51:48 |
Babies don't leave. |
| 00:51:52 |
I'd like that. |
| 00:51:53 |
Don't bullshit me, Raymond. |
| 00:51:55 |
No, I would... |
| 00:51:59 |
You know, to have a boy, a son, |
| 00:52:06 |
I could take the track, |
| 00:52:11 |
Or maybe a little girl, |
| 00:52:14 |
I could buy dresses for, |
| 00:52:18 |
My own little princess |
| 00:52:21 |
What's not to like? |
| 00:52:29 |
You mean that? |
| 00:52:30 |
Of course I mean it. |
| 00:52:32 |
We'd... have to get |
| 00:52:33 |
City's no place to raise a kid. |
| 00:52:36 |
No. Too many creeps. |
| 00:52:42 |
Yeah. Well Kitty Cat, we get our |
| 00:52:48 |
Get some money socked away, |
| 00:52:50 |
get a place upriver, |
| 00:52:53 |
We can do anything. |
| 00:52:57 |
I'll put a bun in the oven, |
| 00:53:01 |
What's the matter? |
| 00:53:02 |
What did I do now? |
| 00:53:08 |
I'm crying because I'm happy. |
| 00:53:24 |
That's your mother? |
| 00:53:25 |
Yeah. |
| 00:53:27 |
How old is she? |
| 00:53:27 |
Fifty-three. |
| 00:53:29 |
Yeah. |
| 00:53:32 |
About three months. |
| 00:53:34 |
Big age difference, huh? |
| 00:53:36 |
Yeah. |
| 00:53:36 |
Yeah. |
| 00:53:38 |
Says here she's happy, she eloped, |
| 00:53:42 |
What's wrong with that? |
| 00:53:43 |
It's not her writing. |
| 00:53:46 |
Well you mean, you uh, actually |
| 00:53:49 |
Yeah. |
| 00:53:51 |
How 'bout money? |
| 00:53:54 |
Around five thousand, |
| 00:53:56 |
Yeah? You check with the bank? |
| 00:53:58 |
The house was sold. |
| 00:54:02 |
How 'bout uh, this guy, |
| 00:54:04 |
Met him? |
| 00:54:05 |
Yeah. |
| 00:54:06 |
How 'bout his sister, |
| 00:54:08 |
She don't like me very much. |
| 00:54:17 |
The suspect in the photograph goes |
| 00:54:21 |
The woman standing next to |
| 00:54:24 |
Her name is Janette Long. |
| 00:54:26 |
Apparently he travels with a uh, |
| 00:54:31 |
We don't know much |
| 00:54:33 |
she's romantically linked to Martin. |
| 00:54:38 |
If you've got any information |
| 00:54:40 |
you know, let... us know. |
| 00:54:44 |
Thank you for letting us |
| 00:54:47 |
Thank you. |
| 00:54:56 |
Excuse me. Excuse me. |
| 00:55:01 |
Yeah, sure I did. |
| 00:55:03 |
Can I show you something? |
| 00:55:06 |
I mean you gotta ask yourself... |
| 00:55:07 |
why would a beautiful girl hop |
| 00:55:12 |
You know what I think, Officer... |
| 00:55:14 |
Chetnick? |
| 00:55:16 |
I think that these two... |
| 00:55:17 |
barnacles figured out |
| 00:55:19 |
and that |
| 00:55:20 |
her dead hero husband |
| 00:55:24 |
A beautiful girl |
| 00:55:31 |
Take a look. |
| 00:55:37 |
Excuse me. |
| 00:55:38 |
You know... |
| 00:55:39 |
this is kind of a heartache. |
| 00:55:40 |
You know, maybe the only way to |
| 00:55:44 |
But they're gonna do it again, |
| 00:55:48 |
How are you gonna live with that? |
| 00:56:03 |
What the hell was that? |
| 00:56:04 |
I don't know. |
| 00:56:06 |
Call a hotel 'cause |
| 00:56:08 |
It's ridiculous. |
| 00:56:10 |
Where d'you keep your balls, |
| 00:56:12 |
You know, you're right, |
| 00:56:15 |
Try it out. |
| 00:56:16 |
All right, |
| 00:56:17 |
A little bit? |
| 00:56:18 |
Let's stand here. |
| 00:56:23 |
Detective Robinson. |
| 00:56:34 |
I pulled 'em over |
| 00:56:36 |
Don't know if they're your pair or not. |
| 00:56:39 |
He might've wore a rug, though. |
| 00:56:40 |
How do you know that? |
| 00:56:42 |
Tape on his dome, you know? |
| 00:56:44 |
I thought that |
| 00:56:50 |
Did you run this? |
| 00:56:51 |
Didn't have to. |
| 00:56:54 |
Why didn't |
| 00:56:56 |
No. Out. |
| 00:56:58 |
Right. |
| 00:57:01 |
I'll tell you this, though. |
| 00:57:04 |
The... sister that's with him, |
| 00:57:06 |
How do you mean? |
| 00:57:07 |
Unstable, you know? |
| 00:57:11 |
Wouldn't believe |
| 00:57:16 |
Thanks. |
| 00:57:22 |
Come on. |
| 00:57:23 |
I got a name, I got a number. |
| 00:57:27 |
Where you going? |
| 00:57:28 |
You know tonight is |
| 00:57:32 |
He's Raymond Martinez... |
| 00:57:33 |
Fernandez. Alias Ray Martin. |
| 00:57:37 |
Incarcerated Tallahassee |
| 00:57:41 |
Oh, did a year at |
| 00:57:43 |
No kidding. |
| 00:57:44 |
Married twice. |
| 00:57:47 |
She keeled over... of a heart |
| 00:57:50 |
Second wife, Myrtle Young, |
| 00:57:54 |
Goes belly-up after they stick |
| 00:57:56 |
The guy's... prolific. |
| 00:57:57 |
Got an address? |
| 00:57:58 |
Yeah. P.O. box in |
| 00:58:01 |
Big spender. |
| 00:58:03 |
This is good. |
| 00:58:05 |
Well, we'll need a warrant. |
| 00:58:08 |
Reilly! |
| 00:58:24 |
So you got uh, any idea how long |
| 00:58:27 |
it's been since |
| 00:58:29 |
Quite a while. |
| 00:58:31 |
Check the postmarks. |
| 00:58:32 |
What about this, |
| 00:58:33 |
Does he have |
| 00:58:36 |
Yeah, Detective. |
| 00:58:38 |
Okay, what is it? |
| 00:58:39 |
You're standing next to it. |
| 00:58:41 |
Uh, that's |
| 00:58:42 |
so that they... |
| 00:58:44 |
You know, we should have |
| 00:58:46 |
There's gotta |
| 00:58:48 |
- Right. |
| 00:58:49 |
Somebody's gotta stay |
| 00:58:52 |
Yeah. |
| 00:58:53 |
Yeah. Reilly, it's you. |
| 00:58:55 |
What's me? |
| 00:58:56 |
Hold on, whoa-whoa-whoa, |
| 00:58:59 |
I'm not staying |
| 00:59:00 |
Stay with the box! |
| 00:59:02 |
I haven't even had my lunch. |
| 00:59:05 |
Alright. |
| 00:59:09 |
Come on, you idiot. |
| 00:59:10 |
Going! |
| 00:59:12 |
What? |
| 00:59:13 |
What? I'm a little up |
| 00:59:18 |
All first names. |
| 00:59:22 |
Meredith from Deluth. |
| 00:59:26 |
But this is shit. |
| 00:59:28 |
Well just keep looking. |
| 00:59:31 |
Well do you know how many |
| 00:59:33 |
there are on the |
| 00:59:36 |
No, how many? |
| 00:59:37 |
Thousands. |
| 00:59:39 |
You wanna know how many Raymond |
| 00:59:43 |
Put us out of our misery. |
| 00:59:45 |
Just one. In Valley Stream. |
| 00:59:52 |
No kidding. |
| 00:59:56 |
- All right. |
| 00:59:58 |
He even paid his bill. |
| 01:00:06 |
- Gonna knock, right? |
| 01:00:23 |
We're in! |
| 01:00:27 |
Bathroom's clean. |
| 01:00:30 |
Nobody in the kitchen. |
| 01:00:32 |
They've gone. |
| 01:00:34 |
We just missed 'em. |
| 01:00:35 |
How do you know that? |
| 01:00:36 |
Look, there's food on the table. |
| 01:00:37 |
The lights are on. |
| 01:00:39 |
Check the milk outside. |
| 01:00:42 |
They could still be upstate, |
| 01:00:44 |
Or in Lauderdale by now. |
| 01:00:46 |
Maybe... |
| 01:00:47 |
Hey, check |
| 01:00:49 |
Go. |
| 01:00:50 |
Come on. |
| 01:00:54 |
Come here. |
| 01:00:54 |
We have to check the basement. |
| 01:00:56 |
Thought... we were gonna knock. |
| 01:00:58 |
You did. |
| 01:01:00 |
What's your problem? |
| 01:01:01 |
You. You're my problem. |
| 01:01:02 |
I'm your problem? |
| 01:01:03 |
Yeah. It's like you don't |
| 01:01:05 |
Yeah, I do. |
| 01:01:07 |
This is bunko all the way. |
| 01:01:08 |
That's not what I'm talking about. |
| 01:01:11 |
You're talking about poker, |
| 01:01:13 |
Like you don't give a shit. |
| 01:01:14 |
Oh I give a shit. |
| 01:01:16 |
Grand larceny, polygamy, |
| 01:01:19 |
They're all lonely hearts. |
| 01:01:21 |
She's probably sucking on |
| 01:01:23 |
This homicide thing |
| 01:01:25 |
It's a zero. |
| 01:01:28 |
- Really? |
| 01:01:28 |
Then why is MacSwain all over it? |
| 01:01:30 |
And if I'm so screwed up, |
| 01:01:32 |
Well I think |
| 01:01:37 |
You better get down here. |
| 01:02:08 |
Spatter on the walls, blood, |
| 01:02:12 |
Soap underneath the baseboard. |
| 01:02:14 |
They thinned it out |
| 01:02:15 |
But no body. |
| 01:02:16 |
Sure there is. |
| 01:02:17 |
Somewhere. |
| 01:02:21 |
Who's this? |
| 01:02:22 |
It's the landlord. |
| 01:02:24 |
When's the last time you saw 'em? |
| 01:02:26 |
Speak English. |
| 01:02:27 |
I already told him. |
| 01:02:29 |
Three days ago. |
| 01:02:30 |
Son of a bitch, he had lease... |
| 01:02:32 |
I make out, though. |
| 01:02:35 |
Good. |
| 01:02:39 |
Albany make... the car? |
| 01:02:41 |
Yeah. Forty-seven Plymouth. |
| 01:02:44 |
Probably switches plates |
| 01:02:46 |
What about my door, huh? |
| 01:02:50 |
Think we're goin'. |
| 01:02:52 |
Get outta the way. |
| 01:02:54 |
Hey buddy. |
| 01:02:57 |
Now everything matches... |
| 01:03:00 |
You got any more questions? |
| 01:03:05 |
We just missed 'em. |
| 01:03:06 |
They were only five miles away |
| 01:03:11 |
But they might as |
| 01:03:13 |
We were so close, |
| 01:03:19 |
And it all went cold. |
| 01:03:43 |
Hello. |
| 01:03:44 |
I'm Ray. |
| 01:03:45 |
I... know. |
| 01:03:51 |
Uh, this is my daughter, |
| 01:03:54 |
Hello Rainelle. |
| 01:03:56 |
This is a picture I made. |
| 01:03:58 |
Mommy, this is me, |
| 01:04:03 |
How about that. |
| 01:04:04 |
You're so talented. |
| 01:04:06 |
Oh. |
| 01:04:08 |
Thank you. |
| 01:04:09 |
Can I show you my... room? |
| 01:04:10 |
Of course you can. |
| 01:04:14 |
Is it this way, right? |
| 01:04:20 |
Do you have any pets, huh? |
| 01:04:22 |
Um... |
| 01:04:22 |
Little frog or something, |
| 01:04:27 |
You must be Martha. |
| 01:04:29 |
Nice to meet you, Delphine. |
| 01:04:31 |
It... means so much to me |
| 01:04:34 |
you come all the |
| 01:04:36 |
Please. |
| 01:04:38 |
Let me look at you. |
| 01:04:42 |
So pretty. |
| 01:05:03 |
It's okay, boy. It's okay. |
| 01:05:08 |
Oh, you got one. |
| 01:05:10 |
Yeah. |
| 01:05:14 |
You caught all those? |
| 01:05:15 |
Yup. |
| 01:05:17 |
Dog doesn't like 'em. |
| 01:05:18 |
Come here, Skip. |
| 01:05:20 |
It's okay. |
| 01:05:26 |
Watch out. |
| 01:05:33 |
Sorry about your dad. |
| 01:05:36 |
Thank you. |
| 01:05:41 |
Did you uh, wanna... try? |
| 01:05:45 |
- Sure. |
| 01:05:46 |
Alright. |
| 01:05:49 |
Take the rope... |
| 01:05:52 |
It's getting worn. |
| 01:06:06 |
Good afternoon. |
| 01:06:07 |
What the hell you doing? |
| 01:06:09 |
Boiling crabs. |
| 01:06:12 |
No, what the hell's |
| 01:06:15 |
I invited the squad. |
| 01:06:17 |
She's talking to my son, |
| 01:06:20 |
So what? |
| 01:06:21 |
Well, he don't understand. |
| 01:06:22 |
Maybe you should explain it |
| 01:06:24 |
Then maybe you should |
| 01:06:26 |
Look, who I'm banging... |
| 01:06:30 |
- Nice. Thank you very much. |
| 01:06:33 |
How am I supposed to say |
| 01:06:34 |
I'm with a woman |
| 01:06:36 |
You don't need to say it. |
| 01:06:39 |
Ida knows you're banging me. |
| 01:06:41 |
Well you know, they do now. |
| 01:06:43 |
So what's your problem? |
| 01:06:44 |
I don't got a problem. |
| 01:06:45 |
Sure you do. |
| 01:06:49 |
You wanna know what I think? |
| 01:06:52 |
I think your son hasn't cried |
| 01:06:59 |
You know everything, don't ya? |
| 01:07:03 |
Oh come on. |
| 01:07:12 |
All right. |
| 01:07:45 |
It's me. |
| 01:07:46 |
Why don't you come over. |
| 01:07:49 |
No. Now. |
| 01:07:52 |
I know this son of a bitch. |
| 01:07:54 |
And he ain't happy. |
| 01:07:56 |
This is |
| 01:07:58 |
Yeah, shit bags don't keep... |
| 01:08:00 |
Yeah, and the dead'll... |
| 01:08:02 |
He's fleecing women, |
| 01:08:04 |
Cars, money. |
| 01:08:07 |
Then suddenly he's banging the sister |
| 01:08:12 |
Blood in the... |
| 01:08:14 |
Who knows where else? |
| 01:08:16 |
It's a mess. |
| 01:08:16 |
Maybe she ain't his sister. |
| 01:08:18 |
Maybe she's one of his marks or, |
| 01:08:24 |
Yeah, that's... |
| 01:08:27 |
Can't keep a guy like that down, |
| 01:08:30 |
He's restless. |
| 01:08:33 |
He's gonna try to dump her, |
| 01:08:35 |
Hell's coming home |
| 01:08:48 |
- You're such a sweet little girl. |
| 01:08:50 |
- This is the life. Huh, kid? |
| 01:08:56 |
Who ever thought he'd take |
| 01:09:01 |
It's really wonderful. |
| 01:09:04 |
You know? |
| 01:09:11 |
No? |
| 01:09:14 |
I resigned myself that it's |
| 01:09:21 |
I am so grateful |
| 01:09:27 |
Thank you. |
| 01:09:36 |
I know little girl who needs nap. |
| 01:09:38 |
I know a little boy who needs a nap. |
| 01:09:40 |
Right now, young lady. |
| 01:09:42 |
Mommy. |
| 01:09:45 |
Alright now, be a good girl. |
| 01:09:46 |
Oo, my god. |
| 01:09:55 |
Oh Ray, will you go to market |
| 01:09:58 |
The list is on the counter. |
| 01:09:59 |
Okay Mommy. |
| 01:10:03 |
Well-well-well. |
| 01:10:05 |
Yeah. |
| 01:10:05 |
Isn't this rich? |
| 01:10:07 |
Don't get to liking |
| 01:10:09 |
You never know |
| 01:10:11 |
Yeah? |
| 01:10:13 |
You Bette Crocker and the brat? |
| 01:10:16 |
I can see it all. |
| 01:10:17 |
You out there building |
| 01:10:20 |
waving to the folks |
| 01:10:22 |
sticking the fucking... |
| 01:10:23 |
star on top of the |
| 01:10:26 |
That'll be something, |
| 01:10:28 |
Maybe it would. |
| 01:10:32 |
You'd be out of your mind inside |
| 01:10:37 |
But, the real problem here, |
| 01:10:41 |
the real reason this could never work |
| 01:10:47 |
You are no damn good. |
| 01:10:57 |
Don't forget to go to market. |
| 01:11:17 |
I'm sorry, but I forgot |
| 01:11:21 |
I sure don't want your |
| 01:11:23 |
I sure appreciate that. |
| 01:11:29 |
I like your car. |
| 01:11:52 |
What is the matter with you? |
| 01:12:04 |
I'm sick like dog. |
| 01:12:06 |
Is it the food? |
| 01:12:07 |
Oh, no. |
| 01:12:09 |
It's me. |
| 01:12:12 |
Ten minutes after I get pregnant, |
| 01:12:22 |
The only thing that makes me feel |
| 01:12:28 |
Oh, thank god for it. |
| 01:12:31 |
I was down for... |
| 01:12:37 |
Don't be angry with us, Martha. |
| 01:12:40 |
I wanted... to tell you but Raymond, |
| 01:12:45 |
Raymond? |
| 01:12:47 |
He wants us |
| 01:12:49 |
but... between you and me, |
| 01:12:55 |
I can see that. |
| 01:12:58 |
If it's a girl... |
| 01:13:03 |
I made him promise. |
| 01:13:10 |
Can I tell you something, Martha? |
| 01:13:14 |
Tell me. |
| 01:13:16 |
I know Raymond isn't exactly |
| 01:13:21 |
He like to tell the stories. |
| 01:13:25 |
Doesn't matter to me, |
| 01:13:29 |
and now I have the new baby. |
| 01:13:33 |
I don't want to do it alone. |
| 01:13:37 |
Rainelle, |
| 01:13:40 |
and... his heart |
| 01:13:43 |
You know? |
| 01:13:45 |
I don't... know when it |
| 01:14:12 |
It's gonna be all right. |
| 01:14:19 |
It's gonna be all right. |
| 01:14:23 |
I'll get you something |
| 01:14:25 |
Oh. |
| 01:14:26 |
Remember, I'm a nurse. |
| 01:14:30 |
Okay. |
| 01:14:41 |
Here. |
| 01:14:45 |
This will make you feel better. |
| 01:14:48 |
Put your feet up. |
| 01:14:53 |
I'll get you a pillow. |
| 01:14:56 |
Thank you, Martha. |
| 01:15:36 |
Mommy! |
| 01:15:39 |
Delphine? |
| 01:15:40 |
Mommy. I want my mommy! |
| 01:15:44 |
Martha? |
| 01:15:50 |
Is that for me, baby? |
| 01:15:56 |
Delphine? |
| 01:16:01 |
You knocked her up. |
| 01:16:04 |
Ray. |
| 01:16:06 |
Ray. |
| 01:16:10 |
What did you do to her? |
| 01:16:12 |
The baby. |
| 01:16:14 |
What's wrong with her! |
| 01:16:16 |
Mommy! |
| 01:16:17 |
If you don't love me |
| 01:16:20 |
Do it. |
| 01:16:24 |
Oh, come on, baby. |
| 01:16:28 |
I'll help you. |
| 01:16:30 |
Alright? |
| 01:16:32 |
Stop it. |
| 01:16:33 |
I don't wanna stay. |
| 01:16:37 |
I can't. I can't. |
| 01:16:41 |
Who knows you, Raymond? |
| 01:16:44 |
Who takes care of you? |
| 01:16:47 |
Martha. |
| 01:16:48 |
Who... wants you like you are? |
| 01:16:50 |
Who's never... |
| 01:16:53 |
Who do you love, Raymond? |
| 01:16:56 |
Martha! |
| 01:16:58 |
Then show me. |
| 01:17:00 |
Show... |
| 01:17:00 |
Martha that you love her. |
| 01:17:04 |
Prove it... baby. |
| 01:17:08 |
Oh no, not like that. |
| 01:17:09 |
If you don't want to hug me... |
| 01:17:13 |
I don't want you |
| 01:17:14 |
Shoot her. |
| 01:17:18 |
Do you love... me? |
| 01:17:21 |
Say you love me! |
| 01:17:23 |
Yes! |
| 01:17:24 |
Then... do it. |
| 01:17:33 |
Do it... |
| 01:17:47 |
Mommy! |
| 01:18:29 |
Speed limit's thirty miles |
| 01:18:33 |
What's your hurry? |
| 01:18:34 |
I don't know. |
| 01:18:36 |
Driver's license, please. |
| 01:18:42 |
Horse died. |
| 01:18:44 |
Hm. |
| 01:18:58 |
Dispatch Code Three. |
| 01:19:01 |
Get back in your vehicle, sir. |
| 01:19:03 |
I said get... |
| 01:19:38 |
You have any idea how many |
| 01:19:42 |
I'm leaving. |
| 01:19:45 |
All right. |
| 01:19:49 |
No. |
| 01:19:54 |
I'm going to Rochester |
| 01:19:58 |
Found a job |
| 01:20:04 |
What the |
| 01:20:06 |
I got nothing keeping me here. |
| 01:20:09 |
Buster. |
| 01:20:11 |
They're in Michigan. |
| 01:20:14 |
Did they... get 'em? |
| 01:20:14 |
Not yet. |
| 01:20:16 |
We gotta go... right now. |
| 01:20:21 |
I don't want you to go. |
| 01:20:23 |
So stop me. |
| 01:20:46 |
I'll be back in a couple days. |
| 01:20:49 |
Take care of Eddie. |
| 01:21:28 |
Look at that, a brand new tricycle. |
| 01:21:36 |
Did you wanna look at it? |
| 01:21:39 |
It's beautiful. |
| 01:21:54 |
Fellas. |
| 01:21:56 |
Robinson, Nassau County. |
| 01:21:58 |
Tooley, detective squad. |
| 01:21:59 |
Charlie. |
| 01:22:01 |
You got uh, information on |
| 01:22:03 |
Well it's actually our case |
| 01:22:06 |
This is... my sandbox, |
| 01:22:08 |
Well it's kind of like |
| 01:22:10 |
if you catch my drift. |
| 01:22:12 |
Maybe you wouldn't mind |
| 01:22:15 |
- What's that? |
| 01:22:18 |
When was the last time you lost |
| 01:22:20 |
This is the first. |
| 01:22:22 |
So you don't practice |
| 01:22:24 |
here in the uh, |
| 01:22:27 |
Look, you help us catch 'em... |
| 01:22:30 |
New York for an honest trial |
| 01:22:32 |
and a first class |
| 01:22:34 |
You got no body. |
| 01:22:36 |
No body, no murder. |
| 01:22:39 |
You don't know where they are. |
| 01:22:40 |
So, we make a deal |
| 01:22:43 |
into a more |
| 01:22:46 |
Well how do we know |
| 01:22:51 |
What's that... |
| 01:22:52 |
A P.O. box, Grand Rapids. |
| 01:22:55 |
We... got a deal? |
| 01:22:58 |
Do we have a... deal? |
| 01:23:01 |
Yeah, yeah, come on, come on. |
| 01:23:10 |
Hey. Hey. |
| 01:23:11 |
Stop pouting, you spoiled brat. |
| 01:23:15 |
How you doing, ol' timer? |
| 01:23:17 |
That your dog? |
| 01:23:19 |
Yes sir. |
| 01:23:20 |
God... damn, |
| 01:23:23 |
How much you want for him? |
| 01:23:24 |
He ain't for sale. |
| 01:23:27 |
Everything's for sale. |
| 01:23:30 |
A thousand dollars. |
| 01:23:31 |
What? |
| 01:23:32 |
Take it or leave it. |
| 01:23:35 |
A thousand... dollars. |
| 01:23:38 |
I'll take it. |
| 01:23:48 |
Here's one from our boy. |
| 01:23:50 |
My dearest Delphine, |
| 01:23:53 |
There's no date. |
| 01:23:54 |
There's only one reason |
| 01:23:59 |
He's already here. |
| 01:24:03 |
Two-oh-four Adeline Place. |
| 01:24:23 |
Honey, would you like some milk? |
| 01:24:26 |
Hm? |
| 01:24:30 |
Maybe later, huh? Hm? |
| 01:24:36 |
What's the matter? |
| 01:24:39 |
He's not my dog. |
| 01:24:43 |
Listen. |
| 01:24:45 |
You know you're all alone now. |
| 01:24:51 |
And I know how that feels. |
| 01:24:55 |
It burns on your skin. |
| 01:24:58 |
Hm? |
| 01:25:01 |
Makes you feel a really bad |
| 01:25:07 |
You can't breathe well. |
| 01:25:10 |
You feel |
| 01:25:14 |
and that the walls are |
| 01:25:19 |
and that no one |
| 01:25:27 |
I know how you feel, honey. |
| 01:25:33 |
Hm? Do you feel lonely? |
| 01:25:37 |
You don't have to feel lonely. |
| 01:25:40 |
I'm gonna take |
| 01:25:46 |
I'm gonna be such |
| 01:25:50 |
I'm gonna love you so much. |
| 01:25:57 |
But you must love me back. |
| 01:26:02 |
You must love me back. |
| 01:26:05 |
I hate you! |
| 01:26:07 |
No you don't. |
| 01:26:08 |
I hate you! |
| 01:26:09 |
No. |
| 01:28:08 |
Ray! |
| 01:28:13 |
Don't fire! I got him! |
| 01:28:23 |
Get him! Get him! |
| 01:28:26 |
No! |
| 01:28:27 |
No! |
| 01:28:41 |
So where's Mrs. Downing? |
| 01:28:42 |
I don't know. |
| 01:28:43 |
Where is the little girl? |
| 01:28:48 |
I don't know. |
| 01:28:53 |
Only four... in the clip. |
| 01:28:56 |
Whose gun is this? |
| 01:29:07 |
You... got five seconds to tell me |
| 01:29:13 |
Sweetheart. |
| 01:31:00 |
Oh god. Oh god. |
| 01:31:31 |
Once we found Delphine Downing... |
| 01:31:34 |
it was no trouble |
| 01:31:37 |
She'd been there all along, rotting... |
| 01:31:44 |
But the Kent County prosecutor |
| 01:31:46 |
pinch since Bugs Moran |
| 01:31:50 |
So we sweated 'em. |
| 01:31:53 |
The truth is, though, |
| 01:31:55 |
they can't wait to tell you |
| 01:32:04 |
Want a donut? |
| 01:32:08 |
You know what they say |
| 01:32:10 |
No, what? |
| 01:32:13 |
Neither one is |
| 01:32:17 |
They say that |
| 01:32:28 |
It's good to see you have a sense |
| 01:32:30 |
what you got ahead of you. |
| 01:32:32 |
Room and board for |
| 01:32:37 |
Be worse |
| 01:32:40 |
That's true. |
| 01:32:41 |
I know who you are. |
| 01:32:44 |
You do? |
| 01:32:51 |
That's good. |
| 01:32:56 |
Tell you what. |
| 01:32:57 |
Let's don't... |
| 01:32:59 |
Fine. |
| 01:33:01 |
I'm not gonna ask you much. |
| 01:33:03 |
I'm not gonna ask you about |
| 01:33:05 |
I'm not gonna |
| 01:33:07 |
three dozen women that you |
| 01:33:10 |
I'm not even gonna ask you |
| 01:33:14 |
But I am gonna ask you what... |
| 01:33:16 |
happened, because there's a young lady |
| 01:33:21 |
'cause they wanna understand |
| 01:33:24 |
You'd just love it |
| 01:33:27 |
Put it in a little box, |
| 01:33:32 |
Like you did |
| 01:33:34 |
What? That's what you're |
| 01:33:38 |
Making things, people, |
| 01:33:44 |
You can't just throw things away. |
| 01:33:50 |
It's always there, out there, |
| 01:33:55 |
Sure enough. |
| 01:33:58 |
The thing is, though, |
| 01:34:03 |
so you can go home... |
| 01:34:05 |
to your little house, |
| 01:34:07 |
your little life, |
| 01:34:11 |
Huh? |
| 01:34:15 |
I take some amusement in denying you |
| 01:34:22 |
Ms. Beck. |
| 01:34:23 |
- You can call me Martha, honey. |
| 01:34:27 |
My life is a never-ending |
| 01:34:34 |
You're gonna grow old |
| 01:34:37 |
with bars at one end |
| 01:34:39 |
In a couple of years |
| 01:34:42 |
Just gonna be a case |
| 01:34:48 |
But you got an opportunity... |
| 01:34:52 |
It's not much, really... |
| 01:34:56 |
It would be the one... |
| 01:34:59 |
in what's left of your sad |
| 01:35:11 |
We did it with a hammer. |
| 01:35:17 |
He didn't do any more than I did. |
| 01:35:19 |
I'm not trying |
| 01:35:21 |
We both did it. |
| 01:35:25 |
It's just that one |
| 01:35:30 |
That's all. |
| 01:35:33 |
That's all. |
| 01:35:38 |
We hauled 'em back to New York. |
| 01:35:40 |
The trial lasted forty-four days. |
| 01:35:44 |
They were charged with three |
| 01:35:47 |
But it only took |
| 01:36:11 |
Looks nice. |
| 01:36:16 |
You know, I built it for her. |
| 01:36:20 |
She would've liked that. |
| 01:36:22 |
I wished I had told her. |
| 01:36:25 |
You told me. |
| 01:36:27 |
You know, I don't know |
| 01:36:30 |
I mean I, I could understand |
| 01:36:38 |
It wasn't your fault. |
| 01:36:41 |
It wasn't your fault, either. |
| 01:36:51 |
You know where I'm going? |
| 01:36:52 |
Yeah. |
| 01:36:54 |
You know how to rig... |
| 01:36:56 |
Yeah. |
| 01:36:58 |
Why don't ya pick me up afterwards. |
| 01:37:09 |
Careful with the fender. |
| 01:38:09 |
Okay. Okay. |
| 01:38:11 |
You wanna know why? |
| 01:38:13 |
You wanna know why we did it? |
| 01:38:16 |
Okay Martha, why? |
| 01:38:20 |
Because Raymond is mine. |
| 01:38:33 |
God, he's a lover. |
| 01:38:36 |
So... romantic. |
| 01:38:39 |
I'm the only one for him. |
| 01:38:43 |
Nothing comes between us. |
| 01:38:47 |
No one. |
| 01:38:48 |
Raymond Martinez Fernandez, |
| 01:38:50 |
you've been duly convicted |
| 01:38:52 |
be carried out forthwith. |
| 01:38:54 |
Do you have anything... |
| 01:39:01 |
Oh god. |
| 01:39:04 |
Oh my god. |
| 01:39:06 |
He kills... for me. |
| 01:39:14 |
What else would anybody kill... |
| 01:39:19 |
Has anybody... |
| 01:39:20 |
ever loved you that much, |
| 01:39:23 |
To kill or die for you? |
| 01:40:04 |
I can smell him. |
| 01:40:10 |
Martha Jule Beck, |
| 01:40:12 |
you've been duly |
| 01:40:13 |
to death to be |
| 01:40:15 |
Do you have anything to say? |
| 01:40:25 |
So long. |
| 01:40:53 |
You don't look so good. |
| 01:40:58 |
I'm all right. |
| 01:40:59 |
You sure? |
| 01:41:03 |
An eye for an eye... right? |
| 01:41:05 |
Yeah. |
| 01:41:06 |
Yeah. |
| 01:41:08 |
They don't have enough |
| 01:41:10 |
between 'em to pay for |
| 01:41:16 |
Some god damn |
| 01:41:22 |
Like MacSwain said, |
| 01:41:27 |
I don't know, Charlie. |
| 01:41:33 |
Yeah, well |
| 01:41:35 |
I know why. |
| 01:41:40 |
We did. |
| 01:41:55 |
For a long time I didn't understand |
| 01:41:58 |
I figured he tossed a gold |
| 01:42:05 |
But it started to hit me |
| 01:42:10 |
And for me, too. |
| 01:42:15 |
Buster left his... |
| 01:42:16 |
no more in the |
| 01:42:19 |
He pushed up river for better days. |
