Looker
|
00:00:28 |
Oh, mirror, mirror, on the wall, |
00:00:32 |
Well, of course, you are very beautiful. |
00:00:34 |
Well, that's sweet of you. |
00:00:36 |
But I'm afraid there's one thing you lack. |
00:00:38 |
- Tell me, mirror, what is that? |
00:00:40 |
- Ravish? |
00:00:42 |
Here, put a little behind your ear. |
00:00:45 |
A drop behind the knees would please. |
00:00:47 |
And dab a bit between your toe. |
00:00:49 |
- My toe? |
00:00:52 |
Now, I wonder who that could be? |
00:00:55 |
Ravish. It fulfills your deepest desires. |
00:01:01 |
You probably think I'm beautiful, |
00:01:03 |
...but I'm not. |
00:01:05 |
I have lots of defects to fix. |
00:01:07 |
I have a list right here. |
00:01:10 |
My nose is 0.2 millimeters too narrow. |
00:01:13 |
And my cheekbones |
00:01:16 |
And my chin has a little 0.1 bump here. |
00:01:19 |
And my areolar distance |
00:01:24 |
And I have a mole here on my ribs. |
00:01:26 |
So I need plastic surgery. |
00:01:35 |
Is something wrong, Dr. Roberts? |
00:01:38 |
Well, it's just that |
00:01:40 |
And I can't imagine why you'd |
00:01:44 |
It's for work. |
00:01:47 |
They want a certain look. |
00:01:49 |
But these changes are tiny, Lisa. |
00:01:51 |
Nobody would notice the difference. |
00:01:53 |
Dr. Roberts, you did my friends, |
00:01:57 |
And everybody says you're the best |
00:02:01 |
Will you excuse me for a minute? |
00:02:03 |
I'd like you to see my partner, |
00:02:11 |
No question. She's a space case. |
00:02:12 |
She's a great-looking girl. |
00:02:14 |
How many of these actresses with lists |
00:02:17 |
- Three, Four? |
00:02:19 |
Must be some show-biz fad. |
00:02:21 |
- You gonna do her? |
00:02:23 |
If you don't, |
00:02:26 |
- I'll do her. |
00:02:28 |
You do her. I'll take her out. |
00:02:30 |
She's really a looker. |
00:04:30 |
Well, hi, honey. |
00:05:18 |
Teddy? |
00:05:20 |
Teddy, where are you? |
00:05:47 |
Teddy, what are you doing in there, |
00:05:49 |
We have to get ready for Bob. |
00:07:57 |
Good morning. |
00:08:00 |
Good morning. |
00:08:03 |
- Good morning. |
00:08:05 |
Your 9 a.m. Tuck is pre-medicated. |
00:08:07 |
Suzy will scrub for you. |
00:08:08 |
Senator Harrison's office called, |
00:08:12 |
- Should I call back? |
00:08:13 |
He won't get elected president |
00:08:16 |
- He's got great new ads. |
00:08:19 |
Good morning. Hi. |
00:08:20 |
Dr. Roberts, we got |
00:08:23 |
Your burns lecture |
00:08:25 |
And you have that fundraiser tonight. |
00:08:28 |
- Fine. Good morning, Jim. |
00:08:30 |
Got anything big this morning? |
00:08:32 |
A face-lift, a sebaceous cyst |
00:08:35 |
What about Senator Harrison? |
00:08:36 |
- Tight eyes won't make him president. |
00:08:39 |
I've got some tricky eyes at noon. |
00:08:41 |
Admiral from San Diego hopes |
00:08:44 |
...if he looks young and vigorous. |
00:08:46 |
The guy is a military genius, |
00:08:48 |
Maybe he's right. |
00:08:50 |
Good morning, Mrs. Emerson. |
00:08:51 |
Good morning, Dr. Roberts. |
00:08:53 |
Be with you in a minute. |
00:08:56 |
Give her another 50 of Demerol, |
00:08:59 |
And let's have Vivaldi today. |
00:09:01 |
- Vivaldi on Friday? |
00:09:39 |
Dr. Roberts, |
00:09:42 |
- Do you know what that was about? |
00:09:45 |
Cindy Fairmont's here for her final. |
00:09:46 |
We misplaced her chart. |
00:09:49 |
Thank you. |
00:09:52 |
- Well, Cindy, how's it going? |
00:09:58 |
These pictures are no good anymore. |
00:10:00 |
I'll have to get some new ones. |
00:10:02 |
Look at that. |
00:10:04 |
They look good to me. |
00:10:06 |
You've made me perfect. |
00:10:13 |
I'm sorry. |
00:10:15 |
- Do you mind if...? |
00:10:16 |
It's a habit. |
00:10:22 |
Do I match my measurements? |
00:10:25 |
Oh, forget it. |
00:10:27 |
I just hope this works. |
00:10:28 |
It's supposed to make me |
00:10:31 |
You were always desirable, Cindy. |
00:10:33 |
- Are you free for dinner tonight? |
00:10:36 |
Oh, don't date your patients, huh? |
00:10:39 |
I'm busy. |
00:10:40 |
I've got a fundraiser |
00:10:44 |
Lisa told me about that. |
00:10:47 |
Do you know you've done all my friends |
00:10:50 |
Lisa, Susan and Tina, yeah. |
00:10:54 |
- Did I turn out as good as they did? |
00:10:58 |
Gosh, I haven't seen them in ages. |
00:11:00 |
I just got back from Tahiti. |
00:11:02 |
- Have you ever been to Tahiti? |
00:11:04 |
Oh, come on. It's great. |
00:11:07 |
- You should go. |
00:11:10 |
Dr. Roberts, Lieutenant Masters |
00:11:14 |
You really should pay |
00:11:16 |
You know what I do? |
00:11:19 |
Crying probably |
00:11:21 |
Okay, you're fine. Get out of here. |
00:11:24 |
Send Lieutenant Masters to my office. |
00:11:26 |
- And you behave yourself. |
00:11:29 |
And it is so boring. |
00:11:31 |
I keep hoping for a little excitement |
00:11:34 |
You know, like a handsome doctor. |
00:11:36 |
- Good luck, Cindy. |
00:11:42 |
I appreciate your time, Dr. Roberts. |
00:11:43 |
Not at all. What can I do for you? |
00:11:45 |
I want to ask about two |
00:11:48 |
...Lisa Convey and Susan Wilson. |
00:11:50 |
What about them? |
00:11:51 |
Anything you can tell me. |
00:11:57 |
Dead? |
00:11:59 |
Last week, Susan smashed her car |
00:12:01 |
And Lisa jumped |
00:12:05 |
We're just following up. |
00:12:09 |
Well, there's not much I can tell you. |
00:12:12 |
They were attractive girls |
00:12:16 |
They wanted specific cosmetic changes. |
00:12:22 |
In fact, they both brought in lists, |
00:12:26 |
And I performed the surgery. |
00:12:28 |
- Lists? Isn't that unusual? |
00:12:32 |
Do you think these girls |
00:12:35 |
I doubt it. |
00:12:37 |
Sometimes we see a post-operative |
00:12:41 |
...particularly with patients |
00:12:44 |
People who think that plastic surgery... |
00:12:46 |
...is gonna make them wittier |
00:12:49 |
...afterwards find things aren't that |
00:12:52 |
But suicide? No. |
00:12:56 |
- Could I see their records, please? |
00:12:58 |
Ellen, pull charts on Lisa Convey |
00:13:02 |
I've been looking for those charts |
00:13:05 |
They're not in the files. |
00:13:08 |
Well, keep looking. |
00:13:10 |
Must be misplaced. |
00:13:13 |
Do things often get misplaced? |
00:13:16 |
No, not often. |
00:13:20 |
I agree with you, Dr. Roberts. |
00:13:22 |
I don't think these two girls |
00:13:25 |
They just don't fit a suicide pattern. |
00:13:27 |
No notes, no phone calls, |
00:13:29 |
Most L.A. Girls OD on drugs. |
00:13:31 |
But those girls were destroyed |
00:13:39 |
You think it was murder? |
00:13:41 |
We're considering that possibility, yes. |
00:13:47 |
What are you saying, lieutenant? |
00:13:51 |
Women fall in love |
00:13:55 |
Especially doctors who give them |
00:13:58 |
Yes, that is quite common. |
00:13:59 |
Men give you presents. |
00:14:03 |
Women fall in love, |
00:14:06 |
- Do you date your patients, doctor? |
00:14:08 |
- Never gone out with either of these girls? |
00:14:11 |
Never visited their apartments |
00:14:14 |
- No, never. |
00:14:17 |
Quite sure. |
00:14:19 |
Well, that's all I have for now, |
00:14:23 |
Thank you. |
00:14:27 |
- Is this yours? |
00:14:31 |
It's been missing about a week. |
00:14:36 |
So things do get misplaced |
00:14:41 |
- Let me know when those files turn up. |
00:14:47 |
Thanks again. |
00:14:51 |
Yes, of course, I realized that. |
00:14:52 |
Have you found those missing files? |
00:14:54 |
No, not yet. |
00:14:57 |
All four girls you did exact surgery on |
00:14:59 |
- Why should they be missing? |
00:15:02 |
Lisa, Susan, Tina and Cindy. |
00:15:04 |
I've been trying to call them |
00:15:06 |
...but I haven't been able to reach |
00:15:09 |
Cindy just left |
00:15:12 |
- And Tina's right here. |
00:15:16 |
Can we talk in private? |
00:15:18 |
Change you back? Why, what's wrong? |
00:15:21 |
Because I'm too perfect. |
00:15:24 |
Because they're gonna kill me, |
00:15:28 |
Who is? |
00:15:31 |
They're killing all the girls |
00:15:37 |
Do you think I'm crazy? |
00:15:38 |
Who told you to make these changes? |
00:15:42 |
Dr. Roberts, it's the office of Senator... |
00:15:45 |
Later. Hold all calls. |
00:15:47 |
Senator Harrison. That's who that was. |
00:15:49 |
He's running for president... |
00:15:51 |
...and you're helping him. |
00:15:54 |
Tina, what are you talking about? |
00:16:00 |
Here. Here, here, here. |
00:16:06 |
I'm on the 9:00 flight to Chicago... |
00:16:09 |
...to see my family. |
00:16:10 |
And I want someone in Chicago |
00:16:13 |
- That's all. |
00:16:16 |
You don't know what's going on. |
00:16:19 |
This is more than commercials. |
00:16:23 |
Dr. Roberts, long distance |
00:16:28 |
- Do you wanna take it in the other room? |
00:16:32 |
- Oh, Jesus. This is bad! |
00:16:35 |
Has a big man with a mustache |
00:16:37 |
Has he been here? |
00:16:38 |
- What do you mean? The police? |
00:16:40 |
They're in on it. The police. |
00:16:44 |
Did you mention my name? |
00:16:48 |
Oh, God. |
00:16:50 |
I left my bags in my apartment. |
00:16:53 |
Hey, hey, hey. |
00:16:59 |
Dr. Belfield has gone out of town. |
00:17:02 |
No, this is not the... |
00:17:04 |
Did you wish to speak |
00:17:30 |
"Digital Matrix"? |
00:17:33 |
"Tina Cassidy." |
00:17:36 |
Measurements to the millimeter. |
00:17:42 |
Ellen, call Lieutenant Masters. |
00:17:44 |
Tell him I'm going to Tina's apartment. |
00:19:39 |
So you came to her apartment... |
00:19:41 |
...and while you rang the downstairs bell, |
00:19:46 |
Correct. |
00:19:47 |
Then you saw a man with a mustache |
00:19:50 |
You came up to find him |
00:19:53 |
- Is that it? |
00:19:56 |
That's the worst goddamn story |
00:19:59 |
- It's the truth. |
00:20:06 |
We got 48, 92nd at Vancouver. |
00:20:31 |
"Digital Matrix, Incorporated." |
00:20:35 |
Tina. |
00:20:37 |
Lisa. Susan. |
00:20:39 |
Cindy. |
00:20:44 |
Tina, Lisa, Susan. |
00:20:49 |
Cindy. |
00:20:52 |
Cindy. |
00:21:29 |
Dr. Roberts, what are you doing here? |
00:21:32 |
I'm a friend of Steve's. |
00:21:34 |
I fixed his hand once. |
00:21:37 |
So you just dropped by, huh? |
00:21:39 |
Actually, I wondered |
00:21:42 |
For dinner? |
00:21:45 |
I thought you didn't date your patients. |
00:21:47 |
Oh, no, I don't. I mean, it's not a date. |
00:21:49 |
It's a fundraiser, black tie. |
00:21:52 |
Actually, my date's sick. |
00:21:56 |
Oh, gee, I don't know, you know? |
00:21:59 |
Thanks, but I don't know if I can. |
00:22:02 |
It's at John Reston's. |
00:22:04 |
John Reston? |
00:22:05 |
John Reston who does |
00:22:08 |
I think that's right, yeah. |
00:22:10 |
Well, I mean, l... I could... |
00:22:35 |
Dr. Roberts? |
00:22:36 |
- Miss Fairmont. |
00:22:39 |
- I'm Jennifer Long. |
00:22:41 |
Mr. Reston is most anxious |
00:22:43 |
...so if you'll excuse me, |
00:22:46 |
Thank you. |
00:22:49 |
Cheers. |
00:22:54 |
I've looked over your proposal |
00:22:56 |
- It's very interesting. |
00:22:59 |
How much capitalization do you expect |
00:23:01 |
Eleven percent, including local MRC |
00:23:05 |
...but that's only supplementary |
00:23:08 |
So you're looking for $ 7 million |
00:23:11 |
Well, under appropriate auspices... |
00:23:13 |
...Reston Industries |
00:23:18 |
What are the appropriate auspices? |
00:23:20 |
It would have to be called |
00:23:23 |
And we'd want something to say |
00:23:27 |
Well, for 4 million, |
00:23:32 |
I hoped you'd feel that way. |
00:23:35 |
Yeah, it's my project, my baby. |
00:23:39 |
I know how you feel. |
00:23:41 |
The desire to make something |
00:23:45 |
Oh, I believe dinner's ready. |
00:23:50 |
- Did you ever try any TV shows? |
00:24:01 |
So what exactly |
00:24:04 |
We're a $6-billion conglomerate, |
00:24:08 |
We're diversified into fast foods, |
00:24:12 |
We do high-technology |
00:24:15 |
...military head-up displays... |
00:24:17 |
...pinball machines |
00:24:21 |
But I understand you have something to do |
00:24:24 |
- Who, me? |
00:24:27 |
Something about girls who died |
00:24:30 |
It was a police report. |
00:24:32 |
It was just a routine inquiry. |
00:24:35 |
I didn't realize my name |
00:24:38 |
Well, I hope it doesn't cause you |
00:24:41 |
What was the inquiry about, Dr. Roberts? |
00:24:44 |
It's all a coincidence, really. |
00:24:47 |
I did surgery on several girls |
00:24:50 |
Commercial actresses. |
00:24:52 |
- And there have been some suicides. |
00:24:56 |
Well, unstable young actresses |
00:25:00 |
...they find it tougher than they thought, |
00:25:02 |
The police can't think |
00:25:05 |
Oh, no. No, it's nothing like that. |
00:25:08 |
Well, that's good. |
00:25:10 |
We couldn't get involved |
00:25:14 |
No, actually, the girls are all linked... |
00:25:16 |
...with some company |
00:25:21 |
Digital Matrix? |
00:25:23 |
Well, that sounds rather sinister, |
00:25:26 |
You see, Jennifer runs Digital Matrix. |
00:25:30 |
- Really? |
00:25:31 |
Digital Matrix does basic research |
00:25:34 |
Well, it's true that D.M.I. |
00:25:39 |
We were conducting an experiment |
00:25:43 |
...but we never went forward with it. |
00:25:45 |
I mean, are you sure |
00:25:49 |
I think so. |
00:25:50 |
Digital Matrix does mostly |
00:25:55 |
I can't believe it. |
00:25:56 |
How many girls have died? |
00:25:58 |
Three. |
00:26:01 |
Must be a coincidence. |
00:26:02 |
Well, that's what it sounds like to me. |
00:26:04 |
Coincidence. |
00:26:07 |
Now, doctor, tell me about your staffing |
00:26:16 |
Larry, you've ignored me all evening. |
00:26:19 |
Come meet a friend of mine. |
00:26:21 |
She's very cute so watch yourself, |
00:26:24 |
- Candy, this is Larry. |
00:26:26 |
- Hello, Candy. Nice to meet you. |
00:26:28 |
You told him everything. |
00:26:30 |
- I told him nothing. |
00:26:33 |
Dr. Roberts has no idea |
00:26:36 |
...and he's not going to find out anything |
00:26:40 |
I will not spend the night. |
00:26:43 |
- You will. |
00:26:45 |
I'm working in the morning. |
00:26:47 |
Come on, I have a Hawaiian Tropic |
00:26:49 |
Don't do that. |
00:26:52 |
You're full of surprises. |
00:27:01 |
What next? |
00:27:03 |
You get some sleep. |
00:27:04 |
The bathroom's over there... |
00:27:06 |
...and there's a towel, soap, |
00:27:09 |
Coffee and eggs in the morning. |
00:27:12 |
And get up at 6:30. |
00:27:15 |
Six-thirty? |
00:27:17 |
Nobody gets up at 6:30. |
00:27:20 |
Sleep well. |
00:27:24 |
Where are you going? |
00:27:27 |
Larry? |
00:27:43 |
This is very weird, Larry. |
00:27:46 |
You do that every day? |
00:27:48 |
Only when I'm working. |
00:27:52 |
Are you finished with these eggs? |
00:27:53 |
Why would you have me stay the night |
00:27:56 |
Just looking out for your interests. |
00:28:00 |
- I don't understand men. |
00:28:03 |
Help? I'm not through with that. |
00:28:04 |
- You'll be late for work. |
00:28:06 |
- It's all right. I'm gonna drive you. |
00:28:09 |
Yeah, well, it's Saturday |
00:28:13 |
And I'd like to watch you work. |
00:28:16 |
It should be fun. |
00:28:26 |
All right. Let's go again. Right away! |
00:28:29 |
Right away, all right? |
00:28:31 |
Fix her up. What's the line? |
00:28:34 |
The line comes after Cindy lands. |
00:28:37 |
- Who says that? |
00:28:38 |
- Janet. You say that? All right. |
00:28:40 |
And she says, "Great tan, |
00:28:44 |
It's the best. It's the best. |
00:28:47 |
All right, all right. |
00:28:50 |
- All right, set up the volleyball team, please. |
00:28:58 |
Computer says what? Come on. |
00:29:00 |
Barry, I can't control |
00:29:03 |
Well, just do your best. |
00:29:05 |
You know what the client wants. |
00:29:12 |
What was wrong with that one? |
00:29:15 |
What was wrong with that one? |
00:29:16 |
Not enough body twist, |
00:29:20 |
I'm sick and tired of this computer. |
00:29:23 |
Come on, it's a 30-second spot. |
00:29:26 |
It didn't use to be like this, |
00:29:29 |
I know, come on, Cindy. |
00:29:32 |
You look great. |
00:29:53 |
- Say again, what's wrong with it? |
00:29:57 |
Ready for computer lock. |
00:29:58 |
Ready, lock... |
00:30:01 |
...now. |
00:30:07 |
Computer match. |
00:30:09 |
Roll tape. |
00:30:32 |
- No, that jump's not good either. |
00:30:36 |
We can't shift the coordinates |
00:30:38 |
- No, we'll have to go to animation. |
00:30:43 |
We'll have to do her animation at D.M.I. |
00:30:56 |
- I'm really sorry. I know it's my fault. |
00:30:59 |
No, it's nobody's fault. |
00:31:01 |
- It's hard to match things like that... |
00:31:05 |
- And do it again. |
00:31:07 |
What we're gonna do |
00:31:09 |
- Wrap the set up? |
00:31:12 |
We'll send you in for tests. |
00:31:14 |
It'll be fascinating. You get paid for it. |
00:31:19 |
Hey. |
00:31:21 |
Okay? |
00:31:23 |
You were great. |
00:31:26 |
You'll be okay. |
00:31:30 |
- That's a wrap. |
00:31:33 |
...to be measured. |
00:31:35 |
I don't know. |
00:31:37 |
I'll go with you. |
00:31:39 |
- Why? |
00:31:42 |
You're falling for me, |
00:31:44 |
- That's it. |
00:32:24 |
Spying on us? |
00:32:26 |
No, I'm just waiting for a friend. |
00:32:28 |
Would you like to see inside? |
00:32:31 |
Yeah, sure. |
00:32:41 |
Digital Matrix |
00:32:44 |
This building was opened last year |
00:32:48 |
...under contract to other companies |
00:32:52 |
I can give you a good example |
00:32:57 |
This is where we do visual research. |
00:33:00 |
Now, these subjects |
00:33:03 |
...that we always use for research. |
00:33:05 |
We record their pupillary scans. |
00:33:08 |
Today, we're testing only women, |
00:33:12 |
- Well, sure. |
00:33:26 |
This is worse than the dentist. |
00:33:28 |
But it doesn't hurt. |
00:33:30 |
I'll show you a stimulus... |
00:33:32 |
...and you just relax and watch. |
00:33:36 |
It's been six long months at sea. |
00:33:39 |
Now she's home, on liberty. |
00:33:41 |
She is the Liberty woman... |
00:33:43 |
... living free |
00:33:47 |
The Liberty woman |
00:33:49 |
... and Liberty always goes with her, |
00:33:54 |
... giving her confidence, even in water. |
00:33:58 |
So go ahead. Live free. |
00:34:00 |
Take liberties wherever you go. |
00:34:03 |
Liberty Mini Hair Spray. |
00:34:14 |
It doesn't seem like anything happened. |
00:34:16 |
Now we'll see what you were looking at. |
00:34:18 |
The spot shows |
00:34:23 |
You were looking at the body of the model, |
00:34:26 |
Yeah, I liked her bathing suit. |
00:34:29 |
Evidently, but that's exactly |
00:34:32 |
At $ 1 million a minute... |
00:34:33 |
...we want you to be looking |
00:34:36 |
Here, the computer is taking into account |
00:34:39 |
...and making you look at the product. |
00:34:42 |
It's very precise, down to the millimeter. |
00:34:44 |
Down to the millimeter? |
00:34:49 |
Yes. We intended to create |
00:34:52 |
...with the exact specifications |
00:34:55 |
But it didn't work. |
00:34:57 |
This is Lisa before surgery, |
00:35:01 |
After surgery, she scores 99.4... |
00:35:04 |
...which is the video scan |
00:35:06 |
So she's perfect. |
00:35:08 |
But when she starts to move... |
00:35:10 |
...her score drops back to 92.9. |
00:35:12 |
That was our problem. |
00:35:17 |
They looked perfect, |
00:35:20 |
So we had to take |
00:35:25 |
I assure you, |
00:35:27 |
- Yeah? Does it hurt? |
00:35:31 |
- And I get paid $200,000 a year? |
00:35:37 |
And I don't have to do anything? |
00:35:38 |
Not once the model is made. |
00:35:41 |
Seems like an awful lot |
00:35:44 |
- It's because of who you are. |
00:35:46 |
You are perfect in your category. |
00:35:49 |
- Oh, yeah? |
00:35:51 |
I'll leave you here and you go right there. |
00:35:56 |
Alone? |
00:35:58 |
Go right down there. |
00:36:00 |
Have fun. |
00:36:20 |
I don't know about this. |
00:36:22 |
There must be a catch. |
00:36:25 |
Please proceed to the lighted circle |
00:36:29 |
Oh, I knew it. |
00:36:30 |
- hang your clothing outside the circle |
00:36:35 |
When you have undressed... |
00:36:36 |
... please stand on the center |
00:36:41 |
Stand comfortably with your weight |
00:36:44 |
... and your arms relaxed at your sides. |
00:36:46 |
Okay. |
00:36:49 |
I hope you're satisfied. Perverts. |
00:36:51 |
Remember to hold the neck erect, |
00:37:26 |
Now what? |
00:37:27 |
These are moiré lines |
00:38:04 |
Help. Rape. |
00:38:05 |
Please do not move your lower jaw. |
00:38:07 |
It was just a joke. |
00:38:09 |
Failure to comply wastes |
00:39:34 |
What are these? |
00:39:35 |
Electronic guide tracks |
00:39:43 |
- What's in there? |
00:39:46 |
- Can I see it? |
00:39:50 |
But I think you're going to find our |
00:39:57 |
We can now make commercials |
00:40:00 |
With no live actors at all, |
00:40:03 |
Computers animate the images... |
00:40:05 |
...dress them, provide voices. |
00:40:08 |
Here you see a typical computer model |
00:40:11 |
The subject is in the next room... |
00:40:13 |
...and the computer is constructing |
00:40:16 |
...from the database. |
00:40:18 |
We can program the kind of improvements |
00:40:22 |
...although Cindy has had surgery. |
00:40:24 |
Incredible. |
00:40:26 |
What do those lines mean? |
00:40:28 |
Those are baseline-corrected matrices. |
00:40:31 |
For major audiences, age-segregated. |
00:40:35 |
...we can change the programming, |
00:40:38 |
Amazing. That could put me out of a job. |
00:40:41 |
I doubt that. |
00:40:43 |
Our voice synthesizer is over here. |
00:40:48 |
Hi, I'm Cindy. |
00:40:53 |
I'm here to sell for you. |
00:40:55 |
Hi, I'm Cindy. |
00:40:59 |
I'm here to sell for you. |
00:41:01 |
Hi, I'm Cindy. |
00:41:06 |
I'm here to sell for you. |
00:41:08 |
Hi, I'm Cindy. |
00:41:13 |
I'm here to sell for you. |
00:41:15 |
Hi, I'm Cindy. |
00:41:20 |
I'm here to sell for you. |
00:41:23 |
Boy, that was the weirdest thing |
00:41:34 |
He came to D.M.I. |
00:41:36 |
- With the girl, yes. Why? |
00:41:40 |
D.M.I. Security cards |
00:41:42 |
He took it. |
00:41:44 |
Now, why would Dr. Roberts |
00:41:47 |
We don't have anything to hide, do we? |
00:41:50 |
I think we should search his house |
00:41:53 |
I don't want Dr. Roberts upset. |
00:41:55 |
We took his file, his pen and his button |
00:42:03 |
All right, but be careful. |
00:42:05 |
Tomorrow's the most important |
00:42:08 |
I don't want anything to go wrong. |
00:42:13 |
All right. |
00:42:16 |
For two days you haven't let me |
00:42:19 |
I'm flattered, but there is such a thing |
00:42:22 |
Actress Tina Cassidy |
00:42:24 |
... from her West Hollywood |
00:42:27 |
It was the second such death |
00:42:29 |
... since the apparent suicide |
00:42:39 |
Larry, what's going on? |
00:42:42 |
You're fine, Cindy. |
00:42:47 |
There were four of us |
00:42:50 |
Tina and Lisa... |
00:42:53 |
...and me and Susan. |
00:42:55 |
Where's Susan? |
00:42:56 |
Susan had an automobile accident |
00:43:13 |
You did us all. |
00:43:16 |
That's right, I did. |
00:43:22 |
- But you're fine, Cindy. |
00:43:25 |
What have you got me mixed up in? |
00:43:27 |
- I don't know. |
00:43:30 |
Well, let's get the police in on this. |
00:43:33 |
- The police are already investigating. |
00:43:36 |
Well, they asked me |
00:43:39 |
Fine, sure. I could be dead |
00:43:42 |
Oh, Jesus, Larry! |
00:43:47 |
You should have told me. |
00:43:50 |
I have a right to know |
00:44:01 |
- Where are your car keys? |
00:44:05 |
- I'm gonna go to my parents to get clothes. |
00:44:08 |
Do you have a gun? |
00:44:10 |
- A gun? |
00:44:13 |
No, I don't have a gun. |
00:44:15 |
Great. |
00:44:17 |
How do you plan on protecting me? |
00:44:23 |
Please, Larry, give me the keys. |
00:44:31 |
I'm gonna visit with my parents |
00:44:47 |
I got one! I got a duck, I got a duck. |
00:44:50 |
Lucy, that is a decoy. |
00:44:56 |
Well, it sure fooled me. |
00:44:59 |
- Oh, Cindy, what a pleasant surprise. |
00:45:03 |
Mom. |
00:45:05 |
- Your father's gonna be so glad to see you. |
00:45:09 |
- Hi, Daddy. |
00:45:11 |
- Cindy, my darling baby. How are you? |
00:45:16 |
Daddy, I don't know how to... |
00:45:18 |
- Trouble with that car again? |
00:45:21 |
I told you that insurance would kill you. |
00:45:25 |
No, no, Daddy, it's... |
00:45:26 |
I know, baby. Wait. |
00:45:32 |
Daddy... |
00:47:13 |
Let me ask you a frank question: |
00:47:15 |
Are you feeling out of sorts? |
00:47:17 |
Are you frequently irritable and on edge? |
00:47:20 |
Well, constipation |
00:47:23 |
But there is an easy answer. |
00:47:26 |
Relieve. |
00:47:27 |
Gentle, natural, time-released |
00:47:31 |
This clock's been |
00:47:33 |
United Van Lines moved it over |
00:47:37 |
Nice going, United. |
00:47:38 |
United's pre-planning guide |
00:47:41 |
Our furniture and paintings |
00:47:44 |
- ... all arrived on time. |
00:47:47 |
When we got transferred to Milwaukee, |
00:47:50 |
This Bud's for all you guys |
00:47:52 |
... and the rubber side down. |
00:47:57 |
For all the roads you ride |
00:48:02 |
The king of beers is coming through. |
00:48:05 |
Yeah, just for you. |
00:48:07 |
That distinctively clean, crisp taste |
00:48:11 |
Larry? |
00:48:13 |
This Bud's for you. |
00:48:14 |
Larry? The way I look at... |
00:48:21 |
Larry, what happened? |
00:48:29 |
Larry, why are we coming back here? |
00:48:33 |
I don't think so. |
00:48:34 |
But you told me |
00:48:36 |
Not quite. They wouldn't show me |
00:48:39 |
- Said it was a maintenance section. |
00:48:42 |
I wanna find out what's in that lab. |
00:48:44 |
You can't get past |
00:48:47 |
Are you coming or not? |
00:48:51 |
High drive in the deep left side |
00:48:55 |
... to the wall. It's gone. |
00:49:01 |
Hey. |
00:49:04 |
Hey, you. You gotta sign in. |
00:49:07 |
Right. |
00:49:09 |
Twenty-nine runs batted in, |
00:49:13 |
- And the time. |
00:49:16 |
Right. |
00:49:17 |
The Dodgers, three runs, |
00:49:20 |
The Astros, two runs, |
00:49:25 |
The winning pitcher |
00:49:39 |
- Where'd you get the card? |
00:49:41 |
- You stole it? |
00:49:45 |
- What if somebody finds out we're here? |
00:49:50 |
- What's that? |
00:49:52 |
Right, I told you |
00:49:55 |
It's more than that. |
00:49:57 |
Come on. |
00:50:01 |
What's the Looker Lab? |
00:50:15 |
What's wrong? |
00:50:18 |
My card won't open the door. |
00:50:20 |
- is now two and 0. |
00:50:22 |
The losing pitcher |
00:50:26 |
And this crowd of 49,642... |
00:50:30 |
... absolutely delirious. |
00:50:33 |
Now, there's tomorrow. |
00:50:37 |
And it will be Nolan Ryan |
00:50:40 |
We'll just have to wait and see about |
00:50:47 |
The post-game show |
00:50:51 |
Larry, I think we should get out of here. |
00:50:55 |
We're already in big trouble. |
00:50:58 |
Follow me. |
00:51:01 |
I can't take this. |
00:51:17 |
What's in here? |
00:51:19 |
I don't know. |
00:51:26 |
I wanna get in the Looker Lab. |
00:51:28 |
Maybe there's a connecting door. |
00:52:01 |
Look out. |
00:53:03 |
He's like a janitor. |
00:53:05 |
Electronic maintenance equipment. |
00:54:05 |
- Well, that's sweet of you. |
00:54:09 |
- Tell me, mirror, what is that? |
00:54:12 |
- Ravish? |
00:54:13 |
Here, put a little behind your ear. |
00:54:16 |
A drop behind the knees would please. |
00:54:20 |
- My toe? |
00:54:24 |
Now I wonder who that could be? |
00:54:26 |
Ravish. It fulfills... |
00:54:28 |
"Looker. |
00:54:29 |
Light Ocular-Oriented |
00:54:34 |
- Well, what does that mean? |
00:54:37 |
Hi, Warrior, isn't this the pits? |
00:54:40 |
I never dreamed when I married Jim |
00:54:43 |
These poor actors, |
00:54:47 |
They're not actors. |
00:54:50 |
All I get is this grungy kitchen. |
00:54:53 |
Give me that mop. |
00:54:57 |
Warrior All-Purpose Cleaner |
00:55:00 |
Why, Warrior, you look like |
00:55:04 |
This is my arena. |
00:55:07 |
But it's just as dumb |
00:55:11 |
Seems like there should |
00:55:13 |
Now, you just watch. |
00:55:15 |
Warrior All-Purpose Cleaner |
00:55:19 |
Oh, Warrior, you're my guy from now on. |
00:55:22 |
- Well, what about Jim? |
00:55:27 |
I want it. |
00:55:30 |
I want it. |
00:55:34 |
I want it too. |
00:55:36 |
They all want it, and they want it bad. |
00:55:39 |
The body, the thickness, |
00:55:44 |
"Looker is a computer-generated |
00:55:48 |
...synchronized |
00:55:51 |
...producing an autohypnotic |
00:55:54 |
I want it. |
00:55:56 |
I want it. |
00:56:00 |
New Wave. |
00:56:02 |
If you really want it, |
00:56:04 |
- Yes, I do. I surely do. |
00:56:07 |
The New Wave look of... |
00:56:09 |
Hey, hey, hey. |
00:56:12 |
What happened? |
00:56:14 |
Don't look at the screen. |
00:56:17 |
They use computer animation... |
00:56:19 |
...to put a hypnotic light pulse |
00:56:22 |
But they're also producing a gun. |
00:56:24 |
A gun? I don't like guns. |
00:56:26 |
This is no ordinary gun. |
00:56:29 |
This gun gives |
00:56:33 |
...through repeated |
00:56:37 |
It uses light. |
00:56:39 |
Now, this is a Looker defense. Listen: |
00:56:41 |
"Smoke is a defense |
00:56:44 |
It diffuses the pulse." |
00:56:46 |
This is the defense, |
00:56:50 |
It looks like a flashlight. |
00:56:54 |
Is that what it is? |
00:56:56 |
It's just a glorified flashlight. |
00:56:59 |
This is unlike any gun ever made before. |
00:57:02 |
It works with light. |
00:57:05 |
It puts you in a hypnotic trance... |
00:57:08 |
...so that you lose all sense of time. |
00:57:12 |
That's why they were able to do |
00:57:16 |
Larry, you know what, I... |
00:57:28 |
Cindy. |
00:57:29 |
Cindy! |
00:57:34 |
Fruit of the Loom Guys! |
00:57:36 |
- Our briefs holding up okay, chief? |
00:57:39 |
Fruit of the Loom |
00:57:41 |
Thanks to our Superband waistband. |
00:57:43 |
Snaps back wash after wash. |
00:57:45 |
- That's quality. |
00:57:47 |
Take it from a pro. |
00:57:49 |
Hey, you guys getting seasick? |
00:57:53 |
- nail color lasts at least three days |
00:57:57 |
And we polished |
00:58:01 |
In consumer tests, 111 women put their |
00:58:07 |
And 76 percent came out... |
00:58:19 |
All these good things are about to become |
00:58:23 |
... that is your favorite and ours. |
00:58:26 |
A pizza so special that it can only be called |
00:58:41 |
Isn't this the pits? |
00:58:43 |
I never dreamed when I married Jim |
00:58:46 |
But, gee, you have a college degree. |
00:58:49 |
Lot of good it does me. |
00:58:52 |
All I get is this grungy kitchen. |
00:58:55 |
Give me that mop. |
00:59:00 |
Warrior All-Purpose Cleaner |
00:59:04 |
Oh, mirror, mirror, on the wall, |
00:59:08 |
Well, of course, you are very beautiful. |
00:59:11 |
Well, that's sweet of you. |
00:59:12 |
- But there's one thing you lack. |
00:59:16 |
- Ravish. |
00:59:17 |
Ravish perfume. Here, put a little... |
00:59:25 |
- My toe? |
00:59:29 |
Now, I wonder who that could be. |
00:59:33 |
Let me ask you a frank question: |
00:59:36 |
Are you feeling out of sorts? |
00:59:38 |
Are you frequently irritable and on edge? |
00:59:41 |
Constipation is nothing to sneeze at. |
00:59:44 |
But there is an easy answer. |
00:59:47 |
Relieve. |
00:59:48 |
Gentle and natural |
00:59:52 |
Relieve gets you through |
00:59:55 |
... without any of the harshness |
00:59:58 |
So if you're troubled |
01:00:01 |
... you need Relieve. |
01:00:04 |
Time-released laxative capsules |
01:00:14 |
And Converse All Stars have been there. |
01:00:17 |
In Berlin, London, Helsinki, |
01:00:22 |
... Mexico City, the U.S. |
01:00:25 |
Since basketball became |
01:00:27 |
... Converse All Stars have been there. |
01:00:29 |
And again this year in Montreal, |
01:00:33 |
... with Converse All Stars. |
01:01:03 |
- You okay? |
01:01:05 |
I've done it, Cindy. I've worked it all out. |
01:01:08 |
Now come on. Let's get out of here. |
01:01:52 |
Okay, we can synch up to visual. |
01:01:55 |
I'm sorry, could we |
01:01:58 |
My name is John Reston. |
01:02:01 |
Hi, I'm John Reston. How's that? |
01:02:06 |
John Reston never tires of confronting the |
01:02:10 |
You find them, bring the girl back here... |
01:02:13 |
...and get rid of him. Got it? |
01:02:16 |
Today, tomorrow, forever. |
01:02:19 |
Is that right, Mr. Reston? |
01:02:21 |
- Forever, yes! Forever! |
01:04:18 |
Lieutenant Masters. |
01:05:38 |
Larry, look out! |
01:07:57 |
To hell with him. We got the girl. |
01:07:59 |
Come on, let's go. Bring her. |
01:08:19 |
Any proof that Reston's people |
01:08:21 |
A smoke gun. I put it away. |
01:08:23 |
Good. Don't tell the others. |
01:08:25 |
We're closing in, |
01:08:28 |
...what Roberts does now. |
01:08:30 |
And whether he stays alive. |
01:08:33 |
Have you lost purpose in your life? |
01:08:37 |
Are you tired and defeated? |
01:08:39 |
Have you lost your...? |
01:09:08 |
The first day of the rest of your life. |
01:09:11 |
You can have a new purpose, |
01:09:18 |
Yes, folks. |
01:09:20 |
Miraculous as it may seem... |
01:09:22 |
- Idiot, what are you doing? |
01:09:25 |
... for a bright, glowing future for you. |
01:09:27 |
Now. Yes, I say now. |
01:09:30 |
Because it's happening right now. |
01:09:45 |
Because there's a high-paying career |
01:09:54 |
Imagine yourself |
01:09:57 |
That's the future we offer you in our |
01:10:04 |
There are more of them every day. |
01:10:06 |
And more programmers needed to fill |
01:10:09 |
Get security now. Why delay? |
01:11:12 |
Baker-Twelve, Baker-Twelve... |
01:11:16 |
He's over there. |
01:11:38 |
Would you give me |
01:11:48 |
- No, he's not here. |
01:11:50 |
- Call it off. |
01:11:56 |
RI Central to car nine, |
01:11:59 |
RI Central to car seven, |
01:12:01 |
Officers. |
01:12:03 |
They can never leave. |
01:12:11 |
He armed? |
01:12:13 |
- No, he's not armed. |
01:12:17 |
Yeah, sure. |
01:12:19 |
There's a big reception tonight. |
01:12:21 |
We gotta keep you quiet until it's over. |
01:12:33 |
First guests at the reception, |
01:12:36 |
First guests have arrived. |
01:12:38 |
Mr. Reston is in the hall. |
01:12:39 |
Speech will begin in four minutes. |
01:12:43 |
Crowd monitors need two additional |
01:12:52 |
I guess you know about Looker. |
01:12:55 |
Looker? What's Looker? |
01:12:57 |
There's a bunch of lookers. |
01:13:04 |
You mean, |
01:13:08 |
Hey, guys, come on, |
01:13:10 |
The show's gonna start, come on. |
01:13:17 |
Mr. Reston will begin his speech |
01:13:21 |
Bring him back to central, Unit 12. |
01:13:25 |
We don't want any trouble. |
01:13:28 |
All units to positions, please. |
01:13:30 |
Mr. Reston is in the hall. Stand by. |
01:13:34 |
Unit 12, report. |
01:13:36 |
RI Central, |
01:13:40 |
Unit 12, report. Where is your party? |
01:13:43 |
- Please report. |
01:14:18 |
It's on the 18th floor, |
01:14:20 |
Tonight we're going to show you |
01:14:23 |
...Reston Industries has made |
01:14:26 |
Television... |
01:14:27 |
...is the most powerful selling medium |
01:14:34 |
Reception is on the 18th floor. |
01:14:37 |
Reception is on the 18th floor. |
01:14:43 |
Tonight, we'll show you some |
01:14:46 |
...generated by our computer |
01:14:53 |
- Good evening. |
01:14:59 |
- Could you loosen my hand? |
01:15:03 |
It hurts. |
01:15:05 |
I mean, it really hurts a lot. |
01:15:14 |
Larry's going to save me. |
01:15:17 |
Any minute now. |
01:15:19 |
Television can control public opinion |
01:15:21 |
...than armies of secret police |
01:15:26 |
The American government forces |
01:15:30 |
But nobody forces them to watch TV. |
01:15:33 |
Americans of all ages submit |
01:15:36 |
Television is the American ideal. |
01:15:39 |
Persuasion without coercion. |
01:15:43 |
Nobody makes us watch. |
01:15:44 |
Who could have predicted that |
01:15:48 |
...one fifth of their lives |
01:15:53 |
Fifteen years sitting in prison |
01:15:58 |
But15 years sitting in front |
01:16:04 |
And the average American now spends |
01:16:08 |
...watching television commercials. |
01:16:10 |
Fifty minutes every day of his life |
01:16:13 |
Now, that's power. |
01:16:15 |
Yet the commercials have been |
01:16:21 |
Now, Reston Industries |
01:16:26 |
Commercials combining |
01:16:31 |
...in real settings, |
01:16:34 |
The way of the future. |
01:16:36 |
So without further ado, |
01:16:41 |
...its latest visual development. |
01:17:11 |
- Reston Industries is... |
01:17:13 |
Hey, what's with the uniform? |
01:17:15 |
Hi, I'm Candy. |
01:17:17 |
Wherever you find the cutting edge |
01:17:21 |
... that's where you'll find |
01:17:23 |
Reston Industries |
01:17:25 |
In 37 countries |
01:17:28 |
... Norway to Nicaragua, |
01:17:30 |
... Reston Industries stands for growth... |
01:17:32 |
... for innovation in science and technology |
01:17:36 |
Where's that son of a bitch? |
01:17:37 |
Reston Industries |
01:17:39 |
Reston Industries |
01:17:41 |
Reston Industries doesn't just plan |
01:19:04 |
Ladies and gentlemen, |
01:19:07 |
... candidate for president |
01:19:12 |
Hello, I'm Senator Harrison... |
01:19:15 |
... sharing with you |
01:19:17 |
... on the eve of the national election. |
01:19:19 |
Perhaps you feel as I do... |
01:19:21 |
... that our great nation faces |
01:19:24 |
... overwhelmed by inflation, |
01:19:27 |
... manipulated by faceless corporations |
01:19:32 |
It truly seems a dark hour for liberty. |
01:19:36 |
But there is something |
01:19:38 |
We can return to the individual freedom |
01:19:43 |
... who forged our country |
01:19:45 |
A vote for me is a vote |
01:19:48 |
They don't know |
01:19:52 |
They're fascinated. Look at them. |
01:19:56 |
Against pollution |
01:20:01 |
There is still time. |
01:20:35 |
I admit it, |
01:20:37 |
- Even in my perfect and spotless kitchen. |
01:20:41 |
What with |
01:20:43 |
... the rush and bustle of a large family, |
01:20:47 |
Well, I found my answer right here, |
01:20:55 |
Fast, painlessly, and odorlessly. |
01:20:58 |
Damn, how did he get here? |
01:21:01 |
No muss and fuss, |
01:21:05 |
Get new... |
01:21:36 |
Gotta stop him... |
01:21:56 |
What's the matter, honey? |
01:21:57 |
Oh, these pressures, I can't sleep. |
01:22:01 |
Don't worry, darling, |
01:22:05 |
New gentle action Snooze. |
01:22:07 |
But I've tried medicines before |
01:22:11 |
Snooze is more than just medicine. |
01:22:14 |
- Oh, I don't know. |
01:22:41 |
New Snooze is more than medicine. |
01:22:45 |
Trust Snooze to give you the restful sleep |
01:22:48 |
Other medicines take your money, |
01:22:52 |
... for a restful, refreshing sleep. |
01:22:54 |
New Snooze is more than medicine. |
01:22:59 |
New Snooze. |
01:24:43 |
Isn't it gorgeous? |
01:24:45 |
Nothing could be more beautiful |
01:24:48 |
... than the economical |
01:24:50 |
This car is so hot, |
01:24:54 |
But let's look at those interiors. |
01:24:59 |
Gives European access with deep, |
01:25:03 |
... for sporting space you'll love. |
01:25:06 |
Nothing could be better |
01:25:08 |
... including digital dash clock... |
01:25:18 |
- is standard equipment. |
01:25:51 |
But don't take my word for it. |
01:25:53 |
- See for yourself at your local dealership. |
01:25:56 |
- And remember, seeing is believing. |
01:25:59 |
I love Dodge. You will too. |
01:26:02 |
New Dodge Omni. |
01:26:05 |
Why don't you drive one today? |
01:26:07 |
Remember, seeing is believing. |
01:26:42 |
Oh, Mom, do we have to have |
01:26:46 |
Yeah, I'm tired of the same |
01:26:49 |
They're right, dear. |
01:27:10 |
Jennifer? |
01:27:21 |
New Oaties are the oat cereal... |
01:27:23 |
... that families adore when they're tired |
01:27:27 |
New Oaties... |
01:28:53 |
Spurt makes any mouth fresh and alive. |
01:29:13 |
New Spurt makes any mouth come alive. |
01:29:19 |
New Spurt toothpaste, feel fresh again. |
01:29:22 |
New Spurt toothpaste, |
01:29:43 |
You all right? |
01:29:44 |
Oh, sure. |
01:29:47 |
Hey, that's a nasty cut. |
01:29:51 |
You're a doctor. |
01:29:53 |
No, I can't do it. |
01:29:55 |
I don't date my patients. |
01:29:58 |
- I am one of your patients. |
01:30:01 |
Why not? |
01:30:03 |
Because I wanna take you out |
01:30:06 |
Oh, Larry. |
01:30:08 |
I don't know if I could take |
01:30:12 |
That's where you'll find |
01:30:14 |
Thirty-seven countries |
01:30:16 |
... from Norway to Nicaragua, |
01:30:19 |
Reston Industries stands for growth, |
01:30:22 |
... a better life for all of us. |
01:30:24 |
Reston Industries |
01:30:27 |
Because Reston Industries |