American in Paris An

en
00:01:47 This is Paris.
00:01:49 And I'm an American
00:01:52 My name, Jerry Mulligan...
00:01:54 ... and I'm an ex-G.I.
00:01:56 In 1945, when the Army
00:01:59 ... I stayed on.
00:02:00 And I'll tell you why.
00:02:02 I'm a painter.
00:02:03 All my life that's all
00:02:07 For a painter,
00:02:10 ... for inspiration and for living...
00:02:12 ... is here on this star called Paris.
00:02:17 Just look at it.
00:02:19 No wonder so many artists
00:02:22 Brother, if you can't paint in Paris,
00:02:27 We're on the Left Bank now.
00:02:32 Here's my street.
00:02:34 In the past couple of years...
00:02:36 ... I've gotten to know
00:02:38 And a nicer bunch
00:02:41 Back home everyone
00:02:44 They might be saying
00:02:46 ... but it sounds better in French.
00:02:49 I live upstairs.
00:02:54 No, not there.
00:02:56 One flight up.
00:04:31 Jerry!
00:04:35 Those are three of my pals.
00:04:37 Etienne, Maurice and Jacques.
00:04:40 I'm their man because
00:04:46 I have a lot of
00:04:49 A lot of very good friends.
00:04:51 And I am one of them.
00:04:53 Adam Cook is my name.
00:04:55 I'm a concert pianist.
00:04:57 That's a pretentious way of
00:05:01 I live in the same brick pile
00:05:07 That's not me.
00:05:08 He's too happy.
00:05:10 I'm here on a scholarship.
00:05:12 Last year, I won the Hackenwall prize
00:05:16 That's the eighth fellowship I've won.
00:05:19 I'm getting pretty homesick.
00:05:21 Not only that, but I'm beginning to feel
00:05:29 One time I ran out of fellowships
00:05:33 I had to stop because
00:05:36 ... and I didn't want to become
00:05:39 It's not a pretty face, I grant you.
00:05:42 But underneath its flabby exterior
00:05:47 I like Paris.
00:05:49 It's a place where you don't
00:05:51 Although that's never
00:05:54 Strangely enough, I made a friend
00:05:58 His name was Henri Baurel.
00:06:00 You know, the French music hall star?
00:06:03 Do you remember him?
00:06:06 I do, because that's me.
00:06:10 Adam was a fine accompanist.
00:06:13 My, how nice to be
00:06:18 You see?
00:06:22 I guess I haven't changed
00:06:24 They've known me a long time.
00:06:26 But now, don't misunderstand.
00:06:28 I don't mean
00:06:30 I'm not.
00:06:33 Well, what's the difference?
00:06:36 No, that's not me.
00:06:41 Let's just say...
00:06:42 ... I am old enough to know what to do
00:06:47 Right?
00:06:51 - Georges!
00:07:02 - Henri!
00:07:17 Adam?
00:07:34 You used to
00:07:36 I'm a big boy now.
00:07:39 - Shall I come up?
00:07:41 Hey, Georges,
00:07:45 Henri, I'm going to
00:07:52 Don't kiss me.
00:07:54 You look great, Hank.
00:07:55 What're you doing?
00:07:57 Something much better.
00:07:59 I hear your show's a big hit.
00:08:00 It is, "naturellement".
00:08:03 - When did you get over?
00:08:05 I phoned you,
00:08:06 I'd have phoned again, but I was
00:08:09 March? I wasn't in Paris then.
00:08:11 Lise and I were
00:08:16 - Some coffee, please.
00:08:18 - Same old concert.
00:08:21 When I can't figure out
00:08:26 Some coffee, please.
00:08:27 I took Lise to hear
00:08:31 It was her first concert,
00:08:35 Why didn't you take her to an eye
00:08:38 That's the second time
00:08:40 Adam, I am very happy these days.
00:08:43 I'll show you her picture.
00:08:44 - Are you married?
00:08:46 Pretty. Very pretty.
00:08:48 - She looks familiar.
00:08:51 Jacques Bouvier?
00:08:58 My coffee.
00:09:04 Poor Jacques.
00:09:06 I took care of Lise all through
00:09:10 Your house?
00:09:11 Shocking, but generous.
00:09:13 She was a little girl then.
00:09:14 We only became
00:09:18 She's a little young for you,
00:09:20 No, not really. She's 19.
00:09:22 She's getting on.
00:09:24 Well, she has great vitality
00:09:28 She loves to go out, have fun and
00:09:32 Sounds tiresome.
00:09:34 Wild?
00:09:38 No, she's very simple.
00:09:39 Very simple.
00:09:41 She works all day at the
00:09:44 I prefer not to
00:09:47 Be serious.
00:09:49 She's an enchanting girl, Adam.
00:09:51 Not really beautiful,
00:10:17 Very spiritual type, huh?
00:10:18 Not at all.
00:10:20 She's an exciting girl, Adam.
00:10:44 She seems to be
00:10:47 No! She's sweet and shy.
00:11:04 An old-fashioned girl, huh?
00:11:06 Course not!
00:11:07 She's vivacious and modern.
00:11:18 Always yakking it up?
00:11:19 Don't be silly!
00:11:54 Doesn't all that reading
00:11:56 Never.
00:12:40 Look, let's start
00:12:44 What's she like?
00:12:49 Good morning, Therese.
00:12:51 How are you today, "monsieur"?
00:12:52 I could be better, Therese.
00:12:54 - Broke?
00:12:56 When I'm broke I don't eat.
00:13:00 When that happens, the only thing
00:13:03 That should be very simple.
00:13:06 But even in Paris
00:13:08 ...which is what
00:13:13 This isn't music!
00:13:15 It's uncivilized.
00:13:17 - Hi!
00:13:19 Jerry, this is Henri Baurel.
00:13:22 How do you do?
00:13:24 I've heard you sing a thousand times.
00:13:26 - Thank you.
00:13:27 Do you have
00:13:30 I'm going to Montmartre.
00:13:32 Sorry. Bought a postage stamp
00:13:35 Please allow me.
00:13:36 No, thanks.
00:13:37 I never touch a guy
00:13:40 I've known him 15 years.
00:13:47 I wouldn't lend him money if I were
00:13:51 Adam! For this you win a scholarship?
00:13:55 What's the matter?
00:13:58 - He's against it.
00:14:00 I know what he likes.
00:14:04 Old Vienna.
00:14:05 Franz Josef!
00:14:08 The Palace of Schönbrunn.
00:14:11 - Kaffee with Schlagsahne.
00:15:01 - Dog!
00:15:02 My card!
00:16:54 Gentlemen!
00:19:20 Relax, sister.
00:19:25 I can see disregarding perspective
00:19:30 Why don't you be
00:19:32 You won't buy anything.
00:19:35 I just wanted
00:19:38 I don't want you
00:19:40 I'm not interested
00:19:43 If you say something nice
00:19:46 ...and if you don't
00:19:47 Thank you. Good day.
00:19:52 Do you mind if I look...
00:19:54 ...or will you chew
00:19:56 Go ahead.
00:19:57 Thank you.
00:19:59 She's a third-year girl
00:20:01 Third-year girls?
00:20:02 You know, American college kids.
00:20:04 They come here to take their third
00:20:07 They give me a swift pain.
00:20:09 Why?
00:20:10 They're officious and dull.
00:20:12 They always make profound
00:20:18 Say, do you have
00:20:20 - I think so.
00:20:23 Don't you like criticism?
00:20:25 Who does? Tough enough getting
00:20:33 My first today.
00:20:35 My guess is the business
00:20:38 Your guess is
00:20:52 You know...
00:20:55 ...I like these two.
00:20:57 Thanks. So do I.
00:20:59 I want to buy them.
00:21:02 How much are they?
00:21:06 Gee, I don't know.
00:21:07 You don't know?
00:21:09 I never thought I'd come to the point
00:21:13 Offer me something.
00:21:15 15,000 francs.
00:21:19 For each.
00:21:21 Will that be satisfactory?
00:21:23 That'll be
00:21:25 You sure you know what you're doing?
00:21:27 What do you care?
00:21:30 That's about $50 apiece,
00:21:33 I don't know.
00:21:35 Oh, dear!
00:21:37 - What's the matter?
00:21:40 Come back tomorrow.
00:21:44 Why don't you come to the hotel?
00:21:47 Fine. Is it far?
00:21:49 Would you care if it were?
00:21:58 - What's your name?
00:22:00 Milo Roberts.
00:22:02 - Milo?
00:22:06 Venus de.
00:22:10 Is this yours?
00:22:14 Maybe I should have
00:22:32 I'll be back.
00:22:51 Here.
00:22:52 Thanks.
00:22:54 - Would you like some sherry?
00:22:58 How'd you come by
00:23:01 A rich husband or father?
00:23:03 A father.
00:23:04 - What's he do?
00:23:07 I should have known.
00:23:08 Suntan oil.
00:23:10 Really? I didn't know
00:23:13 -There's a lot of red skin in America.
00:23:17 Let's see now.
00:23:20 Maybe over on...
00:23:21 Here's a good place.
00:23:24 Not too much sun.
00:23:26 That'll be fine.
00:23:28 By golly, you know, these are good!
00:23:30 I've seen hundreds of paintings
00:23:32 ...and not one has
00:23:35 I'm glad.
00:23:38 Give up?
00:23:39 It's kind of hard
00:23:42 A writer, a composer can
00:23:46 With a painter,
00:23:48 Once that's gone,
00:23:51 I never thought of that.
00:23:54 Excuse me for a minute.
00:23:58 Hello, Tommy.
00:24:00 No, dear.
00:24:01 Be a darling and wait
00:24:04 I'll be right down.
00:24:07 I'm sorry.
00:24:09 Don't apologize.
00:24:11 I wish we had more time to talk.
00:24:14 Goodbye, and thanks again.
00:24:17 By the way...
00:24:19 ...what are you going to do tonight?
00:24:20 Why?
00:24:22 I'm giving
00:24:24 There'll be an extra girl.
00:24:27 I don't know.
00:24:28 Do you have a date?
00:24:30 Well, then come.
00:24:33 You'll find the company very easy.
00:24:35 - Be here at eight.
00:24:38 My car can take you home.
00:24:43 Thanks.
00:24:58 Me, me!
00:25:16 Jerry, do you have any bubble gum?
00:25:25 "Demain." Tomorrow.
00:25:29 Tomorrow.
00:25:44 - Répétez aprés moi. "Door."
00:25:48 - Street.
00:25:50 - Lady.
00:25:52 - Window.
00:25:54 - Flowers.
00:26:03 "Monsieur le" wise guy.
00:26:08 A very hard word.
00:26:10 Massachusetts!
00:26:17 An American song.
00:26:20 - I got.
00:26:25 Good.
00:28:35 Charleston!
00:28:51 Choo-choo train!
00:29:00 Soldier!
00:29:11 Napoleon!
00:29:14 Cowboy!
00:29:18 Hopalong Cassidy!
00:29:43 - Charles!
00:29:50 Airplane!
00:30:02 More!
00:30:23 - Good evening. I'm sorry I'm late.
00:30:26 The moment I went to dress...
00:30:28 ...the phone started ringing
00:30:31 Would you like one of these?
00:30:32 Fine, fine.
00:30:34 I've never seen so many
00:30:37 The Champs Elysée looks
00:30:40 Do you live here
00:30:42 I usually go home to Baltimore
00:30:48 That's quite a dress
00:30:52 - Thanks.
00:30:55 Modesty.
00:30:56 - Cheers.
00:30:59 I see it's a formal brawl
00:31:02 What makes you think that?
00:31:03 The more formal the party is,
00:31:06 No, you're quite wrong.
00:31:10 Where is everybody?
00:31:12 Here.
00:31:13 Downstairs?
00:31:15 No, here in this room.
00:31:19 What about that extra girl?
00:31:22 That's me.
00:31:26 - The party's you and me?
00:31:29 I see. It's kind of
00:31:33 In a way.
00:31:37 Well, lady...
00:31:38 ...here's your dough back. I'll
00:31:42 Wait a minute.
00:31:43 Wait, my foot!
00:31:44 You must be
00:31:47 I know I need dough, but
00:31:49 If you're hard up for companionship...
00:31:51 ...they have guys in town who
00:31:53 Call one of them.
00:31:55 What's so funny?
00:31:57 You! You're so righteous.
00:32:00 Stop defending your honor
00:32:02 ...and listen to me for a minute.
00:32:04 I don't need a paid escort.
00:32:07 And I'm not trying to rob you
00:32:11 I'm interested in your work
00:32:15 Is that such a crime?
00:32:16 Well, it certainly is
00:32:20 Would you have accepted
00:32:24 I want to help you.
00:32:25 I think you have
00:32:29 It doesn't hurt to have
00:32:32 - It'll be the first time anybody ever did.
00:32:37 Please?
00:32:42 How's the food downstairs?
00:32:44 - Very good.
00:32:47 Would it embarrass you
00:32:50 Let's go someplace I can afford.
00:32:52 How about the Café Flodair
00:32:55 I feel like "jazz hot".
00:32:57 It better not be.
00:32:59 I'd like to show a little profit
00:33:22 How long did it last?
00:33:24 About two years.
00:33:26 I lost him in the war.
00:33:28 I'm sorry.
00:33:29 To another woman.
00:33:32 Somebody he met in California
00:33:34 If he was the dog you
00:33:36 ...you must have been glad
00:33:38 I was, I guess, except that I...
00:33:40 Except it would have been
00:33:43 ...if you could have kissed him off.
00:33:44 I guess.
00:33:45 You should get married again.
00:33:48 - Why?
00:33:49 Everybody must
00:33:51 Especially when you don't work.
00:33:54 No, thank you.
00:33:56 - Besides, I have work to do.
00:33:59 Well, for the moment, you.
00:34:01 I want to bring you
00:34:03 They know me.
00:34:06 We have a large collection at home.
00:34:08 I could sponsor you...
00:34:10 ...talk about you, encourage you.
00:34:12 When you've done enough canvases
00:34:16 That is, if you'll let me.
00:34:18 It sounds great,
00:34:21 Just the excitement of
00:34:25 ...and finding out if I'm right.
00:34:28 - Milo, darling.
00:34:31 This is Jerry Mulligan.
00:34:33 This is Tommy Baldwin.
00:34:36 Milo, I'm showing the Jansens
00:34:40 What do you say?
00:34:42 Anything you like.
00:34:43 Follow me. You need radar to
00:34:55 - Who are the Jansens?
00:34:57 - What're they like?
00:35:04 - Look what I found.
00:35:09 - Jack, say hello to Milo.
00:35:13 This is Jerry Mulligan.
00:35:15 How do you do?
00:35:16 Isn't this the chap you
00:35:21 Waiter, two more glasses, please.
00:35:24 Milo says you're quite wonderful.
00:35:26 I'd love to see
00:35:27 I'm having a private showing
00:35:31 You paint?
00:35:33 So do we. Jack and I.
00:35:35 Well, that's cozy.
00:35:37 Dance, you two.
00:35:40 Come on, Jack.
00:35:42 Have fun.
00:35:44 There's a special doll over there.
00:35:48 No. But she is lovely,
00:35:51 She sure is.
00:35:53 I'm very anxious
00:35:55 If you like it, you can get
00:35:58 Nothing to it.
00:35:59 - Lise.
00:36:01 Her name is Lise.
00:36:04 Let's dance.
00:36:09 Excuse me, Jerry.
00:36:21 You're going to have trouble
00:36:23 No, I'm not.
00:36:27 When will you stop involving
00:36:30 It never works.
00:36:32 If they're no good, you're ashamed.
00:36:35 Just dance, Tommy, please.
00:36:36 All right. But I warn you,
00:36:39 ...just like the composer
00:37:01 Lise! I didn't
00:37:03 What a pleasant surprise!
00:37:05 My wife and I were talking...
00:37:07 ...and were wondering
00:37:10 Let's go around the floor
00:37:18 You're certainly not
00:37:20 Don't get angry.
00:37:23 I haven't been able to take
00:37:27 I only let you do this because
00:37:30 And I don't have a wife.
00:37:32 I threw that in to
00:37:34 That was very considerate.
00:37:36 Please, I would like to
00:37:39 In a minute.
00:37:55 I revise my estimate.
00:37:57 Make that two months.
00:38:04 This is the first time
00:38:07 At least as a civilian.
00:38:12 I don't know what type of girl
00:38:15 And now I would like
00:38:18 I thought you were bored with them.
00:38:21 You should see me now.
00:38:26 The music has stopped.
00:38:29 The elements are against me.
00:38:32 It was swell seeing you again.
00:38:36 What was your phone number?
00:38:38 It slipped my mind
00:38:40 Opera 2-5-7-4.
00:38:43 No, Lise. 2-4-7-5.
00:38:47 Thank you.
00:38:49 Good night.
00:39:01 Well, I'm tired.
00:39:03 Good night, darling.
00:39:05 Say good night to Milo.
00:39:07 - Good night, Milo.
00:39:08 Don't I owe you something
00:39:10 Forget it. You do it next time.
00:39:13 Good night.
00:39:15 Good night.
00:39:26 - That was fun, wasn't it?
00:39:28 That's a fascinating place.
00:39:30 I'd like to hang around
00:39:32 I can imagine
00:39:34 You've already painted
00:39:36 ...and it wasn't successful.
00:39:38 Don't tell me how
00:39:41 I didn't like
00:39:43 I thought you were very rude.
00:39:44 Rude? I didn't mean
00:39:47 Picking up stray women
00:39:49 ...but don't do it with me.
00:39:52 That's clear. That's very clear.
00:39:55 Sensitive artists!
00:39:57 ...but oblivious of others.
00:39:59 You don't understand
00:40:01 It's been fun.
00:40:03 Sorry you're stuck
00:40:04 - I still like the pictures.
00:40:24 Jerry Mulligan.
00:40:26 I met you at the Café Flodair
00:40:30 You!
00:40:31 Yeah, me.
00:40:33 It's a beautiful day and I thought
00:40:36 Well, now, one moment, Mr. Mooligan.
00:40:40 Mulligan.
00:40:41 Last night you were an annoyance.
00:40:43 But today you're growing
00:40:45 Now please leave me alone and don't
00:41:18 Good morning.
00:41:21 Good morning.
00:41:23 Would you care for...
00:41:24 No, thanks.
00:41:27 I've been up for hours...
00:41:29 ...working, I might add, for you.
00:41:31 Do you know Jules Parmentier,
00:41:33 I know of him.
00:41:35 He came to the hotel
00:41:39 I showed him your pictures.
00:41:42 He thought you
00:41:44 He thought they were fresh.
00:41:46 - That's wonderful.
00:41:48 ...but he wants to talk
00:41:50 - That's a long way off.
00:41:53 I don't have near enough
00:41:55 - What I do have, I'm not sure...
00:41:58 Then I went to the Marais Galleries
00:42:01 He's a very old friend of mine.
00:42:03 He's coming tomorrow
00:42:07 You don't waste any time, do you?
00:42:12 I hope not.
00:42:15 Come with me and we'll
00:42:19 I've something to do
00:42:22 ...but I could meet you.
00:42:24 How about the Restaurant Paul
00:42:27 I'll see you there at one.
00:42:32 I'm sorry about that
00:42:35 I was tired I guess.
00:42:38 Forget it.
00:42:40 - I did.
00:42:44 See you at one.
00:43:02 Very nice for a summer perfume.
00:43:10 This is a little heavy.
00:43:12 I'll show you something else.
00:43:14 What's that one on the right?
00:43:17 - This one?
00:43:22 This is very nice.
00:43:25 It's called Escapade.
00:43:28 There's a saleslady free at the
00:43:31 Thank you, but what I want
00:43:34 I don't know which to choose.
00:43:38 I wish my husband were here.
00:43:41 He's so fussy about the way I smell.
00:43:43 Why don't you bring him later
00:43:46 That's an excellent idea.
00:43:48 He's in Milwaukee.
00:43:50 Dear, oh, dear.
00:43:53 I always get a rash if I
00:43:57 Let me help you.
00:43:58 I'd have the man's point of view.
00:44:00 Yes, that's a good idea. Here.
00:44:03 See which one you like.
00:44:07 Not bad.
00:44:12 This is it.
00:44:13 "Nuit d'Amour." Night of Love.
00:44:15 - No contest, lady.
00:44:17 Wear that and the Frenchmen will
00:44:21 I'll take it.
00:44:23 Would you send it to my hotel,
00:44:25 I'm Mrs. Edna Mae Benstrom.
00:44:30 Here's my card.
00:44:32 Thank you.
00:44:33 I think I'll put a little on.
00:44:36 It is good, isn't it?
00:44:38 You'll need protection.
00:44:40 I hope so.
00:44:42 You've been very kind.
00:44:45 Thank you both. Good day.
00:44:47 Good day.
00:44:49 Now, "monsieur", what
00:44:51 You know what you can do
00:44:54 How do you know I'm not married?
00:44:56 That finger on your left
00:45:00 It's a pity you don't have as much
00:45:03 I do. You've only seen
00:45:05 I have a lighter side.
00:45:08 I go to parties, put on hats
00:45:11 You see? What do you say?
00:45:15 All right. You win.
00:45:18 You can take me for lunch.
00:45:20 I can't. How about dinner?
00:45:23 No. That's not possible.
00:45:25 You have a date?
00:45:26 What about after dinner?
00:45:32 I guess it would be all right.
00:45:34 - I'll pick you up.
00:45:38 Do you know the Café Bel-Ami?
00:45:40 By the bridge?
00:45:41 - I'll see you there at nine.
00:45:46 There is no happier man in Paris
00:45:50 At this moment.
00:46:07 Madame, you're delicious!
00:46:32 One's company, two's a crowd.
00:46:42 Disappear!
00:46:44 Hit the boulevard!
00:48:37 Look! One hand.
00:50:11 Hello. What's new?
00:50:13 Who is this?
00:50:15 - Guess.
00:50:17 You always call at the wrong moment.
00:50:19 Wrong moment? You make me feel
00:50:23 When's the new number
00:50:25 The new number goes in tonight.
00:50:27 What? Tonight, Henri?
00:50:29 Yes, darling, tonight.
00:50:31 Are you having a party?
00:50:33 No, I was talking to Lise,
00:50:37 Give me a rundown on that menu.
00:50:39 What're you having to eat?
00:50:41 Magnificent pheasant.
00:50:43 I can drop everything
00:50:46 That is, if I'm not intruding.
00:50:48 No, no. I see you later at the cafe.
00:50:52 I'm hungry.
00:50:55 That Adam.
00:50:57 What's the matter, darling?
00:51:00 If you can't,
00:51:03 Don't worry.
00:51:04 - No. Of course, I want to come.
00:51:26 Would you...
00:51:29 Yes, thank you.
00:51:33 I wasn't sure you'd come.
00:51:35 I thought maybe you said yes
00:51:38 Not that it would have.
00:51:41 What would you like?
00:51:46 Would you mind if we didn't sit here?
00:51:49 - Why, no.
00:51:58 I'm sorry.
00:51:59 That's all right. I didn't feel
00:52:11 Let's walk along the river.
00:52:13 All right.
00:52:29 I have a big thing for this spot.
00:52:30 One of these days
00:52:33 You're a painter?
00:52:35 You don't look like a painter.
00:52:37 There are those who'll say
00:52:40 But that doesn't bother me.
00:52:44 That much about you, I know.
00:52:47 Yes, you do, don't you?
00:52:49 But mark me well,
00:52:51 ...the world will ring
00:52:54 Picasso will be remembered
00:52:57 This tree will be famous because
00:53:02 And when will this
00:53:05 Well, it's hard to say.
00:53:08 Civilization has a natural resistance
00:53:14 It might take quite a while.
00:53:15 Quite a while.
00:53:23 - How do you feel now?
00:53:25 A moment ago you were acting like
00:53:29 I was, wasn't I?
00:53:31 Why?
00:53:34 No. Never mind, never mind.
00:53:36 Don't try to think up
00:53:38 I don't have to know.
00:53:43 Candy. Would you like some?
00:53:45 I couldn't eat a whole one.
00:53:48 Go ahead. Try.
00:53:51 The night's young.
00:53:54 We should live dangerously.
00:54:13 Tell me some more.
00:54:16 Well...
00:54:18 ...in America,
00:54:21 No work, no school...
00:54:24 ...when you get home, no money.
00:54:28 And Sunday?
00:54:31 In America, everybody
00:54:35 - Did you?
00:54:39 What about you? Aren't you sick
00:54:43 I'd rather listen to you.
00:54:47 - You'll have to get over that.
00:54:51 With a binding like you've got...
00:54:53 ...people will want
00:54:56 What does that mean?
00:54:57 Well, primarily, it means
00:55:01 - I am?
00:55:03 How do you know?
00:55:05 I heard it on the radio.
00:55:08 Making fun with me.
00:55:10 Doesn't everybody tell you that?
00:55:13 I haven't been out with many people.
00:55:15 And always friends.
00:55:17 Honey, believe me, I'm no enemy.
00:55:33 I don't know if you're
00:55:35 ...or just a still water
00:55:39 ...but there's one
00:55:41 If I'd been around sooner,
00:55:45 ...you're very pretty.
00:55:47 And I'm not making fun with you.
00:59:45 - What time is it?
00:59:48 - Eleven! I have to go.
00:59:50 - When will I see you again?
00:59:53 Lise, we have to
00:59:56 Yes, we do, don't we?
00:59:59 Tomorrow night.
01:00:00 - No, I can't. How about lunch?
01:00:04 Saturday morning I'm at
01:00:06 - I'm finished at noon. Meet me there?
01:00:43 How are you?
01:03:05 I am delighted.
01:03:08 I'm so sorry.
01:03:09 Lise, I have wonderful news.
01:03:11 This, I take it, is the young
01:03:14 That's right.
01:03:15 This is John MacDowd,
01:03:18 - How do you do?
01:03:20 I've been trying to persuade Henri
01:03:23 ...and give us Yanks a break.
01:03:24 He says he has to
01:03:26 You make him do it, Miss Lise.
01:03:28 - I'll call you in a few days.
01:03:31 And may I say, your Lise certainly
01:03:36 Thank you, Johnny.
01:03:39 - I'm sorry, but the movie...
01:03:42 What do think of the news?
01:03:44 John wants me to go
01:03:47 We could get married
01:03:49 Doesn't that sound wonderful?
01:03:53 - When would you go?
01:03:55 John will have to
01:03:58 But it could be beautiful.
01:04:00 A honeymoon on the boat...
01:04:02 ...then America.
01:04:05 You'll love the Americans.
01:04:27 - Your limousine is here, sir.
01:04:31 This sponsor of yours...
01:04:33 ...what does she want
01:04:35 -Don't tell me. I shock easily.
01:04:39 She's just a goodhearted kid
01:04:43 That's real dreamy of her.
01:04:45 Tell me, when you get married...
01:04:47 ...will you keep your maiden name?
01:05:00 Hello, Therese.
01:05:02 "Monsieur" Jerry, don't pay
01:05:05 I don't intend to.
01:05:07 Suppose you do have to make
01:05:09 It's all for the sake of art.
01:05:10 I don't have to make love...
01:10:04 Bravo!
01:10:10 Colossal! Encore!
01:10:11 Encore! "Magnifique"! Bravo!
01:10:41 Who are we seeing here?
01:10:43 Never you mind.
01:11:08 What is all this?
01:11:10 Your studio.
01:11:12 I've got a studio.
01:11:14 Well, yes, I know, Jerry,
01:11:18 This isn't to live in,
01:11:20 I can't afford a joint like this.
01:11:23 Why do you make
01:11:25 Because I ain't got any...
01:11:27 ...and when you ain't got any,
01:11:31 Don't be silly.
01:11:33 In three months.
01:11:35 Three months?
01:11:37 That's the real surprise.
01:11:38 Your exhibition at
01:11:41 My exhibition in three months?
01:11:43 Already they're
01:11:45 Wait a minute, hold everything.
01:11:47 Sit down and let's see
01:11:51 More than anything,
01:11:54 But when I'm ready.
01:11:56 When my stuff is good enough
01:11:59 You can't set a production date
01:12:02 Don't you understand?
01:12:05 I do understand, Jerry.
01:12:07 But you're a painter and you want
01:12:11 I want that too.
01:12:13 Give me an opportunity to provide
01:12:17 ...where people can see your things.
01:12:20 Is that so extraordinary?
01:12:23 Look, you're a painter
01:12:26 I happen to have a little drive.
01:12:28 That's a good combination.
01:12:31 Besides, you have to
01:12:34 Yeah, but three months.
01:12:39 Of course, it'll be work.
01:12:42 That doesn't matter.
01:12:50 I'll do it.
01:12:53 I pay you back.
01:12:56 Jerry, I'm so glad.
01:12:58 I would have died if you'd said no.
01:14:40 - Did you think I wasn't coming?
01:14:42 Let's take a cab over to the Bois.
01:14:58 I want to drop my stuff off.
01:15:00 - When do you have to be back?
01:15:03 That's not much time.
01:15:05 What kept you?
01:15:08 Well, I...
01:15:10 I wanted to tell you, Jerry...
01:15:14 What?
01:15:17 We have so little time together.
01:15:21 ...and not talk about anything
01:15:26 I promise I'll never ask
01:15:30 Well, I suppose it's just as well.
01:15:33 - What?
01:15:36 Why? What do you do
01:15:39 If you don't want to
01:15:42 Let's let it go at that.
01:15:49 Kiss me.
01:15:57 - Why are we stopping here?
01:16:00 - No, Jerry, let's go on...
01:16:04 I'll be back in a minute.
01:16:06 Hi, kid.
01:16:07 - What's your rush?
01:16:09 Have Therese put these in my room.
01:16:14 Sit down.
01:16:16 I've got someone waiting
01:16:25 Have some coffee.
01:16:29 Georges, two coffees.
01:16:30 - "Bonjour", Jerry, Adam.
01:16:40 So your exhibition's
01:16:43 Why so glum?
01:16:44 - Woman trouble.
01:16:47 That was her in the cab.
01:16:59 I told you this sponsoring business
01:17:03 Women act like men
01:17:06 What are you talking about?
01:17:07 That girl in the cab.
01:17:10 No. That's a different girl.
01:17:12 You're a busy little man these days.
01:17:16 I'm hooked.
01:17:17 That girl's it.
01:17:19 Is she worthy of
01:17:22 She's worthy of anyone.
01:17:25 What gets me is,
01:17:29 We manage to be together for a few
01:17:33 Sometimes we have
01:17:36 Other times it's no fun at all...
01:17:39 ...but I got to be with her.
01:17:41 Yep. You're hooked.
01:17:45 - What's her name?
01:17:50 Georges, some brandy.
01:17:52 And some cleaning fluid.
01:17:59 - Hi, Hank.
01:18:02 - My guest.
01:18:03 Georges, a little sherry.
01:18:05 Adam, I have wonderful news.
01:18:08 That's great.
01:18:10 - I'm going to be married.
01:18:13 We're getting married and going
01:18:17 Another brandy.
01:18:20 - Last night.
01:18:22 I'm glad somebody's happy.
01:18:23 - What's the matter?
01:18:26 Maybe I can help.
01:18:27 Did I ever tell you about
01:18:30 Wait. Jerry has some problem,
01:18:33 It's pretty complicated.
01:18:36 There's a gal who's sponsoring me...
01:18:38 ...and she's really
01:18:40 She's stuck on me.
01:18:42 There's a girl I'm stuck on.
01:18:44 She doesn't know about the first one.
01:18:45 Naturally.
01:18:48 - So far.
01:18:49 The girl I'm stuck on has
01:18:52 So we go out together
01:18:56 Let me ask you something.
01:18:57 Is this girl, as you say,
01:19:01 - I think so.
01:19:04 Where'd they go?
01:19:05 - No problems?
01:19:08 There's only one problem with
01:19:11 When one of them's in love
01:19:14 After that, it's all mechanics.
01:19:16 Have you told her you love her?
01:19:19 No, not in so many words.
01:19:20 When you don't know what goes,
01:19:23 The first thing to do
01:19:26 Believe me, Jerry, with a woman...
01:19:28 ...one insincere "I love you"
01:19:31 ...will bring more results than ten
01:19:35 So go to her and tell her
01:19:37 Then she'll tell you she loves you.
01:19:39 Then you will embrace.
01:19:41 You will both be very happy.
01:19:43 And then you will ask
01:19:46 - You want to, don't you?
01:19:49 Good. Then she will say yes...
01:19:51 ...and then you will tell her
01:19:55 ...and she will tell you about hers.
01:19:56 And you'll see.
01:20:00 Is it as simple as that?
01:20:01 Strange as it seems, yes.
01:20:04 - You only find the right woman once.
01:20:07 - When will you be with her?
01:20:09 So you know what to do?
01:20:11 - I'll do it. Thanks.
01:20:13 Adam, to be in love is to be alive.
01:20:16 Jerry and I, we are so lucky,
01:20:18 He's right.
01:23:34 I have something to tell you.
01:23:37 I have something to tell you.
01:23:40 I love you.
01:23:41 I love you and everything's
01:23:48 I won't see you anymore.
01:23:50 What do you mean?
01:23:54 I'm getting married.
01:23:55 You're getting...
01:23:59 You're in love with me,
01:24:03 It doesn't matter
01:24:05 It doesn't matter?
01:24:08 I couldn't leave him.
01:24:10 - Who?
01:24:19 I practically owe him
01:24:22 During the war, my parents
01:24:26 I was so young,
01:24:29 ...and if he'd been caught,
01:24:32 But for five years
01:24:35 He was all I had...
01:24:37 ...and I loved him.
01:24:39 And he grew to love me.
01:24:43 Jerry, I can't!
01:24:45 You must understand.
01:24:49 Sure.
01:24:51 Well, it's okay.
01:24:54 There's a woman who's
01:24:57 ...who means so much to me, I wouldn't
01:25:00 My work's so important.
01:25:06 Good luck.
01:25:17 If it means anything to you,
01:25:24 Goodbye, Lise.
01:25:36 What are you doing tonight?
01:25:37 I was getting ready
01:25:40 - How about breaking it?
01:25:45 But not impossible.
01:25:47 You know, some days you
01:25:51 Is this one of them?
01:25:53 This is one of your best.
01:25:58 This is one of your good days too.
01:26:02 You and I are going out tonight.
01:26:03 I'm taking you to the Art
01:26:06 It's jet-propelled New Year's Eve,
01:26:09 It's costume, isn't it?
01:26:11 I'll take care of that.
01:26:14 I feel like a woman for a change.
01:26:16 You are.
01:26:18 - Haven't I ever mentioned it to you?
01:26:21 You will hear
01:26:25 I'll be back soon.
01:26:46 I want some champagne!
01:26:48 So do I! They all seem
01:26:50 Come on!
01:27:29 Come on, let's get some champagne!
01:27:41 - Are these parties always this wild?
01:27:44 Look at that costume.
01:27:45 Jerry Mulligan, a buddy of mine,
01:27:48 - Thanks.
01:27:51 May his name survive his folly.
01:27:52 His folly? What's he doing?
01:27:55 - He's giving a show. He's a painter.
01:27:58 - He'll get it in the neck.
01:28:02 He's got a sponsor that's
01:28:05 Well, Charmaine, this is farewell!
01:28:07 Let's not say "au revoir".
01:28:11 By the way, I think you might
01:28:16 I know you are.
01:28:39 The vanishing American!
01:28:41 Finally! I met
01:28:44 Who?
01:28:45 Him. Who is he?
01:28:47 That's Adam Cook.
01:28:50 That's funny.
01:28:52 It's not funny.
01:29:00 - What a pleasant surprise.
01:29:02 - Jerry, this is Lise.
01:29:05 And Miss Roberts.
01:29:06 Milo, this is Henri Baurel
01:29:09 This is our last night in Paris.
01:29:12 We are driving to Le Havre
01:29:15 And then we leave for America.
01:29:17 Well, that sounds
01:29:22 Let's dance, Henri.
01:29:23 Nice to have met you.
01:29:25 I'll see you later.
01:29:27 That little advice I gave you
01:29:30 - It worked out fine?
01:29:33 Good!
01:29:38 - Haven't I seen that girl before?
01:29:40 Her face seems very familiar.
01:29:42 Quite a nice boy. He's a painter.
01:29:45 A friend of Adam's.
01:29:49 - Are you all right?
01:29:59 Milo, I'm a fake.
01:30:01 I'm not full of life and good spirits.
01:30:05 I shouldn't have
01:30:09 That girl.
01:30:11 In the nightclub.
01:30:13 I'm in love with her.
01:30:17 I think I need some champagne.
01:31:33 I didn't know you were
01:31:37 I couldn't tell you.
01:31:40 - Tomorrow?
01:31:45 It's so dreadful
01:31:48 ...and not having
01:31:51 You'll always be
01:32:12 Maybe not always.
01:32:14 Paris has ways
01:32:17 Paris? No. Not this city.
01:32:23 It's too real and too beautiful.
01:32:25 Never lets you forget anything.
01:32:28 Reaches in and opens you wide...
01:32:31 ...and you stay that way.
01:32:33 I know.
01:32:35 I came to Paris to study
01:32:38 ...because Utrillo did
01:32:42 I loved what they created...
01:32:44 ...and I thought something
01:32:47 It happened, all right.
01:32:50 Now what have I got left?
01:32:52 Paris.
01:32:54 Maybe that's enough for some,
01:32:58 Because the more beautiful
01:33:00 ...the more it'll hurt without you.
01:33:07 Don't let me leave you this way.